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[prabhatdavian-blog]

The Complete Guide to Graphology: Handwriting Analysis

Introduction to Graphology

Graphology, the study of handwriting, might sound like a niche topic, but it's a fascinating field that dives deep into the connection between our handwriting and personality traits. Ever wonder what your loops, slants, or the way you cross your t's says about you? That's exactly what graphology aims to decode. This ancient practice goes beyond just words on paper; it offers insights into emotional states, behavioral patterns, and even intelligence. But is it truly a science, or is it more of an art? Let’s find out.

What is Graphology?

Graphology is the analysis of handwriting to determine personality traits, emotions, and behavioral tendencies. It's based on the theory that handwriting, like speech, is an unconscious behavior, revealing unique psychological and emotional states of the individual.

Brief History of Graphology

The roots of graphology stretch back to ancient civilizations, but it began gaining traction as a formal practice in the 19th century, especially in Europe. French psychologist Jean-Hippolyte Michon is credited with laying the foundations of modern graphology.

How is it Used Today?

While graphology was once used extensively in employment screening, its use in the professional world has waned. However, it still finds applications in areas like forensic analysis, personal coaching, and sometimes in psychology.

The Science Behind Graphology

The Psychological Basis of Handwriting

Your handwriting is a byproduct of your motor functions and brain activity. The uniqueness of each person’s handwriting results from the way the brain coordinates movements in your hand, making it deeply personal.

Can Handwriting Reveal Personality Traits?

Graphologists believe that every curve, stroke, and slant in handwriting carries subconscious messages. For example, wide spacing between words might indicate someone who values personal space, while tightly packed letters could reflect someone who is more introspective or cautious.

Debunking Common Myths About Graphology

Despite its intriguing claims, graphology is not universally accepted as a science. Critics argue that personality cannot be boiled down to something as simple as handwriting. While some studies support graphology, others dismiss it as pseudoscience. It’s essential to approach it with a balance of curiosity and skepticism.

The Key Elements of Handwriting in Graphology

Pressure and Stroke Analysis

One key aspect in handwriting analysis is the pressure applied to the pen. Heavy pressure often suggests someone who is forceful and determined, while lighter strokes may point to someone more sensitive or empathetic.

Size and Spacing of Letters

The size of letters can reveal a lot about personality. Large letters may indicate someone who is outgoing, while smaller writing suggests introversion. The spacing between words can also reflect how much a person values personal boundaries.

Slant and Angles in Handwriting

The slant of your handwriting can offer clues about your emotional state. Rightward slants typically indicate an open and outgoing nature, while leftward slants suggest a more reserved or introspective personality.

Personality Traits Revealed by Handwriting

Handwriting Styles and Their Meanings

Graphologists study handwriting styles to infer personality traits. For instance, cursive writing may suggest a connection between ideas, while print writing is often associated with a more analytical mindset.

Dominant Personality Traits Based on Handwriting

Dominant traits such as extroversion, introversion, emotional openness, and even leadership tendencies can be deduced through various aspects of one’s handwriting. It's fascinating how just a few strokes on a page can speak volumes about who you are.

Understanding Emotional States Through Handwriting

Changes in handwriting can reflect shifts in mood or emotional state. Erratic or inconsistent handwriting can be a sign of stress, while steady, flowing writing might reflect calm and control.

Applications of Graphology

Graphology in Forensic Investigations

Graphology is often used in criminal cases to analyze the authenticity https://www.korshub.com/courses/the-complete-guide-to-graphology-handwriting-analysis-udemyof documents or to profile suspects based on ransom notes or threatening letters.

Handwriting Analysis in Recruitment and HR

While not as popular as it once was, some companies still use handwriting analysis as part of their hiring process to gain insights into candidates’ personalities.

Personal Development and Self-Awareness

Individuals can use handwriting analysis as a tool for self-awareness, helping them uncover hidden aspects of their personality or emotional state.

How to Analyze Handwriting Like a Pro

Step-by-Step Guide to Handwriting Analysis

Observe the pressure used in the writing.

Look at the size of the letters.

Analyze the slant and direction of the writing.

Examine the spacing between words and lines.

Consider the consistency or variability in the strokes.

Tools and Resources for Handwriting Analysis

There are plenty of books, software, and online courses available that can help you hone your graphology skills. Some tools even allow for digital handwriting analysis.

Common Mistakes to Avoid in Graphology

Overgeneralizing traits from handwriting and ignoring context are two common errors. It’s essential to look at handwriting as part of a broader picture rather than isolating specific elements.

Limitations and Controversies

Scientific Skepticism of Graphology

Despite its long history, graphology faces significant skepticism from the scientific community. Many psychologists argue that handwriting is too complex and multifaceted to reliably reveal personality traits.

Common Criticisms and Counterarguments

One common criticism is the lack of empirical evidence supporting graphology. In response, proponents argue that while it may not be a hard science, it can still offer valuable insights.

Ethical Considerations in Using Handwriting Analysis

Handwriting analysis, like any form of personality profiling, should be used ethically. Using it to make decisions about hiring, diagnosing psychological conditions, or passing judgment on someone’s character can be problematic.

Graphology vs. Other Personality Tests

Comparing Graphology with MBTI and DISC

Unlike other personality tests like the MBTI or DISC, graphology is less structured and more interpretive. It’s more of an art than a science, but some find it more revealing due to its uniqueness.

What Makes Graphology Unique?

What sets graphology apart is its reliance on something as personal and unique as handwriting. It offers a window into the subconscious mind, unlike standardized tests that rely on self-reported data.

[gyaan1]

 Graphology For Beginners Courses

Students can apply for graphology for beginners courses from Gyaan.com. They will be mastering graphology skills and concepts programs. We offer an introduction to graphology, personality and mind programming, uses of graphology, handwriting size, baselines, zones, essential characters, and signatures. After the course, students are provided with certification.  For more information about Gyaan, Visit https://www.gyaan.com/course/avani-meghani-pithadia/skills-development/personality-development/mastering-graphology-skills-concepts-part-1-125?page=1&limit=25&c_id=125

[batmanisagatewaydrug]

Im doing a project about disinformation (specifically pseudoscience) and I've found a great paper that is trying to define pseudoscience by one common characteristic.

"Boudry and Braeckman (2011) have distinguished between ‘immunizing strategies’ and ‘epistemic defense mechanisms’, documenting how these appear in various guises in practically every pseudoscience (the relationship with Popper’s “conventionalist stratagems” will be discussed in 4.1). Immunizing strategies are defined as generic arguments or tactics that serve to protect a belief system from critical scrutiny and adverse evidence, while defense mechanisms refer to the special cases in which the immunizing tactics form an integral part of the belief system itself. (...) In many pseudoscience, core concepts are either ambiguous and amenable to a range of interpretations, or they are retrospectively redefined whenever threatened with refutation. Such strategic vagueness is characteristic of creationism and Intelligent Design theory, astrology, Freudian psychoanalysis, graphology, homeopathy, and various forms of alternative medicine." - Diagnosing Pseudoscience – by Getting Rid of the Demarcation Problem, Maarten Boudry

I just thought it might be relevant in your fight against astrology/anti-science crowd. Science doesn't try to immunize itself against scrutiny, only pseudo-science does.

I want to be so clear here that I do pretty vigorously disagree with the notion that everyone working in the sciences is a noble intellectual who's always open to new data and loves being proven wrong. anyone can be a shithead and I never made the claim that every psychologist in the world is a beacon of perfect, unbiased research and is above reproach. of COURSE some scientists try to immunize themselves against scrutiny, for any number of reasons including biased ones because people in any field can be real shitheads who 100% let their own bigotries color their work. that of course includes psychologists, given that psychologists are human and therefore fallible.

my stance is not and has never been "psychology is superior to astrology because it's an academically unblemished field of study," it's "psychology is more credible than astrology because it's a.) a field of study that is at least held to some standards and b.) dedicated to studying something that demonstrably has an effect on human behavior, unlike planetary movements."

[indiangp]

Analysing Valentino Rossi's handwriting

okay so to preface this so I don't have to explain myself if I ever get anything wrong:

1. I have lost most of my knowledge regarding graphology after I got deep into it about 4 years ago. I rediscovered it about 3 days ago. Moreover, I'm just a girl on the internet, not a scholar. Some things might be inaccurate.

2. Graphology is considered a pseudo-science. There is no empirical evidence backing up graphology; if it's more understandable that way, think of it as analyzing someone's birth charts.

3. I generally do not know the people whose handwriting I analyze. I nor know what Valentino Rossi is like in real life, and neither will I ever. This is for funsies <3 I just enjoy graphology.

4. An important, somewhat unspoken, rule of graphology is that it's imperative I keep aside my knowledge of what I've seen him act like in public and focus solely on what the page tells me.

5. ALSO. Our handwriting has fixed as well as unfixed traits. For example, your IQ is fixed, likewise, your aptitudes, temperament, and identity are all fixed. There are unfixed traits as well in our handwriting. They keep changing depending on the conditions. Your abilities, attitudes, moods, beliefs, motivational level, and physical conditions are unfixed traits. People's handwriting also changes depending on whether they are writing for themselves (eg. a personal note, journal) or for someone else (eg. a letter <- like the sample currently at hand !)

6. I will sound nerdy at times as I might quote some graphology experts or use their works verbatim from their books. I have tried to keep it as simple as possible but still, if anything is unclear/your opinions vary, asks are always open <3 

*****Text in italics are random comments that shouldn't be included in any professional graphology analysis document but are there because this is a TUMBLR POST******

Now, the actual analysis

1. Initial Impression

This is a “normal” writing sample at first glance. Form quality doesn't reflect over-embellished or neglectful form. The writing is legible, which is expected considering it is a letter. The handwriting is slightly middle zone dominant(explanation in section 8.) indicating a bit of self-centredness and concern regarding day-to-day life. There are a lot of things crossed off which may show emotional distress at the time of writing the sample. I also noticed the large spacing between the lines at first glance and it generally shows fear of isolation(he was leaving Yamaha 💀) and distrust. There are also some arcades and garlands at the end of words(explanation in section 10). WEIRDASS LOWER ZONES. 

But mainly, it's so… erratic; the baseline is erratic, the slant is mostly vertical but still erratic at times, and the way he crosses off so much stuff is an indicator of emotional distress. 

2. Baseline

The baseline is the imaginary line running from left to right at the same level. It is on this imaginary line that letters rest on dividing upper and lower areas while moving forward to the right. Any movement horizontally along the baseline represents your reaction to experiences, living values, time demands, and learning. Right motion is to advance, expand, and progress and left motion is to revert, constrict, and regress. The baseline reveals 1. attitudes about reaching our goals, 2. the kind of mental energy we apply to our life situations, and 3. our general moods.

Initial lines in the sample display a “Moody” baseline or an erratic baseline(some authors call it a “sinuous” baseline). When a baseline has a number of ups and downs, or ascending and descending it is called erratic. Of course, it shows the moodiness of the person. They may laugh and cry easily and have lots of ups and downs in their lives. They are unbalanced as the handwriting shows. This is not to be confused with an incoherent, aka, ”sociopathic baseline”.

HOWEVER, the end of the sample follows a stable baseline which is an indicator that the person shows controlled/consistent behaviour to the outward world. A straight line is a straightforward path and its meaning is a firm, unchanging foundation. Its positive qualities are straightness, discipline, willpower, constancy of purpose, and responsibility. Its negative aspect impact is inflexibility. 

I wish I had more samples to confirm my thoughts and form a consistent opinion because I cannot conclude a single baseline pattern followed by the person. Language and cultural upbringing differences also don’t help. 

3. Slant

A handwriting can be a. just vertical; it stands straight on a baseline as though at 90 degrees. b. inclined to the right or c. inclined to the left. Further, it can be lightly inclined, very inclined, or acutely reclined. In general:

Leftward slant writers are emotionally cold and defiant, self-centered, and/or selfish. Overly leftward can be very emotionally sick. Extremely left slants often indicate past trauma and/or inability to move on/ recover. 

Upright/vertical slant reveals emotional reserve, suppression, and self-reliance. The person acts not with his/her heart but with the head. The person can be cool under pressure.

One’s right slant indicates compliance with people. The person is emotionally expressive. The person will act according to emotions. Here pressure levels reveal how intense the emotions are expressed. Overly right slant writer cannot control his/her emotions.

Variable slants betray mostly an emotionally unstable person.

I had a terrible time with this one because even when I superimposed a chart on it, it was still unclear which slant it follows. Rossi’s handwriting appears to go in all directions however it is seldom on the extreme ends(ie, acutely inclined to the right or acutely reclined to the left. Both of these are “abnormal” and rare.) 

If we write with an unstable slant, we feel pulled in different directions. An unstable slant is a wobbling slant. At one moment the person is affectionate and at another moment he is aloof. The more unstable a wobble, the more unstable is the writer. The interpretation of the slant is based on the universal concept of ‘left versus right.’ Usually, people associate the left with the past and the right with the future. If the left and the right represent the past and the future, then the centre represents the present.

4. Size

Size simply refers to whether the writing is large or small. Of course, there are many categories in size, like large, overly large, medium, small, or overly small (microscopic). It is an unfixed trait. Because, depending upon the mood, people write sometimes small and at other times big. It also depends upon the paper on which they write. 

Valentino’s handwriting again follows a somewhat irregular pattern when it comes to size. I say this because size changing over a few lines is completely normal but irregular size between words shows emotional instability.

 According to Karen Amend et al, “variable letter sizes, that is, middle zone letters ranging in size from 1116th of an inch upwards, show a writer who is emotionally off-balance a good deal of the time. Too much caught up in his own feelings, he is likely to be self-centered, overly expressive, indecisive, and childish. Those around him often find him moody and immature, but not always without charm.”

(I do not agree with this description too much but this is all i could find regarding unstable size)

The letters enlargen in the middle of the sample, especially when he mentions someone by their name. If a certain word or name becomes suddenly bigger in comparison with other words in the same line, then we can conclude that the writer has invested some emotions either positive in the person or thing signified by that particular word that got enlarged. When we hold somebody or something in high esteem, then automatically that word gets enlarged in our writing. On the contrary, if we have less regard, and think less of the person, then the word automatically shrinks.

5. Margin

NARROW UPPER MARGIN

In short, it shows informality. If your handwriting leaves a very narrow margin on the top, it is an indication that you are informal with the person to whom you write. It shows informality and familiarity. Just because you are comfortable with the person, you start writing from the very beginning. (this does match with the contents of the sample at hand)

(Not much more to say really, the margins are wide on left and right side but it doesn't favor one side, which shows a balance/peace with their past as well future)

6. Speed

Speed refers to how fast or slow one writes. It measures how quickly or slowly an individual thinks and acts, the person’s intelligence level, and finally the degree of spontaneity and honesty. When we speak of speed, we are referring to the natural speed of the writer in thought, action, and reaction. All of us have an optimum speed at which we think and act most comfortably. If one is forced for a long time to go faster or slower than the optimum speed that will end up in difficulties. Speed tells of the intelligence and spontaneity of the writer.

There are barely any signs that the sample was written in a rushed or sloppy manner. He does leave a few large gaps in between which indicate uncertainty and the writer is possibly taking time to gather their thoughts before putting them onto paper. 

7. Spacing

SPACING WITHIN WORDS

The distance that the writer places between the letters shows how he relates on a personal level to other people. Valentino’s handwriting shows more or less balanced and normal spaces within words. There is occasional tanglin but not to a concerning degree.  A normal, well-balanced spacing within the letter shapes and between them shows a personality that is balanced and flexible in relationship to others, with the ability for both closeness and reserve where appropriate.

SPACING BETWEEN WORDS

The space left between the written words represents the distance that the writer would like to maintain between himself and society at large. Rossi’s handwriting has rather narrow spaces between words. Very narrow spaces between the words show someone who will crowd others for attention, craving constant contact and closeness. Such a writer can be selfish in his demands and unwilling to give of his own time and energies to others.

SPACING BETWEEN LINES

The amount of space that the writer leaves between the lines on the page gives clues to the orderliness and clarity of his thinking, and to the amount of interaction that he wishes to have with his environment. Overall the sample at hand shows normal to slightly wide spacing between lines. There isn’t much tangling(sign of confusion/jumbled ideas) between the lines and neither are the lines excessively far apart(signs of suspicions and hostility). Normal spacing has its own personal harmony and flexibility. 

8. Zones

This is the most complex thing in graphology to me personally but to oversimplify, the three zones and what aspects they relate to are as follows:

I. Upper: fantasy, spirit, intellect, creativity, imagination

Ii. Middle: social life, daily life, everyday concerns

Iii. Lower: instinctual self and drives for security, materialistic things, biological needs

People can have a writing that is balanced across all zones or they may have a dominating zone. Valentino’s handwriting is overall middle zone dominant. According to Karen Amend et al, “If the Middle Zone is Strongly Developed, but neither the upper nor lower zones are, the writer is overly concerned for himself and his own daily activities. His self-assurance borders on presumptuousness and conceit, and he will make great issues of trivial things. The danger to this sort of writer is boredom and confinement in a self-centered world. ”

This is a somewhat pessimistic and outdated view of this trait(and respectfully I hate it <3). Most students today actually tend to have this type of handwriting and it’s quite common. While it is a somewhat “childish” trait, it may show the person’s extroversion and general concern over daily concerns. (This view is what I believe in more than the weird self-centred blah blah explanation.)

9. Printing & Cursive Writing

To oversimplify, print writing = intellectual/methodical person/head-over-heart or trying to be coherent. Cursive = fast/connected thoughts. 

Valentino mixes these two and it is considered an example of efficient breaks in print-cursive handwriting. It is quite common and indicates that the writer is intelligent, succinct, efficient, direct and fast, and simple in writing.

10. Connecting Strokes

(This was another aspect I had a hard time with because I am so out of touch with the knowledge I used to have.)

There are 4 types of connecting strokes: garland, angles, thread, and arcades. 

(I’ve already written more than anyone wishes to read so I'll just jump to the conclusions instead of explaining each.) He uses a lot of garlands(upward strokes) as connecting strokes. If you write with garland connectors, then you are open, friendly, sociable, affectionate, flexible, ready to establish a link with others and communicate easily. Garlands are associated with openness and friendliness. More women than men seem to use garland connectors.

Garland is an image of round and open and is sincere, receptive, and obliging. Hence the positive qualities are feminine traits, friendliness, kindliness, natural behaviour, lack of formality, receptiveness, and adjustability. Socially, they are adaptable and flexible, but their strong need for security makes them feel threatened by any changes in their home, family, or lifestyle. These types are expressive yet conventional. They want communication with and acceptance by other people.

11. Signatures

Signature reveals: one’s public self-image, self-confidence, egotism, self-destruction, diversity, and creativity. Signature is the sum and substance of your public self-image. It shows how one behaves in public, how one acts around others, and in short, one’s social persona.

Signature larger than the script 

The writer is advertising and wishes to be recognized as an important person. Pride, self-esteem, ambition, and self-confidence are shown. (also a sign of vanity)

Creative Signature

The graphic imagery of the creative signature will mirror or express the nature of the creative drive, as in the beat of music, the stroke of brush or pen, or creative imagery that reflects the professional involvement.

Ascending Signatures

This is a sign that the person feels good about his public image. 

 12. Letter Specific traits

Capital 'A'

The 'A' seems to be written in a single stroke retracting back up which may show intelligence and originality.

Lower zone letters

I DIDNT KNOW ANYTHING ABOUT THIS AND I HAVE NOTHING TO SAY. SO HERE IS WHAT ONE TEXTBOOK SAYS:

THIS IS WILD AND I DO NOT WANT TO COMMENT ON THIS.

---------------------------------------------------

Yeah so that will be it for the analysis, I wish I could be more coherent about this. please send asks incase if you want me to explain something in particular or you disagree with some aspect of the analysis (eg the slant <- the poll I did was killing me)

[leo-gold-hotchner]

Riding life

Aaron Hotchner X G.N. Reader with Jack

Warning: well, it’s more like advice than a fic lol

Word: 1.1k

You huffed as you entered your home. The nerve of people! Your anger melted as soon as you saw Aaron and Jack eating dinner. It was the first family dinner after Jack went to uni. The teenager came home for the weekend to spend some quality family time with you and Aaron. And you couldn’t stay angry when Jack came home to spend time with you.

“Hey, I’m sorry I’m late,” you rushed to your husband’s side and lightly pecked on his check. “How was your first week, Jack?” You asked curiously.

But Jack only shrugged. “Okay, I guess,” he mumbled as he poked vegetables with his fork.

You and Aaron’s eyes met, and he shrugged. From the look on Aaron’s Jack must’ve been in that state since he arrived home.

“Did you eat?” Aaron asked, not removing his eyes from Jack.

“No. How could I? Jack’s here!” You replied and put down your bag, and went into the kitchen. You slightly tilted your head to Aaron to follow you.

“Jack, do you want more?” Aaron asked.

“No,” Jack replied shortly, still looking down at his plate as if it was the most interesting in the world.

Aaron raised his brows but silently followed you into the kitchen with his plate. He grabbed some green vegetables and mashed potatoes onto his plate.

“So?” You whispered.

Aaron took out a new plate from the cupboard. “I don’t know. He won’t tell me anything,” he whispered back. He cleared his throat. “How much do you want?”

You glanced at the dining room area and replied loudly. “A lot. I’m starving!”

You and Aaron shrugged at each other.

When the two of you entered the dining room, Jack was flicking his finger on his phone screen.

“How was your day?” Aaron asked.

“Well, I had to argue with an idiot.” Aaron raised his brow questioningly. “You do know graphology is a farce, don’t you?” You narrowed your eyes at your husband. As a profiler, you wondered if he still believed graphology was science.

“Of course I do. You drilled me that information,” Aaron chuckled but turned serious at your face. “No. Graphology is a pseudoscience.”

“Thank you,” you nodded. “Anyway, you know today I had to attend the court as an expert witness.” You briefly looked at Jack, who seemed to be listening to your story. “And this defendant’s lawyer was asking about graphology because I’m a document examiner.” You shoved mashed potato into your mouth in anger at the memory.

“I hope you told them who’s the expert,” Jack commented finally.

“Of course I did,” you grinned. “Just like when your dad profiled a lawyer who made fun of profiling.” Aaron chuckled at that memory. “Anyway, if he just asked me about graphology, I wouldn’t have insulted. But after I told the court that graphology has no scientific evidence, he started to talk about how my document examination knowledge was limited.”

“Can he do that in the court?” Jack frowned.

“The judge, of course, stopped him, warning him, actually. Anyway, I take my job seriously and with pride. I wasn’t about to sit there quietly when my job and I were insulted.”

“That must be nice,” Jack said absent-mindedly.

Your eyes met with Aaron’s, looking at each other.

“From being insulted?” You asked lightly.

“What? No, I didn’t mean that.” Jack’s checks turned bright pink. “I meant having jobs and taking pride.”

“Why do you think that’s nice?” Aaron asked gently.

Jack shrugged. “Isn’t it nice to have a goal?”

“You just graduated from high school, Jack. You don’t have to find a life goal right now.”

“Everyone at uni knows what they want to do,” Jack mumbled.

“So, that’s why you’ve been down?” Aaron asked.

“I’m too slow, dad. Everyone seems to be far, far away. You two have jobs you love. I don’t know if I can find one.”

You put your hand on Aaron’s thigh to comfort the father, who seemed not to know what to say. Aaron probably had thousands of things to say to Jack, but he was afraid to say the wrong things.

You understood them; the father and the son. Aaron has always had a goal since he was young. He wanted to practice law and help people. He didn’t even glance a sideway and reached his goal. 

You were more like Jack. You detoured your life for your job.

Aaron squeezed your hand, silently telling you to talk to Jack.

“Jack, look at me,” you called your son gently. Jack looked up at you from the plate. “Do you enjoy riding a bike?” Even Aaron looked at you curiously.

“I do,” Jack frowned. “But what’s that got to do with this?”

“Life is like bike riding. You start the line with everyone; some will move forward faster than you or even slower. All of you are cycling towards the goal. But there’s no first or second. Because it’s life. I know it’s scary. You’ll meet downhills and uphills all the time. But in the end, the hills will become a flat road to help you back on your speed.

You’ll get tired and probably want to quit riding. But remember, your dad and I are also riding the bikes along with you. We’ll be with you always. It’s okay to rest. It’s okay to look around. It’s okay to be slow. It’s okay to let others past you. It’s okay to ride at your pace. Know this; you’ll reach your goal whether you know it or not. Eventually, the goal will be in front of you. It’s okay to detour.” You then chuckled. “Personally, I think taking a detour is a good thing in your life. If you just keep charging forward, you’ll eventually lose something important.”

Jack stared at you. Then whispered ‘thank you’.

“I don’t think I explained it well. After all, I suck at giving a speech,” you laughed. “But, the important thing is, we’re here for you, and you don’t have to rush.”

---------Hotch---------

“So, life is like bike riding?” Aaron raised his brow with a slight smirk.

“Oh, shut up,” you huffed and threw a pillow at him.

“I liked it. You don’t have to be embarrassed about it.”

“I babbled,” you rolled your eyes.

“You didn’t.” Aaron picked up the pillow from the floor and sat beside you on the bed. “You helped Jack. You told him we’ll always be there for him.” He took your hand gently and lightly kissed the back of your hand. “I love you. Thank you for riding a bike with me.” 

[threadsnherbs]

Wednesdays are book days! Im currently working on reading this book! "The Book Of Divination A Guide To Predicting The Future" by Michael Johnstone.

Dactylomancy: A branch of radiesthesia. Using a ring suspended on a piece of string.

Daphnomancy: burning laurel branches and interpreting the crackling.

Dendromancy: using wood like oak or mistletoe for divination.

Dowsing: water or precious metal is divined by using a forked rod that vibrates when held over a spot where what is being searched for is to be found.

Genethialogy: using astrology to predict the path a persons life will take by plotting the positions of the stars and planets at the time of birth.

Graphology: using handwriting as a key to character analysis.

Horoscopy: More or less another name for astrology.

Hydromancy: using the color, ebb and flow, and the ripples of water while stones are being dropped in.

Lampadomancy: using the flickering light of a special torch to shed light on the future.

Lecanomancy: gaze into a basin of water hoping to reveal answers to questions.

Libanomancy: observe and interpret the smoke and ash from incense.

Lithomancy: using precious gems in divination.

Margaritomancy: using a pearl clutched in their hand and dropping it on a solid surface for insights of the future.

Metagnomy: Seers fall into a trance during which they have visions of the future.

Meteoromancy: meteors and shooting stars can illuminate the future.

Numerology: Divines by interpreting numbers, dates and the numerical value of letters.

Oenomancy: gazing at wine poured into special chalices to foretell events.

Oneiromancy: interpreting dreams.

Onomancy: letters and syllables formed by a name are ascribed values that combine to enable the seer to plot a course of action.

Onychomancy: a branch of palmistry that focuses on the fingernails.

Oomantia: uses an egg to answer questions.

Palmistry: using lines, mounds, and the shape of the hands, fingers and nails.

Pegomancy: using spring water in its natural fountains.

Physchography: those who are in tune with a spiritual force that tells those blessed with the gift what to write.

Physiognomy: using the physical features of someones face to assess their character and future.

Pyromancy: divining the future by studying fire and flame.

Radiesthesia: divining by using a rod or pendulum.

Rhapsodomancy: using a book of poetry opened at random and a chance-chosen passage on the page.

Sciomancy: also called mediums, communicating with the spirit guides, usually when in a trance-like state.

Scrying: divination via a range of methods from smoke to shells.

Sortilege: Those who practice draw lots and interpret the shapes they make when they fall.

Spodomancy: Deciphering the patterns seen in cinders and soot.

Stichomancy: uses printed word to foretell events. Can be done with any book.

Tasseography: uses tea leaves.

Next weeks topic: tea-leaf reading!

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[principiumindividuationis777]

Graphology (Lesson 1)

Graphology is the art and practice of deducing personality and motivation from handwriting. Few make a living at it, but all the better, in a way, because it can be used to examine anyone's handwriting (e.g. to detect deceptiveness) without anyone knowing.

If you are interested, we will begin with the basics, which are neo-Freudian.

Round writing, like the following, is oral stage, which means what it says (e.g. a focus on eating, one way or another), and also means a tendency to depend on others:

The next stage of development (and make no mistake, most people, including yours truly, have fixations at some stage of development) has to do with control/autonomy, and is characterized, in its most easily recognized form, by angular shapes and repetition, as in the following:

The next stage of development is essentially that of sexuality, but it varies depending on the masculinity or femininity of the writer. It is characterized, in males, by long, straight lines, symbolizing male fertility, and by long lower zones. I use a celebrity autograph, that of Australian actor Jacob Elordi, as an example of a man highly libidinous in focus:

Feminine writing fixated at this stage also has long lower zones, but instead of long, straight lines, it mimics the female figure. I use as an example an autograph of high libido singer and actress Miley Cyrus:

Of course, men can have feminine writing, and women can have masculine writing, but we will get to such exceptions later.

The next two stages of development are more the absence of earlier fixations than something easily illustrated. The latency stage, as expressed in writing, is "all business"- not compulsively repetitive, as the second stage, but rather shortcuts and the absense of adornment.

The final stage of development, indicating no fixations, and complete psychological maturity (something very few human beings reach- I certainly have not), would have a balance of the above traits, but also include personal innovations in handwriting style that the author originated, called primary elaboration.

That is enough for now, but if you like graphology, there is a lot more information on the subject in upcoming free lessons- and no, I do not want to sell you anything, but simply to spread awareness of graphology's usefulness.

[thosearentcrimes]

The Sherlock Holmes stories by Arthur Conan Doyle are serviceable detective fiction in themselves if you don't mind bigoted stereotypes in lieu of characterization. A detective story does not have much time and has a lot to say, so most characterization will be extremely stereotypical, with the possible exception of the character of the detective (and even then the demands of serialization are considerable), but the specific kinds of stereotype Doyle uses are quite unpleasant. It is generally not possible for a reader to figure out the mysteries, which almost always hinge on hidden information and counter to the presentation tend to privilege an arbitrary and often highly illogical interpretation of the part of the evidence that is provided, but you do occasionally get to feel clever (I knew it was a jellyfish!), and the stories manage to build suspense well enough.

But of course I did not read the entirety of Sherlock Holmes because I wanted to enjoy some detective fiction, really. I persisted in reading it because I felt like it was an interesting testament to elements of late 19th century British society, and who doesn't love the deranged ramblings of an empire that doesn't quite understand it's doomed? I have touched on the use of bigoted stereotypes. I do not think dwelling on Doyle's moral status is particularly useful, though it is worth remarking that on a handful of occasions he attempts to be actively progressive with his writing. From other 19th century British work I would guess that the beliefs implied by the stories are reasonably similar to the beliefs of 19th century Britain, except in the case of a handful of Doyle's eccentricities that are mostly identifiable from the text.

Doyle gives us an image of a society which is obsessed with phrenology, race science, misogyny, and free trade. I do not mean merely that the narrative treats phrenology, race science, and misogynistic pseudopsychology as useful pieces of information about the world, though it does to a genuinely shocking degree (it also validates graphology, because Arthur Conan Doyle was just incredibly gullible in general). What I mean is that when Arthur Conan Doyle looks for some arbitrary and thematically irrelevant topic of discussion for some men of culture to embark on, they will more likely than not discuss the latest developments in those fields. Is this just a particular preoccupation on the part of the author? I don't have a representative sample of other texts from the time to compare to, but it sure is remarkable.

The thing I find interesting about Sherlock Holmes is that the point is at least nominally the immense power of reason. So it is interesting to observe which people reason is attributed to, and which people it is not. In particular, reason is only rarely displayed by foreigners, especially not displayed by non-whites, extremely rare if at all possible among the lower classes, and highly unusual in women (children are not sufficiently prominent to determine). Any intelligence or competence displayed by these groups is almost certain to be described as the result of "cunning", probably by reference to animal metaphors. Reason is predominantly the province of Anglo-Saxon upper-middle and higher class men, though of course they may or may not actually display it. As a side-note, it doesn't seem that what we would now regard as mental illness is regarded as particularly significant in this respect, it is not necessarily disqualifying and the absence of it is no guarantee of ability. Mental illness is socially constructed, what else is new.

There is an interesting quirk as regards America, actually. In America, you do not need to be high in the class structure to be rational. It appears that America is considered not a classless society but one in which class is less important, even as regards mental faculties. There is another peculiarity of the United States in the novels, there is one story in which Holmes proclaims himself a partisan of Anglo-American unification and world conquest under a flag incorporating both the Stars and Stripes and Union Jack. This was a real but fringe position at the time, based on the much more common (and also evident in the stories) belief in the superiority of the supposed Anglo-Saxon race. One of the traces of Doyle's more esoteric political beliefs there.

I think the a priori exclusion of people from reason displayed in the Holmes stories is a matter worth considering for those who feel reason has been unfairly maligned by society. If you were similarly excluded, how would you feel about the social institutions of reason and reasonableness? Irrationalism is a refuge of scoundrels, but is it possible that at least some of the critics of reason correctly judge that they are considered to be excluded in this way? Food for thought, perhaps.

[penkraft123]

Handwriting is the Imprint of the Self on the Page

Handwriting is a mirror of your personality

It is an unconscious habit. We leave our identity in the subtle characters of our writing. The handwriting experts claim that your handwriting definitely has to do something about your personality. How you craft letters and words can indicate more than 5,000 different personality traits, according to the science of graphology, also known as handwriting analysis.

In the early 1900s, Milton Newman Bunker invented the most common graphology technique called graph analysis. (Other methods of graphology predate Bunker's work. His approach relies on the stroke shape of the letters. Graphoanalysts look at variables like the up slants or down slants of letters like l, k, and t, the size of the first letter in relation to the other letters, the entire line of writing slanting up or down, and the shape of ending strokes of letters like and among many other aspects. No two people have the same handwriting it's as unique as our fingerprints.

Your determination, your goals, willpower, persistence, intellect, initiative, ambition, imagination, self-confidence, vanity, repression, aggression, resentment, anger, integrity, and above all sociability can all be determined from the way you write. Whether you write slant or broad or slim.

Deeply forward A person whose handwriting has a very strong slant to the right relates well to others but is quick to react and can lose control. They may also be subject to mood swings. Vertical handwriting is seen in people who control their emotions and rarely show them. For them, rational thought overrules emotions or head over heart, as some might say.

Leftward slant This is a characteristic of the introvert. Someone whose handwriting slants to the left often does not invite closeness or intimacy, is independent and aloof. Large handwriting shows a broad perspective of life, a need for recognition, someone who sees the big picture and has a low boredom level.

Penkraft conducts classes, course, online courses, live courses, workshops, teachers' training & online teachers' training in Handwriting Improvement, Calligraphy, Abacus Maths, Vedic Maths, Phonics and various Craft & Artforms - Madhubani, Mandala, Warli, Gond, Lippan Art, Kalighat, Kalamkari, Pichwai, Cheriyal, Kerala Mural, Pattachitra, Tanjore Painting, One Stroke Painting, Decoupage, Image Transfer, Resin Art, Fluid Art, Alcohol Ink Art, Pop Art, Knife Painting, Scandinavian Art, Water Colors, Coffee Painting, Pencil Shading, Resin Art Advanced etc. at pan-India locations. With our mission to inspire, educate, empower & uplift people through our endeavours, we have trained & operationally supported (and continue to support) 1500+ home-makers to become Penkraft Certified Teachers? in various disciplines.

[numeroclinnic]

Unlock the secrets of your handwriting with Dr. Aneil Kkhare, a Graphology expert with 23 years of experience! Learn how your writing reveals your personality, strengths, and potential. Join the course today! Call +971 50 594 7781 or visit WWW.NUMEROCLINNIC.COM for more details. ✍️✨

[korshubudemycoursesblog]

The Complete Guide to Graphology: Mastering Handwriting Analysis

Introduction to Graphology

Graphology, the study of handwriting, is a scientific discipline that analyzes a person's character and personality traits based on their handwriting. This intriguing field has applications in various areas, including psychology, forensics, and even career counseling. Handwriting is not just a method of communication but a reflection of an individual's unique mental state and emotional well-being.

History of Graphology

The history of graphology dates back to ancient times, where handwriting analysis was used to assess the moral character and mental state of individuals. The modern study of graphology began in the 19th century with the work of Jean-Hippolyte Michon, a French priest who coined the term "graphology" in 1871. Michon's work laid the foundation for the systematic study of handwriting analysis, leading to the development of various schools of thought and techniques that are still in use today.

Principles of Handwriting Analysis

Handwriting analysis is based on the principle that every individual's handwriting is unique. The way a person forms letters, spaces their words, and applies pressure to the paper can reveal much about their personality. The core principles of graphology include:

Slant: The direction of the slant can indicate the writer's emotional response. A right slant suggests an outgoing and open personality, while a left slant may indicate introversion and caution.

Pressure: The pressure applied while writing can reflect the writer's emotional intensity. Heavy pressure suggests strong emotions, while light pressure indicates a more sensitive and empathetic nature.

Size: The size of the letters can reveal the writer's level of self-esteem and confidence. Large letters suggest an extroverted personality, while small letters indicate introversion and attention to detail.

Spacing: The spacing between words and letters can provide insight into how the writer interacts with others. Wide spacing suggests independence, while narrow spacing may indicate a need for closeness and connection.

Applications of Graphology

Graphology has several applications in both personal and professional contexts:

Personality Assessment: Handwriting analysis can help individuals understand their own personality traits, strengths, and weaknesses.

Career Counseling: Employers and career counselors can use graphology to assess job applicants' suitability for specific roles.

Forensic Analysis: Graphology is often used in forensic investigations to verify the authenticity of documents and identify potential suspects.

Therapeutic Purposes: Graphologists can work with psychologists to provide insights into a patient's emotional state and behavior patterns.

How to Learn Graphology

To become proficient in graphology, it is essential to undergo formal training. Various online courses, such as those available on Udemy, offer comprehensive guides to handwriting analysis. These courses cover the fundamentals of graphology, including the interpretation of handwriting traits, case studies, and practical applications.

At Korshub, we recommend The Complete Guide to Graphology: Handwriting Analysis on Udemy, which provides in-depth training in this fascinating field.

The Science Behind Handwriting Analysis

Although graphology is sometimes viewed with skepticism, there is a scientific basis for the analysis of handwriting. Studies have shown that handwriting can be influenced by neurological and psychological factors. The brain's motor cortex controls hand movements, and any changes in mental or emotional states can manifest in a person's handwriting. Graphologists are trained to recognize these subtle changes and interpret them accurately.

Common Misconceptions about Graphology

Despite its widespread use, graphology is often misunderstood. Some common misconceptions include:

Graphology is a pseudoscience: While some critics view graphology as unscientific, it is based on well-established principles of psychology and neuroscience.

Handwriting changes over time: While it's true that handwriting can change, core traits often remain consistent, allowing for accurate analysis.

Graphology can predict the future: Graphology is not a tool for predicting future behavior but rather for understanding current personality traits and tendencies.

Advanced Techniques in Handwriting Analysis

As you delve deeper into The Complete Guide to Graphology: Handwriting Analysis, you will encounter advanced techniques used by professional graphologists. These techniques include:

Zonal Analysis: This involves dividing the handwriting into three zones—upper, middle, and lower—each representing different aspects of the personality. The upper zone relates to intellectual and spiritual traits, the middle zone to social behavior and communication, and the lower zone to physical and material desires.

Stroke Analysis: Analyzing the strokes used to form letters can reveal much about a person's energy levels, emotional stability, and attention to detail.

Signature Analysis: A person's signature is often considered a "public face" and can differ from their everyday handwriting. Analyzing a signature can provide insights into how a person wishes to be perceived by others.

Graphology in the Digital Age

In today's digital world, where typing has largely replaced handwriting, some might question the relevance of graphology. However, handwriting analysis remains valuable in understanding human behavior, particularly in contexts where handwritten documents are still used, such as legal settings, personal correspondence, and creative work.

Moreover, graphology has adapted to the digital age, with software tools available to analyze scanned handwriting samples. These tools can assist graphologists in providing more accurate and efficient analyses.

Ethical Considerations in Graphology

As with any psychological assessment tool, it is crucial to use graphology ethically. Confidentiality and consent are paramount when analyzing someone's handwriting. It is also important to avoid making definitive judgments based on handwriting alone, as it should be used in conjunction with other assessment methods.

The Future of Graphology

The field of graphology continues to evolve, with ongoing research exploring its applications in new areas such as artificial intelligence and machine learning. The integration of graphology with these technologies could lead to more sophisticated tools for handwriting analysis, making it more accessible and accurate.

Conclusion

The Complete Guide to Graphology: Handwriting Analysis offers a comprehensive overview of this intriguing field, from its historical roots to modern applications. Whether you're interested in understanding yourself better, exploring a new career path, or simply curious about the science behind handwriting, graphology provides valuable insights into the human mind.

As you embark on your journey into graphology, remember that this is a skill that requires practice, patience, and a keen eye for detail. By studying the principles outlined in this guide and engaging in continuous learning, you can become proficient in handwriting analysis and apply it in various personal and professional contexts.

For those eager to dive deeper into the world of graphology, we recommend checking out the related courses on Udemy, where you can find a wealth of resources and expert instruction. Korshub is here to guide you through your learning journey, promoting the best courses to enhance your knowledge and skills.

[icareheal]

Graphology Course: Uncover the Hidden Secrets of Handwriting

Are you fascinated by the power of handwriting analysis? Do you want to learn how to uncover the hidden secrets of someone's personality just by looking at their handwriting? If so, enrolling in a graphology course may be the perfect way to dive deep into this intriguing field.

What is Graphology?

Graphology, also known as handwriting analysis, is the study and analysis of handwriting with the aim of revealing the characteristics of the writer. It is believed that our handwriting can provide insights into our personality traits, emotions, and behavior. By examining the size, shape, slant, pressure, and spacing of the letters, a graphologist can uncover a wealth of information about an individual.

Why Take a Graphology Course?

Taking a graphology course can open up a world of possibilities for you. Whether you are interested in understanding yourself better, improving your relationships, or pursuing a career as a professional graphologist, a course in handwriting analysis can provide you with the skills and knowledge you need to succeed.

What Will You Learn in a Graphology Course?

In a graphology course, you will learn how to analyze handwriting patterns and interpret them accurately. You will study the basics of handwriting analysis, including the different handwriting traits and what they reveal about a person. Additionally, you will learn how to conduct handwriting analysis evaluations and create detailed reports based on your findings.

Benefits of Learning Graphology

Gain insights into your own personality and behavior.

Improve your communication skills by better understanding others.

Enhance your analytical and observational skills.

Start a new career as a professional graphologist.

Help others gain self-awareness and personal growth.

How to Choose the Right Graphology Course?

When selecting a graphology course, it is important to consider the qualifications of the instructors, the curriculum content, and the level of support provided. Look for courses that offer hands-on practice, case studies, and mentorship opportunities to ensure that you receive a comprehensive education in graphology.

Ready to Uncover the Hidden Secrets of Handwriting? Enroll in a Graphology Course Today!

So, why wait? Take the first step towards unlocking the mysteries of handwriting and delve into the fascinating world of graphology. Enroll in a graphology course today and start your journey towards becoming a skilled handwriting analyst. Who knows what hidden treasures you may discover in the strokes and curves of the written word?

Conclusion

Embarking on a graphology course can be a transformative experience that allows you to explore the depths of human personality and behavior through the lens of handwriting analysis. Whether you are curious about your own handwriting or eager to help others unlock their hidden potential, a course in graphology can be a valuable investment in your personal and professional development.

[eligalilei]

The 'Schizophrenic Brains Look Like This' Myth

As always, averages fucking lie.

This study of 304 people diagnosed with schizophrenia shows that a large portion of people diagnosed with schizophrenia have brains indistinguishable from 'normal' ones. Of course, they don't quite go far enough, and suggest that this indicates that there are 'two types'; it's not at all unlikely that there are many more than two types, though it might be fair to say that we might be able to more or less divide those diagnosed into two categories. It's also worth mentioning that this is 304 people diagnosed with SZ chosen at random, compared with 360-something other random people, so who knows exactly the numbers on how many people's brains are normotype vs. heterotype, but that's science.

In a perfect world, one would have analyzed what symptoms people actually have, instead of this PANSS score bullshit, but clearly no one thought very hard about that one. Numbers or bust, as usual. There's also probably something that can be drawn about the influence of medication, and the suggestion that perhaps medication might not actually prevent damage, or at least that of it which is visible, but that would require digging rather more into the data.

Maybe this is just a bit of theoretical paranoia on my part, but it really seems weird to me this division exists, but yet all you ever hear is 'schizophrenic brains look all messed up,' or, maybe occasionally, 'you lose a teaspoon of brain matter in an episode,' or summat. I realize that doing this could invite people to scry for faces in the graphological clouds, but why are spreads of values and graphs of all relevant points often left out of studies and trials, and certainly never even alluded to in popular science literature? Sometimes great things are easily made to look mediocre, and stuff that worked really well for maybe a fifth of patients, while doing nothing for anyone else, could imaginably get dressed up as 'successful'. The clusters and outliers matter, and sometimes they even provide maps to entirely new conceptual continents.

[saturnsorbits]

A brilliant character study into the inner workings of our favourite Kingpin villain, this piece works to expose and discover what lies underneath Shigaraki. By combining a series of technical devices and some stunning use of characterisation, Kitten is able to produce a deep and insightful peak into the mind of a man who is often overlooked.

The use of poetic language works to heighten the tone of the piece, shifting it from the more commonly used colloquial to something more deeper and thoughtful as it begins to dig into the very centre of Shigaraki. This is apparent in the wonderful overview we're afforded as we're told that 'he finds himself at twenty, siting on a throne way up high, with a sizeable army that would bend to his will at the drop of a hat'. By choosing this poetic language and extending certain sentences to include layers of visual and contextual stimulus, Kitten adopts an almost biographical style that allows her to really encapsulate the heart of her characterisation. Discontented with leaving this device to carry the weight of her genius, Kitten further enhances her use of poetic language by utilising contextual exophoric references such as noting that 'it only cost him two fingers'. By using this, the piece is given a sense outside of itself – allowing not only the characterisation to become more entrenched, but providing its audience with an anchor.

Further to this, Kitten adopts an interesting graphology to continue to enhance her study of Shigaraki. By using visual devices like bolding words, and the change in font found in the repeated sentence: 'Scratch the itch' the piece is propelled forwards – pulling us in not only lexically, but visually too. The use of bold words forces us to linger, waiting patiently as we consider the hidden meanings underneath each of those words. In a similar way, the font used for 'Scratch the itch', doesn't just evoke a sense of unease with it's non-standard format, but works to focus us in on that singular sentence. Coupled with the repetition, this creates a literary representation of the turmoil experienced by Shigraki, allowing us a peak into his psyche. It is in this that Kitten's talent really has a chance to shine as all these little elements slowly join together and work to enhance the entire piece and assist in our understanding of Shigaraki.

Coupling with these devices, Kitten's sense of pacing also allows gifts the piece an added sense of storytelling as it controls exactly how we read along. The use of varied sentences both slows us down, forcing to focus in on the more poignant details littered within the piece, while the longer sentences are used for almost film-like descriptions offering us beautiful lines such as: 'They wanted him to give them a genesis. When Tomura craved Revelation'.

Of course, this piece isn't finished without that beautiful twisting end. With the entire piece dedicated to the intricacies of Shigaraki's person, the ending gives us another element of his character. His submission to Reader and how this then alters and expands his personality is a beautiful flourish to expand him once and for all – and when counted beside that wonderful line: 'But I'm ready to worship now'.

Tomura was lucky, although most would say that he was anything but. 

Unlucky was far more fitting for the young man who lived more tragedies before the age of eight than most lived in entire lifetimes or more. 

Yet still he finds himself at twenty, sitting on a throne way up high, with a sizable army that would bend to his will at the drop of a hat. 

And it only cost him two fingers. 

None of the food, riches, or power compared to his most regarded prize that was given to him. No they all pale in comparison.

A sleeve to be used if he wished but he saw you as more than something that brought relief or euphoria, he saw you as something brighter, better. 

Reminding him of a word he long since abandoned just as it abandoned him. Neglected him. When all he ever wanted was to spread it to the world before the itching just beneath his skin came forth. Forced from his fingertips moments after a resounding slap and an apology from his only sibling.

And it never stopped. The itching, worse and worse each day growing like a beast as it slithers under his skin like a snake. It's scales shed between his nerve endings constantly reminding him that his blunt and cracked nails could do nothing to stop the itch. Not until it was gone. 

Until it was all gone.

Even with the comfort or discomfort, depending on the day, of his family reaching out and yet holding him back, there was only one thought behind those raw ruby eyes. 

Scratch the itch. 

Scratch the itch. 

S̴̛͍̍̿͗̓̑̃c̴̪͑͑ŕ̷̨̛̫̝͓̰͓͙̲̏ͅa̷̢̛̱͚̗̙̣̳͗͂̃̐́̚͝t̸̨̻̗̜̑̍̀͒̀̂̽̅̓c̴͍̖̻̹̣͔̠̿̆͊͛̍͜͝ḧ̴̨̯̪̲̥̱͉́̍̍̽̅̄͝ ̶͎͍̖͉̀̓̔̌̀̅͠͠t̵̞͍̋̉̂͋̀͐́͘̚͠h̸̰̠͕̥̜͍̑̀̃̊̀͑̕e̷̼͇̠̭̅̈͛̃͜ ̵̨̱̩̪͍̀̿̒̽͐͗͠ỉ̵̤̬̳̝̈́̃͐͂̍͊͝͝t̷̛̮̫̀͑̄̾c̸̡̢̖̳̃̊̿̃̾h̷̢͉̰̺̩̯͚͈̗̟̾

It wasn't love at first sight, oh no Shigaraki Tomura knew there was no such thing as love. Twisted sure, manipulative absolutely but true? 

Never. 

Love was as real as any hero or God that he begged to save him when he was nothing more than a street rat to society. 

There was only one emotion that stood true and resounded through his bones. 

Hate. 

A hate that burned so hot it was cold and pulled at the lids of his scarred eyes until everything was seen through a gaze of sheer boredom at best and at worst, when his eyes would widen and all he could see was what the world really was. 

Vile, cruel, and dark. 

Disgusting. 

And so it all deserved to r o t.

It would, by his touch, decay so fast it would be nothing more than ash on his calloused pads and then, only then would he be comforted by the scratch that rakes its nails into his sinew, driving grooves into his bones. 

Then your fingers touched him, your skin against his and for a moment the beast inside him quieted, the itching stopped. Your pretty voice, small, meek, uttering such a pretty name that it made his pulse quicken. 

Beat faster than he'd ever imagined and it only worsened. His condition changed quickly but his goal never wavering. His gaze still dull, filled with disinterest until it landed upon you and then his bloody gaze would come to life. Softening just so and under the silvery rays of the moon you'd think they were gems, pulled from the earth and polished just for you. 

Only for you. 

Little did you know how true that hopeful thought of yours was. Clouding over his desire to scratch with your soft smile and encouraging words, singing praises over something as small as him finishing his soup.

His grip on you tightens, fingers digging into the fat of your hips as you sit on his lap, both of you looking over the throng of people. He resists the urge to place his nose in your throat as he leans closer. 

"Let's go somewhere quieter." He husks in your ear barely heard over the chanting that came from below. 

SHIGARAKI SHIGARAKI SHIGARAKI 

They weren't saying his name right. They never did, yelling out the syllables as spittle collected in the corner of their lips. As if he were their savoir when there was no such thing. 

They wanted him to give them a Genesis. 

When Tomura craved Revelation. 

It angered him, made his fingers twitch, made his nails dig into the deep groves at his throat or under his eye where he was sure to draw blood if your soft, delicate hands hadn't grabbed his wrist and stopped him. 

Guiding you where you think will be your shared room, he made it clear that it was your space as well despite the members of the liberation army hissing at you to keep quiet and wet for him. 

You hadn't expected the softness he showed you, hadn't expected him to leave you untouched despite your advances even after several months of your living with him, even when you pressed against him and you felt his cock swell he would hiss and gently move you to his liking. 

Right to his lap, as if it were your throne, and he would read to you, gravely voice in your ear barely above a whisper, and it never failed to put you to sleep. 

He takes you out of the stuffy hideout into the cool brisk air, shedding his jacket and threading your arms through the fur lined coat before looping his pinky through yours as he guided you to God knows where. Checking over his shoulder once to make sure you were were still there. 

As if you wouldn't follow him through the hell's fire and back, he didn't even have to ask. Just loop his long slender finger through yours. 

The walk is easy enough although long but the stars and moonlight keep you company before the light pollution from the nearby neighborhoods bleed into the wilderness and old cracked streets. 

Abandoned buildings sprinkled between the stretched out branches of trees long since gone, suffocated by a society that demanded near rows outlined by concrete and tar. 

Winking between the sparse branches was an old, small building with a tall steeple. The windows boarded up and the few that weren't  glimmered in dusty reds, faded yellowes and dirty whites, jagged as much as the white haired man's eyes. 

Soon it is obvious he knows this place like the back of his hand, an old refuge it seems. Squeezing your fingers with his before he gently lets go. Looking at you softly before he gives you his back, brushing away some fallen foliage and damp leaves to reveal a cellar door. One he yanks open with ease and he cannot help the satisfied smirk as he thinks about how heavy that wood was when he was much smaller than he is now. 

Taking the first step down while holding out his gloved hand to you. Steadying you as you descend into the darkness without worry or fear, only seeing his two red eyes glowing as if they were your only light and to you they were. 

Four steps down, five steps up and the two of you are at the alter that looks out over old prews. Linen thrown about in an attempt to protect the wood and relics that decorate the hall as if they one day had hoped to return to this place of worship. 

Tomura finds it laughable, those people made up their minds the second they took one look back at this place, that they were going to leave it. 

Abandon it. 

And Tomura found comfort in the fact that even places as profound and sacred as the Church were left to rot into nothing. To be swallowed whole by the ground. 

Earth to Earth,

Ashes to ashes, 

Dust to dust

The only thing Tomura didn't believe in was the "certain hope of the Resurrection to eternal life." 

Hope. 

That's the word he abandoned in this place when the bibles and hymnals promised salvation but nothing came. 

No one came. 

Shimura Tenko died a long, long time ago. 

In this very spot. 

Yet when he turns to you, when he comes closer and sees the stars and moon dancing in your eyes as if they were envious of you, his brows furrow. His grip tightens and his chest seems to shrink while his heart swells in great agony. 

Hope, love, these were things he had let go of, things he let die. 

Yet resurrection seems to sit upon your lips, eternal life making your eyes aglow and salvation must be hidden between your thighs. 

"This was once my sanctuary. I didn't believe in gods or deities." He comes closer, gently tilting your chin up towards him as he looks at you with a light, with a hunger, you've never seen before, his gravelly voice echoes in the chill of the hall. His lips inches from yours. 

"But I'm ready to worship now."

@cwtomura because let's be honest, I write him for you 🖤 I know it's mellow dramatic and overly poetic but I hope you like it 🥺