#got so into this post that i used tumblr on my laptop for the first time to surpass mobile's image limit

[skrunksthatwunk]

ok so. kiwami 2. rooftop scene. the ending. it's a bit of a clusterfuck but i wanna talk about one detail, a problem they bring to your attention by Fucking. Talking About Her.

haruka is watching all of this unfold.

[this post is like 4.5k words long + pretty critical + has spoilers for kiwami and kiwami 2, and really minor/vague ones for a couple others. they're not that bad though, trust me (and i added a warning in the one place it is major)]

ALSO CONTENT WARNING i'm gonna talk about kiryu's passive suicidality a good amount in this one, so stay away from this if you think that might affect you negatively/you'd be better off skipping it. i'll also make a tl;dr (which i will highlight in red) at the very end if you really wanna know what my point is that will exclude those elements <3. i am also going to use a lot of choice-based language in regards to kiryu's contemplation of suicide because i think it's the lens through which the games treat the topic, but i personally don't find it a productive or realistic way to look at suicide or suicidal ideation at all. someone dying by suicide absolutely does not mean they don't care about their loved ones enough to fight on or whatever. i love you, and proceed with caution on this one.

(also i'm using the kiwamis as my point of reference because i uh. don't have a ps2? those are the games that i played, and though the differences are likely slight, i wanna be clear about that. also,, ignore the watermark on these screenshots,, i didn't notice them and i'm not retaking them. we're all gonna have to settle for youtube cutscene comps for now xoxo)

first, we have to talk about the ending of the first game.

[note: i am Really Really Confident kiryu has a conversation earlier in the game about his going to jail in nishiki's stead being him running away and choosing not to resist his two options (go to jail or let nishiki go to jail) and define his own path, fighting his way against fate to make it happen. part of why i'm so confident it exists is because it made such an impression on me at the time. it's pretty important to my interpretation of things but i also can't find it for the life of me, so uh. sorry ✌️ i really tried. this post's takes/analysis will be dependent on this scene existing, so keep that in mind. if anyone knows where to find the scene/screenshots of it, lmk and i'll add a follow-up with it]

kiwami stuff

so as she's dying, yumi tells haruka this:

that she may be dying (painfully, and right as she's getting everything she wanted), but she doesn't regret it, because at least she did something rather than running away from it all. that you shouldn't run away, ever.

shortly thereafter, when the police find kiryu and haruka, this exchange happens between him and date. here's the play by play:

date tells kiryu he can get him out of trouble with this, and that if he doesn't, he'll get life in prison; kiryu declines his help:

kiryu is so devastated (understandably) by the back to back losses of the three people closest to him that he resigns himself to life in prison, and the death-in-effect that would be. he would prefer to waste away rather than struggle through a life without them. prison was monotonous and isolating, but coming back after a decade was overwhelming, and coming back to everything being so warped and twisted, and then losing the corrupted scraps he had anyway, well. he wants to go back to sleep. he doesn't want to be in a world where everything's the same except he's on his own. better to return to safety, to die slowly in a hell he knows well than weather a new one where he has control and agency, and thus one where he has the ability to fail and to lose anything at any time. he explains to date that that loss is why he can accept his death:

date shakes him and asks him if there's really nothing left for him, no reason to keep living at all:

then echoes yumi's advice to haruka:

which makes an impression on kiryu:

date gives him a reason to live in the form of haruka, saying she'll be on her own again if he goes to jail. he hijacks kiryu's tragic protector complex to keep him alive, because she needs him, and because she's someone precious to him:

after the dust has cleared,

kiryu and date also have this exchange, where date tells him to stay away from the cops (and presumably arrest and a return to prison, the aforementioned fate akin to death), and kiryu cites haruka as his reason to stay away, one he holds to with no uncertainty (showing again that he's accepted date's logic, that his reason to keep living even when it's incredibly difficult is to care for the more vulnerable haruka). given the weight of the consequences, to me, it feels like date's telling him not to be alone with his thoughts or something. it's almost frightening:

so, what's our takeaway from kiwami?

kiryu lost everything and hit rock bottom, but he chose to fight, and to live life on his own terms, even when it got difficult. that's the narrative life lesson he had to learn to avoid repeating the events of 1995. he made that choice for haruka's sake. it's seen as growth.

and without him, haruka would've just returned to the orphanage (assuming she could make it back to sunflower at all) with no one who knew or understood what she had been through, no one to mourn with her, and no one to give her the attention, care, and protection she needs. kiryu knows what it's like to be an orphan with a limited parental figure who only checks in every so often (kazama, "aunt" yumi), and what someone will do for attention/affection from that person (via both himself and nishiki swearing up, climbing the ranks, etc. arguably haruka coming to kamurocho by herself to find "mizuki" is similar), and what it's like to lose them anyway (again, kazama, yumi). their situations parallel each others' somewhat, and that binds them further. and after losing everyone (which he blames himself for to some extent, as one can probably assume from this and 2, and something key to his arc in later games), he chooses to protect her. and this time, he won't fail. at least partially because failing would hurt him, too. he'd have nothing left again.

okay. now we get to kiwami 2.

if you forgot, the context is basically:

everybody's fighting on the roof of a building which i'm sure will not be a running theme or anything as the series goes on

there's a bomb that's about to go off and they don't know how to/can't defuse it

ryuji shot the twist villain to death, but took fatal hits to do so

sayama's like hey!! let's get out of here!!! and kiryu and ryuji are like nooo we have to settle this oughh it's punchin time and they stick her on an elevator and send her down so she doesn't have to watch

ryuji loses. sayama returns, they have a cute sibling heart to heart, and ryuji dies in her arms. sad

kiryu is in rough shape as well, and there's like 2 minutes left on the bomb's timer

here's the scene itself:

sayama tells kiryu they have to run, and kiryu says he can't. the gist is "let's run!" "you go without me" "i'm not leaving you!" "i'm in no condition to run" "i'll carry you then!!" sayama: *sees how fucked up kiryu is, realizes he's Going To Die Anyway* "ok, then i'm staying with you!" and then further bickering about that, before they give up and make out (as one does i guess)

date (he's here now) yells this at them from a helicopter:

before someone else in the helicopter tells date this:

we get this shot of haruka calling out to kiryu as the helicopter swerves away:

and kiryu and sayama have this exchange about haruka where they say they let her down, but that she'll understand:

then they hug and the bomb ticks to zero right when the credits hit. in post credits it's revealed that the twist villain defused the bomb when they weren't looking, betraying his co-villain for reasons i truthfully do not remember and am unwilling to look up. it's not about that right now.

so, how does this scene interact with the ending of the previous game?

the short answer is "badly <3" but here's the long answer:

it's about choices.

the thing about fiction is that anything you want to have happen, as a writer, can happen. it may not be effective, internally consistent, or logical, but you can write it regardless. audiences suspend their disbelief for the sake of engaging fully with your fiction, but everyone has a threshold past which they will stop being engaged in a story and either become uninvested or annoyed. writers usually have lines they're unwilling to cross as well. but in almost every story, there's at least a couple of places where they stretch reality a little to make the narrative they want happen. this is not a bad thing at all. that's how stories get told.

now, i'm gonna be real with you. i don't care about how feasible plots are like 95% of the time. it's not something i think about much, nor is it something i prioritize. i am a very character-centric media consumer, so if world building and/or plot are a bit stale or contrived, that doesn't really bother me much so long as i'm invested in the characters involved. some people can't stand plot holes or the ways musicals burst into song or whatever, and that's fine for them. but it's not something i tend to find that all that important.

this is all to say that i have a sorta affection for rgg's flavor of bullshit pulling. and it is a powerful flavor, maybe even an acquired taste, but i can and do rock with it so long as it doesn't damage the characters too much. this is why i'm not making a lengthy post howling into the void about joji kazama or the second joon-gi han or how many secret relatives there are. those things are silly and endearing and a clumsy yet heartfelt part of a series i care about very deeply. i'll joke about it, but i don't consider it much of a flaw. it's more like personality. flaws are texture, and they help a piece's identity. point is i am very, very willing and able to suspend my disbelief for these games in exchange for a good time, particularly via good characters.

(if you want another example of where i draw the line from within rgg, the answer's the YAKUZA 4 SPOILERS INCOMING rubber bullets twist, because i think 1) it's actively horrifically stupid (especially retconning a scene we SAW HAPPEN. WE SAW BLOOD ON EACH IMPACT, AND RUBBER BULLETS DON'T OFTEN BREAK SKIN THAT DEEPLY (THEIR DAMAGE IS MORE PERCUSSIVE THAN PENETRATIVE). THESE EVENTS HAPPEN IN THE SAME GAME YOU DON'T HAVE TO RETCON IT JUST REWRITE IT. OR DON'T SHOW THE HIT AT ALL SO THERE'S MORE PLAUSIBLE DENIABILITY. DON'T DO THIS JUST TO HYPE UP YOUR SHITTY VILLAIN NO ONE CARES ABOUT. and 2) (a bit more importantly) i think it actively removes saejima's primary internal conflict for that game, that being his intense guilt over the 18 murders he thinks he committed, one i was invested and interested in. but this isn't a rubber bullets post.)

characters in this series walk off a lot of life threatening injuries. they survive miraculously, they escape in the nick of time, and they pull through in the end. kiryu still somehow hasn't killed anyone. almost every game in his saga ends with an "is kiryu gonna make it out this time?!?" shortly followed by a "yeah lol. lmao" postcredits reveal. kiryu fucking punches a marble statue into dust in the first game. having a story that asks you to suspend your disbelief so much and so often means that when a decision is made, it's not the writers saying, "well, this would have to happen so we are obligated/forced to write it happening" so much as "we wanted this to happen for some reason(s)," because you already know that they're not guided solely by logic. again, this is true of all writers, it's just amplified in stories like these because they've already given you so many hard mode suspension of disbelief moments (they've broken you in like leather, yeah? or like how obvious internet scams allow for self selection by being so obvious that only the most vulnerable people would fall for them. they curate an audience willing to play along with their bullshit flavor so they can tell a story that's more likely to satisfy that audience. in a good way, in a fun way! mass appeal is overrated). there is not much limit to what this series is willing to try and sell you.

so when ryuji takes lethal damage taking out the big bad, that's a choice. when he doesn't die immediately, that's a choice. when ryuji and kiryu send sayama away in the soon-to-be-forgotten elevator so they can settle this like men or whatever despite the literal actual bomb about to go off, that's a choice. when sayama comes back, that's a choice. when ryuji does die, that's a choice. when kiryu determines that he can't escape in time, that's a choice. when sayama is unwilling to leave him, that's a choice. when she says she'll carry him out and there's an elevator right fucking there and then she's like never mind i guess i won't anymore we're dying together right now kiryu like they're not gonna even try?? wouldn't distancing themselves from the blast give themselves a better shot, something that's super possible given the 2 minutes they have with that elevator??? sayama you met him like a week and a half ago why are you ready to die with him that's not a plot hole i just think that's kinda strange whatever anyway, that's a choice. when kiryu stops arguing with her so they can kiss (next to her brother's corpse), that's a choice. when date shows up, that's a choice. when the helicopter can't save them because the bomb was going to go off too soon, that's a choice. when they put haruka in that helicopter and take her away, let her only impact be reminding kiryu and sayama that they can't help her, that's a choice. when they spend their last moments talking as if they're already dead, then simply waiting, that's a choice.

they're all choices that the writers made for the characters, and we are asked to believe them for the sake of achieving the writers' vision, as with any story. the only problem is that the writers' vision here fucking blows.

i'm not saying it would be realistic for kiryu and sayama (and even ryuji) to make it out alive, but it wouldn't be out of character for the series in the slightest. kiryu is suddenly unable to power through here, and that's a choice. so, what is their vision?

put simply, i think they wanted a romantic last stand for kiryu and sayama, a tragic scene of doomed, devoted lovers. and i think they wanted an edge-of-your-seat fake out death. they wanted spectacle.

here's how some specific choices they made undermine all that shit we talked about earlier from the first game.

once again, kiryu is called by date to live, to pick himself up and keep going, no matter how impossible the odds are. he's even reminded by haruka's presence, his one anchor in keeping himself going. the growth he had in the parallel scene in the previous game is challenged, and he fails.

it's not enough this time. and that's a choice.

it's also one i can't think of a good reason for, and that's the real kicker.

characters can have developmental backslide just like people do, and if they're given good reason for it, it can be just as, if not far more compelling that purely linear growth (i am a chimera ant arc enjoyer, and that's all i'll say. sorry if you haven't seen hunter x hunter. uhh. i am also a zuko avatar enjoyer if that helps). but i can't think of anything that happened in that game that would cause this from a character perspective. if anything, kiryu should be less likely to do this intentionally. he's spent around a year raising haruka, and a year has passed since he lost his loved ones. at the very least, the pain should be more dull, though it is established through an early nightmare sequence that his ass is (justifiably) not over it yet. given that their deaths were the initial motivation for his willingness to rot forever, theoretically, he should be more motivated to stay alive than before now that he's got more investment and stability in his life outside of them, particularly when it comes to haruka, his reason for surviving. and if the ongoing nature of the trauma was the motivator for this, then they should've had it affect him more past that nightmare scene (it really serves more as a recap of the last game than anything else) so it didn't come out of nowhere. so the reminder of the lesson that saved his life and then guided it for at least a year afterwards, one that the whole resolution of the previous game relied on heavily falls flat for... some reason.

i think this is a good time to mention that, generally speaking, you don't write arbitrary choices into characters. sure, people in real life are often sporadic, but when analyzing fictional characters, every choice is filed into a portfolio of characterization that can and should be analyzed. going for pure realism can obfuscate their development, motivations, themes, etc. their choices and reactions may be unorthodox, but they must be internally consistent. this is very related to how i view plot contrivance as well. characters drive the plot, not the other way around. stories are about the ways characters affect their worlds/lives and vice versa, and they're the human face to the themes and ideas the writers are trying to explore and express. maybe my stance on this seems hypocritical. i don't know if it is. but to me, plot issues are usually a matter of engagement and investment, while character issues are a matter of substance.

i hope this doesn't feel patronizing explaining all of this, but i want you guys to know where i'm coming from in my analysis. starting at my base philosophy on writing is the easiest way to do that, i feel. defining the terms of the debate, and all that. anyway

and i mean, look. they survive because "it was defused the whole time we just didn't see it happen", so it's not like narrative tension or realism or whatever was THAT big of a priority overall. if it was gonna be a cop-out anyway, they should'nt have ruined kiryu's development too, yeah?. and sayama fucks off to america after this game anyway, so it's not like the doomed lovers thing had much payoff or meaning after this one (though you could argue that's more an issue with yakuza 3 than yk2, which has some merit to it). which means that they chose to sacrifice kiryu's prior development and internal logic for the sake of cheap tension for their finale that was both kinda illogical in and of itself (the elevator!! the elevator!!!) and a romantic climax that neither required nor really benefitted from this staging. (like. you coulda had them make out and then get saved by date, or kiss on the elevator in a "it's moving, but will we make it in time??" way or whatever. look i'm not saying those are great options either but they're SOMETHING okay. it would remove/reduce the amount of time wasted on characters sitting around with their thumbs up their asses for no reason in this finale).

instead the message of this finale is that, actually, sometimes it is impossible to change your circumstances and fight for your own way out of an awful situation. and what should you do about this unfortunate truth? uh. die! i guess. it's the exact opposite of the encouraging, optimistic message of the last game. zetsubou chou pride my ass.

note: i feel i should mention that when suicidality is brought up within the series (particularly in substories), it is always something someone has to overcome themselves through wanting it badly enough. they simply need the inspiration and the motivation to keep going. it's arguably treated as a moral obligation. frankly, the series is broadly very meritocratic (<- bad) when it comes to this topic (and others, but that's a Whole Other Thing. see akiyama's weird loan shark tests as well). sheer will and resolve is enough to conquer any problem, be it physical or mental/emotional, and it's irresponsible to act/feel otherwise. this is the logic the games operating under, and kiryu is often the mouthpiece for this bootstrap-pulling "tough love" sentiment. so when kiryu "chooses" to die, yet faces no emotional fallout from date, haruka, or anyone else, it feels very out of place. it's not just an odd choice; it's specifically, once again, an odd choice to make in context of the game/series/character it appears in.

kiryu's just like eh, haruka'll watch her only family die right as she gets some sense of tentative stability and lets her guard down after a devastating month the year prior (and a relatively dismal upbringing before that) that we trauma bonded over. sure, she likely came to view me as the one who would stay no matter what, who was too strong to be taken out, who she could always rely on, and so i know that dying would hurt her immensely, but she's smart enough to know it'd happen eventually. her eventual recovery means it's okay for me to do this (somehow, in a way it wasn't in the first game). it's an excuse within the narrative's logic, and one it is uncritical of simply because it's kiryu. he gets a pass.

and i think with the previously mentioned passive suicidality and general series-long mental health issues kiryu displays (i mean. yakuza 5's literally his depression arc), this could be retroactively seen as an interesting choice, like a piece in that particular narrative. i don't even dislike that viewing, especially in terms of fan approach. but (assuming this went down the same in yakuza 2), they likely didn't have that in mind. all they had then was the first game and the movie. and they took the first game's Entire Message and contradicted it for nothing but a scene they wanted to have happen because it'd be suspenseful and/or emotional (without actually doing the work to earn it). and they're not fans trying to analyze his character, they're the ones making choices for him. and they chose to massacre my boy. and if the subject of kiryu's mental health was a priority of theirs, why didn't they explore that? haruka and date's feelings on him not resisting and their words not being enough (whether that blame is justified by the narrative or not (it shouldn't be btw)), the uncomfortable drifting that resigning yourself to death and living afterwards anyway often brings, literally any conversation about it besides the minimal shit we get post credits of date being like "did you know about the bomb not having a fuse?" which like. bad answer either way (which is why they weren't straightforward about it, the cowards). you can't just be like "oh uh. idk he just gave up this time. yeah he was gonna die on purpose for some reason. good thing the bomb was fake lol" and then pack up and go home!! that's stupid!! any merit the idea of kiryu dying by suicide in this scene and in this way could have had from a character-based perspective loses its weight because 1. it didn't happen (for kinda stupid reasons), which makes it fall flat and 2. no one is really affected by the fact that it almost did, including him. they sacrificed his ass and replaced it with nothing, even when there could have been interesting outcomes to it.

so the narrative effectively chose to kill him by making the situation impossible, and this impossibility is ultimately arbitrary, given the series' usual approach to miraculous, illogical escapes. that, or the choice to stay was up to kiryu and sayama, one that 1. doesn't make sense and is actively regressive in context of kiryu's arc in the only other game in the series (as well as his whole saga in retrospect) and 2. one that contradicts how the series sees/treats resignation to death/death by suicide in all other contexts without being addressed, challenged, or condemned in ways it would in all other contexts. because they don't want you to think about it like that. they want you to think he (and the narrative) had no choice, that it made sense to do that. but it didn't. it doesn't.

and look, honestly? if i was bleeding out and had like 2 minutes to live, there's a non zero chance i'd say fuck it and kiss a girl too. i get it. but i am (and this is crucial) not a fucking yakuza character. and i'm certainly not kiryu kazuma.

tl;dr (basically just rephrasing the second to last main paragraph)

there are not sufficient character reasons for kiryu and sayama not trying to escape. additionally, because the narrative regularly facilitates even less likely escapes, it's not so constrained to logic and reality that it couldn't pull this one off. the choice to let their situation be impossible this one time was a cheap and arbitrary way of forcing a scene they thought would be cool and dramatic, and in doing so they chose to cannibalize a key emotional note of the previous finale (namely kiryu's mission to dedicate his life to protecting haruka) for hollow last minute stakes-upping in this one. it is then completely disregarded anyway. god damn.

[rosicheeks]

🫶

[saintrosalyn]

BIRD DOG - JAILBIRD PART TWO

Part One

Description: Simon’s determined to retrieve his jailbird.

Word count: 4.5k

TW: Parolee! Reader (guys we’ve graduated to parole), stalking, reader is kept as vague as possible, sexual favors in exchange for money, groping, Ghost is a creep (graduated from perv lmao), p in v, oral (m! receiving), p in v, mention of breeding kink, creampie, possessiveness, dub-con, somewhat edited.

Notes: It’s finally done! This took longer than I anticipated since I deviated from the OG plan and was a bit of a stinker to write but it's done. I hope everyone enjoys it! I’ve absolutely loved reading all the comments, asks, and reblogs. Such positive feedback is what led me to posting part two honestly. I'm currently working on the last part of JB so expect that soon💖. Feedback is always appreciated but never expected. Let me know if I missed any tags. Enjoy :)

Also I've never done a tag list before so apologies if it didn't work or I missed anyone😭. Please let me know if the link to part one doesn't work either, this is the first time I'm using Tumblr on my laptop I usually use my phone.

You got used to the slight tremor in your hands, the parting kiss alcoholism left with you, but the violent shaking as you attempted to click the lock of the hotel door closed was difficult for even you to handle. You longed to feel that familiar burn of self-destruction but the only place that would have you end up is back in prison. Parole violation. It was too soon to resort to such dramatic measures, instead you quietly paced your small room, double checking that you clicked the deadbolt shut, closing the curtains as tight as they could go, anything to try and soothe your rising anxiety.

Talking yourself away from the edge again and again until you could finally sit down on the stiff mattress. Every time you managed to calm your heart you blinked and saw that room again. You saw those pictures again.

He-Simon.

You swallowed, forcing yourself to take deep, slow, breaths. 

After sleeping together, after discovering the skeleton in his closet, you swallowed the bile in your throat and kissed his jaw. He made dinner which you smiled over and forced into your mouth, every bite downed with a sip of water. The two of you went to bed, your eyes darting to that door, now left open enough you could see a glimpse of his homemade wallpaper. He kept an arm draped over you and fell asleep. 

Then you left.

Barefoot, not knowing where your shoes had been placed in your need to-

Jesus Christ you had slept with the man.

You barely made it to the bathroom, puking mostly water and yellowed acid up. It made your eyes water and nose run, blowing it in a piece of toilet paper, flushing it down. There was little comfort to be found in the distance you put between you and him. 

Going on foot wasn’t the brightest idea, but risking stealing Simon’s car and having him call the cops on you was foolish even for you. That and you didn’t want the man any angrier at you than you expected he was going to be. You only got so far before you found yourself on the wrong side of town. You had never been in the area before, but you knew the type. Women posted on every corner, bars on the windows, broken glass and sticky residue staining the sidewalks. It didn’t take you long to find the kind of man you needed. Trading a handjob for a bus fare, a blowjob for a new pair of shoes, and a pitiful two minutes of dry thrusting for a hotel room. 

Back to your ways. Different city, different time, same person. A bird incapable of changing its tune.

You needed a real job. A record stood in your way of that, but surely there had to be something, anything, that would pay enough for you to keep a roof over your head without having to sell more of yourself. 

You needed a job, but you needed space more. As much as you could get. Immigration was out, no one wanted to host a felon, and you were limited to a certain area before your parole officer got testy with you. Fuck. A big cage, that’s what you were trapped in. One you could never get free from.

Your family. Your past. Your cell. Your city. Your whole fucking life, one cage after another. Freedom a concept rather than a reality. Simon could use it against you. He knew of your limits, hell, you fucking told him yourself over a phone call before you got released. Outlined every fucking sentence of where you could and couldn’t go. He knew all of it.

Taking another deep breath you forced your body to lie on the bed, you needed to calm down. You needed to think clearly and come up with a plan. Simon was still asleep in bed, he didn’t know where you were, you were fine. 

You were fine.

A good night’s sleep. That’s what you needed. Not likely with how wound tight you were. But you had to try. Anything to escape the panic squeezing your lungs.

___

It took four hours of staring blankly at a dark ceiling, on the edge of a panic attack the entire time, before your body gave in and let you sleep. It was light, but it was enough of a break in your consciousness. The sun was what woke you, shining on your eyes and causing you to squint. Your anxiety a gentle heart palpitation rather than the full blown panic it was last night, exhaustion dulling its edge. 

The first thing you did was go business to business looking for a place that was hiring. Most required a resume, those you didn’t even give a second glance (as they no doubt did background checks). It took all of the day before you found a shitty pub that only asked if you were old enough to drink. With a nod of your head an apron was shoved into your hands, and you were bussing for your first shift. 

The owner, a balding man who smelled like cigarettes and wore a sweat-stained wife beater, paid you cash. Enough that you were able to buy another night to cover your hotel room and not much else. You walked back to your temporary home, eyes darting to every tall man who crossed the street. For once, you were grateful Simon was such a large man. It would make him easier to spot in a crowd, the orange of a tiger’s fur stark against a green jungle.

When you returned back to your room, it was easy to explain the movement of your things. Hotels had housekeepers. You wouldn’t have even noticed it if it weren’t for your paranoid state. It wasn’t until you went to the bathroom, eager to wash away the grease and grime of the pub, that you noticed a small picture sitting face-down on the bathroom counter. Flipping it over revealed you. You, asleep in your shitty hotel bed, close-up, taken from inside. 

You were barely able to flip the toilet lid up before you lost your stomach contents. Vile burning the back of your throat was nothing in comparison to the panic that burned through your veins.

He was inside your hotel room. He was inside your hotel room last night with you. 

You barely managed to stand, legs shaking, leaving the bathroom you noticed other signs of his arrival. Dirty tracks that were much too large. The blinds wide-open even though you were sure you closed them before you went to sleep. A single dog tag resting underneath your pillow. It’s owner’s name mocking you.

Riley.

___

He left you more presents. Vestiges of him ever present in your life. It didn’t matter where you went, how many hotels you hopped, how many jobs you changed, he always found you. Truthfully, the both of you knew this song and dance could only go on for so long. You were low on cash and stuck orbiting around the same small area. Days bled into weeks bled into months. Fear gave way to anger. Anger that he wouldn’t leave you alone. Anger that he wouldn’t let you delude yourself into thinking you had found a safe space that he could not intrude on.

On your nth hotel, you decided you were staying. Simon be damned. He obviously had no intentions of killing you just yet, content in tormentation. That and there were only so many jobs willing to pay under-the-table. You needed to save up enough cash to prove that you had a steady place to live, a recommendation from your parole officer. This flightiness made the law suspicious at best and nervous at worst. 

You found your way back to the pub, who upgraded you to server. On the wrong side of town its patrons weren’t the best. But they tipped decent enough and if they got too handsy the owner always stepped in. A few pinches on the ass were worth a steady income. You’ve given a lot more of yourself for less.

Perhaps, that was your mistake, you got too comfortable with a wild animal. So sure that your exotic pet would not bite.

The first time you saw him, you thought it was a mistake. Despite his size Simon was able to go about your life as he pleased without you catching even a glimpse of him. Hell, you knew he could stalk you without you being aware of him at all (your prison stint was proof enough of that), he just chose not to. You shouldn’t have been surprised that his behavior would escalate. 

You were standing, dead on your feet after your shift working on three hours of sleep, waiting for the bus. And there he was. Across the street, large frame leaning against a wall, arms crossed. When you did a double glance, you were able to make out the tell-tale scars across his face. Then the bus came. It was a coin toss, boarding the bus. A part of you wanted to flee, figuring he could easily cross the street and board the same bus as you, but the alternative was worse. Let it pass and walk home alone. In the dark. With a predator at your heels. 

No.

Better to have people around you. Safety in numbers and all that.

The next day, he did it again. And again. And again. Each time coming closer and closer. Until one day you saw his large frame coming up the steps of the bus. You practically vibrated from anxiety in your seat, unshed tears blurring your vision as you stared straight ahead. The black blur of his jacket, the soft squeak of his boots as he moved closer and closer, until he took the seat right behind you.

You didn’t move. Frozen. Fight or flight. Fight or flight. Fight or flight. Or,

Fright.

Fright.

Fright. 

Until the bus moved and the decision was made for you. Only you couldn’t convince your muscles to move, stuck staring dead ahead. Willing the bus driving to glance in the mirror back at you. Willing the other passengers to notice how close the man behind you was sitting (close enough to feel his breath against your ear, close enough to smell the tobacco on his breath). But this was the last bus and everyone was too tired to notice. A herd of diurnal prey vs a nocturnal predator. It was clear who had the advantage.

You missed your stop. And the one after that. It wasn’t until you felt a violent shake on your shoulder that you jolted out of your trance, eyes darting up… to the bus driver. 

“Las’ stop miss. Gotta’ get off.” His voice firm. How long had he been calling out to you?

Giving a jerky nod you looked behind you, but Simon was gone.

___

It didn't stop there. Not that you expected it would, but fucking forgive you for having a little hope in life. Simon took to following a few steps behind you wherever you went. Sitting behind you on the bus. Sitting in the back of the pub, nursing beer after beer. Sometimes he had another man with him. But mostly he was alone. His eyes never left you. For weeks it went on. For weeks you felt his constant presence. 

The presents never stopped either. Photos of you, gifts for you (lingerie and cigarettes, the same shade of nail polish he gave you while you were in prison), things of his. He never relented. You never shook that feeling of being watched. You never could get rid of that pit of anxiety in your stomach. Exhaustion was starting to settle heavy in your bones. Give up. Give in. Give yourself to him. 

The temptation was intense. You just wanted to be done with it all. Let him do what he wanted with you. At this point, even death would be better than another day of constant anxiety. (Pursuit predator exhausting his prey, closing in). 

And then he was gone.

His absence was glaringly obvious on the first day, enough so that you thought for sure that you were going to die soon. Simon had reached some kind of breaking point. But you didn’t. And you didn’t see Simon.

There were no presents left for you. No signs of his stalking. No evidence that he was ever in your life at all. It was such a sudden and stark change that if it weren’t for his dog tag you would have thought you dreamed the whole thing. But he was gone. 

A day passed.

Then another.

And another.

The knot in your stomach slowly unworked itself. The tension ever present in your shoulders finally loosened. Weeks passed by. Then months. A part of you still worried. In prison there were times where Simon would go silent for months, but he always came back. And he always made sure to make up for lost times. More gifts, more phone calls, longer visits. It seemed that your anxiety was slowly chipped away, yet it was also slowly building itself back up again. 

But Simon stayed gone. More importantly, a date had been set for you to become a truly free woman. No parole. No restrictions. A chance to leave the country. A chance to truly be free.

A chance to slip away from Simon.

___

When a police officer knocked on your door, you had to fight back the panic.

You haven’t done anything wrong. 

It wasn’t until you were sitting across from your lawyer did you truly began to realize the situation you were in. His words sounded so far away, so garbled. As if you were trapped underwater, in a fishbowl, letting the world happen around you as you tapped at the glass.

“...Do you understand the situation you’re in?...Enough drugs to get an intent to distribute…a passport…tickets to another country…”

How did you get here?

“Are you listening to me?”

You snapped back to reality, the familiar cold cuffs biting into your wrists.

“Do they have to keep these on me?”

Your lawyer let out a sigh. “Don’t worry about the damn cuffs right now.”

Easy for him to say, he wasn’t the one wearing the damn cuffs.

“They’re distracting.” 

He ignored you. “They have you on video buying a plane ticket out of the country.”

You nodded. He didn’t mention the fact that your parole would’ve been up by then. Nothing wrong. You didn’t do anything wrong.

“They found enough cocaine in your hotel room to get intent to sell. With the plane ticket, and your erratic behavior after you got out of prison, things don’t look good for you.”

“It’s not mine I-” Your voice cracked and you cleared your throat, talking so quietly, trying to hold back tears. “I swear.”

Your lawyer didn’t look convinced. “That defense won’t hold up in court.”

He ran his hands through his hair. “Look, I was able to cut a deal for you. It’s better than prison. They’ll tag you-”

Dog tags flickered in your mind. “Huh?”

“House arrest.”

“Oh.”

“You won’t be able to use a hotel, you’ll have to go back to the original residence you reported when you got out of prison.”

"What?” Alarm bells rang through your sluggish thoughts.

Your lawyer sick of you interrupting him, bulldozed on. “Listen to me. I don’t know why they’re offering this to you, but you won’t get a second chance at this. Confess your crime. They’ll confine you to your house for three years and serve parole in tandem. You’ll only serve a year of parole once you’re out.”

Three years. Three years stuck at Simon’s house. Three years with Simon.

“What happens if I don’t take it.”

“You’ll go back to prison. Given you’ve already been, they'll try for maximum. You could be looking at twenty years, ten if you’re lucky. Life on parole.”

Walk into the tiger’s den or let him continue the chase.

How did you get here?

___

They put the ankle monitor on at Simon’s house, now your house you suppose. A part of you had wanted to tell them to take you back to prison instead. But you knew the reality of your situation. Simon would just do the same thing he did before. Get videos of you, pictures of you, he could still watch you in your cell. He would still visit you. And that’s just what he would do while you were in prison, what would happen when you were released again? You were never going to be able to escape him. At least this way you would be more comfortable.

A gilded cage.

Simon talked to the officers, but he seemed to make even them nervous, as they all but ran out of the house. You watched as they shut the door behind them, alone in a room with Simon for the first time in a long time.

How did you get here?

Simon put his hand on the back of your neck, before gliding it upwards jerking your head back. Your eyes met his, and he was smiling.

“Hello, bird.”

“Simon.”

He shuddered when you called his name.

“Missed you.”

“Don’t know how, you never left me.”

He grinned, boyish and proud of himself, “Never.”

Simon kissed you then, feeling far more familiar than he should’ve for a man you’ve only had sex with once. You turned, hoping to relieve some of the pressure in your neck, Simon’s hand stayed instead wrapping around your throat. He gave an experimental squeeze, making you whimper, before he released you.

“Gonna’ be good’ fer me?” He rasped.

You thought about it for a moment, and he let you, time frozen mid-air. But you had been running for so long. And you were so tired. Fight or flight. Fight or flight. Fight or flight. Or,

Surrender.

You had to stand on the tips of your toes to press your lips against his, white flag given. That’s all it took for the dam to break. Simon let out a growl and slammed you into the nearest wall, cradling your head so it didn’t bang against the wall with the force. His body caged you in as he deepened the kiss. You had forgotten just how intense it was to be so close to Simon.

He filled your senses. You breathed him in, you tasted him, you heard his soft grunts against your lips, felt the rough edge of his jeans as he ground himself against you, watched as his blonde eyelashes fluttered open until he was staring at you. Always watching. Even in these moments. 

Simon’s hand gripped your ass, grinding you harder against him, moaning from the friction.

“You owe’ me somethin’ birdie. Made your fiance wait so long. Such a fuckin’ tease.” He growled in your ear before fisting your shirt in two hands, ripping it with ease. Hands squeezing your bare tits so tight you expected to find bruises tomorrow.

Confusion knitted your brows together before he shoved you to your knees and you came face to face with his crotch.

How did you get here?

Your hands shook as you undid the button on his jeans, the zipper loud in between Simon and your panting. He helped you pull his jeans down his thighs, his cock dropping out, hard and angry.

Fuck.

You had forgotten just how big the man was down below. Time distorting the memory enough you had convinced yourself that he was average and you were just desperate that night. You were wrong of course. The man was hung as a fucking horse.

It had been awhile since you gave a blowjob. The steady pay the pub provided, the tips you made, pawning a few of Simon’s gifts and you had earned enough to not necessitate them. Not that it would help in this situation. Simon was big enough that all your previous tricks were rather useless. You weren’t even sure if you could open your mouth wide enough to take him, let alone take him down your throat. Your poor poor throat.

Tentatively, you leaned forward and gave the head a gentle kiss, glancing up and meeting Simon’s eyes. Your gaze left his, feeling suddenly shy despite the situation you were in. Pre dribbled and you used the chance to rub it along his sensitive head with your thumb. You gathered as much spit on your tongue licking the underside of his cock, pushing it all the way up until it pressed against his stomach. He groaned, hand resting on the back of your head. 

With his dick out of the way, you used your other hand to caress his balls before pressing soft kisses to them. You replaced your hand with your mouth, sucking and swirling your tongue, using your hands to work his cock while you gave your attention elsewhere. His balls were much easier to fit in your mouth, but you could only delay the inevitable so long.

You pulled away fully, his cock falling under the weight of itself. The easy part done, now it was time for the hard part. Your gag reflex was not going to be happy. Bracing your hands against his thick thighs, feeling his muscles flex underneath your fingertips, you pressed your lips against the tip of his cock again, parting the seam of your mouth and letting him slowly slip in. Your tongue lying flat as he invaded your mouth.

Inch by overwhelming inch.

Before you had thought he was overwhelming, it was nowhere near as overwhelming as having his dick in your mouth. Gone were the lingering scents of tobacco and liquor. The outside world stripped away until just the man was left. Until only Simon’s musk filled your nose, wrinkling it as you took him a little deeper. Your jaw already ached from how wide you were stretching it.

Tired of your pace, Simon began to use your head as leverage as he pushed you further down, nails pressing crescents into his skin as you forced your body to relax. You quickly moved your hands back to the base of his length, stopping him from pushing you any further. Twisting your wrists to placate him enough to let you keep them there. Sucking to increase the pressure.

Simon moaned, hands going from gripping your head, to resting. Letting you work.

You took a deep breath through your nose as you began to work him in earnest. Swirling your tongue over the head of his cocked you began to bob faster and faster, unable to stop the lewd gurgling noises as the back of him hit your throat. His hands were at your head again, pushing himself further down your throat and back again. Setting his pace.

This wasn’t a blowjob he was fucking your throat. Using you. His dick twitched in his mouth before he pulled out, as you took in huge gulps of breath. Body hunching in on itself. You felt vulnerable like this. Kneeling in front of him, the top half of you completely nude.

You didn’t get much time to collect yourself before you were pulled to your feet, turned so that your back was pressed against his front, hands bracing against the wall. 

Simon kissed your neck, hooking his hands on your pants and jerking them down. They caught on your ankle monitor but he just tore them off, seams ripping. Your underwear was torn with a satisfying rip, before you felt the tip of his bare cock pressing against your hole. He thrusted against your slit, gathering your own slick before he reached a hand down, dragging his dick back before it caught on your hole.

You couldn’t help but whine at the stretch of him, un-prepped. He didn’t stop until his hips met yours, large hands bruising. He paused, leaning his weight onto you, sighing. As if being buried to the hilt in your cunt was the reprieve he had been looking for all his life.

“Missed her’ too. Did she mis’ me?” His voice was hoarse against your ear.

“Huh?”

He removed one hand from your hip bringing it to your clit, brushing one large knuckle against it, causing your knees to buckle. Simon chuckled, easily holding your weight against him.

“Don’ worry, won’ ever leave you for this long again Birdie.”

Simon licked your cheek causing you to try and jerk away from him, before the rough pad of his finger began to circle your clit, your pussy clenching around him almost painfully, grinding his hips into yours as if trying to fuck you deeper somehow. He pulled out before snapping into you. Again and again, hand never leaving your clit.

“Simon! Simon please! Don’t stop!” You couldn’t help but cry, bucking back against him as you felt an orgasm build quickly, faster than one had ever built before.

He growled into your ear. “Ain’t ever gonna run again Bird.”

You nodded your head, trying to do everything in your power to appease him to keep doing what he was doing. To keep thrusting. To keep his hand on your clit. To lick you again. Anything. Everything. You wanted him to consume you wholly.

“Ain’t gonna run no’ more. Ain’t gonna leave the house till everyon’ knows you’re mine.”

His hand left your clit, causing you to whine in protest, cradling your stomach. 

“Say it. Tell the whole fuckin’ world who you belong too.”

“You Simon! YoU! Simon! Simon please…plea-” You were babbling, until finally his hand went back to your clit.

“Don’t forget it.”

You came, cunt desperately clutching his cock, squealing as Simon didn’t even slow his thrusts. He pushed you through one orgasm onto the edge of overstimulation as he finally came with a grunt inside of you. He didn’t pull out, keeping his seed nuzzled safely near your womb.

You slumped against his arms, panting softly as the reality of your situation began to wash over you, naked except for the ankle monitor.

How did you get here?

It didn’t matter, because all roads led to Simon.

Tag list: @Sweetlike-sugarplum, @thatpersonamedrook, @aphinthestars, @misscaller06, @shushyoudontknowme, @youknowits-derea, @succubusvalentine, @sundaescreamcheese

[velvetsainz]

summary: [ cl16 x fem!reader ] charles is away in baku and you remind him of what he's missing. part two.

word count: 1.3k

content warnings: smut under the cut (minors dni pls!), pwp, use of explicit language, phone sex, masturbation, google-translated french (lmao), a dash of fluff, i like em dashes too much

a/n: baby's first smutlet! i've been writing for like twelve years but i've never posted to tumblr, so here's to first times! there'll def be at least a part ii to this, but i'm also hoping to write for other drivers soon(ish). also giant mega thank you to @multiseb21 + @lecrep for your support—y'all have been so incredibly sweet & i am so thankful for you!! anyways, i hope y'all like this! enjoy, loves! xx

“Chérie,” his voice crooned over the line, a soft laugh leaving your lips. “Don’t tease, mon ange—it’s already hard enough being away from you for so long.”

“Weren’t you the one who said he’d be fine just a month ago?,” you retorted, voice low.  The cards were in your hands now, and Charles was desperate.  He was a nomad lost in the desert and you were his oasis on the horizon, just the sound of your voice enough to slake his thirst.

“Yes, but then you sent me that picture and—” You hear him curse again under his breath, his fist acting as a poor substitute for the velvet heat of your walls. He swore he wasn’t going to let you leave that bed once he got his hands on you again.

Charles wasn’t entirely wrong: you were the biggest fucking tease known to mankind.  Earlier that evening you sent him a semi-absentminded photo of you fresh from the shower, steam still obscuring the best parts of the photo with a fresh white towel around your hips and one gathering your hair on top of your head.  He’d always had something about you fresh from the shower—every time he’d nearly pounce as soon as you’d pad back into the bedroom from the steamy confines of the bathroom, hair wrapped on top of your head just as it was now.  (Part of you thought it was something primal in him: you’d washed away his scent on your skin and he needed to make his territory known again, that horn dog.)  Still, he was ever the gentleman and would make the endeavor more than worth your while.

“Yeah, that was pretty bad of me, wasn’t it?,” you ceded with a knowing smirk on your lips as you sat back from your desk, closing your laptop slowly.  You’d wanted to get a little more work done after your shower, but the Monégasque wasn’t keen to let sleeping dogs lie and needed to hear your voice for himself.

“So bad, chérie,” he agreed with tone of exasperation, a heavy sigh passing through the phone, “And you’re not even here to help a–”

“That doesn’t mean I can’t help in other ways,” you were quick to remind him, the words coming from your mouth quicker than your shame would force you to bottle them up.  Heat was creeping to your cheeks, and you could feel the familiar coil of desire tightening deep in the pit of your belly.

“Are you—?”

“That’s why you called, isn’t it, baby?,” you asked only to get a stifled groan from the other side. “You wanted me to tell you how I’ve been thinking about you all day,” you continued, “how I miss your hands on my hips, your cock so deep—”

“Fucking hell,” Charles practically whines as you push yourself away from the desk now, allowing yourself to relax into the seat of the chair and your hips to ease apart despite every part of you wanting to grind them together to relieve the dull ache that rested between them.

“What would you do if I was there now, Cha?,” you asked softly, hand splayed out over the plush of your thigh, eyes glazing over as you pictured him there with you.  You wanted his hands everywhere; you couldn’t decide where you truly needed him most. Fingers curling against that hidden spot in your tight cunt, threaded through your hair and pulling your head back to rest on his shoulder, gripping your thighs so tight they’d leave bruises that he’d fuss over later—it all sounded like heaven compared to the lonely hell of your shared Monte Carlo flat.

“I want to taste you, mon cœur,” he replied shakily as his breath came faster, the sound of him fisting his cock becoming more and more prominent as time passed; he wasn’t going to last long like this, but you both already knew that—it wasn’t the point of this exercise.  “I’d have you coming on my tongue, let you taste yourself when I kiss you—putain,” the driver cursed once more as his brow furrowed.  He was leaking precum over his ironclad grip and all he wanted was to slide his fingers past your plump lips to feel the wet heat of your tongue take care of the mess.

You let out a tremulous breath over the line, one you hadn’t known you’d been holding onto so tightly until your head started swimming with need.  Your hand had drifted from its origin, rubbing lazy circles over the cotton of the panties you’d slipped into after the inciting picture.  On your top half was a worn, faded shirt of Charles that you’d taken a liking to as a nightshirt—especially when you were missing him as you were so desperately now.

“Need you in me,” you begged, the emptiness you felt so acutely coming to the forefront of your senses, “You always do such a good job filling me—my fingers don’t do you justice.”

You hear a groan on the other side of the line, the man now sitting on the edge of the bed as he tries to keep himself in check.  He wasn’t ready for this to be over so soon; you had him feeling like a teenager again, ready to spill at a moment’s notice. Granted, this wasn't anything new: there's something so intoxicating about you that destroyed whatever semblance of restraint, of control he had over his lust.

“Want you in my mouth, give me something better to do than tease you like this,” to which you received a choked merde, the man hanging on your every word as the hand between your legs abandoned its objective—you could take care of that later.  You were too caught in every little sound that passed his plush lips, listening for every little cue his body so willingly gave you.

“Want your hands in my hair, guiding me up and down your cock,” you keened for him on a whine, his breathing heavy and labored.  He was running at full speed to the cliff's edge, and you were there watching, waiting in the grass. “Want your cum on my tongue, baby,” you whined.

“Promise not to waste any, minette?,” he grunted, gritting his teeth as you hummed your assurances.  “Such a good girl f’me, yes–”

With a strained hiss and a groan he came sloppily over his hand, thankful enough that he wasn’t home in Monaco so he didn’t have to worry about cleaning up the mess he’d made. “Fuck,” he croaked, breathing heavy as he came down from the blinding high your words had catapulted him through.  It wasn’t like he hadn’t been taking care of business when duty called, but something about your voice, the thought of you there…it clutched everything into a higher gear.

“Better?,” you asked, sly smile audible to the Ferrari driver; he didn’t need to see you to know the shit-eating, satisfied smile that took over your lips.

With a tired laugh he nodded, slumping back onto the cool rumpled sheets of the hotel bed as he stared absently at the dark ceiling.  It was three in the morning in Baku, and he couldn’t sleep—the thoughts your cheeky picture had invited wouldn’t let him.

“Get some rest, tiger,” you teased him, knowing he’d have to be awake in a few short hours. You debated sending him another picture in the morning as motivation, tiding him over until you’d join him later that weekend.

“Que ferais-je sans toi, mon amour?,” he asked, sleep heavy in his voice as he rolled the right way onto the bed and running a hand through his hair.  He’d deal with the mess he’d made in the morning along with the flowers he’d send you—he really didn’t know what he’d do without you.

“I guess we’ll never know, hm?,” you replied gently, smile melting into something softer as you fiddled with the gleaming ring on your left hand.

[dropthedemiurge]

Let Free The Curse of Taekwondo: Things you didn't notice #1

Isn't this another K-BL where I'm internally squealing because of every single detail? You bet it is. You can read my other meta/cultural detail/Korean language posts for Love for Love's Sake, Time of Fever, Grey Shelter and Boys be Brave on my pinned post or hashtags^^ (I really need to organize it under one singly hashtag tho...)

I already talked about how impressed I am with the fact that this series has done their preparation job well, with props, settings, language, history etc.

It is about a countryside/small town in Southern province of Korea - because a lot of characters use satoori (southern dialect), almost all of them except for the main two guys. There is also a distinct contrast/conflict between 'fancy Seoul rich guys' looking down on 'Southern town'. Juyoung even was surprised Dohoi doesn't use satoori.

To which, he responded with 'You'll be uncomfortable if I use it". And Juyoung said there are plenty other uncomfortable things around here, beside understanding/listening to everyone using other accent xD Confusing Gaga translation errors, we meet again!

Actually, it's interesting because Dohoi's name is written 이도회 in Korean, which typically would be written as 'Dohoi' but pronounced as 'Dohwe' (think of surname Choi that is actually pronounced as Chwe), yet in the first episode I clearly heard them actually say 'Dohoi', letter by letter. Now I wonder if it's also related to satoori... I wish I could speak it, it sounds so cool tbh.

He actually said 'I'm not in a good condition', meaning his physical form. What do you mean, mood, when was that ever an excuse in sports..?xD

By the way, what is it with boys trying to get closer to other boys by buying them unusual ice cream?:') Okay, garlic sounds more weird than red bean one :D

Also, I tried to find the Hasong town they talked about but failed - maybe because of incorrect transcription or maybe they made up this town based on Uiseong - a small town close to Daegu which is famous for being the most famous garlic town, they produce a lot of it and garlic fame would be seen everywhere - so who knows, I bet they allude to this when Juyoung said 'why can't there be a vanilla garlic ice cream? It's like a collaboration!'

Another thing, I thought the time of this series was somewhere around 1990s-2000s (because I watched a movie in similar setting that was called 1997 year but they still used pagers, now that I think about it). It was also still the time where teachers could use physical punishment on their students, it's heavily highlighted but I don't actually know around what time they stopped... Probably in Seoul, they already were getting rid of it but in small towns it was old-school teaching, which is again why Dohoi tried to tell Joyoung out of it.

I'm not familiar when small laptops and phones appeared in Seoul but I think the series is actually somewhere around 2005-2010! Which would make sense, Juyoung got the 'cool' flip-phone and a laptop with Windows XP (released in 2001) but small town is still far from that, as they use landline house phones to make a call.

He also has mp3 player and as other tumblr folks figured out, he was listening and dancing to Jewelry song released in 2005 :)

And another thing that convinced me about the time era... the final scene!

Do you want to know why at the end of Ep 1 Dohoi smiled and laughed and ran to Juyoung even after so many exhausting days and neverending small miseries and a new loud housemate?

Because Juyoung not only came to pick him up with an umbrella in the acid rain, he also reenacted the famous umbrella scene from the classic romantic K-drama called "Temptation of Wolves" (늑대의 유혹) which was released in 2004! To make Dohoi laugh.

(Yes, when Juyoung intentionally put the umbrella down and the camera cut the shot to the framing when the umbrella slowly lifts up, showing smiling Juyoung, I was like 'you did nooooooot' xD)

(last screenshots taken from @heretherebedork post, I'm sorry I am very lazy and cannot take a good screenshot for life :'))

So that was already our very first romantic teasing-implication!

Another cute thing: optimistic Joyoung wrote a diary entry into the fake old Korean "Facebook" (they had Cyworld instead) to share his first selfie with Dohoi:

"[Excited Shin Jjuyoung]" (typing in a popular back then teenage style) "I miss you guys... But here it's nice too hehe ^___^ Come to play with me!! Together with my friend Dohoi too~~!"

Aren't they the cuteestttttt? I mean, this dynamic is not new but I love how unique the setting is. And I can't wait to watch the second episode, I'm waiting and savoring the first one for now but I'm going to make notes about other episodes as well so stay tuned! If you reply/comment in tags, I will put you in my tag list^^

Tag list: @benkaben @pickletrip @troubled-mind

[lovesickpvppy]

FREAK SHOW 🩰

^ྀི plot: your best friend finds your tumblr where you’ve been posting…questionable things about him

^ྀི warnings: fem!reader, she’s like just weird and sensitive ??, smut, friends to lovers, oral (r!receiving), reader posts about wanting to be used by suguru, no use of y/n .

^ྀི wc: 1.2k

^ྀི notes: this one is for the sensitive chronic tumblr posting girlies!

you’re tumblr was your safe space, you could post whatever you wanted there without anyone knowing . you posted your outfits and your random thoughts . it was truly a place where you could be yourself, all your mutuals were just as raw as you

your best friend, suguru, was oblivious to it . he had no idea you even had tumblr . even though you two were as close as can be you really couldn’t show him your tumblr, why? because over the past couple months you’d been posting rather questioning things, thoughts but they were—sexual, and to be specific they were about him

you would rather die then let suguru know you had a raging crush on him

it was a quiet tuesday, suguru was hanging out on your couch with you, your head rested on his shoulder as you scrolled on your phone, his arm around your shoulder . you opened tumblr and suguru noticed, to your knowledge he had no idea you had tumblr, but turns out you were wrong . he knew and he was determined to get your user, he needed to know what you were posting

he paid attention to your profile, he saw your theme, god it was so you . he tilted his head and finally got your username, now he had something to do tonight . you noticed his eyes glued to your phone, “hey! are you spying on me?!” you lifted your head to look at him . “no!” he raised his hands in defence

“you were! what did you see?” he shook his head at your question, “i saw nothing! i swear!” you narrowed your eyes at him . “fine, i believe you” he sighed and ran his fingers through his hair . the rest of the night was peaceful, suguru went home and practically jumped to his laptop . he sat down on his couch and typed in “tumblr.com” in google

he singed in and now he could finally see what you were posting, he put in your username and found you, ha! you used a fake name so no one would find you . yet he did . he stared at your page for a while, looking at your intro and your theme . everything was really like your personality, he scrolled down and the first post was just you talking about new clothes

as deeper he scrolled he got to the darker stuff, well maybe now dark but the…horny stuff . whining about being sexually frustrated or in your words “needing dick”, specifically your best friend's, but he hadn’t gotten to that yet! it looked like your posted a lot so it took him a while to scroll down to when he finally saw the first hint of who you liked

“i want him so bad”

was all it said, who? who did you want? and why did he feel a bit jealous . as he scrolled he saw more and more about “him”, one post caught his eye “i wish my best friend would just use me:<“ something he never would have expected from you . he scrolled a little more before accidentally liking a post from months ago, panic set in and he immediately took the like off

you got the notification that “sugu00” liked your post and you knew it was him, then you received a text from him

sugu🫶

“sorry”

fuck . you were in deep shit

the next couple of days there was no interaction between the two of you, he didn’t text you and you didn’t text him . he kept stalking your blog, he even had your notifications on . he noticed that you posted less, but you still made sure to rant at least two times a day . he watched you change your theme to something slightly different almost twice a day . his blog was blank, he didn’t have “time” nor the will to change it

everything was going well till suguru suddenly got the urge to talk to you, not text you, but to talk to you . so he made his way to your apartment, he had a spare key so he just unlocked the door and stepped inside . he shut the door behind him, he immediately noticed his dimly lit your house was and how your door was closed . he called out your name once . then twice . he heard shuffling from behind your bedroom door and it clicked open

he stood in front of you . your hair was dripping wet from your recent shower, you pjs sticking to your damp skin . “hey” he coughed out, “hi” you said in a weak tone, as if you didn’t want to talk to him . “i saw your post about…me” your breath hitched, “oh…i figured” you cleared your throat, “can i come inside your room?” you nodded and stepped aside

he walked in and noticed the only thing on was a couple lamps, your room like the rest of the house was not very bright . had you just been sulking these days? he sat down on your bed, “so...” he trailed off . “i’m sorry you had to see those posts” your voice cracked mid sentence as you felt tears well in your eyes . his head perked up, “hey don’t worry, i knew that you—had feelings for me, i just didn’t know they were so…extreme”

you started to sob, your freshly done makeup going to waste, “i’m sorry” you chanted, he walked over to you and brought you into a hug . “you want me to make you feel better? to make it all go away?” you looked up at him and nodded

he brought you to your bed and laid you down, he tugged on your pj shorts, “can I?” you just nodded, “words, baby” he taunted, “yes, you can” he pulled them down and your lacy panties with a little bow on them caught his eyes, “awh” he looked up at your embarrassed face, “oh c’mon, i think it’s cute” he placed a kiss on your clothed cunt, the feeling earring a whimper from you

“so sensitive” he teased, he oh so slowly pulled your panties down, your dripping pussy coming into sight, “there we go” he licked a stipe from the bottom of your slit to your clit, “ngh!” you moaned out, “sugu don’t tease me!” you whined and he chuckled . “you ever had someone fuck you?” you shook your head, he nodded in an understanding manner

“can i be your first?” you giggled, “yes, please” you practically begged . he kissed your clit before attaching his mouth to it, sucking on it harshly . your head flew back and you moaned, “sugu!” his fingers made they’re way to your hole, he slipped one the two in . your warm gummy walls wrapped tightly around them, he curled them as his tongue flicked your clit . he pumped his fingers in and out of you, with every movement a small noise escaped your throat

you felt a feeling bubble up in your stomach, “so close” you mumbled, he continued his pace, flicking his tongue . you felt yourself clench around his digits and cum, your eyes shut tight and your bottom lip tucked between your teeth . “that’s it” he praised, your legs shook as you came down from your high . you felt tears sting in your eyes and suguru put your clothes back on

“what’s wrong?” he whispered as he cuddled up against you, holding you tight . “i love you”

you confessed, “like a lot” you sobbed into the sleeve of his sweater . “hey it’s okay, i love you too” he placed gentle kisses on your head as your crying slowly stopped and was replaced with a light snore

[emptywires]

OOHHHHH!! TO END THIS POST WITH THE FIRST SENTENCE OF "JACKET"!! THATS SO COOL!!

THANK YOU SO MUCH FOR THESE PAST TEN YEARS!! PLEASE CONTINUE YOUR YAPPING TO YOUR HEARTS CONTENT!!

HAPPY TEN YEARS TO THIS BLOG AND JACKET

if you've been here as long as this blog's existence then, know i'm finna yap:

sorry but warning for me and my mental health and my journey here...

smiles i am only human after all <:3 without further ado—

i've put off this post for... many reasons (hoildays, stress, perfectionism, anxiety) but maybe i'll keep this rendition and not chicken out or delete it because it's not perfect?

i really still can't believe i missed the anniversary for this! nov 29th huh? (yes i can actually !!! at the time i had just started a new job and that's where all my willpower has been.) but i fondly remember those ten years ago, that nov 29th is just as close to december anyway. so i always lead myself to think it's dec and not nov! details !!!

i don't think it'd make a difference but i do so want to get this in before the new year... (adding unnecessary stressors to myself smh)

it's been quite a ride through addhell. it's weird... to think how much has happened here. it's insane to think about how this one white hair anime boy changed my live in ways i could never fathom

picture it with me, a no one in a group of friends. with nothing but... the ambition of friendship, and the love of writing to fuel him, and a new username ready to take on the world: mymastermine.

that group of friends holds three: me, my would be DIE, and my would be LP. (does... does anyone remember those days of us three causing chaos laughs - tho mostly two, i suppose) we would make our way into the fandom, make tons of things, meet some people, make things with those people and make friends, lose some people, and grow, grow, grow...

there's just been... so much in ten years. ten years guys !!! that's a lot !!! i was a proud senpai and kouhai all at once! i'd found a really cool sensei. i ran into artists who drew things for me and i wrote for them!

i watched the rise AND fall of void els (raise your hand if you're an oger), in real time watched vMM became a cultural phenomenon (you're lying to yourself if you dont think he was - ykb did something irreversible to the add fandom that day i fear 😂 he's still relevant to this day lmFAO thank ykb for ur service), i watched the top LP/bottom LP debates :/, i'd poked my head into the els tag to see yall fighting but then i'd see some cool things too! i've seen so many cool projects and zines -- hell, got to actually take part in one! (cringe as it was - our writing, not the zine but still proud of doing that !!!)

addcest/hellsword (tumblr) isn't what it use to be though. (hell tumblr itself isn't what it use to be, let's be real LMAO) but... i think that i love that hasn't stopped some of us for cherishing and/or still loving add to this day.

i think if you'd told past me i'd be doing this, writing for one (1) singular anime boy, i wouldn't be surprised - couldn't expect it to go any other way i think

i'm not sure how to feel that ten years later i am still writing for him - it's been quite obvious where i felt it wane (but that was more my life and mental health (was in quite few depressive episodes - still am lmao), and joy - or lack thereof at the times - of writing and placing my joy momentarily elsewhere) but... wow i'm still here? LMAO

but i've met so many amazing people because of him... i've made connections, some not quite lasting, but then... there's always someone else there isn't there?

(i met dez and rain-kouhai for the first time recently! i've met more people for add hell between now and maybe 2-3 years ago! can you imagine that??? people still interacting, still wanting to talk about add - i literally can't! i go on twitter kr/jp and go "wow new add fanart" and feel so lucky !!!)

it's just little joys like this that makes me appreciate such things

i guess what i'm trying to say... thank you add for all the connections i've had and made.

thank you to my original trio

thank you to addhell tumblr... ! (literally would have never known some of yall)

thank you to void els (for gay add marriage lmao but also some more cool friends and mutuals)

thanks discord for hosting gay add ramblings and ao3 for letting me put my gay shit there

thank you - to anyone and everyone who has ever read my work and supported me - friends, mutuals, strangers, anons - and to anyone who's drawn/wrote for or with me! (yes, i think about your comments, your kind words, your support! yes your comment, you!) 😭😭😭 it is the simple act of creating and sharing/encouraging that seriously drives me forward in every word i type... and this alone feels like it's not enough!

but mostly, thank you add, for everything, really

where da hell would this bnuuy be without you?

i was going to... add a more emotional spiel but i think this is good enough, don't nya'll think? :')

"i'm so glad you're still here even after all these past ten years"

you know what? i think i might just be too

thanks for the one whole decade everyone wahoo !!!

-

"they shared a bed together." - jacket, nov 29th 2014

[dodgesgirl]

how do you get your text that soft pink shade? tutorial?

BABY PINK TEXT TUTORIAL !

hi babe!! here's a short and hopefully easy to understand tutorial for the text i use in my posts ᥫ᭡

also, just a little disclaimer: the images on this post might not be visible because they exceed the limit of 10 images per post on mobile app. should be fine on a laptop or pc though!!

okay firstly, make sure you're using a laptop and open your post in one tab and in a seperate tab open jsfiddle.

you should be able to see this coding somewhere on your screen:

you're gonna replace the two hex-codes (highlighted text) with whichever colours you'd like. to do a gradient, like this, the two codes will be different, but i like to do a solid colour like this so my codes will be the same.

the hex code i use for the baby pink is D2A3BE, or you can use your own. if you don't have a hex code you like yet, you can use the colour picker on this site to find one!

just copy and paste the hex codes into the code so it looks like this:

make sure it looks exactly like this. you still need all the spaces, quotations and other code. only change the hex codes.

in the top left of your screen, there should be a "run" button, and when you press it, the colours in the bottom right should change from the default ones to the ones you chose.

next, you're going to open your tumblr post in your first tab.

your post will start like this. you'll go to the settings button in the top right (circled) and change the post from rich text to HTML

this will enable coding on the post. you'll still have 'preview' where it will look normal and you can still type and edit the post as you usually would.

once you've typed something it will show it in the HTML option just in a different way:

you want to go to the preview page and make sure you've got the text looking exactly as you want it (bold, italic, small, etc.). also note that colours look especially good and show up well when the text is bold. i set mine to bold as an example.

when you switch to HTML it will look something like it does above.

next, you'll copy the text between all the coding prompts (e.g. <p><b> and <b><p>). only copy the text you want to be pink or another colour!! don't highlight any of the coding. then paste it this top box on jsfiddle so it looks like this:

press "run" on the right, and it will spit out a line of code in the second box that will look something like this:

you're gonna copy that line of code and switch over to your tumblr tab. on your HTML version of your post, find the text you're changing and highlight it. then paste the code into that spot. make sure not to highlight any of the surrounding code - only the text you've written and want to change.

it will look super weird and long because it's colouring each symbol and letter, if you look closely, each letter of "example text" is separated and surrounded by code. when you switch to preview it will look like this:

for gradient, the process is the exact same, but on jsfiddle, when you're replacing the default hex codes with yours, the second hex code you plug in will be different to the one you start with. for example:

this second colour is C45494 btw!!

to do specific text in a paragraph as if bolding it (which i do in a lot of my posts), you just want to find that text in your HTML post, and copy and paste the specific word/s into your top box on jsfiddle, and then proceed as normal. example:

hopefully this helped!! let me know if you have any questions or need me to go over anything ( ˘³˘)

[catt-nuevenor]

The Future

Time to establish what's going to happen from this point forwards.

The vast majority of you have been exceptionally patient this last year, and for that you have my deepest thanks. You've given me the time to not only write a book, but edit it, and send it off to literary agents, something I would have long given up on doing without the continued support of those who enjoy my writing.

Now that the book is off doing the rounds independently, it's time I got back to Myrk Mire.

Originally Myrk Mire was built in ChoiceScript, a scripting language created by the Choice of Games company. Choice of Games control what is done with their script, understandably, they own it. This does pose some restrictions. I can't, for example, release any paid material built using ChoiceScript unless it is directly through their publishing label. If I do publish under their label, I maintain IP or Intellectual Property Rights, however I also grant them the exclusive rights under perpetual license to publish the multiple choice game 'electronically'.

Source: Choice of Games.com

As you can see from the outline above, they do make exceptions for stories published in non-competing formats, and for sequels, prequels, and spin-offs. However, traditional publishing houses might require stricter control over IP, distribution, and exclusivity. It will only become more and more complicated as things progress, and being locked into a perpetual license agreement of any nature is not a decision to make lightly.

As some of you may be sensing from the tone of all this so far, I'm going to be moving Myrk Mire away from Choice of Games and ChoiceScript, and into a new medium/format.

After tinkering, and trialling with a few alternatives, I've decided to go with Renpy. Renpy, while largely used for visual novel style games and stories, provides a very workable framework for interactive fiction, and is an Open Source script, it isn't beholden to publishing contracts, licence cost, or exclusivity.

I'm not going to be diving into transferring Myrk Mire right away, it's a huge piece of writing, in an entirely different scripting language, and as previously stated, there are a lot of changes I want to implement with the cast. Instead, I'm creating a trial story: One Háḟest Day. My Patrons have been aware of all this for about a month or so, and have already seen some previews.

One Háḟest Day takes place in Aldmirham before the events of Myrk Mire, around the time the Main Character and the Wanderers first arrived in town. The reader will have the choice to follow one of the romanceable characters through a single day, with opportunities to explore their lives and relationships before the Main Character and Child come along. I hope it will provide a proving ground for the changes that previously caused debate, and an opportunity for people to try out the new format and interface.

My plan is to distribute One Háḟest Day through Itch.io, working with their early access framework and voluntary payments for such as soon as one of the character routes is ready to play from beginning to end, updating regularly with the other characters as they too are completed, and with additional features as required. Once the full game is complete, I will release a separate full build with a set minimum price that can be discussed with the community as we move forwards.

At the second, I'm aiming for a web hosted format and a desktop/laptop downloadable format, with phone compatibility to come later down the line once things are stable.

I will post production updates and info when I can to tumblr, though a lot of what I'm doing now is very python coding heavy, so perhaps not that interesting?

I've included some screenshots below of very early development, featuring a Character Log and Word Log that I hope will allow readers to more easily navigate the story. I'm toying with the idea of having a Mysteries Log as well that will keep track of snippets of information gleaned from each character's route, but that can be a tinkering feature for now.

Let me know your thoughts, concerns, or excitement, though do keep all messages objective and polite.

[pileofboneswrites]

THINGS ARE DIFFERENT.

SUMMARY — this year brought a world of horrors for you. a car accident just weeks before your first day of sophomore year leaves you with no memory of the last year of your life. six months later, things have settled for you; you've got perfect grades, you're a cheerleader and your boyfriend is the quarterback. life is great, perfect even, until a certain raven-haired boy comes crashing into your life, causing chaos and triggering some of your memories to come back.

PAIRING — sweet pea x fem!andrews!reader | reggie mantle x fem!andrews! reader

WORD COUNT — 9.6k

WARNINGS — shitty friends, mentions of a car accident, cheating (caught in the act), lying, angst, fighting, swearing, i think that's it???? (let me know if i missed anything!!!!)

A/N — the plot of riverdale is kind of muddled in this fic; hiram logde's plans are apart of it somewhat, but jason is still alive. no mention of "yn" everyone mostly refers to her as andrews, reg refers to reader as "sunshine" a few times, and fred refers to her as kiddo, also the absolute SHITSHOW i went through to post this, oh my god, tumblr formatting is FUCKED (i usually write everything in my notes app or on wattpad bc i have lost so many partially done fics to shitty service). like i get WHY, but AHHHHHHHH (that's me screaming at the top of my lungs,,, 24 hour loop edition), not proof read

MASTERLIST | RIVERDALE

YOU.

"ronnie needs our support on this," your twin brother archie explains, he's leaning against the door frame of your bedroom.

your back is to him, and you're trying to get ready to head out for school. your homework, laptop and other things sit spewed around your room. utter chaos from your midnight homework session. you straighten yourself, finally meeting his eyes.

"yeah, and? veronica is your girlfriend, not mine archie." you reply, leaning down to shove your laptop into your school bag.

"please?" he pleads, and you roll your eyes.

veronica lodge's dad is no good for riverdale, you can feel it. every move he makes seems to rattle one of archie's friends, or cause a disturbance within the town. since hiram rolled in it seems like one half of riverdale is always up in arms. first jughead when the serpents trashed the drive-in, and the northsiders because of the southsiders joining the now only school in riverdale.

"arch, i don't have the same kind of love from my friends you do. i step on their toes over this, i'm going to be an outcast." you reply, zipping up your bag.

"you can always hang with us," archie sighs, crossing his arms over his chest. "i know that betty misses you a lot, same with jughead."

"then why haven't they reached out?" you snap, sick of the conversation at hand.

archie always gets your hopes up, then plans fall through or they "unintentionally" leave you out. so, you're done. they know that you don't remember anything from the last year; the good, the bad or the petty. you're done trying to change things when with every effort you're shot down. you want normalcy. you want your friends back, but if they're not going to tell you what's going on, or make an effort, then why should you?

"just think about it, okay?" archie says, and you shake my head.

you throw my bag over your shoulder and push past him. you pause in the hallway, guilt creeping up on you, but ultimately decide not to worry about it. archie's been babying you, coddling you even since the accident. which to an extent you can understand it; you could have died. at the same time you feel like you never have a moment to yourself. archie's always lurking. you jog down the stairs, patting vegas as you slip out the front door onto the footpath.

the weather is hazy, it's damp out, fog lining the streets obscuring vision twenty feet head. you thank the powers that be for you remember a jacket. you pull your hood up as you walk towards the sidewalk, but you catch sight of your boyfriend's car parked on the street.

"morning princess," reggie calls through the open passenger window.

"morning reg," you reply pulling the door open and sliding into the passenger seat.

"did you hear about southside high closing?" he prompts after you give him a quick peck on the lips. "means all the trash is going to be clogging the halls of riverdale high,"

"yeah, arch filled me in this morning. you'd think after all the drama surrounding archie and the serpents he'd be less than excited about them transferring in." you sigh, tossing your bag into the backseat.

"he's on their side?" reggie asks, mouth twisting in disgust.

"guess so," you shrug, pulling on your seatbelt as reggie pulls away from the curb.

"but you're not?"

"i'm indifferent," you reply. "i don't care one way or the other,"

"cheryl's going to hate it," he says, and you shrug again.

the drive is relatively short, and silent. when you and reggie aren't making out, it's usually pretty quiet. you're together on the principle of "it makes sense". that's quite literally how he phrased it when he asked you out. and to an extent he's right. it makes sense for a football player to be dating a cheerleader. it makes sense. that being said, your relationship is entirely physical and for show. you're more along the lines of friends with benefits than an actual relationship. he only calls you when there's a party, or he's horny. romantic, you know. reggie grabs your backpack, and you climb out of the car.

"morning!" betty shouts, climbing out of her mom's car.

"hey," you reply, watching as she b-lines towards you.

"you friends with cooper again?" reggie whispers, leaning against the passenger side door.

"no, her friends want my support about the southside," you whisper back, plastering on a fake smile.

"good morning," mrs. cooper says as she drives past.

"good morning mrs. cooper!" you reply cheerily, she smiles and waves before turning out onto the street.

"hey, can we talk for a minute?" betty asks, stopping a few feet away.

she looks like she always does. blonde hair pulled up in a tight ponytail, makeup pretty minimal and natural, and her signature grey crown sweatshirt.

"sure," you say, and reggie leans down to plant a kiss on your lips, as you grab your backpack from him. "see you in homeroom."

he just smirks at you, as you turn away. you feel his eyes on your back until the two of you slip inside of the school. you feel slightly more at ease without reggie by your side. you follow betty to the room dedicated to the blue and gold (your school newspaper). betty drops into her seat at her desk, and you drop your bag on the table and plop down in the chair on the otherside of her desk. you sit, crossing your arms over your chest.

"whats do you want?" you ask, your question coming out ruder than you'd intended.

"i uh, i wanted to touch base." she says, averting eye conact.

"touch base? we haven't spoken since before my accident, betty. what do you really want?" you snap, becoming both annoyed and upset that she didn't actually mean it.

you could have played dumb, you could have gossiped, you could have gave her a life update. but you spend so much time being fake with your 'friends' that you can't handle any more superficial small talk that neither of you will remember. she looks taken a back by your brashness, and you feel a twinge of guilt. just a twinge.

"i—" she starts, but you cut her off as you forcfully shove your chair back, causing an awful screeching sound as it drags across the tile floor.

"look, cooper, if you need something, be straight with me and don't get my hopes up to use me for information." you grab your backpack and trudge into the hallway crashing straight into someone sending you flying back.

you grunt, bracing for the impact but instead you feel two hands on my arms steadying me. you peak your eyes open, and see a tall guy with dark hair and a leather jacket.

"oh shit, i'm sorry," you mutter slipping past him as you rush up the stairs.

you feel the hair on the back of your neck stand up, like someone's watching you. you turn your head as you head up, and see the guy who caught you staring in your direction. he looks pissed, and you wonder for a brief moment if that anger is directed at you. you feel someone poke you in the shoulder and you turn your head to look at them. you jump in shock at how close she is.

"you good?" cheryl asks, the usual distaste in her voice, one eyebrow raised in question.

"yeah, fine," you reply walking in step with her, glancing down the stairs, to see a brown and pink haired girl pulling him away.

"—and i don't know why she wants this so bad—" cheryl's voice drifts off into backgroung noise, something that tends to happen more and more frequently.

that guy looked weirdly familiar. you swear you've seen his face before but you can't seem to place it. which is also happening more, and more frequently to you. you know it's going to bug the hell out of you.

"—and i said—" cheryl continues, as you head towards english.

"andrews!" you feel two arms wrap around your middle, and you're yanked backwards and lifted up.

"ahhhhhh!" you shout, startled by the sudden movement and contact, your kneejerk reaction is to raise your elbow and throw it into the first piece of flesh you connect with.

"andr- shit!" a familiar voice yells, as you free fall to the ground, landing on your ass hard. "what the hell, dude!?"

you lift my head and see cheryl's twin brother jason leaning over, clutching his stomach in pain. you clap your hand over your mouth in a mix of embarrassment. he glances down at you, rubbing the tender area, mouthing 'what the fuck' over and over.

"shit! jason, i'm so sorry—" you say, quickly standing up, he waves you away so he can take a second.

"what has you so jumpy this morning?" cheryl asks, crossing her arms and raising both her eye brows at me.

"no clue," you reply truthfully.

"too much caffeine likely," jason says, standing up right and throwing his arms cross both mine and cheryl's shoulders to guide us to class.

"how many cups a day are you drinking?"

"two," you reply, no hesitation.

you haven't been sleeping much lately, or at all really. you weren't sure what was worse; the lack of sleep, or the fact that when you do manage to fall alseep all you seem to dream of is the four agonizing hours you were trapped in your car after the accident.

"four with extra espresso." jason chirps, and you mock elbow him and he flinches, dropping his arm from your shoulder to shield himself. "not cool dude,"

"aw, prwincess," you mutter tapping his cheek with your hand.

you duck under his arms at a weak attempt to catch you, and slide into class dropping into your usual seat beside ethel muggs. mrs. leroy has all the desks grouped in twos. she likes to assign a lot of partner assignments and classwork, so you ended up with desk pairs.

"good morning," ethel says brightly, and you smile at her.

"good morning ethel, how was your weekend?"

"it was good, how was yours?"

"it was okay," you reply and shrug as mrs. leroy, our english teacher waddles into the room.

she drops her bag beside her desk and takes off her jacket, hanging it on the back of her chair before standing at the front of the room and clearing her throat.

"alright guys, we have a bunch of new students joining us. i'm sure you heard about the students from southside high tranfering in, and we're going to be very welcoming. as such, i've decided to change up your desk partners to kick off our next project." she says, and everyone groans. "hey! who knows, maybe you'll meet your new best friend!"

you drop your head down on the desk as she continues to speak.

"i call your pairs and you'll move to the assigned set of desk pairs, every up."

everyone obeys, clearing to the back, front and sides of the room as she spends the next fifteen minutes reseating you.

"mr. blossom and ms. topaz, these desks please." jason nudges your foot as he passes.

"she's pretty," he mouths and you roll your eyes, a shit eating grin on his face.

"mr. sweet pea, and ms. andrews."

"sweet pea, what kind of name is that?" cheryl snickers, rolling her eyes.

you step forward, dropping into the closest desk to you, ducking your head to look into your backpack for my notebook and pencil. you drop them onto the desk, and look ahead to the board.

"uh, excuse me—?" you turn my head, and see the guy who caught me in the hallway.

"yeah?"

he's cute. messy—but like the intentional kind of messy—dark hair, with curls over his forehead, and dark eyes. there's a hint of ink poking out over the collar of his leather jacket, you catch sight of a snake's head.

"can i— uh— can i borrow a pencil or pen?" he asks, and you nod, turning to dig into you backpack for one.

you feel his eyes on you, watching your every move as you dig. you pull out the first pen you find and hand it over. he reaches out, grabbing hold of it, and your fingers briefly touch. a shiver immediately shoots down my spine, and you drop your hand. you get a flash of a memory, it's difficult to piece together what you're remembering. you see a flash of a half empty vodka bottle, a leather jacket, and a tattoo gun. you gather your things, and jump out of your seat rushing to the bathroom, you hastily shove your notebook away and drop your bag upon entering the bathroom. you drop to your knees in front of the first toilet you find, and empty the contents of your stomach. you wipe your mouth with the back of your hand and lean back against the stall dividers, trying to catch your breath.

it was like for a brief moment you was there. you could hear the tattoo gun buzzing, you could feel the scratch against your skin and you could taste the vodka. you stand up, and walk over to the mirror. maybe you're losing your mind. you would notice a tattoo, wouldn't you? if you didn't know to look for one, maybe you wouldn't... you lift your hoodie a little, and catch sight of one of the snake's heads poking out from under the underwire of your bra.

"holy shit," you breath, pulling your hoodie back down.

you lean down, and turn on the water slashing it onto your face. you stare hard at yourself in the mirror. how could you not see something like that? why didn't anyone tell you? you were told that you grew apart from your friends, but by the looks of things you had a whole other set that no one knew about, or at the very least didn't want you to go back to. the bell rings, signaling the end of first period, and you stand there staring at yourself in the mirror. the door opens slightly, and the brown and pick haired girl sticks her head in and sees you.

"hey, are you okay?" she asks, opening the door fully to come in.

"uh, yeah, i think so." you reply, and she nods, not pushing the topic any further, which you appreciate.

checking in on you is a small act of kindness that not even my so-called 'best friend' cheryl could give. you feel your phone vibrate in your pocket, and pull it out, turning away from the sink to lean on it. think of the devil, a text from cheryl.

you don't reply, you just sigh, and shove your phone back into your pocket. you look up and catch the girl's reflection staring at you.

"uh, sorry." she says and you shake your head, mustering a small smile.

"it's okay, i'm—," you say, sticking out your hand to her.

"actually, we've met bef—" she cuts you off, but is cut off by the bell ringing.

then there's a loud bang on the door, and it opens slightly.

"topaz! we need to talk," it's sweet pea.

she throws you a sympathetic smile and heads out to the hallway. you there for another few minutes, fully aware of the fact that you're missing chemistry before you pull your phone back out, and call your dad. i can't handle this, i'm incredibly overwhelmed. all of this is too much. i know toni? i'm a southside serpent?

"hey kiddo, what's up?" he asks, answering on the first ring, it's his coffee break. "aren't you supposed to be in class?"

"i am," you reply, your voice shaking, immediately giving away how you're feeling. "i just— dad—"

"sweetheart?" he prompts.

fred andrews, a saint walking, ever understanding. you're incredibly blessed to have him for a dad. you force yourself to take a shaky breath, you're on the verge of tears and your eyes burn.

"can i have a day? i just— i'm so overwhelmed. can i go home?" you ask, the dam breaking, tears slipping down your cheeks.

"yeah, kiddo, i'll come get you and sign you out for the day, okay?" he says, and you whisper okay. "hang tight, i'll be there soon."

"thanks dad," you say, and hang up.

you stare at your reflection, your eyes are puffy and you look like hell. your hair is a mess, but you really don't have the energy to fix it. you grab a couple paper towels from the dispenser and wipe your face. you grab your backpack and head down to the office. you drop into one of the chairs across from mrs. bell's desk to wait.

"oh, hi," she says, exiting mr. weatherbee's office holding a folder. "how can i help you dear?"

"i'm not feeling well, my dad's coming to pick me up." you reply, forcing a small smile.

"oh i'm sorry to hear that dear, i hope you feel better," she gives you a sympathetic look as she plops down at her desk.

you're used to the look; the sad eyes with a small forced smile, you'd recived it a lot since the accident. there were no fatalities thankfully, but it drastically changed your life. at least you have to assume it did, you'd lost a year's worth of memories and it only took you a severe concussion and a couple weeks of physical therapy.

"good morning, dorris," comes your dad's voice, he steps into the office and mrs. bell smiles at him.

"well hello, fred." she says, a faint smile on her lips.

everyone on this side of town loves your dad. fred andrews is the kind of guy who will drop everything if you're in a bind, whether you're a friend or not. he signs you out on the sign out clipboard and turns to you.

"ready to go?" he asks, and you nod, standing up.

he slings an arm around your shoulders, and you wrap an arm around his middle as you walk. he doesn't ask you any questions, but you're sure when you get home he's going to have some.

SWEETPEA.

"she acts like she's never met us before," fangs says, sitting down beside sweet pea on the steps leading up to the bleachers.

they need privacy to talk about what's happening, this was the closest thing sweet pea could find. especially with all the gawking, stares and judgemental looks they'd been receiving since showing up to their new school this morning.

"i know, she didn't even say "hi" or anything. it's the least she could have done given everything," sweet pea grumbles, watching as toni walks towards them.

"she doesn't remember us," toni says, coming to a stop in front of them. "she literally doesn't remember us. like at all, she introduced herself to me in the bathroom,"

"what the hell?" fangs mutters, "maybe it's an elaborate plan to keep her summer in the snakes den a secret?"

"that is the dumbest thing i have ever heard," toni says crossing her arms over her chest. "you heard how she was talking before she ghosted us, she was over it all, the cliques, school, all of it."

"she said we were her family," sweet pea mumbles, "and then she disappeared. maybe it was all a lie,"

"jesus christ, or maybe, something bad happened to her, and she actually doesn't remember us." toni replies, the annoyance in her voice prominent. "and if she didn't remember us, then how would she know to contact us?"

"i sent her over a hundred texts since she disappeared, none of them have even been opened."

"case and point," toni says, rolling her eyes. "look, sit and stew in your misery, or confront her. i don't know about you guys, but i plan on getting my friend back."

with that toni turns on her heel, and heads back towards the school. fangs sighs, and stands up, brushing the dust off his ass as he turns to stand where toni had just been.

"maybe she's right," he says, looking down at sweet pea. "we know elly, she wouldn't just up and ghost us like this unless something happened. i want our friend back, and i'm with toni on trying by any means necessary to get her back,"

fangs studies sweet pea's face, looking for any indication that he's heard anything he said. after a moment, fangs sighs again, and turns to follow toni back into the school. sweet pea sits there on the bleachers, he watches as his friends grow smaller and smaller the further they get. he groans, and throws his head back. he's frustrated. he hasn't heard a damn thing from you in months, and then he sees you at his new school and suddenly his whole world collapses. he sighs, and pulls his cellphone out of the pocket of his leather jacket. he opens up his texts, and pulls up your messages.

you never showed up, you never called, you just disappeared. well, apparently you hadn't, but for sweet pea you did. other than toni and fangs he had no other friends in common at the time. no way of getting a hold of you when his calls all suddenly hit you voicemail. now here you are, back in his life, but so far from his reach. he had hoped a million times over the last six months that he'd find out what happened, that he'd get some kind of explanation or closure. something. anything.

but when his eyes landed on you, it was like all the anger towards you, and the situation melted away. for a second, it was like you were never gone. then that daydream snapped, and you were rushing away. not an ounce of recognition in your eyes. it hurt. his phone vibrates in his hand, and it brings him back. back to the bleachers, back to the harsh reality that you might have no clue who he is, back to the anger that swirls in his head, back to how much he loves you, and how much his heart hurts because you might no remember any of it.

he looks down at the screen, leaning forward, his elbows resting on his knees as the bell rings again.

YOU.

"alright, so, what's up?" he asks, as you drop onto the couch.

vegas jumps up beside you, and drops his head into your lap. you run your fingers through his soft fur and try to figure out a way to start this conversation.

"what was i like over the summer?" you ask, looking up at him.

he's standing by the front door, leaning against the archway leading into the living room. he's got his arms crossed and he's watching you silently.

"you were like you are now," he shrugs, "you didn't spend much time home, at first you were busy with cheryl and then you got a job."

"a job?" you ask, that's new information. "where?"

"the twilight drive-in," he replies, "you made some new friends with your co-workers, or so you said. you and archie were barely home over the summer,"

there's a few moments of silence as you digest this new information.

"dad?"

"yeah kiddo?"

"where was i going? why was i in that car?"

"truthfully, i don't know. archie said the two of you had gotten in a pretty heated fight, and you'd stormed out. a few hours later i got a call from sheriff keller,"

you nod, and sigh, leaning forward. you rest your elbows on your knees, and rub your eyes.

"i had a memory come back," you say after a minute, you don't look up at him. "it was weird though, it was really intense. it was like i was inside the memory."

"do you know what triggered it?"

"no," you lie, until you figure out what's going on with you, you plan to keep sweet pea and toni out of things. "it just hit me in the middle of english, and i had to get out of the room. i went to the bathroom and i puked."

"you puked?"

"yeah, nausea hit me seconds after the memory."

"well, at least you're making progress. the doctor said it could take a while,"

you nod, finally looking up at him. he checks his watch, and comes into the livingroom.

"you take it easy okay? don't strain yourself," he kisses your forehead and heads back to the front door. "i love you,"

"love you too dad," you murmur, watching him leave.

when you can no longer hear the rumble of his truck, you decide to head up to your room. until the accident you'd kept a near meticulous set of diaries, if you can find the one you was working on, maybe it can shed some light on what's going on.

it's weird, you're you, living in your body, but up until six months ago you were a completely different person. it's like living inside a stranger. you step into your room, it's a mess. clothes litter the floor, spilling from your closet, empty take away coffee cups, empty mugs from downstairs and energy drink cans litter the top of your dresser and desk. you go to the hall closet across from your room and grab a garbage bag and head back in. might as well clean up.

a few hours later you stand in the center of your now clean room. all your clean clothes have been re-folded or hung up, all the dirty clothes are in the wash and there's not a single thing out of place. except for—you squint, dropping to your knees in front of your bed, leaning down to pull two cardboard boxes from underneath. one is marked MY NOTEBOOKS, DON'T TOUCH (THAT MEANS YOU ARCH) in all caps—obviously your diaries, but the other has no label. you take off the lid and audibly gasp at the contents. sitting on top is a leather jacket with the southside serpents logo on the back, under the jacket is a dark green journal, a white handled switchblade, your old cellphone and a set of keys.

the screen on the phone is shattered, pretty near unusable by most people's standards. no one knew where your phone was after the crash. you'd just written it off as lost... finding it here, in this box changes things. you put it on the charger, and sit cross legged on the floor. maybe it'll be able to turn it on, if not you could to take it to a repair shop. you pick up the jacket, and check all the pockets. inside the left pocket is a half crumpled note, you pull it out and flatten it. it's definitely not your writing. it has one sentence, and it crushes you.

i love you too - sweet pea

you drop your hand holding the paper into your lap. that just makes everything even worse. does he know that you lost your memories? does he know about the accident? does toni? do they think you're pretending? were you on your way to see him when you crashed?

"fuck," you whisper, pulling your knees up to your chest.

you wanted the truth, and you got it, well part of it. how do you process all of this? how do you fix this? god, you just want to scream. throw things. have a little bit of a meltdown. it won't fix anything, but it might make you feel better. you rest your forehead on the edge of your bed and sit there on the floor, the jacket half hanging out of the box.

"hey?" comes archie's voice from the hallway, i jump at the sound. "hey- are you okay?"

you kick the box under your bed and glance up to see archie. he stops at the threshold, looking intently at you. you hear more sets of feet coming up the steps.

"i—"

you want to lie, you want to tell him you're fine. say everything's a-ok. but it's not. it's really not. and then betty, jughead and veronica come up behind archie and the damn breaks. you start violently, and uncontrollably sobbing into my arms. how did you wake up a year and a half older with such resentment for your three best friends? how did your life fall apart so quickly?

"hey, sh, sh, you're okay, everything's okay," archie says dropping to his knees to envelope you in a hug.

the other drop down on the floor with you. veronica and betty rub your back soothingly. you need to apologize, but you can't stop crying. maybe that's just as well, still a meltdown, just a different kind you suppose.

"i'm sorry!" you cry, frantically wiping your eyes with the sleeve of your sweater.

you dislike crying in front of people, and you know most people don't like having someone cry in front of them. you try and steady your breathing.

"hey, you don't have to apologize," veronica says. "we've all kind of been terrible friends since your accident,"

"that's why we're here," betty adds, patting your shoulder comfortingly.

"that's why they're here," jughead says, and betty swats at him and misses. "hey! let me finish woman! i was going to say, i've been a great friend. we had lots of fun working at the drive-in together,"

"jug..." betty says softly, using that same tone people often use when they're tip-toing around things that might hurt you. she shakes her head slightly, "she doesn't—"

"hey! don't talk about me like i'm not here!" you say loudly, all three of them turn to look at you. "i'm not fragile, you don't have to choose your words carefully around me, i have amnesia not brain damage."

"you're right," veronica says, staring each of them down until they nod. "we all need to stop treating you like glass,"

you quickly stand, your back to them for a minute. you take a deep breath, and turn around.

"arch, what were we fighting about when i left?" you ask, and he looks at you for a moment before swallowing, hard.

"you felt abandoned," he says, his eyes falling to the black rug they're sitting on. "you were upset because we were going on our annual nyc trip, but i'd also promised ronnie i'd help her with something in the morning, and i wanted to push the trip back by two, three hours. and you got really upset and exploded on me—it was entirely justified on your end—there was a lot of things you wanted to do together over the summer and i either canceled or forgot. i was a shitty brother."

"no, arch, you weren't. i'm sure i was just being drama—" you start, but archie raises his hand and you stop.

"no, i was being selfish. i made you a promise, and i broke it. i'm sorry," archie says, standing up and pulling you into a tight hug. "i'm sorry, i really am."

"and we're sorry," jughead says, as archie lets you go. "we thought that giving you some space would be a good thing, but we all got a little caught up in our own shit."

"i understand that, however, i've been alone pretty much for six months." you reply, crossing your arms over your chest.

"you've had cheryl, and jason, and reggie—you seemed like you were pretty happy..." betty says, and you shrug, looking away from her. 

"cheryl is nice— but all we talk about is her. jason's fun to hang with but we have nothing in common other than reggie and cheryl. and reggie.." you sigh, staring out your window over their heads. "reggie made sense."

"he made sense?" veronica asks, eyebrows furrowed in confusion.

"picking reggie made sense, and don't get me wrong i do like reggie, he's a great guy—a good listener, great at solving problems, fun to hang out with and all—but there's no connection." you sigh, you briefly contemplate telling them about the jacket, about your supposed summer with the serpents, but decide against it for now.

"are you going to break up with him?" archie asks, and you shrug in reply.

"i probably should," you sigh again, why does all of this have to be so damn hard? "did he ask about me when i disappeared this morning?"

"yeah, i told him you weren't feeling well. dad text me about you being home," archie says, and you nod.

"well, i say we grab dinner at pops tonight like old times," veronica says when the silence goes on a beat too long.

"honestly, i would love that, but i have to tie up some lose ends first. i'll meet you guys there at," you pause, walking over to your old phone, tapping the screen, relief shoots through you when it lights up, "say, 6?"

"sounds good," betty says, and they all stand up.

you unplug your phone, pocketing it as jughead, archie and veronica file out, heading back downstairs, but betty lingers.

"you okay, cooper?" you ask, teasingly.

she turns towards you sharply, hands clasped behind her back, "this morning, i— i really was trying to touch base with you. i know that the whole southside thing kind of has half the school losing it, but you told archie no, and i wasn't going to push it. he mentioned that you were upset about the group not reconnecting with you after everything, and i just wanted to see how you were— are."

"i owe you an apology for how i acted, i was frustrated with arch, not that that's an excuse, but i just kind of snapped. i'm really sorry, i shouldn't have taken that out on you betty,"

"your anger is justified, we should have been by you every step of the way—"

"you were busy, things happen. i missed you guys, sure, but this entire thing has been insane. i woke up six months ago with no memories from the last year. and to be fair, it's not like i made much of an effort with you guys."

"well, we're all okay now. and, you could never truly get rid of us,"

you let out a short laugh, throwing your arm over her shoulder, leading her out into the hallway.

"and you couldn't get rid of me if you tried," you say, and betty grins at you, her arm circling your back as you descend the stairs.

you're standing outside the mantle's house, trying to decide if now is really the best time to be doing this, but your rationality wins out and you move towards the door before you lose your nerve. you raise your hand to knock, but the door flies open and you're met face to face with mrs. mantle. 

"hi dear, are you okay?" she asks, a warm smile on her face. 

"yes. ma'am, i just..." you were not prepared for his mom to open the door. 

that was actually the worse possible thing that could have happened. mrs. mantle has always been such a kind, and wonderful person towards you. you almost wonder if she's the reason you'd let things between you and reggie continue as long as they have. 

"sorry, is reggie home?" you ask, and she nods, stepping out of the way to let you in.

"he's upstairs doing homework, are you staying for supper?" 

the longer you speak to her the more you're dreading following through with this. she's such a nice lady, and you're not entirely sure how reggie's going to handle this. you really don't want to lose her. 

you force yourself to shake your head, "no ma'am, i just have to talk to reggie and then i have dinner plans with my brother," 

she nods again, and you slip your shoes off, and head upstairs. 

you've been here so many times that you don't even have to think about where you're going. as such, this leaves time for you to panic and try to talk yourself out of it. you're not sure why. reggie had been a crush of yours for a long time, from middle school to freshman year at least. when you woke up without your memories from the last year, you'd still felt that way about him. you'd been excited when he initially asked you out. mind you that excitement fizzled rather quickly, realizing what the arrangement meant for your relationship.

you were disappointed, sure, but you weren't blindsided by any means. reggie had always given you the kind of vibe that he wasn't interested in settling down just yet. so, when you push his partially closed door open and find him with his tongue down the throat of a different cheerleader, you're not entirely shocked. the girl notices you first, she's younger than you and reggie by at least a year, and she squeals, pulling away from him. he doesn't notice you at first, his eyebrows pulling together in confusion before he follows her eyeline. they both look like deer, and you're the headlights.

"uh, h-hey..." reggie musters, sitting down beside the girl, "i think you should probably go,"

"y-yeah, g-go...." she says, jumping up and flying out of the room.

you stare at him, unsure of how to continue. sure, he'd made this infinitely easier on you, but at the same time you still find yourself hurting a bit.

"i'm sorry," he says, dropping his head into his hands.

"despite our "arrangement", reg," you use air quotes, "i thought you respected me more than this,"

"i do!" his voice comes out loud, then softer, "i do."

the silence that follows is deafening, and feels like it stretches for hours. he doesn't look at you the whole time, his eyes trained on the ground.

"well, you've made this decision a whole lot easier for me. i'm breaking up with you, reg." you sigh, "i don't hate you; i'm not mad at you; i am a bit disappointed, but i think we were kind of doomed from the start. maybe in a couple months we can try to be friends, just friends. if you're down with that..."

he raises his head, guilt written clear across his features, but he nods, "i'm sorry, sunshine. i really, really am."

"i know reg," you say, leaning down to give his hand a squeeze. "so am i,"

you turn to leave, hesitanting in the doorway.

"reg?"

"yeah?"

you turn to look at him, "see you around,"

4:50pm. you have about an hour and ten minutes before you have to meet archie and the others. you plop down on your bed, and flip your diary open. there are only eight entries.

entry 1: may 16th

i can't do this anymore. faking everything. it's driving me fucking insane. betty, ronnie, and archie are always flaking on me. internship this. summer job that. charity this. sorry i forgot that. jug is the only one who hasn't consistently left me hanging, and we're not even all that close. that being said, out of all of them, i'm starting to change my tune on that. he's even offered to talk to his manager about possibly getting me a summer job at the twilight. which would be killer, i'm there for most of the showings anyway. at least i'll get paid for doing something i already enjoy. then at least i'll have something going on. i'm honestly not ok with them constantly rescheduling things but for whatever reason i just sit there and take it. i need to start putting myself first, and find some friends that put in just as much effort as i do. i wonder if the three of them will even notice if i stop putting in the effort.

entry 2: may 19th

guess who has a new job!!! me!!!!!!!! i'm so excited, i don't think i've been this happy about something in a long time. i start tomorrow night, and jug's already introduced me to some of his coworkers. i'll be working in concession. we're even allowed to sit outside and watch the movie when we're between customers. i'm so looking forward to having this. betty, ronnie and i were supposed to go shopping today but they both just texted to cancel. go figure.

entry 3: may 20th

first day was a success! my new coworkers are so nice, i even made quick friends with a girl named toni. she's got pink highlights in her hair which really suit her. i also overheard that she's a southside serpent. mind you she doesn't really seem like the kind of people i’ve been told are in that motorcycle gang. then again, you're not supposed to believe everything you hear.

okay!! it's later now, and toni asked me if i wanted to hang out with her and her friends at the quarry tomorrow!! that's the first time in a really long time someone’s asked me to do something with them! i, of course said yes! i’m so excited!!

just got back from the quarry, i had so much fun. more fun than i’ve had all year! toni is so much fun to be around, she has the best energy, and it's just so refreshing to be around someone who actually wants to do things and live in the moment. the last time i hung out with ronnie and betty they were both glued to their cellphones, undoubtedly texting jug and archie. i also met her two best friends sweet pea and fangs, who are also super cool. they were really nice, and welcoming. i was pretty nervous, because i’d seen the two of them at the drive-in with fp a bunch of times, so i knew they were serpents, but they were both so nice! i’m really starting to wonder if the serpents are as “bad” and as much of a problem as other northsiders insist they are.

entry 4: june 21st

oh god, it’s been a month since my last entry. i have so much to write about… i honestly don't know where to start. i’ve been hanging out with toni, sweet pea and fangs pretty consistently since that day they invited me to the quarry. i’ve stopped chasing archie and his friends to hang out, and i was right in my guess that they wouldn't notice if i stopped trying. i haven't received a single text from any of them. i mean, i have from archie, but he’s my brother so that doesn't really count in my opinion. and i guess jug too, but we're coworkers and he was the only non-flake before anyway. either way, it’s been so nice having toni, fangs and sweet pea reaching out to make plans with me and when i reach out to them they actually follow through. we all have a lot in common; we enjoy a lot of the same music and tv shows.

toni is a god with her camera, i don't think i’ve seen more beautiful photography, and she takes the BEST candids. she’s taken so many pictures of us, she’s going to get me some physical copies for my scrapbook.

fangs can get you ANYTHING. he’s such a smooth talker that people just end up giving him things. he even got us into a sold out _ show. i’m really not sure how he managed, but we got escorted by security to the barricade.

i was supposed to go with betty, archie and ronnie, but i decided to flake on them for a change. that did get me a few texts from each of them, and i didn't answer them. i just turned off my phone and enjoyed the show. it was amazing!!!!!! i had an absolute blast.

i’ve also been spending more time with sweet pea… alone… (obviously, with toni & fangs too) he’s nothing like i thought he’d be when we met. here i go again judging a book by its cover, shame on me. but he’s so sweet, it took a bit to get him to open up to me, toni says he’s just protective, which i both completely agree and understand. with friends as cool as those two, i don't blame him. he goes out of his way for everyone; holding the door for old ladies, standing in the middle of a busy street so kids can cross. he seems so scary and mean, but that's just his defence. we've been getting a really close, and every time he asks me to hangout i get butterflies.

we're hanging out tonight too, i’m going to pick him up in twenty minutes and we're going to the quarry. i’m sitting in a booth at pop’s waiting for our food. i really like him, and i enjoy spending time with him. toni said she’s never seen him so happy, and that she thinks he likes me. i really hope he does, because i like him. i might even tell him as much tonight… that might be a bit too much, actually. i don't know. oh, pop’s calling my order, i’ll update you later!

just got back from the quarry, and oh. my. god. sweet pea kissed me! i was all nervous, and i decided i was going to tell him how i felt and before i got the words out, he leaned over and just did it! i’ve had a few kisses before, some good, some not so much, but this one? it was the BEST i’ve ever had. that thing you read about in fanfics or novels about fireworks or butterflies, it's REAL. he asked me out on a date too, and i’m literally so excited. i called toni before i added this update and she squealed. she was right, he does like me. mine and sweet pea’s date is wednesday night, we're going to watch a movieat the drive-in and then in the morning we're all going camping at sweetwater river.

my phone is ringing… it’s archie? weird, he usually texts me. i’m going to answer him, i’ll be right back.

just got off the phone with arch. mom is coming down from chicago for the weekend, and we were supposed to go together to pick her up, now he’s backed out on me and i have to go alone. what could be more important than picking mom up from the airport?! especially considering we rarely see her. whatever, i guess it’ll give us time to talk.

entry 5: june 30th

just dropped mom back off at the airport. this visit was so fucked. i picked her up, we had a lovely conversation, and then she asked me where arch was and i had to lie to her. he said he was going to call her and let her know, but apparently he didn't. then, he didn’t show up for family dinner, which he was also supposed to help me cook (spoiler: he DIDN’T). when mom and dad asked where he was, i was like a dear caught in headlights. i have no fucking clue!! i called him, and BAM! voicemail. mom calls him and woah, he picks up first ring. he lies, and gets away with it. arch was gone all weekend which screwed up my itinerary. i mean, seeing mom was the highlight, obviously, but archie and i planned all this stuff and we didn't get to do any of it. not to mention, archie had promised he’s take mom to the airport because he was gone all weekend, and then he didn't show! again! i had plans with toni, and i had to apologize and cancel on her (which isn't fair to her or me (but fuck us i guess??)) anyway, i’m banking on archie cancelling our yearly trip to nyc with everything going on. i’d lay money on it now.

entry 6: july 1st

i’m so mad right now. archie saw me and sweet pea coming out of pop’s with lunch, and got in sweets face. he has NO RIGHT. especially considering how much he's left me hanging lately. i will admit, i did something i shouldn't have, but he said something he definitely shouldn't have (that i shant repeat here (just know it's vile)) and i then punched him. sweets then threw me over his shoulder and carried me to my car. i bruised the crap out of my hand, archie’s got a hard face i guess. toni and fangs tried to lighten the mood when we got back but i couldn't help myself. sweet pea and i ended up leaving early, and we just drove around for a while. when i finally did calm down, he thanked me for standing up for him. why wouldn't i?? archie has no right to treat any of my friends like that, let alone my maybe boyfriend (we haven't really labelled it yet). and archie’s one to talk about people’s “priorities” and who they “really” are, seeing as toni, sweet pea and fangs have done nothing but be great friends and have been there for me all summer and he (MY! TWIN! BROTHER!) couldn’t even see his mother while she was down from chicago. i haven't seen archie since our altercation at pop’s and i’m more than okay with that.

entry 7: august 15th

sweet pea and i got into a fight. it’s nothing major, and i know he’s just looking out for me, but somethings aren’t really any of his business. namely, things involving my family. i was telling him about mine and archie’s annual trip to nyc, and how this will be the first year that it’s just the two of us. mom and dad usually go with us, and it’s the highlight of our summer. i’ve been really looking forward to it, and that i’m hoping this will help mend the tear we’ve both been helping create in our relationship. i’m not going to entirely blame arch because i’ve definitely not helped… especially when i punched him in the face in july. he’s finally speaking to me again. it took a couple of weeks and awkwardly dodging each other but we’re at least talking again. which is progress i guess. we haven’t talked about it either. he just walked into my room last tuesday and started telling about this video he saw, and then everything was fine again. we’ve always been like that, but what archie said really isn’t ok, and what i did really isn’t ok either. i plan to bring it up on our trip. anyway, back to sweets, he’s worried i’m going to get super hyped up about this trip and then archie’s going to yank the carpet from under my feet (kind of like he’s been doing all summer, but i digress). we leave in two days, and so far everything seems to be going well. i should apologize to sweets before we leave though, cause i did kind of snap at him… adding that to the to-do list.

entry 8: august 17th

fuck archie. FUCK. HIM. sweets was right. FUCK EVERYTHING. GODDAMN NORTHSIDERS. 

that was it, the last entry. you wrote that the night of your accident. that's why you were in your car. that's where you were headed. you close the diary, and smack it off your forehead. you close your eyes, and then let out a scream of frustration. you throw the book across your room, and pull your old phone from your pocket. you sift through your text threads, you'd sent more outgoing messages to betty, veronica and archie then they'd sent back to you for months before your accident. turns out they weren't  just shitty friends afterwards. 

you pause for a moment, your finger hovering over fp jones' contact. why would you have jughead's dad's number? up until hiram started causing a stir in town, jughead hadn't even been living with his dad so you never would've needed to contact him. you click it and a bunch of text messages load in. 

things were falling into place for you. they were shitty friends before. you were going to need new ones regardless, that's how you ended up in friendship purgatory at riverdale high. cheryl just isn't your cup of tea, and you're still not sure how you feel about reggie after everything you witnessed this afternoon. one thing you do know; you owe some people an explanation. you close out of the messages, and go to your gallery. the first picture that you see is one of you, toni, sweet pea and fangs, your faces all pressed together cheek to cheek, smiling widely. you smile, and then suddenly it's like a damn breaks and a years worth of memories come flooding in. you drop the phone, and rush downstairs, grabbing your keys from the bowl by the front door. 

"you guys are terrible fucking friends," you say, not really caring to control the level of your voice as you stomp towards your brother and his friends. "not you jug, you're fine, i'm talking about these three."

archie, veronica and betty share confused looks then look up at you. you tower over their table, anger coursing through you. you stare the three of them down quietly, eyes darting from one to the other, to the other.

"uh, didn't we already go over that?" veronica asks, her tone light and joking. 

"not really," you say, "i got my memories back, and you guys were fucking terrible. what did i do to deserve being cancelled on, and forgotten about so easily by you three? especially you arch, you're my brother. my twin. you of everyone are supposed to have my back!"

betty and veronica's eyes drop to their laps, and archie freezes, his eyes wide. 

 "while i appreciate your apology from before archie, with all the facts, i don't accept. what you did was fucking shitty, and i never would have done that to you. never. as for you two, if you don't like me, or just don't like hanging out with me, or just don't want to be my friend, stop making plans with me. i'm done being treated like that, and if any of you want to make things right, actually make things right, you'll be able to find me with my real friends; toni, sweet pea and fangs. who, unlike you three, actually like spending time with me. and for the record, are really good people, and deserve to be treated with respect." you turn on your heels to leave, and then pause at the last booth, whipping back around, "also, fuck you guys."

you pray that you're right about this. you never hung out with them during school, so you weren't sure if they were going to be at the quarry tonight. the weather's still nice, so you're hoping that you're right. you turn onto the familiar dirt road, and catch sight of their bikes in the distance of your headlights. relief washes over you as you get closer, you see three figures walking towards you and you pull in beside the bikes, like you had so many times before. you turn the car off, and jump out. 

"fucking hell, andrews! you scared the shit out of us!" you hear fangs yell, a bark of laughter leaving him. 

"guys--" you say, walking closer to them, your heart beating hard against your ribs. 

you almost wonder if it's going to beat right out of your chest, you're  so nervous, but you're so happy to see them. you missed them. 

"told you she knew who we were." sweet pea sneers, cutting you off. "what schools out so you can be friends with us again?"

"what? no--" you start but he cuts you off again. 

"where were you? why are you back now?" he bites out, and toni smacks him. 

"shut up and let her talk." toni says, nodding at you. "go,"

"i got into a car accident on august 17th. i have no idea how, or what happened, but i was trapped in that car for four hours, and spent two days in a coma. then when i woke up, i couldn't remember anything that happened over the last year. i now remember everything, and am really, really sorry for unintentionally ghosting you guys for six months." you pause to take a breath, and gage their reactions, "i know how this all sounds, but i promise i'm telling the truth,"

toni smirks, stepping forward to throw her arms around you, "i'm glad you're back, i fucking missed you."

you hug her tightly, "i missed you guys way more,"

"i bet you did," she laughs, letting you go, and stepping back.

you hug her tightly, "i missed you guys way more,"

"i bet you did," she laughs, letting you go, and stepping back.

she turns to look at fangs, and sweet pea and holds her hand out, “c’mon boys, cough it up.”

begrudgingly, they both pull five dollars out of their pockets and drop it into her hand. fangs then moves past her, and scoops you into a bone crushing hug.

“missed you,” he whispers, then lets you go.

“missed you too,” you smile, and the pair of them slowly slink back to the fire they’d been sitting around, giving you and sweet pea space.

sweet pea stares at you, dark eyes unreadable, his posture tense. it takes you back to how he was when you met for the first time. closed off, on guard, and analytical. you want to reach out for him, wrap yourself around him and never let go. you’re not sure he’s ready for that, so you shove your hands deep into the pockets of your jacket. your fingers catching the slip of paper he’d given you months ago, curling around it, you put it out and his eyes close briefly.

“i understand if you need space,” you say carefully, unfolding the small scrap. “but if you ever actually meant this, you have to know that i never would have left you hanging like that intentionally.”

he takes the note from you, his eyes leaving yours to look at it. he stays quiet for what feels like an eternity.

“i know.” he finally speaks, eyes still on the note. “deep down, i knew you wouldn't have left. not when you socked your brother for me. i was just so mad… at myself for what i said to you last, at you, for not following through on your text… then seeing you at school– it didn't make sense. instead of really thinking about it, like toni did, i just–” his eyes meet yours again, “i don't know, i let my fears take hold, i guess.”

"i--"

"JUST KISS ALREADY; YOU LOVE HER, HE LOVES YOU, THE END-"

"FANGS, SHUT UP!" toni yells, the sound of her smacking him and him asking her to stop follows.

you and sweet pea share a glance, and then both break out in giggles. when the giggles subside, you step closer to him, your hand landing on his shoulder.

"i love you, sweets, and if you need time--"

"i've had enough time, what i need now, is you." he says before pulling you against him, and kissing you.

he pulls back briefly, letting you catch your breath, "i love you too,"

[jojo-oliver]

How to tumblr for artists… my own version

A collection of things that have been working for me, but may not work for everyone

~~~ your posts ~~~

!!!reblog your own stuff!!! you need to reblog your own stuff, there is nothing morally wrong with reblogging your own stuff regularly. in fact, it is morally right to allow the chance for more people to see your artwork.

~~~ queue it!! ~~~ my queue is 500 posts strong. maybe don't try to make your queue hundreds of posts strong in the same day omg but like… once every month or two i'll go through my whole blog and just scroll and "add to drafts" to every one of my own posts i have. then i'll use the "mass post editor" to add content warning tags. and add to queue, and shuffle. and then I write down what the date was for when I last added my posts to be reblogged on queue. this is helped by turning on timestamps for posts in tumblr "dashboard preferences" settings.

queueing is necessary and life saving for me. It takes out so much work with decision fatigue and the anxiety around posting. It also guarantees that even if I suddenly need time off or away from my phone, I don't just disappear and lose all traction. It also breaks the instant-gratification cycle that you expect when you finish an artwork. It's hard to keep creating when you post something and, when you're expecting to get that gratification, you get none... If you queue your new artwork to come out at a later time, you've separated that expectation - with time. It hurts less and contributes to a more consistent gratification thing instead of peaks and troughs.

~~~ tag ya stuff ~~~ when you're making a new post, the first 20 tags are what gets put into the searchable tags. do not feel shame for using lots of tags. shame is the mind-killer. tags are hard. hard to know what to tag a post with. hard to remember the tags. so I found some ways to help myself. maybe they'll help you too. dedicate some time towards just figuring out what tags you want to use. i have a list in my phone notes that i add tags to and reference whenever i'm making a new post. i have the phone right beside the laptop while i'm tagging so that i can just look at it and scroll. tags are the only way for people to find your artwork, other than people manually coming to your blog because they saw you somewhere. there is no algorithm. posting without tags, until you have an established fanbase, is throwing something into the void.

When I'm doing tag research, I look at what people seem to use - when you put something in the search bar, tumblr recommends you some that have a higher following, typically. Looks like this on desktop:

if you like one tag, look at what other people who use that tag also tag their posts with. Observe and learn how this tag is used. search through a bunch of them and write them down.

here's what i got in my notes, for the specific kind of art I post and look for:

these tags are sort of specific to me and the kind of art I make. You'll want to research your own tags, but this is an example of how I keep them organized to make posting more effective. I generally only write down a tag when it's got more than 2k followers. You might be tempted to use the tags with millions of followers, but I've actually found those a lot less functional for small artists. If your stuff doesn't immediately get a bunch of notifications, you're drowned out and pushed to the bottom much faster. But the bigger tags are better than no tags, so I keep them if I can't think of anything else to tag something with.

~~~ post at the right times….? ~~~

fridays and saturdays is when I post fresh new things... usually. every website has it's own peak hours, and you can find those hours in many different online articles that try to sell you social media growth services. tumblr is unique in having later hours.

here's some random graph from google images:

please don't over think this. please don't let this consume the idea of when to post, preventing you from posting at all. it doesn't mean too much - if you post during very active hours, maybe your art would just be pushed down the feed faster. if you post at the end of hours, maybe everyone's going to sleep… if you post at inactive hours, maybe there's less 'competition'… if you post at the beginning of active hours, maybe that's just more time for your post to circulate for the day, if you have enough people reblogging it once it drops....

this also is in EST. So fuck the other time zones, I guess. I'm over here in europe knowing that the "best" time to post would be like 2-3am or something. It's like this for most english-speaking majority sites - higher traffic in north american time zones.

it's also worth mentioning that this is scattered as heck, compared to other social media sites. and it's not like, the activity times of your followers. it's not the best time to post for your niche. this is just tumblr, broadly. all of tumblr.

~~~ Plan ahead for annual dates ~~~

Your artwork will get more circulation if it's posted on a celebratory day. You could just put them on your calendar and if you're wondering what to make, look on the calendar for what's coming soon. For example, asexual awareness day, trans day of visibility, location-specific holidays, etc. Here's my phone notes thing with my own recorded annuals:

I got these dates from googling and reading different articles, but I find that I still miss dates, and then I add them for next year. If you know of some I missed, tell me and I'll add them please <3

~~~ reblog other people's stuff ~~~

tumblr is sorta about ecosystems. things get passed around within groups of people that are all following eachother. to enter this ecosystem, you must engage and reblog other people's stuff too.

if you reblog other artists' stuff, sometimes they'll come over and reblog your stuff too. sometimes they'll follow you back. this is called becoming a mutual. I'll search specific tags for the kinds of people I want to follow and the kind of art I like - those are listed in the screenshot of my tag note under "Tags for finding new people".

I see a lot of blogs out there that are very clean, posts are tagless, and are only for the artists' content. like scrolling through a portfolio. I imagine this is good for people who are migrating to tumblr but already have their own established fanbase from elsewhere.

you don't need to do reblog other people's stuff on your art blog, you can do this on a separate blog. but if the two don't look very closely correlated, it's hard to tell who you are when you're interacting. and hard to make sure people know that you are the same person as your art blog. and you gotta remember to promote yourself on your personal blog.

~~~ have an art tag ~~~

make your blog easy to search!

if i go to your blog, and you've written 'artist' or 'sometimes art' in your bio, i wanna see it… it make me so sad when i don't get to see it. i want to reblog it. please let me reblog it :(

to make a tag on your own blog searchable, you don't need to repost it to add a tag. you don't even need to reblog it. you can actually just go back to the original post and edit it to add your tag. I've seen post people just have their art tag be something like #(blogname)art . you can see my own in my tags image above. if it's very unique, then it'll work tumblr-wide. I think that's good, since the tumblr search function is really weird. Otherwise it should still work if it's not entirely unique, people just have to make sure they're searching specifically your blog to see only your stuff.

I like to have a link in my pinned post where people can click to have immediately searched for my art tag. Convenience is king. Keep in mind that most people are on mobile, and if something isn't immediately clickable, they often won't find it.

~~~ be consistent and be patient ~~~

!!!this time will pass anyway!!! how many notes you have is not correlated with how good you are as an artist. wanting to earn something from your art means you essentially have two jobs. two potentially full time jobs. this shit's difficult. most of the job is promoting yourself. don't undersell how hard it is to do… don't feel bad for not immediately succeeding. I would write about how hard it's been to promote myself, but it would just be long and sad I think.

This isn't a full guide, please feel free to add more!!

I'm sure in another year I'll disagree with a lot of this, it will become irrelevant with time, and I'll have a lot of different opinions. Chip in and share what you've been doing? Teach me? This is very overwhelming. Don't do it all at once, just like, try one thing at a time, and see how it works for you. Your niche might be different. One size does not fit all. If you're confused about some of the things I talk about in here, you might be on mobile. I do most of my queueing and posting from the desktop browser version.

I will update this with more as things change, but I think you'll have to click through to see the updated post

[skibeegames]

Sul Sul <3

︵‿︵‿୨♡୧‿︵‿︵

Hi, my name is Skye (She/her) and I am new to posting on Simblr but have been on Simblr quite a while and have been on Tumblr for a decade.

I recently turned 23 and am from the UK, I started playing the sims when I was a little kid and my love started with the Sims 2. I have been playing Sims 4 on and off since it came out but have been playing more consistently since 2021 when I got my first gaming laptop and started cozy gaming.

Here is my Simself:

I now play on PC so I have a very heavily edited game. I love taking screenshots of my sims and using different reshade presets to give off different vibes, so I am very excited to share those pictures.

‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾.

In terms of myself I like cottagecore and grandmacore things a lot and I like everything cosy obviously. I am also a content creator and I post cosy gaming content but it is predominantly Sims and Disney Dreamlight Valley but I like other games such as Palia and Coral Island and Animal Crossing. In my free time I also like games like Fortnite and horror/survival games.

Here is my Simself youtube video, if you're interested:

Like stated in my bio, I will predominantly be posting storytelling for my legacy families, building (which I love doing the most) and CAS.

I would very much appreciate any reblogs or likes and I can't wait to find mutuals on here and to see everyone's pretty posts . I hope you enjoy my future Simblr posts. I will be aiming to post at least once or twice a day.

You can mainly find me on tiktok, youtube and instagram and pinterest, any other socials are on my blog but all under the name @ skibeegames <3

♡₊˚ 🦢・₊✧

[dandeleon]

BONUS POST ABT MY ADIPOCERE & URAPOCERE AMVS BC I FEEL LIKE YAPPING 😋 HASHTAG AUTISM

-

hiiii first of all tysm for all the nice tags & comments on both of these it genuinely means the world 2 me ^_^🩷🩷🩷🩷yay

(theres some specific tags i talk abt & look at further at the bottom of this post ^_^)

-

ok first if u read the tags on my adipocere animation u remember i said ive had the idea 4 them since august Which is true

so heres some stuff ive made b4 i realized i could make my own amvs

-

this picture uve probably seen i drew it back in like october?? I think?????

i dont like this as much anymore i wanna redraw it someday maybe

BUT

did u know i made another one with urapocere ford 2 parallel that one

it was gonna be in the same post as the other one but i didn't like how it turned out sooo it got scrapped

-

theres also this i made in early december

i think i planned on posting this but i forgor lol

feel free 2 read it all bc it still stands & is like the basis for my animations lol

-

theres also this

which i made in ms like a day or 2 before starting my animation & ended up re-using it 2 make this part:

also heres some early parts of the adipocere one:

^ this one i was planning on using which is why its coloured and animated but then i realized it looked like ass so i redid it👍

^ early ver of the beginning (threres an extra frame in the walk cycle here i think? i dont think i kept the 7th one in lol)

^early ver of uras beginning

-

heres some specific frames i like too ^_^

i think the expressions in these turned out rlly good :) esp the ford one.. my only goal for that one was to make him look like he was having the absolute worst time of his life & i think i did pretty good on that front lol

i have more but i hit the image limit LOL

anyways to finish my yap sesh off heres the last part of both animations side by side bc they parallel eachother & i think its neat :)

(hi its leon from the future, i lied here ur only halfway through this post sorry)

actually im gonna come back to this on my laptop & add more stuff maybe

if the post ends here its either bc i forgot to remove this text or tumblr decided to post this for me while trying save as draft

-

heyyy im on my laptop now ^_^ and also wondering why i didnt do it on here on the first place bc this is where all my images for this are anyways lmao

anyways!

heres more frames n stuff that i like

(most of these r from the urapocere one because that one ended up being a lot more polished)

^ frame by frame of that one part towards the end

my favs of these 4 are first & last one esp the last one i really like how that one came out ough.. the hand ended up looking rlly good imo (im a sucker for nicely drawn hands)

some particular frames from the final part i like :]

some i like bc i think they came out nice some i like cause they look goofy w/o context

an adi one!!!!

this is just that one part w/o the bg & harsh lighting

OTHER ONES!!!!!!

1: bord from the begining clip i like (theres another one i like from the same clip ill see if i can find it in my sea of folders l8r)

2: from the part near the end. i think it ended up looking cute (which was unintentional but i still like it)

3: blizzard ford (blizzardless edition)

4: fidds! i like this one :) im also running out of things to say

ALMOST FORGOR 2 PUT THIS ONE from adi

this ones probably my fav part from the whole adi amv tbh i think it turned out nice

moar fiddleford

heres that other bord one i mentioned ^_^ idky i just like how this one ended up looking lol

-

EXTRA SECTION BC THIS TAG MADE ME POG SO HARD

I DIDNT EVEN THINK OF THAT BUT IT FITS SO WELL AUGHHHHH

thank u person who added this tag ur going unamed bc i dont wanna put u on blast but ur tags on both posts made me smiles so big like. u get it🤝 u get what i was going for 🤝🤝🙏🙏🙏

i have more tags from these posts i wanted 2 add but apparently i hit the image limit :( sad

so im just gonna like vaguely mention them since i cant add images

another thing ppl tagged in the ura one was the yellow text changing the meaning to bill & i NEED u to know that was semi-unintentional. i literally just made the text yellow at the end so people didnt misinterpret that as ford saying it being like "thank GOD fiddlefart died i couldnt stand his ass lmao😂🙏" but thank you for making it look like i had a cool meaning behind it LOL. i think the concept of like it being something ford DID say about fiddleford when he quit the project & bill is repeating it back to him after finding fiddleford dead to torment him is a really cool idea actually waow.....

hold on im gonna be really normal abt that bc i think thats such a interesting way to interpret the lyrics.... like fiddleford left & ford was like "WHATEVER im finally free now without HIM around. hes gonna be looking at me enviously when IM the one with MY name and MY name ALONE on the nobel prize!!!!" & bill repeating those statements back when fiddleford is dead like "this is what u wanted!!! u wanted this!! ur free now!!!!" UGHH THATS SO COOL AND OR FUCKED UP ACTUALLY thank u to the ppl who tagged that im taking this interpretation & running with it i genuinely think its so cool omgggg

like i said in the tags of the urapocere post the lyrics were originally meant to fit fords warped view of fiddleford right after he quit the project but the mv leaves it kinda up to interpretation of whos saying what to who. my personal interpretation while making it was its kind of a mix of ford to fiddleford, ford to bill & bill to fiddleford and/or ford & literally any combination of those work i think tbh. choose ur own adventure who was the biggest hater there

also some tags on the adi one were interpreting where fidds was dragging ford to & i wanna say my personal vision of it was fiddleford kinda just finds fords body lying in the snow in the woods maybe (dont ask why fiddleford would be there.. idk cult things maybe..) and fiddlefords feels obligated to bring him back to the lab so he doesnt freeze to death (he wouldve just erased him & fords memory of it anyways) which is a bit ironic cuz fiddleford is the one who froze to death LMAO (and maybe ford did too idk... you decide)

another thing this goes back to that image towards the top of this post where i yapped abt the songs n how well they fit with fiddauthor & i wanna specifically talk abt the line talking abt icarus because??? oh my god????? literally i think that line alone is like half the reason i associate this song w/ fiddauthor so heavily bc its literally them??? fiddleford literally compares ford 2 icarus in j3 like... its too perfect..

that line alone is also the reason i added english captions to both of them i just wanted ppl to see the icarus line LMAO

another line i also mentioned in that pic was the one telling the other person to forget it all even their face & i think its pretty obvious why that one fits LOL

(feel free to add more thoughts abt them w/ these songs if u have any ^_^)

-

anyways. adipocere is my fav song ever & for the past few months ive been doing that thing where u imagine an amv in ur head to a song u like & im very happy i can like. actually look at them now. making these were alot of fun :]

i do have a LOT of personal nitpicks with these (ESP the first one) but that also might just be cause im the guy who had to make it frame by frame LOL

(one minor one is fords skintone in urapocere ended up a bit more grey than i wanted but also he is like. in the middle of being possessed & tortured by a whole ass demon soo. it works i suppose LOL [makes him look zombie-ish])

also i thought making these amvs would make me less insane abt associating these songs w/ fiddauthor but tbh i think i just strengthened it LMAO

Sorry if literally nothing in this post makes any sense im just typing shit 😭🙏

i was gonna add more in tags but it wont let me add anymore so i think that might be a sign to stfu now LMAO

[ekgfiction]

Hi, I'm back?

...Hello everyone ! This is a very much needed update after a long time of not posting... sorry.

First of all, thank you from the bottom of my heart to everyone who sent me a kind message, you are angels and I'm so sorry it took me this long to answer your questions.

For those who don't wish to read a long text that looks too much like a page from my diary, here is the summary. I'm officially back working on OLYMPUS. I don't promise you much, but one update a month for now (not necessarily a game update, but an update on me working on the game...yay?).

My 4 goals for January are a lot of ground:

Finish the character pages

Relearning twine

Update the outdated info on Tumblr / itch.io

Fix prologue (because of changes in the outline)

And for those who are nosy like me and want to understand what I was doing until now, buckle up !

I started this blog in the summer of 2021 and posted the demo for OLYMPUS exactly three years ago, in 2022. At the time, I was living alone in the US, with no life outside of work and this project, which was very dear to me. It was my first "real" creative project I wanted to be serious about. I was also very depressed, being alone and away from friends and family sucked.

When I came back to France in the summer of 2022, I was determined to work on the game again. But then, real adult life happened ! My health issues, that I didn’t understand yet, started to really affect me. I lost two dear family members, saw my best friend become a mother and discovered that being a teacher is a fucking hard job. I was an intern teacher and had a final exam at the end of the school year to be a "real" teacher. So I focused on that, and it was a success. A couple of days after that, I decided to go back to OLYMPUS, and that’s when my laptop broke.

The one I had since I was 18 years old. Which contained not only all my class materials from my first year as a teacher, but also my essays and memories of my college years, and all my writing. And I mean, all my writing. From my very first bad fan fiction on Amour Sucré (or My Candy Love in English) that I wrote when I was a teenager and that I managed to save on my laptop, to all my documents on OLYMPUS, a project which had 5 years at this point. I was devastated.

Moving to the Paris suburbs for work didn’t help. I was finally back living somewhere close to my friends and family, when my job made me move far away again, to one of the most expensive and yet hardest place to work as a teacher in France. Because of the very high rent, I was first in a shared apartment, which was not the greatest. Work was even harder to manage. At the end of 2023, I felt stuck, watching life around me move forward while I barely kept up.

In 2024, things began to shift. I let go of some things and people, but made new friends, joined a DnD group, traveled, and even saw Dimension20 live in London (how crazy is that !). I moved out of my shared apartment into a cozy studio, traveled around France to see my loved ones, and finally got a diagnosis for my autoimmune disease, which helped me understand and manage my health. I also bought a new computer and started writing again !

Not on OLYMPUS though, no. Not at first.

The thought of returning to it felt overwhelming. The asks in my inbox, the followers, and the questions on itch.io made it feel like an impossible task. I convinced myself it was too ambitious of a project for a beginner like me. That no one cared anymore—not even me. It’s better if it stays a a silly little daydream I think about on my way to work.

Then, someone left me a kind comment asking if I was still working on the game. It wasn’t the first time someone asked me that, but something clicked. I thought of the me that posted the demo in 2022, how she felt and how I feel now. Maybe, if I started again now, it would be alright? I feel better, healthier. Instead of seeing the project as a burden, something I didn’t accomplish, a very public failure, I wanted to give it another shot. And if I failed again, so what? At least I'd tried. I don't to give up on this story.

I had to start from scratch of course, because everything but the demo on itch.io was lost. Rewrote the world building and the outline. I haven’t finished everything, but I finally feel like I am at a good place to start working on it again. Like, actually working, writing it. Not just my world building, or the outline. I am sure I made a lot of changes from plans I had before, and will probably change it again at some point. But that’s fine. You're pretty much having the first draft of the game anyway, and it'll be easier to rework things than to start anew every time.

This time, I’m being realistic: I’ve set aside four hours a week to write, balancing work, hobbies, friends, family, and my health. It doesn’t sound like much, but to me it sounds manageable, and adaptable to my work and my health. It means I could update you once a month on things I plan to do and have done.

So, for January ! The plan is to finish the character pages, which should take a week. Then, I want to spend some time on twine to relearn how to use it and eventually redo the prologue to fit the new outline. I also have to update itch.io and tumblr as well. Basically, a lot of ground work to let me start the final week of January with the first work path of chapter 1.

Anyway, if you read everything and reached this far, omg thank you so much and sorry I know it was way too long.

Really, thank you. I can't explain how much you, and all of this means to me. Your likes, comments, asks kept this project alive when I didn't believe in it nor in myself.

Love, Elena

[suncarrds]

☀️ Update!

First, I want to say thank you all so much yet again for supporting me and for spreading my Carrd throughout Tumblr & Twitter - any other place - I wouldn't have made so much templates if it weren't for you all (*￣▽￣)b! But I also want to apologize for not being as active ( whether personal / lost of creativity... ) I still have a passion for creating Templates, and will continue still! p.p.s my sis got me a new laptop for the holidays with help of her bf so I'll be able to create in peace ;;

On some future updates:

I'll be creating base templates that can be used to make your own templates to re-sell, redistribute, etc. for people who subscribe to my ko-fi soon!

There's been some discrepancies regarding mobile accessibility for some templates & I'll either be rescinding them or using the default appearance for them. I try to keep the aesthetics so it reflects on mobile but realize that it may be difficult to read for others and there's only so much that mobile can alter at the moment. Until that changes, most templates will only have mobile defaults with little tweaks.

I'll probably re-open comms again soon with a different approach ( like using trello or some other to post on updates! ) these will take time and have limited spots until completion. I STILL am an amateur with graphics so you may have to provide your own until future notice (╯︵╰,)..

I'd like to have affiliations or join a place for creators..? I feel like community is very important, especially now, and I'd like to be in a safe space to communicate & be closer to you all somehow!

I may or may not have a change in aesthetics for this blog.. I love tidus so much & he suits the aesthetics but deokde we'll see!

Lastly, thank you all again! Love you all!

[copperbadge]

Well, Still Salty.

I was cranky yesterday and I thought a good night's sleep would provide some adjustment in perspective, but unfortunately "spending yesterday not on tumblr" also offered perspective and got there first.

Up front: feel free to comment or reblog on this post (replies may be heavily delayed) but if you feel the urge to Like, I'm going to ask you to take one more step and go to https://www.tumblr.com/support, select "feedback" as the category, and enter a line or two about the new dash. It can be as simple as "Your new dash design is difficult to use and is driving people off the site". I'm not asking everyone to do it, but if you're going to Like this post, that would be a helpful action in addition. You can delete any response they send; no reason to expose yourself to the unique combination of incompetence and condescension with which they handle feedback generally.

Also up front: yeah, if I find somewhere else to go and go there, I will certainly let you guys know beforehand, I'm not going to just evaporate. I'll be broadcasting about Tumblr's replacement on Tumblr very heavily. But I can't deny that it is now an active goal of mine to find a viable replacement for this site. (More on this in a moment.) You will always be able to find me on AO3 as copperbadge, or via copperbadge@gmail.com. (More on this in a moment also.)

This kind of thing is why I refuse to fuck with staff now or ever; I don't trust them and I never will. Watching @wip respond to almost every complaint or suggestion with "but that would be really hard" is telling. Whoever is pushing blocks around at Tumblr wants a lucrative site that's easy to code, but lucrative is hostile to community and code is difficult by nature, and when the architecture of the meeting hall is hostile and cheap, people don't stick around.

I've been watching the site as every change made it incrementally worse, from a buggy post window that doesn't allow ease of editing to the new dash (which is the reason I'm writing this in a text window off Tumblr). I genuinely do not think I can use desktop Tumblr like this unless I can install something that will put it back the way it was, and roughly 40% of the content you guys get HAS to come through desktop. It's impossible to do on a phone or so time-consuming it's not worth it. I cannot code Radio Free Monday on a phone; it's a struggle to code it on a single-monitor laptop (I usually write it on my work computer, where I have two monitors). Even writing image IDs on the phone is difficult and something I rarely do. Tumblr is becoming an actively difficult place for me to make content, introducing friction left and right.

But where does one go? I've tried other platforms and they're either worse to use or they don't have the constituency. The problem with a lot of discourse around internet addiction is that it often points out how glued people are to their phones without asking what it is they're doing on those phones. I'm not addicted to social media; I don't doomscroll, I don't care what celebrities have to say, I don't find 140 characters useful or interesting, I don’t find most “funny” videos very interesting. I create a lot of original content for public consumption, significantly more than many social media users, and if that becomes difficult, then the site suffers more than I do. But it's undeniable that social media, and this social media in specific, is where my people are, and yeah, I like seeing you all every day. It makes it difficult to leave even when Tumblr is the best of a bad set of options.

It seems like a lot of the internet, lately, is the best of a bad set of options.

All that said, Tumblr forced a sudden, unwanted, and unchangeable reskin on me a day after I listened to a two-hour podcast about addiction while working on building a newsletter system for my author site. I spent the evening before this happened in contemplation of my relationship to social media and to my readership and how I might alter it to my benefit regardless of whether that's also to Tumblr's detriment. Their poor timing, I suppose. A lot of the theories advanced on the podcast were, to put it kindly, bunk, but one of the suggestions for people questioning their relationship to an activity was a dopamine fast -- removing something in your life that gives you quick but unsustained dopamine hits, so that you can take some time to level out and examine your behaviors. On the one hand, that's not at all how dopamine works; from the jump it's a bad theory. But on the other, pulling back from something you think may be causing you difficulty is generally speaking a good tactic.

Removing myself from Tumblr yesterday was an active process: because I have ADHD and often will forget something exists if I don't systematize my engagement with it, Tumblr is normally pinned to my browser, with the app on my phone's top screen. Removing the app and closing the window meant that while I occasionally reached for Tumblr, it was less frequently than I expected, and the lack of access reminded me why I wasn't there. I missed you guys, but I didn't miss getting distracted from work by my dash, or the pressure to respond to the volume of communication I receive through the site daily. I don't think my use of tumblr as my sole social media has been unhealthy, per se, but certainly yesterday felt both quieter and calmer after I walked away.

But that's a temporary relief, because you are my community, and not only do I not want to leave my community, it's a resource for me. One of the reasons I do things like Radio Free Monday and the weekly Hug on Saturdays is that I try to make sure that resource is reciprocal. Leadership involves service. Leaving would be easy in the short term, but in the long term, leaving my community without having another place to meet it, or another community to go to, would be harmful to both of us. I'm already someone who isolates, and while I have a strong brickspace circle of friends, they fulfill sometimes different needs.

Though I do appreciate the wild vote of confidence from the comments to my last post telling me people would come with me where I went. That means a lot to me. I will attempt to make it either unnecessary or as painless as possible. Just know, I see your faith and friendship and I appreciate it.

Sometimes at my old job I'd be in very tumultuous meetings where a lot was discussed and not much agreed on, and the most useful thing to me was always to say, "What are our next steps? What would you like me to do because of this meeting?" So what are next steps, all this being the case?

First, I'm going to be off Tumblr, mostly, for another couple of days, because clearly I need the break and a few days won't matter too much. Again, I will be back either to continue on the site or to let you guys know, at length and volume, where I'm headed. The former is much more likely.

Second, I'm going to be actively looking for both a widget I can install to reset the dash (recommendations welcome, I currently don't even use xkit) and a wholly new platform that's a realistically viable alternative. Even if the dash gets reset, the shitty post editor is here for good. Attempts to source alternative platforms in the past have taught me that it needs to have a mobile-friendly site or an app, a similar structure to tumblr, and a reasonable chance of actually attracting users. That's a heavy venn diagram unlikely to be fulfilled anytime soon, but I'm now invested in finding it, instead of just passively waiting for it to happen to me (as Tumblr did when it pulled me off LJ).

Third, I do have an email newsletter in the works! I'm just wrestling currently with setting up how people sign up for it. This wasn't meant to be "my main broadcast platform"; it's meant to be a once-monthly email to share book news, targeted at people who aren't on socials or who just really love content from me, I guess. :D The plan was for me to assure Tumblr users that it was not extra content, just select content repackaged into a digest. But it will be one way to ensure that if I'm moving around outside of Tumblr, you'll know about it. I hope to have a link to a signup page soon. (I'm....dealing with some code issues.)

Fourth, I'm going to be combing through the last ten years I've spent here and pulling anything I think is of value into an archive. For now everything will remain here as well, and I'll let you guys know if I think that's going to change, but it's clear that this space is moving only one direction, towards a place I can't exist, and when/if it crumbles I want to have already evacuated what's important.

So there you go. I'll possibly be posting sporadically (the Saturday Hugs are queued six months in advance so that'll happen) but if nothing else and if not sooner, I'll be back full-time next week starting with Radio Free Monday. I appreciate your patience and your kindness in the meantime!