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#googlespreadsheets
voberdunia · 11 months
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I will do accurate data entry, copy paste, lead generation Expert.
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I am a professional data entry expert. I have 2 years of experience in the data entry, copy-paste, web research, excel data entry, excel work, data collection, web scraping, MS word, PDF to Excel and Lead generation. I have a strong team. If your project is bulk, then don’t think about how can I handle it. I can do it with my team. I will ensure high quality work & the fastest service within the shortest possible time.
My Full Services list:
-----------------------------
Data Entry
Lead Generation
B2B Lead Generation
Web Resource
Email Finding
Admin Tasks
Copy Paste
Typing Job
Data Mining
Web resource
Web Scraping
PDF Editing
Data Collection
Invoice design
Product Upload/Product Listing
Google Docs
Microsoft Excel
Microsoft PowerPoint
Google Spreadsheets
Microsoft Word
Why hire Me?
·        100% Accurate data deliver
·        100% Buyer Satisfaction
·        Efficient time of working
·        Unlimited Revisions
·        On time delivery
·        100% Money-Back Guaranteed
Hire Me : https://www.fiverr.com/s/L2aKLa
Best Regards
-----------
Monwer H
#DataEntry #LeadGeneration #B2BLeadGeneration #WebResource #EmailFinding #AdminTasks #CopyPaste #Typing #DataMining #WebScraping #PDFEditing #DataCollection #ProductUpload #ProductListing #GoogleDocs #MicrosoftExcel #MicrosoftPowerPoint #GoogleSpreadsheets #MicrosoftWord #webresource #invoicedesing #fiverr #upwork #peopleperhour
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slaeme · 2 years
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Monthly Budget Spreadsheet Template for Google Sheets, Budget Planner, Financial Planner, Budget Template, Expense Tracker, Savings
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jobauto · 4 months
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【共通部品】GoogleSpreadSheetの最終行の行番号を取得
★共通部品の説明、概要 GoogleSpreadSheetから指定した列の最終行の行番号を取得します。 ★共通部品のダウンロード 共通部品はこちらからダウンロードしてください。ダウンロードした共通部品をロボデザインでインポートして使用します。 ★共通部品の使い方 1.共通部品へ渡す値 共通部品が処理をするために、共通部品へ渡す値を設定します。 1ー1.URL GoogleSpreadSheetのURLを設定します。 1ー2.調査対象列 最終行の行番号を取得する列を設定します。たとえばA列を調査したい場合は「A」と設定します 1ー3.編集可能セル ロボットが関数を使って最終行の行番号を取得します。ロボットが編集しても問題ないセルのアドレスを設定します。たとえば「Z1」と設定します 2.共通部品からもらう値 共通部品は最終行の行番号を取得し、ロボットへ渡します。ロ…
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tips-of-pc-life · 1 year
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Conheça as palavras chave da Mega Soluções Brasil mais buscadas na rede via Google Spreadsheets.
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godisastagemanager · 4 years
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Wednesday, April 15th, 2020. I know it’s after 2. Look at the clock. I know I’m late on my post. “Why?” You ask. Well my day consisted of spreadsheets, spreadsheets, and MORE spreadsheets, mask making, AND a little Gem I found on Netflix “Nailed It! Germany” IN GERMAN! Wunderbar mein Freund! #deutsch #netflix #nailedit #masks4all #workfromhome #googlespreadsheets #formulasfordays #longday #bediscalling #50moremasksdown #day106 #day106of366 https://www.instagram.com/p/B_CUkgSAIbP/?igshid=soobfbqdrh5
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vitgot · 5 years
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#коронавирус сегодня, но теперь в #Googlespreadsheets. Положительная #динамика явно есть. Выздоровевших больше, чем умерших #вирус. #virus. #coronavirus https://www.instagram.com/p/B8bTZGZKHEz/?igshid=16362ih2itop9
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thesesskagawards · 3 years
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Voting is now OPEN!
The first annual SESSKAG AWARDS are now OPEN FOR VOTING!
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Below, you’ll find the link to the ballot--please use mobile devices for the best viewing experience!  
If you’re having trouble reading the fanfiction excerpts, a table with all the quotes has been made in GoogleSpreadsheets, with the quotes alphebetized by fic title!
SessKag Awards 2021 Ballot Fanfiction 2021 Excerpts Table
You have FIVE DAYS to vote!  The ballots close THIS FRIDAY (October 22nd) at midnight EST.
Happy Voting! <3The SKA
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technooccult · 4 years
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Womxn Mho Make Spiritual Machines--Jess Rowland
For my dissertation, I’m interviewing womxn in the performance art and music worlds who make spiritual machines, whatever that means to them.
1)Tell me how your performances tie into causes and ideas that are important to you personally? What are those ideas and causes?
I started out in a San Francisco scene that was anti-capitalist and anti-consumer. This experience deepened a line of thought I was already committed to - and I probably, on some subconscious level, was drawn to the community I found in the Bay Area. This was in the 90s, fyi, and since then a lot has changed. Some of the folks are still there, but most have moved on. A lot of my performance work is tied to an exploration of consumerism - I never really got into the more overtly political anti-capitalist thing. I grew up in a suburban world where consumerism was everything. It felt like to me a substitute for substance and a substitute for love. The idea that Ronald McDonald would stand in for your father, and that the bliss-point of snack food would make up for real meaning in one's life. I told people that corporations hated humanity. Most people disagree, but I still think it is largely true if you look at what consumerism has done to the planet. It's a lot of what Kurt Vonegut was talking about - How do you explain what people do to the planet and each other? The only answer he could make sense of was that people actually hated being alive and wanted it to stop. I saw my thinking as a continuation of that line of thinking. He was mostly talking about nuclear weapons, but I saw it more as the effect of consumerism and corporate American-style capitalism.
So, when I perform the eating of a bag of snack food, I'm acting out that process of how we take in consumerism as a substitute for nourishment and love, and that includes self-love. when I do the googlespreadsheet sonification, I'm talking about work, as in 9-to-5, and its emptiness. Sofy, you probably don't know this work, but I used to do a lot of video/music improv like "McDonaldland is Changing" and "John Ashcroft vs. the Space Librarians" and "The Barbie Explosion". This was my thinking mostly as I started out in performance, and I still explore that theme, though it has changed over time.
"McDonaldland is Changing" and "John Ashcroft vs. the Space Librarians" and
What has changed in the idea of the work is then - how does consumerism and work and consumer technology affect our body. Especially the body that wants to be expressed, for me that is Woman-ness and Woman power. When i think about how these forces of capital and consumption act on myself, I see the way the systems that are in place act against: transness, queerness, and the female body. Much of my adult life has been committed to expressing the feminine in myself. This is fundamentally a feminist, or trans-feminist perspective on consumerism. And, since consumerism acts - in our society - on the deepest levels of our being - how negative perceptions of the self work for capital and how love, if it is possible, can counter that. I hope when I perform ,there is a little bit of that love that can reach the audience, even in the darkest, most excorcism kinds of performance. Maybe there is a purging, the way to remove things from the deep insides.
These days, consumerism largely acts through technologies, cell phones, computers, etc. When I perform the laptop destruction or cellphone thing, it's an attempt at purging as a feminist action.
2)What are your thoughts on queer and feminist visibility? How do you express it in your work?
i think I might have just answered part of this question. Visibility = good! When i perform it is important that I am seen, that is part of the process of a ritual of purging. But more generally, I feel that trans visibility and trans-feminine energy needs to be out and about.
3)Can you describe your spirituality (or thoughts you have on spirituality) and how you express it/perform it in your work?
This is a big one Sofy! Growing up, i considered myself a Taoist, and largely I still do - at least as a spiritual practice. As a kid, i had an experience with music that was a sort of spiritual awakening, and when I started reading about Taoism, I realized it coincided with the kind of experience I had. I sometimes think of this as a sort of "musical taoism". The basic idea, if it is possible to express, is that the universe is energy which flows through everything and is, in fact, everything. Creativity allows us to tap into this energy, the way a radio can tune into a radio station. The truer you are to the moment you are in, the less the ego demands to assert itself, the less you fight against the natural power of that energy, the more that energy can work in a positive way in your life, but most import for us artists - the more you are in touch with the source of creation. and for me, this expresses itself mostly in music. This is where my commitment to improvised music started. In San Francisco, I had a band called Spork, which was committed to this idea. It was (at least at first) a 100% improvised ensemble. We never played the same music twice, because no two moments are the same. when we were in touch with the power of that energy, we felt it and it shows in the music. I'm still committed to improvisation, and it acts in my performance as a force which can counter consumerism, conformity, and surface-awareness. The energy of the universe I consider primarily a feminine force, and - as you know so well - we have our group dedicated to the Electromagnetic Goddess.
"The Barbie Explosion"https://www.discogs.com/Jess-Rowland-Scenes-From-The-Silent-Revolution/release/3879362
overall speaker stuffhttp://www.jessrowland.com/art/
music for earringshttp://www.jessrowland.com/music-for-earrings/ laptop destructohttps://vimeo.com/154124264
piano rollhttps://vimeo.com/249305849
Electromagnetism and the spirituality of electromagnetism is huge in my practice. In addition to the Bunker, my art practice focuses a lot on homemade paper speakers and other unexpected sound-making objects using embedded circuitry, all relying on electromagnetism. These are technological objects. But they stand against consumer technology. It is a feminist statement against the system of technology which corporations try to force us into. this work is also essential an expression of my particular journey as a trans person: it explores voice as hidden impulse, a speaker where no speaker is allowed, sound made manifest. Quite often my works require interactivity to activate sound, the active search for the truth of bodies that are otherwise hidden, bodies inhabited by sound. A good example of how this feminist critic of music technology plays out, is my audio jewelry and music for body space. a vast majority of music technology has a masculinist-aesthetic, a robocop or terminator kind of feel to it. With the audio jewelry I wanted to challenge that aesthetic explicitly. I created some music for the audio jewelry, a four channel spatialized piece (2 earrings, a necklace, and a bracelet). In making the music, I played off the idea of an "etheric body", the aura that supposedly surrounds the body. The music is meant to generate a sound-field to protect the feminine body, or as I sometimes call it "sound perfume".
My circuit prints are often stand-ins for the body, and the electromagnetism contained therein is a stand-in (or might literally be!) spirit. The foil surfaces are meant to act like the metallic gold leafs and precious stone inks of Illuminated Manuscripts, as a connection point to deeper truths.
I'm currently reading "The Mysticism of Sound and Music" by Hazrat Inayat Khan,a Sufi musician and mystic, which expresses these ideas - and more! - about sound as the source of all power and the center of the body in ways better than I could. It is interesting to see so many of the thoughts I've had about sound as a spiritual power from a taoist perspective, be matched from the perspective of Sufism, a different (though slightly connected) spiritual tradition than Taoism.
"The Mysticism of Sound and Music" by Hazrat Inayat Khan https://www.shambhala.com/the-mysticism-of-sound-and-music-1071.html
Snaxxx https://vimeo.com/319382872
4)Tell me about your electronic techniques, hardware or software configurations or objects you have made to create your unique sound. Basically I am curious about the tools of your trade as, on the technical side this is a very NIME-like round up of performers. You can speak about a particular piece or your practice at large.
These days, I use Max a lot. Though I use it in a specific way - as a controller of sound, but not as a content-creating device. Snaxxx, for example, uses Max as a signal threshold detector for a contact mic on the snack bag. The detector then triggers pre-recorded sounds to play. The sounds themselves were recorded from a performance of feedback elements. Outside of Max, almost all my tools are analog, the input sound is analog and the output is often played through analog materials. In this way, I think of my technology practice quite often as "postdigital". The paper speakers are probably the best representation of my kind of postdigital aesthetic. I use foils and magnets to create embedded circuitry, and some of these objects are intended for performance, at least of a sort. I have performed on the piano roll before, which uses circuit-completion with a foil backing on the piano roll, connected to a computer running Max. Again, using signal threshold, the circuit completion triggers pre-recorded sounds. I still rely on old-fashioned pedals, which often I find more effective and useful than staring at a Max patch for hours on end. Laptop Destruction uses contact mics hidden in the laptop to be sent through loop pedal, delay, reverb, and ring modulator. The cell phone piece uses induction - like our Bunker performance - and also contact mics on the cellphone. So: lots of contact mics, induction mics, analog signal generation and completion, often connected to Max.
5)Please provide me with a short bio
Jess Rowland is a sound artist, musician, and composer, and a 2018-20 Princeton Arts Fellow. Much of her work explores the relationship between technologies and popular culture, continually aiming to reconcile the world of art and the world of science. At UC Berkeley, she developed techniques for embedded sound and flexible speaker arrays. Her research includes music perception, auditory neurosciences, and music technologies. In addition to an active art practice, she has taught Sound Art at The School of Visual Arts in New York and continues to present her work internationally. Recent installations and performances include the New York Electronic Arts Festival, Simons Center for Geometry and Physics, Berkeley Art Museum, and Spectrum NYC.
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voberdunia · 11 months
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I will do accurate data entry, copy paste, lead generation Expert.
I am a professional data entry expert. I have 2 years of experience in the data entry, copy-paste, web research, excel data entry, excel work, data collection, web scraping, MS word, PDF to Excel and Lead generation. I have a strong team. If your project is bulk, then don’t think about how can I handle it. I can do it with my team. I will ensure high quality work & the fastest service within the shortest possible time.
My Full Services list:
-----------------------------
Data Entry
Lead Generation
B2B Lead Generation
Web Resource
Email Finding
Admin Tasks
Copy Paste
Typing Job
Data Mining
Web resource
Web Scraping
PDF Editing
Data Collection
Invoice design
Product Upload/Product Listing
Google Docs
Microsoft Excel
Microsoft PowerPoint
Google Spreadsheets
Microsoft Word
Why hire Me?
·        100% Accurate data deliver
·        100% Buyer Satisfaction
·        Efficient time of working
·        Unlimited Revisions
·        On time delivery
·        100% Money-Back Guaranteed
Hire Me : https://www.fiverr.com/s/L2aKLa
Best Regards
-----------
Monwer H
#DataEntry #LeadGeneration #B2BLeadGeneration #WebResource #EmailFinding #AdminTasks #CopyPaste #Typing #DataMining #WebScraping #PDFEditing #DataCollection #ProductUpload #ProductListing #GoogleDocs #MicrosoftExcel #MicrosoftPowerPoint #GoogleSpreadsheets #MicrosoftWord #webresource #invoicedesing #fiverr #upwork #peopleperhour
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whippedc3-blog · 4 years
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SNSSAプライバシーポリシー
本プライバシーポリシーは、SNSSA (特定ユーザーのみ利用のGoogleSpreadsheetからInstagramの情報・画像を見れるサポートツール)(以下、「当アプリ」と言います。)における、利用者(以下、「ユーザー」と言います。)に関する個人情報の保護及び適切な取り扱いについての方針を示したものです。
1.基本方針 当アプリは、ユーザーの個人情報を保護することが当アプリの事業活動の基本であるとともに、社会的責務と認識し、個人情報の取得、利用、管理を適正に行います。当アプリで収集した情報は、利用目的の範囲内で適切に取り扱います。
2.適用範囲 本プライバシーポリシーは、当アプリにおいてのみ適用されます。 なお、当アプリを利用した時点で、利用前に共有者より、本プライバシーポリシーに同意を確認され、同意したものとみなします。
3.個人情報の取得 当アプリで取得するユーザーの個人情報は次のとおりです
3-1.アプリの利用状況
・Googleアカウントのユーザー名 ・アプリでの情報収集内容の追跡
4.個人情報の利用 当アプリで取得した個人情報の利用目的は次のとおりです。
・アプリの改善、不具合の調査。 ・不具合発覚及び対応の連絡。
5.個人情報の保存期間 当アプリでの個人情報は無期限で保存されます。但し、運用時の判断により、関する情報が不要となった場合や過去情報の整理じには、速やかに削除されます。
6.個人情報の管理 当アプリは、個人情報に関する法令、規範を遵守し、個人情報の管理責任者を置き、個人情報の保護に努めています。
・当アプリは、ユーザーの個人情報を安全且つ正確に管理し、個人情報への不正アクセス、紛失、破壊、改ざん及び漏洩などを防止するための措置を講じています。 ・当アプリは、次に掲げる場合を除き、予めユーザーの同意を得ないで個人情報を第三者に提供いたしません。また、当アプリが個人情報の処理を外部へ委託する場合には、当アプリと同様に適切な管理を行うよう、契約によって義務付けています。 a.個人情報保護に関する法律第23条第2項ないし同第4項の方法による場合 b.法令などの規定に従い提供または開示する場合 c.各種案内等を送付するにあたり、郵便局や宅配便会社に宛先を指定する場合 ・当アプリは、ユーザーが、ユーザー本人の個人情報の開示、訂正、追加、削除、利用停止などを希望される場合、または、ユーザーに提供(送付)する各種案内の停止を希望される場合には、連絡を受け次第速やかに対応しています。 ・当アプリは、個人情報に関して適用される法令、規範などを遵守するとともに、上記各項における個人情報の取扱いを監査し継続的に見直し、改善に努めています。
7.プライバシーポリシーの変更について 当サイトは、個人情報に関して適用される日本の法令を遵守するとともに、本プライバシーポリシーの内容を適宜見直しその改善に努めます。改訂された最新の内容は常に本ページにて開示されます。
8.お問い合わせ窓口 アプリ「SNSSA」 個人情報の管理責任者:蕪鞭子 お問い合わせ:管理責任者へEメール・口頭・電話にて確認
2020年08月19日 策定
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jobauto · 4 months
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【共通部品】GoogleSpreadSheetへペースト
★共通部品の説明、概要 クリップボードの中のデータをGoogleSpreadSheetのセルへペーストします。 ★共通部品のダウンロード 共通部品はこちらからダウンロードしてください。ダウンロードした共通部品をロボデザインでインポートして使用します。 ★共通部品の使い方 1.共通部品へ渡す値 共通部品が処理をするために、共通部品へ渡す値を設定します。 1ー1.URL GoogleSpreadSheetのURLです。 1ー1.ペースト先のセル データを貼り付ける先のセルのアドレスです。「A8」のように設定します 2.共通部品からもらう値 共通部品からもらう値はありません。 3.その他 エクセルからGoogleSpreadSheetへのペーストであれば、エクセルのコピーアクションの次にこの共通部品を実行します。変数に格納されたデータをペーストしたい場合は、クリップ…
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astra027 · 2 years
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お役立ちリンク
オススメの攻略記事
🌱【ハウリの雑記】
スドリカ モンスター小屋 一覧
スドリカ たき火レベル9情報
スドリカ モンスター小屋 一覧
スドリカ イベント周期
スドリカ 結晶収集 攻略編成
スドリカ 探索 編成考察
スドリカ イベント周期
スドリカ WT上位者への道 目指す!?5%の壁
当ギルドサブマスターハウリアさんによる探索情報・編成紹介、他ご本人��気になったことを投稿されているブログ。 WTを毎週投稿してくれている。すごい。いつもありがとう!
🌱【スドリカギャラリー おおよその強化優先度(2023。12 ver】 韓国語。未だ更新し続けている数少ないサイト。
攻略サイト
🌱【髭神総本山】
スキルセット強化のススメ
WT低レアリティキャラ攻略【aurora環境】
戦闘関連の仕様検証結果まとめ【適宜更新】
第三回キャラクター評価表から読み取れる環境の変遷とか解説とか
つくよさんによるWTメインのSdorica攻略ブログ。 WTで使用された編成ログを残してくれている他、低レアキャラクター縛りの攻略にも力が入っている。現在更新無し。 スキルセット強化採用履歴(GoogleSpreadsheets)
🌱RooneyMadhison’s diary
数少ない日本語攻略ブログさん。情報の多いイベント記事や探索まとめ記事を書いてくれている。 個人でこの情報量は素晴らしい。末永く続いて欲しいⅡ。
����うぇぶめし!
スクショ付きの説明がたくさんあり探索情報が見やすいブログ。 ただし管理人のふみさんは1年以上Sdoricaから離れていらっしゃるため情報が所々古い可能性有り。(WTログ専門で更新してくれてるのはつくよさん) 2024年現在アクセス不可
🌱月舞之剑的藏宝阁
(中)台湾wikiがなくなった後から情報を集めてくれているサイト。 属性計算機、キャラクター紹介、ゲーム内イラスト、BGMなどがデータベースとして掲載されている。
Sdorica WIKI (中)wiki!!!!!!探索アイテム情報等色々ある。助かる!
🌱Infuse Tracker
(英)これまでの魂賦与がいつ開催されたか、起源に登場したのがいつかを記録を残してくれているGoogle Spreadsheets。
🌱Instagram @sdoricaspecter (英)イベント攻略や探索攻略をアップしてくれているインスタグラムアカウント。
🌱Sdorica Wiki
(英)英語版wiki。 他に情報を載せてくださっているブログさんなどがありましたらぜひ教えてください!
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godisastagemanager · 5 years
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Wednesday, March 25th, 2020. This is the new normal as we transition to distance learning. Working from home in the digital age. I’ve spent the last two weeks creating google classrooms, establishing new connections with students via Google hangouts, and updating spreadsheets and creating formulas left and right for our region to track, and account for our students during this time. I’m a geek and a nerd when it comes to Google spreadsheets. Apparently, I’m the go to guy for many at work. It makes me happy to work on it and more importantly, it brings me joy to be able to help students and coworkers alike. We will persevere and continue to serve our students every day. Cuz that’s what we do! #micdrop🎤 #google #googleclassroom #googlespreadsheets #formulas #formulaonelegend #selfproclaimed #workworkwork #lovemyjob💙💙💙 #dayeightyfive #dayeightyfiveof366 https://www.instagram.com/p/B-MBAm_AWwH/?igshid=1xi2xk9pt5yck
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vitgot · 5 years
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#коронавирус сегодня, но теперь в #Googlespreadsheets. Положительная #динамика явно есть. Выздоровевших больше, чем умерших #вирус. #virus. #coronavirus https://www.instagram.com/p/B8YbITyqcOH/?igshid=zy7z4deh95o2
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cinntra-infotech · 2 years
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MS Excel or Google spreadsheet works fine but offers no scalability and customer insight. It's time to say bye to your old-fashioned excel sheets and welcome BRIDGE CRM for your sales operations. Tell us your requirements 👇
📧 [email protected] | 📞+91-8882709959. #bridge #bridgecrm #Cinntra #business #sales #automation #people #crmsoftware #msexcel #googlespreadsheet #SalesCRM  
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