#griffin kind

[ironwoodwolves]

I swear to god I'm starting to think I'm the only adult gryphon on this site...

[rowanwolf]

"Why Are There So Damn Many Ways to Spell Gryphon" - a memoir by a gryphonkin who wants to tag all the other gryphonkin but not spend eight years adding tags to their posts.

[ciderjacks]

Party infighting

[criticalsyourroles]

now i've watched a fair amount of d&d i've started to pick up on the differences between dm style i think

like brennan IS all the bad guys. every game he dms is brennan vs the players. he makes npcs and battles that make his friends throw things at him and he smirks the whole time. he makes them tell him their worst fears and then he makes them do it. and it's awful and amazing and really funny

matt IS exandria. his characters and battles never feel written or constructed, they just feel like things that already existed in the world. it's all about verisimilitude with him, and he's amazing at it. he tends to fade into the background and let the players react to the story and it makes everything he does incredibly cinematic

aabria dms like she's just another player at the table reacting to the story, right up until someone gets lulled into a false sense of security and tries to fool around and THEN she throws a curveball by making them deal with the consequences of their choices. she's like oh you think that's funny?? then i'm about to be hilarious, bitch. and she keeps getting away with it bc she's just that good!

basically, brennan's an evil bastard, matt's the world, and aabria's the queen of consequences

or:

brennan - fuck

matt - around

aabria - find out

[road-kill-eater]

pecks you pecks you pecks you pecks you pecks you pecks you

[bellamyblake]

Merry Christmas, @okmcintyre!

[olessan]

What's that in the background of this shot of Assan?

Unfortunately and fortunately, it's possibly more griffons

[tsfennec]

A lynx gryphon, inspired by @scarvenartist's Ganrok. :D

[screamingwiththewolves]

If the lodgers don't forgive Jekyll, for something that is debatably his own business, then I riot.

[saccharineomens]

You know, watching the anime made me realize something, so I went looking.

We (manga readers, anime-onlies beware spoilers later on) already know Senshi’s tragic backstory and that the reason why he stays in the dungeon is to take care of it.

Early on in the manga, Senshi behaved with a complete disregard to Chilchuck’s orders to keep them safe. It’s possible Senshi behaved this way because he didn’t respect Chilchuck’s skills, or he thought that none of the traps would be able to harm him (due to being a dwarf). When he offered up his life to the orcs (before his vegetables, even), maybe he was simply trusting that Zon wasn’t actually going to kill them (despite them brutally murdering an entire pub in front of their eyes). But what if he simply…doesn’t care whether he lives or dies?

Senshi shows no interest in returning to society, preferring to keep to himself. He lives only for tending to the dungeon and cooking his next meal. He behaves recklessly with his own safety, and he hasn’t moved on from the trauma he experienced almost eighty years prior. He also believes that resurrection is unnatural, and accepts his own death with relative ease.

I think his survivor’s guilt left him passively suicidal, just waiting for his inevitable death to come to him, and holds fiercely onto Gillin’s final wishes that Senshi lives on as a reason to not seek it out.

[lesbiancolumbo]

Griffin Dunne as Milton Dudenoff in Only Murders in the Building 4.08 - 'Lifeboat'

[stealerofthe2ndbraincell]

Thinking about Misdirection... god Neville.

[boardchairman-blog]

**Shots of the Episode**

Only Murders in the Building (2021)

Season 4, Episode 6: “Blow-Up” (2024) Director: Jessica Yu Cinematographer: Kyle Wullschleger

[vickyvicarious]

“I made a mistake, Kemp, a huge mistake, in carrying this thing through alone. I have wasted strength, time, opportunities. Alone—it is wonderful how little a man can do alone! To rob a little, to hurt a little, and there is the end. “What I want, Kemp, is a goal-keeper, a helper, and a hiding-place, an arrangement whereby I can sleep and eat and rest in peace, and unsuspected. I must have a confederate. With a confederate, with food and rest—a thousand things are possible. “Hitherto I have gone on vague lines. We have to consider all that invisibility means, all that it does not mean. It means little advantage for eavesdropping and so forth—one makes sounds. It’s of little help—a little help perhaps—in housebreaking and so forth. Once you’ve caught me you could easily imprison me. But on the other hand I am hard to catch. This invisibility, in fact, is only good in two cases: It’s useful in getting away, it’s useful in approaching. It’s particularly useful, therefore, in killing. I can walk round a man, whatever weapon he has, choose my point, strike as I like. Dodge as I like. Escape as I like.” Kemp’s hand went to his moustache. Was that a movement downstairs? “And it is killing we must do, Kemp.” “It is killing we must do,” repeated Kemp. “I’m listening to your plan, Griffin, but I’m not agreeing, mind. Why killing?” “Not wanton killing, but a judicious slaying. The point is, they know there is an Invisible Man—as well as we know there is an Invisible Man. And that Invisible Man, Kemp, must now establish a Reign of Terror. Yes; no doubt it’s startling. But I mean it. A Reign of Terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways—scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them.”

There's so much going on in this conversation. First, the obvious irony of Griffin telling Kemp how he understands now that he needs a helper he can trust, while Kemp is trying to ensure he gets caught in the next few minutes. Griffin saying that he will be easily imprisoned once caught but that he's hard to catch, as Kemp frets over whether they will be able to catch him now. That's pretty obvious, and both funny and also sad. It's perfectly understandable for Kemp to want Griffin to be caught even before he talks about this plan, but it sucks that Griffin's sincerity is just completely bouncing off him. Griffin is for the first time trying to make a connection with someone (something that could potentially turn this situation around) but he's been rejected from the start.

But there's also... what is Griffin talking about? This goes from 'yeah, Griffin, you shouldn't be going it alone' to 'no Griffin not like that holy shit' real damn fast. And it's really interesting in the context of the rest of his behavior, because... this really doesn't seem to match it throughout most of the book so far.

Griffin has used plenty of violence before now. He defaults to threats or physical harm when he feels too vulnerable or powerless. But while he's been reckless and careless with it, there has never really been premeditated malice to anything he does. He's not scheming evil upon others. He's mostly reacting, again, often in what seems a kind of panic. When he gets most violent, at least. He has done harmful things with forethought, but those are mostly limited to theft, and are informed by selfishness and a lack of consideration/awareness of potential consequences.

He also has been consistently motivated by curing his invisibility. He wants his resources back, and privacy/freedom to work in order to do just that. He very quickly decided making himself invisible was a shortsighted mistake, as he encountered drawback after drawback in the immediate aftermath. He also wasn't motivated by any particular single goal of seizing power when he made himself invisible. He was deeply depressed and clinging to 'seeing it through', and then panicked when he came into conflict with his landlord. His paranoia about his invention was intense, but that too is linked to him seeking control over his own life, not others' as such.

So then, why this turnaround? Well, last chapter he said this:

"I had one hope. It was a half idea! I have it still. It is a full blown idea now. A way of getting back! Of restoring what I have done. When I choose. When I have done all I mean to do invisibly."

So, now it seems Griffin's motivation has shifted. He no longer wants immediate relief from invisibility. Instead, he wants to do things while invisible first. He wants to establish a Reign of Terror, to take over a town by utilizing his invisibility in the only way he can see it being of practical use: murder and the spreading of fear. But he says that as a 'must' as 'judicious'. So it's still not for the pleasure of it. Then, why?

First, I frankly don't believe Griffin is actually capable of enforcing the kind of siege he describes here. Physically maybe (depending on how unprepared others are), but emotionally I don't think he could keep it up. He'd collapse, he'd succumb to the guilt he clearly does feel at times. When he's not in a constant state of high emotion (largely fear, which with Griffin transitions seamlessly into rage) he wouldn't be able to keep murdering people so coldly and logically. He can of course work himself up over time, and can hold a grudge, which might be enough to get him started enacting this plan, but I don't believe he could see it through all the way. Still enough to do monstrous things, of course, just not enough to be effective at establishing his goal. (And even that shows his typical lack of forethought. Does he think that no one else would help them? That this town would just succumb to him in total isolation?)

But why does he even want it? I think it actually reflects all his same motivations until now. He feels cornered and he reacts badly, lashing out at others. As the rejection builds all around him, as his options dwindle, as his fear and helplessness grow - he consistently reacts by escalating and proving everyone's worst assumptions about him correct. And right now, even though he has found Kemp and thinks he can mostly trust him, it's not enough to make him feel safe. There are lots of people actively hunting him, now. And he can't just stay in Kemp's rooms forever. He would hate the idea, would feel imprisoned. He doesn't think much of stealing from others, but absolutely hates being stolen from (and he has so little, that the loss feels correspondingly huger), especially something like his books which contain the key to freeing him. So being here is a brief reprieve but he's still deeply afraid. And that makes him deeply angry. And so he wants revenge, he wants to punish them (in general, who make him feel afraid - and Marvel in particular, who has 'betrayed' him).

He also quite likely knows even with his idea it will take an unknown but likely significant amount more time to perfect his cure. So even if all he wanted was to be cured, he would need a safe place to work until then. And the tension is so high right now, his fear of being betrayed is so strong, that I don't think he believes it would be possible to do the necessary work unless he has the town cowed under his invisible heel.

“I don’t agree to this, Griffin,” he said. “Understand me, I don’t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don’t be a lone wolf. Publish your results; take the world—take the nation at least—into your confidence. Think what you might do with a million helpers—”

This line is also key. Kemp urges Griffin to confide in others. All his considerations of the usefulness of invisibility were from the perspective of a lone man against a cruel world. Very selfish and very assuming of a hostile environment. This too is reflected in Griffin's treatment of the few people he has reached out to - Marvel and Kemp. In both cases, he seeks understanding and sympathy. But he also seeks it at metaphorical gunpoint, by threatening them with what he could invisibly do to harm them. It's because as much as he may pour out his heart to Kemp here, he doesn't fully trust him. He doesn't fully trust anyone. By collaborating with them, all he is doing is giving them power over him, and that means they have power to hurt him. So instead he clings to his own power to hurt them first.

In Griffin's eyes, there is no such thing as an equal relationship. There is such thing as trust rewarded, or even given freely. And so in order to ensure his own safety he has to be the one in charge. He has to convince Kemp that they will both reap great rewards, he has to be able to hurt him and get away should anything fall through.

It all ties in perfectly with his backstory of being an outsider (albino, not socially adept at all), and being poor (in many ways powerless). And of course, it is such a self-fulfilling prophecy of terrible outcomes. If you only give violence, you're only getting violence in return. Someone has to let their guard down first, someone has to be willing to trust and be vulnerable for things to ever change. But Griffin is convinced that would be a mistake to ever fully do. And as much as I want to tell him he's wrong, his experiences corroborate that view. Everywhere he goes, he's experienced rejection and hate, or nosiness and distrust at best, no matter how much he tries to be on his best behavior. Every time he even partially lets down his guard or reaches out to others, they turn on him. And of course so much of that is because of the way he never fully relaxes, the way he always keeps a threat hanging over their heads, but he's not gonna see that. All he's gonna see is that he's been right all along. That he truly is in this alone. That he has to be selfish and he has to hit first and hit harder because he is outnumbered and if they catch him he won't be able to get away.

[anistarrose]

to me, it always felt like Lucretia immediately recombining the reclaimed Grand Relics, starting with the Gauntlet, was a bit of a plot hole or at least a bad decision by someone who should've known better, because Lucretia had no guarantee that she'd be able to find and gather the remainder by the time the Hunger showed up...

...until I realized that to keep the rest of the Bureau safe from any undestroyed Relics' thrall, then Lucretia would have had to hide those Relics somewhere secluded. and, well, Lucretia quite literally remembers better than anyone what happened last time anyone set out, on their own, to hide the Relics starting with the Gauntlet

[ad-astra-per-aspera-1389]

This is totally random, but as far as the JONAS (LA) X BTR crossover (either one, really) goes...

Macy's favorite of the btr boys is carlos, because sports, and also bc he's just fun to hang out with. macy seems normal and put together at first, but she loves physical activity, as we know from s1, and carlos (platonically) matches her freak in the places nick doesn't

Stella's favorite is...and isn't james. she's basically that post that's like "you're in his dms. i'm pissing him off, i'm ruining his day" but in the most convoluted way possible, they also, platonically, match each other's freak. all in all, stella would rather spend time with the other girls, and she obviously adores joe, bc he understands her thoroughly, but james is like...the opposite. they understand each other and fucking hate it.

Katie and Frankie deserve the most insane sublot that builds up over time, until their scheme eventually collides with the main plotline and wreaks absolute havoc. they're ten years old and evil geniuses with famous brothers, you know the two of them meeting will bite everyone in the ass in the end.

I do think Nick and Logan would get along, but the thing is, logan is a science and math nerd and nick is a writing and music nerd. they're slightly different species of nerd. but I think nick would get along best with logan and kendall, bc even though they can go off the deep end sometimes, they're easier to handle than carlos and james.

I'm gonna ramble about Kevin and Lucy again bc I want to. it's so hard for me to imagine lucy with like, any other guy, just bc james is clearly gay, and the subplot with her and kendall was a total mess since he hadn't broken up with jo first... Anyway, they're both rockstars, and Kevin had a lot of character development in s2. he's kind, responsible, ambitious, and Lucy is headstrong, confident, and clever. I feel like they'd actually have a very normal relationship timeline compared to a lot of other ships/couples, simply bc by the time they're both in the narrative they're 18/19 and living on their own.

Joe...he would get along best with kendall, not just for the main character energy, but also bc I feel like they react similarly in a lot of situations, but joe is also a little more self-sufficient than kendall is, which isn't a bad thing, and is mostly due to living in la without his parents for a/multiple (depends on crossover fic) summer(s), whereas kendall's always had his mom and friends doing everything together.

Kevin's an interesting one, bc while s1 era kevin would definitely be best friends with carlos, by the time jonas la rolls around he's mellowed out. he's still a little dramatic sometimes, but post-HMA Kevin is very different bc of the responsibility for his brothers he gained over the summer. I feel like he'd sort of keep that older brother role he's grown into, so, besides his relationship with lucy, he's mostly helping clean up the trouble and not cause it. at the same time though, i think he'd get wrapped up in the katie and frankie subplot the most

Joe and Camille would also get along pretty well, mostly bc they have acting in common, with joe wanting advice from camille solely due to her years of experience. she's also easier to talk to than bigger names in the industry, so it's more of leaning on a friend instead of a mentor

Jo and Macy definitely spar every so often, mostly bc jo likes that there's another girl around that she can connect with about physical sports. it's not the same trying to spar with kendall, and now she has someone who's an even match against her.

Mona is one of the few people that aren't afraid to go toe to toe against griffin, given she doesn't work for him, and she's definitely screamed at him for Kelly's sake. gustavo is a little afraid of mona, and rightfully so. she's proud of that.

Still no one likes DZ