#gta online protagonist

[asdear]

There are a few more, but these are the top characters. 👀😏

[adam-trademark]

SESH

(March 22, 2023)

[starksinner]

Why Didn't You Stop Me?

Summary: You left and you horribly wish he would’ve forced you to stay.

Pairing: Trevor Philips x AFAB!Reader, Franklin Clinton x AFAB!Reader

Warnings: Smut, Sexual Content, Possessiveness, Fuckbuddies, Unhealthy Relationship, Average GTA Stuff

November 16th, 2017.

It was easy to regret not catching a ride back to Los Santos with Franklin in his sexy white Bravado Buffalo S. 

Regret is easy, regret you know. Regret can grow and grow it does as you make eye contact with the hillbilly jacking off next to the icebox in front of the Yellow Jack Inn. 

After a couple of days gallivanting around the desert shit-pile that was Sandy Shores, Franklin deemed that your weed-fuelled, fuck-filled adventures had reached a necessary end.

Despite his intriguing offers of more shenanigans and freaky sex once you both got back home, you weren’t all that keen on leaving the town of meth production and Republican rednecks just yet. 

“M’gonna go see him,” you sighed, resting your head back against the stained motel pillow. 

Moments before, as Franklin had fucked you raw into the cheap motel mattress, you were met with the smell of blood and piss and cum as your face was shoved into the shitty cushion.

Despite the abysmal scent, the man was taking you so good and so fuckin’ hard, you couldn’t force yourself to care. 

Now though, as you laid sated in your post-climax glow of sweat and semen, the smell against your cheek served as an unignorable reminder of your still bleeding heart. 

That man, that asshole, that meth-head-Trevor-Philips-piece-of-fucking-shit—goddamnit.

You still hopelessly, stupidly, selfishly loved him. The fucked kind of love.

Always caked in blood, smelling like piss after running off to get high and grinning like an evil bitch as he came all over your chin and tits. The smell of the Derelict Motel—the sheets, the pillow, the musty air—was all just a nauseating reminder of how much you missed him. 

Your therapist was gonna kill you. 

“You know that ain’t a good idea,” Franklin murmured, running his thumb over the plushness of your bottom lip.

Your eyes met his and you couldn’t help but shiver at the way he looked at you, his gaze so soft and so full of adoration. 

He made you feel like you weren't just a burning shitpile of flesh, bones, and substance abuse issues.

Frank is a good friend, a great man, a nice fuck. He was always there to bring you back down to Earth. He was so easy to love and you sure as shit loved him a whole lot. Beautiful fuckin’ man. “He ain’t right in the head about you.”

“We both know he ain’t right the head about nothin’,” you argued, leaning your body over his. Beautiful man.

“And he’s a big boy. He can take it. Whatever I wanna throw at him.” Your legs quickly became tangled, Frank’s hands resting over your hips as you smiled and played with his chest hair. “He can fuck all the people he wants, but I can’t touch or look or fuckin' breathe around anyone but him? He’s a fuckin’ ass.”

“He fell for you, girl. T’s always been crazy an’ possessive, his shit ain’t nothin’ new.” Franklin snuggled your body closer to his, sighing softly as he pressed his face into the warm crevice of your neck. 

He couldn’t control himself, not when he had you like this. You were so hot and so sweet and just so fucking delicious. 

Shit. 

His lips lingered over the sensitive spot at the base of your throat, his tongue reaching out to tease a fading bruise. He did that. He made that. He marked you. 

Fuck.

He groaned as you gave him easier access by raising your chin, letting him worship you like the real fuckin’ princess he always thought you were.

“He was fuckin’ paranoid and possessive in all the worst fuckin’ ways, Frank. I fuckin’ hate him for how he acted when I said I was leavin’ but I still...miss him.” You hummed softly as you felt Franklin’s lips suck right over your pulse point, his teeth just brushing over your delicate skin.

You held down the urge to beg him to bite you.

“Yeah, you miss him, but ain’t nothin’ gonna be solved if you both end up killin’ each other...or fuckin’ each other,” Frank breathed roughly against the shell of your ear as his hand wandered across your stomach and down to your aching clit. 

He immediately preened at your wetness and teased the bundle of nerves with soft, circular motions. You gasped as you felt his cock harden and twitch against your thigh, begging for your pretty fucking attention.

He grinned and quickly shoved a finger into your cunt, making you moan and writhe oh so beautifully against him. “Jus’ come back home with me, baby…”

You could barely solidify your thoughts, whimpering like you were.

His motions were so smooth and perfect and rhythmic. Frank was good at a lot of things, but you considered his talent of fucking you mindless as one of his top three.

You immediately felt your wetness start to leak down your thighs. “If he still isn’t over it...I’ll fuck off, hitch a ride, meet you back at your place…yeah?”

“Yeah, baby,” he gripped your throat just how you like and shoved another finger into you, leaving you mewling and squirming in his grasp. You reached for him, hard and thick in your palm, and squeezed. 

The best girl.

If you were parting ways, Franklin was gonna have you one last time. He understood Trevor’s possessiveness. You were great company, a great fuck, a great woman.

Addicting, hell blazing, heavenly—you were everything. So fuck yeah, he was gonna have you as many times as he possibly could. “Lemme take care of you, babygirl, then you’ll be all good to go.”

The Yellow Jack Inn has never been known for its posh customers or regular demonstrations of human decency, but a man jacking it in front of such a fine all-American establishment is still a sight you couldn’t have properly braced yourself for.

As the ash of your blunt falls to the dirt, your eyes stay transfixed on the man by the icebox as he lets out a disturbing howl and drops to the ground.

His pants are stained, his dick disgusting and soft. He lets out a series of groans as he turns to lie flat on his stomach, his cock scraping against the sand.  

Jesus H. Christ. What a charmer. 

You manage to twist away from the scene in repugnance and perhaps a more sinister part of you in mild delight, settling yourself in the alley next to the bar.

You restlessly attempt to calm yourself against the brick, picking at its shoddy green paint job before you begin rolling another blunt. 

You’re stalling. Like a little bitch. It's embarrassing how much a man can turn you into such a conniving fickle coward. Perhaps not just any man. Your paranoid fuckin’ shitshow of a somewhat ex-lover. 

Embarrassing. Unbecoming. Completely mindfucked. 

You know Trevor’s inside. He’s an enigma, a loud, idiot one at that. Over the noise of clanked bottles and shitty laughter, you can hear him.

Stupid, how much of him you can hear. And see. And smell. And understand. In everything and anywhere and with anyone. He never leaves you even when he’s left you. He never leaves you even when you've left him. He’s a parasite that you’ve coddled, and cared for, and loved and fucked. 

The timber of his voice warms you in a special, fucked up kind of way. It’s familiar and it’s settling and it kills you to know that he’s spent fourteen months ridding you of it. Of him. His clinical insanity has rubbed off on you beautifully. You left and you horribly wish he would’ve forced you to stay. 

God.

Would he kill you? Kiss you? Fuck you? You’re still stalling.

Maybe all three?

Being the oil to a homicidal cannibal’s match, you could never really know what the fuck you were gonna get. You anticipate an explosion, but you’re clueless to its degree. 

You pocket your blunt, walk over the man with his dick in the sand, and open the door to the biggest health hazard in California. 

Chapter 2

a/n: found this oldie from 2021 that i was in the mood to refresh & post! i haven't written in literal years, be nice to me! also, happy ten years to this stupid fucking game. i love u. i feel old (i'm not) and i'm tired (constantly) and i hope you enjoyed (lie to me if you didn't) :3

✧ masterlist ✧ ao3 ✧ send me an ask / let's chat! ✧

[huh-huhyourself]

should set my spawn location in agency more often lol

[sleepysloth99]

Your Favorite Martian Headcanons, pt 2 of ?

This time, I'm doing it with Gen 2.

Puff Puff

He's going into therapy now. Gen 1.5 him was an asshole and now he's trying to improve.

He's in a huge situationship with Tig, trying to be better for her, but he kinda doesn't know how.

Despite his job as a waiter, it is better pay than his previous job.

Puff Puff lives with his grandma after she left the nursing home back in 1.5, but he lives there half-time. He leaves when he's either on tour with the guys or if he vanishes since he tends to do that sometimes. He always comes back, though. Surprisingly, he is very protective of his Meemaw.

He's made amends with people he's messed things up with. Him and Deejayne aren't friends but are on civil terms now.

He eventually got back in touch with Wilton (Nerdy dude from gen 1.5) and they talk a lot.

Deejay

Him and Deejayne are still very close! They facetime very often, and Deejayne invites him over during the holidays.

He uses online therapy since it's more in his budget, and he definitely finds YFM to be a therapeutic outlet.

His change of voice was because he got vocal lessons from Puff Puff and Benatar.

He got back in touch with estranged family.

Over the years since gen 1.5, Deejay is no longer the "voice of reason" since the guys all matured more and now the role of being the voice of reason is a little more evenly distributed among the 4 members.

He's still in charge of paying Netflix, though.

Axel

He decided to get buff since constant and structured movements helped him focus on his songs and calmed him down.

He's got folks somewhere, he doesn't know where. But he does know that his number one family is in an RV.

Both him and Puff Puff stopped being too mean to Benatar after he openly expressed a dislike for it.

Over the years, the guys have gotten closer as the four of them matured and understood the need to be more deeply connected in order to be a stronger band. As a result, Axel is more open to talking about how he feels now and encourages his bandmates to do the same.

He's still crummy with emotions, but he tries. He mostly uses the drums to convey his feelings.

He's getting treatment for his herpes back in gen 1.5. He's a lot more responsible with sex now.

Benatar

He actually became more assertive over the years. He's still polite, but he doesn't let anyone disrespect him anymore.

He teaches Axel English work and literary analysis since Axel was unable to finish high school.

He was initially picked on because he was the odd one out in terms of lifestyle. The other three were poor and had physically abusive parental figures in their lives. Benatar had a nice house and was well off, but his mother was emotionally, verbally, and mentally abusive, and his father was around but he wasn't emotionally available for Benatar and would frequently parentify him. This explains his passive and quiet demeanor in the past generations of Your Favorite Martian.

He plays GTA 5 and stops at the redlights, acts nice to everyone, but gets headshots every mission, gold every mission, and he stalks pedestrians at night. Don't worry, he stalks all genders of NPCs at night. He's also terrifyingly good at escaping the cops.

He had Puff Puff sing "Real Girl" for him because he's still too shy to sing a whole song by himself. He hasn't done that since "Jupiter."

In the world where Your Favorite Martian takes place, humans in the human world are presented as works of fiction. In our world, Your Favorite Martian is a cartoon band. In the world of Your Favorite, however, humans are works of fiction. We come in the form of movies, books, and other sources of media. Each person in the world is a work of fiction of some sort. With all that said, Benatar wrote "Real Girl" because of his "fictional" crush on a girl from a movie he watched. The movie was about the girl as the protagonist and her life as a young woman navigating the world of womanhood. Benatar made this song because he knew that the screen was a barrier separating two worlds, hence why he called her a "Real Girl" even though in his world, she is a fictional character.

[bourbonificould]

season 4 characters favourite video games

So obviously this would be in an AU, so

Clementine doesn't seem like the gamer type, but she'd probably try out whatever Violet/Louis play, and help AJ figure things out occasionally.

AJ would play Smash Bros and Super Mario Series 100%. His favorite character is Yoshi and he gets mad when someone picks him.

Violet probably plays Sims and makes sure that the sim representing her is miserable asf. She changes tabs to YouTube when Louis walks in.

Louis loves every game ever... except for Mario Kart for "personal reasons". He has every musical tiles game on his phone.

Omar secretly plays cooking simulators but switches to overwatch when someone walks in.

Aasim plays GTA just to set civilians on fire.

Mitch plays GTA with Aasim with Willy, but is usually just telling Willy to blow up Aasim's car. He goes on Red Dead Online and buys way too much dynamite.

Marlon plays Pokemon and argues that it's still the best series out there. Sometimes he plays GTA with the guys.

Brody likes story games and almost always falls in love with the protagonist of the game.

Ruby doesn't have a favorite game and is actually employed unlike most of these guys.

Tennessee doesn't like consoles, but sometimes he sits with Violet or Minnie and makes them some Sims characters.

James never tells anyone, but when he goes home he plays Life is Strange. He tells everyone that he likes Legend of Zelda though.

Minerva is open about her Sims love and gets offended when Sophie tells her to get off and come eat dinner.

[iamafanofcartoons]

We need to address how media, and media critics, portray female characters poorly. What can be done about it? What are examples of media works that portray complex female characters well? What are writing tips for people trying to write complex female characters? Why do media critics hate on women?

Its just something I noticed.

Male writers drop the ball with female characters all the time. They'll give the men all the good lines but women get weak roles and no sense of humor. When we complain they then make a female character who has too many boyfriends and too much ego and too much power but no resourcefulness, or she's super powerful but still needs a man to save her, and of course they make her complain about everything and fight with everyone who helps her. I could go on and on.

A lot of people are incapable of viewing female characters as anything other than an innocent saint or a portrait of pure evil. Arguably the best characters are morally ambiguous ones who live in the gray area between good and evil, but women are much less often afforded that distinction than their male counterparts.

I'm been having a huge problem connecting to media. The only women around are very young or very old and their main defining feature is usually motherhood. If a woman my age exists who isn't a mom she's usually either obsessed with men or desperate to have a baby (or will be once the right dude comes along).

Fanfiction has great female characters , but you keep running into people who will only write a complex woman who's tied to a male main character.

Michael Burnham from Star Trek: Discovery . POC Female Protagonist. You probably have heard or seen a lot of hatred against.

Korra from The Legend Of Korra. Sequel Series to ATLA. POC Female Protagonist. Despite losing fights and suffering extreme trauma and making mistakes, critics passionately bash the show, calling her a Mary-Sue, and accusing the show of being Protagonist-Centered Morality.

A lot of the time if there is a military high ranking female character or just female leader that is masculine or butch she will be the villain to be defeated by the traditionally feminine or at least more feminine heroine/love interest of the hero. I hate this because it basically implies that a woman can only be good if she’s conventionally attractive or a love interest. It’s saying being butch is bad/evil.

Even movies trying to be feminist, like “Contact” which I had to watch for homework? With Jodie Foster from the 1990s told the brilliant, focused woman scientist to not be so “confrontational” (as two male characters stole credit for her work right after they stole her funding) and to be happy with “small moves.” They continued to pat her on the head and tell her to be quiet through the whole movie. The one time she even spoke to another woman was to ask where she could find a really pretty dress. This was supposed to show growth in her character arc.

If I recall correctly, one of the playable characters in the next release of the grand theft auto series is gonna be a women. People online were flipping out over this saying they are being too "woke", among other things. Its funny to me because there has been 5 gta games with only male protagonists, and now there's 1 female in it and suddenly its a problem. Its like these people think there are only 2 genders in games, male and woke.

Heck, people love basic trope laden protagonists..... until they are women.

People love unreasonably over powered characters that are loved or feared in equal measure by the entire cast..... until its a woman.

Then all of a sudden, she's a Mary-Sue and the show/game/book is "Protagonist-Centered Morality"

Some characters who are torn apart for their initial naïveté like Sansa Stark or Usagi Tsukino (Sailor Moon) are immediately written off as stupid girl characters. Never mind that one becomes a political powerhouse and the other routinely saves the world. People just write their characters off as too “girly” or “annoying” before they even have the chance to redeem themselves in their stories.

Feels like at it's core, people don't like women trying to build self confidence and play out power fantasies. The only difference with the original Mary Sue was that she was imagining being liked by everyone, which was every woman's dream back then and to a certain extent, now. The power was being well liked, and that made her annoyingly boring because there was no struggle for her. Men think struggle is needed, even in fantasies and dreams, but it isn't.

The term Mary-Sue gained a new popularity by shaming female characters (such as Rey, Galadriel, Captain Marvel,…). I am not saying the term is not used towards male characters as well, but it is more rare, and it is rarely as violent as when it is used to characterize a female character.

More importantly it is used against female characters unevenly compared to male characters, its accepted as a genre trope for a male character to be extremely capable or to acrue experience and ability rapidly throughout the narrative. But when it's a woman suddenly "realism" must apply, a real person doesn't simply gain strength and talent through endless perfectly leveled hardship. In simpler terms, Batman can launch a thug across the room with a single punch and it's awesome, Black Widow, however, is breaking the laws of physics when she does her famous around the neck takedown.

Neither are realistic, arguably any grown man launching another grown man bodily through the air with a casual punch is less realistic than a woman pulling off a skilled takedown, but the unequal application of standards says all that needs to be said about the critic.

Writing a "mary sue" to be male often results in a praised character that people don't really worry about. Like Goku or Kirito. People are fine with it. Enjoy it. And there's massive amounts of rather popular fanfiction taking random male characters in series and sue-ifying them, making them the protagonist over the actual main characters, and slapping in poorly developed romance arcs. It's "mary sue" 101, but hardly anyone talks about them in that light.

Meanwhile a woman shows a level of competence similar to another character in the same series (e.g. Rey to Luke or Anakin) and the accusations are everywhere.

Calling these characters one-dimensional is one of the dog-whistles of the modern [whatever]-gate colony creature.

They know that they'll get savaged if they come out and say they're mad because this character is a woman, so they couch everything in these subjective terms. She's one-dimensional. She's flat. She's badly written. She's a mary sue. I just couldn't relate to her.

You can argue with them, you can point out that, say, in Star Wars, that Rey's ability to handle weapons intentionally established in the early scenes of TFA, that we see the setup for the skills she's going to display later in the movie/series, and that her first win is against a badly wounded Sith apprentice. By contrast, Luke successfully fights his way through a huge space station against professional soldiers, then hops into a starfighter he's never flown before, outflies a bunch of experienced pilots, and pulls off a physically impossible shot to save the day.

But sure. Rey is the one who strains credulity.

You can point all that out, but none of it matters. They're not arguing in good faith. They're just mad that there's a girl, and know better than to say that out loud.

He pulls off the shot because he has a throwaway line about murdering animals the size of a camel for fun in his civilian craft that just so happens to have controls similar to the military superiority fighter because they were manufactured by the same company. Because that doesn't strain credibility. Also guess which parts were filled in later by novel writers who were like, "holy **** that makes no sense at all"

Sailor Moon and Sansa Stark are two female characters that start out as whiney cry-baby girlie girls who evolve into political powerhouses and heroes in their own right. But most people write their characters off immediately, because they’re disgusted by their girlish-ness.

While our media gives male characters a chance to grow, female characters are generally written off unless they either show masculine traits, or are used for fan service. It’s why women in movies and TV are usually a kickass tomboy or a girlfriend character.

So anyway, I guess my point is that there are amazing kickass women characters who are well-written and evolve and grow, but their growth tends to be written off as frivolous and not as cool as their dude counterparts.

Imagine an anime where the woman is the main character and she's strong, smart, and not sexualized ?

How about Guardian of the Spirit (seirei no moribito in Japanese)? The MC is a mercenary woman who fights with a spear. She's a complex character, maybe somewhat emotionally stunted because of growing up on the road. She meets a wonderful, compassionate male healer and I love how they break stereotypical gender roles. There's also a complete badass old lady with magical powers and a temper. One of my favourite characters in any genre.

But I'd like to add SuleMio to the list.

Some people did not like that Gundam had its first female protagonist last year, or that she's engaged to another girl, or that they have a romantic moment where Miorine makes Suletta "promise to be with me forever".

It's my first Gundam show and I was nowhere near the fandom, but even I heard the howls of rage from the otakus over that show while it was airing.

“ I highly recommend reading Mistborn by Brandon Sanderson. Strong female main character with a supportive cast of male characters. His Skyward series is also good for this.  Sanderson is great but there are some female fantasy writers that do this even better IMO. NK Jemisin has tons of great female characters. Tamsyn Muir’s Locked Tomb series has a majority female cast and I’d say 4 or 5 of them are in the top ten most interesting and complex female characters I’ve read. “

You heard of The Bechdel test: Two women have to talk about something other than a man. There is no time window. It came up in a 1985 comic Dykes To Watch Out For and although it is not a great indicator of more feminist content, it's a wonder much media fails to pass that test.

Have you seen

Arcane? That is a wild crazy masterpiece with awesomely complex awesome characters. It's animated, yeah, so what? But I mean, to say "it's animated" is a heavy  understatement. Have you seen Jinx? Have you seen her portrayal of psychosis and godknows what else was happening in her head? No one in history came even close to that.

Queen's Gambit? Anya Taylor-Joy brought Beth Harmon flawlessly through immense complexity of the character

Mare of Easttown - Kate Winslet there is, I kid you not, the best acting I have ever seen. Her character is going through complex situations and emotions and learning to deal with her human side. Bryan Cranston raised the bar ridiculously high with Walter White, but Kate Winslet pushed it further up, set explosives on it, and walked away like a badass without looking at the explosion. No one is topping that anytime soon.

I'm sure there are more examples. But what I love about these, and a big part of what makes them perfect is that they are their own characters and aren't defined by men around them. Their greatn

I wish female characters were given better in terms of development and characterization. Honestly, I feel like a lot of people hate female characters simply because most male dominated media does such a poor job of writing women, and those characters aren't given the same excuses as poorly written male characters.

Anyway, yeah, sorry for my rant. Having grown up on Anime, Harry Potter, Star Wars, you name it?

I later in life realized what was missing, what is needed, and really needed to hear other people's input on this stuff.

I never understood the need for every main character to be only a cishet white guy. I had already come up with several characters of my own, all of them LGBTQIA+, and half of them women, and several also POC. But my writing and art skills are poor so I can't visualize them properly...

We need more female authors, and we need to promote the ones that are out there more!

(there are plenty of really, really good female authors, in all genres, but often they get less attention, because, well, misogyny)

Edit: If you want an example of how the double-standard towards women and LGBT is applied? Go watch RWBY or Legend of Korra. Both involve a deconstruction of tropes. Both involve women standing up against an authority that demands respect based on being authority, not based on respect. Both shut down the white male savior trope so hard, that men and women who love the patriarchy despise both shows.

But of course, anything that Team RWBY or Korra does is immediately held to a double standard and ripped into for anything that they do NOT because they’re flawed or because of writing decisions. Its because they’re LGBT women that they’re held under a microscope. Or have you noticed that every fixit fanfic for both series involves defending the Patriarchy while supporting toxic masculinity and trying to revive the White Male Savior trope that both shows have tried so hard to bury six feet under?

[animasola86]

Nebbia's Origin Story

You might have seen and/or read about my HL MC Nebbia DeLuca, who I kinda revived for my HL playthroughs. But this very OC has been in my brain and in several attempts at writing her story for almost a decade now.

She's also been a shotgun/blood magic wielding Templar in The Secret World/Secret World Legends, or a necromancer with a greatsword and a staff in Guild Wars 2, and a car collecting maniac world explorer in GTA Online. So having "just" a wand was quite the adjustment for her!

But enough about her alter egos, how did she come to be?

She's been in my brain ever since I came into contact with The Last of Us. That game had a serious impact on me and the stories whirling through my head. I've always been a storyteller, have written stories since an early age. I've created a lot of original characters, fleshed out, with detailed backstories, but I was never able to finish their respective stories.

The themes were always pretty similar: younger woman, older man, size difference, gruff but protective male, innocent but feisty female. Side characters were always of the jealous, dangerous kind. I've always loved taboos and kinks, and the above-mentioned dynamic is one of my favorites to write (and read) stories about.

So, inspired by Joel and Ellie's relationship, I wanted to create characters that were similar, but different. My main motive for writing was always: Something's missing in those stories, let's write it myself! It started with adding romance to a thriller, love to a murder mystery, or found family/forbidden feelings to otherwise "innocent" scenarios.

For example, I've written a story about a young woman falling in love with the married father of the kid she's supposed to babysit (I swear there's more to that story than the porn clichés, it ends up turning into a psychological drama about jealousy and domination, mental illness, murder, abduction, what's real, what's not kinda scenes; unfortunately I've never finished my first proper original work that's sitting on a USB-stick somewhere since 2011. One day I'll get to finish your story, Tasja, don't worry. You'll get your happy ending!).

And then, someday in the year 2017, I started writing a story (though the idea is much older) about a post-apocalyptic world, based on an island near my hometown. I've thrown ideas around and around, researching, visiting places, creating characters, always changing something, but the basic idea that stuck was this (I suck at summaries, btw, sorry!):

Twenty years ago, there was a black-out and society collapsed. The people on that island live in groups, as far away from each other as possible to avoid conflict, as they are all stuck there, with no way to leave the island.

Enter Nebbia, born after the End, who is a girl living in an all-female village run by a group of older women called the Elders, whose daughters (creatively named the Daughters) do all their "dirty work". Nebbia is classified as a Motherless, you guessed it, lives without a mother.

And the backstory of that, in short, is: her mother was pregnant when she was found by one of the Daughters and brought to the village, gave birth, and fled the place after she discovered their dark secret (because what's a post-apocalyptic community without a dark secret, eh?), but she left Nebbia there because she knew she would have a safe home in spite of it, that is until she turns 18, when things go really dark.

In short: there's a strange little celebration, all the girls of age are dressed in their best dresses, and then leave the village on their way to another village nearby that is run by the Men... and, uh, well, yeah, society collapsed, so they try to rebuild it, it's a breeding station, oops, you get the idea.

And that is when our male protagonist comes in: Ben, in his late thirties, a gruff, lonesome smuggler/outsider/person who doesn't have a village/group, but works between them. And he is hired by none other than Nebbia's mother, Kira, to get Nebbia and save her from the horrible fate of being bred helping society grow again.

But something happens (there's a mysterious fog that keeps the people from leaving the island, but never mind that, although that is why Nebbia is called Nebbia, because fog=nebbia in Italian, because her mother is half-Italian - also, hey, off-topic, but there's a fitness clothes store called Nebbia in the Slovak Republic, isn't that cool?) and Ben loses his memories, and when he sees Nebbia, he thinks she's Kira... and kinda falls for her, because, of course, him and her were sweethearts before the End (but they had a falling out, but he doesn't remember that yet).

And Nebbia is this innocent girl, who basically worked as a slave her whole life, can't read, can't swim, is treated very poorly, can't exist outside her village, really. (And to have such a character and let her explore the world and learn stuff and blossom would have been so interesting to write!)

So Ben saves kidnaps Nebbia from the village, and they try to find their way back to Kira... and somehow this is where my ideas froze. I wanted to show their journey through the post-apocalyptic world, how their life is, what they do to survive, who they meet, that he slowly regains his memories and realizes his feelings for this girl, and once they get to where they want to go, they find out that Kira is gone/dead/I don't know, something, aaaand their journey continues? I have no idea. I never came to those parts.

I've written so many versions of that story, in German to start with (because the island it's set on is a German island), then tried recreating it in English without the local color, but it never really worked. I didn't know where it would end.

But the characters remained inside my head, I've had so many scenarios for them because I loved their dynamic, but I've never written any of them because back then I thought I needed a full story, something with beginning and end, the whole deal. I've never written one-shots before, or even short stories. I was fixated on the whole "novel" thing, that was my goal, my dream.

But now, after having written sooo many one-shots for a fandom, just snippets of people's lives and what they do in the moment, I feel confident enough to tackle it. To create little short stories centered around those very characters: Ben and Nebbia.

I've also read so many original works on AO3 lately, and seeing how people just put their own ideas out there, for everyone to see, did something to me. I always wanted to keep my ideas to myself, because, maybe, someday, I'll finish a story and could send it to a publisher and one day have my own work in book-form, but honestly, it is such a daunting idea, when all I wanna do is tell stories.

And so now I will just tell stories. I've started by writing for these characters everyone knows and loves (and I'll keep writing Sebastian smut, don't worry!), but now it's time to branch out, give those people inside my head their story, or at least snippets of their lives, and share it with the world.

And as I write this, I am working on an AU of those characters, with a completely different setting, but the same dynamic: older man, younger woman, gruff/protective vs. innocent/feisty, love in dangerous environments. Of course, it's gonna have my usual smut elements, but also world building, side characters, character development, etc. and new things to research!

(Lemme throw in some words I learned that may give a hint to where the story is set: withers, spats, stirrup. As for the time, well, it's actually an era I've already written for, but the place is a lot more... west, way west.)

I feel very inspired, and I hope I can one day (hopefully very soon*) share their story with you.

(I've made a side blog @animasolaoriginal where I'll post it once it's done or I grow too impatient to wait! I'll also post moodboards and inspirations there - eventually! If you'd like to follow me there too, I'd very much appreciate it!)

Thank you for letting me get this out. These characters are very dear to me, and I hope, once I start uploading my original work, I might catch your interest with it, and you will start to like them too!

Edit: *I did it, I posted the first chapter! 🤠

[lordnot]

Anyway: the fact that there would be any discourse around whether one of the protagonists of GTA 6, a nonwhite, conventionally attractive, semi-realistic fictional woman, is trans

really hammers home how much of what we have been taught to associate with femininity is white normative.

Also, the idea that Rockstar Games, the company that

took its GTA3 Era games off of online storefronts to maximize sales on the $60 Definitive Trilogy they shit out

added literal playable casinos to GTA Online years after its release

and pretty much abandoned Red Dead Online as soon as it was clear it wasn't drawing GTA-Online-levels of revenue

would take such a financial risk as including a trans protagonist is laughable.

[gtamobile]

GTA 6: Next-Level Gaming or Just Another Sequel? Dive into the Hype!

The release of GTA 5 was nothing short of a gaming revolution, taking fans on an unforgettable rollercoaster ride through Los Santos. With the GTA series firmly planted at the pinnacle of gaming history, it’s no wonder that the buzz around GTA 6 is electric. The anticipation for this next installment is through the roof, making its release date one of the most sizzling topics in the gaming universe.

But hold onto your controllers, because here’s the latest and greatest rumor: GTA 6 might just be stepping into the realm of Virtual Reality! Yes, you heard that right. Imagine not just playing GTA, but actually stepping into its world, dodging traffic, pulling off heists, and living out those wild missions in full immersive glory. VR compatibility could be the ultimate game-changer, and with tech evolving faster than you can say “wanted level,” this might not be a far-off dream. Sony’s next PlayStation is set to support VR, and with games like Gran Turismo already onboard, Rockstar Games might have to dive headfirst into the VR wave to stay ahead of the game.

Now, let’s spill some more tea on what GTA 6 could bring to the table. Speculations are running wild. Will it be a mash-up of iconic elements from previous games with futuristic twists like teleportation between cities? Or will it stick to the tried-and-true formula that fans adore? Perhaps Rockstar will surprise us with a totally fresh and jaw-dropping experience. The possibilities are endless, and the suspense is real.

And what about the game’s setting? Whispers in the gaming community suggest we might see a shift from the classic American backdrop to exciting new locales like Japan or the United Kingdom. Just imagine cruising through Tokyo’s neon-lit streets or navigating the historic alleys of London. But the most talked-about rumor is the potential for a female protagonist to take the lead. While GTA V’s online mode lets players choose a female character, fans are hoping for a major role for a female lead in GTA 6. It’s about time we had a leading lady pulling off those epic heists, don’t you think?

In a nutshell, GTA 6 is shaping up to be a game for the ages. Whether it’s VR, new international settings, or a badass female protagonist, the excitement is off the charts. Keep your eyes peeled for more juicy details, and get ready to dive into what promises to be the most epic GTA adventure yet.

[sharmoota-job]

Have you made your art of your GTA Online character? I really want to see how your GTA Online character interact with the GTA V Protagonists.

AAAAAAAA!!!!! This is so so flattering but unfortunately I don't play GTAO 😭 Once I reinstate my Xbox Live someday I might give it a shot but I'm terrified of playing with other random people I don't know lol

So unfortunately I don't have a GTAO character but I do have these joke things I drew back in 2021 with one of my characters based on a dream I had though I hope that suffices for now

[asdear]

Since GTA Online turned 11 yesterday, I decided to look back on when I made my character.

Can't believe I've been playing the game for 7 years. 😳

I also wondered what category I'd fall into if I didn't join GTA Online until a bit later, but still have played for a very long time. I don't think there's a real term, so I made a couple of them up: "second-wave veterans," and "young veterans."

You know, there are the true veterans: the OGs/day one/2013 players. And I thought maybe "second-wave/young veterans" could be anyone who joined pre-Doomsday Heist or whenever. Players who are pretty much not true OGs, but also didn't join the game super late either, and have still played for several years.

I don't know. Probably shitty terms. But I felt like categorizing myself in some way. 🙃

[jenniferdiazisatransgirl]

GTA VI Trailer/Taylor Swift Theory

Okay, so this may seem a bit random but as you maybe aware I am a Taylor Swift fan and I also love Grand Theft Auto.

Next month, the first long awaited trailer for GTA VI is going to be released and well I have a little theory.

So based on the leaked information about the game so far, there is a male and female protagonist and they have a Bonnie and Clyde type dynamic. Or at least that is how I have seen it painted when it has been reported on.

And you may ask how Taylor Swift ties into all of this?

Well as of late 2022, Taylor Swift can re-record Reputation and release Taylor’s Version. On Reputation is the track, “Getaway Car” which tells a Bonnie and Clyde style tale.

Back in 2020, “Love Story (Taylor’s Version)” featured in a Match.com advert as a precursor to the Fearless (Taylor’s Version) album coming out the following April. If memory serves this was December 2020. I will concede I could be wrong there though.

I kinda have a theory that “Getaway Car (Taylor’s Version)” may serve as the track on the GTA VI trailer indicating Reputation (Taylor’s Version) being released around April 2024.

This is just a theory though, as to my knowledge there isn’t a confirmation that Reputation (Taylor’s Version) is the next album on the re-recording list. Although, to my knowledge there is only Taylor Swift (Taylor’s Version) to go.

A few other reasons I like this theory is, that I have seen in various GTA forums people complaining “Getaway Car” isn’t in the soundtrack for GTA V. But considering GTA V was released in 2013 and Reputation in 2017. It wouldn’t make much sense for it to be in the soundtrack, especially the base game which is set in 2013 even if they could add it later in online content.

And then as well as this year being the 25 Anniversary of Rockstar Games. December is the month of Taylor Swift’s birth. Kinda a cool announcement window for both Rockstar and Taylor Swift.

I maybe way off, but I enjoy speculating.

NB: Before posting this. I just looked it up and there is a belief Taylor will announced Reputation (Taylor’s Version) at a concert tomorrow, 24/11/23. If you add up the individual single digit numbers, it makes 13 which is Taylor’s lucky number. Having “Getaway Car (Taylor’s Version)” as the trailer track for GTA VI though would still be a great precursor to the album coming out.

[blasphemme]

just finished call of duty black ops. here are some (long, comma abusing, mostly tangentially related) thoughts after playing it for the first time for anyone who might read them!

altogether the campaign was fine, i guess.

as many others have in the past few years following the modern warfare remakes, my online activity has been inundated with thirst edits made of characters in call of duty — despite having never played the games myself. they’re not my thing.

my flatmate, however, has played them. he played them as a kid when they were being released, and he has had the misfortune of being on the receiving end of me watching these edits and reading fanfics (shout out early 351780!!). increasingly annoyed at my thirsting, he has forced me to play every call of duty campaign on the xbox 360.

i’ve found that i actually really enjoy playing cod. it’s enjoyable, action packed and, most importantly, quite compelling. they’re something i’d never have considered playing without him pushing me to play them. i’m more of an assassin’s creed/ace combat/nier girl and always have been. the closest i’d been to playing a shooter before this experience was playing gta, badly.

my flatmate knew my priorities. after an introduction to the premise with world at war — the first game in the black ops series, which i promise i will get to at some point — we played the original modern warfare campaigns first, because i am a wee bit in love with captain john price, and i loved them. the stories, while simple enough to follow (and already knowing about the main character deaths in advance — it’s a 10+ year old series, after all!), were emotionally evocative. i found myself becoming attached to the protagonists quickly and deeply, all the while having a whale of a time fucking around in the rest of the mission. this girl loves just walking onto grenades! between world at war and the modern warfare trilogy of campaigns, i was hooked from the start.

i realise now that i have been spoiled. those campaigns were just too good.

black ops’ campaign pales in comparison to the other four games i’ve played. i will admit that it is still fun — very fun! i enjoyed the feeling of progressing from one badass area to the next, with sam worthington’s horrific american accent and gary oldman’s alright russian accent pushing me through. i also have to admit that i still play like an absolute scrub, but the enjoyment i got from it outweighed the frustration. (mostly.)

black ops lacks the charm and depth i loved in world at war. while fun, every plot twist was spotted as soon as it was hinted to, much to my flatmate’s dismay. it took one guy telling mason to get a hold of himself for me to figure out the twist around reznov, and one recitation of the numbers on the way to the pentagon for me to figure out that mason would go on to kill kennedy. this, in particular, also felt like a bit of a cop-out — having this confirmed in a post-credits scene was disappointing, when i’d gone through the whole game and sat through an eminem song in the credits expecting a sequence where i’d be on the grassy knoll just to end up in a round of zombies. honk shoo.

modern warfare — modern warfare 2 in particular (kevin mckidd’s soap my beloved <3) — introduced new mechanics that’d be used once or twice in the whole game, most of which i enjoyed. the missions where you have to assist tf141 from an ac130 in the first game? stellar. absolutely unmatched. all ghillied up can go fuck itself on a gameplay front though, fuck you if you think i’m gonna figure out what the coriolis effect is. in black ops, the helicopter sequences felt like hate crimes against me personally. poorly designed flight controls and awful combat mechanics combined to make a literally unplayable pair of missions involving attacking other helicopters that i had to beg my flatmate to complete for me. embarrassing.

this game is utterly us army propaganda. the epic final shot in the campaign after killing dragovich — where suddenly 3 aircraft carriers are there waiting for you flying star spangled banners, and 8 fighter jets pass overhead — only resulted in making me cringe and laugh in disbelief, where in 2010 it would’ve made young men enlist. world at war at least has the balance of ‘war is cool and we’re the best’ in the pacific segments and ‘war sucks, actually,’ in the eastern front segments. modern warfare, too, falls face first into the latter, and that’s part of what i enjoyed about it.

even the little fun things weren’t as enjoyable. i didn’t have a favourite gun, or a favourite mission. the star cast choices were okay, but nothing to call home about. there wasn’t a ‘production babies’ segment in the credits, and they made me listen to eminem and pink. what the fuck?

altogether, black ops 1 has the worst campaign of the franchise i’ve played so far. next we’re onto black ops 2, which hopefully won’t come with a free personal statement like this one, and which i’ve been told is one of the best games ever made. we’ll see.

3/10

[z0ruas]

It finally stopped snowing 😭 I lost so many delivery planes to shit visibility

I started playing this because some guy I was trying to date while doing a weird half step back into the closet had it and I didn't bother with story mode at all and made an online character and learned how to get into rivalries with other players and would fuck shit up decently

Stopped playing for 6 years and I've atrophied so fucking bad lol but it was on sale and I'm living for the GTA 6 protagonist being a woman and the backlash is of course inspiring me to stan the idea even harder. Wanna be decent again so I can play as her

[bow-chicka-wow-wow-wow]

Rockstar Games Facts You Should Know

There are some theories that suggest that all of Rockstar’s titles are all part of the same universe. This is untrue, especially considering the GTA games take part in 3 different universes: the 2D Universe, which consists of GTA 1, its London expansion packs, and GTA 2; the 3D Universe, which consists of GTA III, Vice City, San Andreas, GTA Advanced, Liberty City Stories, and Vice City Stories; and the HD Universe, which consists of GTA IV, its DLC expansions The Lost and Damned and The Ballad of Gay Tony, Chinatown Wars, GTA V, GTA Online, and the upcoming GTA VI. We can rule out the Midnight Club and Max Payne series as well as L.A. Noire, since they use real-life locations as the main locations, plus the fact that Midnight Club uses actual real-life vehicle manufacturers. The Manhunt series and Bully are part of the GTA 3D Universe, and the Red Dead series could be argued to be part of the GTA HD Universe.

There exists a theory that suggests that Jimmy Hopkins from Bully and James Earl Cash from Manhunt are the same people, due to the two having similar hairstyles, and the fact that both their names are James.

With the exception of the Midnight Club series and Bully, Rockstar’s games have the M rating. Over the years, Rockstar has pushed some boundaries over what’s acceptable in an M rated game. During the development of San Andreas, Rockstar originally intended to implement a sex mini game after you go on a date with one of your girlfriends in the game, but this would’ve given the game the dreaded AO rating, meaning many retailers wouldn’t even have it on the shelves. More on that later. Also, if Rockstar hadn’t heavily censored Manhunt 2, it would’ve gotten that rating in the US.

Jack Thompson had an infamous reputation for being the worst enemy of video games, period. He especially had a hard-on for the GTA series, as he looks connections between the crimes the player would commit in the virtual world and crimes individuals have committed in the real world. Gamers would probably be pleased to hear that in 2008 he was permanently disbarred.

Who’s the mysterious man John Marston keeps running into throughout Red Dead Redemption? This man sends John out to “test his morality,” and when John meets him the last time, he gets frustrated that this man would not tell him who he is, and as he walks off, John shoots him, but the bullets just pass right through him. Many people have speculated that the man is actually God. Now as an atheist, I find that absurd, but to each his own.

Remember the sex mini-game I mentioned in San Andreas? Well, Rockstar, instead of simply removing mechanic, they just simply bury it in the game’s code. But thanks to some modding and some open-heart surgery on the game, PC gamers have unearthed this mini-game. The ESRB caught wind of this, and gave the game the AO rating, and many stores pulled the games from the shelves, and they were put back on the shelves once the “Hot Coffee” mod was removed entirely. So THAT was why my dad and I couldn’t find it at Blockbuster when it first out…

In Vice City, the main protagonist, Tommy Vercetti, was voiced by the late Ray Liotta. Employees at Rockstar have stated how difficult the actor was to work with, with one occasion with Ray pulling a Joe Pesci Goodfellas moment when they’re all eating and drinking at a steakhouse, and suddenly Ray says “What the fuck are you laughing at?” After a few seconds of awkward silence, he finally says “I’m fucking with you!” They even said Ray would groan before recording all his lines. Needless to say, this was just one of the reasons Rockstar decided not to employ big actors for future projects. Insult to injury, the late Burt Reynolds was also in Vice City, and Rockstar also did not enjoy working for him.

Young Maylay, the voice of CJ from San Andreas, and Shawn Fonteno, aka Solo, the voice of Franklin from GTA V, are cousins in real life. Fonteno even voiced a Grove Street NPC in San Andreas, which made it easier for him to secure a role in GTA V.

Gamers have sworn they saw Bigfoot in San Andreas. This has been proven a false myth, as modders have added a skin to an NPC seen in the wilderness. But Rockstar added a Sasquatch encounter in Red Dead Redemption: Undead Nightmare, and the completion of this awards the achievement/trophy named “6 Years in the Making.” In the GTA V mission “Predator,” when you control Michael holding a sniper with a thermal scope, you can see Sasquatch in the corner of the screen. Once you aim your reticle at it, it disappears. Also, upon achieving 100% completion of GTA V, you’re given one more Strangers & Freaks mission named “The Last One,” where you’re helping a hunter hunt for a Sasquatch that he’s been looking for “for 9 years.” Gotta love the meta references that allude to the year 2004.

A fan has asked Steven Ogg to send a message via Cameo to Jason and Lucia, the protagonists of the upcoming GTA VI, as Trevor Phillips. Steven did the opposite by stating he’s not Trevor. Clearly he doesn’t wish to continue being associated with the character that essentially made his career. He’s been in AMC’s Better Call Saul and The Walking Dead, but I always referred to his characters as Trevor, even if his TWD character is named Simon.

Remember the 2021 disaster known as the GTA Trilogy: The “Definitive” Edition? Well did you know there was another “remastered” version of GTA: San Andreas released on the PS3 and Xbox 360 in 2014 to celebrate the 10 year anniversary? Yet there was no such version for Vice City or GTA III. Well, the “remaster” is actually the shitty mobile version that was ported for consoles. And yes, that version is ass! And guess who was responsible for that version? War Drum Studios, aka Grove Street Games. The same assholes that gave us the Defective Edition…

San Andreas’ “Wrong Side of the Tracks” has quite a reputation. Not just for being one of the toughest missions in GTA history thanks to Smoke’s Galactic Empire Marksmanship training, but due to the infamous “Mission Failed” cutscene: “All we had to do was follow the damn train, CJ!” That line has become a meme, that even one of the lines in the main menu in Minecraft said “Follow the train, CJ!” Hell, there’s even a gold medal requirement in GTA V’s mission “Derailed” called “Better Than CJ,” which is given if the player, controlling Trevor, hops onto the train in the very first attempt.