#goodbye mary poppins

[mediaomnivore]

I have very thoroughly enjoyed my journey into the Soviet film adaptations of Mary Poppins, which is of interest to me because of its influence on Mitsuteru Yokoyama (横山光輝).

I started with the two-part made-for-TV film, Goodbye, Mary Poppins (Мэри Поппинс, до свидания!) from 1983. Then I took in this 1979 version, simply titled Mary Poppins (Мэри Поппинс).

[haveihitanerve]

Maybe it’s no wonder I love the trope- adorable dork of a man who thinks she is the Sun and the sky and drools when he sees her, and a strong independent woman who is exasperated by him but still laughs at all his jokes and blushes at every compliment

I grew up with these two-

Mary “a lady needn’t fear when you are near”- “oh honestly Bert” Poppins

And

Bert “when Mary holds your hand you feel so grand, your heart starts beating like a big brass band” he never got a last name 

[yours-truly-henry-jekyll]

Welp, heres's the promised follow-up post on Soviet!Mary Poppins (the one I know much better and the one grew up with, for better or worse), because trying to extrapolate this Mary Poppins adaptation onto a whovian AU seems to yield a result maybe a bit more angsty but probably way more interesting and elaborate (for what i know disney!Mary at least didn't spark Bulgakov-related conspiracy theories).

So first of starting with Mary herself, she is definitely closer to the books, which means she is noticeably more prickly and snarky, maybe even almost arrogant in some moments. She is colder, more caustic. She normally calls herself "Lady Mary". This, along with kids speculating she might be an alien and coming here via a UFO (it made sense in context, I swear), I guess makes it even easier to put it into context of a "Missy is Mary Poppins" fic. Maybe she can be read as a not-quite-fully redeemed Missy or even just the original Missy for some important reason trying to stay low profile and control herself (well, not that it goes that well, she's still animating statues, shrinking people for messing with the kids and just wrecking havoc like that).

Now let's come to the man who inspired this entire post. Meet Robert Robertson aka Mr Hey. He is Banks kids' uncle, musician (shown as a hippie but trust me he's very punk rock) and probably the closest counterpart soviet film has for Bert. And this is where the fanfic idea really starts. Because as much as Mr Hey is pretty much confirmed to be just a normal human, he really doesn't belong. He is constantly wistful, dreaming, desperately lonely and according to Mary in the birthday scene is unlike everyone else in the Cherry Lane. Which would all make sense for The Doctor with a fobwatch (Exhibit A: Ten in "Human Nature"). And let's be real here "Robert Robertson" kind of sounds like someone not quite human trying to pull the most basic unassuming alias out of his ass, again kind of along the lines of "John Smith".

As for what incarnation I would probably hc him to be, Twelve would probably make the most sense. Firstly, mr Robertson from soviet "Mary Poppins" is about as much alternative, non-conformistic and counterculture as soviet cinema could possibly allow its positive character to get. Secondly, similar personalities: Twelve is just as rebellious, passionate yet deeply kind and young at heart. Also Twelve is also the only Doctor incarnation to canonically play the guitar and the incarnation most actively shipped with Missy.

Yep, "Mary Poppins, goodbye", seems to be the most Twissy-coded media other than Twissy-oriented episodes themselves.

[showamagicalgirls]

It seems that most of the Letterboxd reviews focus on its nostalgic power for the Soviet children who grew up with it, and even without that first-hand feeling myself, I can see clearly how that could be true.

Mary Poppins, Goodbye (Мэри Поппинс, до свидания)

[contactlessdrivethru]

earlier this season, near the beginning of episode 3, the diamond dogs talk for a short bit about their favorite julie andrews characters. it’s a charming little scene and i didn’t think too much about it. at least, i didn’t think too much about it until i watched the series finale.

they discuss their preferences and higgins says his favorite is mary poppins and ted says “same. i’m right there with you.” and a lot of people have noticed the intentional theming of the wizard of oz with this last season, but i want to point out a poppins parallel, if i could.

i’ve seen some people online be upset with the ending of ted lasso, frustrated that ted went back to kansas, disappointed, feeling like he ended up right where he started. and we can talk for a long time about the hero’s journey, and how it’s actually important that we see characters end up where they started so that we can see how much they’ve grown. but right now i want to talk about mary poppins.

it’s an old favorite of mine, ever since i was a kid, and it makes me very happy, but it also makes me very sad. mary poppins is the titular character but she’s not the main character - the banks family is. mary comes into their lives on the wind, and she’s strange, and joyous, and wise, and whimsical. and they don’t particularly like her at first. they don’t really seem to understand her. it takes time, but eventually mary poppins teaches the banks family joy. and love. she brings them back together. she helps them be a family again. and by the end, they love her dearly. but she doesn’t stay. she can’t. it’s clear that mary poppins loves the bankses, but she’s done what she needed to. she taught them how to be okay without her. the wind has changed, and it’s clear that some other family, some other kids, need her more than the bankses do now. they’ll be okay. and so she has to go.

the people at richmond don’t particularly like ted at first. they don’t understand him. he’s strange, and joyous, and wise, and whimsical. and eventually he teaches them joy. and love. he brings them together. he helps them be a family again. but he was never going to stay. he loves them dearly, and they love him. but the wind has changed. richmond will be okay without him. there’s another kid, somewhere else, that needs him more than richmond does. and so he has to go.

i’m sad about the ending of ted lasso in the way that i’m often sad about the ending of mary poppins. i wish they could stay. but the bankses will be okay without mary. and richmond will be okay without ted. they’ve learned love. they’ve learned family.

and so have we. ted can’t stay with richmond any more than he can stay with us. he’s taught us what he needed to. and we’ll be okay.

[fa1rytaleselfaware]

Still want to remind that Soviet adaptation of "Mary Poppins" still exist.

And it is way different than Disney one. Kinda.

And I made a kinda crossover between them.

[malachitezmeyka]

I know full well I have to get up for school in seven hours and hey I can’t stop pacing around the room quietly singing songs from my favourite soviet movie musicals to myself

[strang3lov3]

Downpour

Jack offers you a ride home, pulls over to wait out the storm, and fucks you. (4k)

Tags - smut, fingering, oral (f! receiving) hand jobs, unprotected piv, infidelity (Jack is married still), dirty talk, pet names (darling, sweetie, sweetheart, dear), unspecified age gap, kissing, finger sucking, bit of comeplay/come eating, reader has a bush but is otherwise undescribed #bushnation, Jack is all sweet and tender but kinda pervy too, i've headcannoned that mr. delroy is a man who comes a lot. like just so much come. references to late night with the devil but this fic can be understood without watching the movie, I write car sex uniquely in that I am not bound by physics or logic or any bullshit like that. So it’s like a Mary Poppins bag in there. Lots of room for fucking. No, don’t ask questions. Shhh. Don’t worry about it. Fic Help - @noxturnalpascal thanks for your help sweetheart ♡ i love you forever A/N - the David Dastmalchian brain worms infected me months ago and have not let me rest, so here’s this. Car sex with an older and married Jack Delroy.

I feel a little nervous about writing Jack, as I feel with all characters that are new to me. It takes me some time to find my groove. Kind comments would be appreciated 💕 maybe a prompt or two in the inbox for me to play around with if you wanna see more of him 🙏

  As Night Owls comes to a close for the evening, and laughter and chatter begin to fade out, you busy yourself tidying up your station. Cleaning your makeup brushes, packing away your supplies for the weekend. You watch the television in your room and see Jack waving goodbye, shaking audience members’ hands. He’s so handsome tonight. He’s handsome every night.

You’ve been working as a makeup artist on Night Owls for about a year now. It’s a job you kind of stumbled your way into. You had won a raffle ticket to watch Night Owls live show. You were so excited to go and yet you don’t even remember who the guest was that night. You went alone, and found yourself charmed by the show’s host, Jack Delroy. While on commercial break, while the television crew changed the set, you noticed Jack glancing at you as you touched up your makeup, fidgeting and tapping his foot. You offered him a kind smile, and he approached you. 

“Jack Delroy,” he said, holding out his hand. You took it, and he kissed the backs of your fingertips. Starstruck, you giggled and gave him your name, tripping over the syllables. “Beautiful name, darling.”

“Thank you, Mr. Delroy.” 

Jack held your hand longer than what was appropriate. Realizing this, he quickly dropped it. “So, I apologize, but I'm about to be very forward. Gosh, this is very embarrassing,” he laughed awkwardly, then scratched the back of his neck. “I get a little oily in the face. The lights, you know. You wouldn’t happen to have like, a…” he trailed off, stuttering as he tried to find the right words.

You smiled and held up a finger, then dug through your makeup bag for some Mary Kay Beauty Blotter sheets your friend had given you. “Here.” You held the pack sheets out for the handsome talk show host. “Would these help?”

Jack took the sheets from you and inspected them. 

“And this,” you added, handing him your mirror compact. “You just press one of the sheets against your skin.” 

Jack grinned kindly, then took one of the small sheets and pressed it on his forehead and his long, gorgeous nose. “You are a lifesaver,” he said. “There. This is much better. I’m almost as pretty as you now, huh?”

Your cheeks warmed and you looked down at your lap to hide your smile. 

“Apologies, I’ve been told I'm a chronic flirt.” 

“I don’t really mind,” you told him softly.

Jack pressed his lips together in a smile and nodded, then sat in the empty seat next to you. “Alright,” he said, “This is an odd question,  but I’d like to toss it out there anyway because you seem to know what you’re doing with this kind of stuff. We’re short a makeup artist here at Night Owls. It’s unorthodox, I know, but you wouldn’t happen to be interested in–”

You gasp. “I’d love to. Yes.”

“--Being our makeup artist,” Jack finished, chuckling at your excitement. 

“Sorry, I just - oh god, I’d really love to,” you gushed. Jack opened his mouth to speak further, but was called back to set. 

“Stick around after the show, will you?” Jack winked.

“I will, Mr. Delroy.” 

And that’s how it happened. The job was simple: A little powder here, moisturizer there, hairspray to seal it all off. Nothing complicated, and it paid well. Lots of perks and advantages, like meeting TV stars and music artists. You consider yourself lucky. 

Perhaps your favorite part of the job is getting Jack ready for his shows. You’re no stranger to his handsomeness, but it’s special to experience it the way you do. To wash his face, moisturize it, paint a little makeup on his skin - as if he even needs it. “Make sure you cover up my crows feet, please, darling,” Jack said, pointing to his perceived flaws in the mirror. “Gosh, I’m getting so old. Don’t get old.” 

“Noted,” you told him. 

“And my hair, could you use a bit of that makeup to cover up my grays? They look so much worse on the screen.” 

Your heart broke a little. He’s always asked you to cover his wrinkles, but covering his grays was new. You hate doing it. That’s your least favorite part of the job. 

“Oh, but they don’t look so bad, Mr. Delroy.” You combed your fingers through his hair, inspecting the silvery strands he complained about. They look so beautiful against the inky black rest of his hair.

“Jack,” he corrected. “Just Jack. Who says they don’t look so bad?”

“I um…” you hummed, nervously messing with his hair. “Just fans, some of your fans kind of like it.” 

“Do they, now?” Jack teased, his eyebrow cocked. He laughed at your bashfulness as you stuttered something in defense. So shy, so sweet.

Jack loves you all the same. He loves the special affection he gets from you as you get him ready each night, he loves getting to peek down your shirt. But he plays the gentlemanly act well, never going further than a little harmless flirting. It’s fun to make you squirm, tease you for your little crush on him. He’s not oblivious to it. 

When the Night Owls theme finally ends and the studio lights go out, you get a phone call at your station. You hold the receiver up to your ear. “Hello?” 

“It’s Shar,” the voice says. Sharon is your roommate, and also your ride to and from work most nights. She drops you off at the studio before her shift, then picks you up after the show ends each night. Tonight, however, she’s at a party. “I met this guy, and I wanna go home with him. So that means…” Sharon doesn’t finish the sentence. She sounds guilty. 

“But you’re my ride, Shar,” you complain. “And they’re saying it’ll rain. What am I gonna do?”

“I promise I’m gonna make it up to you, okay? Don’t be mad. You’re not mad.” 

“Sharon,” you groan. 

Sharon says your name. “Just listen - he’s so fucking hot, seriously. He’s like a movie star.”

“A movie star, huh?” 

“Don’t judge. Like you wouldn’t fuck Jack Delroy if you could. You know what, why don’t you ask him for a ride?” Sharon teases.

“No way, not happening. He’s married, and his wife is sick. Absolutely not.” 

“Pussy.” Sharon pauses. “If you really don’t have another way home, I’ll come get you.” 

“No, no. It’s fine. I can take the bus, I guess. But you owe me.”

“I do owe you,” Sharon says, “I owe you so much. I love you. Bye. Be safe.” 

“You be safe,” you quip. “Condoms.” 

Honestly, you’re not mad. Is it an inconvenience, sure. But Sharon works hard and deserves a nice night, and she’s right - you’d fuck your movie - television - star crush if you could too. You’ve taken the bus before, and it’s usually empty this time of night. It’ll be fine. 

You grab your purse, pull your knit cardigan over your torso and walk out of the studio, down the hall, then take the elevator down to the lobby. Through light rain, you walk down the street until you’re at a bus station, then sit down on the bench. A gust of wind nearly knocks you over, causing you to shiver and pull your cardigan tighter around your body as you wait for the bus. 

At least you don’t have to wait for long, though. Headlights approach, and the vehicle slows down. Except, it’s not the bus you were expecting. It’s a cerulean ‘74 Buick Electra, Jack’s car. He pulls over and leans across the seat to crank the window down. “What the hell are you doing out here?”

“Waiting for the bus,” you yell. Rain’s starting to come down harder, now, soaking your clothes. Jack makes a face and motions for you to get into his car. You wave him off, “It’s okay. It shouldn’t be much longer.” 

“Nonsense! Get in the car.” 

“It’s really okay, Mr. Delroy.”

Jack rolls his eyes. He gets out of his car and rounds the front of it, then takes your hand and pulls you up from the bench. “I’m not asking. I am telling you, as your boss, to get in my car.” 

Jack opens the passenger door and ushers you inside, then shuts your door and gets into the driver’s seat. “It’s supposed to be the storm of the century out there, and you’re gonna let it blow you right away. Crazy girl.” 

“Thank you, Mr. Delroy,” you murmur sheepishly. 

Jack puts the car into first gear and takes off. “What’ve I told you about calling me Mr. Delroy? Jack, sweetie. Just Jack.” 

“I’m sorry, M- Jack.”

“Too sweet for your own good, you know that? Always so polite. Where am I taking you, sweetheart?”

“It’s a little bit far. You’re just gonna take this road for a while,” you instruct. “And then I’ll tell you where to turn. I’m not in the city proper.”

“Must be nice,” Jack replies. “Quiet.” 

You shrug. “Sometimes. Not usually. My roommate is kind of noisy.” 

Jack chuckles. “The roommate days, gosh. I don’t miss those a bit.” He pauses, thinks of something to say to fill the silence. “You don’t usually take the bus, do you?”

“Not usually, no,” you answer. “My roommate gives me a ride most of the time. But she ditched me tonight, so…” 

“That’s a real shame.” 

The rain starts to pick up a little more. Jack squints and at the road and increases the speed of his windshield wipers. He tries talking to you, but you can’t hear him over the drumming of rain against his car. Thunder booms, the drumming becomes louder and the windshield is nearly impossible to see out of. Jack has slowed the car down to a crawl, but when hail begins to fall from the sky, he pulls over. He shifts his car into neutral, then pulls the emergency brake to keep the car from rolling. Jack leans in close so you can hear him, “We’re just gonna wait out the storm, okay? It’s not safe to keep driving.” 

“Yeah, that seems smart,” you agree. You’re thankful Jack showed up when he did, and that he’s keeping you safe in his car. If you listen closely, you can hear the faint sound of music playing on his stereo. You still feel a little nervous, though. Maybe it’s the storm, or the jitters of being alone with Jack - older, married, handsome Jack. You shiver in your wet cardigan. 

“You’re cold,” Jack says. He tugs on your sweater, “Let’s get this off of you, huh? Not gonna let you catch a cold on my watch.” He peels the sweater off of you entirely, then lays it in his backseat. “And look, watch this–” Jack presses a button on his dashboard, a little orange light glows beneath the tiny image of a seat. Within a few seconds, the leather underneath you begins to warm. “Neat, huh? That should warm you up nicely.”

You still look cold, it’s evident in the way you hold yourself. Shoulders curled inward, hands clasped together. Jack thinks about holding you close, using his body to warm yours, but decides against it. You want it too, but you’ll never initiate touch. 

You look out of the raindrop-covered window at the creepy woods off to the side, the trees illuminated by the lightning. Jack sees the worry on your face reflected on the glass. “Everything alright, sweetie?”

“It’s just the woods,” you answer. “I don’t know. I don’t like it. I’ve heard about…I don’t know. Scary stuff happens there.”

“Like what?”

“Satanic rituals or something. The occult, that kind of stuff. I’ve heard about it on TV.”  

Jack lies to assure you, “It’s all make-belive,” he says, pushing down his own memories of The Grove. The sickly sweet smell of decaying leaves, sticks and branches crunching beneath his feet. The cold, metallic cup against his lips, that awful taste of whatever it is he drank. “But don’t look at the woods. Just look over here, right at me.” Jack turns your face toward his, then taps your nose. “There’s that beautiful smile.” 

You grin even wider. You know it’s just his nature, that it’s his job to be charming and likable, charismatic and sweet. It makes you feel so special and seen nonetheless. 

Jack smiles too. “I won’t let anything happen to you.” He admires the details in your face for a minute, your perfect nose, sparkling eyes, your pretty lips. His eyes travel lower, tracing the endlessly beautiful curves of your body - breasts, waist, hips, thighs. There’s a rip up high on your nylons, just below your ridden-up skirt. He furrows his brows and touches your bare skin with his finger, “What happened here?”

“Oh.” You touch the tear with your finger, just a hair away from Jack’s. “My cat, Felix. He ripped my tights.” 

“Sounds like Felix is a real troublemaker, huh?”

“Oh, he can be,” you giggle quietly. “But I love him anyway.” 

Jack keeps his finger on the hole in your nylons, now drawing lines back and forth over your thighs with the rest of his fingers. Little goosebumps erupt on your skin in their wake. “You’re still so cold, darling. What am I gonna do with you?” Another shrug, another shy smile. “Come here,” Jack whispers. He wraps his strong hands around your legs and pulls you across the seat so that your legs are lying across his, and your torso curled into his own. Fuck, he smells good. His cologne is musky and spicy and masculine. You’re so close, Jack can feel your heart pounding nervously. But he says nothing about it, doesn’t want to embarrass you. Instead, Jack just gazes at you warmly, still tracing patterns on your leg. “You’re such a gorgeous girl, have I ever told you that?”  He pushes a bit of your hair behind your ear, sending tingles down your neck and spine.

“Jack,” you whisper, elongating his name. “Stop it.”

“I’m serious, darling. If only I were a younger man…If I hadn’t married…” He moves his hand from your ear to your mouth, pulling down on your bottom lip with his thumb. God, you’re so soft. Desire is building within Jack, taking control over his sensibilities. And you, too young and enchanted by Jack fucking Delroy to listen to any inhibitions in your head telling you that you should stop this.

 Jack pushes his thumb past your lips and you suck on it gently, so gently, the blunt little edges of your teeth tickling his fleshy skin. Arousal quickly builds in Jack, the sensation overwhelming him and bubbling over. He pulls his thumb from your mouth and holds your cheeks in both of his hands, inching closer to you bit by bit. Jack licks his lips, he’s about to do it. Finally, he does. Jack closes the gap between you by pressing his lips against yours, kissing you softly. He’s relaxed and controlled, but the way you kiss him is desperate and a little tentative. In time and with encouragement from Jack, how he squeezes you and growls against your lips, you find your confidence. You kiss him fervently, tasting him, savoring the softness of his tongue. 

Jack takes your hand and presses it against his warm bulge. You gasp, “But your wife–”

“Shh, quiet. She’s not here, now is she?” 

“N-no,” you stutter.

“No. It’s just us. You-” Jack unzips his pants and pulls his rock-hard cock out of his boxers. He spits into your palm and has you hold his length, then closes his hand around yours. “-And me.” 

With your hand under Jack’s, he pumps his cock. “Oh, that’s good. You’re my good girl,” he breathes. 

Jack grips his cock tighter and kisses you again. “Oh, Jack,” you moan. Jack helps you to stroke him from base to tip, your pinky finger brushing against that patch of coarse hair at his pelvis, thumb rubbing over his weeping head. 

“Just like this, darling. All the way up, all the way down. Just like this. You’re doing so well.” 

Jack twitches in your hand as you feel every thick vein and ridge on his cock. He urges you to pump him faster and at the same time, touches you. He gropes your breasts first, breasts he’s dreamed of touching since he first laid eyes on you. He unbuttons your blouse and slides his hand beneath your bra to squeeze your flesh, tease your nipples. Jack relishes in your body, how supple, soft, warm and wanting you are. You touch him like you love him and Christ, Jack can’t wait to bury himself inside you. Feel that warm, wet embrace of a young woman’s cunt. 

“Do you let other men touch you like this, sweetheart?” Jack asks, unzipping your skirt and shoving his hand down the front of your nylons. He toys with the arousal-dampened hair that’s spattered on your mound, then slips his fingers past your lips. “Older men, huh? Married men?” 

“N-no, Jack. Just you. Only you.”

“Do you like being touched like this?” You stutter out a frantic, breathy ‘yes’. “Dirty girl. It’s always girls like you.” 

Jack circles your clit with his fingertips, then presses two fingers inside you, pumping them in and out. “Distracted, are we?” he murmurs as your hand that strokes his cock slows to a still, so focused on how Jack pleasures you that you forget about his needs.

 “H - what?” Jack chuckles and gives your hand a squeeze to remind you. “Oh, I’m s - sorry.”

“Don’t be sorry.” God, you are such a precious girl, and Jack is a lucky man. He breaks away from you just for a moment to undress himself, shoving his pants down his thighs and unbuttoning his dress shirt. Once bare, Jack turns to you and finds that little tear in your nylons again, then rips the hole wider up the garment. He yanks the nylons and your panties off of your legs and puts them with the rest of his discarded clothes, tucking them away for later. He removes your skirt next, followed by your bra and your blouse. You breathe heavily as Jack takes in your naked form, even more beautiful than he pictured. He needs you now, needs to taste you.

Jack pushes you gently onto your back, laying you out across the bench seat before sinking to his knees on the floor of his Buick. He wraps his strong forearms around your still rain-cold thighs and pulls you close, close enough so that you can feel his hot breaths on your slick pussy. Jack could eat you alive right now.

He spits on your pussy, then rubs your folds with his fingers, paying special attention to your clit. He spreads your lips wide and admires your shiny, glistening center. “My, look at this mess,” Jack marvels, admiring your creamy arousal. He tastes you then, pressing a soft kiss against your core. Jack inhales deeply, taking in your scent, feeling your hair against his shaven face. His tongue darts from between his lips and he licks you up and down, dipping his tongue inside you. 

“Jack, oh my - yes,” you gasp, your hands tugging on his graying strands of black hair. Jack slowly licks a long stripe up your seam with his tongue flat against you, all the way from your asshole to clit. “Jack.”

The mess he’s reduced you to. All broken moans, desperate, needy cries of his name. Jack smiles against your cunt and continues licking and lapping at the sensitive part of you. He traces your folds, sucking them between his lips. He draws circles around your clit with the tip of his tongue next, driving you wild. “You like this, darling, don’t you? You like having this pretty pussy eaten?”

All you can do is nod. Jack closes his lips around your clit and sucks, causing you to clamp your thighs around his head and pull his hair tightly between your fingers. Jack forces you apart so that all you can do is take it, all that relentless, smoldering pleasure. 

Jack intensifies it all by pushing a finger inside you and curling it, stroking that sensitive part of you. Within seconds you’re coming, rocking your hips against his face as you ride out your high. 

There’s barely a comedown. Jack crawls over your body, one foot planted on the floor of the car and the other kneeling on the seat. He reaches behind the front seat for his suit jacket and bunches it up, then fits it between your head and the passenger door. “Don’t want your pretty little head to get hurt is all,” Jack says. 

He holds his cock between his thumb and his forefinger before he lines up with your entrance. His cock is big, perfectly lengthy and girthy. You tense up a bit as he fits his cockhead inside of you, “Easy, darling. Take it all for me,” he coos. 

You inhale deeply, and on your exhale Jack pushes himself inside of you in full. “Ohhh,” you moan. It’s such a tight fit, he fills you so fully. The aching burn of the stretch takes time to dissipate as Jack rubs your hip. After a moment, Jack pulls out of you, then inches his way back in. Your face previously scrunched in pain is now relaxed, soft little noises of pleasure escaping your lips. “That’s it, good girl,” Jack says. “Wasn’t so difficult, was it?”

Jack laces his fingers between yours and uses his other hand to brace himself on the back of the car seat. Jack begins thrusting, not quite fucking you gently. It builds quickly, the pace both harder and faster. Jack rocks his hips into you at that perfect angle to have you writhing on his cock, the head of it kissing the most sensitive place inside of you over and over. You bury your face into him, the hair on his chest tickling your face. 

“Fuck,” Jack grunts, fucking you deeper. He knows he should be more gentle than this, but he can’t be helped. He loses himself inside of you, growling like an animal as he fucks his cock into you. You’re squirming beneath him, muscles tensing against his as you begin to cry, overwhelmed by it all. “Such a filthy fucking girl, crying on my cock. You’re okay, sweetie.” 

Jack rolls his hips quickly and fluidly so that his pubic bone is grinding against your mound, the friction inching you closer and closer to a second release, but it isn’t quite enough. You rock your hips to match Jack’s thrusts, needing more against your clit. “M-More please, Jack,” you beg. “I wanna come, Jack, make me come again.”

While still fucking you, Jack spits onto two of his fingertips, then fits his hand between your bodies. He finds your sensitive bud and rubs it, using the momentum of his thrusts to bring you to climax once more. “Come for me, sweetheart. Give - fucking give it to me.”

Jack rounds your clit with his fingers, putting harder pressure against it. In moments, you’re coming for him again, this orgasm more intense than the last. Your moans are louder, more frantic. Your face scrunches in pleasure as you pulse around Jack’s cock, urging his own release along. “Good girl, good fucking girl.”

 Jack growls into your ear as he spills into you, milking himself entirely. He fills you with his come, so warm inside you, the throbbing of his cock so pleasurable and satisfying. Dampened with sweat, Jack presses his forehead against yours as he fucks you through his orgasm, then slows to a still. He hisses a little when he pulls out of your cunt, his spend dripping from your hole onto the leather. Jack collects this mess with his finger, then pushes the digit into your mouth as he catches his breath.

It’s all quiet, save for a few scattered raindrops and the sound of you and Jack both catching your breath. Jack breaks the silence. “Well hey, how about that. The storm passed, huh? Was really something, too. I’m glad we pulled over,” Jack laughs nervously. He helps you dress yourself as best as he can, then haphazardly dresses himself too. You smile a little, and Jack touches your face. “You alright, darling?”

“I’m okay,” you answer, still a little tearful. Jack smiles sympathetically and pulls you into his side, then shifts his car into gear. 

“Well, let’s get you home, then.” 

-

TY for reading! Comments, reblogs, all of that good stuff would be so appreciated ♡

[jeizet]

Ori Poppins has arrived! Accompanied with...

Mr. Banks Kurosaki...?

I will now rant about the ideas that came to my head while drawing this so... hehe

So, Ichigo is not Bert but is actually Mr. Banks!

This is like those random filler episodes of Bleach that is all Ichigo's dream, Caused by Orihime. Inoue has been humming all the Mary Poppings songs since she finally got to see it one day taking care of Yuzu and Karin (Yuzu was sick and both Karin and Ichigo are banned from the kitchen, so Isshin asked for a helping hand)

After seeing the movie, Inoue acquired a new hyperfixation that, right now, only Tatsuki, Ichigo, and his sisters know about.

She decorated a hat to look like the one with strawberries and flowers Mary Poppins has (she doesn't wear it tho). She learned the songs, although she hasn't realized it yet.

And for Ichigo, this is adorably annoying but very, very cute. After the war, seeing Inoue so bubbly still is very nice.

And it kinda caused him to have the dream.

=×=×=×=

Now. When he woke up in the dream, he had fallen asleep on the couch and got waken up by his (thankfully) not wife, but sister Rukia, she came storming super annoyed that the nanny Rurika quit because Yuzu and Karin have too much energy.

Ichigo knows the old movie. He knows he is the bad guy, and he was planning to be cold and disinterested so the story can progress quickly and he can just wake up. But then his sisters, now being really cute and young, are asking for a happy, cute, and singing nanny.

Inoue arrives, and the story goes like the old movie. But he follows them to the park, curious who is going to be Bert. It's Renji, and he HAS to see Renji do a full musical number now. He gets close so he can get teleported with them and...

He is now Bert.

Well, to be correct, there are 2 Berts, him and Renji, and dressed the same and is embarrassing.

Renji goes with the girls leaving Ori Poppins and Ichigo alone, and he knows the song that follows is the one that Bert sings for Mary Poppins, about how she makes everything shine and how she is so lovely.

Ichigo won't sing for shit. But he is a Shakespeare nerd, so he plays around with the words a little, makes it a poetry, and recites it, making the song stupidly romantic, but he is not singing and dancing, which is good. Instead, he is telling an Orihime (which he technically doesn't know that well) how she is lovely and sure, it's true, but the way she is looking at him like he painted the sky for her and he wants the be buried.

Thankfully, they arrive at the penguins, and they start pecking his feet because he won't dance. And with that, the weird romantic atmosphere is over.

Renji is back, and he is back to not being THE Bert, so he sits with his sisters and basically becomes another one of the kids under Ori Poppins' wings.

He is now in every act, in every song, he doesn't sing he is just there looking at Ori and his sister have a great time.

Him getting fired from the bank happens because he was just not going to work (and thankfully he wasn't, he discovered via that call that his boss was Uryu)

His sisters feel bad because he was spending time with them instead of working, and to make them feel better, they make a kite and go out to play with it. And since he know Ori Poppins is going, he goes to her to say goodbye.

She still looks at him with so much love and softness, and he realizes that even his Orihime looks at him like that.

He kisses her because it's a dream and he can.

He wakes up.

He feels extremely uncomfortable the next time he sees Inoue, and it's even worse when he accidentally calls her "Ori" instead of "Inoue", and he wants to die harder when the adorably confused and panicked Inoue calls him "Ichigo-kun".

[sovietpostcards]

Still from "Goodbye, Mary Poppins" (USSR, 1984)

[mediaomnivore]

Apparently it’s customary on some social media platforms to post your most recent four films viewed on Letterboxd.

This week for me:

-Goodbye, Mary Poppins (Мэри Поппинс, до свидания!), 1983, USSR, Leonid Kvinikhidze

-The Flight of the Dragons, 1982, US & Japan, Jules Bass & Arthur Rankin Jr.

-Star Virgin Pilot Film (スターヴァージン パイロットフィルム), 1986, Japan

-Deadpool & Wolverine, 2024, US, Shawn Levy

[vnynv]

goodbye, daan von dutch! (based off soviet mary poppins scene)

[showamagicalgirls]

One more set of images from Goodbye, Mary Poppins (Мэри Поппинс, до свидания) from the USSR in 1984

[spookynstarbuck]

I’m like, genuinely so sad about that ending. Why spend so much time gaining the trust of your audience in regards to ensuring that you will treat your characters with love and kindness, only to do such a disservice to so many of them? Why make a show whose entire premise is based on relationships and character development, only to undo so much of it in the last ten minutes? Why start your show with a character being asked to leave by his ex-wife, only to end up ignoring the pleas to stay from someone who loves him? Why establish a home and found family, and a solution to include his son in this new life, just to undo all of it?

Why have your female lead whose journey has been in part about deeply yearning for a meaningful “thunder and lightning” romantic relationship end up with a nameless character with no discernible personality that has 5-10 minutes of screen time in one episode halfway through the last season? Why center season 3 on the development of Jamie and his relationship w Roy only to have them get into a physical fight over a girl, whom neither of them ends up with definitively anyways? Why have him make that gross and mean comment about the leaked video? Why show him building a new friendship w Keely only to reveal that he actually is still trying to fuck her?

I get the idea of Ted being a Mary Poppins, but that doesn’t work so well when many of the characters don’t really get happy endings, and he returns to a life without a majority of the relationships that have been the center of the show being intact. Also, this concept is undermined by the fact that he did not have to leave! Mary Poppins leaves bc she is a magical being and she has to! A completely feasible solution was offered to Ted to stay and he didn’t even consider it. Also, why did he seem so hollow and checked out for so much of the episode? His lack of emotional response to any of his goodbyes felt so strange. Also, he wasn’t even at Beard’s shitty green screen wedding? Also, Beard left Ted to marry his lowkey abusive girlfriend?

And WHY bring Nora Ephron and soulmates into all of it for exactly zero payoff? You don’t get to say “rom-communism” and not have one single well-explored and established romantic journey with a happy ending. The magic of Nora Ephron is that soulmates are real and endings are happy; that when she shows you two people are meant for each other, that is exactly what you can expect to see. So like, literally why bother bringing those concepts into this show and highlighting them so often only to completely abandon them?

[bazilfirefox]

When I saw him with an umbrella, I thought of Mary Poppins from the movie "Mary Poppins, goodbye." So now he's flying an umbrella too:D ':):)