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mirkwoodshewolf · 5 years

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Aladdin Queen fic John Deacon x reader Chap. 7; Harvest festival

*Author’s note*

Okay everybody I hope you all are having a terrific day/evening. I know the spring semester/winter quarters are always the toughest times of the year where the work just piles up, or those that work real adult jobs are probably swamped by now but I hope that this series brings at least a bit of hope into your lives. So I wasn’t really thrilled of how I did the dance battle but I leave that up to you guys, all I know is that I’m really looking forward to writing the next chapter cause it’s literally my FAV. SONG FROM ALADDIN AND GOD THEY NAILED IT IN THE LA REMAKE!!!!! So I’ll stop talking and you all can enjoy :)

Taglist:

@plethora-of-things

@psychosupernatural

@waddles03

@ixchel-9275

@queendeakyy

@georgesgentlyweepingguitar

@geek-and-proud

@simonedk

@kairosfreddie

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That night, fireworks were lighting up the sky in an array of colors. Freddie and I dressed in our finest, I was now wearing an aquamarine party dance dress with gold seams and along the flaps were peacock feather designs. It was also decorated with beads in various places along the bodice and the pants. Freddie had done my hair up a 3 way ponytail and I wore a small silver crown with beads and gems matching the color of the dress, along with earrings and necklace.

“Don’t worry, you are not out of the game yet. Just do whatever you normally do at a party.” Freddie assured me.

“I’ve never been to a party.” I told him. He stopped and turned towards me and I turned to face him.

“What?”

“What?” I asked him. He then shook his head as he ordered me.

“Oh uh-uh. Then you’re gonna have to go back to the room, you ain’t messing up my night.”

“Princess Ali.” We turned towards the corner and as a red firework boomed and lite up the sky, it was revealed to be the councilor, Paul. “May I have a word? Privately. This will not concern your—servant.” Once again as he walked up towards me, he eyed Freddie like he was a piece of meat.

“Well then, I’ll just be over there. Minding my business.” Freddie then walked back past the archway and had his back turned as Paul came closer to me.

“I know who you are.” Oh shit. He couldn’t have seen through me already. My heart was racing and I felt a nervous lump in my throat.

“You do?” I choked out. There was silence as his cold eyes pierced right through me. But then a smile spread across his face as he said.

“Yes. You’re a woman of great ambition. Much like my mother was.” Oh thank Allah.

“Oh thank you.” I said.

“Allow me to properly introduce myself; Paul Prenter. Advisor to the three kings of England. I could be a valuable ally to help get you what you want.” He spoke.

“That is most kind of you Mr. Prenter. I’ll keep that in mind.” I curtsied to him (after getting a lesson from Freddie). I then proceeded to walk back towards Freddie but Paul snapped out before recomposing himself.

“Perhaps I’m not making myself clear. This offer will not be on the table for long, you see.” Suddenly his snake staff began to glow and my mind suddenly turned to mush. “Princess Ali,” his voice sounded more warped and darker.

However before he could say anything else, Freddie’s voice came in and I was suddenly free of whatever the spell.

“Excuse me. Princess Ali, your presence is requested my dear.” Freddie came in and guided me away from Paul. “You okay?”

“Yeah I just….feel a little dizzy but I’ll be fine.”

“Just tell me something, was that the guy?”

“No. The guy who sent me to find you was much older, or I don’t know.”

“Okay well, try to stay away from him throughout the time we’re here, okay? I can just smell the villainy on him.” I nodded and soon we came to the dance floor.

Everyone from servants to higher ups in the English court were dressed in their finest clothes that came from my home. Folk music was playing and everyone was chattering about, much like how the marketplace is every day and night.

“Okay, there he is. This is your chance.”

“You know what? There are a lot of people, and I’m feeling sick to my stomach. I don’t think I can do this. Maybe I’ll wait till he’s asleep or something.” I tried to turn away but Freddie grabbed my arm and turned me back around.

“You’ll be fine.” I whined lowly as Freddie and I walked down the stairs. “Ohh and look at that servant boy that’s with them.” Wait is he…I turned towards Prince John to see him talking with Prince Roger and Prince Brian, and there among them was the servant from earlier.

He then walked away from the princes and I heard Freddie say.

“Oh he’s going over to the punch bowl. Suddenly feeling a little thirsty myself.” He said as he adjusted his sparkling blue party vest and hat.

“Wait no Freddie! Freddie! I can’t do this without please don’t leave me!” I panicked as I gripped his arm before he could leave. “He’ll see right through me. All three of them will.”

“No, they won’t (y/n) dear. All you have to do is walk over there.”

“And speak. I also have to speak.”

“Okay, listen to me.” He turned my chin around forcing me to look at him. “I live in a lamp. This is a party, do not fuck this up for me! I. Like. To party. Now go get some you fat bottomed girl!” I felt him slap me in the butt like you would a horse and he walked towards the punchbowls.

I took a deep breath in before exhaling as I began walking towards Prince John, hoping to make up for the blunder that I did earlier this afternoon. Just as I was about halfway towards him, a beautiful Princess came up to him saying.

“Prince John!” he turned around towards this beautiful woman in shock as he said trying to sound happy.

“Princess Priyanka you’re—still here.”

“Yes. My sister’s might have given up but I never give up until I get what I want.” She then threw her head back and laughed obnoxiously. So I just went ahead and sat down at the fountain and fiddled with the water.

“Uhh what are you doing?” I looked up with a hum to see Freddie looking down at me impatiently. “What are you doing!?” he hissed at me lowly.

“I was…just making sure the water was a good temperature.” I said as I took my hand out of the water and shook it dry.

“Why aren’t you over there?”

“Look at that!” I hissed lowly as I pointed towards Princess Priyanka. “How am I supposed to compete with that? Look at her. She’s way more of a princess than I could ever be.”

“My darling you have got to be more confident in what you have to offer.”

“What do I have to offer Freddie? Knowledge of how to steal food? How to jump between buildings? Now, Princess Ali she has jewels, spices and all that but I can no longer keep the façade anymore. Not when a real Princess who has much more than I could ever hope for…..”

“Okay hey stop, stop, stop, stop, stop, stop.” Freddie said as he sat down beside me and cupped my face between his hands. “I may have made you look like a Princess on the outside, but I didn’t change anything on the inside,” he pointed at my chest, right where my heart was. “Princess Ali got you to the door, but (y/n) has to open it.”

I knew he was trying to help me but—I just don’t think I can do this. Being myself won’t get me John because he can’t be with me since I’m a commoner. I looked around to see the three kings sitting on top of three thrones. They turned their attention to me and raised their glasses to me.

“Well, at least the kings like me.” I said with a fake smile and raised my glass to them as I stood up.

“Hmm. Maybe they’ll let you be their queen.” Freddie sassed as he stood up beside me and raised his cup towards the kings.

*John’s POV*

After managing to escape Princess Priyanka, I turned towards my father and uncles to see Princess Ali and her servant raising their cups at them. I scoffed and shook my head.

“Look at that. Another woman sucking up to our fathers.”

“I don’t know this one’s different. And—slightly familiar.” Roger said. We watched them walk away after giving their greetings and I heard Jim say.

“Plus this one comes with an incredibly attractive friend, please make it work.” The three of us turned towards Jim. Roger with a grin while Brian looked at Jim with a raised brow while I was just fed up.

“And what about the Princess?”

“C’mon Deacy you’re not being fair, the poor thing’s trying so hard.” Brian said as he placed a hand to my shoulder.

“Then that’s the problem.” I muttered as I turned towards Ali.

*My POV*

“Showtime.” Freddie said.

“No.” I shook my head. “I’m waiting for the right moment.”

“No, no more waiting. We’re done waiting.” Freddie spoke with a wide smile but his tone was low and almost cynical.

“No. I’m in charge here, okay? I say when it’s the right moment.” I asserted myself even as Freddie blinked in shock at what I had just said. He spoke not a word but just blew some air out of his mouth while wiggling his fingers as blue smoke came out with each wiggle.

I looked down to see that I was moving backwards towards the princes and their servant.

“Really? Really?” I was then stopped as soon as I was just barely a foot away from John and the others. Freddie smirked and gave me a cheeky wink before turning away. I turned around to see John talking to the other two princes as well as their servant.

I exhaled and with as much confidence as I could muster, walked towards John to hopefully fix this whole thing.

“Here she comes, act natural.” The mustached Irish servant muttered to John before he smiled at me and he greeted me with a warm hello.

“Hi, umm…..”

“Oh sorry love, I’m Jim Hutton. The Princes loyal servant and animal keeper.”

“More like our dearest friend.” Spoke Roger as he playfully patted Jim hard on the shoulder.

“Uhh Rog, why don’t you and I go over and check out the flower arrangements Jim helped pick out?” Suggested prince Brian.

“Right, follow me my friends.” Jim spoke and soon the three of them left leaving me alone with John. God this was so awkward! Say something you idiot!

“Look I’m so sorry about this afternoon. The whole—buying you thing I just…..when I heard about the famed Prince John I was just taken back by your reputation that I just…..I didn’t know how to approach you and I—I’m making things worse aren’t I?”

“Actually—” suddenly loud music began playing as an upbeat tempo began playing and I saw a purple and orange sash go around John’s neck and there was Princess Priyanka.

“Come John, dance with me.” She forcefully dragged him away to the tempo of the music giving him the lovey dovey puppy dog eyes at him but as soon as she turned to me, her eyes turned to pure hatred.

She soon lead a dance as some girls joined her and she proclaimed out for all to hear.

“Come on everyone on the dance floor!” Soon people all joined in and began dancing together the traditional Bollywood dance style. I was agape as the fact that she just stole John away from me while we were having a conversation. Even though he was dancing, I could see that he was incredibly uncomfortable especially with Princess Priyanka hanging off his side.

“Oh (y/n) dear~ Why aren’t you…..oh.”

“Now do you mind telling me how I’m supposed to compete with her now?!” I seethed lowly.

“Mmm, hussy trying to mark her territory. But she’s got nothing on you darling.

“Are you blind look at her!” She danced with such passion and synchronicity and the crowd of people around her were enjoying it just as much.

By the end of the song, everyone cheered and clapped hands with each other. But I didn’t see red until I saw her wrap her arm around John’s neck and forcefully kiss him. I heard Freddie gasp.

“Oh no she didn’t.”

“Okay that’s it!” I seethed lowly. I stormed up to her and pulled on her hair making her scream and she turned towards me with fury in her eyes.

“How dare you intervene with me! Do you know who I am?”

“I should be asking you that!? Last I checked you needed to consent with someone before you place a plaque on them.” She scoffed and said.

“At least I know how to talk to a man. Never did I think I’d be ashamed to be a woman, until you.” The crowd all choired in soft oohs. Oh this bitch just crossed a line, Allah did I want to punch her right now.

“Oh that’s it!” I went for her but Freddie came and stopped me and he said.

“Hold on now Ali. There’s no need to cause an even bigger scene.”

“Don’t worry, she already did that this afternoon. All of Agrabah has heard about it.” Freddie please get out of my way.

“What’s your name dear?” Freddie asked her.

“I am Princess Priyanka, third daughter of Sultan Hassim of Punjab.”

“Priyanka. Tell me that thing between your legs does it bite?” At that offensive remark, her mouth dropped and the crowd choired once again.

“How dare you talk to me like that you worthless servant.” She hissed.

“Hey you have no right to talk to my vizier like that!” I snapped.

“Alright, alright, alright ladies, ladies please calm down.” Roger stepped in trying to deescalate the situation. “Okay so we’ve got two princesses wanting to win the hand of Prince John. Now as this is a Harvest and we don’t wish to bring any violence into the mix, there’s only one way to settle this.”

“I know very well what needs to be done. Dance battle, outside. Winner claims the Prince’s hand.” Dance? No hell no.

“She accepts.” Freddie spoke for me and I turned to him wide eyed. Freddie immediately took me outside and I snapped at him in a whisper.

“What did you do that for? I don’t and can’t dance! I’m gonna make a total fool of myself!”

“Relax, I’ve got you covered.” He clapped his hands and soon 9 male and female dancers that Freddie had made with my second wish came up and stood beside me. “These guys will help you, now I may not know much about dance myself but I got you.”

“Wait what?”

“So Princess Ali, you ready to give up and surrender?” Princess Priyanka proclaimed as she stood by 9 of her female dancers.

“Freddie you better not make me look like a fool out there.”

“Trust me darling.” He gave me a wink and I as well as my dancers walked up towards Priyanka and her crew. The two of us stood face to face and that’s when I felt it.

Some music began to start and I felt myself suddenly jerk as I took off my tiara crown with the attached vail and tossed it aside before undoing my hair letting it go wild and crazy.

Already I could hear some cheers and whistles as I felt my body being controlled by Freddie’s magic. As I rhythmically stomped towards Priyanka, my arms popped and locked as I made the Sarpaśīrṣa hand symbol each time before turning the right side of my body to her bringing my right arm downward while my left fist touched the instep of my elbow. I circled my hips seductively before raising my hair up and flipped it right in her face.

I spun around and my dance team backed me up as all 18 of us held our left hands out and did a stirring motion with our right hand underneath our left arms, all the while bringing our knees inward to touch each other when our hands and elbows touched before popping them back outwards.

We all turned our backs swinging our arms outwards before turning back around pumping our right hands to our chests and I got up in Priyanka’s face raising my hands giving her a ‘what now?’ gesture.

Priyanka the started walking right towards me, her hips moving slowly and with intention as her arms slowly swayed before she suddenly and with quick precision her arms shot up and her hips swayed in almost an erotic way. She spun around three times before her right arm came out waving and bending like waves on the shore, or a snake slithering through the grass.

Her dancers then crossed between me and my dancers first crossing behind us, then back in front of us. Priyanka kept her dagger-like gaze onto me as her arms continued to pose and raise up doing all the symbolic movements you would see in an Odissi dance.

With elegant spins and twists of her lean body, she was like a peacock strutting a true mating dance. But then she had to go and form her arm into an Egyptian pose before thumping the center of my forehead pushing my backwards.

The crowd arose with shock as Priyanka smirked at me wickedly and two male dancers held me back and glared at the princess as she and her dancers then began to dance in unison. Each of their moves in perfect synchronicity and timing. The claps or stomps of their feet, even their spins and arm twists were together.

I turned to Freddie but he mouthed to me.

‘Relax.’ I turned back towards Priyanka and as she finally stopped and posed while breathing heavily, the crowd clapped in applause. I then snapped my fingers as the music then began to change to a more upbeat style instead of the traditional music that Priyanka and her dancers danced to.

My dancers were not only doing traditional dances, but they were also tossing people in the air doing flips, leaping over people as someone else was posing on top of a tower, and I was dancing along with two female dancers doing moves I had never seen before. It was like I was doing some foreign dance from either a Spanish country or even a northern dance from Russia. The audience was impressed with our tricks and—pop-in-locks? I then found myself going straight towards the tower of me and got on top of two of the dancer’s knees before doing a backflip and landed on my feet with arms in the air in a pose.

Priyanka came up towards me, our dancers surrounding us in a circle while Priyanka and I circled each other.

“Is that all you’ve got? The Prince doesn’t like a showoff.” She sneered at me.

“Well he doesn’t like a hussy humping him like a bitch in heat.” She gaped at me and that’s when all of us began bouncing up and down, while pumping one arm in the air. Our dancers soon stood face to face each other sizing the competition up before a second round began.

Priyanka and her dancers soon began the Kathak style of dancing now that they revealed to have bells strapped to their ankles. Their footwork was fast and the bells jingled loud and in rhythm. When they stopped, it was now my team’s turn to go full on.

The male dancers started out first by doing strong movements, flips and tumbling. One of them was even spinning on top of his head while the others danced and bounced around him. When they stopped and stuck their pose with fierce intensity, I began to notice that Priyanka was getting a little nervous.

So she took over in a solo dance swishing her hips and moving her arms as elegant but powerful as she could. She stamped her rhythmically and moved her arms in and out to the dance she was trying to do. Suddenly I felt myself jerk forward and I began to dance in front of her, pushing her aside with my hip to get her out of the way as I suddenly began dancing erratically but still good.

I could hear the crowd of people clapping in rhythm for me as I twirled, spun and stomped my feet. I then got up onto the fountain and after doing a few hip swivels and arm waves, I leapt into the air spinning around about five times before finally landing into the splits with my arms in an L shape position.

The crowd cheered and applauded for me while Priyanka retreated into the crowd with her backup dancers.

I turned to where I saw John last but I was shocked to see that he had left. I turned towards Freddie and he merely shrugged.

*3rd Person POV*

As Paul stared at (y/n) he leaned in towards the captain of the guard.

“Keep an eye on this one. This Princess may not be who she says she is.” The captain nodded as the two of them walked away from the dance floor.

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jackelopeofthelake · 5 years

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To The Faithful Departed

Ch1:

https://somerabbitsoup.tumblr.com/post/190185335172/to-the-faithful-departed

Ch2: https://rabbitholesandmusicnotes.tumblr.com/post/190225100452/to-the-faithful-departed

(Cover art by @warrior-kitty)

Ninja woke up to find himself sitting in a chair at a convention center. He patted himself down to discover that he was a human wearing a cabbie hat and navy coat with khaki pants. Onstage were some Irish step-dancers dancing to Ed Sheeran’s folk song “Nancy Mulligan.” He looked beside him to see his father and younger sister next to him, watching and commenting on the dances that the women were performing. Ninja realized he wasn’t just in a dream but was re-living a past event, but he couldn’t remember exactly why the event was so important that he would have to be sent back there.

It was the Irish Festival in the city across the river and state line that was held every February to kick off St. Patrick’s Festivities. Ninja and his family walked around looking at stores and stands to find some Irish gifts, clothes and foods. He entered into a travel lottery, found his family plaid and was enjoying a few snacks along the way. He showed his dad the map of the indoor festival, and the showtimes for certain musicians. Ninja was excited seeing an Irish folk band he liked, but sadly they had already performed. He and his dad went into a room where a few musicians played away from the main stage for a more intimate experience. After the band took it’s turn a solo artist with red hair and a beard came on stage describing where and how he lived his life. He was Irish-born but resided in the States from time to time, performing songs he wrote during his time in Ireland and here in the US. At the end of his set he decided announced one more song that he felt like was appropriate. Ninja couldn’t help but hear pain in his voice as he described the last song to the audience.

“This song…” he said, “was written by and old friend of mine.” He croaked. “I remember playing with her when I was in her hometown. We called her The Queen of Limerick, because she was so well known, and I bet you knew who she was as well. After hearing about her…” the red-haired musician said, with tears and mourning in his eyes. “I just couldn’t believe it…She had such a great impact in music and wrote this song, which many of you know…”

Ninja knew who he was talking about, and it made him feel melancholic and upset, because only a month before the festival, it had happened. He knew about a few of her songs ever since he was a child thanks to his father, who didn’t listen to many other rock musicians at all actually, having a preference towards folk, country and bluegrass. Ninja held back his tears as the musician began to play on his guitar.

As the guitar played, Ninja saw the convention center fade away as the guitars went distorted and heavy. He felt himself flying into another universe and landed, once again as a Delcatty, into a dimly-lit room. He saw a woman in gold paint and in a golden dress standing in front of a cross. She was surrounded by children in gold paint, some of them possessing bows and arrows. She then began to sing her song that she had been well known for:

Another head hangs lowly

Child is slowly taken.

And the violence, caused such silence

Who are we mistaken?

But you see, it’s not me

It’s not my family

In your head, in your head, they are fighting

With their tanks, and their bombs

And their bombs, and their guns.

In your head, in your head they are crying

In your head, in your head.

Zombie, zombie, zombie-ie-ie

What’s in your head, in your head?

Zombie, zombie, zombie-ie-ie, oh

Ninja saw an open door in the golden room and walked out into the Wild West on a clear night. He heard the sound of horses’ hooves and cackling laughter behind him and began to freeze up as the ominous din edged got closer to him. In the distance, he peered to the top of a nearby water tower to see musicians playing on the roof of it. While keeping aware of the eerie and spooky sounds, he was also aware of the music from the band and wanted to get a closer look.

Oh, Oh, Oh

All the promises we broke (promises we broke)

All the meaningless and empty words I spoke

Spoke, Spoke

Before Ninja could make it a few feet, he was suddenly grabbed by the collar, and taken towards the jailhouse in a hurry, where a cowboy was telling the sheriff his story.

“The witch! She’s back! And she isn’t leaving until he is freed! He said, pointing to the yellow ball of light in the cell. “After all he’s done, why would anyone want to free him.” The sheriff replied. He looked at the Delcatty in the eye and said to him. “Try not to be outside at night anymore ya hear?” And with that, he went outside to face the witch.

Do-do-do

Ninja peered out the window to see the sheriff and the witch face off. She dodged his bullets and incinerated him, leaving nothing but his boots behind. With that, the ball of light broke free, grabbing Ninja as it flew off. As the beam of light shot off further into the night, it dropped him in a colorful house yard on a hill full of flowers. He was unsettled to see things like a man floating in a small bucket, a woman curled up on the ground, and a woman hypnotizing herself with a light bulb. The ball descended down from the sky, transforming into a clown with spikes sticking out of his head that floated towards the window of a nearby house.

Salvation salvation

Salvation is free

Salvation salvation

Salvation is free

Uh-huh

Ninja got up and looked to see the clown float in front of him, laughing like the maniac he was. Ninja prepared a Sucker Punch, but the clown quickly threw him into the bucket. As he fell, he noticed that the bucket was deep, and he could somehow breathe underwater. The water however became like radio static until it was full white noise as a radio broadcast began…

“…was found unconscious in her bathtub this morning. Paramedics have tried to resuscitate her but with no luck…”

#indie rock #alternative rock #the cranberries #dolores o'riordan #tribute #music #pokemon #delcatty #zombie #post punk #gothic rock #guitar #fanfic #irish #ireland #mike hogan #noel hogan #fergal lawler #fanfiction

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your-dietician · 3 years

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Entertainment heat wave is coming this summer: What to watch for | Entertainment

New Post has been published on https://tattlepress.com/entertainment/entertainment-heat-wave-is-coming-this-summer-what-to-watch-for-entertainment/

Entertainment heat wave is coming this summer: What to watch for | Entertainment

Remember 2019, when hot girl summer became a motto for living with confidence?

Well, with life getting closer to normal and vaccines nudging the pandemic into — fingers crossed — the rear-view mirror, 2021’s entertainment calendar for the next few months has a similar mood.

Call it a hot everything summer.

Blockbuster movies are returning to theaters. Live concerts are set to resume. Television and streaming shows are back to being a nice part of the mix, not a sole entertainment lifeline. And with travel heating up again, beach books can actually be read on a faraway beach.

To navigate this soaring heat index for fun, here is a list of recommendations that are sunny, breezy, steaming and sizzling. You get the idea.

Hot Jeff Daniels summer

Michigan’s resident acting great always keeps it real — remember his plaid dad shirt at February’s virtual Golden Globes? His latest project evokes his home state’s ethos of blue-collar endurance. “American Rust,” a nine-episode series premiering Sept. 12 on Showtime, stars Daniels as the police chief of a Rust-Belt Pennsylvania town who is feeling “ticked off and kind of jumpy” when a murder investigation tests his loyalties. If the preview looks a bit like HBO’s gritty “Mare of Easttown,” that’s a very good thing.

Hot goofy summer

In real life, metro Detroit native Tim Robinson could be a calm, collected guy. But as a sketch comedian, he’s made an art form out of wildly overreacting to life’s little embarrassments. “I Think You Should Leave,” his mini-masterpiece Netflix show, is back July 6 with a second season. Besides brilliantly making himself the butt of the jokes, Robinson always remembers his hometown friends. Let’s hope for repeat appearances by his pals like “Detroiters” co-star Sam Richardson and Troy’s own Oscar nominee, Steven Yeun.

Hot retro Motor City summer

The Detroit of the mid-1950s comes alive in director Steven Soderbergh’s “No Sudden Move,” available July 1 on HBO Max. The crime drama starring Don Cheadle, David Harbour, Benicio del Toro, Jon Hamm and more is about some low-level criminals given a simple assignment that draws them into a mystery that stretches to the heights of the automotive industry’s power structure. The film was shot last year in Detroit under strict COVID-19 safety measures, because Soderbergh, who filmed 1998’s “Out of Sight” here, would accept no other city as a substitute.

Hot road trip summer

Six years ago, a young waitress from Detroit created a viral Twitter thread about a bizarre journey she took to Florida with a new friend to do some freelance stripping. It was as compelling as a novel and as vivid as a movie. Cut to June 30 when “Zola” hits theaters starring Taylour Page and Riley Keough. It’s a comedy and a thriller that defies expectations and makes J-Lo’s “Hustlers” seem mild. Director Janicza Bravo and screenplay co-writer Jeremy O. Harris have created a raunchy adventure that still respects A’Ziah (Zola) King as a strong woman and original writing voice.

Hot action dad summer

Yes, Matt Damon is now old enough to play a Liam Neeson-esque outraged father out for justice. In “Stillwater,” Damon is a worker for an Oklahoma oil rig who must travel to France to try and clear his daughter (Abigail Breslin) of murder charges. Think “Taken,” if it were a serious drama directed and co-written by Tom McCarthy of “Spotlight” fame. It comes out July 30, just in time to make Damon’s fans from his “Good Will Hunting” days feel ancient.

Hot reboot summer

It has been almost a decade since “Gossip Girl” ended its run, which is way too long to be without fashion tips from impossibly beautiful rich kids. The newly reimagined “Gossip Girl” on HBO Max arrives July 8 with some notable improvements, like the inclusiveness of its cast of newcomers. But it’s bringing back the original narrator, Kristen Bell (who grew up in Huntington Woods), as the voice of the title character with the hidden identity.

Hot sweating summer

Sweating is a bodily function, but what exactly is it all about? “The Joy of Sweat: The Strange Science of Perspiration,” out July 13, will explore the biology, history and marketing behind the moisture that makes us glow (to use a polite term). It covers everything from the role of stress in sweat to deodorant research that involves people who can sniff out, literally, the effectiveness of a product. Since the New York Times recommended the book as one of its 24 summer reads, you know that author Sarah Everts did sweat the details.

Hot Olympic star summer

The 2021 Tokyo Games, which run July 23-Aug. 8, will feature the world’s best gymnast, Simone Biles. She still enjoys competing, but quarantining gave her some time to improve her work-life balance, as she told Glamour for its June cover story (which comes with a dazzling photo spread of Biles). “Before I would only focus on the gym. But me being happy outside the gym is just as important as me being happy and doing well in the gym. Now it’s like everything’s coming together.” For the 24-year-old GOAT, the sky — or, maybe, gravity — is the limit.

Hot variety show summer

“What percentage of white women do you hate? And there is a right answer.” That was among the questions posed by internet sensation Ziwe to her first guest, Fran Lebowitz, on the current Showtime series that carries her name. Combining interviews, sketches and music, “Ziwe” deploys comedy to illuminate America’s awkwardness on issues of race and politics. The results are hilarious, so find out about Ziwe now before her next project arrives, a scam-themed comedy for Amazon called “The Nigerian Princess.”

Hot ice road summer

Take the driving skills of the reality series “Ice Road Truckers” and add one stoic dose of Liam Neeson and you’ve got “The Ice Road,” which premiered Friday on Hulu. The adventure flick involves a collapse in a diamond mine, the miners trapped inside and the man (Neeson) who’s willing to steer his ginormous rig over frozen water to attempt a rescue mission. Crank up the AC temporarily!

Hot kindness summer

There is a better way to be a human being, and he shares a name with an Apple TV+ series. “Ted Lasso,” the fish-out-of-water sitcom about an American football coach (Jason Sudeikis) who’s drafted to lead a British soccer team returns for a second season on July 23 —the date that Lasso fans will resume their efforts to be more empathetic and encouraging, just like Ted. Only there’s a new sports psychologist for AFC Richmond who seems impervious to Ted’s charms and home-baked biscuits. She doesn’t like Ted? We’re gobsmacked!

Hot podcast summer

When Michael Che guested on “Jimmy Kimmel Live” recently, his segment was interrupted repeatedly by Dave Chappelle, who kept plugging his “The Midnight Miracle” podcast available on Luminary. What Chappelle was selling is worth the listening. “The Midnight Miracle” brings him together with his co-hosts, Talib Kweli and Yasiin Bey, and his famous friends from the comedy world and beyond for funny and though-provoking conversations interspersed with music. If you were a fly on the wall of Chappelle’s home, this is what you might hear.

Hot series finale summer

The last 10 episodes of “Brooklyn Nine-Nine” start airing Aug. 12 on NBC, a too-short goodbye to one of the most underrated comedies in TV history. You can give all the glory to “The Office,” but the detectives of the Nine-Nine could go toe to toe with Dunder-Mifflin’s Scranton branch in terms of quirkiness, humanity and office romances and bromances. It’s hard to pick a favorite dynamic among the characters, but the irritated father-incorrigible son vibes between Captain Holt (Andre Braugher) and Det. Jake Peralta (Andy Samberg) are sublime.

Hot musical comedy summer

Keegan-Michael Key and “Saturday Night Live’s” Cecily Strong lead a star-studded cast in “Schmigadoon!,” an AppleTV+ series premiering July 16 that magically transports a backpacking couple to a land of 1940s musicals. Until Broadway reopens in September, this parody love letter to the power of musical theater should do nicely. And the premiere episode’s song “Corn Pudding”? Catchy!

Hot nostalgia tour

Hall & Oates are criss-crossing the nation with enough 1980s hits —”Maneater,” “Kiss on My List,” “I Can’t Go for That,” “You Make My Dreams Come True,” etc. — to make you want to trade your mom jeans for spandex leggings. As if they weren’t enough top-40 goodness, their opening acts are Squeeze, still pouring a cup of “Black Coffee in Bed” all these years later, and K.T. Tunstall, whose “Suddenly I See” is immortalized as the anthem of “The Devil Wears Prada.”

Hot all-female, all-Muslim punk band summer

A British import now airing on the NBC streaming spinoff Peacock, “We Are Lady Parts” would be notable alone for defying stereotypes about Muslim women. But this sitcom about an all-female, all-Muslim aspiring rock band is a gem of both representation and laughs, thanks to characters like Amina, a shy doctoral candidate in microbiology whose complaints about a guy she calls “Bashir with the good beard” inspires a song.

Hot documentary summer

While Woodstock has become synonymous with epic music gatherings, the Harlem Cultural Festival of 1969 is finally about to get the pop-culture recognition it deserves. “Summer of Soul: (…Or, When The Revolution Could Not Be Televised),” directed by the Roots drummer Questlove, will hit theaters and Hulu on July 2. It chronicles a mostly forgotten event that drew superstars like Stevie Wonder, Nina Simone, the Fifth Dimension, Sly & the Family Stone and B.B. King. Using his vast knowledge of music, archival footage and interviews with performers and those who attended, Questlove has created a history lesson that’s also the best concert you’ve never seen before.

Hot Marvel summer

Once you’re all caught up with the summer streaming sensation “Loki” on Disney+, please turn your attention to two new films. “Black Widow,” the long-awaited star turn for Scarlett Johansson’s former KGB assassin Natasha Romanoff, makes its debut July 9. It’s followed by “Shang-Chi and the Legend of the Ten Rings,” set for Sept. 3 and starring Simu Liu (“Kim’s Convenience”) as the martial arts master of the title. All brought to you by the corporate global entertainment domination machine that is Marvel.

Hot biopic summer

“Respect,” starring Jennifer Hudson, arrives Aug. 13 at theaters, nearly three years to the day the world lost the Queen of Soul. Although Cynthia Erivo gave a fine performance earlier this year as Franklin in “Genius: Aretha” on the National Geographic network, the odds are good that Hudson, chosen by Franklin herself for the part, will be the definitive screen Aretha.

Hot fiction summer

Terry McMillan calls “The Other Black Girl” essential reading. Entertainment Weekly describes it as “‘The Devil Wears Prada’ meets ‘Get Out,’ with a little bit of ‘Black Mirror’ thrown in.” This debut novel by Zakiya Dalila Harris mixes office politics with suspense in its story of Nella Rogers, an editorial assistant who’s the only Black staffer at a noted publishing company. When Hazel, a new Black employee, is hired, things seem to be improving. But then Nella starts receiving ominous unsigned notes. Sounds like yet another reason to keep working from home.

Hot slow dance summer

After nearly four months on Billboard’s Hot 100 chart, “Leave the Door Open” remains the song most likely to provoke a quiet storm on the dance floor. The hit single from Silk Sonic (aka Bruno Mars and Anderson .Paak) may sound like a cover of a long-lost ‘70s classic R&B tune, but it’s a contemporary song that can make you forget the humidity long enough for “kissing, cuddling, rose petals in the bathtub, girl, lets jump in.”

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bighousela · 7 years

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LIFES’S MAPPED OUT

Facebook: https://m.facebook.com/akal.demir.94?ref=bookmarks Twitter: https://twitter.com/AkalDemir2?s=03

IMDb: http://www.imdb.com/name/nm8514319/?ref_=ttfc_fc_cl_t10

Official Selection 2018 Film Fest LA

STARRING Christine Holliday, Melissa Salter, Lachlan Mitchell, Akal Demir, Mary Gandolfo, Amit Singh-Saini and Rebecca Sinclair PRODUCED AND DIRECTED BY Akal Demir WRITTEN BY Akal Demir and Snowflake PRESS CONTACT Akal Demir [email protected]

FIND ‘LIFE’S MAPPED OUT’ HERE https://youtu.be/oEUD7gMlmAc

AKAL DEMIR – DIRECTOR, PRODUCER, ACTOR, STUNTMAN, WRITER and CREATOR Akal Demir has hit the entertainment industry by storm, Akal has been merely a shadow in the background waiting to make his break in the film industry. Captured by a true vision and heart felt emotion, he wanted to bring this story back to life so that people know prevention is better than cure. Lightning kills......Everyone has a story to tell, but this one takes the cake for Akal, so, he has turned the biggest story of his life into a heart felt movie.

LIFES’S MAPPED OUT Akal has worked on television, short films, feature films, commercials, and music videos. He has been cast in many various roles in the last 14 months, including, Protection Officer (Enter Sanctum – Feature Film), Dr Eithen (Life’s Mapped Out – Short), Politician (Asylum Australia – Short), Lab Assistant (Charles Herschell – Short Documentary) and Prisoner #1 (The James Gibson Story – Feature Film). Akal has been brought up in the entertainment industry but wanted to make it on his own, to create his own dream, and to influence the film industry with his own vision and direction. He is achieving this through taking on the roles of Executive in Charge of Casting, Casting Director, Director, Editor, Producer, and of course through acting. Akal is a very firm believer when it comes to reaching his goals, they say ‘The sky’s the limit’, he says ‘Go far and beyond’, ‘#Believe #Achieve’, and ‘Always remember, your health is your wealth!’

LOGLINE A mother and daughter wake up to a day that leaves them fighting for their life, changing their lives forever.

SYNOPSIS Life is a challenge for Susan Forester, much like riding a horse. You can jump on bareback, and then hold onto the mane until you can spread your arms wide, with the wind in your face and the ability to embrace the world. Or, you can lose your balance and the chance to try again. Susan suffers a terrible accident and must strive to overcome not only the complication it throws at her, but influences within her family that try and tear her apart. Her daughter is also impacted by the events and must struggle to free herself to become her own person.

MEET THE CAST Christine ‘Charlie’ Holliday as Kathleen Forester Christine, more commonly known as Charlie, started her love of acting from a young age watching her primary school best friend perform on stage, and being inspired to take on the challenge herself in her high school years. She participated in all her high school productions, and studied 'Theatre Studies' in her senior years. Post high school saw her helping back stage with local theatre until she happened across a music video casting in mid 2013. Her experience on set overjoyed her and she didn't expect 3 years later to start herself on a path in the film and television industry. In the past 17 months she has been on nearly 50 different sets including feature films, short films, student films, documentaries, tv series, music videos and commercials. Spending approximately 600 hours on set, including around 60 hours of crew time, enjoying numerous locations, and the abundance of creative spirits that surround her. Charlie is passionate, dedicated, and committed, making sure she shares the beauty of this world through creative avenues such as acting, modelling, design, and art. IMDb: http://www.imdb.com/name/nm8394689/?ref_=ttfc_fc_cl_t14

Lachlan Mitchell as Young Andrew Forester Lachlan, only 10 years old, started acting and modelling at the age of 5, his love for acting gained him the star role in 2 short movies, and he was the winner of Baby Showtime Modelling Show in 2017. He is a kind and friendly child that displays patience and knows how to take direction. He also enjoyed sharing his ideas on set with regards to directing...perhaps the start of a new career for this young champion child. IMDb: http://www.imdb.com/name/nm8639213/?ref_=ttfc_fc_cl_t18

Mary Gandolfo as Amy Forester Mary has played roles from Chekhov and Lorca, working in independent feature films such as ‘Love in Melbourne’ (2017), as well as dozens of short films to be released in film festivals. She has completed training at New Faces Talent Academy twice, and will be completing her course for Creative Arts in mid 2018. Mary was also a supporting actress in the independent feature film ‘Life’s Mapped Out’ (2017) and is in the process of writing her own webseries aiming to be released 2019. She is also a talented singer and dancer performing in musicals and theatre performances since the age of 12. Mary hopes to one day visit countries such as Italy and Greece to further expand her knowledge and language skills in both countries. Mary is looking forward to working on future series or in films standing alongside Hailee Steinfield! IMDb: http://www.imdb.com/name/nm8462080/?ref_=ttfc_fc_cl_t11

Amit Singh Saini as Dr Mike Andrews Amit is originally from India Dehradun, whilst in Melbourne he has been doing Aerospace Engineering and participating in pageants. He has received awards such as ‘Mr Handsome’ in Mr Punjab and Mr Singh, ‘Mr Intelligent’ in Mr Punjab, the winner of ‘Mr Bollywood King’, a runner up in ‘Mr Diamond Australia’, and he received the ‘Star Face’ Award in IFEFA (International Film Entertainment Festival Award). IMDb: http://www.imdb.com/name/nm8701623/?ref_=ttfc_fc_cl_t23

Carter Mursell as Andrew Forester Carter is a young actor and student filmmaker, completing his VCE in 2017. His love for acting was developed at an early age, participating in almost every school production. In year 8, he acted in his first independent play, written by and put on by students without any input from teachers. Since then, Carter has acted in 6 productions, more than 10 short films, and portrayed a recurring character in a short YouTube series. He has performed at Scotch College, the Owl and the Cat Theatre in Richmond, as well as St Johns Church Toorak. Carter has also taken classes outside of school at St Martins Youth Arts Centre and TAFTA. Over the years, he has been taught by a number of outstanding acting coaches and professionals including Andy McPhee (Sons of Anarchy, Saskia Hampele (Neighbours), Pia Grace Moon (The Legend of Ben Hall), and participated in the first ever teens Masterclass with legendary acting coach Elisabeth Kemp. In 2016, Carter was a featured extra in the Australian feature film Emo The Musical. The film premiered at the Melbourne International Film Festival in 2016 and found international success after being selected for the 66th Berlin Film festival. For Life’s Mapped Out, Carter is excited to have his first speaking role in a professional production. Aside from acting, Carter’s other interests include photography and writing. Recently, Carter was offered a place at the Victorian College of the Arts to pursue Screenwriting. He is excited to learn what the future has in store for him as he continues to explore acting and filmmaking. IMDb: http://www.imdb.com/name/nm8620996/?ref_=ttfc_fc_cl_t19

Pauline Mursell as Susan Forester Pauline first started in this industry at the age of 11 playing a ballerina in a TVC. Since then she has had a long and very successful career in modelling, dancing, singing, and acting. She loves what she does and this shows in her work and longevity in this industry. IMDb: http://www.imdb.com/name/nm8808490/?ref_=ttfc_fc_cl_t20

Rebecca Sinclair as Evelyn Forester Rebecca is a fun and outgoing personality who will take it to the next level. She started acting and doing extra roles in 2016 working in two feature films. She has always wanted to get into the arts from her early years but never really had the opportunity to pursue them; she says ‘Now that I’m older, I thought I would take the chance!’ The experiences she has had have already been a great stepping stone into something she truly enjoys, and she looks forward to the opportunities ahead. IMDb: http://www.imdb.com/name/nm8620997/?ref_=ttfc_fc_cl_t26

Isabelle Mitchell as Kylie Rinde Isabelle, only 9 years old, started modelling at age 3 and has won many beauty pageant titles. She started acting at age 8 and since then has appeared in 2 short films. Isabelle is a pleasure to work with on set, taking direction well, and will continue to pursue her passion in both acting and modelling into her future. IMDb: http://www.imdb.com/name/nm5565105/?ref_=ttfc_fc_cl_t17

Peter Spowart as Grandfather Peter is an actor working in local Community Theatre since retiring. He likes to communicate with meaningful stories that help people to understand the human condition or to simply have fun. He has taken part in over 80 screen performances and over thirty theatre productions since 2011. IMDb: http://www.imdb.com/name/nm9358648/?ref_=ttfc_fc_cl_t28

MEET THE CREW Joshua Crute – Assistant Director Fun loving and very devoted to acting, entertaining and promoting. Cast in short films, music videos and feature films as well as been a Featured Extra for Doctor Blake Mysteries telemovie, Ford, AAMI and other TVCs, online campaigns and training videos. Hosted, MC, and presented many events. Large range of accents and over 10 years voice over experience and a highly skilled Play by Play commentator Host, owner and creator of the comedic radio show The Night Cap. Attending many red carpets for the Logies, Village and Roadshow cinema, Interviewing top A listed Celebrities both nationally and internationally. IMDb: http://www.imdb.com/name/nm8614109/?ref_=ttfc_fc_cl_t9

Andrea Lees – Theme Song Writer and Producer Andrea began her career at the age of nine in travelling pantomimes and at 15 won the lead role in ‘Cinderella on Ice’, touring nationally for almost 2 years. Studies at NIDA rounded off the talents of an already extremely versatile young performer. Modelling and Marketing opportunities enabled Andrea to successfully become a national identity, culminating in a diverse career in the television industry. Andrea is comfortably at home in a wide range of performance genres from classical to pop. Performer and Entertainer Andrea has toured extensively in Australia and Overseas as a solo and supporting artist. Television and Radio Presenter/Hostess/Actor, Andrea has hosted and toured with Children’s Television Shows on National and International networks. She has presented News and Weather segments and hosted Radio Breakfast Shifts. Corporate and Modelling Appearances, Andrea has a wide experience in the area of Product and Services Promotion. IMDb: http://www.imdb.com/name/nm3573394/?ref_=ttfc_fc_cr18

CREDITS Teresa Barragan as Rebecca Sanders Ken Beaumont as Ken/Photographer Samantha Beaumont as Joanne Summers Viremder Bist as Roger Knocks Ayrton Burridge as Cleve Thompson Cain Clarke as Roger Stuart Coleman as William Sanders Jade Crute as Mary Smith Joshua Captain Crute as Paul Forester Akal Demir as Dr Eithen Mary Gandolfo as Amy Forester Laurence Gough as Patrick Steven Haas as Ian Christine Holliday as Kathleen Forester Julie Marrington as Vanessa Michael as Tim Edwards Isabelle Mitchell as Kylie Rinde Lachlan Mitchell as Young Andrew Forester Carter Mursell as Andrew Forester Pauline Mursell as Susan Forester Belinda Pearson as Grandmother John Psarakis as Tim O’Brien Amit Singh Saini as Dr Mike Andrews Melissa Salter as Chloe Forester Samantha as Jane Woodard Rebecca Sinclair as Evelyn Forester Snowflake as Snowflake Peter Spowart as Grandfather Debbie Winzar as Elizabeth Schmidt

Directed by Akal Demir Produced by Akal Demir Written by Akal Demir and Snowflake Cinematography by Konrad McCarthy Film Edited by Akal Demir Casting by Akal Demir Production Design by Akal Demir Assistant Director Joshua Captain Crute Trainee Assistant Director Ayrton Burridge Special Effects by Ken Beaumont Visual Effects by Linden Beaumont and Samantha Beaumont Stunts by Akal Demir Camera and Electrical Department Ken Beaumont Casting Department Akal Demir Costume and Wardrobe Department Nesrin Demir Location Management Akal Demir Music Department Akal Demir, Andrea Lees, and Peter Sullivan Transportation Department Ken Beaumont

SPECIAL THANKS Viremder Bist Jennirations Andrea Lees Ace Hi Ranch Peter Sullivan

#filmfestla #bighousela

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gracieyvonnehunter · 5 years

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16 great documentaries from this year and how to watch them

Pahokee and Sing Me a Song are among the fascinating nonfiction films that started touring the festival circuit in 2019. | Sundance / Participant Media

From con artists to cults, nonfiction cinema is rich right now.

A “documentary” is never just one thing. It might be a memoir, a polemic, a comedy, a thriller, a romance — the sky’s the limit. Truth is frequently stranger than fiction, and if we’re lucky, much more interesting, too. Nonfiction movies can teach us about the world we live in through the stories of people living halfway around the world or right next door.

Many of 2019’s documentaries are no exception, and many of the finest were recently shown at the DOC NYC film festival, the biggest documentary festival in the country. Here are 16 worth noting, ranging from heartbreaking family stories and illuminating explorations of social issues to tales of cults and con artists.

American Factory

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American Factory is a documentary about the 2014 reopening of a closed GM plant in Dayton, Ohio — by a Chinese company that makes automotive glass — and the ensuing cultural clashes that put some bumps in the road. Veteran documentarians Steve Bognar and Julia Reichert train their cameras not only on the people involved but also on the tasks and materials of factory work, giving less-familiar viewers an idea of how complicated and difficult it can be, as well as how valuable skilled labor is. American Factory tackles the challenges of globalization with much more depth and nuance than most other reporting on the topic, precisely because it steps back to watch a story unfold over time and also resists easy generalizations. It’s both soberly instructive and fascinating.

How to watch it: American Factory is streaming on Netflix.

Anbessa

vimeo

Anbessa takes a magical realist approach to the moving story of Asalif, a 10-year-old living with his mother near an enormous condominium complex on the outskirts of Addis Ababa, Ethiopia. Their shack now stands in a poor community in the shadows of government-built condos; Asalif is forced to scavenge to help keep his family afloat. But despite his difficult circumstances, Asalif has a vivid imagination and big dreams, and director Mo Scarpelli worked with him to bring those dreams to life. Anbessa follows Asalif as he dresses up as a lion — “anbessa” is Ethiopian for “lion” — and imagines chasing away the hyenas he can hear outside at night. It’s a metaphor for the encroaching land developers, and the film takes us inside Asalif’s stories to help us understand his world.

How to watch it: Anbessa is currently screening on the festival circuit and awaiting distribution.

Apollo 11

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Apollo 11, directed by Todd Douglas Miller, harnesses the iconic images of the moon landing to powerfully retell the story of the Apollo 11 mission. But Miller’s film does a lot more than retread familiar history. Using never-before-seen footage and audio that has been meticulously scanned and restored, Apollo 11 moves from launch to safe return in a way that makes you feel as though you’re living through the mission. There’s minimal onscreen text, a couple of very simple illustrations to show the craft’s trajectory, and no talking heads. The result is a grand and awe-inspiring film.

How to watch it: Apollo 11 is streaming on Hulu and available to digitally rent or purchase on iTunes, Amazon, YouTube, Google Play, and Vudu.

Blessed Child

Obscured Pictures

A Unification Church mass wedding in Blessed Child.

Journalist Cara Jones and her three siblings were raised by their loving parents in a cult: the Unification Church, commonly known as the “Moonies.” Now an adult, Jones has left the church but struggles with the loss of her community and a changed relationship with her family. In Blessed Child, her first film, Jones goes on a journey with the help of one of her brothers to discover why people joined the church, why they left, and how their lives were affected and changed by the experience. Blessed Child is as much memoir as history, and it perceptively mines an experience many people have: If you were raised in a restrictive or insular community, what does it mean to grow up?

How to watch it: Blessed Child is currently screening on the festival circuit.

The Edge of Democracy

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Taking a sweeping but personal view of contemporary Brazilian politics, filmmaker Petra Costa shows what it looks like when a country finally embraces democracy after years of military dictatorship — and then squanders its progress as it moves toward far-right authoritarianism. Costa, who is Brazilian herself, makes no claims of objectivity; instead, she weaves her family’s story into that of her country’s and asks devastating questions about peace, democracy, and living in a slow-motion, real-world horror story. Can it happen elsewhere? And can a country return from the brink?

How to watch it: The Edge of Democracy is streaming on Netflix.

For Sama

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There have been many documentaries in recent years about the bombings and humanitarian crisis in Aleppo, and many of them have been excellent. But For Sama is a new take on the subject, and it’s truly outstanding. Waad Al-Kateab and her husband, Hamza Al-Kateab, a doctor, are native Syrians who were living in Aleppo when Syrians began to protest their government and President Bashar al-Assad. Their daughter, Sama, was born in 2016, and the family remained in Aleppo — with Hamza running a hospital — as the bombings continued.

Eventually, they left, and Waad and British documentarian Edward Watts edited years of footage she’d shot in Aleppo into For Sama. The film movingly documents life in Aleppo and in Hamza’s hospital during the yearslong siege while also offering an explanation, addressed to young Sama, for why her parents kept her in a dangerous place and why their work was important.

How to watch it: For Sama is currently screening around the world. Check the film’s website for details.

Honeyland

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Honeyland is a vibrant, fascinating, and sober documentary that examines a serious issue — the endangerment of bees — by way of a human portrait. Hatidze Muratova is the last beekeeper in Macedonia. She lives on a quiet, secluded mountain and cares for her elderly mother as well as her apian charges. Her life’s work, as she sees it, isn’t just to keep the bees; it’s to help restore balance to the ecosystem around her, and bees are a vital part of that mission. But Muratova’s sense of solitude is disrupted when a family of nomadic beekeepers arrive, seeking honey to sell.

The newcomers not only disrupt Muratova and threaten the insects’ existence but also invade an established way of life on the relatively untouched mountain. As the film progresses, different ways of thinking about commerce — as well as beekeeping and the natural world — come together in a story that is sometimes funny, sometimes beautiful, and often enlightening.

How to watch it: Honeyland is available to digitally rent or purchase on iTunes, YouTube, Amazon, Google Play, or Vudu.

The Kingmaker

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Lauren Greenfield’s new film The Kingmaker centers on one of the most famously extravagant women in recent history: Imelda Marcos, former first lady of the Philippines. When Marcos and her husband, dictator Ferdinand Marcos, were driven into exile in the United States in 1986, Imelda left behind a stash of more than 1,000 pairs of shoes. That might be the only thing a lot of people know about her. But there’s much more to Imelda Marcos — and that’s what Greenfield dives into in The Kingmaker.

Imelda is interviewed throughout the film, and at first, we only hear her side of the story. But then Greenfield slowly fills in what’s missing and challenges her subject’s outright fabrications by talking to people who remember the reign of terror that was the kleptocratic Marcos regime, drawing a line between that reign and the more recent rise of the murderous authoritarian Rodrigo Duterte.

How to watch it: The Kingmaker is currently playing in select theaters and will air on Showtime in early 2020.

Knock Down the House

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Knock Down the House is the rare documentary about today’s American political landscape that might make you shed happy tears. It’s about four progressive Democratic candidates — all women — who ran primary campaigns against establishment Democrats in the 2018 midterm elections: Amy Vilela in Nevada, Cori Bush in Missouri, Paula Jean Swearengin in West Virginia, and Alexandria Ocasio-Cortez in New York. Documentarian Rachel Lears followed the candidates, who all live in very different communities with different political terrains. They weren’t all successful — only Ocasio-Cortez won her race — but the film is uplifting and hopeful for anyone who wants their political candidates to truly represent the communities they serve. Whether or not you agree with a given individual’s politics at every point, Knock Down the House makes it clear that there’s a hunger to upend America’s politics as usual.

How to watch it: Knock Down the House is streaming on Netflix.

Midnight Family

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Nine million people live in Mexico City, but the government maintains only 45 ambulances to cover that entire population; private ambulance companies have stepped in to pick up the slack. Midnight Family follows one such company run by the Ochoa family, who ride their ambulance through the streets overnight, hoping to beat their competitors to the scene of a sudden illness or accident so they can help — while also gaining business. It’s difficult work, and it clearly feels ethically tricky. But director Luke Lorentzen manages to capture the Ochoas’ compassion and their own economic instability, as well as the heart-thumping adrenaline rush that often accompanies their line of work. The result is a sweet, fascinating portrait of a group of people trying to make the best of a bad situation, and sometimes succeeding.

How to watch it: Midnight Family opens in limited theaters December 6.

Midnight Traveler

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In 2015, the Taliban called for the death of Afghani filmmaker Hassan Fazili. Fazili, along with his wife (and fellow filmmaker) Fatima Hussaini, and their two daughters, fled the country, becoming refugees as they traveled across Europe — sometimes in very hostile places. Midnight Traveler is the family’s story, shot mostly by Fazili, who documents the family’s journey and their struggle to maintain some semblance of a life in trying circumstances. It’s part memoir, part home movie, part documentary of an experience that millions of people all over the world are having right now — and it’s a must-see.

How to watch it: Midnight Traveler is available to digitally rent or buy on iTunes and Amazon.

Mother

vimeo

Slow, lyrical, and heart-rending, Mother is an intertwined tale of two mothers. The first is Pomm, a Thai woman who works around the clock in a Thailand care facility home to patients with Alzheimer’s, most of whom are white and wealthy Westerners; Pomm’s own children live many hours away. The second is Maya, a Swiss woman with early onset Alzheimer’s whose devoted husband and daughters are making the painful decision to put her into the Thailand facility thousands of miles from home, for the sake of her quality of life. Director Kristof Bilsen crafts a film that’s moving and always surprising, exploring love and sacrifice that transcends distance and memory.

How to watch it: Mother is currently screening on the festival circuit and awaiting distribution.

Narrowsburg

Narrowsburg is a bizarre true-life con story.

Narrowsburg is a bizarre true-life con story, one that ended up roiling an entire town. The tiny upstate New York hamlet of Narrowsburg one day discovered that two glamorous strangers had arrived — both of whom had connections in the film business. The strangers launched a film festival (which they proclaimed would become the “Sundance of the East”) and shot a movie with the whole town’s involvement. But then things got very, very weird. Director Martha Shane keeps you guessing about what was really going on — Narrowsburg is full of twists — while also crafting a poignant portrait of the allure of show business in American life.

How to watch it: Narrowsburg is currently screening on the festival circuit and awaiting distribution.

One Child Nation

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Director Nanfu Wang grew up in rural China under the country’s “One Child” policy, which was in effect from 1979 to 2015. Her own parents had two children, since the law made an exception for families in rural areas, as long as the children were at least five years apart — but not until after her mother narrowly escaped involuntary sterilization. Many other women were not so lucky, forced into sterilization and abortion against their will. The policy’s mental, physical, and emotional toll on China, especially its women, was tremendous. Through a documentary that is part personal, part journalistic, Wang explores the ramifications of the One Child era. It’s a harrowing but essential film that confronts and confounds Western ideas about agency, choice, reproduction, and bodily autonomy.

How to watch it: One Child Nation is streaming on Amazon Prime.

Pahokee

Sundance Film Festival

The teenagers in Pahokee are full of life — and ready to get out.

Pahokee is a small town on the shores of Florida’s Lake Okeechobee, and there’s a waning number of jobs and resources available to the people who live there. But Pahokee High School is a beehive of activity, and that’s where filmmakers Ivete Lucas and Patrick Bresnan focus on four students in their final year of school — all of whom hope to get out of town once they graduate. Following the students through their daily lives as they participate in sports and other extracurricular activities, navigate personal relationships, and work toward future aspirations, Pahokee is in some ways a familiar high school tale. But it’s also a story of a vibrant town told through its young people, and it explores, often with humor and grace, the forces that shape how Americans live today.

How to watch it: Pahokee is currently screening the festival circuit and awaiting distribution.

Sing Me a Song

Participant Media

Life does not turn out as expected in Sing Me a Song.

For a very long time, the country of Bhutan was shut off from the outside world — but in recent years, the internet has arrived. For Sing Me a Song, director Thomas Balmès carefully and patiently chronicles the way that the country’s new connectedness changes how young Buddhist monks live in their monastery. The center of the film is Peyangki, who was the 8-year-old subject of Balmès’s documentary 2013 Happiness. Now, as a teenager, his formerly idyllic life has become fraught with tension and distraction — as well as, poignantly, romance. Each frame is pristine, peaceful, and stunning, which only underlines the sharp changes in the young monks’ lives.

How to watch it: Sing Me a Song is currently screening on the festival circuit.

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timalexanderdollery · 5 years

Text

16 great documentaries from this year and how to watch them

Pahokee and Sing Me a Song are among the fascinating nonfiction films that started touring the festival circuit in 2019. | Sundance / Participant Media

From con artists to cults, nonfiction cinema is rich right now.

American Factory

youtube

How to watch it: American Factory is streaming on Netflix.

Anbessa

vimeo

How to watch it: Anbessa is currently screening on the festival circuit and awaiting distribution.

Apollo 11

youtube

How to watch it: Apollo 11 is streaming on Hulu and available to digitally rent or purchase on iTunes, Amazon, YouTube, Google Play, and Vudu.

Blessed Child

Obscured Pictures

A Unification Church mass wedding in Blessed Child.

How to watch it: Blessed Child is currently screening on the festival circuit.

The Edge of Democracy

youtube

How to watch it: The Edge of Democracy is streaming on Netflix.

For Sama

youtube

How to watch it: For Sama is currently screening around the world. Check the film’s website for details.

Honeyland

youtube

How to watch it: Honeyland is available to digitally rent or purchase on iTunes, YouTube, Amazon, Google Play, or Vudu.

The Kingmaker

youtube

How to watch it: The Kingmaker is currently playing in select theaters and will air on Showtime in early 2020.

Knock Down the House

youtube

How to watch it: Knock Down the House is streaming on Netflix.

Midnight Family

youtube

How to watch it: Midnight Family opens in limited theaters December 6.

Midnight Traveler

youtube

How to watch it: Midnight Traveler is available to digitally rent or buy on iTunes and Amazon.

Mother

vimeo

How to watch it: Mother is currently screening on the festival circuit and awaiting distribution.

Narrowsburg

Narrowsburg is a bizarre true-life con story.

How to watch it: Narrowsburg is currently screening on the festival circuit and awaiting distribution.

One Child Nation

youtube

How to watch it: One Child Nation is streaming on Amazon Prime.

Pahokee

Sundance Film Festival

The teenagers in Pahokee are full of life — and ready to get out.

How to watch it: Pahokee is currently screening the festival circuit and awaiting distribution.

Sing Me a Song

Participant Media

Life does not turn out as expected in Sing Me a Song.

How to watch it: Sing Me a Song is currently screening on the festival circuit.

from Vox - All https://ift.tt/2XoBaNu

#Vox - All

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shanedakotamuir · 5 years

Text

16 great documentaries from this year and how to watch them

Pahokee and Sing Me a Song are among the fascinating nonfiction films that started touring the festival circuit in 2019. | Sundance / Participant Media

From con artists to cults, nonfiction cinema is rich right now.

American Factory

youtube

How to watch it: American Factory is streaming on Netflix.

Anbessa

vimeo

How to watch it: Anbessa is currently screening on the festival circuit and awaiting distribution.

Apollo 11

youtube

How to watch it: Apollo 11 is streaming on Hulu and available to digitally rent or purchase on iTunes, Amazon, YouTube, Google Play, and Vudu.

Blessed Child

Obscured Pictures

A Unification Church mass wedding in Blessed Child.

How to watch it: Blessed Child is currently screening on the festival circuit.

The Edge of Democracy

youtube

How to watch it: The Edge of Democracy is streaming on Netflix.

For Sama

youtube

How to watch it: For Sama is currently screening around the world. Check the film’s website for details.

Honeyland

youtube

How to watch it: Honeyland is available to digitally rent or purchase on iTunes, YouTube, Amazon, Google Play, or Vudu.

The Kingmaker

youtube

How to watch it: The Kingmaker is currently playing in select theaters and will air on Showtime in early 2020.

Knock Down the House

youtube

How to watch it: Knock Down the House is streaming on Netflix.

Midnight Family

youtube

How to watch it: Midnight Family opens in limited theaters December 6.

Midnight Traveler

youtube

How to watch it: Midnight Traveler is available to digitally rent or buy on iTunes and Amazon.

Mother

vimeo

How to watch it: Mother is currently screening on the festival circuit and awaiting distribution.

Narrowsburg

Narrowsburg is a bizarre true-life con story.

How to watch it: Narrowsburg is currently screening on the festival circuit and awaiting distribution.

One Child Nation

youtube

How to watch it: One Child Nation is streaming on Amazon Prime.

Pahokee

Sundance Film Festival

The teenagers in Pahokee are full of life — and ready to get out.

How to watch it: Pahokee is currently screening the festival circuit and awaiting distribution.

Sing Me a Song

Participant Media

Life does not turn out as expected in Sing Me a Song.

How to watch it: Sing Me a Song is currently screening on the festival circuit.

from Vox - All https://ift.tt/2XoBaNu

#Vox - All

0 notes

corneliusreignallen · 5 years

Text

16 great documentaries from this year and how to watch them

Pahokee and Sing Me a Song are among the fascinating nonfiction films that started touring the festival circuit in 2019. | Sundance / Participant Media

From con artists to cults, nonfiction cinema is rich right now.

American Factory

youtube

How to watch it: American Factory is streaming on Netflix.

Anbessa

vimeo

How to watch it: Anbessa is currently screening on the festival circuit and awaiting distribution.

Apollo 11

youtube

How to watch it: Apollo 11 is streaming on Hulu and available to digitally rent or purchase on iTunes, Amazon, YouTube, Google Play, and Vudu.

Blessed Child

Obscured Pictures

A Unification Church mass wedding in Blessed Child.

How to watch it: Blessed Child is currently screening on the festival circuit.

The Edge of Democracy

youtube

How to watch it: The Edge of Democracy is streaming on Netflix.

For Sama

youtube

How to watch it: For Sama is currently screening around the world. Check the film’s website for details.

Honeyland

youtube

How to watch it: Honeyland is available to digitally rent or purchase on iTunes, YouTube, Amazon, Google Play, or Vudu.

The Kingmaker

youtube

How to watch it: The Kingmaker is currently playing in select theaters and will air on Showtime in early 2020.

Knock Down the House

youtube

How to watch it: Knock Down the House is streaming on Netflix.

Midnight Family

youtube

How to watch it: Midnight Family opens in limited theaters December 6.

Midnight Traveler

youtube

How to watch it: Midnight Traveler is available to digitally rent or buy on iTunes and Amazon.

Mother

vimeo

How to watch it: Mother is currently screening on the festival circuit and awaiting distribution.

Narrowsburg

Narrowsburg is a bizarre true-life con story.

How to watch it: Narrowsburg is currently screening on the festival circuit and awaiting distribution.

One Child Nation

youtube

How to watch it: One Child Nation is streaming on Amazon Prime.

Pahokee

Sundance Film Festival

The teenagers in Pahokee are full of life — and ready to get out.

How to watch it: Pahokee is currently screening the festival circuit and awaiting distribution.

Sing Me a Song

Participant Media

Life does not turn out as expected in Sing Me a Song.

How to watch it: Sing Me a Song is currently screening on the festival circuit.

from Vox - All https://ift.tt/2XoBaNu

#Vox - All

0 notes

collectofferssg-blog · 5 years

Text

Best Places to Witness Singapore Fireworks on National Day 2019

Merlion Park

August 9 is celebrated as National Day in Singapore. If you happen to travel to Singapore during this time, then there’s a lot more you could do on your trip.

From irresistible beauty of Singapore to lavish events all around the city, the National Day celebration will be one exciting time, you shouldn’t miss out. You could participate in parades, food markets, an exhibition of the Black Knight jets and impressive fireworks taking place at some big location. If you didn’t know about this before, then this would be a total surprise for you and you could feel lucky to travel to Singapore during this time.

This year too, the event will be bigger and better along with massive fireworks display set at the skyline framed by the Marina Waterfront and singing of National Anthem. During this time, the whole city will be in celebration mood along with fireworks set off from different rooftops, two barges on the Marina Bay, the Padang, and heavy rooftop having seating at the platform.

So, before you leave for Singapore, come well prepared for the celebration and ready to capture the best places on National Day. Do book your flights, hotels from Cheaptickets and tours and activities in Singapore from Kkday. Find here the best places to visit during National Day to witness the mega fireworks and book them now.

Esplanade Waterfront

The Esplanade’s outdoor Theatre located near the Bay offers an enormous viewpoint for everything around the Marina. You can witness the unusual mega event of fireworks from an angle and see the festivities and fun atmosphere. The food and drinks are also the best part available nearby Makansutra Gluttons Bay Hawker centre. Insider Tip: While coming to the waterfront, make sure to check the route as the roads around the Esplanade will be closed during the Showtime and can switch to take an alternative route. You could book your car online using Cheaptickets Promo Code and enjoy a safe ride to your destined location at discount price.

Merlion Park

If you don’t want to leave out behind the exciting firework display then be ready to catch the fireworks display next to Singapore’s iconic Merlion and catch the sky light up. The scenery here is quite epic, so don’t forget to bring your cameras and click some scintillating picture. And if you wish to get a seat then visit early so that you could reserve your place.

Gardens by the Bay Marina Barrage

Another great view you shouldn’t miss is the Bay Marina. Though this place offers a unique perspective on the fireworks and is not as crowded as compared to the other places. You can still capture the beautiful image along with giant trees by the Garden and iconic hotel located in Marina Bay Sands. Also with it, there is a live screening display on LED screens.

Along with seeing the fireworks display, you could spend the first half of the day exploring the world-famous Gardens by the Bay. Spend your day walking through the futuristic looking metal Super trees standing at 25 to 50 metres tall and tangled with over 200 species of plants from all over the world.

The Promontory

The Promontory by Marina Bay overshadows the waterfront that offers you the perfect backdrop of a firework display. Alongside, there is a live broadcast stream of events offering energetic events. You could book the ultimate tours package and enjoy your live show by using Kkday Promo Code. Also, the see the live show broadcasted in LED along with you can celebrate a good time and plan a picnic too.

Gardens by the Bay East

Besides the above places, Gardens by the Bay is also a quieter side where you can take a panoramic shot of fireworks and see the beautiful skyline. It is also located away from the crowded place on nationals Day Parade.

The National day is expected to bring a huge number of people from different areas in order to celebrate the eve. So, if you don’t want to snag your seats and fight to be seated at the front then consider going a bit early and make sure you gain a good spot. Celebrate the 54th Birthday of Singapore and visit this beautiful country on August 9.

#Klook Promo Code #Kkday Promo Code #Trip.com Promo Code #Zalora promo code #Lorna Jane Promo Code #AliExpress Promo Code sg #ishopchangi promo code #Hotels.com Promo Code

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dylan38sanders · 5 years

Text

Do I Need Haze For My Event? – Whiteboard Wednesday

In today’s episode, we’re tackling haze for events. As an event planner, you’re always wondering how to make the experience better for attendees. Obviously, there are tons of things to take into consideration! It’s easy to let a couple of details slide by you, and you might not ever contemplate certain aspects until it’s showtime. And by then, it might just be too late.

How to use haze at events is a question that pops up frequently. However, how much thought do you actually put into it? Do you even know where to start? Well, worry no more! On this week’s Whiteboard Wednesday, Will Curran answers all of your questions about haze at events. Join him as he walks you through what it is, why you should use it, and the best ways to go about it! https://fast.wistia.com/embed/medias/pnf851fvab.jsonphttps://fast.wistia.com/assets/external/E-v1.js

Video Transcription – Do I Need Haze For My Event?

What’s going on, Endless fans? It’s Whiteboard Wednesday. We’re dropping some more knowledge bombs, and today we’re talking about the most common question to get around lighting is do I need haze at my event? The question is usually, yes, you want haze, but we’ll talk about what that involves and why you want it really, really briefly.

What Is Haze?

If you don’t know what haze is, it’s basically a very thin particulate of fog, but it’s not the same thing as fog. If you’ve ever been to your Halloween party where the DJ pumps on the fog and this big plume of smoke come out and it’s super-thick, that is not haze. Haze is actually so thin that you can barely even tell it’s there most of the time. It’s just there to make the lights look better, which I’ll explain kind of how that works.

Essentially, the way it works is as a very thin, essentially mist, I will call it, in the air, of this haze. What it allows is that when light passes through it, it bounces off of all these little particulates of vapor and basically creates the look of the beam of light. Have you ever been out on a foggy day and you’ve ever seen headlights and how you can see the beams of headlights? Same concept when it comes to haze.

Should I Use Haze In Events?

How can we recreate that effect and why do I want it for my events? Well, let’s talk about it. Well, when you have haze for your event, particularly it’s good when you have what is called moving headlights. These are the lights that spin in 360 degrees, probably seen them at a club or concert, a lot of them have a very nice, cool tight beam so then, in that way, when you add haze to them, you can get this nice little beam of light.

Now, you probably think to yourself, “Yeah, that’s really cool, but why isn’t the moving headlight cool on its own?” Well, if you do no haze, these beams of light disappear, and you don’t actually see anything between the light and where it projects. Instead, let’s say, for example, if this is projecting a circle gobo before it would show this nice big fat beam of light, but now, it’s only going to show a circle gobo. No beam of light. It’s just going to show where the gobo is.

This is totally fine, but to be honest, not really worth the money. You spend all this money on nice lights, if you’re going to have moving headlights, you might as well do haze. So, again, my recommendation, no haze, you get just this gobo, whereas, when you get haze, you get this nice, cool beam of light. It allows you to fill the air and, to be honest, adds a lot of energy to an event as well.

What Should I Know About Using Haze In Events?

First thing is there are two different types of haze. You have oil-based haze and water-based haze. The difference is that oil-based haze tends to stay in the air a little bit longer than water-based haze. It can actually stay out a little bit further, it usually gives you a bit more bang for your buck, but it has this oily texture to it. It leaves kind of I’ll call it an oil spill around the haze machine, the hazer, whereas, water-based haze doesn’t stay in the air as long. However, there are some good machines that do last a long time, which your AV company should recommend to you, but it is more friendly to venues. It doesn’t leave any sort of residue, it doesn’t hang in the air, it can’t get on carpet or anything like that. It’s a lot cleaner.

With that being said, most venues are going to require you use water-based haze, so if you are asking to do haze for the event, just make sure the AV company is bringing water-based haze. Almost everyone has a water-based hazer for their event. So something to keep in mind, oil versus water, usually you want to stick with water. That’s the best way. If you’re doing an outdoor festival, though, and the sky is the limit and you need to stay in the air as long as possible, you can do oil-based all day long.

What About Venue Restrictions?

First thing they’re going to have to do is because you are putting particulate in the air, is that they can trigger fire alarms, specifically, the sprinkler system, the smoke detectors. It can basically make you think that it’s smoking inside the room and the last thing we want to do is cause a fire alarm to come up and the fire department shows up. What a venue will do is actually forcibly turn off a fire alarm. You might be thinking to yourself, “Well, that could be dangerous, right, what if there’s an actual fire?” It’s a great point.

Well, that’s why a lot of venues will require you to bring down a fire watch. This is when they’ll contact the local fire marshal, and they’ll actually have a fire representative come be onsite for your event. This is basically someone who helps monitor to make sure there’s no fire. If there is, it can be handled all right. To be honest, I’m not a firefighter, so I don’t know exactly what they do, but it’s something to keep in mind if you’re going to use haze.

So, What Does This Mean For Costs?

It’s not just the cost of the haze machine, which can be real cheap. It can be $100, $200 to rent, but the cost comes in with bringing this fire watch down. They can charge somewhere $50 an hour, $100 an hour, $200 an hour, just to be there with, keep in mind, sometimes minimum calls as well. They might require you that they be there for five hours, for example. So keep in mind that you might have to bring a fire watch to replace basically turning off the fire alarm system.

Well, what that also means as well in some cases as well is that they also have to submit a permit and get approved as well. So the thing to keep in mind is not only you have a financial responsibility or financial commitment, but also a little bit of a time commitment as well. You can’t make this decision a week out for an event a lot of the time because these permits sometimes take a couple of weeks to get done.

That’s why it’s important to make sure that you submit your permits early on and that you talk to your venue early on about doing haze, even before your contractor AV company even know if you’re going to do haze or no haze. Because the best thing that you can do is always say, “Nope, at last minute, we don’t need the permit, we don’t need the fire watch because, guess what, we’re not going to do haze.” But if you are going to do it, you don’t want to be caught behind the times.

Conclusion

That’s it. Basically, do I need to use haze for my event? It’s obviously up to you and what you’re looking for. Obviously, there’s lots of videos on YouTube that show the difference between haze and no haze, feel free to google those. But the big thing is it makes your lights just look better. The answer is up to you in whether you want to have it, whether these are the headaches that you kind of want to deal with and the things that you want to execute. Sometimes it can be pretty easy. Or if it’s worth it to make your lights look a lot better.

We would love to hear your story and examples about how your event looked a lot better with haze, or maybe an example of how you got around using haze for an event. Let us know in the comments below!

Don’t forget to hit subscribe and the bell icon so you can get notified every single Wednesday when we post Whiteboard Wednesday videos!

Resources:

Beware! AV Fees and Infrastructure Costs You Absolutely Need To Know

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from Endless Events https://helloendless.com/haze-at-events/

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steverogersnotebook · 7 years

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Easter on the South Lawn

One-Shot - Characters: Neighbors, Tj Hammond & Steve Rogers Gen Follows the Friendship Started In: Liebesträume No. 3 in A Flat Thank you @avenger-nerd-mom for the WH Easter Egg Roll idea!! I haven’t stopped researching/writing/rewriting since.

(Or read it on AO3)

TJ walked across the typically pristine expanse of the White House’s south lawn, tucking a cigarette between his teeth, freeing his hand to adjust the fold of his shirtsleeve. Today was the White House Easter Egg Roll, and the grounds were broken into zones by little picket fences in some areas, posts with draped chains in others, outlining queuing stations and activity zones for the events of the day.

TJ shook his head, took a deep hit from the smoke, and blew it out in a curl around his face, never removing the cigarette from his mouth. Just a few months ago, he’d sprinted across this same expanse, chasing after Steve in a mad dash after sledding down the steps on the shield. Today was the day that he, Steve, and his mother had agreed they’d serve their informal sentences. In the grand scheme of things, they were getting off very light. Captain America and The President’s Son, TJ Hammond, would be presenting tales for Story Time on the South Lawn.

Truth be told, Steve had confided to TJ that he was very much looking forward to it. TJ still couldn’t believe it.

“Are you serious?” TJ had groaned at the time, “Do you know what you’re getting into?”

“TJ, I spent months on the road, on stage. I can sit in a garden for a fifteen minute story.” Steve reassured TJ, “It encourages kids to read.”

“My family’s going to be there.” TJ shrugged, “My whole family.”

“They’ll be busy, and so will we.”

So here he was. TJ looked beyond the lawn at those very steps to see Steve standing alongside TJ’s grandmother. Nana stood at the top of the steps in a lovely spring dress with splashes of spring hues complimenting her sunny smile. The two of them were talking and laughing at something. Nana seemed right at home, comfortable in blatantly feeling up Steve’s bicep. TJ pulled the cigarette from between his lips and flicked ash on the lawn. He had the grace to feel just a little guilty. After all, the gardeners had been practically combing blades of grass, grooming the area for the festivities.

With the sun still low on the horizon, the sky was barely tinted with shades of spring similar to Nana’s dress, not high enough to ignite the few clouds with oranges and gold just yet. People were lined up outside the grounds, making a pretty springtime garden of dresses, shirts, and sweaters.

“TJ!” Nana called, interrupting TJ’s imagery, “Steve was telling me you were here. I almost didn’t believe him.”

“I was hiding. Just hoping to lay low, maybe I could get out of it. Figured if Steve could convince enough people that we came together, I’d be in the breeze.” TJ rushed up the steps, extinguishing his cigarette. “I just took the long way, hoping to avoid Mama for a minute longer and sneak a smoke. I believe I succeeded with both.”

TJ engulfed his grandmother in a hug as soon as he hit the second step from her.”

“Well, I’m glad you came.” Margaret said into her grandson’s neck.

“Coerced.” TJ rolled his eyes as he pulled away, grinning at Steve.

His eye roll was matched and exceeded by his grandmother’s dramatic reaction. “You both deserved it, and you know it.”

“Hey, I’d say, in the roster of “TJ fucks up at the White House”, sledding down the steps is a footnote mention at best.” TJ stood beside his grandmother, his arm sure and firm across her shoulders. “You can’t really blame us, we had a really good sled.”

“TJ also had a really bad enabler.” Steve confessed. “It’s been a lifelong curse, snow days and bored boys do not mix.”

“Well, the only disappointment you’ll get out of me is that you didn’t invite me.” Margaret grinned, squeezing Steve’s forearm with one hand and hugging TJ’s waist a little tighter. “Shh. Showtime. Here comes the boss.”

“I can’t,” TJ said under his breath, “I haven’t told you how radiant you look yet.”

“You cut that out.” Margaret grinned at TJ, patting his hip where her hand rested.

“I told you Maggie. You have to believe me now.” Steve added, covering her hand on his arm with his.

“You can keep it up.” Margaret squeezed Steve’s arm. “All day, just don’t stop.”

“Steve’s not going to be able to follow you around complimenting you all day Nana. He has Story Time.” TJ muttered before stepping away from her to greet his mother with a hug.

TJ stood beside the president, just as he’d done so many times before. From one parent to the next, this was really familiar territory, even though it would never be comfortable. He smiled through her address, flashing occasional looks at Steve and Nana. His smirks and goggling were met by stage smiles, which just made it harder to keep his own stage smile in place. He wanted to make them both bust up. He knew he was close when he felt his grandmother’s pinch on his side, which nearly pushed him over the edge.

TJ stood straight, applauded his mother’s address, and waved along with the rest of the family as the event was officially kicked off.

“You’re a menace.” Elaine said to TJ with a fond smile as they turned away, before disbursing to the stations where each was scheduled to appear.

TJ grinned, hugged her briefly, and agreed. “Yeah, I learned from the best.”

“Well, I’m separating you and your grandmother.” Elaine announced. “Mother, you’re with me.”

“I wasn’t doing anything wrong. I’ll stay with the captain.” Margaret declined, leaning against Steve with a look that challenged anybody’s potential dispute.

“Nana, I don’t know if you have a choice.” TJ started.

“He’s right, you don’t.” Elaine interrupted, putting an arm across her mother’s shoulders, “Captain, this is one damsel you don’t need to rescue.”

“Oh, I don’t mind, Madam President.” Steve patted Margaret’s hand tenderly, “I’m sure I can keep both Maggie here, and TJ out of trouble.”

“Excuse me?” TJ asked, mouth agape, “If I remember correctly, you’re here for punitive damages as much as I am.”

“I’m not sure the three of you together is the best strategy,” Elaine considered, “Douglas?”

“Mom, I think they’re the perfect punishment for each other.” Dougie winked at TJ. “There’s a lawn full of citizens, volunteers, and security who will deter them from the worst shenanigans.”

“I can settle this.” Margaret gripped both Steve’s and TJ’s elbows, “I’m going to find the best spot from up here to watch, and you can all have all the fun you want.”

“Aww Nana, you’re skipping out?”

“Yes.” She grinned up at TJ and then at Steve, “I am, because I can. You didn’t invite me to your little sledding party, you don’t have to invite me to your storytelling atonement.”

Steve had the good grace to look chagrined, and TJ had to hand it to him, he could really pull off the Boy Scout look. “Well, when you’re right, you’re right.” Steve replied in an ‘aw shucks’ kind of way. TJ rolled his eyes, wondering just which time he did so would be the time they’d stay that way.

“You’re just going to roll over? Seriously?” TJ teased, as he watched his mom and Douglas head off to make the first of several appearances.

“What else can I do? Your grandmother’s argument is sound.”

“You can start by not calling me his grandmother. We know the lineage. ‘Maggie’ is perfectly fine, captain.”

“Right you are, Maggie.” Steve’s smile was impish and endearing.

Was he flirting with Nana? Clearly, he needed to get out more. TJ shook his head. “Well, if you’re abandoning us, don’t let us keep you Nana. Think of us out there slaving away, while you sit inside and – what is it you’re going to do again?”

“Copious amounts of nothing TJ. Wallow in that.” Nana kissed him on the cheek. Have fun, both of you youngsters. If you meet any lonely, rich, handsome young men, send them up.”

“You know you have to come outside for that. There’s nobody getting past those doors.” TJ chided.

“You and The Captain could figure that out, right Steve?” Margaret teased back. “Go play your part boys.”

Through the reflection in the windows, TJ saw that Steve had the same eye-roll-and-smirk reaction that he did, which amused his grandmother. “We’re going. When Dougie comes back in, make sure you put him through the same paces.”

“Your brother doesn’t humor me like you do. That’s why you’re my favorite.” She winked, waving them off.

“She means that you know?” Steve said, adjusting the fold of his sleeves.

“She doesn’t.” TJ smiled. “It’s too late for another smoke, isn’t it?”

“Your last one wasn’t sanctioned.” Steve jostled TJ’s shoulder.

“I know. I managed not getting caught. You do know that you’re her favorite, right?”

“She and I are great friends. I really enjoy spending time with her, but you’re her favorite grandson.”

“Don’t announce that. “We know the lineage.” TJ smirked before they both broke ranks, laughing.

“We’re back-to-back for Story Time. Which other activities would you like to pop in on first?” Steve asked.

“Hula hoops.” TJ nodded with a shrewd smirk on his face. “I think that’s where I want to go.”

“You don’t think I can manage a hula hoop?” Steve feigned hurt feelings.

“I should probably not say that standing at the top of these steps without a sled and some soft snow to catch me when you tos me down.” TJ laughed.

“Let’s go.” Steve chuckled, swinging an arm across TJ’s shoulders.

On the lawn, it was colorful, loud, and a very lively controlled chaos. Steve encouraged the kids to give it their best shot, purposely dropping his hoop comically whenever one of them seemed a little less than confident. He watched as TJ got down to eye level with one young boy, helping him with the placement of his hoop. TJ dramatically fell back and laughed when the kid swung his hoop upward. Steve laughed and then laughed harder when TJ lost balance and landed in the grass. He swerved out of the way of enthusiastic hula hoopers, and offered TJ a hand up.

“At least the grass isn’t wet this year.” TJ laughed, brushing blades of grass from his hands and giving his pants a once-ver.

“You’re good with them.”

“I’m one of them.” TJ winked. “Not ready to be in charge of any of them.”

“I understand.” Steve nodded. “I could use some water, should we take a small break?”

“Yes please.” TJ followed Steve from the cordoned off area, toward a volunteer with water and snacks. “Thank you for pretending you need breaks.”

“I do. I am human TJ.” Steve chuckled when TJ gave a sardonic nod. “I am. I need more food and water than you do.”

“Ok, that I believe.” TJ said after chugging some water. “Next up, might I suggest the cooking demonstrations? We’re only required to entertain during Story Time, and we’ve already done our lawn photo op as a bonus. I’m sure doing a few things that you want to see would be perfectly acceptable.”

“Are you sure? You see enough cooking demonstrations when I rope you in at home.” Steve wanted TJ to enjoy himself too, even though he couldn’t keep the interest from his voice.

“I think I’d like to see a professional.” Steve could tell TJ was trying to be serious, but as he trailed off with the last of his dig with a faint giggle, it was obvious to both that he failed miserably.

“Yeah, let’s go compare notes.” Steve nodded, shoving TJ’s shoulder in the direction of the cooking demonstrations.

“So,” TJ started, walking alongside Steve, “what story did you decide on?”

“Stick and Stone, by Beth Ferry. You?”

“Stella Brings the Family, by Miriam [B.] Schiffer. Bullying?” TJ asked.

“Obvious?” Steve shrugged, “I thought it was a good choice. I saw your story while I was looking. I considered it.”

“Best let The Gay read The Gay Stuff.” TJ shrugged.

“No, I wouldn’t say that.” Steve watched TJ, his posture and expression appeared vulnerable. “Anybody can teach acceptance. I think you chose a good story TJ.”

“I wanted to do something representative. Something that expressed the importance and ease of acceptance, you know? Hey, if you read after me, you can cover for me by telling your story while I’m dragged from the garden.”

“I think I’ll just stand guard until you finish.” Steve answered. “Censorship and intolerance re just more forms of bullying.”

“You don’t know the half of it.” TJ’s smile was wry. “What will likely happen is nothing. For now. Then sometime within the next week or month at the latest, my mother will get a scathing complaint, which will miraculously find her, even beyond all the grateful notes, and I’ll be subjected to a phone call.”

“Give her the book.” Steve grinned. “As a gift, inscribe it with a preemptive note asking her to read the book before she decides you need to be brought in for questioning.”

“You’re sneaky more often than not.” TJ smirked, “I’ll do that, as long as I can put your book with it.”

“I think all politicians can use a reminder about bullying. It’s a deal.” Steve held a hand out to TJ to shake on it.

“Deal.” TJ laughed, shaking Steve’s offered hand.

Steve followed TJ through the labyrinth of people to stand on the edge of the area for the cooking demonstration. He wasn’t surprised that TJ went quiet. He was always respectful when Steve was showing him something in the kitchen. What did surprise him was TJ’s rapt attention in this case. He wasn’t ever sure if TJ enjoyed the tedium of baking, but thinking back, TJ always paid attention.

“You should have volunteered to d o a cookie decorating station or something.” TJ said at the end of the demo. “On second thought, you’d be there all day, sticky and hot.”

“It doesn’t sound inspiring.” Steve admitted. “I could sit in at one of the tables though. You could too, you’re getting pretty good.”

“Yeah, besides, they’re just kids with little spatulas and lots of sprinkles.” TJ laughed. That’s about my speed. and… now a cookie sounds good. You didn’t volunteer to make those thousands of sugar cookies did you?”

“Nope, so I can’t vouch for their quality.” Steve shook his head. “Want to go fake our way through a cookie demo?”

“Let’s do it.” TJ clapped Steve on the shoulder. “Shit. I hope my mom is watching this. We’re being such great role models.”

“Sometimes it’s better to do good deeds without expecting notice.” Steve bit the inside of his cheek to curtail his humor.

“You’re in the wrong business.” TJ smirked. “You may have a point, Jedi Rogers.”

“You learn well, young Padawan.” Steve jostled TJ and had to pull him back when TJ almost tripped over an escaped toddler. He managed to help TJ remain upright before any collision could happen, and they simultaneously agreed they should stop horsing around and make their way carefully to the cookie tables.

Steve surveyed the South Lawn, which was colorfully pixelated with kids and parents, all dolled up for spring. It made a pretty, joyful picture, one he wouldn’t mind painting. Between helping kids with cookies and taking in the large crowds, envisioning a canvas full of paint recreating the image, Steve must have gotten lost in his own head. He looked up when TJ jostled his shoulder and asked, “you ok?”

“Yeah.” Steve smiled up at TJ. “You have purple icing on your cheek.”

TJ swiped at the spot, grinning. “I had help.”

“This has to be why I do it, right?” Steve asked, with a sweeping gesture across the crowded space. “When I get tired and jaded, I have to just think of these kids.”

“If that motivates you.” TJ sat down next to Steve. “We’re about due for Story Time. After that, what do you say we go hang out on the perimeter of the main stage – I mean The Rock ‘n’ Egg Roll Stage – area?”

“It doesn’t mean the same thing to you, does it?”

“Steve, you're the kid my parents should have had.” TJ put his hand on Steve’s shoulder. “Yeah, I see the importance. I hear what you’re saying, but I don’t feel the same motivation. I do see the joy and that I can get behind. I like the idea of entertaining people and making them feel this, but I also realize the importance of people like you, and Dougie. Even my parents, because joy’s only temporary if the every-day quality of living isn’t up to snuff. So, sure, it means something. That’s what counts, right?”

“How did you get purple icing on your cheek?” Steve asked belatedly.

“A very artistic young man was very passionate about his cookie decorating. I might have encouraged a little excess – as I am known to enjoy.”

“As you should.” Steve nodded. “I was about to get offended if you instigated a food fight without me.”

“You woulda noticed.” TJ said, leaning forward on the chair, resting his forearms on his thighs. “I can’t start a food fight on the same day I’m serving a sentence for sledding down the steps.”

“No. That wouldn’t’ look good. Nobody really knows about that, right? I mean, outside of your mother’s office and the family?”

“No,” TJ laughed, “Although, like I told Nana earlier, it really is one of my minor offenses.”

“Mine too.” Steve admitted. “I mean there was that whole Project Insight thing.”

“Right.” TJ nodded slowly, “Because saving the world, again, should go on your list of offenses. I don’t want to cause any trouble, and trust me I would never tell my mother, so how’s the search going?”

“Not incredibly favorable. For me, for him? I’m sure this is the plan.”

“One of these days, when everything is right with the world, I really would like to get some pointers from him. I thought I was good at not being found.”

Steve laughed in spite of the topic, “I’m sure you two would enjoy swapping derelict stories.”

“Is there anything I could do?”

“Just keep doing what you have been doing.” Steve looked at TJ, seeing so much Bucky. “You know you aren’t a replacement friend, right?”

“Sure.” TJ shrugged. “I’d never even considered that. We can’t be too much alike.”

“More than you’d expect.” Steve nodded. “Come on. Let’s get this Story Time thing out of the way. Will you be performing on the Main Stage today?”

“Uh. No.” TJ shook his head, standing up next to Steve. “That’s not one of my obligations, or aspirations, for today.”

“I understand what you’re saying.” Steve really did get it.

“Are you ok with today?” TJ asked as they walked around yet more kids, people, barricades, and volunteers.

“Yeah, this isn’t the same as making some costumed appearance somewhere. People know who I am, ad I get to wear jeans and a button-up and enjoy the festivities. If you had anything to do with that, I want to thank you.”

“You know I didn’t. You’re the one who pretty much roped me into this with the “you know she’s right TJ” business. I should have lobbied for having you in full uniform.”

“So you say.” Steve replied, taking two water bottles from a volunteer. “I don’t believe you.”

“Of course you’re right.” TJ toasted Steve with the water bottle he was handed. “Too many people already expect so much from you because of their idea of you, Everybody deserves to get to know who you really are.”

“Speaking from experience?” Steve spotted Elaine Barrish and her cluster of security entering the Story Time area. “You’re up, TJ.”

TJ looked up at Steve and then nodded toward the other end of the space. “Ok, here goes. It’s a good story. I shouldn’t be bodily dragged away, right?” TJ asked with a quirked brow.

“In ancient times, you’d be stoned.” Steve smirked.

“In not so ancient times, I’d be stoned.” TJ laughed.

“Hilarious.” Steve shook his head, a vague feeling of mortification had washed over him as he realized what he’d said, and when TJ joked it away with utter joy, he relaxed.

Steve watched Elaine greet TJ again, with another hug. That was something Steve hadn’t realized he missed. Hugs weren’t what people wanted from him, except for the occasional brave little kid. There were the select few outgoing kids that would run up and hug him. However, to hug somebody, to be hugged by somebody, Steve sighed, filled with longing.

“…Mrs. Abbot had a surprise for the class!” TJ read, ”…We’re going to have a celebration for Mother’s Day,” She said, “and each of you can invite a special guest. Jonathan and Leon said they’d invite their moms. Carmen was sure her mamá would come. But Stella had two dads.

“Everyone else had a mother, Howie had two! Stella would be the only one without a mother at the Mother’s Day party.”

“Barring certain circumstances,” Steve jumped when he heard Elaine Barrish next to his ear, speaking confidentially, “you’re a good influence on TJ.”

“Thanks.” Steve glanced from TJ reading to a crowd of attentive kids, to the president. “He’s been a good influence on me too.”

“Are you two dating?” That wasn’t the president. That… was a mother.

“No.” Steve noticed a hint of disappointment in her reaction. “If TJ and I had the same interests, I wouldn’t mind dating your son. You wouldn’t know any women with his temperament and personality, would you?”

“I’m afraid TJ is one of a kind.” Elaine smiled. “It’s a shame. He deserves somebody like you.”

“He deserves somebody who cares for him. In that regard, we agree. He also deserves to make his own choices. Even after not doing so well at it.”

TJ looked up from his finished story to see his mother lean in to say something to Steve. What that could be ranged from problematic to downright annoying, but Steve’s smile reassured him that it couldn’t be too embarrassing. He hoped.

“I’d like you all to meet my friend Steve.” TJ said, standing up. “Some of you might have heard of Captain America, but when he’s not working, people call him Steve Rogers. I call him my friend and my neighbor. Steve has a story to share with you all today too. Steve?”

TJ smiled and clapped with the kids as Steve extracted himself from the conversation. They switched places, and TJ joined his mother while the kids continued applauding Steve.

“You're really Captain ‘Merica?” a small voice interrupted the ovation as Steve sat down on the white iron bench.

“I really am. Sometimes.” Steve straightened the collar of his pastel plaid shirt, looing almost comfortable in the spring setting, surrounded by flowers and children. He reached for his book on the bench next to him and started reading.

“What were you telling him?” TJ asked his mother quietly.

“I asked him if you were dating.”

TJ closed his eyes and took a bracing breath. Of course she didn’t even deny it. “Of course you did. You could have asked me.”

“What are you doing TJ?”

“Mom? I’m friends with him. I have no expectations, and as attractive as he is, you might not believe this, but we’re really good friends with zero awkward complications. Aside from family interference, that is.”

“The “two dads” story?”

“A book that I didn’t write. It’s a cute story for all kids, without any hidden meaning. I wanted to share something about acceptance and representation.” TJ lowered his voice. “You need to borrow Steve’s anti-bullying story and take a breath.”

He expected any number of responses. A cuff on the back of the head was least likely, given the cameras that were everywhere. Including on them and Steve right now, but a pinch or a stern word were absolutely within the realm of possibilities.

However, there was nothing but an odd look of consideration that crossed her face as TJ watched her out of the corner of his eye. He was shocked when she took his hand tenderly, and just held it, listening politely as Steve finished his story.

“We’re done with our obligations. Next up, we’re going to watch some of the entertainment on the Rock ‘n’ Egg Roll Stage.” TJ said quietly. Then whatever Steve decides he wants to do next, since this is his first Easter Egg Roll. Tell Nana and Dougie they should get out and enjoy the kids’ energy.”

TJ followed Steve out of the area, leaving his mom to her turn on the story bench. He should feel guilty about not staying to watch, but in the increasing heat and moments of frustration, she was an added trigger to his growing agitation, and he needed to break free from all of that.

“You ok? Steve asked as they cleared the area, working their way toward the outer edge of the crowd at the stage. “That looked intense.”

“I’m sorry about her, and her well-meaning questions.” TJ shook his head, “she accused me of using the story to – I don’t know where she was going with that, to be honest.”

“It’s ok. I just told her the truth.” Steve shrugged.

“You shouldn’t be in that position. Just because I’m gay doesn’t mean I can’t be friends with a guy without having expectations, and I know you know that… she just knows how to push my buttons.”

“I do know that, and I thought I made sure she did too. I’m afraid it’s not either of our faults. She worries.”

“She doesn’t trust. I get it, I’ve betrayed too many trusts, but you?” TJ shook his head, “If you set her straight, why go after me? I guess she wanted to make sure I knew there wasn’t a chance.”

“She shouldn’t be doing that. That’s my job. If that were the situation, which we both know it’s not.”

“I hope she didn’t make it weird for you. I’d hate it if my mom ruined the comfort of our friendship. I don’t open up to too many people, and you’re one of them.”

“If she made any relationship unstable, it’s hers and mine TJ. I’m happy to leave it all back on that piece of lawn if you are. So, who’s next up on the stage schedule?”

“I don’t even know.” TJ admitted, flipping through his phone. “I just thought this would put us on equal footing. If you’d rather go to the sports stage, and I don’t know, play basketball or something…”

“You’re hoping I’ll say no.” Steve laughed, “what makes you think I’m going to be any good at basketball?”

“You’re all fit and superhuman. Doesn’t that make you good at basically everything?”

“How are you at tennis?” Steve countered. “I see you as a tennis kid growing up. Am I close?”

“I played a little.” TJ admitted. “Douglas is your guy, if you want competition. Or if you’re feeling nostalgic, there’s an obstacle course.”

“Nostalgic?” Steve chuckled, shaking his head. “I don’t think that’s the word I’d use for my feelings about my obstacle course experiences.”

“Ooh, do tell.” TJ goaded, folding his arms expectantly.

“Another time, when it’s not so hot, or loud, or crowded, let’s say the same for sports, ok? I like your idea of melting into the crowd and just listening for a while.”

Steve looked across the car to see TJ smiling. He smiled too. It had been a long day, but it was rewarding. “Any regrets?” Steve asked TJ.

“About today? No. Escaping without saying goodbye was just icing on the cake.”

“Even your grandmother?”

“You mean Maggie?” TJ teased, “You do realize she left long before we did, don’t you?”

“You're probably right.” Steve laughed.

“She was just there to see us get our comeuppance.” TJ continued. He leaned against the seat’s headrest. “It was a pretty good day.”

“It was.”

“How about you? Any regrets?”

Steve thought about the question, and nearly denied having any. He couldn’t do that to TJ, who was always transparent with him. It took the better part of the drive to come to the realization. As Steve steered the car into the parking lot of their building, he looked at TJ. “Regrets? I don’t have any regrets from today, but I did realize something this afternoon.”

Steve watched as TJ waited for him to continue, so many things came to mind, he was coming up short on the best way to express himself. He turned the key and got out of the car.

TJ walked around the car, leaning against the door next to Steve, holding a cigarette between his thumb and forefinger, “you mind?”

“No, of course not. You know? It used to be my mom and Bucky propping me up. I guess it just rubbed off on me a little late.”

“I don’t understand.” TJ said after lighting the cigarette and taking a bracing drag.

“TJ, I’m sorry if my being around your family today made you feel inferior. I’m even sorrier for negating your feelings by trivializing their behavior. It sucks that they still make you feel that way. There were several times when you expressed it, and I just passed it off. That’s not what friends do.”

“Yeah it is.” TJ smiled. “When that’s the appropriate thing to do at the time. Saying I was right wasn’t going to help get us through the day.”

“I just think… it really is shitty that you believe they’d be happier if I was…”

“It’s shitty that it’s true.” TJ laughed, smoke curling around his face, “I know they love me, but they don’t understand me, never will. Forgiveness comes hard, and I really blew it, often. Steve, you’re a tough act to follow, but I’m trying.”

“You shouldn’t have to. I’m…”

“To them, you’re a legend. Not to me, to me, you’re the guy I got into trouble with.” TJ laughed. “The guy who basically warned me to never start a food fight without including him. You’re my friend.”

“Today wasn’t half bad.” Steve thought of all the colorful, smiling children, the fun he and TJ had stirred up in their unofficial volunteer cookie decorating and hula-hoop events. “Thanks for letting me drag you through it. You could have been hiding behind the doors until your required appearances, but you really put your time in.”

“I did no such thing. I hung out with you, if you had a good time, that’s what matters. I’ve never really seen it from that angle before.” TJ flicked ashes away from them and the car, tossing the butt at his feet. Grinding it out with his heel, he breathed the smoke out, and fresh air in. “When I was little, I would have loved doing everything we did, but I was always rushed inside until the required appearances. I had fun today. It definitely exceeded this morning’s expectations.”

“That’s what matters.” Steve echoed TJ’s sentiment.

“What’s still bothering you?” TJ asked, turning to lean an elbow on the car’s roof.

“Nothing.” Steve lied. Was it a lie? Nothing was bothering him, but he was still standing around as if things were in limbo.

“If you say so.” TJ shrugged, “You just seem to be pensive.”

“I would be continuing the crappy friend them if I said you’re cracked, right?”

“If you used that as an excuse, it would be pretty crappy. What’s bothering you?”

“I’m glad it’s over, but I didn’t want it to end.” Steve said before he could censor himself, “It’s been a long time since I’ve done anything remotely family oriented around a holiday, and it was good.”

“You know that’s not true, we did the gingerbread house at Christmas.”

“Well, when you’re right, you’re right.” Steve nodded.

“So, you’re stuck with me for yet another family holiday. I guess that makes it official. You’re an honorary member of the family. As such, you get the warnings ahead of time, because you don’t just invite people into the Hammond clan without a great big neon caution sign.”

“I appreciate the red flags and flashing lights.” Steve laughed, feeling just a little less lonely.

“To seal the deal,” TJ pulled Steve into a hug. The kind Steve had watched TJ give to Maggie, the kind where you didn’t want it to end. How TJ knew that’s all Steve had been missing, Steve wouldn’t be able to say. When TJ pulled away, he hooked an arm across Steve’s shoulders. “Come on, let’s go inside. It’s getting cold out here without the sun. I’ve mastered my new coffee maker, and I have some of the treats you brought by yesterday.”

“Thank you TJ.”

“Any time Steve.”

#tj hammond #steve rogers #m/m platonic friendship #neighbors #easter egg roll #avenger-nerd-mom #long post #fic rec

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quietlyhereshhh · 7 years

Text

Silent Waves

Fandom: High School Star Musical/StarMyu Pairing: Uozumi x Kaito; UoKai? Is there a ship name for them? Rating: G/PG Other: Contains unrequited Uozumi/Haruto, Uozumi/Otori, Uozumi/Hoshitani and a hint of Otori/Hoshitani. AO3: Hawley (tumblr hides external links so no links here) Sequel: The Siren’s Voice

Uozumi’s love had always been one-sided. No matter how hard he tried and fought, his love would never be returned, taken away by something else; someone else. Something or someone he couldn’t match. Something that he could become so close only for him to fall back to the bottom, merely staring up into the sky – far and distant.

There was no looking back.

They chose something else.

Unrequited love – that was his fate.

Haruto was his first.

He never told anyone this. It was embarrassing to think that at one point, Tsukigami Haruto was his first love considering how even back in their middle school days, he broke the hearts of girls and boys that were attracted to his charisma and achievements. Even without his family name, he was the one to desire.

But Uozumi wasn’t interested in those things.

Sure, he was first attracted to his talent. It wasn’t until they were placed on a Star Team together that he realized the extent of Haruto’s passion though. He couldn’t help but admire his work ethic – the untamed fire in his eyes when he practiced and the ferocity of his will as he looked straight at his goal. He maintained the same frivolous visage from his middle school days but actually seeing him up close for the first time lit something his belly and led him to his world.

A world of unbridled potential.

A world he would never had imagined.

A world standing on stage with Haruto.

Haruto was an inspiration – a muse. He was someone Uozumi wanted to prove something to, working just as hard if not harder. He wanted to be his equal, someone that could proudly perform with without slowing him down. Someone he wanted to see the world with just like Uozumi did to him – share his career, his life.

Even if he was stupidly flaky.

Even if his personality left much to be desired.

Even if Uozumi got annoyed and exasperated with him.

(He didn’t really hate it. Not really. If his anger and, what Futaba called, his ‘mother-henning’, made Haruto turn to him with a genuine laugh rather than that stupid princely smile, he was okay with it.)

Uozumi’s time spent with Haruto increased. They practiced together; ate together; were in the same class together. Uozumi was somewhat jealous that Saotome got to be his roommate but when he measured how much time Haruto was in his room versus when they were with each other, it didn’t matter.

They were practically glued to each other. A pair of stars – the first prince and the second.

Uozumi knew Haruto too well. He knew his quirks – that princely smile that always made his fans fall for him but he could see through like a book. He knew that Haruto wasn’t as mature as he sets himself out to be as he gets incredibly petty when things don’t go his way or someone (usually close to him) does something wrong (Futaba was late once and Haruto wouldn’t forgive him until he did a dogeza). He especially knew that Haruto practiced even past the time Uozumi does, pretending to go back the dormitory but still kept himself awake to read over a script or memorize lyrics.

Of course, he got scolded later but he gave a half-assed sheepish look and a light laugh. He always looked tired and at the same time, was having fun.

And Uozumi couldn’t just force him away from it because he understood. He knew Haruto too well – he loved performing.

He didn’t know how, but by the time they reached their second-year, Uozumi had started cooking for Haruto whenever he decided to take a nap while missing his meals. He started hanging out in his and Saotome’s room more (much to the latter’s dismay) to make sure he slept instead of studying through the night. He kept a watchful eye on him.

And then Haruto got a part on Broadway.

He left.

For those short months after the Graduation Performance where he splendidly (as expected) performed as Alexis’ shadow, he disappeared from Uozumi’s sight and he was left behind at the school.

Uozumi had looked only at Haruto and Haruto only looked ahead.

He had been so immersed with making sure that Haruto was at the top, he didn’t realize how much it was affecting him. He didn’t move forward while he kept pushing his muse to be the best.

How stupid was he?

Now that Haruto was in the limelight where he was meant to be, he knew that he wouldn’t turn back for a second.

After getting into the Kao Council and auditioning for members for his team, Uozumi never knew he could fall so quickly.

He danced with such stunning grace and sang with potential that could go beyond everything he knew – his easy smile charmed the other members but Uozumi knew he had to have him on his team. Needed him on his team. No one else could bring out the shine he produced but him. Otori Itsuki didn’t have a limit – he could soar anywhere he wanted.

But of course, there was a problem:

Haruto

No matter how much was discussed (argued) in the decision-making process, no matter how much Uozumi insisted, Haruto refused to remove his stake on Otori. Even Saotome and Futaba took a step back, acknowledging the seriousness in Uozumi’s tone.

It became a stalemate even until the day before the teams were to be announced and they had to resolve the issue. Saotome stepped in with the impartial and fair method of determining which team Otori would belong to: rock-paper-scissors.

Uozumi (foolishly) prided himself for being the rock-paper-scissors champion at the Ayanagi Cultural Festival, gaining him the first prize of a year’s worth of tickets to the theatres around the area. He knew that Haruto had absolutely no chance against him.

...but he lost.

He lost to Haruto. Again.

It was frustrating; losing his heart and pride to the other and losing at a chance to redeem himself.

He swallowed his pride and gritted his teeth, accepting the result.

He lost fair and square.

Even though Otori was on another team, Uozumi felt drawn to him still. It was hard not to with his flowing, elegant movements contrasting with a sharp profile; the way he performed with abandon that made everything he knew pale in comparison.

Otori was free like a bird going above and beyond. He defied all limits and made Uozumi look from an unimaginable height.

At least until he saw him perform the famed Ayanagi Showtime.

Otori was great. Brilliant even and it felt a bit of not let him be the center (Hiragi held his own, of course) but there was something off about his performance. Where was the life and freedom he fought over? The rumoured problem child that stole his heart? The laughing spirit that he wished he had next to him?

He nearly punched Haruto.

How could he have clipped the wings of a wild phoenix? A phoenix that flew so high that you could barely see it anymore in the distance?

It made no sense. Haruto was (begrudgingly) brilliant. Otori was (marvellously) brilliant. In theory, it was a match made in heaven. The only way it could have been better was if Otori was on Uozumi’s team.

But when it was announced that Otori quit Team Tsukigami, Uozumi ran. He ran to find the young man with the ability to soar in the limitless sky. The one who showed him there was more beyond Haruto, going higher and higher.

He could convince him to be on his team. Somehow. It’ll work out. He’ll let him fly higher with his choreography – as long as he continued moving his heart, his life, his vision. As long as he stayed by his side—

Then Uozumi came to a halt.

He had tried to push the uneasiness in his stomach away – the one that kept telling him that he was wrong in millions of ways, telling that that wasn’t what Otori wanted. He didn’t want to be strapped to the next person, following their arrangements. If he didn’t stay for Haruto, why would he stay with second place?

Besides, Uozumi had mused as he watched the first-year’s figure blur in the rain from the window. It was wrong for him to trap him, make him his when what he loved about Otori was everything he couldn’t have – freedom.

Everything was wrong in Uozumi’s life and there was one thing, one person to blame:

Hoshitani Yuta

It wasn’t the fact that he was five years younger than him or in high school (though that was still a factor). It wasn’t the fact that he was the young protégé of Otori (though that was another). It wasn’t even the fact that he was male (because let’s face it, Uozumi had lost that sense of pride to Haruto years ago, something he regrets in the present).

It was the fact that Hoshitani was useless. Absolutely useless.

And somehow, Uozumi fell for him.

He nearly punched himself because how could he let that happen? A mere child that could barely act to save his life, that dances with two left feet and then some, and had no experience. Whatsoever.

At least, that was at first.

Tireless training couldn’t fix him and that was after Uozumi took the task of privately coaching him. Why Otori took on that student in the first place boggled his mind.

And then he saw him on stage.

He didn’t have the same mysterious aura as Haruto nor the free movements Otori had. He wasn’t even close to their level in every possible way.

But he shone.

He was raw, inexperienced, and full of potential. He wasn’t ready to perform on Broadway or the Globe Theatre.

At least…not now.

But he had the qualities of a star – the brightest of them all. He couldn’t act off-stage but on-stage, it was like he was born there. The inexperience became adaptability; the mistakes became endearing; the naivety became vulnerability.

And Hoshitani stole the show.

There were millions of problems Uozumi had with falling in love this time as Hoshitani became his focus during his time back at Ayanagi. He was becoming too attached and may have been mixing his professional and personal interests by telling him to switch roles – the role Haruto played and the one attached to Otori.

But he truly believed Hoshitani was better suited for Alexis’ shadow despite his bright presence. He could make the role bloom with radiance to the point that a shadow was not merely that – it is its own being, its own role deserving of a solo.

And he did.

Hoshitani performed with such bravado next to Otori. It was a sight to behold having the two of them together. Practically perfect – no one in the audience had to be in love with either of them to know that.

And Uozumi realized it.

He realized it when he went backstage, about to congratulate Team Otori and the others for their fine performance. He realized it when they all celebrated and cheered and relief. He realized it when their high ceased and there was a look of longing on the stage; the regret of a final performance.

He realized when Hoshitani looked at Otori.

And Otori looked back.

He was sure they weren’t like that during the training camp. In fact, Hoshitani looked more like a puppy that wanted to please his master and Otori looked like he always was – enjoying a new adventure with said puppy.

In the short span of a few months, things had changed.

The radiant sun known as Hoshitani had subdued into a soft glow; a smile faint on his lips. Otori, so unreachable and so high in the sky, bathed in the warmth; a glint in his eyes as they stared at each other.

Ah.

Uozumi understood.

If Haruto and Otori were a match made in heaven, Otori and Hoshitani were made for each other.

And he had lost again.

“Uozumi-san.”

He was leaving Ayanagi once more with Futaba and Saotome by his side. He wasn’t sure if he’d return again as an Ancient or for old memories but it would be a while before he came back.

He stopped at the voice that was both confident and slightly nervous, such a difference from usual. He turned and saw Kaito standing straight with the pride of a Tsukigami in his back. His eyes were serious, looking directly at him.

He bowed.

“Thank you for these months of guidance!”

Uozumi didn’t expect it if he was to be honest. He knew he was harsh to the students, even more to Kaito who nearly broke after he was told to change roles. Of course, he made sure to keep an eye on him so he didn’t, but overall, he didn’t think he deserved such thanks after that.

He expected Futaba to say something of the same or jokingly ask Kaito for his and Saotome’s thanks. But there was nothing and it continued to be so when his two companions walked away, as if to give them privacy.

Uozumi cleared his throat to maintain composure and stared at Kaito’s form.

“Thanks isn’t required,” The boy looked up. His earnest eyes were much different than his frivolous brother’s and it made him smile softly. “You had the talent and skills to win the role of your own volition. My training did little to help in comparison. It was all your hard work that got you the part.”

“That’s not true!” The force of his voice seemed to surprise even Kaito himself. Uozumi noticed him take a small, shaky breath and continued, “I apologize for my outburst. But truly, I wouldn’t have won the role without your guidance. If you did not tell me to switch roles with Hoshitani, I don’t think...I don’t think I would have accomplished so much.”

Uozumi blinked in confusion. Sure, the training roles were a big step in terms of gaining experience and differentiating one’s self from others, but it was a small accomplishment in comparison to the world of theatre ahead of him.

When Uozumi didn’t respond right away, Kaito seemed to have taken this cue to start again.

“I was in my brother’s shadow,” His voice was quiet and accepting but there was a tone of gratification. “I chased after his back my entire life and wanted to catch up. That was my only goal in life and I couldn’t see beyond that. But...”

Uozumi finally understood what everyone meant. He suddenly could see what everyone was saying about the two brothers being similar. Even though Kaito was serious and Haruto was sly, they both had the same intensity when they were focused on something. Except Kaito wasn’t staring ahead at his future – he was staring at him.

“You made me realize I could break out if that. That I could step out of the shadow and find my path separate from him – my own place.

“So once again, Uozumi-san,” He bowed again. “Thank you.”

A wave of embarrassment overwhelmed him not because of Kaito’s sincere words but because he saw right through him. Saw that he was destroying himself as he focused on his brother so vastly different than him; saw him struggle, unmoving and stagnant; saw a desperate attempt to make people see him.

Saw that he was exactly like Uozumi.

The difference was Uozumi didn’t realize it until it was too late. Once he focused on something, he persisted until he got hurt; when he knew he couldn’t do anything else. It happened with Haruto. It happened with Otori. And it almost happened with Hoshitani.

He couldn’t watch the boy in front of him go through the same thing.

“Kaito,” His name rolled off his tongue effortlessly. It was so different from when he called Haruto with disdain or Otori’s with desperation or Hoshitani’s with exasperation.

To him, saying Kaito’s name was a pleasant feeling.

“Raise your head.”

He had meant to proceed with his thought but he was stunned momentarily. The subtlety needed for Lambert’s shadow was naturally portrayed on Kaito’s face: expectation, worry, curiosity and hope. All intertwined at once; all looking at him.

“It is your own ability that led to this growth,” Uozumi found himself reach over to Kaito’s shoulder. It was warm even through the uniform, “I’m glad I got to see it. And I expect great things from you in the future. You are capable as you are.”

Uozumi blinked once.

He blinked again to make sure his eyes weren’t making a mistake.

Then blinked once more for good measure.

He didn’t recall the last time someone smiled with such genuine delight and admiration. Kaito looked different – younger with a childish expression but eyes filled with soft understanding beyond those years. His cheeks dusted in pink and eyes sparkled like the light against the sea. Uozumi felt himself drowning in them, unable to breathe, everything restricting in his chest at once.

He nearly choked when he realized he did, indeed, stop breathing and quietly recovered, noticing the hand on Kaito’s shoulder hovered near his cheek, ready to place itself there. Biting the inside of his cheek, his raised his hand to Kaito’s hair and mussed it up, causing him to exclaim with indignation.

Uozumi looked away, hoping his cheeks weren’t as red as they felt.

“A-Anyway,” When he turned back, he saw that the boy’s hair was a complete mess. He wasn’t smiling anymore (a blessing and a curse) and had a blank look of confusion. Uozumi raised his hand to his mouth and cleared his throat, pretending all was normal and Kaito’s pout was not cute (even with his skills as a top actor, he knew that Kaito would never believe it). “Make sure all of it doesn’t go to waste. I look forward to performing with you one day.”

Uozumi turned, spotting Futaba and Saotome near the gates. Futaba had a smug expression while Saotome didn’t know what he should do.

“Uozumi-san!”

He turned on instinct. Kaito had his hands balled into fists next to his sides. He took a step towards Uozumi but only one as if afraid to close the distance between them. There was a conflicted emotion building up in his eyes but the words flowed out of his lips.

“When that day comes, I look forward to your guidance once again.”

A foolish grin threatened to spread to his face so Uozumi didn’t look back. He began walking towards his companions with a hand above to wave Kaito bye. Saotome scolded him for being rude and Futaba teased him when they were out of sight of the school, calling his smile ‘scary’.

He ignored them both, mind wandering to the future – a future where a young actor might meet him, ready to perform with his heart and soul; lay everything out for Uozumi to see. Someone skilled enough to make him want to push and pull everything in him. A young actor that will turn to him and acknowledge him as an equal, looking straight into his eyes with determination and something to ignite the flame in him once again.

He looks forward to that day.

Note: I fell into StarMyu hell someone save me.

And people are probably thinking ‘YOU’RE SHIPPING WRONG TSUKIGAMI’ but like listen you...lemme enjoy this.

This was a quick little thing that was briefly looked over because I loved S2E5 a lot. Kaito isn’t my fave when it comes to Team Otori but I FELT SO PROUD OF HIM, YA HEAR. Even though it was mostly Kaito and Hoshitani trying to get their shit together, I felt like Uozumi still had a great impact.

Also, the friggin things Saotome and Taiga say about Uozumi fuels my little heart.

There’s probably lots of mistakes and OoC but I hope you somewhat enjoy this little fic? Still looking for ways to improve my writing!

#starmyu #hawley's writing #uozumi asaki #tsukigami kaito #uozumi x kaito #high school star musical

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waynebomberger · 5 years

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Do I Need Haze For My Event? – Whiteboard Wednesday

Video Transcription – Do I Need Haze For My Event?

What Is Haze?

Should I Use Haze In Events?

What Should I Know About Using Haze In Events?

What About Venue Restrictions?

So, What Does This Mean For Costs?

Conclusion

We would love to hear your story and examples about how your event looked a lot better with haze, or maybe an example of how you got around using haze for an event. Let us know in the comments below!

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nofomoartworld · 7 years

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Hyperallergic: Cobbling a Movie Together from Surveillance Footage

Dragonfly Eyes: Qing Ting Zhi Yan, direct by Xu Bing (image courtesy TIFF)

TORONTO — Chinese artist Xu Bing has made a career out of appropriating and recontextualizing objects and cultural artifacts, while playing with a viewer’s sense of recognition of such materials. His first major work, “A Book from the Sky” (1987–91) was an installation of what looked like traditional books and scrolls, but the writing on them, while looking like Chinese characters, was completely meaningless. In 1990, for “Ghosts Pounding the Wall,” he made rubbings on the Great Wall. He authored Book from the Ground, a novel written entirely in symbols, meant to be understood by anyone in the world.

Now, Xu has premiered his first feature film, Dragonfly Eyes, at the Toronto International Film Festival. The movie tells a story of love and obsession through footage culled entirely from videos uploaded to Chinese streaming sites. While there are clips from vlogs and dashboard cameras, most of the images are from personal, consumer-bought surveillance cameras which stream 24/7. The result is an omniscient, omnipresent, voyeur’s eye view of the world. We sat down with Xu and a translator at the festival to talk about how he put this film together.

* * *

Dragonfly Eyes: Qing Ting Zhi Yan, direct by Xu Bing (image courtesy TIFF)

Dan Schindel: What are these Chinese sites where users post surveillance video, of all things?

Xu Bing: There are maybe four or five big websites that stream the content of security cameras. People can buy these cameras and set them up to stream to the sites, and everybody can watch the broadcast. They started to appear in 2015. There are lots of people who are willing to share their lives or footage this way.

We went to meet some of the people who posted videos we used in the film, to ask their permission. [Depending on privacy settings], some streams have GPS locations, and we can go to find them. We were surprised there was a stream from a Buddhist temple, for example. The reason they do this is to make an advertisement about them, so that believers will come. Also, it shows the practice of Buddhism, like prayers and rituals, to outsiders.

DS: Did you start with a script and then find the footage you needed for it, or did the footage you find dictate the story as you made the film?

XB: From the streaming channels, we knew what kind of locations we could have, and so the writers [Yongming Zhai and Hanyi Zhang] wrote the script based on that. There was a lot of footage from the temple and a milk factory, so we used those as main settings.

When they started to write the story, the main idea was to make it about plastic surgery. They knew that there would not be one real person in the streams to follow — we needed to have several, maybe ten. So we had to change the face of the main character a few times.

When we started editing, we had the script, which was written the same as any normal feature film script. But we sometimes couldn’t find the “actors” performing what the script needed, so we changed it based on the footage we were able to find. So it was really a collaboration between the script, the streams, and the editor, and changing all the time. Sometimes new footage would appear on a website that was good, so we’d try to put it in the film, adding new scenes or dialogue.

Dragonfly Eyes: Qing Ting Zhi Yan, direct by Xu Bing (image courtesy TIFF)

DS: What is an example of such a change you’d make?

XB: What is very complex is that in all this footage we find, these people are not acting for us, but we need to match our dialogue to their lips and their emotions, facial expressions, things like this. In hours of footage, we need to find maybe the two people in a frame who are matching the dialogue of the scene and the physical gestures of the characters. When we found a good part, we’d adapt the written dialogue to better sync to their lip movements and expressions.

DS: You incorporate footage of accidents – a woman falling in a river, a collapsing construction site, a plane crash – that aren’t part of the story. What was the purpose of your inclusion of that material?

XB: Action like this is something very specific to surveillance camera footage. These cameras are rolling 24 hours, so they are able to record these types of events, which take place in one or two seconds, which normal film crews cannot catch, not as easily. Seeing all these accidents, it made my vision of the world change a bit. It shows that as a society, we cannot control everything. Anything can happen at any minute. This film is about a very classical, intimate love story between two people. I wanted to put that story inside this dangerous world, and see how all this danger can have an effect on this simple love story.

DS: A lot of your work involves appropriating and cobbling together material. This film seems like an extension of this.

Dragonfly Eyes: Qing Ting Zhi Yan, direct by Xu Bing (image courtesy TIFF)

XB: The work of mine I compare it most to is Book from the Ground. With both Dragonfly Eyes and Book from the Ground, I started out on them working with material that was not very mature at the time. During the 10 years of making the book, the use of emoticons exploded. They were everywhere, and now in all of the countries, we are using mostly the same emoticons.

With Dragonfly Eyes, it’s the same, I think. When I started in 2013, there wasn’t much surveillance footage one could find. And then in 2015, all these streaming websites appeared, and we could get a lot of material.

DS: What effect do you think this self-recording has on people, on society?

XB: The connection between people nowadays and surveillance cameras is very different from how it was during the Cold War. Until recently, surveillance cameras were all controlled by the government. But now individuals, citizens, can use them for themselves. That’s something very new. It’s a way for them to express themselves and prove themselves to the world — a way to put a mark on the world. Nowadays, we’re like a post-surveillance civilization. You can say that Dragonfly Eyes is a post-surveillance film.

DS: If everyone is doing it, then it’s not surveillance; it’s a new level of reality.

XB: In Chinese, the word for surveillance is jiānkòng. Jiān means “watching,” and kòng means “control.” So when people stream their own surveillance footage, they feel they are in control.

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Xu Bing’s Dragonfly Eyes will continue to screen at the Toronto International Film Festival through September 17. Check the schedule for specific showtimes.

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