#good job everybody

[rogerrrroger]

CUNTALICIOUS CANONICALLY

[pondhue]

also everyone say thank you @zephyrstfu for paying me to make them a custom rick/prime dakimura

(applause)

[eppysboys]

Official Scientific Findings:

George is Neptune (Icy)

Ringo is Pluto (Small and beloved)

John is Mars (Red-head)

Paul is Venus (Called the ‘most beautiful star in the sky’ by Homer)

Please make sure to do your duty and turn The Beatles into their colours.

[allhailthemightyquattro]

I'm so proud of the fandom. You know you got a good group when fundraiser organisers have to reevaluate their target because we smashed the first one in a day.

[picatchu]

how many cells does this guy even have

[sapphicyanli]

might be a corn plate tweet kind of post but during the last round of the mingle game which is where the group only consist of two people, everyone else was running without holding hands except players 222 and 333 that is a canon couple (or exes so far i guess) in the show, and the other pairing that are holding hands are players 120 and 246. could this be a hint that hyunju (120) and gyeong sok (246) could be an endgame in season 3?? bcs i certainly hope so

also the meaning of the color room that they were in is....well, quite fitting for their current relationship dynamic to say the least i'd say

[imfinereallyy]

“The demon is back.” Eddie pokes into Steve’s side to wake him up.

“Babe, please go back to sleep.” Steve shoves his face into the pillow, making his voice muffled.

“Steeeeve.” Eddie whines, “It’s really there I swear this time. And I locked the door so I know it’s the demon again. Nothing else can get inside.”

“Eddie.” Steve squishes his face even deeper into the mattress. “You do this at least once a week. I love you; I do. But I never look because there is no demon. And every morning, you wake up fine. So please, go back to sleep.”

“What if I promise never to mention it again if it’s not really there? Will you look then?” This time Eddie’s voice wavers, his actual terror showing.

Steve sighs and shifts his head to look at Eddie, “This is really freaking you out, huh?” He says it kindly. Steve can tell this is serious to Eddie. So even if he doesn’t believe it, Eddie does. And what’s important to Eddie is important to Steve.

Eddie nods back furiously.

“Okay, I’ll look.” Steve shifts his head towards the other side, where the chair by the window sits. There, sitting in that corner is a dark shadowy figure. “Oh.”

“See! I told you! Demon! Oh god, it’s gonna get us.” Eddie throws his hands up. Even though he’s terrified, he’s accepted defeat.

“No.” Steve says calmly. “It’s just El.”

Eddie pauses his rant, “What?”

“It’s just El. In the corner. She does that sometimes, watches people she cares about until she falls asleep. To make sure they’re safe.” Steve looks at Eddie.

“The door was locked! How are you so calm about one of the kids just watching us at night?”

“Honey, she has mind powers. I don’t think a flimsy lock from Home Depot is going to stop her.” Steve deadpans before shrugging, “And it’s El. She could ask me to kill a man, and I probably wouldn’t even ask questions.”

“What if she asked you to kill me?”

“I’d be conflicted.”

“I want to be mad, but honestly I think I’d hand you the knife.” Eddie sighs, looking down at Steve.

Steve scoffs, “Don’t be ridiculous. I wouldn’t stab you. I’d obviously sneak some kind of poison into your honeycombs. Way less messy.”

Eddie goes back to nearly shouting, “Why have you thought about this?!”

“Honestly, I have a lot of intrusive thoughts. I just don’t speak them out loud.”

Despite the fact they are actively talking about his murder, Eddie can’t help but get all gooey with Steve in their bed. “Is this why you don’t get mad when I think aloud? Another reason why you just get me. Adding that tally to the ‘why we are great together’ column.”

“Yes, we’re pretty amazing. Can we go back to sleep now?” Steve smiles.

“Yes—wait, no.” Eddie corrects himself, getting himself back on track. He loves this man, but he is a sneaky little minx. “Why did El never say anything? I mean, this is not the first time I accused her of being a demon. Hell, we’ve been talking for literally five minutes, and she still hasn’t said anything. Also, what if she walked in on us doing, ya know, adult stuff?” Eddie blushes at the end. He’s acting like he hasn’t been whispering way worse things in Steve’s ear every night.

“First off, she won’t walk in on that. Apparently Max taught her about happy screams a long time ago.”

“Gross.”

“Yeaaa. Second, I’m pretty sure she’s asleep right now.”

Huh, now that Eddie thinks about it, he does hear soft little snores. Which is weird since neither he nor Steve snores, and they are both, ya know, awake.

“And I don’t think El speaking in a dark corner would have helped your fears. Like imagine just hear her soft “Hello” at 2 a.m.” Steve raises an eyebrow.

“I—okay I got nothing.”

“Fantastic can we go back to sleep now?”

Eddie gives one last shout, “You’re not going to stop her?”

“Are you going to tell her no? And make her worry?”

Eddie slinks down into the covers, “...no.”

“That’s what I thought.”

Eddie curves his body into Steve’s, seeking him out. Steve wraps his arms around Eddie, securing him to his chest. “Thank you for indulging me.”

Steve hums. “Anything for you baby. I love you.”

“I love you too.” Eddie kisses Steve lightly.

“I love you both as well.” El’s voice suddenly speaks into the silent room.

“Jesus Christ!” Eddie screams.

Steve can’t help the giggles that come out of him. He tries to smother them into Eddie’s shoulder.

Eddie can’t find it in himself to be mad.

———

some people seemed interested in more el + Steve sibling energy. And they are a sibling-like duo I love. So here’s a little something but more steddie involved. I think all three of their relationship would be very sweet. Both Eddie and Steve would protect el. I hope you enjoyed :)

[eccentricmya]

The Valar's mistake did not lie in seeing a possibility of good in Melkor. Rather, their mistake lay in not seeing the equal possibility of him remaining evil.

[lily-onher-grave]

the best part about the wicked movie coming out soon is that you find out how many people in the world are at least a little bit of a gelphie shipper

[mango-n5]

I love how, no matter the style, their hands are on point in each and every frame

"Well perhaps you could tell me...while we dance."

701 frames, 542 artists, 3 months, all collaborating on 1 animation. Here is the result.

@neil-gaiman @goodomensonprime

[scary-grace]

(secret) santa, baby - part 12 of a shigaraki x f!reader fic

Shigaraki doesn't want to participate in the office's Secret Santa exchange, but when Toga promises to make it easy on him, he gives in. But making it easy for him makes it a lot harder for you -- you're the one who got his list. Office AU, no quirks. A fic in 12 parts. Divider by @ wcnderlnds

i ii iii iv v vi vii viii ix x xi

part xii (opening presents)

“What?” Spinner asks anxiously. “Do you think it’s too much or something?”

“Um – no.” You’re definitely lying. You can barely see Spinner around the enormous box he’s carrying. You’re not sure if he can see anything, either. “I mean, it’s the last Secret Santa gift of the year. Go big or go home, right?”

“Yeah,” Spinner agrees. He sounds relieved. “And after what happened – she deserves something extra nice, don’t you think?”

“Definitely.”

You weren’t sure how Spinner would react to the news that Aiba and her boyfriend have broken up – or rather, that Aiba dumped him when she found out about the kiss. You know people who’d have been happy to find out that the person they’d liked from afar was finally single. But Spinner wasn’t happy. He looked so unhappy when he found out that Twice elbowed him and said he’d never seen anybody be that upset over good news.

Spinner stared at him like he was crazy. It’s not good news, he said. She’s really sad. Why would I be happy about her being sad?

Spinner’s a good guy, and you’re pretty sure the giant gift he’s carrying is something he bought before the mistletoe-day disaster. When you look around the ballroom where the party’s being held, you see a lot of giant gifts, enough that going all-out with the last gift must be a tradition or something. It’s a tradition, and you missed the memo. Your last gift for Tomura is small enough to fit in your purse.

It was hard to find, and you’re pretty sure you outed yourself as Tomura’s Secret Santa to Spinner in the process of figuring out what “video games” meant on Tomura’s list. Tomura apparently has a thing for retro consoles, and retro consoles only play old games. Spinner mentioned a game Tomura’s been half-assedly searching for since last year, and you decided to find it. It took a lot of time spent scrolling on Ebay and picking through thrift store discount bins, but you finally found it, and you even found an old console to test it on to make sure it worked. You were really excited to give it to him until you got here and saw what everybody else did.

But it’s too late to change anything now. You’re here with your tiny gift, and Tomura’s going to think you didn’t try at all. If he’s even here. “Do you know if Tomura’s going to be here?”

“Last I heard, yeah,” Spinner says. “He changes his mind last-minute about stuff, though. I can text him if you want?”

“I have his number,” you say. “I can do it.”

You can, but you won’t. You know Tomura hates parties, and you don’t want to put his maybe liking you to the test against how much he hates getting dressed up and going out. It’s what kept you from asking him yourself, even though the two of you have been texting more than two people who see each other every day at work really should. The only person who brought up the party was him, when he asked if you were going. You said yes, and then he asked why. There’s going to be free food, you said. And I want to meet my Secret Santa.

As far as you can tell, most people have at least some idea of who their Secret Santa is, but you don’t have a clue. Your Secret Santa’s never written a note to go with any of their gifts, and nothing about the gift-wrapping style – or lack thereof, with the first few gifts – has given them away. The only thing you know is that they haven’t been following your hyper-specific list to the letter. While everything they’ve gotten you has been on the list, it’s all been an upgrade from the versions you asked for.

So they’re generous and bad at wrapping gifts. That could describe half the office. You’d like to know who it is, and there’s free food, so you’re here. And if you might have dressed up a little more than you usually would for an office holiday party on the off chance that Tomura makes an appearance, you’re going to keep that to yourself. Nobody has to know. And you can have fun at the party whether or not he’s here.

It is a really nice party – probably the nicest one you’ve ever been to. The decorating committee went berserk, to the point where there are multiple live Christmas trees on each wall and food tables on either end of the ballroom, each stocked with its own chocolate fountain and champagne tower. There’s music, which Yamada apparently arranged for but isn’t actually performing. Yamada’s in a good mood. When you run into him while trying to grab a glass of champagne, he grins at you. “Next year. Acapella. Are you in?”

“Ask me next year,” you say. “Once the holiday spirit’s worn off.”

Yamada cracks up at that, snags two glasses of champagne, and speeds off through the crowd. You finally manage to separate one for yourself and get clear of the table. Half a glass of champagne later, you’re ready to mingle. Time to see if participating in the office’s holiday traditions as a way to make friends actually worked.

It feels like it did. People say hi to you, and when you stop to talk to them, it doesn’t feel awkward at all. You’re willing to admit that some of it might be because you’ve all been drinking a little bit, but at the same time, you’ve gone to office parties where people were drunker than this and still silent as the grave. Some of your coworkers have already found out who their Secret Santas are, and some of them are carrying gifts that look even more over-the-top unwrapped than they did when they were covered in festive wrapping paper. Maybe it’s better if Tomura doesn’t show up. You can find a bigger gift and leave it on his desk next week, and no one will have to know that you messed up.

You cross paths with Tomura’s friends here. They’re all dressed up, probably more than anyone else at the party, although it looks more like they’re here for a costume party than a Christmas party. “Like it? It’s an Enji’s credit card special,” Twice says, tugging at the lapel of his purple suit. “He really wanted Dabi to come home for Christmas this year.”

“Did you?” you ask Dabi.

“Yeah, but I brought everybody with me,” Dabi says. Everybody. Even – “Shigaraki, too. He hates this shit, but he never misses a chance to stick it to somebody else’s shitty dad.”

“It was fun this year,” Magne says. “Fuyumi made us our own stockings and everything. That thing was nicer than any of my actual socks.”

“It sounds fun,” you say.

“Could have been worse,” Dabi says. He glances at you. “What did you do?”

You didn’t, really, which is the other reason you’re here – Christmas alone in your apartment was fun or at least peaceful the first few years, but lately it’s been feeling lonely. “Not too much. I just slept in and then came here.”

Tomura’s friends exchange glances. “Next year you’ll hang with us,” Twice announces. “You can still sleep in. We always show up late anyway.”

“You don’t have to invite me,” you say at once. You must have sounded a lot more pathetic than you meant to. “And Twice, you probably shouldn’t invite me to Dabi’s house –”

“First, it’s not my house,” Dabi says. “Second, I invite whoever I want. The more of my friends I bring, the more uncomfortable I make my jackass of a father. As long as you don’t hit on my sister –”

“Come on, that was one time,” Twice protests.

“Yeah, one time too many –”

You sidle sideways out of the conversation while they’re still debating exactly how many times one of Dabi’s friends have made a pass at his siblings. Dabi probably didn’t mean the invitation. You won’t count on it. But it’s nice that they’re thinking about it tonight. Hearing it makes you feel a little better, even if it’ll evaporate well before next Christmas.

The party ebbs and flows around you. Sometimes there are people dancing, but other times, the music quiets enough to let people talk. There are fewer and fewer unopened gifts floating around. You see Spinner still toting his gift for Aiba, which means that Aiba’s either not here or he just can’t see her around the box. The latter seems more likely to you. She’s really tiny. No matter where you look, there’s no sign of Tomura.

You do find Aiba, though, when you stop by the chocolate fountain. You can’t tell if she’s trying to hide. “Hi,” you say, and she looks up. “He’s not here, if that’s what you’re worried about. I haven’t seen him.”

“He said he wouldn’t come to it,” Aiba says. She looks like she didn’t sleep well last night, but her outfit’s on point. “I’m not worried about him. I’m just not very – fun right now. I only came to it because I wanted to meet my Secret Santa.”

“Really?”

“I thought the Secret Santa was going to be ruined because of – him. But then I found out it wasn’t him,” Aiba says. You nod. “And that makes it – nicer, I think. All the gifts I got were perfect, and none of it had anything to do with him. So there’s still one part of my Christmas that’s nice. I want to say thank you.”

Spinner had better have a game plan. “They haven’t come to talk to me yet, though,” Aiba says. She frowns. “Do you think they’re even here?”

“I know they’re here,” you say. “If you stay here, I can go find them and tell them to come over.”

Aiba nods. “Thank you,” she says. “And thank you. For the other day. That was nice, too.”

“No problem,” you say. “Just stay there.”

Courtesy of the giant present, Spinner’s really easy to find. You give him specific directions to where Aiba’s standing, tell him to take it easy, and wish him luck. As you watch him go, you find yourself wondering what’s in the box. Maybe you should have asked. It would have given you a better idea about the kind of thing you should have gotten for Tomura.

“Hey.”

That’s Tomura’s voice. You turn and find him standing behind you, a haphazardly wrapped present in one hand. You feel a temporary surge of relief at the sight. He got something small, too. At least you aren’t alone in totally missing the boat. But then you take a look at the rest of him, and the relief evaporates into something you can only describe as a kind of awestruck surprise. Tomura cleans up nice. Really nice.

Like the rest of his friends, he’s dressed up. Unlike the rest of them, he went pretty standard with it – black suit and tie, although he’s got a red cape around his shoulders. It should be incongruous, but he makes it work. He’s done something to his hair. Brushed it, maybe. Either way, it looks good. You can’t help but stare.

But even though he looks great – he has to know he looks great, right? – he doesn’t look quite comfortable. Maybe because you’re staring at him, and you haven’t said a word. “You look really nice,” you say, and a faint flush comes up in his cheeks. “I didn’t know if you were coming. I know this isn’t really your thing.”

“It’s what you’re doing,” Tomura says, and your face turns red, too. “I want to meet my Secret Santa.”

That’s you. You and your stupid gift that’s too small. “Right,” you say. You fumble in your purse and pull it out, then offer it to him. At least you did a decent job wrapping it. “It was me. I’m your Secret Santa. Here.”

Tomura takes the gift, then holds out the one he’s carrying to you. You did a decent job wrapping it; he probably needs both hands to get it open. “The wrapping on this looks nice,” you say nonsensically while he picks at the tape on yours. “You don’t have to open mine right now. You probably want to give this to the person you were Secret Santa for.”

“I just did.”

It takes way too long for you to figure that one out. “Wait, it was you?”

“You didn’t guess?” Tomura looks almost affronted. “I figured out you were mine days ago.”

“How? Was it my handwriting on the notes?”

“No,” Tomura says. He gives you a weird look. “I wrote on my list that I hate the cold, but I don’t tell anybody that. The only way you would have known is if you got my list.”

“Oh.” You would have thought the thing that gave you away would be bigger than that – like getting too familiar in your notes, slipping up and using his given name and not going back to his surname when you realized your mistake. “Okay.”

“You really didn’t know it was me?” Tomura’s stopped trying to open your gift for the sole purpose of staring at you. “I thought Dabi gave me away. When he was talking about how shitty I am at wrapping gifts.”

You vaguely remember a joke Dabi made. You really shouldn’t have had so much champagne. “Sorry. I should have thought about it a little more.”

“It’s supposed to be a surprise,” Tomura says. It’s quiet for a second. “A bad surprise?”

“No,” you say at once. “A good surprise. But – you could have just told me it was you. Then you wouldn’t have had to come to the party.”

“This is what you’re doing.”

“I know, but we could have done something else. Something you wouldn’t hate as much.”

“I don’t hate it as much as last year,” Tomura says. He nods at the gift. “Are you going to open that or what?”

“Yes,” you say. “Thank you.”

“Don’t say thank-you when you don’t know what it is,” Tomura says. “Just – open it.”

You don’t have any idea of what it could be. You know Tomura’s gone through everything on your list already. His wrapping job is easier to get through than yours. You peel back the paper and untie the ribbons and find yourself holding a hat.

It looks sort of like your hat. The one you gave him. But you found that hat on sale somewhere, ages ago, and this one is a lot nicer. Yours is just knitted, but this one has a soft lining, and the fabric on the outside feels like it might be water-resistant. It also has a goofy little pompom on it, which yours definitely doesn’t have. This isn’t anything you’d have bought for yourself. But you like it a lot.

You look up, ready to thank Tomura, and find him staring down at your gift, unwrapped in his hand. “You didn’t leave a note,” he says. “I like the notes.”

You’d facepalm if you weren’t holding the hat. “I thought I would just say what I would have said in the note to you. Face to face.”

He looks up. You’ve never seen that look on his face before. In fact, you’re not sure you’ve seen that look on anybody’s face – wary, expectant, maybe surprised, maybe hopeful. You should have planned what you were going to say a little better. Before you can say anything, though, Tomura speaks up. “How did you know about this game? I’ve been looking for it. Where did you even find it?”

“I found it on Ebay,” you say. “It wouldn’t have shipped in time, so I picked it up in person. I made sure to test it. It works. And as far as finding out about it – I asked Spinner about the kind of games you liked. I wanted to get it right.”

“I half-assed my list. Why would you try that hard?”

“I just – I don’t know,” you say. “I know Toga kind of bullied you into doing this. I wanted you to get something nice out of it. Sad Christmas might make more sense to you – and me, sometimes – but I thought it would be nice for you to have a happy one.”

That was a dumb thing to say. Tomura hasn’t told you a lot about his background – you’ve really only gotten close recently – but what you know isn’t good. It’s dumb of you to think that one video game and a handful of other gifts could rewrite any of that. You avert your eyes in a hurry. “Thank you for the hat. I didn’t mean to make you go off-list.”

“You didn’t make me do anything,” Tomura says. “I just thought you needed a new one. Since I’m keeping yours.”

Your heart skips a beat. “You are?”

“If you weren’t lying when you said it looked okay,” Tomura says. His hand brushes against your jaw, then applies pressure, turning you back to face him. He looks almost frustrated, but his face is flushed in a way you recognize. “And if you like me.”

“Do you like me?” you ask without thinking, and Tomura kisses you.

You’ve been regretting not giving him a real kiss under the mistletoe at work, but now you think it’s for the best that you didn’t. You haven’t had very many good first kisses, and you want a chance to savor this one. You wrap one arm around Tomura’s waist and pull him a little closer, and even though he startles, he keeps kissing you. He’s not hesitant, so you aren’t, either. There’s no way you’re going to be the first one to pull away.

When you do separate, it’s at the same time, and for what you’re pretty sure is the same reason. The music’s kicked back up. “Is that the stupid Grinch song?” Tomura asks, and you nod. He’s ever so slightly out of breath. He looks kind of flustered, but not nearly as much as you want him to. “Do you want to get out of here?”

“I mean, I could always sing All I Want For Christmas Is You again –” You see the face Tomura’s making. “I’m kidding. Where do you want to go?”

“I don’t care,” Tomura says. He unwraps your hand from around his waist, then keeps holding it as he leads you towards the doors. “It doesn’t matter, if you’re coming with me.”

The wind hits you in a sharp blast as soon as you’re outside, and you pull your new hat on one-handed. “Maybe somewhere warm?”

Tomura pulls on your hand, and when you turn towards him, he kisses you again. Now that you’ve got both your hands free and you’re not in the middle of a crowd, you can kiss him how you want to – one arm around his waist, your other hand gathering up a few strands of his hair. Tomura’s breath catches, and a moment later, so does yours, and although it takes a while for you to separate again, you’re both out of breath when you do.

Tomura doesn’t go far. His arms are tight around you, and when he answers a question you’ve almost forgotten, you can feel his breath against your skin. “I’m warm enough.”

the end

<- part xi

[aroaceleovaldez]

i'm so happy you brought back up the topic of rick's shitty writing of anyone even remotely non white / "white passing"

with that being said, do you think the shitty script he gave to annabeth in the show has to do with him just being deeply uninterested in adapting his story to include characters of color? bc it seems like once rick encounters a character that cannot be easily erased all ethnic or racial identity of to fit them into an usamerican specifically white ass narrative, he gets lost.

i just keep thinking how the only thing that "changed" about annabeth as presented in the show was her race but her plot relevance and her characterization got downgraded severely. meanwhile percy, whiter than before (wheres the mediterranean god look......................................), got half her functions. like i just look at rick in context and i wonder if he just gives so little fuck about characters of color he cant even write a decent character arc for an adaptation of a very established persona

thoughts? thank u!

I wouldn't be surprised if it's Rick (and the writer's room, since it actually seems Rick isn't all that heavily involved if much at all with the script itself based on some interviews) just has internal biases that he refuses to reflect on. It would be a consistent trend with the uptick in offensive writing in the books themselves (see: the troglodytes in general, all the Jewish kids in CHB being in Hermes cabin, etc etc). Rick seems to want to engage with these topics but refuses to actually assess how he's approaching it and his own biases while also overemphasizing his engagement with the topics. It's a kind of big talk/words vs actions type thing to me.

[this got a wee bit long so throwing it under a cut]

I was having a couple of conversations about this topic recently - one being group reading/discussion of WottG and how, allegedly, the slightly different characterizations in that book are inspired by the actors in the show. Annabeth is repeatedly and frequently described as motherly and maternal in the book, plus some other misc characterizations that make you tilt your head and go "Wait, what about Leah made you want to write Annabeth this way?" and concerns about it leaning into stereotypes. (It's also strange, because in the show Sally is MUCH more aggressive and less maternal, and this is painted like it's supposed to be a girlboss thing cause her being too soft and motherly was too weak or something? But now book Annabeth is now being described as all soft and maternal??? What. What is happening.)

Another conversation that i had with my therapist (cause we talk about pjo a lot lol) and later repeated and discussed more with other folks on discord more specifically regarding the show was a lot of discussion about the casting. Particularly casting choices and how the writing either is refusing to take casting into consideration to respectfully approach how things would be changed to avoid problems or are actively changing the script for characters in a way that is potentially if not downright offensive. Clarisse is the number one example i bring up because a lot of people say that the reason a plus sized actress wasn't cast for her was to avoid the "fat bully" trope. The thing is, there is ALSO a POC bully trope that is just as bad if not worse, so if they were actually taking offensive tropes into consideration one would expect them to avoid that too (especially since Percy was cast as a pasty white boy - which just makes it all look worse)? (Also other plus-sized characters like Dionysus and Gabe were also cast as skinny, same with Tyson. So it just seems like they don't want to cast plus-sized actors either.)

But also they're rewriting stuff that actively puts the casting decisions into worse tropes. Like hey, why is Percy (a white guy) the one who knows the "real" versions of all these myths and is expositioning them to Annabeth (a black girl), who in the books is supposed to know more than him? Why does he know better than her for some reason and have to guide her? Why is Percy teaching Annabeth about pop culture and how to be a kid? Not to mention stuff like the show constantly encouraging the viewer to doubt or distrust characters like Grover and Clarisse and Annabeth as red herrings as to who the traitor is. Plus there's no adjustments to stuff from the books like Annabeth initially being somewhat aggressive/antagonistic towards Percy, or Clarisse's aggression and bullying towards Percy to try and circumvent those being bad tropes in the contexts of the casting.

And there's an ongoing trend of characters who are antagonistic towards Percy in the books being divided into two groups: those who continue to be antagonistic towards Percy in the show, or those who are tweaked to suddenly become kinda silly-goofy and significantly less threatening. Gabe, Dionysus, Ares, and Hades are all examples of characters that should be antagonistic towards Percy but are softened SIGNIFICANTLY and played for laughs in the show. Echidna is played as a twist antagonist because she initially because she approaches the kids as very sweet and helpful. And they're all cast as white! Meanwhile other characters like Clarisse, Luke, Zeus, etc, are still antagonistic towards Percy (plus also like Annabeth initially and again, Grover being painted as a major red herring). Plus some new additions like Hermes, Mr. Lin Manuel Miranda himself, being wholly introduced into the plot when he's not supposed to appear until book 2, and all he does is sabotage the quest. Like, it's weird! That's a weird writing decision!!!! I get wanting to get that sweet sweet LMM cameo money, but, why is Hermes an antagonist here???????? he's not even supposed to be here yet!.

We also have stuff like Poseidon (who, like many of the god/major kid pairings so far seems to have been cast to match each other appearance-wise) saving the day for Percy and being this weirdly good dad, versus the books where we get the iconic "I am sorry you were born" line and Percy and Poseidon's tension is part of their arcs. Notably, Poseidon does this by ceding to Zeus, who is actively about to start a war. While Gabe is rewritten to be a total loser, Sally is MUCH more aggressive and her yelling and screaming at young Percy is supposed to be sympathetic for some reason? If Gabe were acting like Sally does in the show, he would actually be significantly more like his book counterpart! The show is making active decisions to paint these characters the way they do!

Admittedly, part of it may just be they got overzealous with their casting (not inherently a bad thing! diverse casting is good!) and then proceeded to not consider how that casting affects the way the characters are perceived. It also doesn't bode well for certain guesses we can make going further into the show - Thalia is very at odds with Percy initially. She's a very aggressive character. They fight a lot! Also Annabeth's description already implies that they're tweaking Thalia's character to be more "tough love" versus the books where she's significantly more of a bleeding heart when she first meets Annabeth. Like, I'm very happy about Thalia's casting, her actress seems amazing, but also I'm VERY concerned with how they're going to approach her character to make sure it doesn't end up wildly offensive. Athena is similar - we can guess based on casting decisions so far that they're going to try and cast Athena as similar in appearance to Annabeth/Leah. The show has already painted Athena has antagonistic and uncaring towards her daughter. If projected trends continue, these things are not gonna be great.

And the show does seem to rarely want to engage with these topics - like the scene with the cop in the train. You can tell what they wanted to address by having Annabeth be the one to confront him. The thing is they were too cowardly to actually have that conversation! They paint the kids as being unreasonable and getting unnecessarily upset when they aren't directly being accused of destroying a room, therein painting the cop as the one in the right in that situation. The implication seems to be a little bit they were going for "Oh, this is Annabeth's hubris getting them into trouble" but. that's such a bad way to do it! That's like the worst way you could have done it! (This is also a trend in books from HoO onwards, more or less - Rick tries to engage with certain topics, often using characters of specific demographics, and then proceeds to do a really bad job of it.)

There are also some aspects that are just like - in the books, Luke being a middle-class blond-haired blue-eyed pretty white boy is relevant! Because the fact that he has privilege from that particularly in how he's perceived is part of how he came to where he is and why he acts the way he does. Percy not having those same privileges, and having aspects like constantly inherently being labeled as a trouble-maker just based on his atypical (neurodivergent) behavior and coming from a lower socioeconomical background play heavily into his character!!! Percy being both a poor and disabled kid (and implied potentially POC) plays DIRECTLY into why he feels so strongly about standing up for other disenfranchised kids (in SoM, explicitly including other disabled kids and kids of color). It directly relates to his experiences and standing up for kids who are like him because he didn't have that, versus Luke whose perceptions and goals are very self-oriented. Now, in the show, we've essentially swapped Percy and Luke's appearances, and that paints a very different narrative. And that's important to acknowledge!

[mildmayfoxe]

just found this half-awake scrawl from a couple weeks ago in my procreate history

[mittiemoo]

Hi there hello many greetings! There is a new Amazon Prime Poll asking which season needs a new season in the german Prime section and Good Omens is like.. The LOWEST of the LOWEST and as we are all fans no matter where from we could also need the help like the italians received for their Crowley x Aziraphale vote <3 Its the official prime account and the poll is already 2 days old! https://www.youtube.com/channel/UCNJwYVhTNX23AULBnfwnc9A/community?lb=UgkxdqTXadimEeMwulj77YPQ13bvH5BaLEPz The translation is: Which series needs another Season?! And we all know which Series that is!

Thanks for reading

Oh noooo!

VOTE HERE FOLKS THAT WE WANT ANOTHER SEASON! :) ❤

[skcirthinq]

So, to make this post, I reread all the parts of the Archer Au to try and find something to quote, to say, to show everyone how amazing and beautiful and heart-rending this story is.

And then reread it again, and again, and still couldn't pick out one passage over any of the others, because every word and every drawn line of it is a masterpiece!

Which everyone* involved in making the Archer Au fucking did an absolutely phenomenal job on, Holy! Fucking!! SHIT!!! And also ow!

*The Amazing Creators who've contributed to this series (whose other works I also highly recommend)- @goodlucktai , @remedyturtles , @klunkcat , and @soldrawss

This second set is kinda more like. An idea I had based off the text, rather than explicitly stated, but like. Neutral Mikey sent what he could of himself with Gio, so he wouldn't be alone, to protect him. Neutral Donnie poured over a decades worth of himself into the bolt to kill Krang Prime. And I couldn't leave out Neutral Raph if the other two got to make an appearance! So. Art! Visual representation and shit!

[rawliverandgoronspice]

I think what chronically upsets me about TotK is that. So much of it could have been so good with so little change.

I am into Zelda as a sacrificial, wondrous and silenced creature who must literally carry the blade of the hero as a wound inside her forehead and silently wait to be humanized again --and the injustice of a kingdom built on such a premice doomed to repeat itself, especially if the kingdom was founded on such dubious grounds to begin with. I am into Ganondorf forcing the present to reckon with the past through the most violent clash, forsaking everything that made him a person while sinking down into petty vindictiveness until no connection and no humanity remains, even though independance was what he was trying to protect in the first place. I am into Link as somebody trying to hold onto his most important connection to the world he once knew being used to force him into a conflict that has ultimately nothing to do with him (sure that's SS again but, it could have been explored even further). I am into Rauru as this self-important, self-made king who used his own association to godhood to live out a power fantasy that refuses to ever be acknowledge as such, maybe compounded by the fact he is one of the last of his species and feel, himself, the crushing weight of their fading heritage?

I don't know, the Tears of the Kingdom or something????

But, it all tragically depends on one crucial thing, which is to allow hylians to be wrong sometimes.

And it's wild to me how all of this incredible potential to comment on the series' history and the characters' role in it is just. Flattened into nothing, because Good must be Good and Evil must be Evil, and Hyrule must be righteous at literally every cost --even if it means nervously rewriting their own history through convoluted logic that rejects conflict and depth and vulnerability at every turn.