#gretchen schwartz

[kindheart525]

I put the Breaking Bad cast (and some Better Call Saul characters) into the Hunger Games simulator and played it twice. Here are some highlights:

[postapocalypsegirl]

It's me when I listen to thousand and one true-crime podcast because I want to create an authentic image of the serial killer from my story.

P.s. this is a serial killer from my story named Gretchen Schwartz, the antagonist and adversary of Neira (who is a judge)

[izzythehutt]

Just thinking about Gretchen Schwartz and how her marriage to Elliott is an obvious rebound from Walt (her ex-fiancé's less attractive, less charismatic but nicer best friend? I find it impossible to read this as anything but the two turning to each other for comfort after Walt left them, because Elliott does not seem like the kind of guy who would actually go after his best friend's gal while he was in the picture). She and Elliott then went onto have (at least on paper) a dream life and career as a billionaire science tech mogul power couple.

But twenty plus years after said breakup she is also clearly still not over Walt.

She is beside herself with grief when she hears of the cancer diagnosis, when she confronts Walt over him fabricating a story about them paying for his cancer treatment she is more upset over how he's become like this than the lie itself! She's still hurt and confused over the breakup to the point where she's bringing in dates and events and asking oh by the way why'd you abandon me on July 4th 1987 or whenever the hell that happened!

And to cap it all of, even after Walt literally accuses her of stealing his research to make millions and tells her to fuck off, she keeps his duplicity a secret from his wife for him.

[thekimspoblog]

It's time we talk about this.

Everyone's always like "Walt should have just taken Gretchen and Elliot's money. His pride got in the way. He could have just gotten his cancer cured and everything would have been fine"

And sure. That would work if Walt was a different person with a different brain.

But he loved Gretchen. More than he ever loved Skyler. And we don't get a lot of details about what exactly the blow up was between them, but the resentment is obviously still boiling.

If Walt depended on their money, that would mean TALKING to Gretchen and Elliot again. And if he didn't cook meth, Walt's midlife crisis could have taken the form of going back to work for Gray Matter. Elliot seems like a nice guy, but who can really say Walt is wrong, that Elliot would bring him back into the fold, use some of his ideas, and then try to cut him out when he (inevitably) becomes hard to work with?

I don't think Walt taking the money would have ended any better than the cannon timeline. In fact, I could easily see how it would end in a murder-murder-suicide.

So am I saying Walt had NO CHOICE but to do everything he did? No. There was another job opportunity Walt could have taken. But that's a post for another time.

[imgoingtogomissingsoon]

Rating BrBa Characters On How They Hit The Gritty

Walter White

2/10 Absolutely disrespectful.

Jesse Pinkman

8/10 He’s popping his pussy hitting the gritty.

Skylar White

3/10 She’s hip with it but only slightly better than Walt.

Hank Schrader

6.5/10 It’s kinda foul but pity points because he got shot.

Marie Schrader

3/10 She think she hip with it but it just ain’t it.

Flynn White

5/10 He put his heart into it and that’s all that matters.

Holly White

0/10 Disrespectful and utterly foul.

Gustavo Fring

6/10 He did it for charity.

Mike Erhmantraut

5/10 He’d only do it for Kaylee but he’s as sturdy as an old man can get with it.

Saul Goodman

7/10 Sturdy with it. His wife cut it out of the commercial though. :(

Lydia Rodarte-Quayle

1/10 She gets one point more than Holly for mobility but it’s just as disrespectful.

Todd Alquist

6/10 Did it on ——’s grave for the giggle.

Skinny Pete

7/10 Taught Jesse everything he knows.

Badger

9/10 Sturdy and Jesse’s mad jealous.

Combo

8/10 He hopped on the bandwagon and near demolished it if it weren’t for Badger.

Tuco Salamanca

6/10 Don’t tell him I said that though.

Hector Salamanca

2/10 For a paraplegic he’s still somehow better than Lydia and Holly combined.

Steve Gomez

6/10 Only did it because Hank called him a pussy.

Gretchen Schwartz

4/10 No one is actually sure what they saw.

Elliot Schwartz

4/10 Painstakingly average.

Ted Beneke

5/10 Sturdy but average before his rug tried to take him offline.

Jane Margolis

10/10 She’s perfect.

Victor

7/10 Did it when Tyrus wasn’t looking.

Tyrus

7/10 Was looking when Victor did it and hit it looking him dead in the eye.

Gale Boetticher

4/10 Something about the way he hits it is just average despite his extensive research.

Marco Salamanca

6/10 Pretty sturdy but just ok.

Leonel Salamanca

3/10 On account of no legs. :(

[crustyweirdo]

smash or pass but it‘s pretty much the entire BrBa cast and i‘m adding my weird headcanons (queer edition)

please don’t take this too seriously, these are my preferences and most of the headcanons are obviously jokes. 18+ please!!

Walter White: hell nooo he worked with n*zis and wears those tighty whities. definitely needs pills to get it up

Saul Goodman: smash, i feel like he‘d call me mommy. minus points bc he‘d make dad jokes during it.

Jesse Pinkman: 1000% SMASH HES SO FINE!! would smoke in bed with me after. i feel like he has piercings down there too, don’t ask why. definitely whimpers

Skyler White: had to think abt it a little but i‘d smash, misunderstood queen. lots of aftercare too

Hank Schrader: hard pass. he‘s a cop and has the personality of a paper bag.

Gus Fring: sure! more of a hookup though because i can’t imagine him being kind and gentle. he‘d say no cuz he‘s gay fr

Mike Ehrmantraut: probably not what you guys wanna hear, but smash. call it a guilty pleasure, ik that guy has experience. would focus on my needs first. i‘d do it in his car

Jane Margolis: yes omg are you kidding?! her style is everything and she’s genuinely so hot, i‘d gay panic being in the same room as her. definitely uses toys

Walter Jr: pass, too young for me and i don’t find him that attractive

Marie Schrader: smash! she‘s genuinely so sweet and pretty, perfect balance. hank didn’t deserve her

Todd, Jack and co: hardest pass, i don’t think i have to explain why. would go on about how women don’t deserve rights when they’re on top of me

Tuco Salamanca: no, he scares me. probably into knife play or some weird shit

Skinny Pete: yes! he‘s an acquired taste guys

Badger: probably? this is a hard one, smash if i got paid like 50 bucks. for free if it‘s with pete. but i‘d definitely go on a date with him

Steven Gomez: pass bc he‘s a cop. if i had to choose between him or hank i‘d choose him any day tho

Hector Salamanca: pass, no disrespect. rip Mark

Lydia Rodarte-Quayle: i‘m anxious 24/7 so her nervous attitude would make it impossible for me to enjoy it. she‘d accidentally insult me during it in some way

Gale Boetticher: smash because i love his personality. he‘s a keeper, husband material. lasts 2 minutes :(

Combo Ortega: pass i like him but not like that fr

Ted Beneke: hard pass. wouldn’t shut up abt his stupid company for five minutes. he makes really weird sounds during it and asks if you came right after (u didn’t)

Eyebrow Guy: i like hair but not like that

Andrea Cantillo: yesss baby bring it on. easily one of the pretties characters. sadly her personality wasn’t shaped out well in the show

Gretchen Schwartz: i feel like she‘s too smart for me don’t ask why. would absolutely reject me

Elliot Schwartz: maybe if he wears a hat to hide those big ass ears. i‘d do it if he paid me tho

Wendy (blonde meth head): seems very sweet and i love her style but i‘m a fan of hygiene and her teeth are not it

Carmen Molina (principal): yeah i guess, she‘s pretty

Huell & Kuby: pass bc they‘re silly little guys. only come package deal

Donald Margolis: sad guy but seems very sweet. smash? he cries when he finishes

Salamanca Twins: probably never had sex ed, lots of uncomfortable stares… pass

Krazy-8: i don’t remember much of him but going off looks, smash

Jesses Therapy Group Leader: pass, he has those crazy killer eyes

hope you enjoyed! :D

[osthatguy]

Currently working on a BrBa/BCS fic set around 2001.

Chuck and Rebecca are in the midst of separating and he’s still reeling from the idea of Jimmy being a lawyer, so his EHS symptoms are slowly ramping up. Walt is having money troubles after quitting Sandia Laboratories to take more care of Junior with his Cerebral Palsy getting worse, with Skyler also quitting Beneke Fabricators at this time due to the Mr Grabby Hands incident.

Walt secretly attends the courthouse twice a week trawling for a good lawyer. At one point he sees Jimmy defending Kenny the Neo-Nazi but decides against him due to not seeing him as a “real lawyer”. Then, he sees Chuck helping Howard argue a motion and decides they’re perfect. He approaches Howard in the bathroom and asks to talk with him at HHM about a big case, both civil and possibly criminal, to which He agrees. He asks him about fees to which Howard assures him he need only pay an industry-standard deposit and they’ll talk about further fees after they win.

At this time Walt also runs into Mike the parking attendant and they come to blows. Walt eventually pulls the same trick Jimmy does, pushing the button to open the barrier when Mike is distracted and speeding away. But then he realises he needs to get back to the courthouse to talk to Hamlin so he has to take a taxi and hide from Mike as they go in and leave.

That night, Walt reveals to Skyler that he’s going to sue Gray Matter as a Hail Mary. Wrongful termination, intellectual property theft, patent fraud, all the things Jimmy would come up with in Saul Gone. Skyler thinks this is an insane idea and would only serve to drive a wedge between them and Gretchen & Elliot, as well as drown them in fees. Walt tries to assure her, but she comes up with another idea: suing Sandia Laboratories for negligence after that incident with the gas masks she mentions in Cancer Man. Walt reluctantly agrees with that idea instead to make her happy but we all know he doesn’t really mean it.

Walt meets with Howard and Chuck at the HHM building and they get along superbly. Walt outlines what he wants, telling his version of his exist from the company and they agree to take his case enthusiastically, Howard leaving to get the proper forms. With Walt and Chuck sitting in silence, Ernesto enters out of turn and in his rush drops soda cans everywhere. Chuck berates him but Walt calms them down and teaches them the spinning the soda can trick Chuck would go on to teach Howard.

A receptionist calls Chuck out of the room to see Howard and Clifford Main. It turns out Cliff knows Elliot Schwartz and the real story of how and why Walt left and tells them, but they rule to carry on with the suit as it will make a name for them, subtly changing some of the language, dropping the wrongful termination part and resolving to break the news to Walt gently.

However, Walt gets a call from Hank that Junior is very sick and that he needs to hurry home. Chuck offers to walk Walt out, and they get into the elevator to the car park together. It then gets stuck, between the two floors. There’s no cell reception and Chuck remembers there’s no maintenance staff in that day due to a strike (Howard encouraged them to unionise as a PR move).

Chuck can’t touch the landline phone to call the office due to the EHS so he makes Walt do it. He’s told they’re going to make some calls and that they’ll probably be out in an hour or so, meaning they’ll just have to enjoy each other’s company until then.

At first they begin bonding, Walt talking about Junior’s condition and his mother being put into a home, revealing his concerns about being able to provide for his family. Chuck related and talks about his brother’s struggles to start a practise and Rebecca’s unavailability due to a world tour and his work leading to their separation.

However, as the time passes, Walt slowly starts to tear into the concept of EHS, completely deconstructing Chuck’s arguments and delusions. Chuck responds by revealing his knowledge of Walt’s bogus story and begins psychoanalysing him as an arrogant egotist concluding by saying he thinks Skyler can do much better. Offended beyond belief, Walt determines to drop the suit entirely and never work with HHM or anyone named McGill again, which Chuck says is no loss.

Walt has finally had enough and resolves to fix the elevator himself, messing with the wires until the doors open. He crawls through the small opening at the bottom into the car park and leaves. Jimmy watches all of this, as he’s been waiting to pick Chuck up from work. He runs to get some help from a guy he knows and they drive home.

Chuck manages to delude himself into Walt’s scientific expertise being inaccurate or irrelevant due to his personal faults and he and Jimmy laugh about how much of an asshole Walt is.

Calamity with Junior is averted and labelled a false alarm, and Walt double-checks with Marie about EHS being impossible. Walt then vents to Skyler in bed about how much of a dick Chuck is and an idiot Howard is and that from now on he will never speak about this endeavour again or even broach the subject of lawyers to her as long as they live.

We then cut to Walt and Saul in Ed’s bunker during Granite State. Saul’s making himself and Walt tea. As they drink, they start talking about their preferred alcohols, Saul reminiscing for the Moscow Mules and Zafiro Añejos of the old days, while Walt talks up the Dimple Pinch. He mentions his brother-in-law would brew his own lager and Saul mentions how Chuck and Howard would share a Macallan after every big victory, and sometimes Chuck would let him have the rest the next day.

Walt recognises those names and realises this McGill is Jimmy, brother of that asshole Lawyer he got stuck in an elevator with almost a decade ago. He’s surprised he never put 2 and 2 together before. He and Saul share a rare moment of grace shitting on Chuck together before Walt says that, knowing his brother, he’s surprised Jimmy didn’t turn out even worse.

Jimmy feels guilty for ragging on Chuck quite so much and tries to go to sleep. Walt puts the teacups away and is about to call Ed to ask if he has any Whiskey but he’s distracted by a mysterious clicking noise from the water heater.

Credits.

What do we think?

[purplecatruins]

So I wanted to write about the different fashion in the Mean Girls movies and how the character's fashion has evolved. I couldn't really believe it when everybody called the 2024's Mean Girls shein girls, ugly and cheap, etc.

So I watched the original Mean Girls again :D and finally saw the musical version. And sadly, all of you were right. Who would have thought... :D

I read interviews with the costume designer, who did both movies (2004 and 2024), and kind of went with the same strategy for both movies: They wanted to represent high school girls realistically and thus, wanted them to wear clothes that would be worn by real girls at the time. For the first one they went vintage shopping, added some designer bags and custom made some of the clothes, all of the prom dresses and the halloween outfits. But besides their bags, which are mostly Louis Vuitton, and the Burberry plaid skirt worn by Gretchen with her Punk-shirt, I couldn't really find any more designer clothes...? So it's not like they were dressed head to toe in designer throughout the whole movie; this could not really be the reason why the original one looked better.

So I thought maybe the clothes just looked more expensive (the "R"-necklace from Regina e.g.) in the original movie and this is why everyone was critiquing the clothes from the musical version. There they also went for a mix of standard everyday clothes (Good American, Cider, ASOS, and Ganni on the higher end spectrum of that category) and some designer shoes and bag (pink Valentino pumps (although they looked a bit cheap), and this time more Versace than Louis Vuitton bags).

E.g., Regina George: part of her allure is her unattainability, which is represented by her clothes (and living in a mansion), wearing designer brands no one can really afford at school (although used sparsely throughout the movies), but more importantly it's her whole aura. Her clothes help her get that but she also just exudes some kind of it factor. The 2024 film included more of the actresses' personal style, so Regina is definitely a more cool, less feminine version than the 2004 Regina because Renee Rapp wanted to reflect that. And Renee Rapp is definitely cool, charismatic and confident, so I had a hard time with her not really pulling off the clothes, although they fit her, but they looked weird on her and I couldn't ignore it. Renee can pull off preppy style like Leighton's from Sex Lives of College Girls, so she definitely can make clothes look good even if they are not her personal style. This is not the problem!!

Long story short, it must be the clothes. Clothes are just made from cheaper materials nowadays (all the transparent mesh shirts and the pink corset look just cheap in the 2024 film), the life cycle is supposed to be shorter and materials disintegrate after washing them repeatedly. Although they are produced in large amounts, which reduces the production costs, brands just increase the profit margin, not making the clothes in better quality instead. Mina Le did a good video on this topic, using the debate about the wool sweater worn by Billy Crystal as Harry from When Harry Met Sally and the reimagining of Ben Schwartz from last year to compare the quality of clothes, particularly of wool sweaters.

To conclude, although the strategy of the costume designer seems to have been the same for both movies, she didn't really take into account that the general quality of clothes declined since 2004. So the same brands respectively today's brands that compare to their 2004 counterparts from a financial standpoint are not necessarily the same quality anymore. They probably needed to move one to two price points up the ladder...One reason is trends that were not there in 2004, e.g. mesh and lace do not look good when it is cheaper polyester what you only find with brands like Cider. So by keeping up with the fashion trends they would have to look at other brands. Which would be brands that middle class teens (those in Mean Girls) probably cannot afford to shop at all the time...

The costume designer should have just opted for an even more unattainable look and really dressed the plastics in high end quality clothes throughout the whole movie, going really over the top. It's a fricking musical it's what would have been expected. They already redid it as a movie, just because they wanted to, so just go buy or rent good quality high end designers to amplify Regina Georges status!!

The new mean girls movie really is Do Revenge (2022) and not Mean Girls (2024) - the latter really is just the shein version!

What do you think?

[gilligould]

GRETCHEN SCHWARTZ SUCCESSION???

[creepyjirachi]

Sorry Gretchen from “Say my Name,” the unauthorized Breaking Bad musical

Walter? This is Gretchen Schwartz. We need to talk.

[izzythehutt]

It's in-universe canon fact that you don't ever "get over" Walter White, the best you can do is survive him

[postapocalypsegirl]

My OC

…for a long time now I have daydreaming about characters of seven deadly sins. Now I am writing story with name "Judge and her court" with character of Greed. Her name is Neira, her age is 28 and she is a judge. And she is also a wheelchair user. As she puts it: "I make love with justice." Neira does not take bribes but really loves money. She lived a solitary and frugal life until a young housekeeper came into her life (female character of Wrath) with the name Mars, and she didn't encounter her past in the form of a certain Gretchen Schwartz, which almost led to her death, and subsequently to her changes… Follow for me, I will write about all seven characters and their stories. P.S art by my old friend

[thekimspoblog]

My WIPs (or at least the ones I can remember)

Portal:

"Opera Beneath Aperture": Where the Geekenders version is vaudeville, mine is more pop-opera in the style of "Phantom" or "Wicked". Basically just remixing the soundtrack and adding lyrics. There will be comedy, but at the end of the day, playing the melodrama of "Portal 2" straight is just easier. (Progress 30%)

"Rat Race": An homage to the US "The Office", but one by one the characters are axed off as Aperture becomes a more and more dystopian place to work. (Progress 10%)

"Portrait of a Lady: A Romanticized Horror": Prequel character-study on Caroline, obviously. She's preppy like Kim, but being born in the 1930's she's more sexually repressed, and therefore even more of a manic-pixie-nightmare-girl. She blacks out and murders her gynecologist for malpractice in Chapter 3; yeah it's that kind of a story. Also she's pretty racist? To the extent that any person from that era running a dystopian secessionist megacorporation would have to be. (Progress 50%)

Better Call Saul:

"Sheepdog": A traumatic event causes Kim to question the nature of her own reality. We the fans love Kim... but we do not respect her. (Progress 50%)

"Slippin Kimmy": This is my SERIOUS entry for what I think should happen next in the story. Basically a lot of white-hat Heisenberging around. She stops a shooting at a Planned Parenthood in episode 2; yeah it's that kind of a story. If that's what "WYCARO" ends up being, I'll be happy. If not? Hey it's free money, Vince. I'll just leave it on the table 'til you're done being done again. (Progress 5%)

"Last Clear Chance Doctrine": In 6x05 Jimmy calls Kim to say he's going to be late; Howard wants to fight him in the ring. Kim says she'll be right over. (Progress 0%)

"Just Take the Money": Parallel "Breaking Bad" timeline, where Walt accepts Eliot's hand-out. It'll make you wish he had stuck to cooking meth. I'm probably going to include a subplot where Saul bangs Skyler cus it makes me smile. (Progress 0%)

Crossovers/Other:

Steven Universe: "Warp Congestion": Steven figures out how to remove his gem and live as a normal human for extended periods of time. And if you think this sounds like a contrivance to write Rose Quartz back into the story... it is! Pearl was supposed to hold onto the gem for the day, but as the administrative headaches of helping to keep Little Homeworld organized pile up, Rainbow Quartz starts to revert back to v 1.0. (Progress 5%)

Steven Universe: "Roughhousing": You ever have those moments with your spouse, where one minute you're joking around and everything seems fine, and then one little comment gets taken wrong and suddenly everything gets a bit ugly? Even Ruby and Sapphire have those moments. And it made for one hell of a night at Beach City Underground Wrestling. (Progress 100%... but it's in the format of a Torts practice exam. Yes really)

Barry: "A Plan for Sally": My OC, Rita, has been going around to various netflix shows and selling life-insurance and family planning policies to the love-interest characters in crime dramas. Well, Rita will call them "insurance policies"; what they really are are Faustian bargains. If you thought the ending to "Barry" was weird, rushed, or maybe even a little saccharine, Rita is why. (Progress 0%)

Midnight Mass: "The Girl Who Ate the World": Erin Greene wakes up lying in the grass to find herself - not just alive - but sparkling in the sun like a million little diamonds. It's a miracle! Second only to the bad-miracle of news that the Angel survived and is transforming people in the Portland subway system as we speak. Rita is in this one too. (Progress 50%)

"Crack Fic: Torts and Torts": Kim Wexler, Dolores Abernathy, and Love Quinn attend a mobwives convention in Napoli. After a few drinks, Kim and Love get into a tense conversation about dead brothers, and more specifically when/how a spouse is at-fault for the death of a brother-in-law. Kim forgets the argument after she sobers up, but Dolores warns her to watch her back. Sure enough, Love attacks Kim with a katana and they must battle it out as frenemies. (Progress 2%)

"300 Million Cowboys": I re-write Better Call Saul as a pulpy beach-read about vampires. With enough changes to the plot that it can be legally sold on Kindle. Kim is now named Jean Troy. Jimmy is now named Sammy McCormick. Mike and Chuck have been merged into one character. Kevin and Howard have been merged into one character. (Progress 2%)

[jxrm]

book log - 2022

his last wife by gia pere

a very merry bromance by lyssa kay adams

behind the messages by ella-may williams

the wife upstairs by rachel hawkins

pride, prejudice, & turkish delight by k.c. mccormick ciftci

the long way to a small, angry planet by becky chambers

honeymoon for one by rachel bowdier

let it snow by beth moran

resting scrooge face by meghan quinn

window shopping by tessa bailey

the family upstairs by lisa jewell

poster girl by veronica roth

x by sue grafton

queen bee by nina manning

the vibrant years by sonali dev

untamed by glennon doyle

book lovers by emily henry

the zookeeper's wife by diane ackerman

daisy darker by alice feeney

mating in captivity by esther perel

miss meteor by tehlor kay mejia

carrie soto is back by taylor jenkins reid

a good girl's guide to murder by holly jackson

the lesbiana's guide to catholic school by sonora reyes

fat chance, charlie vega by crystal maldonado

lakelore by anne-marie mclemore

you love me by caroline kepnes

happiness for beginners by katherine center

not my daughter by barbara delinsky

last tang standing by lauren ho

no filter and other lies by crystal maldonado

the southern book club's guide to slaying vampires by grady hendrix

does my body offend you? by mayra cuevas

i'm the girl by courtney summers

the expatriates by janice y.k. lee

emily, gone by bette lee crosby

after hours on milagro street by angelina m. lopez

i'm glad my mom died by jennette mccurdy

my best friend's exorcism by grady hendrix

#murderfunding by gretchen mcneil

looking for jane by heather marshall

midwife murders by james patterson

final cut by s.j. watson

darling rose gold by stephanie wrobel

all the pretty people by barbara freethy

when i was you by minka kent

been there, married that by gigi levangie

malibu rising by taylor jenkins reid

covery story by susan rigetti

the paris apartment by lucy foley

stiletto sisterhood by fallon demornay

her perfect secret by t.j. brearton

take a chance on me by beth moran

the watcher girl by minka kent

no conscience by phil m. williams

reminders of him by colleen hoover

her last move by john marrs

we were dreamers by simu liu

the book of cold cases by simone st. james

all i stole from you by ava bellows

violeta by isabel allende

once of us is next - karen m. mcmanus

just the way you are by beth moran

the latecomer by jean hanff jorelitz

klara and the sun by kazuo ishiguro

the sorority murder by allison brennan

one italian summer by rebecca serle

what lies between us by john marrs

the maid by nita prose

sex and vanity by kevin kwan

funny you should ask by elissa sussman

the seven day switch by kelly harms

three perfect liars by heidi perks

everything must go by camille pagan

no ex before marriage by portia macintosh

the other mother by carol goodman

california girls by susan mallery

one little secret by cate holahan

apples never fall by liane moriarty

the promise by teresa driscoll

ghost boy by martin pistorius

close to you by ana jolene

oona out of order by margarita montimore

the stepson by jane renshaw

all adults here by emma straub

his & hers by alice feeney

mexican gothic by silvia moreno-garcia

anatomy by dana schwartz

the resting place by camilla sten

will by will smith

good me, bad me by ali land

while we were dating by jasmine guillory

the lion's den by katherine st. john

when we left cuba by chanel cleeton

left neglected by lisa genova

the suspect by fiona barton

park avenue summer by renee rosen

group therapy by b.b. easton

the half sister by sandie jones

shipped by angie hockman

when we were sisters by emilie richards

the chain by adrian mckintu

not a happy family by shari lapena

clap when you land by elizabeth acevedo

if the shoe fits by julie murphy

the girlfriend by michelle frances

let me hear a rhyme by tiffany d. jackson

death by dumpling by vivien chien

yoga pant nation by laurie gelman

the cousins by karen m. mcmanus

in a holidaze by christina lauren

people we meet on vacation by emily henry

the candy house by jennifer egan

you've been volunteered by laurie gelman

broken by jenny lawson

you can't be serious by kal penn

the final girl support group by grady hendrix

home before dark by riley sager

one of us is lying by kate m. mcmanus

the vanishing half by brit bennett

the cross and the switchblade by david wilkerson

the henna wars by adiba jaigridar

the fashion orphans by randy susan meyers

the good girl by mary kubica

the comeback by ella berman

the magician's nephew by c.s. lewis

the bright lands by john fram

[kitty-the-wizard]

emo jimmy mcgill/saul goodman au storyline (by me) FLASHING GIF

It's 1960, Jimmy is born. this same year, The Beatles are formed and (obviously) go viral across the universe (lol). Jimmy grows up listening to The Beatles and in 1967 he hears "I Am The Walrus" on the radio. Young Jimmy totally loves this weirdcore ass song and jams every time he hears it. Fast forward to 1984, Jimmy is 24, and Gray Matter forms. They release a post-hardcore "emo" album called "Food For Thought". Jimmy has been going crazy for a few years, getting into trouble, and listening to music that Chuck wouldn't agree with. He stumbles upon Food For Thought at the music store and buys a cassette. He dances all the way home. He gets to song 10 and hears a familiar sound...

He flashes back to being 7 years old, listening to "I Am The Walrus" by The Beatles for the first time. He hears Gray Matter shred the cover and he is fully converted to emo-ness. No more messing around...he will show Chuck who is slippin'!!!!! Meanwhile...a trio of scientists named Walter White, Elliot Schwartz, and Gretchen [Schwartz] are forming something...magnificent...Gray Matter Technologies...

[I OWN THIS SPECIFIC THINGY!!!!!!]