#greg sutton

[doyoushipthisdweuship]

(submitted by anon!)

[sarahwatchesthings]

Man, this guy had it bad for Three.

Yeah, okay, he's willing to listen to him, fine...

He's a bit of a fanboy...

Checking him out and looking wistfully after him as he leaves...

Willing to believe anything he says no matter how odd...

...

Choosing to remain behind with him in a dangerous situation when everyone else including his supposed girlfriend has gone outside...

Mourning his absence...

... and reacting like this when he hears that he's back.

Honestly can't even be in a room with him without thinking about making out.

[kcdahippie]

Parallel universe Petra and Sutton are everything to me. Petra's amazing and Sutton's become something of a hero, definitely redeeming his earlier sexist tendencies we saw.

[intimidating-fettuccine]

Not sure if anyone asked this before, but, what do you think all the creeps voices sound? like categorically; high, medium, deep?

good day <3

I've been asked about this before, but I actually will use this just to update my voice headcanons this time around. I originally made a voice headcanons list with people before, but it didn't have everyone and I wanna change a couple.

Updated Voice Headcanons;

Jeff: Sean Chiplock (Listen here) (Updated*)

BEN: Greg Ayres (Listen Here)

Eyeless Jack: Chris Tergliafera (Listen Here) (Updated*)

Laughing Jack: David Near (Listen Here)

Toby: Kieran Regan (Listen Here) (Updated*)

Tim: Tim Sutton

Brian: Brian Haight

Slender: J Michael Tatum (Listen Here)

Liu: Vic Mignogna (Listen Here)

Jane: Cristina Vee (Listen Here) (Updated*)

Natalie: Krystal LaPorte (Listen Here)

Helen: Trevor Devall (Listen Here)

Dr. Smiley: Brian Hanford (Listen Here)

Sally: Kristen Schaal (Listen Here)

Offender: Yuri Lowenthall (Listen Here) (Updated*)

Trender: Sam Reigel (Listen Here)

Splendor: Dave Trosko (Listen Here)

Jason: Darin De Paul (Listen Here)

Puppeteer: Michael Kovach (Listen Here)

Zalgo: Alan Rickman (Listen Here)

Candy Pop: Mick Wingert (Listen Here) (New*)

Hobo: Niel Newbon (Listen Here) (New*)

Nina: Marieve Herington (Listen Here) (New*)

Kate: Samantha Beart (Listen Here) (New*)

[mermaidinthecity]

This album is called FEARLESS, and I guess I’d like to clarify why we chose that as the title. To me, FEARLESS is not the absence of fear. It’s not being completely unafraid. To me, FEARLESS is having fears. FEARLESS is having doubts. Lots of them. To me, FEARLESS is living in spite of those things that scare you to death. FEARLESS is falling madly in love again, even though you’ve been hurt before. FEARLESS is walking into your freshmen year of high school at fifteen. FEARLESS is getting back up and fighting for what you want over and over again…even though every time you’ve tried before, you’ve lost. It’s FEARLESS to have faith that someday things will change. FEARLESS is having the courage to say goodbye to someone who only hurts you, even if you can’t breathe without them. I think it’s FEARLESS to fall for your best friend, even though he’s in love with someone else. And when someone apologizes to you enough times for things they’ll never stop doing, I think it’s FEARLESS to stop believing them. It’s FEARLESS to say “you’re NOT sorry”, and walk away. I think loving someone despite what people think is FEARLESS. I think allowing yourself to cry on the bathroom floor is FEARLESS. Letting go is. Then, moving on and being alright…That’s FEARLESS too. But no matter what love throws at you, you have to believe in it. You have to believe in love stories and prince charmings and happily ever after. That’s why I write these songs. Because I think love is FEARLESS.

THANKYOUTHANKYOUTHANKYOUTHANKYOUTHANKYOUTHANKYOU

I want to thank my family. Austin, thank you for understanding all of this and never getting frustrated. I love you with all my heart and I’m so proud of you. Mom, you’re my best friend and your laugh keeps me sane. Dad, thank you for your help selling t-shirts and playing the role of “proud dad” 24/7.

Nathan, my brilliant producer, thank you for your intuition. Thank you for your talent, I’m lucky to have you.

Liz Rose, you’ve never stopped standing by me.

To my wonderful little record label that has grown quite a bit since the days of no furniture, fresh paint, and 12 employees…Thank you. I’ll never forget the days of sitting on the floor, putting cds into envelopes to send “Tim McGraw” out to radio.

Scott Borchetta, thank you for believing in me since I was 14 and still trying to straighten my hair. You’re family.

Robert Allen, thank you for all of your hard work on the road and your lovely British accent.

To my promotions team, thank you for all the number one singles! Jayme Austin, Mandy McCormack, Jeff Davis, Erik Powell, Larry Hughes, and Jack Purcell. Also, Andrew Kautz, John Zarling, Allison Jones, Whitney Sutton, and everyone at the Big Machine.

Thank you to Monte Lipman, Joel Klaiman, and everyone at Universal!

I love you Emily Evans. Jason Hutcheson, thank you for looking out for me.

Sandi Spika, thank you for your pretty dresses and glam assistance.

Lorrie Turk, thank you for your awesome make up skills and wonderful laugh.

Paula Erickson, you’re an amazing publicist and anyone would be lucky to be your client. 😉 You’re the best publicist EVER.

Claudine Ottinger, thanks for all the tour press! Kelly Rich, you’re wonderful.

Duane Clark, thanks for helping me learn the business end of things.

Mike Milom, thank you for endlessly combing through my contracts. Crazy lawyers…Troy Tomlinson at Sony/ATV Publishing, you make me happy, Greg Oswald (You’re incredible), Dave Wirchtshafter (You get it done basically you’re awesome), Jason Trawick (You’re hilarious and awesome), and all my friends at William Morris.

Thank you to country radio. I remember riding in the back of a Taurus on radio tour, and meeting you all for the first time. Look at what you’ve done for me!

Thank you to CMT, GAC, and MTV.

Colbie, thank you for lending your angelic voice to this album. It’s an honor to have you as a co-writer and friend.

Abigail, distance has never held us back and it won’t now that you’re at college. Best friends. That will never change.

Kellie Pickler, you’re the sister I never had.

To my band, “The Agency”, you are family. Caitlin Evanson, Paul Sidoti, Grant Mickelson, Al Wilson, Amos Heller, Ben Clark…Thank you for dressing up in crazy costumes because you know it makes me laugh.

Thank you to the people with the hard jobs — My crew and bus drivers.

But most of all, thank you to the fans. I’m nothing without you. Nothing. I’ll never forget that.

I want to thank you for giving me this life, from the bottom of my heart. With everything I have and everything I am, I thank you. I’m nothing without the people who believed in me and my music enough to go out and buy a copy of the first CD…or the people who bought tickets to see me in concert. So the final thank you goes out to you.

Fans are the reason I even have a second album coming out. I love you. Thank you for all you do. Endlessly. l’ll always thank you, and I thank God every day for putting you in my life.

And to the boys who inspired this album, you had fair warning.

FEARLESSLY, LOVELOVELOVE-T-

— Taylor Swift, Fearless (2008)

[johanna-swann]

Also totally ship Dr. Petra Williams with Greg Sutton.

[orderjackalope]

For our milestone episode #100 we contemplate one of the most confounding conundrums of our age… How old is Charo, really?

Key sources for this episode include Wikipedia and contemporary newspaper reports.

A special thanks to everyone who helped us reach this amazing milestone, including: A.J. Sutton, Alex Baumans, Charlotte Lochinski, Chris White, David Blomenberg, David L. White, Dorothy White, Eric Leslie, Fearful Jesuit, Greg Armstrong, Jenn Voss, Jim Munizza, Kieran Davy, Kristen Harkness, Liz Roberts, Michael Finney, Richard Le Poidevin, Rob Brunksill, Robert B. White III, Robert Sibole, Rod Miller, Sam Link, Steven White, Tom Hand, Zane C. Weber… and you, our wonderful listeners.

After this episode we're going on hiatus for a few months. We'll be back in mid-August with a fresh series of all-new episodes!

[alexzalben]

Here's info on STRANGER THINGS: THE FIRST SHADOW, the new stage show set in the world of the series, coming to the West End later this year.

Hawkins, 1959: a regular town with regular worries. Young Jim Hopper’s car won’t start, Bob Newby’s sister won’t take his radio show seriously and Joyce Maldonado just wants to graduate and get the hell out of town. When new student Henry Creel arrives, his family finds that a fresh start isn’t so easy… and the shadows of the past have a very long reach. 

Brought to life by a multi-award-winning creative team, who take theatrical storytelling and stagecraft to a whole new dimension, this gripping new adventure will take you right back to the beginning of the Stranger Things story – and may hold the key to the end.

Matt and Ross Duffer said: “We are beyond excited about Stranger Things: The First Shadow. Collaborating with the brilliant Stephen Daldry has been nothing short of inspiring, and Kate Trefry has written a play that is at turns surprising, scary, and heartfelt. You will meet endearing new characters, as well as very familiar ones, on a journey into the past that sets the groundwork for the future of Stranger Things. We’re dying to tell you more about the story but won't - it’s more fun to discover it for yourself. Can’t wait to see you nerds in London!”

Sonia Friedman said: “The world and mythology of Stranger Things has enabled a rich and fertile ground for creating an incredible story for the stage. The Duffer Brothers have built a huge global following for good reason, and a world-class creative team has built on their boundless imagination to dream up an unbelievably exciting theatrical event for our audiences. Set within the canon of Stranger Things, this new play opens in London, with the West End hosting the only place in the world to experience this new story – for now. I’m thrilled to reunite with my visionary long-term collaborator Stephen Daldry. Together, with our brilliant Netflix partners, we can’t wait to welcome Stranger Things fans into theatre, and theatregoers into the realm of Stranger Things.”

Greg Lombardo, VP Live Experiences for Netflix said, “Stranger Things has captured the imagination of fans around the world and we are incredibly thrilled to expand this exciting universe with Netflix’s first live stage production. With the creative talents of Matt and Ross Duffer combined with Sonia Friedman and Stephen Daldry, theatregoers will be swept up in a truly epic event worthy of Stranger Things.” 

STRANGER THINGS: THE FIRST SHADOW will be directed by Stephen Daldry with co-director Justin Martin, set design by Miriam Buether, costume design by Brigitte Reiffenstuel, lighting design by Jon Clark, sound design by Paul Arditti, illusions design by Jamie Harrison & Chris Fisher, video design by 59 Productions, movement direction by Coral Messam, wigs, hair and make-up design by Campbell Young Associates, casting by Charlotte Sutton CDG, international casting consultancy by Jim Carnahan, Gary Beestone for Gary Beestone Associates is Technical Director, with further creative team members to be announced.

[hallmark-movie-fanatics]

ISABEL AGREES TO HOST CANYON’S GALA OF THE YEAR, BUT ‘THE MCMURRAY CURSE’ IS THE TALK OF THE TOWN IN ‘RIDE’ PREMIERING APRIL 9, ON HALLMARK CHANNEL

STUDIO CITY, CA – April 6, 2023 – When Isabel (Nancy Travis, “Last Man Standing”) and the McMurrays step in to host Canyon’s gala of the year, tongues are wagging about “The McMurray Curse,” in this week’s episode of “Ride” premiering Sunday, April 9 (9 p.m. ET/PT), on Hallmark Channel. Travis, Tiera Skovbye (“Riverdale”), Beau Mirchoff (“Good Trouble”), Sara Garcia (“The Flash”), Jake Foy (“Designated Survivor”) and Tyler Jacob Moore (“Shameless”) star.

When Canyon, Colorado’s most important annual gala loses its venue the day before the event, Hank (Greg Lawson, “Wynonna Earp”) offers for Isabel and the McMurrays to host at their barn. Unfortunately, the dusty, old barn is nowhere near the standards of the gala chair, Barbara Sutton (Rachel Crawford, “Heartland”) – Isabel’s friendly rival. Not one to give up, Isabel mobilizes everyone at the ranch to help spiff the barn up overnight. With the gala quickly approaching, the venue isn’t the only thing that needs a makeover, as Isabel persuades Cash (Mirchoff) that charming the judges there is as important a step to winning as any of his other training. Thankfully his coach Missy (Skovbye) is just the person to help. For her part, Missy is struggling with her own riding and must figure out why or risk losing her sponsorship deal. Now stepping into her role as co-foreman alongside Tuff (Foy), Valeria (Garcia) is frustrated when the ranch hands are not taking her promotion seriously. Tuff – still reeling from witnessing her mysterious encounter the other night – tries to uncover what Valeria’s really hiding. Despite everyone’s hard work, they realize that won’t stop the town of Canyon from gossiping about the McMurray family curse.

“Ride” is a Blink49 Studios / Seven24 Films Production. Executive producers are Rebecca Boss, Chris Masi, Sherri Cooper, Alexandra Zarowny, Paolo Barzman, Greg Gugliotta, FJ Denny, John Morayniss, Carolyn Newman, Virginia Rankin, Elana Barry, Josh Adler, Jordy Randall and Tom Cox. Alejandro Alcoba is co-executive producer. The series is produced by Brian Dennis. Lesley Grant is supervising producer. Paolo Barzman directed from a script by Rebecca Boss & Chris Masi.

[ofaflower]

𝐌𝐀𝐑𝐘 𝐌𝐎𝐑𝐒𝐓𝐀𝐍: 𝐁𝐁𝐂 𝐂𝐎𝐌𝐏𝐋𝐈𝐀𝐍𝐓

Reposted from an old blog. This canon is compliant to BBC's Sherlock, in terms of Mary being a secret operative. However, there are canon divergencies detailed below. This is written with a base understanding of the events of the series.

Mary's past is a little unclear; however, it is known that she was born Rosamund Mary and that she used to be a trained assassin who went rogue and changed her identity in order to hide from her past. Her accent is English, but she was not born British. However, after so many years of hiding her American accent, she’s lost it almost entirely and has to focus when she wants to use it now. 

Approximately five years before meeting John Watson, she chose the name "Mary Elizabeth Morstan" from the gravestone of a stillborn child, in order to hide her true identity.  Claiming to be an orphan in order to cover for the fact that she had no family. They met when she took a job as a nurse, (having the required medical training and falsified documents) at the clinic John worked at. It didn’t take her long to figure out whom he was, and that the stories in the news involved him. She did not seek him out, but she felt for him all the same --- and surprised herself when she realised that she’d grown feelings for him that were reciprocated.

John planned to ask Mary to marry him, a bit over a year after they had begun dating - shortly before Sherlock's return. He took her for a meal out and brought a ring, however the meal was interrupted by Sherlock just as John was about to ask her. When John finally saw that Sherlock was alive the horror on Mary's face was obvious, as she knew just what Sherlock's "death" put him through. Despite being together for less than two years, Mary was more of a serious girlfriend than the other girlfriends John had and he proposed to her soon after the interrupted meal.

The arrival of Sherlock into their lives was a tricky one --- the spy in her wanted to view him as a potential threat, but she couldn’t help but like him. However, it took everything in her to watch every step she made --- the wrong word or move would send him sniffing after her past. Fortunately, he seemed to like her and blinded himself to those bits about her (or maybe, he noticed but said nothing as a friend).

Mary did eventually marry John at St, Mary's Church in Sutton Mallet, Somerset. The wedding was attended by among others, Greg Lestrade, Molly Hooper, Tom, Mrs Hudson, General Sholto and Sherlock who was John's best man. Her wedding was tumultuous and she received a possibly threatening telegram from CAM  (that set her on edge, but she played it off as nothing --- she had people who sent her little reminders to toe the line in her new life every so often; she was used to it) . Her first dance with John as a married couple was a waltz written by Sherlock. She was revealed to be pregnant that night, after Sherlock informed them from signs he had noticed from Mary..

The truth about her past was revealed to some extent during Sherlock and John's investigation of Charles Augustus Magnussen. Under a threat from Magnussen, she went to his office intending to kill him, however she was discovered by Sherlock whilst he and John were breaking into the place. Knowing that if she killed both men, John would be a suspect, and she could no longer kill Magnussen without Sherlock witnessing, she shot Sherlock just below his chest where the wound would not surely kill him. She then hit Magnussen over the head and phoned an ambulance for Sherlock and left the building. When he was in the hospital, she told Sherlock not to tell John about any of it.  

After Sherlock ran away from the hospital Mary found him after he fed her a series of clues. He projected a picture of her face onto an empty house – saying that it mimicked her personality, a façade. Inside the house, they discussed how she could easily have killed him yet chose not to. Mary said that she would do anything not to have John leave her. However, John was present while she confessed to being an assassin. They returned to Baker Street, where Sherlock told him as much as he knew about her. Mary produced a USB drive that she claimed had everything about who she used to be on it. She begged John not to read it in front of her, because she did not want to watch him stop loving her.

Six months later at Christmas, after a period of separation between Mary and John, John told her that he did not think her past was his business but that her future was his privilege. Mary, now known to be pregnant with a girl, was incredibly relieved. John admitted he was still angry at her, but the two remained together. After Sherlock kills Magnussen, Mary and John see him off in an emotional farewell when he is being exiled and sent on a dangerous mission as part of his punishment. However Sherlock ends up being flown back in when images of the deceased Jim Moriarty start appearing around London, indicating the late master criminal may still be alive.  

Mary later gave birth to a healthy baby girl, named Rosamund Mary Watson, after herself. Sherlock, Molly, Mrs Hudson, and possibly D.I. Greg Lestrade, were named as Godparents. Alas, Mary was tracked down by a member of the assassin team she was part of and is forced to leave John and Rosamund behind whilst she takes random trips around the world, a new country, a new identity. Eventually, she is tracked down by Sherlock and John, but also Ajay, the fellow assassin she was running from. The three escape.

Mary meets Sherlock in an alcove to show him her past. She knocks him out using some sort of drug and leaves after he has seen the real Mary Watson, also known as Rosamund Watson. Her real maiden name is still unknown. We later find out, in an aquarium, that a government secretary, Vivian, gave the order in a fateful mission in Georgia that cost the lives of half of A.G.R.A., Mary's former assassin team. Vivian moved to shoot Sherlock, and Mary watched in horror as he stood frozen in shock. Moving to pull him out of the way, she was hit in the shoulder. The action was stupid and she berated herself for it, but it proved non-fatal.

Still, the action was a close call --- and with everything that had happened, along with Rosie to be considered. The Watson’s needed to reconsider how they engaged with Sherlock and his world. Prompting a period of distance, as they also had their own issues to work out. However, Sherlock’s challenging of Culverton Smith --- and his extreme backslide prompts them back into the fray once more.

Mary is still shot in the aquarium, but she is shot trying to pull Sherlock to the ground. The shot is not fatal, and both survive the incident. Instead it hits her shoulder, and while she recovers from the injury, and her arm is never fully the same again afterwards.

I don't have a full canon for how The Lying Detective works, but I feel like even though she's fine --- Mary getting shot would likely still cause some tensions with their newborn child and make them evaluate some things. Which could lead to distance. Which isn't to say they don't want to go on these adventures, or 'ruin' the fun --- but they have a small person to look after and getting shot at by choice is not a good way to do that and this dynamic is just going through a re-calibration period. I'll likely plot this with partners specifically to make it work for our threads, but this is my  default.

Because of how fast paced and unexpected it is, Mary is with them when Eurus' drone attacks Baker Street and is with the three of them there. She also was a part of the trick played on Mycroft by Sherlock and John to push him to confess to Eurus' existence --- but she also voices during the scene that she thought the whole thing was a tad bit dramatic, but when are things ever not. "Also, the costume fit and it was a little funny."

[bitcoincables]

Risks of Bitcoin Spot ETF Launch: Coinbase Analysts' Warning

The launch of spot Bitcoin exchange-traded funds (ETFs) in the United States could cause a shortage of Bitcoin and impact a popular trading strategy, according to Coinbase researchers. Coinbase's head of institutional research, David Duong, and senior sales trader, Greg Sutton, highlighted two key risks associated with the launch. First, ETF issuers may face difficulties in sourcing enough Bitcoin to hold in their funds. Second, the launch of spot Bitcoin ETFs could narrow the basis trade, a popular institutional trading strategy, reducing its profitability.

The potential approval of spot Bitcoin ETFs is just weeks away, and many believe trading could begin soon after. However, Duong and Sutton warned of the sourcing risk for institutions looking to buy Bitcoin for their ETFs. While it is considered a good problem to have, compared to low inflows, it is a risk that needs to be considered.

The other risk is related to the basis trade strategy, which takes advantage of the difference between the spot price of Bitcoin and the price of Bitcoin futures contracts. Due to increased volume in spot Bitcoin and futures contracts, the potential profit on the basis trade has surged in recent weeks. However, with the introduction of spot Bitcoin ETFs and direct exposure to Bitcoin for institutional investors, the basis trade's profitability is expected to decrease.

There are currently 13 applications for spot Bitcoin ETFs pending with the Securities and Exchange Commission (SEC). Analysts predict that one or more of these products could be approved as early as January 10. Grayscale, a crypto asset manager, recently met with the SEC to advocate for in-kind redemptions instead of cash creation, which would be more efficient for ETF issuers. These developments indicate the growing interest and potential impact of spot Bitcoin ETFs in the market.

Read more: https://cointelegraph.com/news/bitcoin-spot-etf-launch-risks-coinbase-analysts

[kutongdejimie]

Digifinex Labs: Unspoken Risks Surrounding the Launch of Bitcoin ETFs

David Duong, Coinbase’s head of institutional research, and Greg Sutton, senior sales trader, highlighted the first risk in a podcast on December 19. They suggested that the launch could create difficulties for institutions attempting to source sufficient BTC. This pertains to issuers needing to acquire Bitcoin from regulated sources to hold in their ETFs. Duong questioned, “What if demand is so great that these institutions are unable to obtain the required amount of Bitcoin?”

While acknowledging that this predicament is preferable to low inflows, Duong emphasized the importance of considering the sourcing risk as the ETFs move forward. Interestingly, crypto venture firm Bitwise predicted that a spot Bitcoin ETF could become the most successful ETF launch in history.

Sutton pointed out a second risk related to a widely adopted institutional trading strategy known as the “basis trade.” This strategy involves exploiting the difference between the spot price of Bitcoin and the price of BTC futures contracts. The potential launch of spot Bitcoin ETFs could impact the effectiveness of this popular trading strategy.

As the countdown to the potential approval of spot Bitcoin ETFs continues, these two risks underscore the complexity and potential challenges that may emerge within the crypto market.

Get your $550

Registering DigiFinex now grants you a newcomer’s package worth $550: Click to register

[daibhidjames]

RIP to Lone Justice bassist Greg Sutton; 

[kcdahippie]

Parallel universe Sutton and Dr Williams realizing the government has left them to die in panic is just.... WOW. Little nail on the head there.

(I feel iffy about their embrace but as a whole it's a fun little moment of realization.)

[theart2rock]

Reto Burrell

Seit der Veröffentlichung seines ersten Albums "Echo Park" im Jahr 2001 ist es dem Schweizer Künstler Reto Burrell gelungen, Rock, Pop, Country, Folk und Blues zu einem ganz eigenen Americana-Stil zu verbinden. Burrells neun Alben haben begeisterte Kritiken von einigen der angesehensten Publikationen in der Musikbranche erhalten. Der Rolling Stone sagte über sein 2014 erschienenes Album 'Lucky Charm': "Ein weiteres grossartiges Songwriter-Album des Schweizers mit amerikanischen Wurzeln"; Americana UK beschrieb seine Songs als: "Zeitloser Roots-Rock-Americana", und das Tracks Magazine nannte ihn "den Schweizer Tom Petty". Sein Erfolg hat es ihm ermöglicht, mit einigen der besten Profis der Musikindustrie zusammenzuarbeiten, darunter der dreifache Grammy-Gewinner Chris Testa, der Produzent des Jahres der Country Music Association, Greg Droman, und Weltklassemusiker wie Bryan Sutton, Aaron Sterling, Aubrey Haynie und andere. Burrell ist selbst kein unbeschriebenes Blatt in Sachen Produktion und Musik und hat für zahlreiche Künstler in der Schweiz Alben geschrieben, produziert und eingespielt. Seine neuste Single "Counting Miles" wurde am 3.März veröffentlicht, ein komplettes Album folgt im September 2023. Die neuen Songs weisen alle Merkmale auf, die wir von Burrell gewohnt sind: mitreissende Melodien, aussagekräftige Texte, grossartige Gitarren-Licks und herzliche Vocals. "Wie immer mag ich es, mit verschiedenen Musikstilen zu flirten, ohne dabei die Essenz meiner Person zu verlieren. Die ersten Reaktionen von Leuten aus der Branche, die die neuen Songs gehört haben, sind sehr positiv. Der allgemeine Konsens ist, dass sie die Frische und Aufregung des Debütalbums eines Newcomers haben, gepaart mit der Weisheit und Erfahrung eines gestandenen Künstlers. Das macht mich sehr glücklich", sagt Reto. Als versierter Performer ist Burrell zu einer festen Grösse in der Live-Musikszene geworden, hat Hunderte von Shows in ganz Europa gespielt und beginnt nun, seinen Horizont auf andere Teile der Welt auszudehnen. Quelle: Jonnys Lion Cave Lesen Sie den ganzen Artikel

[hawkvalley]

Denver Broncos Regular Season Game 11

Hawk Valley Regular Season Week 12 November 27, 2022

Denver Broncos vs Panthers

Quick Review

The Broncos lost to the Raiders 22-16. The Raiders ran three plays in overtime to win.

A longer review

This game took place on November 20 at 2:05 PM MST. The temperature at the start of the game was 45 degrees.

The Raiders started the game on offense from their 26 yard line. On first down, Derek Carr #4 handed the ball of to Josh Jacobs #28 who ran up the middle for three yards. The Raiders would call this play so often, I wondered if it was the only running play in their playbook. On second down, Carr threw a swing pass to Jakob Johnson #45 for no gain. On third and seven, Carr connected with Davante Adams #17 over the middle for a 21 yard gain. Jacobs picked up three yards running to the left on first down. On second down, Carr threw a pass to Adams for a fifteen yard gain that I thought was incomplete at first. Jacobs took the hand off and lost six yards on first down, but there was a flag on the play. Mack Hollins #10 was flagged for an illegal block in the back. On first and twenty, Carr threw a pass that was batted down by Jonathon Cooper #53. IN-COM-PLETE. On second down, Carr found Ameer Abdullah #22 over the right side for no gain. On third down, the Raiders called the same play, but this time it was over the left side and the pass was to Adams. That play gained four yards. With 10:22 left in the quarter, A.J. Cole #6 punted on fourth down.

The Broncos first drive of the day started from the eight yard line. Russell Wilson #3 rolled to the right and connected with Greg Dulcich #80 for fifteen yards. Gordon ran up the middle for three yards on first down. On second down and seven, Russell threw his first IN-COM-PLETE pass of the day, but there was a flag on the play. Sam Webb #27 was flagged for pass interference. The Broncos gained 18 yards. Chase Edmonds #19 came into the game and ran up the middle for four yards. On second down, Russell completed a pass to Courtland Sutton #14 for a sixteen yard gain before he was hit by Denzel Perryman #52. Edmonds second carry of the day gained two yards. With 6:40 left in the first quarter, Russell connected with Kendall Hinton #9 on a thirty-three yard touchdown pass. The play was reviewed and overturned. The refs decided Hinton was down at the one yard line. On first and goal, Latavius Murray #28 ran up the middle for a touchdown.

Abdullah returned the ball to the 41 yard line, but Brittain Brown #38 was flagged for holding on the kickoff return. The Raiders second drive of the day started from the fifteen yard line. Carr threw an IN-COM-PLETE pass on first down, but Damarri Mathis #27 was flagged for illegal contact. From the I-formation, Jacobs ran to the right for seven yards. On second down, Jacobs ran behind Thayer Munford Jr. #77 for fourteen yards. With five minutes left in the quarter, Carr found Hollins on the right side for nine yards. Back in the I, Jacobs ran up the middle for two yards. On first down, Carr found Brandon Bolden #34 for four yards. On second down, Carr hit Jacobs on a swing pass to the right for four yards. Back in the I, Jacobs ran over the right side for two yards. With 1:30 left in the quarter, Jacobs ran up the middle for six yards. On second down, Jacobs ran over the right side for five yards. That play ended the first quarter at 2:38 pm.

After one in Denver: Broncos 7, Raiders 0.

When play resumed, Carr was sacked by Alex Singleton #49 for a seven yard loss, but there was a flag on the play. Andre James #68 was flagged for holding. On first and 20, Carr was sacked by Josey Jewell #47 for a nine yard loss. On second and 29, Jacobs was stuffed for no gain. On third down, Carr connected with Hollins for an eighteen yard gain. Daniel Carlson #2 missed a 46 yard field goal.

The Broncos started their second drive of the game from their thirty-six yard line. On first down, Russell connected with Gordon over the middle for four yards. On a sweep to the left, Gordon gained nine yards. On first down, Russell hit Eric Saubert #82 for nine yards. On second down, Gordon picked up ten yards running up the middle. With 10:15 left in the half, Russell threw an IN-COM-PLETE pass. On second down, Murray came in and gained two yards. On third down, Russell’s pass was IN-COM-PLETE. On fourth down, Brandon McManus #8 kicked a 48 yard field goal with 9:24 left in the half.

From their 25 yard line, Carr handed the ball off to Jacobs and he gained one yard running up the middle, but there was a flag on the play. Alex Bars #64 was flagged for holding. On first and twenty, Carr’s pass was IN-COM-PLETE. With 9 minutes left in the half, Carr connected with Adams for a twenty-three yard gain. On first down, Jacobs gained four yards running over the right side. On second down, Jacobs picked up seven more yards running to the left. Carr dumped the ball off to Hollins for an eight yard gain. On second down, Jacobs ran up the middle for eleven yards. With 5:50 left in the half, after play action, Carr connected with Adams on a 31 yard touchdown pass. Adams was double covered by Kareem Jackson #22 and Pat Surtain #2. Dre’Mont Jones #93 was flagged for unsportsmanlike conduct so the Raiders kicked off from the 50.

The Broncos started their drive off from the 14 yard line. Russell found Hinton camping out on the left sideline for a seventeen yard gain. On first down, Gordon bobbled the ball, but ended up catching it for no gain. On second down, Quinn Meinerz #77 was flagged for a false start. On the second second down, Russell went back to Gordon for an eleven yard gain. Russell was hit by Bilal Nichols #91 and Albert Wilson #25. With 3:25 left, Russell found Dulcich waiting by the first down marker for a fifteen yard gain. There was a flag on the play, Sutton was flagged for a blindside block. With 3:16 left, Russell scrambled to the left for eight yards, but there was a flag on the play. Maxx Crosby #98 was flagged for unnecessary roughness. The Broncos gained fifteen yards. With 2:42 left, Murray ran up the middle for five yards. Then Russell hit Hinton on a slant for an eight yard gain. That play took us down to the two minute warning at 3:13 pm.

When play resumed, Russell dumped the ball off to Murray for no gain. On second down, Murray ran up the middle for two yards. The Raiders called a timeout. On third down, the Raiders blitzed but Russell found Sutton for a 21 yard gain. With 50 seconds left, Russell found Saubert for a seven yard gain. Denver called a timeout with 41 seconds left. On second down, Gordon ran to the left for two yards. Denver called another timeout with 34 seconds left. With 34 seconds left, Gordon ran up the middle from the three yard line and fumbled. Meinerz recovered the ball for Denver. Denver called a timeout with 2 seconds left. On fourth down, the 25 yard field goal attempt by McManus was blocked by Crosby.

Halftime arrived at 3:25 pm and the score was Denver 10, Las Vegas 7.

The second half started off with Montrell Washington #12 muffing the ball at the goal line. He recovered the ball and returned it to the 13. Murray ran towards the left side for a four yard loss on first down. On second down, Russell dumped the ball off to Murray for a five yard gain. On third down, Russell stepped up into a sack by Crosby for a two yard loss. On fourth down, Waitman punted to the Vegas 45, but there was a flag on the play. Bolden was flagged for running into the kicker.

Jacobs ran to the left for a gain of fifteen yards on first down. On first down, Carr threw an IN-COM-PLETE pass. From the I-formation, Jacobs ran up the middle for five yards. The Broncos defense stopped Jacobs for no gain on third down. On fourth down, Carlson kicked a 52 yard field goal.

From the 25 yard line, Russell found Dulcich for a one yard gain. On second down, Russell threw an IN-COM-PLETE pass, but there was a flag on the play. Crosby was flagged for being offside. On the second second down, Murray ran to the right for three yards. On third down, Murray ran up the middle for three yards. Murray gained three more yards on first down. On second and seven, with 8 minutes left in the third quarter, Russell threw the ball into triple coverage. IN-COM-PLETE. On third down, Russell rolled to the right before throwing an IN-COM-PLETE pass. Waitman punted on fourth down.

The Raiders started this drive from the 33 yard line. On first down, Jacobs ran to the left for seven yards. On second down, Jacobs was stuffed for no gain. On third and three, Carr found Adams on the right side for twelve yards. On first down, Carr threw pass that was almost picked by Jewell, but it landed safely on the turf. IN-COM-PLETE. There was a flag on the play, Adams was flagged for unsportsmanlike conduct. With 5:30 left in the quarter, Denver called a timeout. When play resumed, Carr threw an IN-COM-PLETE pass. On third and 25, Carr dumped the ball off to Abdullah for a five yard gain. On fourth down, with 4:50 left, Cole punted.

Murray ran up the middle for a four yard gain on first down. The Broncos ran the same play on second down for four more yards. On third and two, with 3:43 left, Russell connected with Sutton running a go route on the left side for a 23 yard gain. With 3 minutes left, Murray ran to the left for four yards. On second down, Murray ran up the middle for seven yards. With 1:40 left, Murray ran to the left behind Dulcich for a one yard gain. On second down, Gordon caught a screen pass on the right side for a three yard gain. On third and six, Russell rolled to the right and was sacked by Crosby for an eight yard loss. That play ended the third quarter.

After three quarters in Denver, at 4:15 pm, the score was tied at 10.

When play resumed in the fourth quarter, McManus kicked a 52 yard field goal.

The first Raider drive of the fourth quarter lasted less than a minute. Jacobs gained two yards on first down and then Carr threw two consecutive IN-COM-PLETE passes to end the drive. Cole punted with 14:05 left in the game.

The Broncos didn’t do any better on their next drive. On first down, Russell found Sutton for a six yard gain. On second down, Gordon ran to the left for a two yard loss. On third down, Russell was sacked by Tyler Hall #21 for an eleven yard loss. Waitman punted with 12:14 left in the game.

On first down, Carr hit Hollins for a five yard gain. With 11:30 left, Carr went back to Hollins for five more yards. Jacobs was tackled for a one yard loss on first down. On second down, Carr threw an IN-COM-PLETE pass. With 10:07 left, the Raiders called a timeout. On third and eleven, Carr threw another IN-COM-PLETE pass, but there was a flag on the play. Essang Bassey #34 was flagged for holding. Jacobs ran to the right for six yards on first down. The Raiders called the same play on second down, but this time Jacobs gained seven yards. On first down, Jacobs ran up the middle for four yards. On second down, Johnson was flagged for a false start. On the second second down, Carr dumped the ball off to Abdullah for no gain. On third and eleven, Carr’s pass was tipped by DeShawn Williams #99 and Adams batted the ball down. With 7:11 left, Carlson kicked a 57 yard field goal.

On first down, Russell found Brandon Johnson #89 for a two yard gain. On second down, Russell hit Murray for a nine yard gain. On first down, Russell connected with Sutton over the middle for 14 yards. With 5:30 left in the game, Russell connected with Gordon on the left side for a gain of 21 yards, but there was a flag on the play. Webb was flagged for holding. Denver declined the penalty. On first down, Gordon ran up the middle for two yards. On second and eight, Gordon ran over the left side for four yards. On third down, Russell rolled to the right and then threw an IN-COM-PLETE pass. With 3:34 left, McManus kicked a 48 yard field goal.

With 3:30 left, Jacobs caught a pass for a four yard gain. Carr then threw two consecutive IN-COM-PLETE passes. Cole punted with 3:05 left in the game.

On first down, Murray ran up the middle for two yards. Vegas called a timeout with 3:01 left in the game. On second down, Murray ran to the left for twelve yards. With 2:21 left, Murray ran up the middle for one yard. With 2:11 left, Vegas called their last timeout. On second down, Murray was tackled for a one yard loss. That play took us down to the two minute warning.

When play resumed, Russell rolled to the right, then he threw an IN-COM-PLETE pass. Waitman punted with 1:43 left in the game.

From the 22 yard line, Carr fired off a pass to Hollins for a seven yard gain. With 1:27 left, Carr found Cole over the middle for a twenty-one yard gain. From the 50 yard line, Carr connected with Jacobs for a 43 yard gain. Denver called a timeout with 32 seconds left. From the Denver 7 yard line, Carr threw three straight incompletions. Carlson kicked a 25 yard field goal with 16 seconds remaining.

Denver started a drive from the 25 yard line with 16 seconds left. On first down, Russell dumped the ball off to Murray for a nine yard gain. Denver called a timeout with seven seconds left. Russell found Dulcich for a seven yard gain on second down. With three seconds left in the game, Russell’s Hail Mary pass was IN-COM-PLETE.

The Raiders won the toss in overtime and elected to receive. Their drive started from the 33 yard line. On first down, Jacobs lost one yard running to the right. On second down, Carr connected with Foster Moreau #87 over the middle for 33 yards. With 8:24 left in overtime, Carr connected with a wide open Adams on a 35 yard touchdown pass.

Final score: Raiders 22, Broncos 16. The game lasted three hours and twelve minutes.

Roster moves

On Monday the Broncos waived RB Melvin Gordon 25.

Bronco players that that are out: RCB K'Waun Williams #21, WR Jerry Jeudy #10, WR K.J Hamler #1, DE Jonathan Harris #92.

The Broncos that are questionable: SLB Jacob Martin #54, TE Andere Beck #83.

The Broncos have placed RB Chase Edmonds #19 on injured reserve.

The Broncos released LB Harvey Langi #43 from the practice squad. The Broncos have signed LB Dakota Allen #59 to the active roster. They have signed RB Tyreik McAllister #39 and LB Ray Wilborn #43 to the practice squad.

Outlook

This is the third out of conference game of the year for the Denver Broncos. The Broncos are 500 in non-conference play this year. The Broncos are net zero in non-conference games this year. They have scored 27 points and allowed 27 points this year.

The Panthers are averaging 16 PPG in non-conference play and allowing 27 PPG.

If the Broncos want to get to 6 wins on the season, they have to win all of their remaining non-conference games this year. The Panthers winning percentage this year is 27%. Arizona's winning percentage is 36% and the Rams have won 30% of their games.

Game Time

Sunday, November 27 @ 11:00 AM MST