#got me to complete a full digital piece for the first time in 3+ months

[weatherera]

brush testing

[archandshri]

9th feb '24 - [arch] characters, interactions and emotion - making a mini webcomic

Gahhhh Shri this has been an absolutely crazy couple of weeks!!!! Hope you are doing well :)) First of all, WOW! You have a lot of goals, and I’m sure you’ll get them done! I’ve worked a lot on my graphic design during the process of making Winter Wellbeing. If you wanna see a blog post dedicated just to that, I can do so! It would be cool to compare notes on the approaches we take for graphic layouts. If you wanna share your knowledge of camera skills when you build that up that would be awesome 😭😭

It’s been a tough few weeks, art wise. I have been reflecting on my process, motivations to create, the ego and all the baggage that’s lumped into the creative process for me. It turns out there’s a lot. I took some space from my illustration practise (literally for a weekend!) and began to realise how dysfunctional it is. I’ve been writing a lot about that so there may be a larger piece of writing coming about that at some point (no promises!!)

But for now, let's talk about little successes!

I’ve been playing with some characters for a while but I’d hit a bit of a block with the plot. I realised the expectation of having a finished project of high quality soon is unrealistic, and an unhealthy expectation to put on myself. I rarely give myself time to play with concepts for a long time and let the characters, plot and interactions evolve naturally. Maybe this in part came from sticking to the short university module turnaround. I noticed that that short turnaround was causing a lot of block, so I have decided to bench it as a comic for now and focus on using it as a playground - falling in love with the characters, creating stories and drawing them for fun. Maybe years down the line I’ll make them into a comic - we shall see! 

I *tried* to do hourly comics day this year and it didn’t quite work for me. I think I made 3 comics? And then got distracted with a bigger project that ended up taking a week or so to complete. Let’s have a look at it, shall we?

[you can find the full version here]

First of all, it’s based on an unfinished fanfiction I started a couple of months ago, which was mostly bad, but there was one nice scene that I liked and wanted to expand on. I started by having a look at the script I wrote and thumbnailing on the iPad. I’m away from home at the mo and usually would prefer to do most of my artwork traditionally, but because I don’t have access to a scanner, the whole process was digital this time. A lot of the pages got scrapped because the dialogue wasn’t necessary, and I’m not drawing pages that aren’t necessary.

some more development screenshots

I thought a lot about posing during the process, acting the scenes out in my mind and sometimes physically, really understanding the emotions of the characters, why they’re saying what they’re saying, their tone and how to convey that though their body language and expression (i find grian really annoying normally [affectionate] but I want this grian to step on me).

Pearl was hard with this because she’s quite erratic and unpredictable in this series, so I wanted her to switch from raw explodey anger to playful jabs at Grian. I’m hoping this comes across as somewhat insane, rather than tonally off and inconsistent. I did super enjoy drawing her and her explosive nature though, especially in comparison to Grian’s coldness.

I played with levels and monotone colour too - I’m not working with multiple colours much at the moment so I’m able to focus on things like values composition, characters and backgrounds. My skills limit the kind of stories I can tell currently, so I’m working to improve those foundations. Maybe when I’m back in the riso studio I can play with colours a little more.

Colours - despite the simple pallete it gets a bit nerdy here.I stuck to specific flat percentages for most of it - Pearl’s hair and Grians jumper are 60%, Grian’s hair and Pearl’s cloak are 20%. Then I added a 14% layer for shadows, using a ahrd blend eraser tool for highlights, making the images quite dark. I fill a layer with texture from Forystr’s riso brush for procreate, and turn it into a 40% opacity colour dodge layer. This gives it some much needed texture and makes the lighting feel low and nighttimecore. It also pushes the values to look really nice - I tend to be too scared to push them by myself.

I tried a few different colour layers to get a *vibe* but settled on a low percentage riso blue in a colour layer. All layers besides the riso blue are in a riso black, colour picked from a riso colour pallete. I learnt these tools - using percentages to get good values - from working with risograph. I really recommend having a look at these techniques and doing some monotone work. It's really improved by character designs, page layouts and compositions.

That's all from me today, though I have had MANY other thoughts over the past two weeks about creating, but perhaps we'll dive into them another time. If you (or anyone else) has any questions, hit me up with a reblog or an ask and I will get right to it. Lovely to hear from you! Hope your art is going great too :)) Arch :)

[my-writings-and-musings]

Do you write for tfa skywarp? I was wondering if you could write something with him as a merformer with a really sweet and small remora mer S/O who will swim up and like- attach onto him and comfort him when he gets spooked or clean his scales? Idk it’s a cute idea to me, a small partner to look out for him < 3

Thank you!

I haven't before but what a great time to start and what a great idea to start with! It turned out a teeny bit angsty but it's mostly hurt/comfort and I hope you enjoy!

You didn't know what had scared him today, but as always, he'd tell you when he was ready. In the meantime, you kept the tiny buffer attachments on your arms running at full speed as you swam along his much larger frame, polishing his scales in a soothing massage. The bigger bot hadn't moved from his spot at the very back of your shared cozy sea cave since he'd swum inside in a panic half an hour earlier, but you didn't mind, and happily allowed him all the time he needed to calm down as always. More than anything, you sympathized with the poor bot as he trembled in his tightly coiled ball of fear.

When he finally calmed down enough to lift his helm for a peek in your direction, you smiled and greeted him with a little wave, buffing the scales around his shoulders to keep encouraging him to relax. The soothing stimulation worked, but as always, he moved slowly. Whatever had scared him this time must have put the big bot on a very precarious edge.

"Hey big bot." you greeted affectionately as you swum around to his helm, buffing his crest just the way he liked. Big red optics continued to keep a close watch on you, but more because knowing you were so close gave him a great deal of comfort. Seeing sadness beyond the fear in their depths, you frowned and allowed your frame to bump against as a gesture of support, hoping to entice him to unfurl and speak to you at last. "Are you okay? What happened?"

He twiddled with a piece of seaweed as he considered your question, raising his helm enough for you to see his sad frown before he spoke. "T-there was a boat, I didn't see it."

You remained quiet so he could continue, pausing your buffing so he knew he had your full attention. Uncertainty kept him quiet a little bit longer, his digits seeking out another piece of seaweed to carefully weave around the first so his servos could spend some of his anxious energy. Whatever he'd been through must have shaken him up quite a bit.

"The humans saw me." he explained, and your spark sunk as you preemptively put some of the pieces together. Bumping into the dominant species had never gone well for the two of you, even if you'd done nothing for months but keep to yourselves and never engaged their endless array of shipping networks. When Skywarp deepened his frown and shivered in residual fear you knew your guess was accurate.

"I tried to swim away, but they opened fire. They m-missed." he explained as he whimpered at the memory, curling back up and hugging his tail to his chassis to hide behind the sizable fin.

"It's not your fault." you soothed as you peeked over his tailfin, encouraging the sizable merformer with a winning smile. Though he didn't brighten, your reassurance did seem to calm him, and Skywarp finally stopped hiding long enough to face you completely. You didn't let your limited size stop you from offering a disproportionate amount of reassurance, and despite being small enough for him to hold on his servos you assumed your usual role of protector quite easily. "How about you stay in the cave tonight? I'll handle scouting for a bit, and we can try to move on to somewhere less crowded."

Skywarp considered your proposal before nodding in confirmation, a small smile of his own pulling on his lips as he swam back to the shelves of stone that had been acting as your shared sleeping space. You puffed up proudly as he got settled beneath the woven blanket of seaweed the two of you had made together for his comfort, waiting until he was comfortable before you swam out into the open ocean to do as you'd promised. No one was going to hurt your beloved mech on your watch. If anyone thought your tiny size made you any less of a guardian, they'd quickly learn just what an unfortunate mistake that was to make.

[ashalsdream]

GW2 Commander Zine qna

SO I’ve got a lot of questions already, I will be adding to this as I get more but thought I’d answer them as there are some repeat questions! 

What if I don’t have a commander character?

That’s completely okay! As long as you’re drawing an oc FROM guild wars 2, that’s acceptable too and you’re still welcome to apply! It can be your main, your favourite oc etc! as long as they’re from gw2! 

-

I’ve never been in a zine before, what is expected of me?

Firstly, I’m honoured you’d want to join this as your first zine! Secondly, for artists it will be a fully illustrated piece (Full shaded, full colour full body. it is up to you whether it includes just your oc or other ocs!). For writers it will be a fic of at least 3k words! It will need to have a beginning, middle and end - open ended fics are allowed! For other contributors it will be discussed with the individual 

-

Would there be a sought-after style for artists? What would that selection process look like?

there is not a specific style - as long as its a full illustration in your style, it counts! 

For the selection process, I’m aiming to have 5 moderators at minimum and each of us will vote on each application. Creators will be judged on multiple categories:  Can they complete this piece in time? Do they have completed examples that we can work with? Which race are they looking to create for/how many of this race do we have already? For each race I would like to have an equal amount of creators for all 5 - of course this will be up to how many apply but I want it to be equal and one race not favoured above the other! 

-

Will there be a central place for contributors to discuss, share ideas, and the like?

Yes! there will be a discord server

-

Estimated timeline?

at the current moment this is still to be decided! Mod applications will be opening next month, 3 weeks after will be contributor applications that will stay open for a month! Our final release date for the zine is aiming for valentine’s day

-

Will submissions be popularity-based like in other zines?

Absolutely not! Everyone will be given a fair chance and be judged on what they can create NOT their popularity - if you can show you can complete a piece for the zine in time for the deadline, you’re in! And for those that don’t get in, if it does well I’d love to do a volume 2 and you’d get first chance if you wanted in! 

-

I would be worried about the commanders being skewed in favor of one or two races over the others.

As I said above, this WILL NOT happen. I will be looking to have an equal amount for each race! This will depend on how many people apply and for what race they’d like to create for but I will be aiming for a balance between all 5! 

-

if anything is available physically, do you already have an idea how to manage production in a way that would keep shipping costs prices within acceptable range for everyone? (if production happens in the us shipping to europe is often far too expensive, that kind of thing)

-

In truth? No. I don’t. I will say I am from the UK so it will be shipping from the UK. However, If i don’t get a merch moderator to help me with things like this and is more experienced than I am,  it will be a digital only zine as I don’t want to make a promise that I can do this when I personally know I cannot. I have made merchandise in the past but with a project at this scale I don’t want to make a promise when I can’t guarantee it. 

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What are the mods level of experience with running a zine and what will be the primary method of communication between mods and participants

Currently we don’t have a mods so I can’t fully answer this for when the mods are chosen however as the host: I have been a moderator for zines in the past & been a contributor for over 5 of them as well! The primary method of communication will be through discord. Acceptance/rejection letters will be through email! 

-

Are short comics (2-4 pages, or 1-2 spreads) allowed?

Absolutely! I’d love to see some comics! Go wild :D

[art-of-fict]

Commissions are open! 0/10 slots filled!

Hi y'all!

I have a little less than a year about 3 months!! before I'm moving to start a new job, hoping to save up a bit in preparation. If you'd like to help out (of just think my art is nice) consider sending me a commission! (I also reduced my prices a bit!)

If you have any questions, please don't hesitate to ask!

Terms of Service <- can be intimidating if you're unfamiliar, but this is here for accountability because...well, I am asking for your money, and you're asking for my time, so please make sure to look it over!

P.S. I know I got this template from someone else but I cannot for the life of me remember where. If you know please tell me so I can link them!

Slots:

10: total (0 filled)

4: PFP (0 filled)

3: Sketch (B&W) (0 filled)

2: Sketch (color) (0 filled)

1: Digital painting (0 filled)

If filled you can ask to be wait-listed, first-come-first serve

The visual pitch:

The details in text format:

Option 1: Profile Picture

Flat colors only

1 subject only (no multiple characters in one icon please, it is simply too small)

$15 for one, $25 for two

1-2 day turnaround after I begin the commission

You can request no signature on the piece itself for no extra charge, but please credit me where you use it!

P.S. I can also do banners! If you're okay with the same flat colors and shading, the pricing is the same, otherwise, it needs to be negotiated. Depending on what you want, it may fit one of the other categories better.

You will be expected to pay the full amount upfront

Option 2: Black and white sketch

Portrait/bust is $10, full-body is $20, with +$5 per extra character on both

Chibi is $5

Backgrounds are available, but will cost extra. The exact figure depending on complexity, research required, etc., but will be fixed before you're expected to pay

You will be expected to pay the full amount upfront

Option 3: Colored sketch

Flat colors with flat aka cel-shading

Half-body is $30, and full-body is $45, add $8 per extra character

Again, backgrounds are available. A simple background of some nice colors in nice shapes won't cost any extra. A detailed background depicting some kind of room or other "3D" environment will. Again, the exact figure would be up to the scale and complexity.

I will update the examples here at some point, since these are unshaded (and you can request that!). I know I can do this sort of shading well, but I just can't seem to find a recent example, and the examples I try and create specifically for these sorts of things always seem to come out missing something :/

You will be expected to pay at least half upfront

Option 4: Digital painting

The big boys! I know it's a big price jump, but these fellas generally take in the ballpark of 20+ hours over several weeks. The others can usually be done within 1–8 hours over at most few days.

Starting at $200 for one character against a simple background

"Simple background" can range from a single solid color to some fun overlapping colored shapes. A messy scenery is a bit of a grey zone.

A "complex background" is generally a full environment and/or detailed extra objects meant to fill negative space and add to the meaning of the piece. Lighting can also contribute to complexity.

I will keep in touch about progress on the piece, you can also ask to see a WiP anytime

We will talk through the details and agree on a price based on estimated time to completion, research required, and technical difficulty. You will be expected to pay 50% of that price upfront, and the rest on delivery.

Option 5: Design commission

If the character you want has no previous art or other image I can reference, that's a design commission!

I love design comms, they are so much fun! Just be aware that the process can take a while, with several back-and-forths and revisions along the way

Design commissions can overlap with the other categories as well. You may request a new design to use used in a pfp, a sketch, or a painting. Just be aware that the design process will add to the price!

I can also do your basic reference sheet. These are highly malleable, and you can request as many elements as you want.

The most basic comes with:

-> Colored sketch of the subject (front and back)

-> The color palette, either within the piece or as a separate file

-> Closeups of 1–3 details

-> The rights to the design

Optional elements include, but aren't limited to: extra closeups on details/items/tattoos/scars/etc.; side and 3/4s views; expression sketches; dynamic sketches; size reference; etc.

As far as pricing goes, if you're requesting a reference sheet, we will discuss what elements you want and the relative difficulty of the design. We will agree on an initial estimate, of which you will be expected to pay 50% upfront. After completion, we will tally time worked, and discuss elements added or subtracted from the original order, and agree on a final payment.

If you're requesting a design to be rendered in one of the other options I have, the price of the design and the price of the finished piece will be considered separately.

-> I will not hold you to working with me to create a full reference sheet, but for any design commission, I will require feedback on the design before I begin sketching on the actual piece.

-> We'll agree on a price for the design, and it will be added to the price at the end. It won't be considered in the 50% you would be required to pay upfront (unless requested).

-> We'll work together to make sure the design is reasonably priced. The reason I ask for anything extra at all is because design work involves additional research and planning.

General points:

My style can be very malleable! It doesn't have to be strictly painterly. If you want something in a style from my other works, feel free to ask! (And I'll be sure to update more on here so you can actually see what I've done!) Basically...Don't want to order off the menu? Don't worry, just talk to the chef and we can find you something you'll like!

I specialize in humanoid characters, but I can do animals and hybrids/furries as well, just be aware that rendering fur or scales in the painterly style will count as "asking for a lot of detail."

I struggle with complex machinery—my strengths are in the organic world.

On that note, mechs are inherently high-detail, and I may not be the best person for the job. I'd be more than willing to take a look at a design to see if it's within my abilities, just know that there's a bit of a skill gap between Baymax and Gundam. I'm willing to challenge myself, though!

Lastly, please no NSFW, much like with mechs, that's simply not my area of expertise, but unlike with mechs, I have even less experience! I would need some practice before I wanted to accept.

[da3drat]

helloo i'm here to ramble again~

idk if anyone finds me talking about my art interesting at all lol but if not its under a cut and it's helpful to me and also!! kind of fun lol. so I might do this anytime I have a lot of thoughts on a drawing !

okay. oh my god. where do I even start with this. I CAN'T BELIEVE I FINISHED IT. AGH. I really can't explain how proud I am just to have a finished comic in front of me. I've been drawing and storytelling all my life, and I've been trying to make comics since I was like 8 years old. And I finally finished one. cries.

Lets seee.. I think my favorite parts of this are the hands- I spent a lot of time on them lol- and the page layouts! My favorite comics are the ones that get really creative with panels and page layouts, and I tried my best to do a little of that here. I swear I re thumbnailed each of these pages at least 3 times from initial concept to completed page. The last two got WAY more than that lol.

I think the weakest point is, unfortunately, the entire 3rd page. Conceptually it works but I don't think the execution is all that great. Maybe if I wanted sketchy lines like that I should have gone with fewer strokes of a heavier weight line? Also just the angle and the anatomy of the whole thing was...............rough. I definitely hit a point where I just got sick of looking at it and called it good.

And I think thats okay! Honestly I went into this with the mentality that it was going to be full of mistakes and inconsistencies and that was going to be fine, and thats the only reason it got finished at all. Where's the lighting coming from? Are the character models consistent? Backgrounds? Who cares! I do hope all of that comes in later projects (especially backgrounds, I looove intricate backgrounds) but again, I'm just happy to see a finished work here. :))))

Oh uh and the content. Idk I don't have any self critiques on that part lol I had a blast with this. I love drawing these two, I love the toxic mess they have going on, I love comparing Meri and Nerevar and their places in Almalexia's life.

The next idea I have for them is much more dialogue and action heavy >:) (pls do not expect any movement on this for a few months lmao)

Oh and I guess technical critique. DAMN. I LEARNED A LOT DOING THIS. So fun fact starting this comic is the first time I have done a start to finish digital piece in like. wow. maybe over 10 years. I just don't do digital art really, there's always been some kind of disconnect between my hand and the screen that makes it look off. But I guess thats gone now??????? I learned a lot about CSP while working on this lol, and also got much more acquainted with my tablet. I decided to use being able to scale/transform parts of the drawing to really focus on understanding my weaknesses- particularly on drawing more than one character to scale in frame and arranging features somewhat symmetrically on a face. (If you look at my art you can see that the right eye is routinely higher than the left. TT-TT) And I think it helped? It definitely gave me some ideas on how to work on the multiple characters problem, not so much on the facial features problem lol.

Okay! Thats super long! Bye bye!

[konveeart]

{2022生2月} February Screenshots // Spirit & Strife Zine

I watched Advent Children 5 times between end 2021- beginning 2022 and practiced on his outfit before finally deciding to draw CC Cloud instead. I usually tackle full-bodies for zines, it was a pleasant change to paint a portrait for once~ 

These are wip-screenshots from both painting and standee I designed (I think they look really cool, I’m happy to share hehe)! This standee is the first piece of merchandise I ever made and it holds a very special place in my heart! Thank you very much for the opportunity ♥ !!

I am currently uploading the timelapse of the painting and I should get to uploading the standee BTS once my package arrives *crosses fingers!* I’ve been keeping for so long, but I’d love to have the entire experience of traditonal-to-digital-to-final_product in one video so I’ll hold for as long as it needs..! ☆ UPDATE FURTHER DOWN, the video is mADE!!

As a surprise for being here, here’s the little eerie edit I ended up inserting in the timelapse as an add-on

I had 2 files corrupted while working on this. I don’t remember what happened anymore (let me check discord).

..

right

I don’t remember mentioning if I lost any work, but I will assume I lost a couple of hours (+2hrs of trying to restart my pc and make it work again 💀).. Gladly this time there was a very pleasant recovery file which I duplicated and feared every time I saved in PS //cries

Unfortunately file corruptions occur more often now, that's my signal that my poor pc needs an upgrade (who can afford one in this economy??? Prolong the lives of your machines, friends!). I'll live in fear and 5 backup files until I decide my hardware hates anything above 5000px+ files and I go smaller (which is not happening, sorry friend, we'll have to keep being fried a little longer.. hang in there..)

[9月2日Update] I have uploaded the second (and final) timelapse with a little assembly video at the end and some extras~

I have the habbit of working at least x2 bigger in file than what goes into print. First lesson learned was this is unnecessary in merch-making of small sizes (I actually worked x3~4 times bigger and it shows in the video why it was a bad idea //wheeze) especially since my lineart is very thin and it gets lost if shrinked. I’ve watched so many merch-making vlogs in the past years, print-test got drilled in my brain and forced myself to test it at least once (gotta be professional about it, right? ;3) It wasn’t too early on, but it was early enough to change the composition of the piece as it set realistic expectations to what would work out or not (the size was so important, I hadn’t realised it would shrink so much because I obviously read very well and was fully aware of the OG size provided by the lovely mods). From the original design to the final I made a lot of changes and I was too obsessed with the meteor to let go. I cut at least 5mins (already sped-up) of me trying to lineart it and failing miserably so I switched back to PS and did it there. I cannot watch my own timelapse anymore without feeling dread and bored lmao, my convolution makes my skin crawl, so meticulous.. If it’s interesting to anyone I’ll be happy, if not then I am not surprised, I am not either! It made a beautiful base regardless, so it was worth it~ On a final note, no I did not 100% forget what kind of idea I had for the flaming buster sword (the meteor was supposed to reflect-in-tiny over it) and completely ignored my initial sketch to polish something I wasn’t sure what it was. It works out in the end so we’re good ok.

If there’s one thing I am taking from working on this is; don’t experiment when merch-making, it will make your life so much easier to stick to a process but knowing myself this is not happening. It’s just not me lol //runs

I am in denial that the zine is finally wrapping up.. It’s been such a wonderful experience sharing the Cloud love between us (for ~7 months?? time flies ;;;;;;!!) //is emotional.. I am very grateful and honoured to be part of this wonderful project ♥ thank you everyone for your lovely company during this time ;; I will always hold our little chit-chats and cloud-love-sharing dearly in my heart. Mod team, you are STELLAR and I hope one day our roads cross again💫!! ---

Thank you for making it this far 🌦️

Leftover sales will be up soon, so follow @strifezine​ // Spirit & Strife zine as it’s your last chance of grabbing a copy or merch item if you missed out on the first round!

[thechekhov]

Hi Chekhov! Really enjoying your white diamond au! I had a quick art question: How do you start comissions? I've been improving my drawing skills and thinking about drawing for others after having fun in artfight, but I don't know where to start? How much to charge, how to get paid, etc. Do you have any tips? Hope you're doing well! :)

Alright, since a few people have asked, I’ve decided to put together a few things about how to get started on commissions - what you need, what you should make, and how to keep things organized. 

This will get a little long, so I’ll divide it into 4 main sections:

1) Draw Art - Getting started

2) Get Commissioned - Making a commission sheet, Advertising

3) ??? - Communicating, Setting Limits, Running the Business

4) Profit - Pricing Yourself and Getting Paid

* Disclaimer: I’m an artist, so this How-To will be illustration-focused. I’m sure many of these tips can apply to ANY types of commissions, but I will be focusing on the type I know best. If you are proficient in other types of commissions for other types of art - music commissions, photography, etc - feel free to chime in and leave a comment or make your own tutorial!

1) Draw Art

I think this is probably the most obvious part, but it needs to be said:

Before you start making art for other people, you must first be comfortable making art in general.

I’m not saying your art has to be Disney-quality, or industry-level! Not at all. 

BUT! You must be comfortable creating what you sell. If you try to sell something you have little confidence in, you will stress yourself out and possibly end up losing time AND money.

Don’t shoot for the moon if you haven’t landed on it even once. Sell what you know you’re good at. Your commissions don’t HAVE to include full-body illustrations if you don’t know how to draw feet/solid stances. Limit yourself to what you can do.

Things you need to should probably have before starting commissions:

1. Access to art materials or a fully downloaded art program

DO NOT - Use a free tutorial version that will expire in a month and leave you without a way to draw! If you are having trouble finding a program, try free ones like MediBang Paint Pro. 

2. Free time to complete the amount of commissions you want to take.

DO NOT - Take on or offer commissions if you KNOW you’re going to be overwhelmed with school or personal life for the next 2+ months. Pace yourself, otherwise you’ll burn out, get stressed, and get discouraged.

3. A reliable way to communicate with your customers like a commissions-only email 

DO NOT - Use your friend/family/college email. It’s hard to keep track of things as it is, and creating new emails is easy and free. And keep it professional if you can! Not many people will reach out to dong-wiggles20434 to ask for a design. Ideally, your email should be close to your brand - however you want to brand yourself. Usernames are fine!)

DO NOT - Use Instagram/Twitter/Tumblr to collect commission info unless you are ready to do the organizing yourself. Some people make it work, but in my experience, if you use these SNS sites to communicate with friends and network... you’re going to be losing commission inquiries right and left and accidentally ignoring people. Email is much easier to organize and sort into folders.

4. A portfolio or at least 2-3 pieces of each type of art you’re planning to sell. 

DO NOT - Advertise commissions without having any examples of the art you plan to sell. People will find it difficult to trust you if you can’t even give them a vague idea of what sort of drawing they’ll be getting. 

Disclaimer: These are not hard ‘do not’s. If you have had a different experience, I respect that. I’m simplifying for the sake of streamlining this advice. 

.

2) Get Commissioned

So - you have your art, you have your art program, and you’ve got all the time in the world. That means.... that’s right! It’s time to let the world know you’re taking commissions.

One of the most common ways artists signal to their audience that they can do commissions is by creating a commissions sheet. There are MANY ways to make this - and they range from simple and doodly ones to VERY complex designs. For example, here’s mine! 

There are many ways to organize a commission sheet. At its core, a commission sheet should display the types of art you WANT to be commissioned to make. Let’s go over a few ways they can be done!

#1.... Body Portion Dividers!

This sheet is most common with those who want to capitalize on drawing people and characters. If you want to draw lots of characters, this is a great way to offer several tiers of pricing based on how much of their character your customers want to see. 

#2... Complexity Scale

If you’re open to drawing many things but want to base your pricing off of how complex something is, you can split your tiers into done-ness. This type of commission is popular with those that draw characters AND animals, furries, etc.

#3....  Style and Type

If you’re more on the design side of things, or if you have various niche art styles that you can’t quite lump together, display a variety of your skills alongside each other! It helps if all the ones you have can be organized under a common customer - like those looking to advance their own business and get logos, websites, or mascots made for them!

.

3) ???

You got your first commission... what happens now???

Well, ideally you have the time, tools and motivation to make things happen! Now all you have to do is... sit down and... draw.......

I’m going to say something that may be a little controversial: 

Commissions aren’t fun. 

No, no, hear me out: I have fun doing commissions! I genuinely enjoy drawing characters and coming up with designs. But even with all that said, commissions are, first and foremost: WORK

I’m not saying this to discourage you, I’m saying this to keep things realistic. When I first began commissions, I thought it would be just like any other type of drawing. I would sit down, imagine a thing, draw it... it would be fun! 

But then I realized that I couldn’t just draw what I wanted - another person had an idea in mind and had asked me to do it. I stressed over getting the design correct from descriptions. I stressed over not having the right reference for the pose the commissioner wanted. I stressed over not being able to draw the leg right in the way I had promised I would do. I stressed about billing. I stressed about digital money transfers. It was difficult, and time-consuming, and I did not enjoy it. At all. 

And a part of that is definitely on the commissioner - we, as artists, NEED to demand proper references or descriptions. We, as artists, NEED to limit the amount of changes we’re going to make at the flick of a finger. We NEED to demand clear instructions and set boundaries. That’s also super important. 

But also - don’t be discouraged if you find yourself exhausted drawing your first commission. MANY artists go through this. Adjust your rules, fix up your limits, practice putting your foot down on finicky commissioners who expect you to read their mind! It does get easier, but you have to communicate and put in the effort and act as your own manager AND your own customer service AND your own accountant. That’s what you’re looking at. 

Good limits and boundaries to set: 

Limit the amount of changes a person can ask to make. “I want blue hair.” Next email: “No wait, yeah, make it red.” Next email: “Actually I changed my mind, can I get the blue but like, lighter?” Next email: “No, not that light.” ... At some point, we have to stop. I personally allow 2-3 changes on the final stages of a commission before I start refusing or start asking for extra money.

Demand clear instructions and/or references. If something isn’t described, you have to take artistic liberty and design it, but that’s difficult! And if the customer is not happy with it but can’t tell you more? That’s not your problem - the burden of reference is on THEM. You cannot read their mind, and that’s not your fault.

Get at least half the payment up front! This is a good balance between the ‘pay before art’ and the ‘pay after art’ conundrum that will limit the amount of woes between artist and customer. (I’ll touch upon this a little more in the Profit section.)

Organization:

Where possible, create good habits! Tag your emails and organize your folders. I have a tag on my emails for active and finished commissions. I also keep my emails on Unread until I have time to sit down and properly look at/reply to them.

My Commissions in the folder are also organized chronologically and I mark down which ones are paid and which ones are not.

(I understand not everyone can do this, but if you want to give it a try, it does make things easier in the long run. Again, this advice is just what I have found personally helps.)

One last thing - I do not want to shame ANYONE for taking their time with commissions! Commissions are complex, and they take time and work. You can draw in 8 hours, but some things take research, materials, etc. Some illustrations realistically take up to half a year, or, depending on what’s involved, several years!!

THAT BEING SAID - it’s good manners to be upfront with your customers about how long you expect the commission to take. If you think you’re busy, just say that! Explain that you have a lot going on, and you will probably take (insert time period here).

And if your commissioners are worried, work out a system to keep them updated! I send my commissioners updates when I finish the lineart/flat colors/etc and I try to be clear about how long everything will take. I try to estimate with a +3-5 days buffer to give myself extra time... and recently I’ve been using it. Always say a bigger number than you think you’ll need. 

If someone wants a rushed commission... make them pay more. If ANYONE wants a commission done ‘by the end of the week’ - that’s an automatic rush-job for me because I’m juggling an irl job and several commissions at once. I WILL charge a rush fee and I won’t feel bad about it. 

If someone wants a commission within 24 hours...... Well, they better be paying you 3x your normal amount, or more. And remember - you CAN refuse! It’s perfectly reasonable to say ‘No, sorry, that sort of turnaround time is not realistic for me.’

Food For Thought - Invoicing

Many artists I’ve commissioned in the past have not used Invoicing, but I’ve recently begun to fill out invoices and file them in my Commissions folder just to keep track of things. It’s not necessary until you start getting into the Small Business side of Freelancing, but it’s not a bad idea to get into the habit early in case you might need to do it later for tax purposes. 

Here’s what my Invoice looks like, for example. 

I’ve optimized it to help me remember who, what, and how much is involved! It also contains important info for my customers like where to send the money.

Which brings us to...

.

4) Profit

One of the hardest things for artists is pricing themselves. I’m not going to tell you which way is BEST - there is no BEST way, only the best way for YOU. 

One of the options available to you is pricing by the hour. It includes averaging out how long it takes you to draw a specific type of art (whatever you’re offering as a commission) and multiplying that by an hourly wage you’ve decided on.

When you do this, I stress - do NOT price yourself below minimum wage if you can help it. When you first start out, aim for the $15/hour mark and adjust accordingly. 

Other ways to price your art:

- Per complexity: Portraits vs full body should be scaled based on how difficult you find one vs. the other. You can also easily decide on a price for a sketch and double it for lineart, triple it for full color, etc.

- Per type: Look up for industry prices for website design and logo design. They may surprise you! You don’t have to charge that much, but it helps to keep things in perspective. 

It’s okay to change your prices! Keep your commission sheet image handy so you can update the amounts as you grow. :)

Payment up front or after completion?

Some artist take full payment up front. Some only demand payment after they’ve finished and sent out the piece. I personally think these are both risky for everyone involved. 

I recommend doing at least HALF of the payment BEFORE you start the commission. Calculate your full price and ask for half before you start working on it in earnest, to make sure the person can actually pay you. Then, when they receive the full piece and are satisfied, they can complete the payment. 

I personally work in this structure:

> Someone emails me with their idea/reference

> I send back a rough draft sketch that shows the idea/pose (only takes me 10-20 minutes so not a huge loss if they ghost) and quote them a price

> They can pay the full thing upfront OR pay half

> I finish the commission and send updates when I do the lineart/colors to double check anything so they have multiple chances to spot any errors

> If the person paid only half on completion, I send them a low-res version of the finished thing, they finish up their payment and THEN I send them the full-res version plus any other filetypes/CYMK proofs, etc. 

Many of the people who commission me pay me up front even though I offer they pay half - and I’m really flattered that they trust me that much! Because of that, I feel encouraged to update them frequently and ask for their input as I work, so they have the peace of mind knowing I’m actually doing their commission. 

Great, but how do I get PAID????

There are NUMEROUS ways - these days money is relatively easy to transfer over digital means, and you have a few options. 

Paypal is perhaps one of the oldest digital wallets and is geared towards businesses. By setting up a PayPal and connecting it to your debit card of bank account, you can tunnel a pathway from your online business directly into your hands in a matter of days. 

Paypal also offers Invoicing - you make an invoice, price it and send it to the person’s email and they can pay whatever way they need! (It also allows partial payments.)

Pros: transfers from PayPal to bank account are free, and take a couple of business days. It also has no upper limit to the amount of money you can move in/out each month. It can force refunds due to the nature of its business-oriented payment system.

Cons: Because it’s used by businesses for larger transactions, PayPal may demand a more rigorous proof of your identity. It may also take longer to set up and be harder to get used to. I’ve also heard that they can be a hassle when it comes to closing your account. 

Venmo is another type of digital wallet that acts much like paypal, except for a few key differences - it is NOT made for businesses (so depending on whether you’re officially registered as a freelancer, you may not be able to use it). I personally don’t use venmo, so I cannot speak to its usefulness, but I know a few people that use it for casual transactions. It’s easy and quick! :) 

Keep in mind that you cannot force a refund over venmo! The transactions are final.

There’s also CashApp, GooglePay (which could load gift cards but also allows peer-to-peer transactions) and I’ve heard good things about Due, though I’ve never personally used it.

Other ways to pay: I’ve had people pay me over Patreon by upping their pledge, and I’ve had people pay me over Ko-Fi by donating a specific amount. 

Many people even use Etsy - the website specialized for independent small businesses selling art - by listing their commission sheet and offering up several ‘slots’ of commissions, which allows you to track taxes AND allows your clients to pay using whatever they feel comfortable with.

If you’re in Canada, you can even pay by emailing money directly from bank account to bank account - check whether your country offers this type of service! There’s no shortage of ways to move money in the digital world.

Just like everything else, there’s no singular ‘Best’ way. It just depends on what works for you.

I think that just about wraps it up! I can’t quite think of what else to put here - but I’m sure other artists will chime in with their own advice. :) I’m very sorry this became so long but I hope it was helpful! 

Obligatory Disclaimer: I’m not qualified to give legal or accounting counsel. Please double-check the laws in your own country/state in regards to taxation of freelancing work and do your own research. If you are underage, DEFINITELY get an adult’s permission before you start doing commissions, and have the adult help you through the process.   

. . . . . . . . . . . . 

OTHER POSTS YOU MAY FIND USEFUL:

An Extended Post on Pricing Yourself for Commissions

Dealing with Imposter Syndrome/Feeling ‘Not Good Enough’

Growing Your Audience

Advice for Starting Digital Art

[ronnieiswriting]

BY DORNE PART 3

F!reader x Oberyn Martell No descriptive terms for reader, no use of y/n, EXPLICIT, ongoing

Part 1 Part 2

Important: set WELL before the events in Game of Thrones/ Book one of ASOIAF- King Aerys Targaryen is on the throne, Elia Martell is alive, Ellaria Sand is not in the picture (yet?) and Oberyn doesn’t have any daughters yet. As for the universe this is set in, Each major house (Starks, Tyrells, Arryns, Martells etc) are the families that run each region of Westeros but with a 70s backdrop instead of a high fantasy one.

The reader is Oberyn’s favourite arm piece- one he brings to lots of events. He’s known as the hungriest of all the Martells and he likes to prove that to anyone who might question that, therefore, its no secret that Oberyn has had a number of partners and sometimes multiple at once, men and women. Insatiable appetite aside, Oberyn hasn’t enjoyed spoiling any girl as much as he does you, and he’s set on keeping you around for as long as you can keep up with him.

TAGS!!: female masturbation (descriptions, references, partner watches), subtle power play, 70s circle beds, crotchless romper, lots of praise, implied oral f receiving, other sex acts implied/ referenced, feelings, a little bit of angst at the end. ENJOY (if I missed any tags pls let me know!!)

“Did you touch yourself while I was gone?”

If you had expected any other words to be the first from your lover’s mouth the second he found you- after almost two months apart- you would've been disappointed. The first thing he had done, however, was pull you to him eagerly and greet your starved lips with a searing kiss. When you had separated only for the necessity of air, Oberyn had started remapping your body with his hands as if he had forgotten it in his absence.

You hummed against him, arms circling around his neck where his dark curls brushed against your skin. It had gotten longer since he had been away- you wondered if he planned to get it cut soon. “I missed you.” you told him, drawing in a breath of his cologne.

Oberyn groaned. “Honey, did you touch yourself?” His hands climbed up further, thumbs brushing against the sides of your breasts.

You nodded. “Of course I did. I missed every bit of you with every part of me.”

His brow creased in response. The world forgotten, Oberyn led you in the direction of his room. “How many times.”

You weren’t oblivious to the power you had over the man currently attacking your neck with desperate lips, and you couldn’t deny its effect on you- his effect on you- a welcome kind of intoxication. You gave him an answer, “I lost count.”

He nodded against you, lips dragging and stubble catching across your skin when he looked away to fumble with door handles. After he cursed them for sticking, he pressed a kiss to the corner of your mouth. “You’ll forget all about your fingers when I’m done with you.”

When he finally got the double doors open it was you that pulled him inside, slamming one shut again by shoving his back against it and the other with a kick.

He looked at you differently then- still like an animal of course- for you had never known the hunger running deep in his pitch black eyes to ebb its flow. But this look came when you would reach out and touch the power you had. And nothing needed to be said, no words to acknowledge the truth- the way Oberyn looked at you let you know exactly how he felt about you seizing power.

The hardening length of him pressing against the inside of your thigh also got the message across without spoken language.

You leaned into the sensation and ran a hand up his chest, along the thick chain of his heirloom necklace. Dropping your voice only slightly, you said “Why don’t I show you?”

Oberyn was leaning forward so far on the vanity stool that you were almost sure he’d fall off it and get a mouthful of the brightly coloured shag rug that covered one side of the room. He watched intently as you draped yourself over his circle bed, pulling back the sheer curtain on your way in a manner you hoped was seductive.

Since you knew Oberyn was coming back that day, you’d made a point to wear one of his favourite pieces- a slinky, lace romper with only a few skimpy panels of silk. Though, what he liked about it most (other than the way it barely brushed the tops of your thighs- and the fact that it was sinfully crotchless) was the colour; not the typical warm orange or bright yellow that the Martell’s so famously covered everything in. You were like a beacon in the room as soon as you took off the earth-toned dress you were wearing, capturing the man before you as he drank in the sight of the romper- rich, royal purple.

He had muttered something that sounded remarkably like an old Dornish verse at the garment, swallowed, and restrained himself to the seat where he adjusted himself shamelessly.

Once you had gotten situated against the pile of velvet cushions set up against the arched bedhead, you stretched for effect, reaching high so he’d get a good view of the way your pert nipples peaked against the fabric. Seeking the rush from his response, you looked at him through your lashes and let out the faintest of moans.

His full lips tugged up at that, edging impossibly closer to the foot of the bed. You found yourself wondering how he would look kneeling for you… another time, you thought.

When he smiled fully, you were unable to resist mirroring it. “Go on, baby.” he said, voice strained with admiration. “Show me how you missed me.”

You obliged him, edging a hand down between your legs that you parted wide for your man to see. When you reached your uncovered sex, your eyes locked onto Oberyn’s as you spread yourself open with your fingers and felt the wetness that had began to gather there. It started slowly, your digits easing the anticipation into a low pressure that made your entire body relax further into the plushness of the bed.

He praised the sight, “That’s it, honey.” and you agreed with a lazy hum.

For a few minutes, you were content with the languid pace at which you teased yourself, running fingers up and down your slit and coating your lips with your arousal. Sufficient pressure built, you tilted your hips towards him and pulled one fingertip over your clit. The pleasure was instantaneous but you resisted throwing your head back in favour of maintaining eye contact with the man at the end of the bed. You noticed that he had scooted the chair forward and contorted himself to be eye-level with your cunt, elbows on his knees, one thumb tracing his bottom lip as he drank you in. He began to compliment you again, “Sweet honey, you look so-” but you cut him off when you moaned his name- circling the bud again to the sound of his voice catching. Before you could hold back the flutter of your eyes at the sensation, you saw the devilish smirk that took to Oberyn’s lips. He repeated the sentiment slower this time and complete, matching each word to the tempo of your fingers, “Sweet, sweet honey. You look so fucking gorgeous.”

It was then that you were suddenly, painfully aware that the man who was so good at pleasing you was so close to you and yet wasn’t touching you- not his hands nor his lips or his cock. His tender words were nowhere near your ear and they weren’t kissed into your skin- it was as if he had become the presence you imagined when he was away. And while the both of you were so clearly enjoying the dynamic, it was an intense thing to act out what you had done to imitate his affections in front of him. There was a rush to it- something exciting about showing him how you could superficially replace him- and the powerful feeling you got out of it easily outweighed the frustration of not having him between your legs right then.

Oberyn seemed to enjoy it as much as you did. You coaxed yourself closer to release with one digit slipping just inside every few swipes. You could hear him through it, his voice harmonising with each breathy moan from you and it sounded like he was repeating phrases- thanking the gods for what he was witnessing, cursing himself for not coming back sooner, praising you, encouraging you- and you could tell he was dying to touch himself.

Though you had intended to watch him the whole time, your eyes kept rolling with the effort to chase a climax. Looking at him again, you could’ve pounced on him- he had shifted upright and was working idly at the buttons on his shirt, never taking his eyes off you. He noticed the way your attention drew to the tent in his pants because you showed your appreciation by wetting your lips and arching your back, fingers never stopping.

You moaned his name again and he chuckled. “Don’t worry, baby. I’m not going to touch myself. To think I’d come in my hand when your pussy is right in front of me- now that would be an insult.”

You replied without thinking, “You don’t have to come- you--” you paused to squirm, finding a better angle, “You could just stroke yourself a bit?” You were offering him the chance to even the dominance, maybe even take all of it. You’d let him.

It was a vain effort and a suggestion he refused entirely. “If I’m going to make you forget about your fingers- I need to see what they can do, right? I need to know what I’m up against.” He returned to his previous position, chain swinging heavily into his bare chest, hands locked together on his knees and gaze set on your dripping centre. “Don’t let up, sweetness, okay.”

His words encouraged you to go faster still and you moaned louder. When you started to thrust two fingers inside yourself everything felt enhanced. Your feet slid against the sheet as you struggled to ground yourself through the rapidly increasing intensity and your gasping breath turned into a string of words, “Gods, Oberyn- I missed you so much.” and “Did this every night- in every room.” A feat you exaggerated a little- Oberyn’s mansion was a relatively small building next to the Martell manor but it couldn’t be called humble. Your whole body started to burn when you told him how you missed his cock.

He didn’t hesitate to rouse you further, telling you how much he missed you- namely, “Your sweet cunt…” You lost sight of him when your head finally fell completely back into the mass of pillows but his voice rang equally insistent and lustful. “You’re my best girl, honey.” he said as you continued to tightly swirl your clit. “My sweet lover- that’s it, baby- so good for me.”

Tantalizingly close now, you reached under the romper to flick your nipples, squeezing because you desperately craved the same level of stimulation he’d so often saturate you with. Chasing that feeling further, you tried to hit your clit with the thumb of the same hand you fucked yourself on but you couldn’t.

For a second you almost gave up and asked him to help you come- add a finger- anything. But he got you there before you could even get out a word or a pleading moan. Oberyn’s praises came again and he practically begged you to come for him. “Come for me so I can make you come again and again. Let me prove that I missed you... Come so I can fuck you so good you forget the entire world--”

Your climax came out with a choked sob and in a white hot flash that drained all the feelings in your body. All of you went limp but your chest heaved in the air. The bliss was incredible and well-earned but there was so much more to be had.

With the little energy you could muster, you beckoned to him with the same fingers you pulled from yourself. They were still glossy with your slick but barely had the chance to cool in the air as Oberyn’s lips quickly latched around your fingers. His tongue swirled to devour your spend and hungry hands roamed over your tired thighs that trembled in the aftershock.

Kissing your knuckles once he had licked you clean, he moved the same hand to the crown of his head and encouraged you to grab hold. He gave your other hand the same treatment before he moved his lips over your thighs, massaging the tension from them with the pads of his fingers. “My turn.” he mumbled into your skin.

By the time Oberyn had proved himself better than your fingers, the sky was beginning to turn purple with dawn. When he had found you that day it had been just after 10pm.

Somehow, though, whether due to miraculous pacing or because neither of you had so recently exerted yourselves, you and Oberyn were still wide awake. He emerged from between your thighs again- this time without a heavy pant or a shiny chin- with a washcloth in his hand. Coming up to sit back fully on his knees, he unashamedly looked you over.

The purple romper had been folded down around your waist and you were sure one of the straps were broken from the force it had been yanked down with. He smirked proudly at the number of hickies he had left all over your skin as many of them would be seen regardless of what you wore. “You look good.” he said.

Oberyn was quite a sight himself. When he removed himself from the bed to return the cloth to his ensuite, you admired the way his skin gleamed with a thin sheen of sweat. His hair stuck out in every direction and before he disappeared behind the doorway, he rolled his shoulders and neck with a happy groan. You called out to him, “You make me look good.” Then, put off by the feeling of the lace against you, you kicked off the romper fully and stretched back out on the bed.

He replied, “I don’t agree with a single word of that, baby.”

When he came back into the room, you couldn’t help but admire the almost comical way in which he had shrugged on his favorite robe but not bothered with affording himself any more modesty in it than he had completely naked. You took the opportunity to ogle him openly, proud of the marks you had left on him and he wasted little time in crossing the room again to rejoin you on the bed. When he had gotten comfortable situated between your legs, this time on his back, with his head resting on your stomach and arms slung over your thighs, Oberyn looked up at you fondly. “I do think I proved myself though.”

“To who?”

That smug smile returned, “Well, to you.” Then he looked to think on it for a moment, pondering as his fingers drew half-thought images across the skin of your thigh. “Proved that I’m still good enough for you.”

You didn’t even bother to hold back from rolling your eyes. “You know that’s ridiculous, Oberyn.”

Oberyn nodded, warm eyes drooping before closing softly. “Mmhmm” he hummed.

It settled like that for a while. You stroked his hair, drawing more relaxed hums from him while a question started bubbling up in your mind.

You pushed it aside for a different one, “Why don’t we do something tomorrow?”

“Can’t, I’m afraid.” He sighed, “Doran wants me to come in first thing to review some clause in the trade documents with Lys- something about a weird shipment- it's all very complicated really. I’m sure he’ll find a way to keep me there longer too and spring more papers on me or something.” When he finished the silence started to sting. “I’m sorry, honey. You know I’d love to-”

You refused to let him get to the “but” in that sentence, “It’s okay--really! I mean we just did a lot… Maybe later in the week?”

Oberyn kissed your hand. He was visibly relieved of the tension diffusing between you.“You got it, honey.”

Oberyn left about an hour later, giving you a tender kiss on the forehead and the promise of “soon”. The warm spot beside you and the marks on you were the only tangible signs that Oberyn had even been there at all and you lamented the fact that they too would be quick to flee as the rest of him had.

You hated to pout but it was easy when your lover had barely spent a day with you before being snatched away again by something more important. Important, demanding or serious -any similar word- was more so because you were relatively less. You- unlike business or politics or events- could wait on his bed all day and night for his return.

Ultimatums weren’t known to be answered romantically every time. And you swore to yourself that you’d never force him to choose. Nevertheless, the seed of doubt had been planted and the casualness of your relationship with Oberyn nurtured it against your better judgement.

You stewed over these thoughts long into the morning, staring up at the canopy butt-naked.

He had told you something before he left for King’s Landing two months ago that you remembered suddenly. “... you are the reason I am going to rush back to Dorne.”, the unspoken idea there being that he would value your company above the general comfort of familiarity. You had almost told him then how you felt about him, but a nagging feeling had told you to hold it in and now you had to suffer under the weight of more doubts and insecurities.

Maybe if you had, he would have been able to clear up half of the doubts you were festering over- maybe he would have said he loved you too. It was a selfish thought but irresistible all the same and you were too quickly lulled into indulging in it.

[dusksmote]

2020 in perspective...

i originally got into south park in 2010, left the fandom in 2011, then nearly a decade later in december, 2019 i came back again. 

January: butters sketch

i hadn’t been in a serious fandom for years, hadn’t drawn or written anything seriously in years. i went on a trip to denver, colorado, and came back ready to get fucking into it. i started writing the longest single work i’ve done to date, Ecstasy (130k, not yet posted). this piece was the first drawing i did this year, while riding the train home from my internship. a shitty little sketch of butters from the fanfic, with mohawk and glasses.

February: latex tweek

still traditional art only. started getting serious about shading, and drew LATEX TWEEK (also from Ecstasy). Finished the 1st draft of the fanfic this month and went into the editing phase.

March: juggalo stan and kyle

why? did i forget to mention everyone in Ecstasy is a juggalo? long story. finished the current (final?) draft of Ecstasy. 

April: stan and mpreg kyle

STILL doing traditional art. started working on my next fanfic project, a prequel to Ecstasy--BUT FIRST i read @blesspastacraig​‘s fanfic Best Laid Plans and it inspired me to write my oneshot Our Fish Alien (2k, complete). Got my Ao3 account this month and decided to post it with some art. hence, style mpreg art. started incorporating prop elements (hospital bed), but still too spooked to try backgrounds. 

my friend @cola-fiend​ convinced me to make a tumblr and post some sketches, ergo here we are. this eventually lead requesters to ask for more mpreg, which snowballed until i made a fucking discord server for it, but i’m getting ahead of myself.

May: fat kyle

the last time i did digital art was 2015 when my tablet broke, then in may i found out there’s free phone apps for drawing. so my first digital drawing in half a decade was fat kyle and his skinny boytoy 😂 by now i’d scrapped my plans for an Ecstasy prequel and had started writing Eat That Lunch (27k, complete), and wanted the art to look better. i started by drawing the lines traditionally then coloring the picture digitally 😬 yikes

June: crimson dawn

now we’re cooking with gas. i watched a few art tutorials and tried drawing something serious with digital line art. i was working on my tiny fucking iphone 5 screen and this piece took over 35 hours 🤘😔 no backgrounds yet

July: tweek and baby

my first commission! @blesspastacraig​ and i are now collaborators and friends and i got to illustrate some of her fanfictions. this one’s from Algorithm! (which i totally helped inspire >_>) blurry ‘baby’s first’ background in there too. i also started writing the sequel to ETL this month, What They Say About Us (50~k, incomplete), but didn’t publish it until september.

August: boxer tweek

first attempt at a lineless, painting style. did this one for tweek’s birthday. not a great first piece for a new art style, but a very important design shift that’s changed how i color completely. also switched to an ipad instead of my small-ass phone screen phew

September: boys eat at shakey’s

posted WTSAU! i wanted to make this fic look super fucking good and probably put more effort than i should have into all the art. BUT, forcing myself to illustrate it is what’s really helped me gain more artistic skills. this is my first scenic piece with full color background. i also started writing my next big fic, Wayward Son (50~k, not yet posted), based in the same universe as @blesspastacraig​‘s fanfic Hungry. it was supposed to be a oneshot and now it’s 95 pages long dammit!! 😭

October: broflovski passover

resumed online classes and creative progress suffered for it 😔 i still managed to put out a lot of work i’m proud of, like this seder scene from WTSAU chapter 3. full background and 8 characters? pssh, can’t scare me. i showed this drawing to my boss, who named it ‘the confused gentile’. oh stan.

November: gunslinger kyle and stan of many moons

honestly? not sure how i survived this month. but i knew the start of december was gonna be worse so i jumped on style week as soon as they put the prompts out (this was the second one i drew). at this point i enjoy painting backgrounds more than the figures in them.

December: style clubhouse

i drew so much stuff this month it’s hard to pick one thing to represent it all, but--the seventh day of style week has a bit of everything i’ve learned. background. colors. lighting. concept. crazy when you compare it to january.

now i’m back to work on putting out WTSAU chapter 5. after that’s done i’ll pick which fanfic to post next and get cracking on art for that. Wayward Son’s in it’s final pages, so i’ll be picking up a new fanfic project in the coming weeks too. 

overall? 2020, you were a wild south park year, just like 2010. i honestly can’t believe how far i’ve come as an artist considering i spent the first 1/3rd of this year sketching on napkins and shit, and here we are. looking forward to all the improvement in 2021 💚💙

[yeaahishowedupatyourparty]

@.JaneyPowellx: This has been something I’ve been debating doing for a long time now and it’s never really felt right. Even now, with all of the words on paper, or typed on to a digital page, it doesn’t feel right. I found writing fiction through the desperate need to escape reality & I’ve done everything in my power to keep them separate. Whether your favourite work of mine is Harry Potter, The Selection, We Were Liars or Twelve, you’ll never find me in them because they’re idealised situations in world’s that could be just around the corner or in far off places. 

This story is different. It isn’t fiction and it isn’t escapism. It’s set in the real world and within the 21 years I’ve been alive. If you’re holding this book in your hand after purchasing it or have just downloaded it from my website, I’ll be bold enough to assume you already know the basic premise of the plot and you already have your expectations. There’re different versions of this story on true crime YouTube channels, in the newspapers and on blogs, some written with a good lot of research being done and others written just for clicks. It’s been a hard thing to accept, but all of them are somebody’s experience of the event and therefore hold a certain degree of truth. 

This is just another version of a story that you might have heard before, this time told by me, Janey.  CHAPTERS 1-3: TRIGGER WARNINGS THROUGHOUT FOR ABDUCTION, ASSAULT/HARASSMENT, DRUGS & ABUSE

//OOC: This isn’t a full on story, just the outline! I think it’s taken her ages but she’d definitely record like a diary-styled retell of everything that happened to her involving the abduction that happened when she was 15. It’d be super cheap and available in stores AND online but all the profit would be go to appropriate foundations. 

CHAPTER ONE - Happy Birthday! 

In this chapter, Janey would start out by describing her fifteenth birthday. The year before, she’d seen Harvey, her older brother, cross a milestone - his sweet sixteenth. Therefore, the expectations for her birthday were pretty high. She was expecting the big party, huge balloons, special presents, a sip of alcohol and extra privileges but alas, she was only turning fifteen. Her parents were very clear about birthdays, drinking and other rules: 16, 18 and 21 were the milestone birthdays, otherwise parties were smaller and inexpensive. 

She’d go on to explain how she’d been sulking all day because of it and explicitly remembers refusing to blow out her birthday candles after dinner. It would be something she’s embarrassed by now but at the time, it was perfectly reasonable. She’d mention that most people who only know the twenty-one year old her wouldn’t recognise fifteen year old Janey. A moody teenager who insisted on dressing like Jade West from Victorious and took way too much interest in her pink flip-phone (another thing she wasn’t happy with, seeing as Harvey - being 16 - had recently got a better one).  

It’d talk about how her parents were firm but fair and well known in Violet Springs. Her Mum was a teacher and, to Janey’s horror, actually taught her in Year 7. Her Dad is an independent photo journalist who mainly covers local sporting events. She’d explain how they’re amazing parents and even if fifteen year old her couldn’t see it, they were equally amazing to Harvey, Annabel and herself. 

Janey would go back to writing about having serious middle child syndrome and never making life easy for her parents. She wasn’t “naughty” but definitely pushed boundaries by breaking curfew, getting in trouble in class and talking back a lot. She’d confess that she cared a lot about being in the “right” crowd in high school. Deep down, she was always a naturally quiet person but felt the pressure to be as loud as the other girls. She wanted attention, and to be popular, and for boys to like her; that was all that mattered & if she knew then what she knew now, she probably would’ve slapped herself because she has no doubt that that’s what ultimately led to everything going wrong. 

She’d mention that her birthday is the 19th of March (and she prides herself on being a true Pisces as it’s also her moon sign). It also gave her a couple of months until summer, where she and her friends planned her REAL birthday party since her parent’s wouldn’t give her one. They’d decided that they’d go to the open fields in between Lilac Heights and the Cotswolds (?) during the summer and drink, get high and just have a good time. She’d explain how the group of girls she was friends nearly all had older boyfriends who were in college and it was easy to get a hold of stuff they probably shouldn’t have been having. 

Janey would talk about how the field has become iconic for completely different reasons now. If you google it, you won’t have to scroll very far at all to see pictures of it sectioned off when the police were searching for her. But, that summer it was beautiful and everybody was tanned, having fun and happy to be going into the last year of high school. Janey would explain that she’d always been insecure about not having a boyfriend, but she and her friends planned to change that because one of their boyfriend’s was bringing a guy who she’d been speaking to online. He was 22.  

The end of this chapter would be romanticised and Janey would reflect on how it was the last time she was ever “old Janey.” Her plans had been to sneak back in through Annabel’s bedroom window and get into bed before her parents even suspected a thing. But, that never materialised. 

CHAPTER TWO - As It Happened. 

In this chapter, Janey would mention that she’s going to tell everybody exactly what happened that night. Details the police couldn’t even figure out when they tried to piece it all together. There’d be a trigger warning that she’ll be mentioning drinking, harassment and abduction but would promise that it isn’t graphic.

The first part would be about how the field party was a typical summer thing; hot weather, people drinking and having fun as well as sneaking off into the forest (but not too deep) to do god knows what. She’d talk about how she ignored the constant texts and calls from her Mum when it got dark, and how she was drunk. It’d also cover that she was introduced to the friend of her friend’s boyfriend  and even though he wasn’t her type, she was excited about the attention. When it got too dark to see anything, most of her school friends decided to call it a night but Janey went to Downtown Springs with the guy she’d met and his friends because they promised they could get her into Indigo, which they did. 

Most of the night was fun; she was bought drinks, there was lots of flirting and she felt special...which is kind of the hole she’d been trying to fill throughout her teen years. She’d definitely then mention that the guys she was with and every person like them exploit people who aren’t feeling their best and would talk about surrounding yourself with people you trust and not just people who are giving you what you want. 

At one point, the boyfriend of her friend (who was now at home) started getting really loud and rowdy. To this day, Janey doesn’t know if it was genuine or just an act for an excuse to get her to leave the club with them and not go home like she’d planned. They were kicked out before it was midnight and she’d vividly recall passing a few people from school (including Wes and Nate - her ex, I think!) and chatting to them for a little while before the guys she was with mentioned their friend was having a house party in London. Nate specifically asked her to stay but she was set on having fun on her birthday and left with them. 

She’d talk about seeing familiar buildings of Violet Springs turn into intimidating city offices and the roads getting wider as they entered London. The atmosphere in the car shifted slightly but at the time, she was too drunk to even notice. Neither of the guys said anything to one another or her & it gives her the chills now to know that in that moment, she’d been abducted, but she didn’t know it. They got out of the taxi and Janey remembers being embarrassed about not having enough cash on her to pay for her third of the fare - something trivial now - and one of the guys just paying for it without much fuss. 

Once they stepped outside, she saw they were stood in front of a tower block that was almost completely silent. No sign of a party. That’s when she started to hesitate but was too shy to say anything; she was in a weird part of London at 11:45 with nobody she knew and no money. Also, she was sure she was just overreacting. One of the guys said that the party was on the top floor which is why nobody could hear it and even faked a phone call with the “host”. Janey took the elevator up to fifth floor with them and again, felt as if something weird was going on because the top floor was the seventh. This also ended up being something that confused the police in her investigation; witnesses who saw her enter the tower block had overheard the conversation and couldn’t piece together WHY she wasn’t seen on the seventh floor or who’d even supposedly had the party. 

She’d explain how the flat they entered belonged to the friend of her friend’s boyfriend and how eery it felt when it was completely silent. She asked multiple times about the party and both guys said they’d go up soon, but they wanted to have some more drinks and smoke before going up so that they were on everybody else’s level of being completely fucked. Janey remembers sitting on the arm of the sofa and realising how gross and dirty everything was. She wondered how someone who was 22 had given up already and remembers seeing pictures of her parent’s starter home at that age and how pretty it was by comparison. 

The longer it took for them to go back up to the party, the more anxious Janey got. Eventually, she excused herself to go to the bathroom and decided that she’d have to face her parent’s consequences and ask her Dad to come and get her. She panicked even more when her phone wouldn’t switch on and she realised it was dead...meaning, she’d have to borrow money to get home. Once she came out of the toilet, she half debated leaving without them knowing because she just had a horrible feeling but felt like that’d be rude. So, she went back into the living room and asked to borrow a phone. That’s when things shifted completely and fun flirting became intimidating harassment; sleazily flirting with her and telling her not to be boring. One of them even insisted on kissing her to shut her up but once she got really upset, they agreed to take her home on the basis she’d have one last drink. She did, and it was spiked, which made her pass out. 

The next day she woke in the bedroom of the same apartment, still fully dressed - something she was too young to register at the time, but now she reflects on it, it was the one comforting thing of the whole morning. But, her bag had gone and the door to the room was locked from the other side. She remembers banging on it and calling for someone, but nobody answered. She’d describe the panic and desperately wanting her brother or her Dad in that moment, but had to keep reminding herself she didn’t have her phone to contact them. She ended up being shut in that room for twenty-four hours before one of the guys came back; the friend of the boyfriend. He told her that she wouldn’t be going home and the more noise and fuss she made, the longer she’d stay in the bedroom. 

Janey would talk about how her biggest regret is NOT making a fuss and screaming until a neighbour or somebody heard, but her survival instincts kicked in and she was scared she was going to be seriously hurt if she didn’t listen. So, she stayed quiet and followed what she wanted him to do; which was to dye her hair brown and change into clothes he’d bought for her - a basic black tank top and sweatpants. Again, at the time she was too confused to even begin to think about why but now she knows it was because she’d soon be declared a missing person and if they were taking her into public, she looked too familiar to any description circulating. 

She’d end this chapter by saying how she remembered sitting on the floor of the living room that night while he put the dye in her hair, trying not to cry while her story first broke on to some of the news networks. But she’d also talk about how she felt twistedly happy that her parents had decided she was missing and not just out being her usual, difficult self. 

CHAPTER THREE - THE FLAT. 

She’d start the chapter with a warning about mentions of sexual abuse again. This would be a really brief chapter, but it would basically be her explaining to everyone who she was taken in the first place; trafficking; and how it isn’t what everyone imagines. She wasn’t chained up in a basement somewhere. In fact, before the news of her disappearance really blew up, she was actually allowed out given that she was with one of the two guys. She’d go to the store, or just sit in the park and once even to the gym. 

She’d explain how ultimately though, she’d been taken as a product. Neither of the guys ever slept with her, but there were other men who did and they’d pay the two guys to do so. She’d never get or see any of it and she’d talk about how from the beginning there were strict rules. Her name would be ‘Liz’, short for Elizabeth which was her middle name, she wasn’t to have personal conversations with any clients and the answer had to always be yes to whatever they asked. Also, crying or appearing upset was a big no. 

She’d talk about how this went on for a month which was enough time for the search for her to gain momentum and more press coverage. And, she knew this, because the people keeping her almost INSISTED that she read newspaper articles or watched reports about herself. She’d also mention how they would mock her parents, sister, brother and friends who obviously would make appeals or speak about it in statements and find it funny. That would often set her off and she’d argue with them, which never ended well for her. 

The chapter would be rounded up with how by the end of August and moving into September, when she was supposed to be starting college, the police released sketches of the “suspects” and mentioned that they could be in the London area. For around three days, Janey had hope and felt like she was going to be found...but the guys began to panic. That’s when she wasn’t allowed to go outside anymore & one night, she overheard the guys speaking about how they were going to move her “and the others” further away from the Capital. That’s when she knew that this was going to be a lot harder than just doing what they said until they got bored. 

[palimpsessed]

So @captain-aralias​ did one of these and invited other writers to do the same. And I wasn't really going to because it feels a bit late now and also I've done quite a few other year in review posts for 2020. But then I got to thinking that it would be really nice to have one of these for each year to look back on and compare, which convinced me. So, here we go!

If you’re a writer, I’d also encourage you to steal this. Tag me on your post so I can see your thoughts! 🥰

List of Complete Fics for 2020 1. At the Top of a Tower, With You- General, 900 words 2. Use Your Words- Teen, 16k 3. A Man of Letters, or Five Times Baz Retreats and the One Time He Doesn’t- Teen, 54k 4. To the Manor Borne- Teen, 43k

Total: 4 fics, 113k words

Every one of these fics was written for an event, which, realistically, is the only reason they got finished. I have so many ideas I'm working on all at once, and I came into fandom with a focus on making art, so to actually find the motivation to sit down and write/finish/post a fic was entirely deadline based. And it's a technique I'm sure I will also employ in 2021.

Best/Worst Title?

Well, I've mentioned a few times before that I usually have a title before I have much in the way of a fic concept. I don't really dislike any of the my titles, because they all did exactly what I needed them to do, which was help me focus on what I wanted to accomplish in the fic. Comparatively speaking, though, I can answer this.

Best: Use Your Words - succinct, idiomatic, a book quote/motif that also has the potential to be a spell, does what it says on the tin, is probably what all of us are constantly yelling at Baz and Simon to do throughout the books and the fic itself

(Honorable mention to A Man of Letters because that title forms a perfect heart shape when viewed on mobile on AO3. ❤️)

Worst: At the Top of a Tower, With You - this is also a quote and it fits the fic perfectly, but it is a bit of a mouthful and it has a comma in the middle of it, which, while I love commas, feels a bit off-putting in terms of a title - also, it's always kind of bothered me that it's a Baz WS quote used for a CO-era Lucy POV

Best/worst summary?

Again, I don't really dislike any of my summaries.

Best:

To the Manor Borne: The gang decides to spend Christmas together at Pitch Manor. Romance, hijinks, and holiday cheer ensue.

Anything that lets me use the word hijinks is always good! - it's short and sweet - it does a fair job of setting up the premise for the fic and giving highlights, without giving anything away

Worst: A Man of Letters

I'm not going to include this one because it's so long, I had to cut down the version I posted on tumblr to fit in the AO3 field, which is really why I rank it below my others - it effectively sets up the world of Simon and Baz in Regency England prior to where the story starts, but it is prohibitively long - and it's set up, not summary, so it also loses points for not doing what it purports to do - I could have said exactly what this fic was in one sentence: "Simon and Baz meet at several Regency-appropriate venues over the course of a London season and reflect on their acquaintance in letters", but instead I did the full book jacket version because it was more interesting to me.

Best/Worst First Line?

Oh, this is interesting. I can honestly say that I have no idea where this will go. Going to pull up my docs and find out! Okay, since I only have four fics to consider, and I'm feeling split, I'm going to do two for each. I feel good about my words, but I will say that half of my first lines actually provide information, and the other half are incomplete thoughts. Those were stylistic decisions I made, but when taken alone, it does somewhat limit the effectivness of a sentence when it can't stand without the rest of the paragraph. Perhaps that decision will lure readers in for more?

Best:

In the end, we wind up at Pitch Manor. (To the Manor Borne)

I know that you won't be surprised when I tell you that I do not like writing letters. (A Man of Letters)

Kind of interesting that these both contain key words from the titles 🤔

Worst:

I'm not sure how I'm supposed to do this. (Use Your Words)

I love how the title seems to be answering Baz's question when the two are put together like this 😂

Strange that it should end here, where it all started. (At the Top of a Tower, With You)

The title also seems to complete the first line in this one, too. I'm learning about my writing as this goes on, so that's cool!

Best/Worst Last Line?

Hmm. Okay, again, no idea. Also, a little leery of including last lines for anyone who hasn't read the fics they're from yet. (Tho I guess it's unlikely those people would be reading this😆) But let's see what we've got.

Use Your Words and A Man of Letters have very similar final lines, and both are somewhat spoilery.

Best: The ending of A Man of Letters felt risky to me, in the way that it is formatted and changes tone from the rest of the story. It was something that happened as I wrote it and I loved it. I had no idea if readers would like it, if they would feel like it worked as an ending, but I felt strongly enough about it to let the entire fic hinge on that and I think it really paid off. So, without giving you the actual last line, which is only one word, I'm going to say that one is my best ending.

Worst:

To the Manor Borne: "Carry on, Simon."

It's not bad, it's just not mine.

Looking back, did you write more fics than you thought you would this year, fewer than you thought, or about what you predicted?

I did not set out to write any fics in 2020. I was supposed to be taking a break from writing. I've been an aspiring novelist for half my life now, and have been going through major ups and downs with my writing. I decided I needed to re-evaluate and figure out if writing was something that was even going to be able to make me happy anymore. The answer is: YES! Just…not original fiction. At the moment. I'm happiest when I can write for the sake of writing and not have to DO something with that writing. Which is why discovering fan fiction was AMAZING!!!! 🥰🥰🥰

To actually answer the question, yes, I wrote more than I thought I would. I also wrote exactly as much as I thought I would, simply because these were all things I signed up for (with the exception of my Countdown fic, but I committed to it as if it were something that required a sign up).

I have a lot more ideas for 2021, but I don't know how many of them will come to fruition. I'm not putting pressure on myself to have to do anything beyond what I sign up for again, because it did work out so well for me starting off.

What pairing/genre/fandom did you write that you would never have predicted last year?

I mean, the pairing and the fandom were in no way a surprise. 😆 They're my only ones, so those were both a given. The genre is also not surprising.

What's your favorite story this year? Not the most popular, but the one that makes you the happiest?

A Man of Letters, without any hesitation. I adore it so much. It's the kind of fic I know I will unabashedly sit down to read over and over, even if I'm the one who wrote it. I had one reader to please and it was ME. By far, my most self-indulgent fic.

Okay, NOW your most popular story?

That depends on the metric.

To the Manor Borne leads in Comments (107), Kudos (153), and Hits (1992), and Use Your Words leads in Bookmarks (26).

But since To the Manor Borne is top in 3 out of 4 metrics, I'll say that one.

Story most upderappreciated by the universe?

I mean, the least popular by a wide margin is At the Top of a Tower, With You, but I don't know if I'd call it underappreciated. It's short, it's angsty, it's got a very unusual style, it's Lucy POV, it's the first fic I wrote and posted. I didn't really go into it with high performance expectations. I'm proud of it, I just didn't expect it to be popular. It would be nice if more people read it, but I'm not broken up over it.

Story that could have been better?

I'm not even going to touch this one. Everything can always be improved upon, but if I go down that route, nothing will ever be done. This is one of the things I have come to appreciate about traditional art versus digital. With traditional, there is only so much you can do before something is permanent and you have to live with it. It's an exercise in letting go and acceptance. Digital is flashier and more flexible, but I could (and have) spend months on a single piece and never feel satisfied, never stop tweaking. I think that's also the reason I started to hate my novels.

Sexiest story?

Based purely on overall vibes, I find the understated tension of the Regency the most appealing, so I'm going to say A Man of Letters. I didn't actually stray into sex territory in any of my fics (though Simon and Baz have had sex by the time To the Manor Borne starts, and refer to it, and probably do it "offscreen"), but A Man of Letters is the one that feels sexiest to me. Lots of thirsting!Baz and feral!Simon and sensual hand touching (how risqué!) - and YEARNING. That, to me, is the sexiest vibe of all. So. Much. Yearning.

Saddest story?

At the Top of a Tower, With You - for this one, I tagged "angst without plot" and I stand by that. It's Lucy losing her connection to Simon at the end of CO and trying to find a way to reconcile herself to leaving him alone again. I gave it as much of a hopeful bent as I could, with the refrain of Baz's spoken "love" to cling to, but it's very sad.

Most fun?

To the Manor Borne - All of my fics have their fair share of angst, but this one also has some good, silly, holiday fluff thrown in. Since I wrote it for the Countdown, each chapter was based on a different prompt, which led to this one going in all sorts of directions no single fic probably ever should. Plus, it has the most Shepard, and Shepard always makes things more fun.

Story with the single sweetest moment?

Oh my god. I don't know. No, never mind. I do. It's To the Manor Borne, but it's split between the two gift giving scenes, the Constellations and Secret Santa/Gift Giving prompts. These were private moments between Simon and Baz, sharing themselves with each other, being vulnerable, and communicating. It's the gifts they give each other, yes, but it's more so the reasons they chose those gifts, and how they show part of themselves and share their love for each other, through those gifts, that had me in tears writing those two scenes. I'm super proud of them.

Hardest story to write?

Use Your Words - it was written for an exchange and that made it really hard to write it knowing there was this pressure of making my gift-ee happy with the fic. I'm proud of it, and they really liked it, but the anxiety was too much for me.

Easiest/most fun story to write?

A Man of Letters - if there is a fic better suited to me as a writer, I haven't met it. I started writing after reading Pride and Prejudice in high school, so I started out writing Regency and I spent years and years and years of my life obsessed. When I transferred into college, an administrator I had never met before heard my name during orientation and said, "Oh, you're the Austen scholar." (It is a small, private college, and I was a transfer, so the pool of students was even smaller. But still. Many years later, I'm clearly not over it.) I also did my senior thesis on an epistolary novel (Frances Burney’s Evelina), and my English Lit emphasis was for that time period. So, I felt like I had been preparing for this fic my entire adult life. 😂

Did any stories shift your perceptions of the characters?

I don't think so. I tend to let my writing be dictated by the characters, so I'm always following their lead. Sometimes they'll do or say something that surprises me and takes me down a route I didn't necessarily foresee, but I don't think there was ever a point where one of them did something that made me rethink who they are as a character.

Most overdue story?

I will say A Man of Letters, since that one felt like a culmination of my seventeen-year-old self's wildest writing dreams. But I should probably say the Scooby Doo AU I still haven't managed to finish, because that one has been a WIP since I joined the fandom. Oops. (I'm hoping when I look over this in a year, I can feel smug that it's finally done.)

Did you take any writing risks this year? What did you learn from them?

Writing at all was a risk for me! And writing fan fic for the very first time! Writing an entire fic told only through letters. And then ending it in a completely different style from the rest of the fic. Doing a multi-chaptered fic for the Countdown, using a different prompt for each chapter, and publishing a chapter every single day for thirty days (with the exception of two days that had art). Signing up for fandom events in the first place!

What I learned from taking risks in my writing is the same thing I learned when I took risks in my art this year. I have a much better appreciation for what I've done when I push myself, I feel better about the end product, and I like it longer. I think it's really good for me to challenge myself creatively.

This year's theme and the story that demonstrates it most?

Oh boy. Um. Therapy! Both Use Your Words and To the Manor Borne had their big HEA moments built around sending Simon and Baz to therapy. I don't think that's likely to change for future fics, either. I feel like therapy as the theme for 2020 seems very fitting. (Also, I think I keep sending the boys to therapy because I'm trying to get myself there…)

What are your fic writing goals for next year?

Just to write what I want to write, have fun, not put any pressure on myself, and to take risks in my writing and my art because it will help me to grow.

[iamtheempress]

A Vegeta x OC Fanfiction (part 2)¤ ¤ ¤

The morning came with silence and silence came with Raditz banging on Calamatta’s pod. 

“Wake up! we need to get our pods to the ship in the upper atmosphere then we start the terraforming process! Got it?” SHe stretches and gives the long haired Saiyan a lazy thumbs up. Confirming she heard him loud and clear. Rubbing her eyes she punched in the coordinates to the ship and off the four pods flew to the ship in the higher atmosphere, slotting their pods into the mothership.

The four took their time to leave 2 by 2 to the planet and scour the planet to completely terraform it, with expertise and precision. Cracking open the planet enough to let the oceans flow forth, for several hours they did this until they returned to the ship. Calamatta entered the ship last and was greeted with a crisp clap to the back from Nappa. “Good job, lil lady!” He bellowed as she rubbed the back of her head. “T-thanks Nappa, now im just worried.” 

Raditz raised his hand and shook his head, “Ahhh calm down, we're going to give him an honest review of you then you will be moved to our quarters, you get your first pay and then you should be good. Settle down.” He brushes past her and makes his way to Frieza’s Hall. Vegeta followed behind, throwing a glance at the female Saiyan as she sat on a chair, he can tell she was nervous by the frequency of her bouncing leg. They didnt like bending to Frieza’s whim, but they werent about to just go against him out right.. And with one more saiyan with them to train and get stronger they could be unstoppable. Its just the matter of pandering to Lord Frieza until then and making sure they dont get killed.

Lord Friezas chambers had only Zarbon blocking their way, the annoying green haired former prince with no shame. Dodoria, the brainless ruffian was nowhere in sight. “Monkeys.. Im assuming its about the release of Friezas little ape?” Zarbon said very condescendingly to the three, very annoyed Saiyans. Vegeta tightened his fist and grit his teeth at the comparison to apes so blatantly to his face.

 “Zarbon thats quite enough. Ive been expecting them.” Friezas voice piped up waving the three Saiyans in. “Y-yes, Lord Frieza.” He obeyed and moved out of their ways. “You are excused Zarbon, your services arent needed this evening.” Frieza rotated fully in his seat and swirled a full goblet of wine within it. 

The three took bended knee to Frieza begrudgingly and raised up at the same time. “Were here to confirm our Terraforming a rousing success.” Frieza smirked and paid attention to Nappa. “Indeed. It was to be a 4 to 5 day excursion and you done it in 2 and a half days? My my, you 4 are persistent!” He chided and pointed to Nappa first. Everyone is fully aware of Frieza’s death beam so Nappa winced. Causing Frieza to visibly inflate like an egomaniac. “Now what is your report about my favorite little monkey, Ms. Calamatta” He sipped his wine and let it hover mid air rotating it and lacing his fingers together and letting his long worm like tail wag lightly. Nappa took one step forward and spoke up, light sweat on his brow as he made eye contact with deadly bright vermillion eyes.

“Calamatta’s first time out with primary race extermination was exquisite. Effective and heartless. If she continues with us you should expect the same, Lord Frieza!” He did a full bow and stepped back for Raditz, The long haired teenage Saiyan cleared his voice and spoke up, starting with an embarrassing voice crack. “She took orders for sequences of events and how to lay waist to entire cities fairly quickly. I'd prefer her with us simply because she has a job to do and she seems to enjoy it.” Frieza slowly nods, eyes closed and speaks softly. “Mhmm. mmhmmm. You two are dismissed. Vegeta… you stay.” 

Frieza took his goblet and took a sip from it as the Prince narrowed his eyes and approached, puffing up his chest. “What do you think about the pretty little simian? Shes quite interesting… obedient and has grown to be a lovely young woman, shapely i think your repugnant species would call her... You are aware her father appointed her to me when she was a child, I'd assume Vegeta…?” He lets the wine glass levitate again, Vegeta stood with his arms crossed and brow raised. “Yes, Im aware...What is this about.” Frieza clicked his nails about on his seat and smiled softly.

“Her father did not trust his only daughter with the likes of the Kings eldest boy… Not after their fight… so she was appointed as my little monkey butler, a nice little piece of arm candy… if only she wasnt a Saiyan. Anyway… Enough with my little flights of fantasy…” He gestured to the confused Saiyan Prince, his lips lined straight and unmoving. “About Calamatta… How was she.. Your word I take higher then anyone else.” He preened upon saying her name, it was borderline perverted but with a sinister meaning behind it. 

“Shes the missed opportunity id like to get my hands on. A perfect Saiyan through and through. If she werent by your side so often id have taken her by my side YEARS ago, Frieza…” He stated as a matter of factly, Friezas dark little smile returned “How disgustingly romantic... Zarbon! Summon Calamatta for me.” He snaps his fingers and trot like tapping faded down the hallway. Zarbon was waiting outside, like a good little brainless lackey.

Calamatta was tapping on the table she waited at, tail flicking nervously about behind her. She was snapped from her stupor of nervous leg bouncing and hair twirling to Zarbon slapping his hand down firm onto the table. “Calamatta, Lord Frieza is requesting your return asap.” SHe nodded and fixed her hair abit standing up and wrapping her tail around her waist. Shes known Zarbon longer then shes known Dodoria. 

The kinship Zarbon developed for her was astounding, a favorable friendship when she felt immense discomfort in her teens on. It weirds her out and flatters her nonetheless. “Yes, Zarbon.. Right away.” She walks along side Zarbon and even passes Nappa and Raditz on their way back. “Ill have you know for the duration of time that I have known you; you are not like the others… youre charismatic and maybe the most tolerable, of the 4 of you...your  still nothing more than a monkey butler though.” She sneered and returned her gaze fixed forward, down then away. The moment she turned the corner she went wide eyed to see Vegeta. 

She stopped in her tracks and was given a push from Zarbon, Frieza chirped upon her entry. “Welcome back, Calamatta! I have some good news for you…” “Lord Frieza..” She bowed at the waist obediently she stood next to Vegeta and Zarbon once again excused himself.

“I trust that your first day terraforming was a success and that you had a splendid time, did you dear?” Calamatta stood up straight and let her tail unwind from her waist. “Y-Yes! I actually liked it alot!” She chirped and gulped abit, Vegeta scoffed and closed his eyes, only for Frieza to speak. “Oh, well you are not out of the woods yet my dear...no no.. You have one more task to prove to me before i let you do anything with the male populace for you to shake your pretty little tail at.” 

He makes a face and a screen pops up on the window behind him. A massive green, blue and red planet popped up on the screen encircled by 2 rings and 2 moons. “You and Vegeta are to Terraform this planet on your own. I will give you a month to do it because this planet has highly hostile inhabitants.” Vegetas eyes snapped open and stared at the planet then to frieza. “You cant be serious? Why not just send me on my own then i can do it 3 weeks without the likes of a newbie.. No offence Calamatta but its just facts.” He crossed his arms. “Do this the both of you for me in a months worth of time and your pretty little primate will be out of my hands and in yours. Indefinitely. But if not i will be forced to use my own hand… and you dont want that Vegeta..” He grinned widely. His pointer finger extended toward the female Saiyan and she gulped upon seeing the beam charge at the tip of his digit.

Vegeta stepped infront of the female Saiyan and narrowed his eyes, his move was more instinctual than out of emotion. Calamatta never thought the prince would ever put himself in a position like this but here he was, his solid back to her front she peaked over his caped shoulder and looked at the tyrant who tilted his head. "Hehehe.. it seems ive struck a chord in you Vegeta.." "Not at all.. she's done nothing for you to raise that finger at her. I've made the decision and well go…" he clenches his fists, the material of his gloves made a noise. Calamatta could feel the princes frustration from how close he was to her… "to that planet… and well wipe it before the month even finishes.." 

Frieza chuckled, "Good… i know you will fulfill your promise.. Calamatta you stay, dear.. Vegeta…" Calamatta straightened her back  and tightened her tail around her waist. "You are dismissed.. i have a few things to discuss with her." Vegeta turned around and made eye contact with Calamatta, with a pitiful look in his eye.. like he knew she shouldn't be in this situation. "Bye, Vegeta." She said softly, causing the Emperor to briefly narrow his eyes, she kept her head forward. Vegeta said nothing as the door slid shut behind her. Leaving without a word and kind of making her heart sink abit. He grit his teeth and stormed down the hallway to a perplexed Raditz and Nappa.

“Calamatta, come little primate.” Frieza beckoned to her and snapped for one of his little cronies to bring something to him. Folded up in the hands of Dodoria himself. “Hello little Matta, hope you enjoy this little costume change.” She nodded to him and took the body suit and armor. “When would i expect to go to this planet?” SHe tilted her head and held the new suit, noticing theres not much too it, which made her really wary. “Ah ah, first things first alittle bit of information is more useful about the planet then when you and the simian prince will go.” Frieza quips looking at his shiny black claws. “The planets name is To-Rot, it is a giant habitable planet that im sure would be able to line your pockets quite nicely.”

Dodoria crossed his arms and quirked a brow at her, “Lord Frieza told you about the type of inhabitants to that planet right? Its not a walk in the park and I certainly wouldnt go alone... “ Calamatta gulped. “Now now, Dodoria. Do not frighten the girl. Who knows she could be the best of the 4 remaining Saiyans. We will see..” He gets out of his pod like seat and uses his tail to tip her chin up, a small smirk still playing on his lips.

“Run along and change and you may turn in for the evening… you both leave in 20 hours, when we arrive to the nearest solar system. From there you and Vegeta will go To-Rot.” Frieza chuckles to himself. “Fitting name dont you think? Ohohohohohoooo !!” He laughs and Calamatta turns and bows walking back to the saiyan chambers to change.

¤ ¤ ¤

Tags:  @memevember @dragonblobz @gonuclear @msgreenverse @fallen--lilith​ @jimbobslurpnchug​ @dragonballzforlife​ @nikabriefs​ @lilhemmo​ @lizardhipsdontlie​ @hierophantblue​ @supremeleadershitlord​ @thotful-writing​ @chickiedinner​ @anti-jaina @dragonball-hcs-or-sum-shit​

[phoenotopia]

2020 July Update

Things have gone slowly... again.

The good news is that the game is now submitted to the console "authority" and it's entirely off my hands. Once it gets through the console "checking" process, it can get a release date and we can sprint towards release. Until then, it'd be at least a month's wait or more until I hear anything. Understandably, their checking process is impacted by Corona, so wait times are increased.

On my end, I was also slow to submit the game. I submitted it late late June, since I ended up spending 7 weeks fixing bugs (and not 2-3 weeks like I estimated in the last blog post). There were just SO many bugs - now squished, thankfully. Since this is a blog post, I'll talk about what kind of bugs I've been fixing.

The other thing that slowed down the submission process was simply due to unfamiliarity with how these submissions proceed. There were pages and pages of stuff to read, guidelines to follow, and legalese to wade through. It really made me wish I had a publisher to guide me through the process. But I was able to clear it with a couple days work. I had an impression that the submission process went like A->B->C->D, with no room for concurrency. Turns out I could have done steps B & C at the same time and sped things up by 2 weeks... So that's that. I'm taking that as a lesson for next time.

The Console Revealed

What is this console that I talk about so stealthily? So that this blog update isn't completely unexciting, I'll reveal which console I've been working on until now. Drumroll please!

It's Switch!

We actually got the Switch dev kit in late 2017. From my understanding, around this time in the USA, the Switch kit was quite hard to get for indies as it was just starting out and high in demand. So I was surprised that my application got approved. I didn't know it then, but the game would still need a few more years of development...

Tweaking performance and fixing bugs

Here you can see my "expert" playtest setup. Since the Switch is more powerful while docked, I needed to playtest it in handheld mode, so I could catch and profile any problem areas where the framerate was unsteady. The most common thing that caused framerate drops were areas that went overboard with lighting. For these areas, I'd tweak or swap out the lights with alternatives that looked similar while also being less computationally intensive. Maintaining 60 FPS is a must!

An old camera (Nikon D3100) trained at the screen recorded my playthrough and would let me rewind to any moment a bug occurred. It could only record in 10 minute chunks, so I'd have to repeatedly repress the record button. On the plus side, because it's so old the movie file sizes were small and convenient.

The number one bug that I tracked and fixed in the past two months was what I dub the "Gear Ring De-equip" bug. The Gear Ring functions as customizable shortcut keys for the player to map items and tools (see an old video demonstration HERE). Through regular use of the inventory, somehow the equipped items on the Gear Ring would be de-equipped. It was an elusive bug since the de-equip event would happen very quietly and you would only suspect something had gone wrong much later. By then, the trail had gone cold and you weren't sure if a de-equip had actually occurred or if the player had simply de-equipped the item themselves. Two other playtesters noted that something left the Gear Ring in their playthrough, but I dismissed them. "Are you sure you didn't just de-equip it yourself?" It was a bug that bred mistrust and discord. I didn't truly believe it until it happened to me...

Luckily, with the camera setup, I was finally able to track it. In the literal 67th video, I caught a live instance of the bug occurring. After which, it was all too easy to recreate the exact same inventory and gear ring setup and replicate it.

(With this exact item layout, combine the 2nd item with the 14th item... and viola! Gear Ring de-equip!)

After fixing this bug, I then proceeded to fix it 5 more times. Every time I fixed it, it would later reappear through a different mechanism. 

Why do bugs like this happen? Underneath, there are two lists of items. Tools on the right and items on the left. Items can occur multiple times because they're consumable. Both lists start counting their indexes with the value 0. However, both items and tools co-exist on the gear ring. So to uniquely identify an entry you need both the item ID and the data index. Failure to check both data types resulted in bugs like the Gear Ring de-equip. Now throw in a bunch of item operations that can confuse the system. You can split items, combine items, swap items, or discard items. The more freedom you allow, the more ways there are for the system to trip up.

If you didn't get all that, that's alright. It was needlessly complicated. Imagine doing more and better and with less code and less bugs! Such a thing is possible if you start with the right design. I'm definitely taking notes here on how to design inventory systems for next time. In the meanwhile, I'm very confident I've squished all inventory related bugs.

Other bugs squashed and features implemented in the past 2 months include the end game arts not unlocking properly, collection percentages climbing beyond 100, stray doors floating in the sky, low HP sfx blaring when loading different files, balance tweaks on bosses, a max HP display when the menu is open - too many to count really! It was only after I fixed them all that I was confident enough to move forward with submitting the game. I apologize for the delay this will cause!

PC version back in progress

You may recall in the March 2020 update I talk about how in pursuing the Switch version, I unwittingly ruined the PC version. Well, since the game is "done" now and I'm waiting for it to go through the checking process, I've started working to reclaim the PC version.

And there is some good news to report. The PC version can compile again! Of course, it will need to have some work done, since it was late 2017 when I last had a functioning PC build. 

The opening menu is broken, the underlying save file system needs to be updated, and the controls... oh Lord, the controls. Controls were probably the #1 factor in pushing me to pursue a console version first. There are just so many controller options. Even just the usual suspects are numerous: Xbox, Nintendo, Sony, Logitech, Hori, 8Bitdo, Steam...

One of the number one complaints received regarding the flash game (which was keyboard primarily) was that I didn't allow controller rebinding to start. It was then that I learned of the vast array of different keyboard types.

(Ever heard of an Azerty keyboard?)

I shan't make the same mistake twice! One of the things I'll definitely tackle is the Right/Left face button feud when it comes to which should one should be 'confirm' and which one is 'cancel'. I want to allow the player to choose which is their "YES" and "NO" preference and allow that to overlap other actions like Attack or Jump.

Even after control bindings are taken care of, some things just won't translate well. The right control stick is currently used to access the gear ring and for fishing. Keyboards have no right stick. Aiming the crossbow with a full 360 degrees of range is done with the left control stick - if keyboard only, would the crossbow simply be locked to the 8 cardinal directions? What about those tutorial prompts with button graphics (e.g. "Press 'B' to Jump"). If using the playstation controller, it'd need to be the CROSS symbol. How many button graphics are we gonna load into the text module? What if the player, mid-playthrough, decides to swap out controllers? Indeed, there are many issues to tackle where controls are concerned...

Perhaps I'm overthinking it because even some AAA games get this wrong (Dark Souls has 'B' as 'Yes' on Switch, and it's not remappable, which I find quite annoying). I've seen games on consoles where the controls wouldn't mention the console's controller at all but instead mention a mouse and keyboard. Or, if you remapped the controls, the tutorial prompts still showed the old control bindings, making for a confusing experience. I definitely want to do the controls justice, so this will take some time.

Phoenotopia DISCORD Channels

Ryan and Firana have been running a Phoenotopia discord since late 2017, which I promoted on this blog once. It's been a couple years and it turns out that the old discord link I promoted expired. It's long overdue, but their channel could use another shoutout. Here's their channel : https://discord.gg/cnjrYST

Also, Khalid recently reached out to me about creating a Phoenotopia discord as well. I see no reason why we can't have 2 or more discords, so he has created that one with my blessing as well. You can find his discord here : https://discord.gg/cfnsCwy

I personally don't use Discords, since I'm very busy and there's too much new tech to keep up with. I hear there's a Tik Tok now? Should I create a Tik Tok for Phoenotopia? Hmmm...

Anyway, if you'd like to chat with other people who are similarly enthused for Phoenotopia, do check them out!

Fan Arts

We have five new fanart submissions this time around from regulars and new alike.

Cody G. returns with this pair of sketches of Gail. One seeks to answer the question, "how is Gail so strong?" Cody's answer is that under her sleeves she's actually really buff! This might be the most ripped rendition of Gail yet. Also, in the right drawing, the letter 'E' kinda melds with her bat, making it look like a keyblade!

What if Gale was a Shrek character? A new artist, Samu Kajin, from tumblr answers that question with a rendition of Gail sporting ogre style antennae. Samu Kajin says she can be called "Gaek" or "Shrale". I like the poncho!

Shafiyahh returns with a pretty portrait of Gail. Unlike their previous digital pieces, this one was made with color pencils! I like how her hair blends pink and purple colors together, and this pattern is also present in the eyes. Reminds me of a certain character. And the eyes are so sparkly despite using color pencils! Major props!

Negativus Core also returns with this relevant image of Gail, masked and running, presumably from Corona. It gave me quite a chuckle! I like the angle and tilt of this run pose because you can see the sole of her foot - that's how you know she's at full sprint! A skillful blur localized to her left foot show's just the right amount of motion. Gotta love the robot's expression too!

A rare 3D art has emerged. Dany Q crafted this adorable figure of Gail that is as cute as a button! I like how well it translates the pixel character over to 3D, capturing the 3 stitches on her shirt and even catching her stray strand of hair. It kinda reminds me of a Wallace and Gromit character, so I can picture it moving and animating in that unique claymation style.

Next Time

I'm ~80% confident we can clear the Switch console checking process and drop the trailer with a release date before the next blog post. But once again, if things go slowly, you'll hear from us in 2 months...

[ash-etherwood]

Top 5: writing memories, songs, characters that are not blank rune, runes, food

♡

Linda I love you but are you trying to kill me … that’s so many Top 5’s! But alright, I’ll do my best! (Answers will probably switch between German and English RIP to every non-German-speaker who follows me and wants to read this for some reason I swear I’m normal)

WRITING MEMORIES

5.) The entire time I spent finishing my first (second?) longer writing project It was the year 2012 and it was a cyberpunk story about my friends’ and my edgy self inserts riding dinosaurs, fighting aliens and being badass. The plot twist in the end was that my character was secretly evil and wanted to kill everyone. (Things to show your therapist) The final boss fight made zero sense and also everything was incredibly weird and stupid. But sometimes I still think about those times when I sat in my grandma’s living room at night, eating chips and listening to Vocaloid covers while thinking this story was the coolest shit ever. Truly simpler times.

4.) Researching something about universities in Texas for OvF on a rainy Saturday afternoon I have no idea why this memory is still sticking with me to this day (I think it was around 2016 or something?), but I remember that it was just a really nice day and I felt really at peace at that moment?

3.) The entire writing process of Bathroom Blues It was such a spontaneous project and I still have no idea how I managed to power though it in just a little under two months! Also it was just incredibly fun seeing you getting excited over new drafts and I loved coming up with new plot points and Halloween costumes for everyone with you. :-D Truly a summer worth remembering.

2.) FINALLY uploading the prologue and intro chapter of WWBL Not really a writing memory, but that moment was … so sexy and magical. Seriously, you have no idea how long I had been waiting to finally start that story, waiting for the Steckbriefe to roll in and see people react to the prologue and generally the idea … I even made one of those countdown graphic thingies for the designated upload date! 8D At that point I had planned that story for about six months and just … yeah, that felt powerful to me.

1.) Writing the prologue for WWBL When I first started the draft for that prologue I was sitting at the window in my favourite hotel in Winterberg, Sauerland, wore my dark green flannel, had the window wide open breathing in the cool mountain air and allowed myself to listen to my WWBL playlist for the very first time. God, that felt so amazing. I even have a photo of it (which somehow makes it look like I have the biggest football shoulders in the universe) my sister took that night. God I miss Sauerland. )’:

- - - - -

SONGS

My apologies to every favourite song of mine that I forgot about, I have a whole playlist of them, but I think these are some of my oldest faves … (Honorable mentions for Don’t Mess With Me and Not That Big by Temposhark, Goodbye by Apparat, Me And The Devil by Soap&Skin, Heart Heart Head by Meg Myers, Pain and Animal I Have Become by Three Days Grace, Beautiful Crime by Tamer, Gravity Of Love by Enigma, In Flames by Digital Daggers [thanks Phi u_u] and Murder Cries by Snow Ghosts AHHH FUCK IT I could’ve just made a playlist,,,)

5.) Vater Unser by E Nomine Starting off with some weird shit, won’t we? I’ve been in love with this song since fifth or sixth grade, when I was just starting to develop an actual music taste and although I have many favourite songs by E Nomine, this one has to be my absolute fave. Every time I can relate it to a character it makes me love said character even more. (Also I think about it every time my mom forces me to go to church for Christmas so … yay? I’m pretty sure I wouldn’t even be able to remember the Vater Unser if it wasn’t for this song. 8D)

4.) Wires by The Neighbourhood I think this is the newest all-time fave on this list, I found it in … 2015? Thank you, Youtube AMVs. Yeah man, this one is just … on so many playlists it’s not even funny anymore.

3.) Heathens by Twenty One Pilots An edgelord classic but like … it’s on EVERY playlist of mine. Every single one. It’s just so good. The first time I heard it was on the radio tho, when I was having breakfast with Jessie and I forced her to shazam it because it immediately stuck with me,,,

2.) Imaginary by Evanescence My first Evanescence song ever and the first step towards becoming who I am today I think. This song has like … such a big history for me, man. It single-handedly turned me goth in 2008 and I have never really thanked it for that.

1.) Eternal by Evanescence Might be my favourite song of all time. The number of dramatic RP scenes I have written with this in the background … man. Oh, also this song is the reason for one of my oldest internet nicknames, ‘eternala’, which subsequently shortened into Etschuh and then Tschuh, my main nickname until 2017, when I came out as trans and finally found an actual name for myself I was comfortable with!

- - - - -

NON BLANK RUNE CHARACTERS

I know this was probably supposed to be about fandom characters but I can literally not come up with a single character right now that I love with a special burning passion and that is not my or one of my friends’ OCs so you’re getting OCs now. u_u And boy do I have a lot of those.

5.) Jackson Tracey from atroCITY (mine) This little piece of shit kept me company for a pretty long time and is still very close to my heart for some reason, although I haven’t drawn him or really thought about him in detail for a while now. My favourite thing is how I only realized what a horrible person he was after I stopped regularly working with him but honestly good for me. 8D His storyline and personality is kinda convoluted and tbh I’m not really sure how much of it is canon anyway (atrc was always a little weird about canon rip) but yeah. He’s an obsessive stalker piece of shit who pities himself way too much and he is also a semi-immortal demigod who likes knives. I hate him but he also helped me a lot with some gender and sexuality stuff so thanks I guess.

4.) Mayoko Imai from Century Riders DXPrototype (Maus’ and mine) Mayoko is a magical girl protagonist with a cool cyborg arm prosthetic and her main character trait was that she was basically a reverse weeaboo, a Japanese girl who was obsessed with American media, culture and comic book heroes! I actually love her concept a lot and she also had a pretty cool character arc in her story (which Maus and I wrote together and actually finished btw!), although it could use a lot more … polishing from today’s point of view. But I love her anyway. She always wanted to do the right thing and be a hero and got broken pretty cruelly and her ending is kinda bittersweet I guess? Ahh there’s just so much nuance to it … anyways, CR3 also stuck with me for a very long time and I enjoyed the time with her a lot. :3 (Her name had a cameo in Another Incident btw heehee)

3.) Tessa *insert extremely long chain of unnecessary first names here* von Lean from Nobody Is Perfect and Infernal Temptation (belongs to one of my old school friends) Tessa is just … a hand full. I love to hate her. She is badly written and developed and just OOZES mentally ill teenage girl’s idealized self-insert power fantasy, but she just … man, she was a big part of one of my most drama-filled high school friendships which I love looking back at so much. Tessa has fucked so many of my characters … good for her tbh! There are actually two versions of her, one is just a ‘normal’ teenage girl and one can shapeshift into a cheetah, but both of them are very close to my heart. I should really adopt and redesign her some day.

2.) Judy Khayat from Original vs. Final (mine) Look, I love all my OvF-characters and every single one of them is special to me in their own way, but Judy is just … the most complex of them all I think? Man, she went through so much … she is actually one of my oldest (semi)-active characters (I created her in 2009) and her latest version is from 2016 but I should really, REALLY revise her again tbh. She has a very complicated backstory that I didn’t handle as carefully as I should have, and anger issues and religious conflict and depression and PTSD and then Vance of all people becomes obsessed with her for no reason and decides to traumatize her even more … yeah. God I really love her but I seriously need to work on her. A LOT. I should also finally rename her tbh … let’s just see where she takes me next.

1.) Okami (I don’t even remember if she has a proper last name rn lol) from Split Realm (mine) Yeah, that bitch is just my favourite OC. She’s also very old, probably from around 2009, and initially was a magical girl with fire powers who I played in an RP with my friend Flauch but boy did she grow up! Holy fuck. Okami is a horrible person but I love her so much. She is so violent and full of anger and pain and sadness and treats everyone around her like shit and she is in love and she is a demon but also apparently the personification of the concept of Chaos but she just wants to be a teenager again and run away with the love of her life and ahhh it’s all so hopeless for her … also she turned out gnc af with time passing and pretty much went through a gender/sexuality crisis in real time with me, her creator, which is always fun. :^D I haven’t drawn her in a while tbh. Should really do that.

- - - - -

RUNES IN BLANK RUNE

I’m just gonna go with the arcs here, okay? Also this entire answer might look completely different if you asked me again tomorrow, you know how indecisive I am with Blank Rune shit ahha,,,

5.) Jera Look. I know I’m boring and stupid. But I just love Tave and Liam having their disgusting little foreshadowing talk, okay? I can read it over and over. I just love my horrible little shit crime boys. Also Rhy and Phillip are there. (’:

4.) Isa This one is here because it was the first arc I witnessed in real time which gives it a very special place in my heart and it also … hit pretty hard at the time. But having read Fehu it’s become even better now! It’s just such a wonderful, tragic romance between two horrible, ruthless boys and I … I’m not immune to Rhy, sadly. :-/ Just like Phillip.

3.) Wunjo We still haven’t seen everything that leads up to Wunjo yet, but we DO know more than we did initially (wow shocker) and it’s just always a fucking blast. Also, it has the first mention of Ash’s real name … the first Rhy POV (which what the fuck!! I always feel like we had one before but we didn’t!! Wild) and it has crazy blood-soaked murder Tave, my beloved. :///3

2.) Eiwaz You guys have heard me fanboy about Eiwaz so many times already. Eiwaz-OT3 (and Kain) my beloved!!! It’s just SUCH an amazing starting point and there are so, so many things that tie back to it and every time we find out about a new one my heart makes a little jump … und es beginnt von Neuem indeed.

1.) Gebo One of the most painful but also the most beautiful arcs yet in my opinion. It’s been hyped up for so long and boy did it deliver. God, my heart still hurts when I think about that last scene. Also all the dialogue … the golden lines we got … and it’s an arc without Rhy! Crazy!! :-D I just love the relationship between Ash, Astrid and Jakob so much. God fuck I want what they have. Just maybe without the murder suicide,,,

- - - - -

FOOD

5.) Diese Sonntagsbrötchen wo die Verpackung so plopp macht, wenn man die Folie abzieht Better than normale Brötchen for some reason. Most of the time. See 2.) Look man, I just really love a good breakfast …

4.) Chocolate cupcakes with cream cheese topping One of the first things from a certain baking book I tried when I was getting into baking back in 2019. God they are so tasty. I don’t make them often so I don’t get used to them too much and eating them still feels special but ahhhh I love them so much!

3.) Grünkohl mit Kartoffelbrei und Mettendchen One of my favourite things about autumn/winter and one of my biggest comfort foods. God I love this shit so much. I just put … mountains of Grünkohl and Kartoffelbrei on my plate every time and I will just warm it up for four days straight until there’s no more left. It turns me into a fucking caveman. I’m not even big on eating meat but … yeah. Everything is different when there’s Grünkohl.

2.) Normales Brötchen mit Butter und Scheibenkäse aber ich bin beim Frühstücksbuffet im Hotel Oddly specific but that’s just how it is. Sorry. Nichts geht über Brötchen mit Käse.

1.) Chilli-Knoblauch-Nudelauflauf My beloved. My comfort food. I eat it literally every second day. At least one hour in the kitchen every time. Fresh ingredients. My only vegetable intake. And I’ve been doing that for three years. I just love it so much, man. I cook it for everyone who visits me. Chilli-Knoblauch-Auflauf cured my depression.

[transjoyblog]

The 5 Most Powerful Lessons I Have Learned from Chasing Financial Independence

Photo by KANIKA PANT on Unsplash

I have always been interested in money. I have always understood the value of saving for something you want and the value in owning your own means of making more money. My mother always told me that working for someone else would never be stable and the only way to independence is owning your own business. This is not exactly true, but this advice did spur my interest in the concept of financial independence. I ran across this idea for the first time when I was maybe 17 years old. I read an article by the great Mr. Money Mustache and ended up doing a deep dive on his website. I was inspired. I thought that I had finally found the solution to the risk associated with owning a business. I was going to be financially independent.

Then I got a little older and had to start providing for myself and my girlfriend. We had a goal of moving out of our parents house, and the tiny little desert town where we grew up, to move to a much larger (read: more expensive) job market. That’s when I learned my first lesson:

Financial independence is simpler than it seems, but that doesn’t mean it’s easier.

If you spend any amount of time on a blog dedicated to the FIRE movement you are bound to come across an article (or 10) about the few simple habits that lead to financial independence. These articles are really informative, and a helpful place to start when building frugal habits, but this simplicity belies frugality’s true nature. Put simply, being frugal is hard. Really hard. My girlfriend and me have made some big sacrifices. When I wasn’t making any money, (think $500/month) we didn’t have many friends. We hung out at my girlfriend’s sister’s house a lot, and we ate really simply. Oatmeal for breakfast, rice and beans for lunch, and we went over to her parents house for dinner more often than we wanted to simply because we would otherwise go without dinner. Other factors contributed to this particularly extreme situation. My girlfriend was very sick, so she couldn’t eat well even if we could have afforded it, and she was so weak that maintaining friendships was basically impossible. We also weren’t perfect about it, even when I was making that little. I failed, messed up, got angry, frustrated, and worn out more often than I was successful, but that all served the larger goal of teaching me that simple habits do matter, but I couldn’t expect them to be easy to execute.

2. Know thyself

This particular period of our lives was also filled with navigating the consequences of our parents financial mistakes. My mother decided to take out huge student loans just to get my sister out of the house, and send her to a rather expensive university in the middle of the country. This proved to be a terrible decision. My sister ended up transferring to her local community college, for which she needed to take out more loans. All told, my sister came out with an AA and something in neighborhood of $60,000 of student debt between herself and the loans my mother took out on her behalf. I’m not sure how much of this my mother helped her with, but suffice it to say my mother was in a terrible financial position for awhile, one from which she has yet to fully emerge. This set of dubious decisions was motivated by more complex thinking than I have laid out here, but the end result is the same nonetheless. My mother stretched herself too thin.

If you are truly pursuing financial independence, you have to have a really clear picture of your finances, but you also have to understand how you react to financial pressure, how much risk you are able to take with your investments, and you have understand what your target is. If you are the kind of person who just throws money at a problem until it goes away, you will find it difficult to save for any kind of future. You have know that you have this tendency and consciously make decisions against this knee jerk reaction. If you don’t like having your back against the wall when creditors come calling, pay off your credit card balance in full every month, and never take out a loan that you expect someone else to help pay for (because there will inevitably come a time when they can’t pay). If you are just aiming to get your kid through college, then look for the most affordable option. Don’t send them to the 4 year right away if you really can’t afford the loans for all four years. An important tip for all you parents out there, know yourself and know your children. Be brutally honest in assessing your child’s ability to perform at university because it is simply impossible for them to be. People simply do not have a clear enough picture of their own abilities at any age, let alone an untested 18 year old. If my mother had done nothing else but this, she could have avoided everything. If she and my sister had just been honest about what my sister could handle, they would have realized that sending her to an expensive, extremely difficult program 1,000 miles from home was maybe not the best idea. She could have even gone to the community college in a better location. That alone would have saved them tens of thousands of dollars. My theory is that my mother was a little blinded by her own history, and she didn’t want to deny her child the same opportunity that her parents gave her. My mother left home at 17 years old for a very expensive (at the time), extremely difficult program at a private university 1,000 miles from her childhood home. This is where their stories diverge. My mother’s university was not nearly as expensive as my sister’s. My mother is also a very different person than my sister. She was the kind of kid who kept track of her own grades from 4th or 5th grade on, and encouraged her children to do the same. She did this because she, in her words, “wanted every single point [she] deserved”. Unsurprisingly, neither my sister nor myself actually did this. Ever. Not even in college. We are just different people. And if my mother had been able to admit this fact, she could have saved everyone a lot of headache.

3. FI is a huge goal, and it may seem impossible when viewed from the start

Most people understand that being the first person of your family to graduate from college is a huge moment for a lot of people, and rightfully so. College can be incredibly difficult especially if you are the first person in your family to attend to completion. The one thing that people like myself, whose family has had 3 generations of college grads, don’t even think to consider is that families that do not have this privilege may not have the full picture of what it takes to finish college. The first person to graduate will not only be doing it alone, but they will have to balance the pull of a family that may not understand or respect how much time, money, and effort you actually have to invest to achieve graduation. The same basic issue arises when you are pursuing financial independence. Your family may not even understand what you mean, or why it matters so much to you. You will have to be prepared for this possibility, no matter what goal you are striving toward. However, just like being the first person to graduate college in your family, being the first person to achieve financial independence is a huge accomplishment.

This something that I thought I knew. I was aware of how large an undertaking this would be before beginning my pursuit, but I call it a lesson because I didn’t truly know how this reality felt until I was in the middle of it. As I get older, and my personal finances are no longer purely theoretical, I have come to understand just how difficult FI is. The pandemic brought this into sharp relief. I lost my job at a bakery, went on unemployment, and moved back in with my girlfriend’s parents while still paying rent in San Diego. I got a job a few months later, and it was a good one. I thought I was set for awhile. I thought we had our FI strategy in view; I was wrong. The company couldn’t afford me anymore and let me go after just under 3 months. All of sudden, we were living off of our small savings. We burned through them because unemployment took about 2 months to get my payment to me. I ended up taking a minimum wage job at a factory. I hated it. We were back to being broke and making minimum wage, this time with less savings, more overhead costs, and no way to know if I would be able to find a better job any time soon. Financial independence never looked further away. This experience did however, serve as a great way to really drive home the fourth lesson:

4. Odds are, it will take a lot longer than you originally hoped, and when you are just starting out you will face major setbacks especially if you are in a lower income bracket

Dealing with setbacks in an effective and resilient manner is something you should anticipate and prepare for, regardless of when you start your journey towards independence. Basically anyone with any level of financial savvy will give you this sage piece of advice. It was losing my job twice in one year, however, that taught me that frugal habits are great tools, and they will help you get out of and avoid a lot of pain and suffering. But that doesn’t mean that these habits are a magic shield that will save you from any downside. Setbacks are hard on you. They can mess with your mind, and cause you to doubt everything you thought about your progress up to that point. When I get into this state of mind, I have found that it helps to remind yourself that progress is not a linear equation. Progress is a lot more like the Japanese proverb “Fall seven, rise eight.” You have to be prepared to have that kind of grit.

5. It is a lot harder to save money, when you don’t make money

There has been a lot of ink spilled, both physical and digital, on exploring the different aspects of the phrase “Money doesn’t buy happiness.” One of my favorite studies to cite on this issue is a study out of Purdue University that explored the concept of “income satiation” around the world. Meaning, how emotionally and physically “satisfied” people report being in relation to their annual income. This is a quote pulled directly from the abstract of the study. “Globally, we find that satiation occurs at $95,000 for life evaluation and $60,000 to $75,000 for emotional well-being.” This statistic has been quoted, analyzed, and touted by many a finance journalist as proof that money doesn’t buy happiness. However, I would be very happy making $60,000 to $75,000. With our current expenses my girlfriend and me could save for financial independence within a decade or so of making that much money. This would include reaching all of our goals of buying a house, and land, and finishing college. But a lot of people simply will never have a salary this high. They may have a total household income in this range, but living in a 2 income household is, in itself, a privilege. Once I realized that I could feasibly never make that much in a salaried position without a college degree, I had to expand my FI strategy beyond just “get a decent job, save as much as possible, invest a ton of money, and wait.” I have to invest in my education. I have to invest as early as possible in the stock market. I have to build something outside of a regular job that could possibly act as a hedge against job market instability. I have to make “earn more money” a huge priority. I never thought that was a worthwhile pursuit but it really is. Making money opens up so many opportunities, if you know what to do with it. Which is why it would be good for higher income earners, and people that have already achieved FI to remember that making money is difficult. Investing time, energy, money, and effort into growing something that may not even pay off is simply not possible for a lot of people, and it would serve anyone well to remember this throughout their journey to financial independence.

Citations:

Jebb, A.T., Tay, L., Diener, E. et al. Happiness, income satiation and turning points around the world. Nat Hum Behav 2, 33–38 (2018). https://doi.org/10.1038/s41562-017-0277-0