#graham harwood

[burlveneer-music]

John Metcalfe - Tree - a modern classical suite with both chamber and orchestral arrangements.

Tree is eight immersive compositions that take the listener through twenty-four hours in the life of one of nature’s most majestic creations The Durutti Column viola-playing master - a composer and arranger for the likes of U2, Coldplay, Peter Gabriel and Blur, as well as co-founder with Tony Wilson of the Factory Classical label – had been composing music spontaneously, instinctively, when the idea of Tree arrived. The album came from a desire in John Metcalfe to write at scale – perhaps a natural reaction for a composer writing out of the silences and solitude of our recent pandemic years. “The pieces I was writing were big and trying to be bigger, so I knew they had to be to do with something – and then I thought about one of the most profound experiences of my life.” He is referring to seeing Tāne Mahuta as an adult, the largest known living kauri tree in the world. Set in an ancient subtropical rainforest on the North Island of Aoreatoa / New Zealand, John had spent his early childhood living in that part of the world after his British father had "escaped there as a ten-pound Pom". Having emigrated to England as a child, he went back to New Zealand with his wife when he was 26. He explains, “…we thought we’d tick something off the tourist list, and I thought we're going to see trees, which is great – but we weren’t prepared for what happened.”. They both cried when they found Tãne Mahuta, and Metcalfe is still amazed at the reaction he had: “… as an atheist, it was the closest I’ve ever got to a spiritual moment… there was something extraordinary about the atmosphere in the forest and the size of this tree, and the sense that it had been there a long time. It was about the protection it gave, and the sense of connection we had with that protection.” Written for live players and recorded in Abbey Road Studios to convey human connection at scale, Tree imagines what it would be like to be sat completely still under a tree that you love, being alive to the ever-shifting interplay of light, colour, weather and sound. Shimmering pulsating layered tracks take the listener on a voyage that takes in the dawn chorus, depicted by conversations between chirruping woodwind and staccato strings, through to the solemnity of dusk and into the playful night. The album at times summons up the folkloric power of ancient forests through an emotional crescendo in emotion and sound, before bringing us back to sunrise, and a reflection on the journey we’ve taken. Tree isn’t just about Tãne Mahuta, explains Metcalfe: “It could be about any tree – they’re all very magical.” This record isn’t a political statement, but it's clear to him that as science progresses, and as climate breakdown progresses, people are trying to find deeper ways to understand and cherish nature. "It’s about the music that people are trying to create to connect with things that are huge and beautiful and inexplicable around them." Tree is John's beautiful, emotional attempt. "My album's about describing our relationship with something as every-day and extraordinary as a tree, and how it can be an incredibly important part of who we are.”  All tracks written, produced and performed by John Metcalfe Additional Strings on Tracks 1,3,5,6,8 Violins Everton Nelson (leader), Natalia Bonner, Charlie Brown, Emil Chakalov, Alison Dods, Louisa Fuller, Richard George, Raja Halder, Marianne Haynes, Rick Koster, Oli Langford, Steve Morris, Charles Mutter, Tom Pigott-Smith, Cathy Thompson, Debbie Widdup Violas, Peter Lale, Reiad Chibah, Gillianne Haddow, Kate Musker, Andy Parker, Rachel Robson Celli Richard Harwood, Adrian Bradbury, Ian Burdge, David Daniels, James Douglas, Julia Graham, Sophie Harris, Tony Woollard, Double Basses Stacey Watton, Roger Linley, Richard Pryce, Lucy Shaw Woodwind on Tracks 3,4,5,6,7,8 Oboe Alun Derbyshire Bassoon Sarah Burnet Strings fixed by Jenny Goshawk for Isobel Griffiths Ltd. Cover Design; Marc Bessant

[pannozzi]

The Tornado Outside from Maria Tomazou on Vimeo.

Anna lives in a perfect house at the edge of a tornado. When she needs to go outside, she is forced to face the chaos of life that she usually hides away from.

Director: Maria Tomazou Producer: Solomon Golding Writer: Marius Scholtz Cinematographer: Nina Oyens Production Designer: Gili Ofri Editor: Jack Cotter Composer:  Ariella Koorlander Ereira Sound Designer: Marios Themistokleous VFX Supervisor and Compositing Lead: Baptiste Audouin  Colourist and Online Editor: Vanessa Aparicio Production Manager: Sophie Esslemont, Ellie Lomas Lead Model Maker: Thomas Harwood 

Puppets and Props: Eve Bannister, Sarah Brydon, Victoria Itiberê, Elspeth Graham, Jonny Harker, Mireia Méndez García, Aodhan Moyne, Eeva Polo, Shona Ruddy, Jake Sheaves Art Assistance: Finlay Callaway, Terézia Torousová, Anastasia Rondanini, Mila Ashton, Kathleen Matusiak, Kate Esslemont, Thiers Brandao da Silva Animators: Chloe Williamson, Lily Ward, Francesca Valuto, Ellie Henderson, Sam McSweeney, Angus Macdonald, Milo Bonnard, Mansi Maheshwari Senior Compositor: Danielle Parker Compositing Artists: Shaunak Ranade, Ross Ferguson, Thompson Okuku, Melwin Matthew, Daniel Peoples CG artist: Oliver Lemery Rendering assistant: Jordan Streete

Voices: Roisin Rankin, Lewis James Goody, River-Nova Lark Yukawa Goody, Ciara Kerr

© National Film and Television School 2023

[ulkaralakbarova]

The eccentric new manager of a UHF television channel tries to save the station from financial ruin with an odd array of programming. Credits: TheMovieDb. Film Cast: George Newman: ‘Weird Al’ Yankovic R.J. Fletcher: Kevin McCarthy Stanley Spadowski: Michael Richards Bob: David Bowe Harvey Bilchik: Stanley Brock Philo: Anthony Geary Raul Hernandez: Trinidad Silva Kuni: Gedde Watanabe Noodles MacIntosh: Billy Barty Richard Fletcher: John Paragon Pamela Finklestein: Fran Drescher Esther Bilchik: Sue Ane Langdon Head Thug: David Proval Killer Thug: Grant James Teri: Victoria Jackson Joe Earley: Emo Philips Gandhi: Jay Levey Cameraman: Lou B. Washington Bum: Vance Colvig FCC Man: Nik Hagler Bartender: Robert K. Weiss Spatula Husband: Eldon G. Hallum Spatula Wife: Sherry Engstrom Spatula Neighbor: Sara Allen Sy Greenblum: Bob Hungerford Crazy Ernie: John Cadenhead Blind Man: Francis M. Carlson Earl Ramsey: Ivan Green Joel Miller: Adam Maras Billy: Travis Knight Little Weasel: Joseph Witt Teri’s Father: Tony Frank Teri’s Mother: Billie Lee Thrash Fletcher Cronie #1: Barry Friedman Fletcher Cronie #2: Kevin Roden Phyllis Weaver: Lisa R. Stefanic Big Edna: Nancy Johnson Betty: Debbie Mathieu Little Old Lady: Wilma Jeanne Cummins Animal Deliveyman: Cliff Stephens Band: Guitar: Jim West Band: Bass Guitar: Steve Jay Band: Drums: Jon Schwartz Band: Keyboards: Kim Bullard Whipped Cream Eater: Barry Hansen Thug #3: Bob Maras Thug #4: George Fisher Guide #1: Tony Salome Guide #2: Joe Restivo Yodeler: Charles Marsh Mud Wrestler: Belinda Bauer Satan: Patrick Thomas O’Brien Conan the Librarian: Roger Callard Timid Man: Robert Frank Boy with Books: Jeff Maynard Promo Announcer (voice): M.G. Kelly Promo Announcer (voice): Jay Gardner Promo Announcer (voice): John Harlan Promo Announcer (voice): Jim Rose Film Crew: Production Manager: Gray Frederickson Original Music Composer: John Du Prez Editor: Dennis M. O’Connor Producer: Gene Kirkwood Producer: John W. Hyde Writer: Jay Levey Director of Photography: David Lewis Production Design: Ward Preston Set Decoration: Robert L. Zilliox Costume Design: Tom McKinley Makeup Effects: Allan A. Apone Special Effects Makeup Artist: Douglas J. White Sound Recordist: Ara Ashjian Sound Editor: Christopher Assells Sound Editor: Charles R. Beith Jr. Sound Recordist: Gregory Cheever Sound Editor: Clayton Collins Sound Re-Recording Mixer: Andy D’Addario Sound Editor: Dino DiMuro Sound Editor: G. Michael Graham Sound Re-Recording Mixer: Jeffrey J. Haboush Sound Mixer: Bo Harwood Sound Editor: Dan Hegeman Sound Editor: A. David Marshall Sound Editor: Diane Marshall Supervising Sound Editor: Dave McMoyler Sound Recordist: Art Schiro Sound Editor: Scott A. Tinsley Visual Effects Producer: John Coats Visual Effects Supervisor: William Mesa Visual Effects Art Director: Richard Kilroy Visual Effects Art Director: Ron Yates Post Production Supervisor: Susan Zwerman Production Supervisor: Bill Carroll Stunt Coordinator: George Fisher Stunts: Bob Maras Stunts: Brent Stice Stunts: T. Alan Kelly Stunts: J. Granville Moulder Stunts: Michael Steven Howl Stunts: Richard Drown Executive In Charge Of Production: Kate Morris Associate Producer: Becki Cross Trujillo Associate Producer: Joe M. Aguilar First Assistant Director: John R. Woodward Second Assistant Director: Benita Allen Casting Assistant: Gregory Raich Casting Assistant: Sandi Black Local Casting: Barbara Brinkley Henry Local Casting: Laurey Lummus Key Hair Stylist: Lynne K. Eagan Makeup & Hair: Roseanne McIlvane Wardrobe Supervisor: Ainslee Colt de Wolf Wardrobe Assistant: Phil O’Nan Boom Operator: Joel Racheff First Assistant Camera: Ed Giovanni Second Assistant Camera: Tiffanie Winton Second Assistant Camera: Brett Reynolds Second Assistant Camera: Cindi Pusheck Production Coordinator: Bonnie Macker Script Supervisor: Carol Stewart Second Second Assistant Director: Lorene M. Duran Third Assistant Director: Pam Whorton Additional Editing: Steve Polivka Assistant Editor: Lewis Schoenbrun Supervising ADR Editor: Karla Caldwell Music Supervisor:...

[charisjcarmichaelbraun]

Lunar Codex

I am privileged to share that mention of and images of my work have been included in the Lunar Codex.

The Lunar Codex is the passion project of physicist, entrepreneur, and storyteller Samuel Peralta, who alongside NASA’s Artemis Program has placed a record of contemporary creative works from “35,000 artists, writers, musicians, and filmmakers, representing 234 countries, territories, and Indigenous nations, in time capsules launching from Earth to the Moon and beyond.” *

Read more about the Lunar Codex here.

My work was included in two issues of magazines that have been gathered into the the Lunar Codex using digital and analog technology:

​50 MEMORABLE PAINTERS

published by GOSS183 in 2015 Special PA (PoetsArtists) issue curated by John Seed and Didi Menendez

Featuring art from: Alexsander Betko ▪ Jeffrey Bess ▪ Charis Carmichael Braun ▪ Ali Cavanaugh ▪ Matthew Ivan Cherry ▪ Erica Elan Ciganek ▪ Ben Cressy ▪ Gabriela G. Dellosso ▪ Emanuela De Musis ▪ Shawn Fields ▪ Ron Francis ▪ Zoey Frank ▪ Patrick Earl Hammie ▪ Graham Harwood ▪ Mark Heine ▪ Erika B. Hess ▪ Jen Hitchings ▪ Milan Hrnjazovic ▪ Karen Kaapcke ▪ Michael Kozlowski ▪ Valeri Larko ▪ Brianna Lee ▪ Kim Leutwyler ▪ Shana Levenson ▪ Zachari Logan ▪ Susannah Martin ▪ Renee McGinnis ▪ Darian Rodriguez Mederos ▪ Sylvia Maier ▪ Shie Moreno ▪ Rachel Moseley ▪ Judith Peck ▪ John Philbin Dolan ▪ Serena Potter ▪ Nadine Robbins ▪ Beverly Rippel ▪ Cesar Santos ▪ Victoria Selbach ▪ Ed Smiley ▪ Kyle Staver ▪ Barry Smith ▪ Albert Leon Sultan ▪ Emily Thompson ▪ Alexandra Tyng ▪ Conor Walton ▪ Nick Ward ▪ Thomas Wharton ▪ Margaret Withers ▪ Meg Wolensky ▪ Stephen Wright

Vehicle(s) and launch dates: Peregrine / PM1 - NASA CLPS-TO2-AB / Astrobotic Peregrine Mission 1 (Jan 8-18, 2024); Polaris / GM1 - NASA CLPS-TO-20A (VIPER) / Astrobotic Griffin Mission 1 (Nov 2024).

​POETSARTISTS #57

published by GOSS183 in September 2014 curated by Didi Menendez

Featuring:

Poets : Leila Ammar ▪ Jan Ball ▪ Nin Andrews ▪ P.H. Davis ▪ Carlton Fisher

Artists : cover photo of Bryce Ramming by Michael Auer ▪ Jorg Dubin ▪ Charis J. Carmichael Braun ▪ Alvin Richard ▪ Tristan Pigott ▪ Eric Daniel Almanza ▪ Shawn Huckins

Collaborations : Paul Beel & Grace Cavalieri ▪ Kate Lutzner & Victoria Selbach ▪ Angela Hardy & Lorraine Currelley ▪ Daniel Maidman & Nin Andrews ▪ Judith Peck & Pris Campbell ▪ Robbie Robb & Larry Lawrence ▪ Judith Peck & Robert Lee Brewer ▪ Debra Livingston & R. J. Slais ▪ James Needham & Melissa McEwen ▪ Jeff Faerber & Denise Duhamel ▪ Matt Calavecchia & Ken Taylor ▪ Debra Balchen & Laurie Kolp ▪ Cesar Conde & Duriel Harris ▪ Timothy Robert Smith & Bill Yarrow

Vehicle and launch date: Polaris / GM1 - NASA CLPS-TO-20A (VIPER) / Astrobotic Griffin Mission 1 (Nov 2024).

Incandence Corp., “The Lunar Codex: Story.” LunarCodex.com, 24 April 2024, https://www.lunarcodex.com/story

[news24fr]

La créatrice de mode Mary Quant, les Lionnes et le guitariste de Queen Brian May font partie des personnes reconnues lors des premiers honneurs du nouvel an du règne du roi.Quant, 92 ans, qui, en tant que l'une des personnalités de la mode les plus influentes des années 60, a popularisé la minijupe et le pantalon chaud, devient un compagnon d'honneur, l'un des plus grands honneurs.May, 75 ans, astrophysicienne et militante du bien-être animal, est anoblie. Il a dit : « Je considère cela comme une sorte de charge, comme une sorte de commission pour faire les choses qu'on attendrait d'un chevalier : se battre pour la justice, se battre pour des gens qui n'ont pas de voix. Et, dans mon cas, pour toutes les créatures qui n'ont pas de voix, et je considère cela comme une sorte d'approbation de ce que je fais.Grayson Perry, 62 ans, l'artiste, écrivain et diffuseur, est également anobli.Virginia McKenna, 91 ans, actrice et cofondatrice de la Born Free Foundation, est nommée dame en reconnaissance de son travail de conservation de la faune. Elle a déclaré que le prix "appartient vraiment à tous ceux qui s'efforcent de mettre fin à la souffrance des animaux sauvages et de garder la faune sauvage".La médaillée d'or olympique de l'heptathlon Denise Lewis, 50 ans, aujourd'hui présidente des Jeux du Commonwealth en Angleterre, a déclaré à propos de devenir une dame : « C'est un honneur incroyable. J'essaie juste de le comprendre et son énormité.Le professeur Sir Michael Marmot, auteur de The Health Gap et directeur de l'Institut de la santé de l'UCL, qui s'est exprimé sur la façon dont des politiques telles que l'austérité ont affecté la santé publique, devient un compagnon d'honneur. Il s'est dit "étonné".L'idée que ce qu'il a fait devrait être reconnu de cette manière était merveilleuse, a-t-il dit. « Il y a des pays où je ne serais pas autorisé à dire ce que je dis. Je ne serais pas autorisé à dire la vérité.Léa Williamson. Photographie : David Price/Arsenal FC/Getty ImagesDans le sport, l'équipe féminine de football d'Angleterre a obtenu de bons résultats, la capitaine Leah Williamson recevant un OBE, et Lucy Bronze, Beth Mead et Ellen White - la meilleure buteuse de tous les temps des Lionnes - ont reçu des MBE. L'entraîneur-chef néerlandais de l'équipe, Sarina Wiegman, est nommé CBE honoraire par le ministère des Affaires étrangères. L'ancien gardien nord-irlandais Pat Jennings, 77 ans, a été nommé CBE.La première femme à diriger l'une des plus grandes banques britanniques, Alison Rose, directrice générale du groupe NatWest, est l'une des 15 femmes devenues dames, et a déclaré que cet honneur était « le reflet du travail fantastique de tous mes collègues du groupe NatWest ». Sur un total de 1 107 récipiendaires de tous les honneurs, 50 % sont des femmes. Au niveau CBE ou au-dessus, 45% sont des femmes.David Harwood. Photographie : David M Benett/Getty ImagesL'acteur et diffuseur David Harewood, 57 ans, qui a acquis une renommée internationale en tant que réalisateur de la CIA David Estes dans le drame américain Homeland, reçoit un OBE après être devenu un éminent défenseur d'un meilleur soutien en matière de santé mentale. Stephen Graham, 49 ans, la star de This is England et bien connu pour ses rôles très médiatisés dans plusieurs films et drames primés, devient également OBE.Frank Skinner, 65 ans, le diffuseur et comédien, devient MBE et a déclaré: «Je m'occupe principalement de rires et d'applaudissements et ils disparaissent assez rapidement dans les airs. Donc, obtenir une médaille appropriée que vous pouvez conserver et polir régulièrement se sent [as if it] a donné à ma carrière un sentiment de permanence que j'aime.La saxophoniste, animatrice et lauréate de deux prix Mobo, YolanDa Brown, 40 ans, s'est dite "excitée et honorée" d'avoir été nommée OBE. Janet Kay, 64 ans, connue sous le nom de "Queen of Lovers Rock", qui a atteint les palmarès dans les années 1970 avec Silly Games, est nommée MBE. Il en va de même

pour la mezzo-soprano d'opéra Christine Rice, qui a déclaré : « Recevoir un MBE est l'aboutissement de tant d'efforts joyeux et sérieux. Merci!"Le grand rabbin, Ephraim Mirvis, a déclaré qu'il était "énormément honoré et profondément honoré" d'avoir été fait chevalier, ajoutant : "Ce sera particulièrement émouvant pour moi de recevoir ce prix de sa majesté le roi au cours de sa première année en tant que notre monarque".Noreen Riols, 96 ans, la dernière femme membre survivante de la section française du Special Operations Executive - l'organisation britannique d'espionnage et de sabotage connue sous le nom d '"armée secrète de Churchill" - a dédié son MBE à la mémoire de ses défunts camarades.La liste reconnaît également les hauts diplomates à l'avant-garde de la réponse du Royaume-Uni à la guerre en Ukraine, avec des féminités pour Melinda Simmons, l'ambassadrice à Kyiv, et Deborah Bronnert, l'ambassadrice à Moscou.Rosamund Adoo-Kissi-Debrah, qui a fait campagne pour la loi sur la qualité de l'air connue sous le nom de loi d'Ella, du nom de sa fille décédée en 2013 des suites de la pollution de l'air, est nommée CBE. Elle a dit que sa fille serait fière de ce qu'elle avait accompli jusqu'à présent dans sa lutte pour un air plus pur.Inscrivez-vous pour Première éditionNewsletter quotidienne gratuiteArchie Bland et Nimo Omer vous guident à travers les meilleures histoires et ce qu'elles signifient, gratuitement tous les matins de la semaine

[banffcentrelibraryandarchives]

Artists’ Book Display or the week of February 18th, 2020

Hook by Davi Det Hompson; Tom Ockerse Editions, 1977.

Breast Wishes by Shari Hart, 1998.

W.I. Lenin vom Aufstieg auf die hohen Berge . . . by Jan Voss, Berlin : Rainer Verlag, 1975.

John and other storys by Graham Harwood; Working Press, 1987.

Tempestuous romance by Sally Alatalo, 1985.

[sonifying]

Lungs: Slave Labour [Graham Harwood][2005]

Sonification of data from medical files from slave workers during WW2 / instalation

Available at: http://yoha.co.uk/lungs

[bondsmagii]

Spooky kings suggest me spooky books for spooky season spooky please

gonna give you my whole-ass list so far you're spooky welcome

absolutely epic, spooky as hell, favourites, read these

all of these stood out to me for one reason or another or several. short stories denotes collections; novella means a short novel in the technical sense of the word (too long for a short story, too short for a novel); short novel means a novel-length book that I feel could be read quickly or in one sitting ("easy reading" but still very good); novel is the expected length of a novel; and long novel is a 800+ page epic.

Wyrd and Other Derelictions by Adam Nevill (short stories)

Tales for Twilight: Two Hundred Years of Scottish Ghost Stories ed. by Alistair Kerr (short stories)

Dark Matter by Michelle Paver (short novel)

Just After Sunset by Stephen King (short stories)

Thin Air by Michelle Paver (short novel)

Wakenhyrst by Michelle Paver (novel)

Mapping the Interior by Stephen Graham Jones (novella)

The Least of My Scars by Stephen Graham Jones (short novel)

The Only Good Indians by Stephen Graham Jones (novel)

World War Z: An Oral History of the Zombie War by Max Brooks (fictional non-fiction)

The Fisherman by John Langan (novel)

The Woman in Black by Susan Hill (short novel)

House of Leaves by Mark Z. Danielewski (labyrinth)

Dead Mountain: The Untold True Story of the Dyatlov Pass Incident by Donnie Eichar (non-fiction)

Starve Acre by Andrew Michael Hurley (novel)

The Loney by Andrew Michael Hurley (novel)

The Séance: A Victorian Mystery by John Harwood (short novel)

Unexplained: Supernatural Stories for Uncertain Times by Richard MacLean Smith (non-fiction)

The Thirteenth Tale by Diane Setterfield (novel)

Cujo by Stephen King (short novel)

The Shining by Stephen King (novel)

Jonathan Strange & Mr Norrell by Susanna Clarke (long novel)

The Haunting of Hill House by Shirley Jackson (short novel)

Ghost Story by Peter Straub (novel)

Frankenstein by Mary Shelley (novel)

Rebecca by Daphne du Maurier (novel)

The Little Stranger by Sarah Waters (novel)

Selected Ghost Stories by M. R. James (short stories)

IT by Stephen King (long novel)

books that are still epic but slightly less so but still you should read them

these books are great but they were 4/5 stars rather than 5/5 stars.

John Dies at the End by David Wong (novel)

North American Lake Monsters by Nathan Ballingrud (short stories)

The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson (novella)

The Penguin Book of Ghost Stories ed. Michael Newton (short stories)

The Haunting of Maddy Clare by Simone St. James (short novel)

The Exorcist by William Peter Blatty (novel)

Carrie by Stephen King (short novel)

these are so fucking shit but you should read them and come bitch to me about them

I want to physically fight these authors.

Hex by Thomas Olde Heuvelt (novel)

Anoka by Shane Hawk (short stories)

The Prestige by Christopher Priest (novel)

[minyardy]

hello! i saw your tag and i was wondering what horror/gothic book you would recommend apart from the usual classics dracula/jane eyre/frankenstein? 🥰 i personally recommend the historian series by elizabeth kostova and i'm currently reading the ghost writer by john harwood! 🍂🩸🗡️🏰👻

Hi! The Historian is on my tbr list - it was sitting on my bookshelf, waiting for this time of the year. And The Ghost Writer sounds very interesting, I will add it to my list too. And when it comes to recommendations, here's a few books that I loved: Home Before Dark by Riley Sager (I finished this one yesterday and oh my, I really loved it) The Shadow of the Wind by Carlos Ruiz Zafón (I have to mention my forever favourite) We Have Always Lived in the Castle by Shirley Jackson Horrid by Katrina Leno The Pariah by Graham Masterton The Thirteenth Tale by Diane Setterfield

[mysticalhearth]

L

La Cage aux Folles - Broadway - November 15, 1987 (Closing Night) (House-Cam's master) FORMAT:  VOB (with smalls) (SD) CAST: Peter Marshall (Georges), Keene Curtis (Albin/Zazá), John Weiner (Jean-Michel), David Jackson (Jacob), Jennifer Smith (Anne), Jay Garner (Edouard Dindon), Darcy Pulliam (Mme. Dindon), Bill Burns (Francis) NOTES: Gen loss and picture jumps but this is overall a very good recording. Audio from the soundboard. Dead space has been removed and the video is now in widescreen. No action is missing. La Cage aux Folles - London Theatre Players - July, 1991 (House-Cam's master) FORMAT:  VOB (with smalls) (SD) CAST: Unknown NOTES: Not the West End production as sometimes listed.  

La Cage aux Folles - The Netherlands - 1995 FORMAT:  VOB (with smalls) (SD) CAST: Fred Butter (Georges) NOTES: Pro-shot. The Last Five Years - Northlight Theatre, Skokie, IL (Chicago) - 2001 (Pro-Shot's master) FORMAT:  MKV (HD) CAST: Norbert Leo Butz (Jamie Wellerstein), Lauren Kennedy (Cathy Hiatt) NOTES: Available in various qualities. Great multicam proshot featuring Lauren Kennedy. The Last Five Years - Off-Broadway - April 5, 2002 FORMAT:  VOB (no smalls) (SD) CAST: Norbert Leo Butz (Jamie Wellerstein), Sherie Rene Scott (Cathy Hiatt) The Last Five Years - San Francisco - May 14, 2016 (SJ Bernly's master) FORMAT:  VOB (with smalls) (SD) CAST: Zak Resnick (Jamie Wellerstein), Margo Seibert (Cathy Hiatt) The Last Five Years - Virtual - June 25-27, 2020 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Danny Becker (Jamie Wellerstein), Lauren Samuels (Cathy Hiatt) NOTES: Virtual lockdown performance, streamed online by The Other Palace on June 25-27, recorded at an earlier date.  Legally Blonde - Broadway - April 14, 2007 (Preview) (SunsetBlvd79's master) FORMAT:  VOB (no smalls) (SD) CAST: Laura Bell Bundy (Elle Woods), Christian Borle (Emmett Forrest), Richard H Blake (Warner Huntington III), Orfeh (Paulette), Kate Shindle (Vivienne Kensington), Nikki Snelson (Brooke Wyndham/Shandi), Michael Rupert (Professor Callahan), Annaleigh Ashford (Margot), Leslie Kritzer (Serena), DeQuina Moore (Pilar), Andy Karl (Kyle/Grandmaster Chad/Dewey), Natalie Joy Johnson (Veronica/Enid), Kate Wetherhead (Kate/Chutney) NOTES: Great fun show and nice capture. Laura was wonderful along with a fantastic cast. A- Legally Blonde - Broadway - May 19, 2007 FORMAT:  VOB (with smalls) (SD) CAST: Laura Bell Bundy (Elle Woods), Christian Borle (Emmett Forrest), Richard H Blake (Warner Huntington III), Leslie Kritzer (e/c Paulette), Kate Shindle (Vivienne Kensington), Nikki Snelson (Brooke Wyndham/Shandi), Michael Rupert (Professor Callahan), Annaleigh Ashford (Margot), Tracy Jai Edwards (u/s Serena), DeQuina Moore (Pilar), Andy Karl (Kyle/Grandmaster Chad/Dewey), Natalie Joy Johnson (Veronica/Enid), Kate Wetherhead (Kate/Chutney) NOTES: A nice capture of the show. Missing about 3 and a half minutes of the show during Legally Blonde remix and about 8 seconds of skipping at the very end during the graduation. A- Legally Blonde - Broadway - July 1, 2007 (SunsetBlvd79's master) FORMAT:  MP4 (SD) CAST: Laura Bell Bundy (Elle Woods), Christian Borle (Emmett Forrest), Richard H Blake (Warner Huntington III), Orfeh (Paulette), Kate Shindle (Vivienne Kensington), Nikki Snelson (Brooke Wyndham/Shandi), Michael Rupert (Professor Callahan), Annaleigh Ashford (Margot), Leslie Kritzer (Serena), DeQuina Moore (Pilar), Andy Karl (Kyle/Grandmaster Chad/Dewey), Natalie Joy Johnson (Veronica/Enid), Kate Wetherhead (Kate/Chutney), Tracy Jai Edwards (u/s Cece) NOTES: DeQuina Moore's last performance Legally Blonde - Broadway - September 18, 2007 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Laura Bell Bundy (Elle Woods), Christian Borle (Emmett Forrest), Richard H Blake (Warner Huntington III), Orfeh (Paulette), Kate Shindle (Vivienne Kensington), Nikki Snelson (Brooke Wyndham/Shandi), Michael Rupert (Professor Callahan), Annaleigh Ashford (Margot), Tracy Jai Edwards (Serena), Asmeret Ghebremichael (Pilar), Andy Karl (Kyle/Grandmaster Chad/Dewey), Natalie Joy Johnson (Veronica/Enid), Kate Wetherhead (Kate/Chutney) NOTES: MTV Proshot, Broadcast October 13th and October 14th 2007. Legally Blonde - First National Tour - February 22, 2009 (Highlights) FORMAT:  VOB (with smalls) (SD) |  TRADER'S NOTES: Act 1 only one highlights CAST: Laura Bell Bundy (t/r Elle Woods), DB Bonds (Emmett Forrest), Jeff McLean (Warner Huntington III), Natalie Joy Johnson (Paulette), Megan Lewis (Vivienne Kensington), Coleen Sexton (Brooke Wyndham/Shandi), Ken Land (Professor Callahan), Kate Rockwell (t/r Margot), Cortney Wolfson (Serena), Crystal Joy (Pilar), Ven Daniel (Kyle/Grandmaster Chad/Dewey), Gretchen Burghart (Veronica/Enid) NOTES: Limited highlights consist of everything from “Legally Blonde” to the end of the show (Around 23 minutes total) Legally Blonde - First National Tour - June 7, 2009 FORMAT:  VOB (no smalls) (SD) CAST: Lauren Zakrin (u/s Elle Woods), DB Bonds (Emmett Forrest), Nick Dalton (u/s Warner Huntington III), Natalie Joy Johnson (Paulette), Megan Llewellyn (Vivienne Kensington), Coleen Sexton (Brooke Wyndham/Shandi), Ken Land (Professor Callahan), Rhiannon Hansen (Margot), Cortney Wolfson (Serena), Crystal Joy (Pilar), Ven Daniel (Kyle/Grandmaster Chad/Dewey), Gretchen Burghart (Veronica/Enid), Alex Ellis (Kate/Chutney) Legally Blonde - First UK Tour - October 4, 2011 FORMAT:  VOB (with smalls) (SD)   |   NFT: Forever CAST: Faye Brookes (Elle Woods), Iwan Lewis (Emmett Forrest), Neil Toon (Warner Huntington III), Claire Sweeney (Paulette), Charlotte Harwood (Vivienne Kensington), Hannah Grover (Brooke Wyndham/Shandi), Dave Willetts (Professor Callahan), Sophie Isaacs (Margot), Sinead Long (Serena), Micha Richardson (Pilar), Lewis Griffiths (Kyle/Grandmaster Chad/Dewey), Gemma Baird (Veronica/Enid), Nia Jermin (Kate/Chutney) NOTES: An amazing capture in 16:9 wide-screen with no obstructions with action well followed. This cast is a real treat giving Impeccable sparkling performances. Brookes’s Elle really shines and she is a joy to watch. A+ The Lehman Trilogy - West End - July 25, 2019 (Pro-Shot's master) FORMAT:  MKV (HD) CAST: Simon Russell Beale (Henry Lehman), Ben Miles (Emanuel Lehman), Adam Godley (Mayer Lehman) NOTES: Filmed live in July 2019 by the Royal National Theatre. Lift - Beautiful Soup Theater, NYC - November 21, 2013 FORMAT:  VOB (with smalls) (SD) CAST: Kimberly Faye Greenberg (The French Teacher), Erin Elizabeth Eichhorn (The Secretary), Spencer Kurtti (The Busker), Randall Glen Taylor (Bright Young Thing), Samantha Mercado-Tudda (The Lap Dancer), and Morgan DeTogne and Jeffrey Van Damme (The American Tourists) NOTES: Filmed using one camera on a tripod. Lift - Soho Theatre - January, 2013 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: George Maguire (Busker), Cynthia Erivo (Lap Dancer), Julie Atherton (French Teacher), Nikki Davis-Jones (Secretary), Jonny Fines (Ballet Dancer), Luke Kempner (Bright Young Thing), Ellie Kirk (Athletic & Wearing a Thong), Robbie Towns (Tall, Dark and Handsome) NOTES: Original London production, recorded at the Soho Theatre. Proshot. An ensemble story involving the connected lives of people riding an elevator together in Covent Garden. Nominated for Best Original Score at the 2014 Whatsonstage 

The Lightning Thief: The Percy Jackson Musical - Broadway - October, 2019 (StarCuffedJeans's master) FORMAT:  MP4 (HD) CAST: Chris McCarrell (Percy Jackson), Kristin Stokes (Annabeth Chase), Jorrel Javier (Grover/Mr. D), James Hayden Rodriguez (Luke & others), Jalynn Steele (Sally Jackson & others), Sarah Beth Pfeifer (Clarisse & others), Ryan Knowles (Chiron & others) NOTES: Fantastic HD capture of the Broadway transfer of this show, filmed from the orchestra. The video starts part of the way through the first number. Act Two starts after the bus explodes. Please do not post screenshots of this video on Twitter ever. Gifs on Tumblr are okay after the NFT date, but don't go linking things to actors and shows. The Lightning Thief: The Percy Jackson Musical - Off-Broadway - August 20, 2014 FORMAT:  VOB (with smalls) (SD) CAST: Eric Meyers (Percy Jackson), Kristin Stokes (Annabeth Chase), Jordan Stanley (Grover/Mr. D), Parker Drown (Luke & others), Zakiya Young (Sally Jackson & others), Graham Stevens (Chiron & others) The Lightning Thief: The Percy Jackson Musical - Off-Broadway - April 15, 2017 (Highlights) FORMAT:  MOV (HD) |  TRADER'S NOTES: Working on uploading, PLEASE DO NOT REQUEST CAST: Chris McCarrell (Percy Jackson), Kristin Stokes (Annabeth Chase), George Salazar (Grover/Mr. D), James Hayden Rodriguez (Luke & others), Carrie Compere (Sally Jackson & others), Sarah Beth Pfeifer (Clarisse & others), Jonathan Raviv (Chiron & others) NOTES: Collection of 15 clips. Non-consecutive. It's a really obstructed video, and it only has 50 minutes of the show. Highlights include: Put You In Your Place, The Campfire Song, The Oracle, Good Kid, Killer Quest!, Lost!, My Grand Plan, Drive, DOA, Son of Poseidon, The Last Day of Summer, and Bring on the Monster. Several of the songs are incomplete, and there are some other scenes as well. The Lion King - Broadway - November 16, 1997 FORMAT:  VOB (with smalls) (SD) CAST: Jason Raize (Simba), John Vickery (Scar), Heather Headley (Nala), Tsidii Le Loka (Rafiki), Max Casella (Timon), Tom Alan Robbins (Pumbaa), Geoff Hoyle (Zazu), Stanley Wayne Mathis (Banzai), Kevin Cahoon (Ed) NOTES: Filmed RIGHT after opening night on Broadway when the show was still fresh. Shot from one of the boxes, resulting in an extreme angle (think near-perpendicular) so you can see into the wings and watch the actors slacking. Sound is great and it’s very well shot for a vid of its age though there is a touch of gen loss. Circle of Life is near perfect despite a little bit of washout. The Lion King - National Tour - June 5, 2010 FORMAT:  VOB (no smalls) (SD) CAST: Andre Jackson (Simba), Brent Harris (Scar), Frank Wright II (u/s Mufasa), Marja Harmon (Nala), Phindile Mkhize (Rafiki), Jered Tanner (u/s Pumbaa), Sophia Stephens (u/s Shenzi), Jerome Stephens Jr (Young Simba), Jamariana Tribble (Young Nala) NOTES: A couple of blackouts during Circle of Life and first couple of minutes of act two, otherwise nice capture. The Lion King - West End - September 30, 2001 FORMAT:  VOB (no smalls) (SD) CAST: Roger Wright (Simba), Rob Edwards (Scar), Ray Shell (Mufasa), Javine Hilton (Nala), Sharon D Clarke (Rafiki), Ian Hughes (Timon), Howard Crossley (Pumbaa), Eric Mallett (Zazu) NOTES: No picture for first 15 minutes and then great picture; good sound all the way and nice closeups at times. Rare! The Little Mermaid - Broadway - January 30, 2008 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Sierra Boggess (Ariel), Sherie Rene Scott (Ursula), Bret Shuford (u/s Prince Eric), Norm Lewis (King Triton), Tituss Burgess (Sebastian), Eddie Korbich (Scuttle), Jonathan Freeman (Grimsby), Derrick Baskin (Jetsam), Tyler Maynard (Flotsam), Cody Hanford (Flounder), Heidi Blickenstaff (Carlotta), John Treacy Egan (Chef Louis) NOTES: Great capture with great closups. The first 11 minutes after the overture are mostly blackouts due to late comers, after that no real problems. Bret did a nice job as understudy. Sierra and Sherie still rock with much greatness! Also includes the Part of Your World performance and interview on The View. A- The Little Mermaid - The Netherlands - 2012 (Highlights) FORMAT:  VOB (no smalls) (SD) CAST: Jantien Euwe/Tessa van Tol (Ariel), Britt Lenting (u/s Ursula), Mischa Kiek/Tommie Christiaan (Prince Eric), Roberto de Groot (Sebastian) NOTES: Highlights for about 35 minutes from different shows The Little Mermaid - The Netherlands - 2013 FORMAT:  MP4 (HD) CAST: Tessa van Tol (Ariel), Ellis van Laarhoven (alt Ursula), Tommie Christiaan (Prince Eric), Marc-Peter van der Maas (u/s King Triton), Juan Wells (Sebastian), Martijn Vogel (Flounder) NOTES: No zooms and some heads in the way. In act 2 mostly pointed too high. C/D quality Little Miss Sunshine - UK Tour - May, 2019 (hitmewithyourbethshot's master) FORMAT:  MP4 (HD) CAST: Evie Gibson (Olive Hoover), Gabriel Vick (Richard Hoover), Lucy O’Byrne (Sheryl Hoover), Paul Keating (Frank Hoover), Mark Moraghan (Grandpa Hoover), Sev Keoshgerian (Dwayne Hoover), Imelda Warren-Green (Linda/Miss California), Matthew McDonald (Josh/Kirby), Ian Carlyle (Larry/Buddy) A Little Night Music - New York City Opera - November 7, 1990 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Sally Ann Howes (Desiree Armfeldt), Regina Resnik (Madame Armfeldt), George Lee Andrews (Fredrik Egerman), Beverly Lambert (Anne Egerman), Kevin Anderson (Henrik Egerman), Michael Maguire (Count Carl-Magnus Malcolm), Maureen Moore (Countess Charlotte Malcolm), Susan Terry (Petra), Danielle Ferland (Fredrika Armfeldt), Ron Baker (Mr. Lindquist), Lisa Saffer (Mrs. Nordstrom), Barbara Shirvis (Mrs. Anderssen), Michael Rees Davis (Mr. Erlanson), Susanne Marsee (Mrs. Segstrom), David Comstock (Frid) NOTES: Production at Lincoln Center, PBS aired, pro-shot. Very slight generational loss. A Little Night Music - Théâtre Du Châtelet - 2010 (House-Cam's master) FORMAT:  VOB (with smalls) (SD) CAST: Greta Scacchi (Desiree Armfeldt), Leslie Caron (Madame Armfeldt), Lambert Wilson (Fredrik Egerman), Rebecca Bottone (Anne Egerman), David Curry (Henrik Egerman), Nicholas Garrett (Count Carl-Magnus Malcolm), Deanne Meek (Countess Charlotte Malcolm), Francesca Jackson (Petra), Celeste de Veazey (Fredrika Armfeldt) NOTES: This is the first production of Sondheim's show ever in France. Produced at the world-famous Theatre du Chatelet in Paris. In English and full stage shot with clear sound but no closeups. A Little Shop of Horrors - American Musical Theater Of San Jose - January-February, 2008 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Josh Lamon (Seymour), Christiane Noll (Audrey), Hal Linden (Mushnik), Todd Alan Johnson (Orin), Michael Mandell (Audrey II), Kristin McDonald (Crystal), Izetta Fang (Ronnette), Adrienne Miller (Chiffon) NOTES: Single camera on tripod, mix of full-stage and mid-range shots, soundboard Little Shop of Horrors - Encores! Off-Center - July 1, 2015 (Opening Night) (NYCG8R's master) FORMAT:  VOB (with smalls) (SD) CAST: Jake Gyllenhaal (Seymour), Ellen Greene (Audrey), Joe Grifasi (Mushnik), Taran Killam (Orin), Eddie Cooper (Audrey II), Marva Hicks (Crystal), Ramona Keller (Ronnette), Tracy Nicole Chapman (Chiffon) NOTES: Opening Night filmed from the very back of City Center, so there is some spotlight washout that's never too bad and a head that's shot well around. A- Little Shop of Horrors - Encores! Off-Center - July 2, 2015 (Matinee) (SunsetBlvd79's master) FORMAT:  VOB (no smalls) (SD) CAST: Jake Gyllenhaal (Seymour), Ellen Greene (Audrey), Joe Grifasi (Mushnik), Taran Killam (Orin), Eddie Cooper (Audrey II), Marva Hicks (Crystal), Ramona Keller (Ronnette), Tracy Nicole Chapman (Chiffon) NOTES: Beautiful HD capture of the Encores Summer Series. Ellen and Jake were perfection and this was the 2015 show that was not to be missed! The last 15 mins (customers coming in and song/scene finale don't feed the plants) are mostly blind shot, where a few times no action can be seen. Everything else is there and beautiful. A- Little Shop of Horrors - Off-Broadway Revival - January 24, 2020 (Highlights) FORMAT:  MP4 (HD) CAST: Gideon Glick (Seymour), Tammy Blanchard (Audrey), Tom Alan Robbins (Mushnik), Christian Borle (Orin), Kingsley Leggs (Audrey II), Salome Smith (Crystal), Ari Groover (Ronnette), Joy Woods (Chiffon) NOTES: Highlights include from "Dentist!" to "Mushnik and Son" and from "Suddenly Seymour" to "Suppertime" Little Shop of Horrors - Pasadena Playhouse - October 13, 2019 FORMAT:  MOV (HD) CAST: George Salazar (Seymour), MJ Rodriguez (Audrey), Kevin Chamberlin (Mushnik), Matthew Wilkas (Orin), Amber Riley (Audrey II), Cheyenne Isabel Wells (Crystal), Brittany Campbell (Ronnette), Tickwanya Jones (Chiffon), Brittany Campbell, Cheyenne Isabel Wells, Tickwanya Jones NOTES: Includes the full show and the curtain call. There is some drifting in Act One, but it isn’t as prevalent in Act Two. There are a lot of obstructions, but I was (mostly) able to film around them. The only part that was really blocked was Somewhere That’s Green. Somewhere That’s Green (Reprise) is the only majorly whitewashed part, but other than that it’s not too much of an issue. Overall, it’s a pretty decent capture of the show, considering it’s my first video master. Little Women - Broadway - December 11, 2004 (Preview) FORMAT:  VOB (no smalls) (SD) CAST: Sutton Foster (Jo), Danny Gurwin (Laurie), Megan McGinnis (Beth), Jenny Powers (Meg), Amy McAlexander (Amy), Maureen McGovern (Marmee), Janet Carroll (Aunt March), John Hickok (Professor Bhaer), Robert Stattel (Mr. Laurence), Jim Weitzer (Mr. Brooke) NOTES: Excellent video capture of the show! A little spotlight washout in the first 15 mins. Sound is excellent throughout. Also includes short Preview piece from NY1. Lizzie - Amherst - April 7, 2018 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Kiely Mugford (Lizzie Borden), Emma Ratshin (Emma Borden), Willa Grimes (Alice Russell), Dominique Manuel (Bridget Sullivan) NOTES: This is a proshot/house cam that the production company (Amherst College Green Room) has posted online in full 1080p resolution. Lord of the Rings: The Musical - Toronto, Canada - August 26, 2006 (Highlights) FORMAT:  VOB (with smalls) (SD) CAST: James Loye (Frodo), Peter Howe (Sam), Brent Carver (Gandalf), Evan Buliung (Aragorn), Rebecca Jackson Mendoza (Galadriel), Owen Sharpe (Pippin), Dylan Roberts (Merry), Michael Therriault (Gollum), Carly Street (Arwen), Victor A Young (Elrond), Dion Johnstone (Boromir), Gabriel Burrafato (Legolas), Ross Williams (Gimli), Richard McMillan (Saruman), Kristin Galer (Rosie Cotton), Cliff Saunders (Bilbo Baggins), Kerry Dorey NOTES: Footage that runs over an hour long. Pretty dark and most full stage shots. Includes scenes from Acts 2 and 3. Often listed as several different dates including March 23, 2006 Love in Hate Nation - Red Bank - November 30, 2019 (Highlights) (Sammi's master) FORMAT:  MP4 (SD) CAST: Amina Faye (Susannah), Kelly McIntyre (Sheila Nail), Emerson Mae Smith (Kitty), Lauren Marcus (Miss Asp), Lena Skeele (Dorothy), Tatiana Wechsler (Judith), Sydney Farley (Ya-Ya), Jasmine Forsberg (Rat), Ryan Vona (Francis/Buzz/Doc Shock/Others) NOTES: Act 1 only. Sammi's master. Notes from master: go nuts with my boots, share them, gif them, yt them, the world is your oyster. Love Letters - Online Reading - May 21, 2020 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Sally Field (Melissa Gardner), Bryan Cranston (Andrew Makepeace Ladd III) Love Never Dies - First National Tour - September 25, 2018 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Bronson Norris Murphy (The Phantom), Meghan Picerno (Christine Daaé), Sean Thompson (Raoul, Vicomte de Chagny), Karen Mason (Madame Giry), Mary Michael Patterson (Meg Giry), Katrina Kemp (Fleck), Richard Koons (Squelch), Stephen Petrovich (Gangle), Jake Heston Miller (Gustave) NOTES: Wonderful HD capture of the reworked North American Tour. Everything is nicely captured and great performances from the cast. I really enjoyed this production and cast! A Love Never Dies - Melbourne - September 15, 2011 (Pro-Shot's master) FORMAT:  MKV (HD) CAST: Ben Lewis (The Phantom), Anna O’Byrne (Christine Daaé), Simon Gleeson (Raoul, Vicomte de Chagny), Maria Mercedes (Madame Giry), Sharon Millerchip (Meg Giry), Emma J Hawkins (Fleck), Paul Ettore Tabone (Squelch), Dean Vince (Gangle), Jack Lyall (Gustave) NOTES: Pro-shot of the revamped Australian Production. Released on BluRay. Love Never Dies - Vienna, Austria - October 18, 2013 (Opening Night) FORMAT:  VOB (with smalls) (SD) CAST: Drew Sarich (The Phantom), Milica Jovanovic (Christine Daaé), Julian Looman (Raoul, Vicomte de Chagny), Maya Hakvoort (Madame Giry), Barbara Obermeier (Meg Giry), Katja Berg (Fleck), Peter Kratochvil (Squelch), Armin Kahl (Gangle), Leonid Sushon (Gustave) NOTES: The master of this recording has encoded the dvd in CSS (Content Scrambling System). However it is easily crackable with free software like Handbrake. Love Never Dies - West End - June 25, 2010 (House-Cam's master) FORMAT:  VOB (with smalls) (SD) CAST: Ramin Karimloo (The Phantom), Sierra Boggess (Christine Daaé), Joseph Millson (Raoul, Vicomte de Chagny), Liz Robertson (Madame Giry), Summer Strallen (Meg Giry) NOTES: House cam pro-shot. Pre-changes. Mic seems to cut out toward the end of "The Beauty Underneath" but is back by "The Phantom Confronts Christine." Love Story - Dutch Tour - February 14, 2014 FORMAT:  MP4 (HD) CAST: Celinde Schoenmaker (Jennifer Cavilleri), Freek Bartels (Oliver Barrett IV), Dick Cohen (Phil Cavilleri), Ad Knippels (Mr. Oliver Barrett III), Jeannine Geerts (Oliver's Mother), Jonathan Demoor (Dokter Selzer), Liss Walravens (Sara Jane) Lungs - London (Social Distancing Version) - July 4, 2020 (Matinee) (Pro-Shot's master) FORMAT:  VOB (no smalls) (SD) CAST: Matt Smith (M), Claire Foy (W) NOTES: Screen-recording of the livestream of the socially distanced version. Fuzzy video quality, audio is fine. The frame rate seems to be low so the video lags.

[if-you-fan-a-fire]

“Men’s Police Court,” Toronto Star. September 19, 1930. Page 02. ---- Quite a Difference

In homeopathic ‘spots’ we serve  The stuff for others’ noses. But always serve on our own, he! he! In allopathic doses.

Repeaters on the wet list are receiving short shrift these days. Those with many previous convictions are really luckier than those charged as ‘second’ offenders. The number of black marks might be three or nine. The penalty is, with few exceptions, three months in jail. Those guilty of a second offence are fined $50 or one month. This morning’s visitors under this head were Malcolm Cain, Charles Wood, Michael Cooney and George Clark. James Harwood, a man of many names, but one consistent taste, went down for three months. He admitted two of the seven previous convictions mentioned by Detective Mulholland.

More Rest for Him Lolling over the dock rail, twiddling his cloth cap, George Graham, a tall angular gentleman of color, heard the news that he had refused many jobs. Some were too hard; others didn’t offer a wide enough field for the gentleman’s natural abilities; while the wages attached to others were humiliating to a man of spirit. And when he stepped into the witness box, he proceeded to sprawl over the end of the magistrate’s desk.

‘Don’t go to sleep here, ‘he was warned. This startled him into a smile, and when Magistrate Brown committed him to jail for three months he couldn’t tackle the laborious task of removing the smile.

That’s how all men should pass away. Of all ways it’s the best; A smile of sweet contentment when They enter into rest.

Blind Brother Helps Returning for sentence on a charge of stealing $50 belonging to his blind brother, Fred Morrison received a scolding from the magistrate, ending with these words: ‘If it hand’t been for your brother, you might gone to the penitentiary this morning. I can’t think of anything meaner than to steal from a blind man. You’ll go on suspended sentence and probation for six months, during which time you must pay your brother back his money.’

The prisoner, very contrite, promised to do so.

Such Eyes! Probation Officer Freer will keep his weather eye on the youthful Abraham Heffern, and John Doherty, for two years. If that eye ever gets tired, the genial and zealous officer will us the other one. With nearly a thousand wandering boys to look after, Mr. Freer needs ten thousand eyes. These two lads stole money from a fish ship where one had previously worked.

Not Like O.T.A. Days

A bootlegger bemoans the small profits and the great perisl. If you’re seeking a career, my lad,  For goodness sake go slow; The profits in the bootleg biz Are scandalously low.

Caught with 1, 800 cigarettes, imported from the United States, and not bearing the customs stamp, John Conson was fined $50 and costs or one month. He told Det. Sergt. Johns that he bought them from ‘a man named Williams.’ Explanations under such circumstances are invariably epic in their simplicity. But Conson had more to face. He was on probation for two years but had failed to report. He is the young gentleman who got married and handed worthless cheques to everybody who had contributed to the festive event, from the clergyman down. 

He was given 6 months, plus 6 months.

Great Joy Already serving 60 days for another offence, Gordon Fox learned with immense delight that the 30 days he was getting for stealing a watch, prior to his other conviction, would run concurrently.

[ferventorange]

History Project Citations

1. ) Childs, Harwood (1938). The Nazi Primer : Official Handbook for Schooling The Hitler Youth. Harper & Brothers. https://archive.org/details/NaziPrimerTheHitlerYouthManual/page/n47/mode/2up 2.) Schirach, Baldur (c. 1931). Die Fahne Der Verfolgten. https://archive.org/details/DieFahnederVerfolgten 3.) Digital Public Library (1932). Hitler Takes Another Leaf from Mussolini Book: Boy Nazis. Digital Public Library of America. https://dp.la/item/5125d0b5fb4718b942fb1d0604522889 4.) Central Intelligence Agency (2007).  The Hitler Jugend. https://www.cia.gov/library/readingroom/docs/THE%20HITLER%20YOUTH%20ORGANISATION_0001.pdf 5.) (1936). Nazi Conspiracy and Aggression, Volume III. (p.972-973) https://www.loc.gov/rr/frd/Military_Law/pdf/NT_Nazi_Vol-III.pdf 6.) Encyclopædia Britannica. Learn about The Hitler Youth program during the Nazi regime. Britannica.com https://www.britannica.com/video/180221/Overview-Hitler-Youth

7.) Blakemore, Erin (2017). How the Hitler Youth Turned a Generation of Kids into Nazis. History.com https://www.history.com/news/how-the-hitler-youth-turned-a-generation-of-kids-into-nazis

8.) Encyclopaedia Britannica (2020). Hitler Youth. Britannica.com https://www.britannica.com/topic/Hitler-Youth

9.) Graham, Hugh (2020). Education. Britannica.com https://www.britannica.com/topic/education/Nazi-Germany

10.) U.S Holocaust Museum (2018) Hitler Youth. U.S Holocaust Memorial Museum. https://encyclopedia.ushmm.org/content/en/article/hitler-youth-2#:~:text=The%20Nazi%20Party's%20second%20oldest,German%20Worker%20Youth%20in%201926. 11.) The History Place Writers (1999). Hitler’s Boy Scouts. Thehistoryplace.com https://www.historyplace.com/worldwar2/hitleryouth/hj-boy-soldiers.htm

12.) History.com Editors (2009). Britain and France declare war on Germany. History https://www.history.com/this-day-in-history/britain-and-france-declare-war-on-germany

13.) Historic Boys Uniform Writers (1998). Hitler Youth Activities. Histclo.com https://www.histclo.com/youth/youth/org/nat/hitler/act/ha-act.htm 14.) Facing History writers. Heil Hitler: Confessions of a Hitler Youth. Facinghistory.org https://www.facinghistory.org/resource-library/video/heil-hitler-confessions-hitler-youth

[halthalthalt]

“Aluminium” is a futurist graphic book and film about the social history of aluminium. In 2009 it will be 100 years since Marinetti set out the Futurist manifesto in which advocated the consumption of metal bolts and engine oil to turn men into machines. Marinetti believed in speed, machines and violence, values that for him were epitomised in the recent invention of aluminium. Drawing on archival footage from the aluminium industry, Harwood derives algorithms from the Futurist Manifestos to create the books cells by recording only the differences between key video frames. Caption texts are gathered up and edited together by issue crawlers as they search across the Internet. “Aluminium” takes the futurist logic of the 20th Century and turns it back upon its self.

Produced for The Rest of Now, Manifesta7 (Bolzano/Bozen, Italy 2008 www.manifesta7.it)

https://monoskop.org/log/?p=1424

[wolfliving]

The Maker Movement and its discontents

*Via nettime mailing list

James Wallbank:

Fascinating to hear about personal engagement in Making, Graham!

I, too, have been personally, hands-on involved in Making since Access Space's turn towards digital manufacture, and the interface of the physical and the digital, since around 2010.

(For those of you who aren't aware of Access Space, it started as a "DIY Media Lab" which I and various friends who had accreted around "Redundant Technology Initiative" (lowtech.org) in 2000. It re-interpreted donated digital debris as resource, rebuilding computers, installing free operating systems, making them available to participants, and encouraging and supporting creative, self-directed projects.)

Part of the motivation behind Access Space was our hope that digital engagement and skills had the potential to empower. This proved to be the case in the early 2000s, and numerous time-rich participants engaged with Access Space, taught themselves and each other technological skills, and became web designers, graphic designers, technicians or even better-known artists. (Though whether "art" is, in the context of networked global capital, a viable or empowering career for a statistically significant proportion of its participants is, I suggest, in question.)

By 2010 we'd seen far less business incubation, and proportionately fewer participants able to self-teach to a level that it made a real difference to their life prospects or creative leverage. We saw that hardware and software skills devalued as pre-installed devices became cheaper, and that the digital realm was becoming dominated by global digital services, including social media, that, while they didn't do a great job, diverted the vast majority of potential digital design clients away from bespoke, local service providers.

In short, the window of opportunity suggested by the first phase of the graphical internet was closing. While, in 2000, speed-reading an HTML primer, combined with a little design flair, a few copywriting skills, and some sales confidence could make you a web designer in a month, in 2010 this was no longer the case.

We concluded that when any new technology is introduced, there's a period of opportunity, before that technology has become fully adopted or systematised, in which the individual can get involved, and (in a short time, with a level of skill only one page ahead of their clients) can empower themselves, converting an interest into saleable skills, products or resources.

We've seen the same window open and close with blockchain (which I believe to be illusory, unproductive, and, in the end, simply gambling). A vanishingly few people made money though cryptocurrency trading, but now it's dominated by grinding Ponzi schemes, viral mining fiddles, or blockchain is being repurposed by multinationals. The moment of opportunity for the individual has passed.

At Access Space we saw Fab Lab or "Maker Technologies" as a more genuinely productive line of approach, and, even though many of the technologies had been around for a decade or more, saw that the window of opportunity had not yet closed. As technology requiring significant physical engagement and investment (you need to buy real-world machines and materials!) the timescale of its adoption and exploitation by capital would be far slower.

So at Access Space we raised money (thanks EU structural funds!) and bought a CNC, a Lasercutter, a 3D Printer, Arduinos, Raspberry Pis, a digital embroidery machine... and set about a research partnership to explore the potentials of these technologies for creating local jobs and enterprises.

In the end, for those not in the highfalutin' and disconnected academic realm (sorry, researchers - you're my friends really!) a key element of whether a technology is empowering or not is "Can you get paid for using it?"

And "using it to engage and educate" doesn't count - actually using it to create product or paid-for service is key. In Access Space's particular case, we took the position that we didn't care about "industrial transformation", nor "increasing supply-chain efficiencies". We cared most about actual, tangible jobs in Sheffield, not abstract (however numerically significant) jobs in San Fransisco or Shenzen.

The research engaged with local makers, both individuals and startup enterprises, and concluded that the technology we looked at with most potential to generate local jobs and enterprise was lasercutting, and the one with the least potential was 3D Print. Even seven years later, we still agree.

This failure, it seems to me, to engage with the economics of making is exactly what's thus far marginalised the "Maker Movement". It's also true of the Fab Lab - while it's a powerful context for education, the economics of fabbing just don't work.

To give a simple example: one of the Fab Lab founding principals its to engage with a wide range of materials and processes, on a wide range of scales. For a business to become profitable, the imperative is EXACTLY THE OPPOSITE. To optimise manufacture, it's necessary to reduce the number of processes, and minimise the variety of materials. In terms of marketing, the key is to focus on a particular product and market. It is supremely irrelevant to a person who wants to buy a new pair of shoes to know that you can also make customised wifi amplifiers, repair bicycles, design lamps or sell toy robots.

Shoe advertisers (physical or digital) sell shoes, not "Anything... uhh... including shoes".

The Maker Movement comes out of academia, where the core product is learning. To the business world, high skill is the enemy. Skilled processes are expensive - you want your highly skilled people to be doing as much as possible, over as wide an area as possible, so you can employ as few of them as possible.

So, with this context, my wife Lisa and I opened "Makers". It's a shop, where we make things. You can commission us to make things, or come and make things with us. We run educational workshops, too - but it's not the mainstay of our business. We did this with the intention of further exploring the opportunities afforded by digital manufacture, with a view to uncovering the sustainable business models that might emerge from it. Having just done two and a half years of research into the employment potentials of digital manufacture, I thought we might have a head-start.

Makers is now coming up to its fourth birthday, and we haven't gone bankrupt yet. (Not to show off, but that fact alone apparently puts us into the top 5% of UK retail!) We've discovered a whole load of stuff about digital and analogue making, the economics and sustainability of local manufacture, that we just didn't know, and we've not seen the wider Maker Movement really touch upon.

We've rejected whole categories of product lines, and focussed on particular processes and products to make our living. We still make a wide range of things, and we're constantly experimenting with new ideas, but bearing in mind that we need to create things that aren't characteristic of the typical maker-space product ("really fascinating, but I have no use for it!"). The objects we make must have the key characteristic that people are prepared to put their hands in their pockets and buy them - for a sensible price - and that means that they must be appealing.

We have a range of clients for our making services, including individuals and businesses. For individual clients, we're typically making home decor, but for micro-businesses we're at the cutting edge of business incubation - people come in with an idea (often its something crafty, with a very specialist market) and we help them design and produce their products.

But... get this... around 80% of clients who commission us to make things, or make things with us, are women. It's a completely different demographic from the typical "maker dude" who inhabits our friendly neighbourhood makerspace. Our repeat making clients are often making money out of making - we're helping to design and manufacture stuff that they sell. There's also an interesting line of products that helps people to sell - signage, packaging, point-of-sale displays.

We're also thinking about how making impacts on our locality. Traditional retail is in freefall - but we're finding that shops are being replaced by "makey" and "crafty" services. Our shop was (twenty five years ago) a greengrocer. Now it's "Makers". On our little block of 16 shops we see computer and phone repairs, a dressmaker, bicycle repairs, baking, and of course, a barber and takeaway food shops. Very nearby we find micro-brewers, woodworkers, picture framers, upholsterers, photographers...

These sorts of services seem, over time, to be replacing the once ubiquitous mini-marts and retail outlets that have been displaced by online shopping.

Recently, we've been a research partner in research into making (MakEY - Making in Early Years) which has been very interesting, but again does what academia is wont to do - assume that the product is learning. In my view, far from being over the hill, making may now be transforming from academic and hobbyist interest to actual economic models. I think it has huge potential to revitalise localities and communities, and I urge researchers to get involved. (Will lecture for food!)

But let's lose the glamour - and start thinking about real products, real places, and real business models. Want an example of "sustainable superlocal digital manufacture"? How about key cutting? Yeah, it's not so cool now, is it?

All the best,

James =====

On 11/06/2019 18:43, Graham Harwood wrote: I just want to interject a little into the Post-Maker universe.

I work a lot these days with the maritime, a technical culture of wooden boat repair that in Essex, I also worked a lot with people who restore old telephone exchanges and people who build steam engines - through having run a free media space in 00 ties were we hacked, pirated recycled at will. Among the many things that are interesting about these technical cultures is that they produce value for those engaged in the process - but this value has only a limited relation to the accumulation of capital. The maker phenomena could be seen in this context as a way to monetise the non-discursive technical cultures - a tinkering world that has an unbroken line back to at least the enlightenment but probably before. In 1799 the Royal Institution of Great Britain was established to put science to work for particular class and keep the theoretical away from a populace that presented a threat (the demon of the French revolution) - The Royal Institution was a place where an artisan class built technicals object but where not allowed in, or allowed to lecture. 

Faraday had to have elocution lessons, learn how to eat properly before being allowed to lecture and even then had to be deemed a genius to escape the his class background and address gentleman. What Im trying to suggest is that non-discursive technical tinkering exist within many technical cultures and long may it remain so.

I'll tag on a little introduction this I wrote.

“The science which compels the inanimate limbs of the machinery, by their construction, to act purposefully, as an automaton, does not exist in the worker’s consciousness, but rather acts upon him through the machine as an alien power.” Karl Marx(1858)

In 1958 the French philosopher Gilbert Simondon published On the Mode of Technical Objects to address just this form of cultural alienation implicit in the quote above. He writes, among other things, about two ways in which people come to know technical objects. He says technology viewed from a child's eye, which I imagine he is seeing as, naive and innocent we gain an implicit, non-reflective, habitual tendency. 

A baby strapped into a buggy, is given a parent's mobile phone and is happily learning to play a game but cannot yet utter the words to express these interactions. Simondon then imagines an inverse, a trained adult engineer, reflective, self-aware using rational knowledge that is elaborated through science. Something like an Apple engineer who creates closed technologies imagining its users still strapped in that buggy unable to articulate their critical needs. 

Simondon seeks out another form of relationship with technical objects which he finds in the Enlightened Encyclopaedism of Denis Diderot and Jean le Rond d'Alembert (Encyclopédie (1751–1777)) in which concrete knowhow is abstracted and assembled into a technical orchestra. Contemporarily, is it worth considering our networked technologies in this mode of encyclopaedism? An evolving off-grid, red-neck, student, coder, geek pedagogy producing technical information, hacks, howto’s, shakedowns, and open source code repositories, that respond to an evolving technical culture. This technical republic is nothing new, it’s genealogies can be traced to and beyond the amateur experimentalistsof the London Electrical Society and William Sturgeon (1783 - 1850) and the artisanal formation that knowledge can be contained in the object built and it’s functioning is its explanation.

Is a tinkering internet a critical technical republic? A social space that potentially can break down the state actors with encryption, corporations by opening up software and proprietary technics by hacking them open, making things public? Is the marginal technics on a teenagers dirty bedroom, the dank basement of a bored salaryman, the ham radio garden shed a strategy to unfold the clean room and its magic men in white coats? Or is this largely a white male space that has eradicated other forms of objectivity and subjectivity from view? How can we attempt to instate a devolved technics that refuses misogyny, racialisation and yet envisages technology outside of the paradigm of human slave or potential human enslaver.

Harwood

From: nettime-l-bounces@mail.kein.org <nettime-l-bounces@mail.kein.org> on behalf of John Preston <wcerfgba@riseup.net> Sent: 11 June 2019 17:39:00 To: nettime-l@mail.kein.org Subject: Re: <nettime> The Maker Movement is abandoned by its corporate sponsors; throws in the towel On the mention of recycling I just wanted to mention the Precious Plastic (https://preciousplastic.com/) project, which is very much in this vein and currently active. Looks good, I'd like to build a recycling machine and melt down some plastic at some point.

On a more local and mainstream level, my town has a show that sells 'upcycled' furniture which has been done up (new handles, repainted with flower motifs etc). Recycling and maker culture is great but I'd like to see more projects which are local or community oriented: this is essential to truly address the problem of waste. We separate glass in my borough, maybe we could feed that into local double glazing firms, or something else.

*stopping here before I ramble on for 10KB*

John

On 2019-06-11 16:27, Jaromil wrote: > dear Bruce and nettimers, > > On Sat, 08 Jun 2019, Bruce Sterling wrote: > >> *Well, so much for the O’Reilly Web 2.0 version of popular >>  mechanics.  Fifteen years is not too bad a run by the standards of >>  an increasingly jittery California Ideology.  Now what? — Bruce S > > Felipe Fonseca has seen it coming years before and express it well: > https://medium.com/@felipefonseca/repair-culture-65133fdd37ef > > he wasn't alone: for those of us who were into the "recycling" and DIY > scene in the late nineties, the Make magazine circus was the sort of > poison to kill a movement by sugar coating and extraction aka > franchising. While doing that for 15 years, there are a three points > it missed to address IMHO: > > 1. the right to mod your hardware, esp. video-games which represent >    the vast majority of new hardware sold and thrown away around the >    globe > > 2. the "peripheries of the empire" aka South of the World (remember >    Bricolabs?) where DIY is *amazingly* developed in various forms. >    As usual, we have learned nothing from that, just advertised us >    westeners doing it better and with more bling. > > 3. the "shamanic" value that can be embedded in uses of technologies, >    as opposed to the sanitized and rational interpretation given by >    designers in the west. Techno-shamanism is something Fabi Borges, >    Vicky Sinclair and other good folks in Bricolabs have been busy for >    ages! > > so then, what now? I believe the functional need of aggregating places > for "hacker culture" is lowering: everything can exist virtually as > software, more or less. Machinery + franchising have a too high > production cost compared to their output, not sustainable at all. Also > moving hardware around is a *big* effort and the only ones lowering > overhead costs for new players are in China (...Aliexpress). > > Plus the acceleration of hardware production resulted in way less > sustainability especially in relation to obsolescence: buy a part now > then ask if it will be still available in 20 years! you'll be > presented an NDA to sign and then discover there is just a 3-4 years > plan behind it. Spare parts anyone? Meanwhile is almost 2020 and there > is no service to print and sell-on-demand USB sticks with stuff on: > what a contrast if you think of the CD/DVD on-demand industry of 15 > years ago! which partially resists only on garage music productions. > > So, software still offers possibilities, but will it produce a > cultural shift? I doubt it will do more than what it did already in > crypto, which is already highly controversial and poisoned of a sort > of unstable sugar coating mixed with toxic financial capitals. > > At last, looking at the new generations, the bling is what really > counts: I guess most "fablabs" could be converted to > "fashionlabs". Personally I'm planning to revamp dyne:bolic which > besides running on old computers and modded game consoles did one > thing which is still actual: it was a media production studio. The > best part of "maker culture" was its cultural expression, mined for > its value until exhaustion; but isn't it harder to express cultural > values using hardware? Much easier with music and videos etc. they > also travel easier. > > For more *practical examples* of projects who may inspire new > horizons: you are all invited to an event we (Dyne.org) are setting up > in Amsterdam on the 5th July. We will fill the stage with many new > faces: 16 projects we awarded with EU funding for their pro/vision of > "human-centric" solutions, purpose driven and socially useful. Hope to > see some of you, we will also have a new call end of year, its about > 200k EUR equity free so lets engage in new sustainable challenges > https://tazebao.dyne.org/venture-builder-eu.html > > ciao

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[thestageyshelf]

SOLD 🎭 Legally Blonde @ New Victoria Theatre Woking 2012 (#89)

Title: Legally Blonde

Venue: New Victoria Theatre Woking

Year: 2012

Condition: Creasing

Author: Music and Lyrics by Laurence O'Keefe and Nell Benjamin. Book by Heather Hach. Based on the novel Legally Blonde by Amanda Brown and the MGM motion picture

Director: Jerry Mitchell

Choreographer: Jerry Mitchell

Cast: Faye Brooks, Stephen Ashfield, Les Dennis, Niki Evans, Ray Quinn, Charlotte Harwood, Hannah Grover, Sinead Long, Sophie Isaacs, Micha Richardson, Lewis Griffiths, Katie-Marie Hicks, Zak Nemorin, Jon Reynolds, Lori Barker, Gemma Baird, Graham Lappin, Mark Anderson, Rhona McGregor, Nia Jermin, Andy Rees, Niamh Bracken, Michael Steedon, Barnaby Thompson, Andrew Gordon-Watkins, Amy Ross, Hannah Woolley, Pringle, Breezer and Sharpy

FIND ON EBAY HERE

[maceikblog]

Co się dzisiaj działo? #92 2.4.2022

NHL: Avalanche-Penguins 3:2

Turniej ATP w Miami:

Hubert Hurkacz-Carlos Alcaraz 6:7(5) 6:7(2)

Hubert Hurkacz/John Isner-Wesley Koolhof/Neal Skupski 7:6(5) 6:4

krykiet, mecz testowy, dzień 3: RPA (367 & 6/0, Temba Bavuma 93 & Dean Elgar 3* , Simon Harmer 4/103)-Bangladesz (298, Mahmudul Hasan Joy 137, Khaled Ahmed 4/92 & Mehidy Hasan 0/3)

mecz jednodniowy:

Nowa Zelandia (264/9, Tom Latham 140*, Michael Bracewell 3/21) pokonała Holandię (146, Bas de Leede 37, Logan van Beek 4/56) 118 runami

Pakistan (214/1, Babar Azam 105*, Haris Rauf 3/39) pokonał Australię (210, Alex Carey 56, Nathan Ellis 1/38) 9 wicketami

mecz Twenty20: Nepal (223/5, Dipendra Singh Airee 110*, Sandeep Lamichhane 3/19) pokonał Malezję (138, Virandeep Singh 47, Pavandeep Singh 1/34) 85 runami

IPL:

Rajasthan Royals (193/8, Jos Buttler 100, Yuzvendra Chahal 2/26) pokonali Mumbai Indians (170/8, Tilak Varma 61, Jasprit Bumrah 3/17) 23 runami

Gujarat Titans (171/6, Shubman Gill 84, Lockie Ferguson 4/28) pokonali Delhi Capitals (157/9, Rishabh Pant 43, Mustafizur Rahman 3/23) 14 runami

Limpopo Championship, 3 runda: 3. Mateusz Gradecki

Beach Pro Tour w Coolangatcie: Jakub Zdybek/Paweł Lewandowski-Immanuel Zurcher/Jonathan Jordan 21:15 21:18

Turniej WTA w Miami, finał: Iga Świątek-Naomi Osaka 6:4 6:0

Turniej ITF w Monastyrze:

Weronika Falkowska-Sakura Hosogi 1:6 0:6

Szymon Kielan/Michał Mikuła-Constantin Frantzen/Tim Sandkaulen 7:6(4) 6:7 (2) 10-2

Challenger w Marbelli, finały:

Jan Zieliński/Hugo Nys-Roman Jebavy/Philipp Oswald 6:7(6) 6:3 3-10

Katarzyna Kawa/Vivian Heisen-Irina Maria Bara/Ekaterine Gorgodze 4:6 6:3 6-10

Gran Premio Miguel Indurain: 70. Rafał Majka

PDC Players Championship 10:

Krzysztof Ratajski-Keane Barry 3:6

Krzysztof Kciuk-Mervyn King 3:6

Radek Szagański-Adrian Lewis 4:6

Turniej wygrał Michael van Gerwen

PDC Challenge Tour 8

Wojciech Bruliński-Dragutin Horvat 0:5

Sebastian Białecki-Baran Oezdemir 5:2

Sebastian Białecki-Karel Sedlacek 5:1

Sebastian Białecki-Marko Kantele 5:2

Sebastian Białecki-Sergio Krassen 5:2

Sebastian Białecki-Jamie Lewis 5:2

Sebastian Białecki-David Pallett 4:5

Turniej wygrał Stephen Burton

PDC Challenge Tour 9

Sebastian Białecki-Martijn Verdaasdonk 5:1

Wojciech Bruliński-Reece Colley 4:5

Sebastian Białecki-Scott Taylor 3:5

Turniej wygrał Danny van Trijp

Ekstraklasa:

Warta-Raków 0:2

Górnik Łęczna-Pogoń 0:4

Legia-Lechia 2:1

III Liga:

Pogoń II-Bałtyk Gdynia 4:0

Bałtyk Koszalin-KP Starogard 1:0

Pogoń Nowe Skalmierzyce-Stolem Gniewino 0:0

Zawisza Bydgoszcz-GKS Przodkowo 2:1

Bundesliga: Freiburg-Bayern 1:4

League Two: Barrow-Port Vale 1:2

CAF Liga Mistrzów:

Mamelodi-Al Merreikh 3:0

Esperance Tunis-Belouizdad 2:1

Wydad-Petro 5:1

2 Bundesliga: Hansa Rostock-St. Pauli 1:0

LaLiga: Celta Vigo-Real Madryt 1:2

Ewinner 2 Liga:

Olimpia Elbląg-Radunia 0:0

Chojniczanka-Hutnik 3:2

Campionato Sammarinese:

Domagnano-Folgore 1:0

Fiorentino-Cailungo 4:0

Libertas-La Fiorita 0:1

Pennarossa-Faetano 0:2

Ekstraliga Rugby:

Lechia-Posnania 38:25

Budowlani Łódź-Ogniwo Sopot 10:18

Serie A1: San Marino-Torre Pedrera 15:0

Energa Basket Liga Kobiet: AZS Lublin-VBW Arka Gdynia 102:96 (3:0 w serii)

I liga piłkarzy ręcznych:

KS Kościerzyna-Szczypiorniak Olsztyn 33:24

SMS ZPRP Płock II-Tytani Wejherowo 29:24

I liga siatkarek: Wieżyca Stężyca-Aleksandrów Łódzki 3:0

Energa Basket Liga: MKS Dąbrowa Górnicza-Trefl Sopot 71:79

Liga Centralna piłki ręcznej:

Nielba Wągrowiec-GKS Żukowo 36:40

Warmia Energa Olsztyn-MKS Grudziądz 31:24

Futsal Ekstraklasa: Słoneczny Stok Białystok-Red Devils Chojnice 6:2

I liga piłkarek ręcznych: Sambor Tczew-Arka Gdynia 26:23

Mistrzostwa Świata WDF w darcie

mężczyźni

Jarred Cole-Martin Adams 2:0

John Scott-Johnny Haines 0:2

Ben Hazel-Haupai Puha 2:1

Andreas Harrysson-Laszlo Kadar 1:2

Jim McEwan-Landon Gardiner 2:0

Rory Hansen-Mark Barilli 2:0

Mark Graham-Dave Prins 0:2

Paul Hogan-Justin Thompson 1:2

kobiety

Rhian O'Sullivan-Paula Jacklin 2:0

Marjolein Noijens-Amanda Harwood 2:1

Priscilla Steenbergen-Darlene Van Sleeuwen 2:1

Jo Clements-Suzanne Smith 2:1