#green menswear

[my18thcenturysource]

Planche 2, Cabinet des Modes, May 15th 1786, Bibliothèque Nationale Française.

We already looked at the female look for this Cabinet des Modes edition, here we have the male, which I LOVE, because late 18th century menswear is just *chef kiss*. The description is a little shorter than the one for the woman, but here we are in my loose and shortened rough translation:

Plate 2 The coat and waistcoat of the man shown in this plate, are made of spring velvet in a lemon green background with green stripes and lilac spots. The buttons that decorate the coat and waistcoat are enameled and speckled in a contrasting colour. The breeches are made of black liver cloth and the fit is snug/tight. The stockings are white and the shoes have red heels (this fashion is not for everyone) (...). The man wears a white plumed hat on his arms, and lace ruffle on his wrists. He has his left hand in his waistcoat pocket, and his right in his coat pocket.

[men-worth-your-time]

Joel Green

[loveshetlands]

[env0]

Somber Soldier

[fashionsfromhistory]

Suit

1860s

England

LACMA (Accession Number: M.2010.33.9a-b)

[ghw-archive]

d&g fw17

[psychicmakerinternet]

Green pattern goldtoe dress socks.

[k-wame]

BARRY KEOGHAN "Bird" Première - The 77th Annual Cannes Film Festival · May 2024

[arrakisser]

PAUL ATREIDES (HIGH FASHION EDITION)

Elie Saab Fall 2022 Haute Couture Balmain Fall/Winter 2016 Paris Ann Demeulemeester Spring 2019 DUNE: PART ONE, TWO (2021, 2024) dir. Denis Villeneuve

[beau-gar]

CRAIG GREEN SPR 25

www.beau-gar.tumblr.com

[matchamllk]

source

[men-worth-your-time]

Joel Green

[loveshetlands]

[toyastales]

Lewis Hamilton in Burberry

[fashionsfromhistory]

Ensemble

c.1790

France

The dualities and contradictions that characterized male fashion in the early Napoleonic period are captured in this spectacularly schizophrenic ensemble. Under the disintegrating forces of the French Revolution (1789-1794), the 18th century confidence, some might say smugness, in its uniformity of aesthetic beliefs was to disappear. The restless need for social and political reform, which began in the 1780s and was fostered through the works of the philosophes, resulted in new patterns of consumption and new forms of self-expression. For a time, however, the ideas, values and aesthetics of the Ancien Régime competed and co-existed with those of the founding Republic.

This jockeying for position between the old and new elites gave birth to a variety of hybrid or transitional styles of dress, this suit being an outstanding example. Comprising a coat with narrow sleeves and a straight, cut-away skirt, a short vest or gilet and a pair of breeches that covered the legs below the knees, it recalls the cool Neoclassicism of the Enlightenment. At the same time, its simple lines and complete absence of decoration reflects the Anglomania that had been a feature of male fashions in France since the 1740s, but which came to the fore in the 1780s. The opulence and frenzied frivolity of Ancien Régime court dress or habits à la française, however, remain in its luxurious fabric and its lurid, effervescent color. Its stand-up collar is also a vestige of the old order, but its exaggerated height anticipates the style of the Incroyables. Like these giddy young men of the mid- to late 1790s, the wearer of this suit was almost certainly an élégant, an 'enlightened' aristocrat who hid his anti-Jacobin tendencies by adopting the puritanical design vocabulary of the republicans.

The MET (Accession Number: 2003.45a–c)

[nayerbrie]

꒰ ⌗ 𓈒 BEN 10 : ALIEN FORCE 。♡ !!