#good guys only get depth and become interesting through their interaction with the villains?

[1ichtbringer]

it’s 2025 and people still hate mahito, a villain, for not being nice to the good guys 😐

[nosleep83]

ROTTMNT SEASON 3 IDEAS!!!!!

(These are really messy cause I mostly just copy and pasted from my notes haha)

First of all, the main antagonist.

I think that the main antagonist for season 3 should definitely be the sister Kraang (I’ll be referring to her as Kraang 3 or just Three). Remember, she’s still alive. She’s only being contained. And considering how it only took 3 Kraangs to nearly take over all of New York, I think Three would be able to escape from any earthly containment. She also just has amazing potential to be a main villain. She’s definitely the most psychotic out of the 3 Krangs (Hell, the first thing she wanted to do when she was freed from the prison dimension was kill something) and loves to see people suffer. I could bring up many other times she’s acted like a psychopath but I don’t have time for that lol.

As for her motive, she didn’t seem hellbent on conquering Earth like her brother, she mainly just liked to cause pain. And with her brothers gone I don’t think she’d make it a priority to conquer Earth, at least not quite yet. I think all she wants is revenge. She’d want to torment anyone and everyone who messed up their invasion. And we all know who ruined the invasion…

Another thing is just how horrifying it would be for everyone to know Three is out there and wants revenge. They’ve all already been VERY traumatized by the Kraang and the invasion, and to have to go up against one AGAIN when they thought everything was okay and that they’d gotten rid of the Kraang for good would be insanely traumatizing. Basically I just want more trauma lmao.

I think it would be interesting if Three started becoming more present gradually throughout the season. Sort of like in Thanks To Them, how the entire time there was a build up toward Belos possessing Hunter at the end of the episode. I think it would be interesting if, as the episodes progressed, there would be more hints that Three is back. Maybe an episode about half way through the season it would finally be revealed to the turtles somehow (maybe they find her or it’s on a news report or smth idk)

Anyways moving on from the antagonist I want to see how everyone is doing after the invasion and how they’re each individually dealing with it. I want to see how Casey Jr is doing adapting to a normal life with the younger versions of his family and grieving the ones he knew. I want to see how Raph is handling being possessed and the guilt he more than likely has from hurting his family and helping the Kraang. I want to see how Leo is dealing with the trauma of being in the prison dimension and nearly (accidentally) causing an apocalypse. Obviously, I want to see how Mikey and Donnie are doing after the invasion as well, it would feel wrong if their trauma from the event was ignored, but I just can’t think of anything for them right now. My brain is tired haha.

The turtles’ issues and trauma, even from before the movie, just need to be addressed more. Don’t get me wrong, it’s not like the writers did a bad job with their struggles. They did great, I just think more time was needed to talk about their issues more in depth. Another thing is that some of the turtles’ issues are talked about more than others. For example, we needed more time to see how Mikey feels like his brothers need to protect him because he’s the youngest and such. This part can mainly be summed up to me thinking we needed more time with each turtle.

Also I just want more of the side characters, man. Characters like Sunita needed much more episodes. I already enjoy the side characters, I just think getting to know them more would make me enjoy them more yk.

WE NEED MORE CASSANDRA. PLEASE. We didn’t get to see much at all of Cass being a good guy, and I’d just really like to see it. I would also LOVE to see her and Casey Jr interact and see what kind of dynamic they’d have.

Splinter’s neglect needs to be addressed more and he really needs to work on it more. I already now that throughout the series he gets better, but he still has so much making up to do. I want to see the turtles be really upset with him. To be hurt by the lack of attention he gave them. Raph in particular was arguably affected the worst by Splinter’s neglect (since he’s the oldest) and I’d love to see Raph talk to him about that.

Now, the most important part. WE NEED USAGI. We need rottmnt Leosagi I’m dying on this hill. Now that might just be me hoping since when it comes to gay relationships Nickelodeon usually doesn’t go farther than gay parents but hey, if The Owl House could do it, I’m sure if Rottmnt really tried they could too.

Anyways that’s all lmao thanks for reading all of this :] feel free to tell me your thoughts about it!

[galacticrambler]

I was really excited when it was announced that John Jackson Miller would be writing a new Star Wars book. I’ve generally enjoyed all of Miller’s ventures in a Galaxy Far, Far Away. His Legends novel Kenobi remains one of my favorites to this day.

The Living Force gives fans a novel set before Star Wars: Episode I: The Phantom Menace but well after the events of the current publishing initiative set in The High Republic. The most intriguing aspect of it was the fact that it would feature several members of the Jedi Council. Wait, no, scratch that. It would feature all members of the Jedi Council.

A year or so before we see the whole Council in The Phantom Menace, we get them all on this adventure. The Jedi are pulling back from the Republic, reducing their occupied temples throughout the galaxy one by one. After Qui-Gon Jinn and Obi-Wan Kenobi interact with some terrible would-be thieves on a trip on public transportation, they convince the Council that a trip is needed to the location of the latest temple being shut down — the planet Kwenn.

With the Jedi and the Republic pulling out of the system, pirates are licking their lips in preparation of taking over. What will happen when the full force (no pun intended) of the Jedi Council comes to Kwenn?

My favorite parts of this book were very thing involved with the Council. Getting more in-depth character portrayals of folks like Yarael Poof, Oppo Rancisis, and Saesee Tiin was fantastic. While the Council overall was the focus, there can be no question that the star of this book was Depa Billaba, who is best known for going on to become the master of Kanan Jarrus/Caleb Dume of Star Wars Rebels fame. Learning more about not only her history but also her character was a lot of fun.

We did get to spend a lot more time with Qui-Gon and Obi-Wan than I was expecting, and they’re always an interesting story due to their different approaches on being a Jedi yet still being Master and Padawan. I was intrigued by how much of Mace Windu that we got in this one as well. Later this year, The Glass Abyss featuring Windu is coming.

The main focus of the book is a galaxy on the brink of chaos as the Jedi and Republic pull out, leaving star systems to fend for themselves. Throughout The High Republic, we’ve seen how the Jedi having temples on various planets in the Mid and Outer Rims has assisted them in integrating into the cultures and societies of the people they’re supposed to be serving. At some point, the Jedi and the Republic begin to pull away from their temples to save money. Sad and pathetic.

The challenge from Qui-Gon to get out “help one person” was tremendous. Qui-Gon was such a good Jedi, and everyone would have benefited had he been able to be on the Council and potentially shift some of their thinking in a slightly different direction.

I really wanted to love this book. I’m a big Jedi guy, and this one has a lot of Jedi in it. Unfortunately, I struggled to get through this book, and I think the reason lies solely with the villains of the book. Zilastra and the Riftwalkers just did not work for me. The names of the other villain organizations — like the Vile and the Staved Skulls — were always a “take me out of the book” moment, and I struggled with them throughout.

I don’t know what I could’ve wanted more from this book with it being focused on the Jedi Council and being set so close to The Phantom Menace. There were only so many directions for Miller to go.

Still, I liked this book. I like Jedi. This had a lot of them.

[izunias-meme-hole]

Since you're is a Ganondorf fan, can you rank your favorite iterations of the guy?

I am going to be excluding the classic pig beasts and the calamity for this because they'll be on the bottom, so this will be exclusively incarnations of Ganondorf, the man behind the monster himself.

Number 1. Ocarina of Time - A timeless classic with simple, yet effective characterization who does so much with such little screentime. He starts out as a king of thieves with a large ambition who is willing to kill anyone who gets in the way of his prize, and said prize was the triforce, and he actually gets it, well a piece of it. Then in the future, he goes from that to a true King of Evil, and judging by the impact his reign has had on the land, and the fact that he nearly genocided the Zora and Gorons, is honestly enough to inform the player that he's somehow crueler than before. Also HE PLAYS HIS OWN THEME ON AN ORGAN AND IT DOESN'T FEEL CHEESEY. OOT Ganondorf was and IS the blueprint for any future incarnations of the character, and he still happens to be the best.

Number 2. Tears of The Kingdom - Despite the slightly confusing connection he has to Calamity Ganon and his timeline placement still not clarified as the actual Founding of Hyrule or its Re-founding, this is the second best Ganondorf in the entire series. Matt Mercer was better than expected, his designs slap, his usual strong presence is still there, HE GAVE GORONS CRACK (I wish I was joking), and overall he was delightfully charismatic and evil. And the best part of it is that this is the ONLY Ganondorf so far in canon that seems aware of what he is and enjoys every minute of being The Demon King. A true villain, this one is.

Number 3. Smash Bros - He was a last minute inclusion in Melee, a bad character in Brawl, a joke in smash 4 gameplay-wise. So why is he Number 3? He was a good "Orcus on His Throne" villain in Subspace, he got a HUGE upgrade in Ultimate, and the aura around him and the energy he has in ALL the games is 100% Ganondorf, from his taunts to the heaviness of his attacks. One of his taunts is literally him taking out a sword and putting it away, implying that he could use it, but only needs his overwhelming power to beat his enemies, and it's the type of arrogance I expect from Ganondorf when he's at the height of his power. He ain't the best character in the games and is in need of buffs, but I do believe he's a good representation of Ganondorf outside the main series. Also when do you ever see Ganon interacting with Bowser, Sephiroth, Ridley, AND King Dedede in offical media?

Number 4. Hyrule Warriors - To sum up this incarnation of Ganondorf, he's a prototype TOTK Ganondorf, and is another great representation of the character outside the main series, and you do play as him in the main story, alongside Zant and Ghirahim. Only reason why he's 4th is because I do find smash to have a more interesting premise, and there's something cathardic about Ganondorf just punching the shit outta people.

Number 5. Twilight Princess - He's on the same level as Wind Waker Ganondorf to me, but I LOVE how he's just a full on recreation of OOT Ganondorf who takes a backseat to be the final boss. He's active through Zant for a lot of the game, and when we hear about him, he's basically built up as a ruthless ass bastard with a god complex, and he himself is such a god damn great final boss. He lacks the depth Wind Waker's Ganon has, but his status as a great villain is as clear as day.

Number 6. Wind Waker - He has a surprisingly weak presence compared to his other incarnations, but Wind Waker Ganondorf is carried by a great final battle and genuine depth as a character. The best way to sum him up is "The Lord of A Dead Empire," and everytime he's appears, that becomes clearer and clearer. Despite this characterization of the big bad king being sadder than usual, this guy is still downright evil to the bone, so don't be caught off guard. Sure, he's lower on the list, but he's still pretty amazing, and he's also 50% of the fandom's favorite incarnation of him, which is honestly an achievement.

Number 7. Cadence of Hyrule - When I found out he was a child and not a problem in the slightest, I was shocked and confused since Classic Ganon is in the game. He isn't good as a character or villain here, but I like the idea of a young boy Ganondorf just doing whatever while a teenage Link walks around Hyrule.

Number 8. Four Swords Adventure - Ganondorf himself doesn't appear as a man at all, but he appears in Classic Beast Ganon, and in all honesty... meh. I like that he's a reincarnation though

[tailoredjade]

books recs <3

Literary fiction

Giovanni's Room

the kind of book that’s best if you go in blind. just know that baldwin remains a classic for a reason. his writing makes me want to gnaw on my own wrist (affectionate). his use of motifs makes me want to pull out a cork-board and pin up snippets of pages just to connect them with bits of red thread. devastating, raw, heart wrenching, tragic, other adjectives of the sort

Everyone in This Room Will Someday Be Dead

gilda is a deeply mentally-ill atheist lesbian who’s ends up getting hired as a receptionist in a catholic church when in search for free therapy. subsequent shenanigans ensue and by shenanigans i mean she’s just … spirals. this novel is sharp, funny, deeply relatable (isn’t that reveling), and at it’s core utterly human

Fantasy

A Marvelous Light

ok hear me out: for fans of our flag means death, i found the perfect edwardian fantasy romance for you. god this book is such a delight. robin gets the thrust into magical society after he mistakenly gets declared a liaison. obviously he falls in love with his magical counterpart, who’s prickly and obsessed with libraries. it’s quite possible that i am a tad in love with him. super interesting magic system + lush setting (also the author is a host of an absolute banging podcast called ‘be the serpent’)

The Poppy War (and subsequent installments)

where do i ever begin. the world building is brilliant and rooted within chinese history. it’s gritty and dark and so bloody smart. rin is the epitome of the post that’s like ‘i’m a girlboss, i’m a war criminal, i’m the next virgin mary, i will defeat god’ (paraphrased clearly). i simultaneously love her and want to shake her vigorously by the shoulders. she is my little meow meow. oh right plot. to clarify, rin is poor orphan who manages to gets into sinegard, an  prestigious military school, and there she discovers her connection to shamanism. discusses the harsh realities of war and explores the depth of relationship formed because of it

The Midnight Lie

YA fantasy that has surprisingly complex conversations about class, compulsive heterosexuality, exploitation, and toxic relationships. still tbh the relationship is what kept me reading. every interaction between nirrim and sid had me giggling, twirling my hair, looking way abashedly, the works. the lines “Nirrim, I can’t be good to you. / Then be bad.” make me want to scream into a pillow like an early 2000s disney movie. i’m so tired of love interests in romcoms being describe as swoon-worthy when they’re just some guy. sid on the other hand; she’s this delightful butch who kisses girls’ palms and compares them to indigo flowers and — jfc moving on.

Non-Fiction

In the Dream House

memoir recounting an abusive relationship framed through vignettes of narrative tropes/literary devices. so fucking devastating and haunting. dream house as: queer villain, ambiguity, choose your own adventure, and death wish; all really suck with me. really think everyone should get this a read if you’re in the right place for it

Sister Outsider: Essays and Speeches

brilliant collection abt racism, sexism, class, homophobia, and the ways they overlap “Guilt is not a response to anger; it is a response to one’s own actions or lack of action. If it leads to change then it can be useful, since it is then no longer guilt but the beginning of knowledge. Yet all too often, guilt is just another name for impotence, for defensiveness destructive of communication; it becomes a device to protect ignorance and the continuation of things the way they are, the ultimate protection for changelessness.“

Poetry

Crush

if you haven’t yet read a richard siken quote yet while scrolling through this hell-site i commend you because how. is there really anything else to say. wishbone is a particular favorite of mine but every single word in this collection makes me feral

Devotions: The Selected Poems of Mary Oliver

the only time i will ever be willing to frolic is after reading an oliver poem. i come out of the experience feeling rejuvenated? compassionate? with the understanding that yes rocks do, in fact, have feelings, why wouldn’t they?

If Not, Winter: Fragments of Sappho

big fan of this specific translation. should be considered the lesbian master doc. that’s probably problematic. well anyways. the bit when she describes very literally fainting after hearing a woman’s laugh from across the room. slay! she’s just like me fr

[anxiouspotatorants]

Whoopsy daisy I made a Shadow and Bone random thoughts post:

The costumes in this show are impeccable. I was drooling over all the keftas and the ball gowns in 1.05 and the crow outfits. Hell, even the winter-camo outfits that Mal, Mikhael and Dubrov wore in 1.04 were amazing.

Am I the only one who isn’t surprised by the kruge pronounciation? Because I thought it would sound like how English people say Scandinavian words and I wasn’t wrong.

Coming in to this show as someone who had only read the Six of Crows duology, I expected to at least tolerate Malina based on the trailer clips. I kid you not: less than five minutes into the very first episode they owned my ass. That might be a new record for me.

Seriously the friendship? The pining? The finding home in each other and being able to acknowledge their faults and apologize to each other? Both of them having massive “fight me” energy and protecting each other? Hugs?? Why am I surprised that I ship this?

Some of those scene transitions/flashback edits were so good! Like I know they repeated that meadow scene a lot throughout the season, but the cuts from kid-Mal looking at the rabbit to grown up Mal psyching himself up for the fist fight? Poetic cinema.

The Darkling was horrible and I love it. He wasn’t a carbon copy villain, nor did his complexity redeem him. He was a perfectly complex and understandable monster and I am living for it. I have not been so happy to despise a character in ages and I genuinely bow in gratitude to both the writers and Ben Barnes, because I finally got to enjoy watching a character I did not for one second root for ( #writevillainswellagain)

Look I already loved Jesper in the book but his on-screen translation elevated him from a fave to the fave. I was worried that they would push him into a comedic relief-role, but he got to keep both his heart, his depth, and his humour. Kit Young did an amazing job bringing what was already a great character on page to an even greater character on screen and I once again applaud.

Am I a bit bitter that the casting had some interesting choices for certain roles (aka hiring light skin and mid-size actors for explicitly darker skin and plus-size roles)? Kind of. Do I think there are important discussions worth having about this? Yup. Do I also think that every actor hired for Shadow and Bone did an amazing job and deserve zero hate and massive amounts of love? Also yes.

I had Alexei for one episode and one episode only, and I still miss that poor sucker. This show did a surprisingly good job with making me care about a massive amount of characters considering the screen time they had and the amount of episodes this season had. Good job.

For some reason I expected Inej to be a lot more brooding based on how I perceived her in the books but I love what Amita Suman did with her. Her translation completely recontextualised everything I remember from the books and just brought this truly fresh character to life. Assassin with a conscience indeed.

Also I did love the Kaz we got in this season but I can barely contain myself as I wait for season 2 to be made and for a certain flashback to take place because that moment in the book was visceral and it stayed with me for a long time and I knew before the show announcement that this flashback could become a television moment. 

Speaking of Kaz the crows were so chaotic and messy and I’m here for it. Their interactions with each other and their improvised back-up plans were everything. I somehow didn’t expect the crows to become the comedic relief of the season but it honestly makes so much sense.

A couple episodes in I still didn’t get the Zoya hype (remember I haven’t read the books) but was a massive Genya fan. By the end of the season I was like “oh both of these girls are getting redemption arcs and I am here for it”.

Speaking of redemption I still don’t like Matthias. I’m sorry but I just don’t. I get that he is important to many and that they like his relationship with Nina, but I just don’t have the patience for him and feel like Nina can do better. I still want him to get a redemption... but maybe not through a romance with the grisha woman he repeatedly slutshames, is bigoted towards and chokes at least once (twice if that SoC scene from book 1 happens). That being said this is just how I see him, so feel what ever you feel about him and ship to your heart’s content!

Alina’s journey through this season made complete sense to me. It hurt to see certain things, but they were necessary in my eyes. Seeing her go from this essentially insecure but brave girl to a manipulated pawn to an even stronger and more self reliant girl in spite of everything was amazing. It did feel like a well-written hero’s journey and I’m looking forward to seeing where she goes next.

Apparently a lot of book-readers don’t like Mal (and I am not here to change anyone’s mind about that) but the Mal I saw on the show was amazing. I actually kind of wish we had seen more of who he was outside of his relationship to Alina (f.ex. other flashbacks than the meadow, maybe something about any of his missions while separated from Alina pre-show), but I also loved what we got of him with Alina. We still got to see a guy who was brave, stubborn, flirtatious, a bit judgemental but with a strong sense of humour, and a lot of loyalty (to Alina but also to his friends). I can hardly wait to see what’s next for him.

Milo the goat. Where do I even begin. Not only did we get that Jesper-scene, but their farewell actually became a Chekhov’s gun for Mal in 1.07? Milo is the true hero of the season.

Speaking of 1.07 I loved the tent scene between Alina and the Darkling. She both got to be realistic about her feelings for the Darkling and stand up for herself and for others and call him out. The way I interpret the Darkling, he is the kind of villain who creates a saviour narrative around himself but cares more about power than anything else. He’ll say he’s doing everything to protect his people but is the first to kill the very people he claims to love. And Alina’s tent-speech really hammered that in for me.

I adore Baghra. Is she morally dubious? Yes. Was she incredibly mean to Alina during training to the point where it might have been excessive? Yes. Did she not take any of the Darkling’s bullshit and act as the proper mentor for Alina when the Darkling had said that he was going to train her? Yes. Am I kind of a Baghra stan now? I mean maybe.

The antler-collar was so evil and gross but from a visually narrative stand point it was perfect. 

Also I still have no idea who David is but I want redemption for him too. Honestly I feel like half the supporting cast is gearing up for redemption arcs next season and I am excited for most of them.

Nina’s reaction when she hears Kaz on the boat? Priceless. Actually the whole boat scene from when she goes up on deck again to the cut back to the fold was priceless.

That being said the final scene had me even more ready for season 2.

Jesper kind of gave me messy period-fantasy James Bond? Does that make sense?

And Mal kind of gave me Lois Lane energy? As in he’s the mortal love interest that many assume is the hero/heroine’s weakness but actually functions as their emotional strength and inspiration? Am I reaching here or am I getting somewhere?

Mikhael and Dubrov. What a duo. Absolute madlads.

Also I’d like to see more Nadia if that is possible? Because the few scenes we had of her had me intrigued but then she sort of disappeared? Is she going to be important or was she just more of a temporary supporting character? 

I entered this show a casual Six of Crows fan with mild interest in Kanej and I finished this season a mess. A mess who ships Kanej and Malina and Genya with that David guy even though they had about 30 seconds of screentime together and Zoya with redemption and Jesper with main-character status (hey we’re not getting Wylan until season 2 at least) and kind of those two Ravkan army guys and Nina with anyone else and Matthias with a better redemption storyline and the Darkling with karma! Also, a mess with a whole new set of comfort characters!

[sam-t-a]

Okay. 

*Deep breath* 

I think I’m finally calm enough to put into words exactly why I hated the finale and why I wasn’t completely surprised that I hated it. 

(Heads-up: this is really long and pretty negative. If you disagree, I would of course appreciate your point of view and love to hear it, but just thought I’d let you know in case this is the kind of post you would like to avoid.)

To me, it felt like every character on the show got betrayed in some way or another, but the main ones are Han Seo (devastatingly), Chayoung (obviously) and Han Seok (bear with me). 

Cha Young: 

She started out as a solid FL who annoyed some people for sure, but who had so much promise as someone unconventional and bold. The way her mother’s death affected her and caused a clear shift in her personality was a super interesting plot point that really never got explored. We have no idea how she came to sacrifice her morality in joining Wusang, just that she wanted to spite her father, which is a very superficial exploration. She gets cute idiosyncrasies in lieu of an actual character and an actual character arc. 

We also, halfway through the show, seem to forget that her father's death was the initial trigger. Cha young does not suggest bold ideas or intricate plans, she doesn’t fill the gaps Vincenzo is incapable of filling (because that would require that Vincenzo have flaws, and that’s not something the writers can abide), and she’s literally victimized in episode 19 and bedridden in episode 20, and that is IT. 

Someone who started out supposedly as Vincenzo’s equal just became another piece in his chess set, no matter how important a piece she may be. 

So her role as a badass avenger is trashed. That leaves her role as a love interest. Now, as Vincenzo’s love interest, she was supposed to get kidnapped in like episode 5 or 6 at the most if the villain has any brains whatsoever (Han Seok may or may not, more on that later). We need a reason for that not to happen too early. Cue villain is somehow in love with her for all of 15 minutes or so throughout a 20-episode series because a love triangle is inconceivable with the show’s current structure and for its purposes. 

So, she spends 15 or so episodes making the first move on Vincenzo, every time, putting herself out there, creating cute moments, getting nothing in return, and then he leaves. No confession, nothing much, he wasn’t even going to say goodbye or give her the choice of coming with him. 

I’m sure more chayenzo-oriented fans have already expressed all the necessary outrage over this, so I’ll move on to the part that I’ve personally been way more emotionally invested in from the get go: the Jang brothers. 

Han Seo: 

I was among the minority that  hated the “Vinny hyung” angle from the get-go and I’ve ranted about it in another post, so I won’t get into it here in-depth, but basically it was because I felt like Vincenzo hadn’t earned it, so to have the last words Han Seo hears be “You deserve to be my brother” or whatever the fuck he was on about PISSED ME OFF. It’s VINCENZO who doesn’t deserve to be Han Seo’s brother and hasn’t done a single thing to earn it. He was a good ally. The situation he allowed Han Seo to be a part of was beneficial to him, but Han Seo’s attachment to him was neither healthy nor heartwarming, and it certainly wasn’t returned on the level he offered it.

Vincenzo’s disregard of his death didn’t strike me as odd because I never saw enough indications that this was a two-way street and Han Seo’s safety and well-being came second so often that I didn’t get the impression Vincenzo was doing much to keep him alive. This is what I meant when I said the show was glorifying a torture survivor’s trauma responses. Han Seo himself, as a torture survivor, meant nothing to them. He was just there to create one more contrived comparison between Vincenzo and Han Seok. Instead of recovering from the trauma, it’s simply employed to someone else’s favor. He doesn’t go to prison for Han Seok, he takes a bullet for Vincenzo, and we’re supposed to see that as so much better.

All of that might (JUST MIGHT) not have ruined the show for me if he’d died better. 1) It was narratively pointless and totally avoidable, 2) they could’ve framed it as heroic, but instead Han Seok’s hand patting his head is pushing it down, so he can’t even get shot with his chin up and his back straight, Taec’s already taller, so the angle’s fucked and the whole cinematography screamed “kicking an injured puppy” and most certainly NOT “survivor finally stands up to his abuser”. The final nail in the proverbial and literal coffin is that he is mourned by no one. They’re FLIRTING not 3 MINUTES LATER, it felt so tone deaf and left such a bad taste. As I said, I didn’t expect significant mourning from Vincenzo (gotta say, I didn’t expect no mourning, that was a shocker), and Cha young and the tenants had no real interactions with him and no reason to mourn him, which left only one person who could. 

Which brings me to Han Seok. 

Han Seok started out as a solid villain, clear goals, clear skills that help him achieve his goals and basically make him a villain worth defeating, and a very complex relationship with both his own psychopathy and his brother. 

Let me get it out of the way: I do not believe Han Seok is capable of killing Han Seo because he had every reason and every opportunity to do so in previous episodes and couldn’t do it (I say couldn’t because a certain degree of reluctance is in itself inability). Han Seo’s danger far outweighed his material value the minute he shot Han Seok and then completely lost any value once he came out to the world as the chairman and it became clear that the prosecution would be going after him if anything happened, and not his brother. But time and again, he’s proven he’s all bark and no bite when it comes to Han Seo (killing-wise, specifically). 

The scene where he asks him to beat Vincenzo to death could be interpreted as him wanting to give Vincenzo the “painful death” he would have given him, but honestly, I think he was way past that point. He just wanted him dead in the “You crazy? we have to kill him before he kills us” sense. To that end, killing off a key ally of Vincenzo’s, who betrayed you and almost got you killed a bunch of times, should take priority, but Han Seok’s priority is reclaiming Han Seo by forcing him back onto his side. Now, much like his “love for Cha young”, Han Seok’s keenness on not killing his brother was essential to the writers so that Han Seo can justifiably make it this far and still be useful to Vincenzo (he can’t help if Han Seok completely excludes him from all events, plans and management processes, so Han Seok needs to want to keep him on his side enough not to do that even when it’s more prudent). 

All of this isn’t to say it’s unbelievable that he would kill Han Seo, but it’s DEFINITELY unbelievable that he would stay the same man after killing him. Someone here (I’m sorry, I don’t rememebr who) once said that Han Seo had become, over time, far more of a foil to his brother than Vincenzo was. To me, this means that Post-Han Seo Han Seok would be out of balance (tilted screen), unhinged in a way he never was before. The Han Seok we see shrugs and “oh, well”-s and moves on in a flash, not really any different from the villain he was four minutes and a whole brother earlier. 

This is very consistent with the way the show has been de-humanizing him from the start. I’m not saying this to defend Han Seok in any way, he’s a serial killer, an abuser and a total maniac. But you can be all those things and still a human being. In fact, you can ONLY be those things if you’re a human being. The show used its villain vs villain idea to justify a lot, but in the end, Vincenzo had to be a protagonist. He had to follow up every “I’m a villain” with a contrived “but at least I’m not (insert something worse)”. 

On the level of humans:

1) Vincenzo is supposedly different because he doesn’t hurt children or women (unless the women deserve it, and shooting a parent in front of their kid doesn’t count as hurting.) 

But we never see Han Seok hurting women or children either. In fact, if we proceed with the “chayoung is the myung hee of the good guys” comparison, he hasn’t hurt any women nearly as badly as Vincenzo did. 

2) Babel vs Mafia 

Babel’s corruption is compared a lot to the mafia, with Vincenzo commenting repeatedly that the people are WORSE than the mafia...which is bullshit. Babel is a set of companies that provide goods and services, but use illegal means to maximize their profit, so they hurt/kill people in the process because they want more money and care about money more than ethics. The Mafia is an inherently criminal organization that functions PURELY on the basis of its criminality. Every single dime Vincenzo spends is blood money. None of it is clean. And while we’re on the topic, I find the whole “taking Miri under his wing” thing pretty unreasonable too because he tried to have her killed you guys, I cannot believe we’re just glossing over that. He had everyone who worked on that vault killed, just random fucking construction workers. And he’s not sorry. And the show tells you he shouldn’t be. 

3) Repentance

Han Seok says outright he won’t atone, and while Vincenzo says no such thing out loud he just...doesn’t repent, I guess. He keeps the blood money, he goes back to being a full-time mafia dude doing mafia things. He leaves the same man he arrived. 

So, if on the level of harm inflicted upon humanity, Vincenzo and Han Seok are pretty much equal (and Vincenzo might actually be worse), then why should we root for Vincenzo? 

Well, my friend, that’s where the dehumanization comes in! 

I was initially very excited to see their portrayal of a psychopath because of the very interesting ways in which the informal moral code and official justice system surrounding a psychopath/sociopath/narcissist affect their behavior and their chances of not turning out rotten, and the show looked like it was looking at corruption in general. 

But as the show went on, the villain vs villain thing proved not to be enough, Vincenzo has to be better in some way (or if you’re as obsessed with him as the writers are, then ALL ways), so it became a villain vs monster narrative. Vincenzo isn’t ethical or fair or in any way interested in having a remotely positive impact on society, but at least he’s A HUMAN BEING unlike SOMEBODY. So, the characterization goes to shit, Han Seok becomes a cartoon card-board cut out of a villain and emphasis is put on how pointless his violence is, as opposed to how purposeful Vincenzo’s is. 

This is dangerous on multiple levels (and I promise this is the last point I’m making). 

1) For people in general, dehumanizing abusers/murderers/etc. makes us very liable to forget that you don’t have to be “a monster” to cause harm, and it makes people complacent in their belief that they are “not bad people” since they aren’t total monsters. The Banality of Evil is a thing, and in this series, it goes completely ignored. No one is inherently incapable of good or inherently undeserving of humanity. 

2) For victims of abuse in specific, it’s dangerous to portray abusers (including serial killer and non-serial killer ones) as entirely bad and unlovable, because it poses the dual risk of making victims less likely to acknowledge their abuse if it comes from someone who cares about or loves them on some level because the idea that someone cannot both love and hurt you is so stereotypical. Your abuser can genuinely want you in their lives and need you and, on some level, love you, and IT DOESN’T MATTER if that love doesn’t stop them from hurting you. 

On the other hand, portraying the victims of abuse as capable of flipping an off switch and hating the abuser with no hesitation or second thoughts to the point of unapologetically and cheerfully helping someone kill them and having no mixed feelings about it sends the message that if you CAN’T do that, then are you really abused? Are sure you’re not complicit in your own abuse? Do you even want to get rid of them? 

So this is basically why the way the show ended was so painfully disappointing for me. And the main reason it hit so hard was that it was initially so good and had so much promise. I really expected more.

[askandsmile]

Veronica deserves so much more than being an accessory to every man in her life and an afterthought to the writers. I’m over it

okay, please, i'm sorry for saying this but the whole problem with veronica's storylines is how the fandom pursues them.

veronica ISN'T an ACCESSORY to the men in her life. in fact, her storylines aren't about men; men are the ones revolving in her storylines, but the fandom really fails to see that (the one exception for this is hiram, but more on that later).

take season one for example. veronica is a reformed mean girl who's trying to make new friends and become a better person, while also coming to terms with the fact that maybe her father wasn't as innocent as she thought he was. men in her storyline? archie, who she helps as a friend as they connect, and who promises to stand by her when her father comes back. yes, a lot of veronica's actions are reactions to hiram's actions, but you can clearly see the conflict in her point of view there, not his. we don't even know anything about hiram for real then. it's all through her eyes that we're introduced to the biggest villain of the series.

season two, with hiram back, veronica finds herself torn between two things: light and dark. that's the overall theme of the season. light is represented quite literally by archie, and dark is represented by her family. but still, veronica herself decides to act as a grounding force between these two things. she wants to keep her parents on check. she wants to make peace between the north and the southside. she wants her father not to be involved with murder. then, when she fails to control them, she's the one rebelling and going against them. she decides to stand by archie and fred. she decides to buy pops and to forfeit her father. there's some complicated theme here, with not much explored on her point of view, but you can see that she makes those decisions for herself, and not for archie or hiram, even though they are inserted in her story. it's just not just about them, it's about her, who's she's gonna be, which side she's gonna take.

she chooses light. "you chose that boy over blood". no one else makes that choice for her. and then hiram takes it away from her, of course, because that's what he's there for - to ruin their lives. veronica does fight for archie in season s3A and she puts a lot of faith on the fact that they can survive anything if they're together, like a good hero's love interest, but he leaves and she feels utterly betrayed. meanwhile, she starts building her own business from scratch. yes, reggie helps, but we don't get reggie's point of view about that, not even once. so he's the one in her storyline, not the way around. when archie comes back and hiram gets shot, she's torn between her family and her heart again, and she chooses her blood this time. she dives into it, grows her business, owes her father's admiration, and then they decide to get a divorce and let her hopeless. so here veronica chose the boy over blood and lost, then veronica chose blood over the boy, and lost too. that's her dichotomy in the season...

...which heads us to season four, where she's trying to figure out who she's going to be. she tries to free her mother but her mother betrays her. her father is back into her life and guess what, he has a whole daughter. all that veronica knew about her family must've been a lie. she tells archie that the lodge name is tainted and that she wants out, that she feels like she needs to be a part of what he's doing because she believes in him. so she helps him with the community center because she wants to. then, she keeps on growing her business, and expanding it, working with cheryl for example, and trying to go head-to-head with hiram. until he manipulates her (no one believes he was sick right?) and hermione back in. veronica has daddy issues! she has a complicated relationship with her dad. and then she's betrayed by archie, who she put so much faith in. and realizes again that she's just going to stand alone.

so, yeah, we reach season five and veronica has realized that changing her name and having a partner might not be what she needs to be happy, especially if that partner is controlling and doesn't let her thrive. she says that she thinks she needs to give back to riverdale because of her father. she says that she wants to help archie with the bulldogs because she was a vixen. she says that she wants to help the town and places herself as one of the good guys. she believes in riverdale. she creates the riverdollars. she opens up a business. then, of course, her and archie reignite that flame but it's not all that she's doing. and lastly, chad throws her a curveball and she's doing everything in her power to regain her financial independence and to get rid of him. not only because of archie, but because of herself.

so this is veronica's trajectory through the seasons. as for the men in it:

hiram: is a relationship that's complicated for her, especially because she does love her father and did not want him to be an awful person, but knows that he is. still, she has these complicated feelings and is the only one who often goes head-to-head with him, building a bridge between the villain and the hero. we rarely get hiram's pov on veronica, but we do get hers on him. so it's her story. she's not the accessory.

archie: is her main love interest and while she has helped him through a lot, and vice-versa, 85% of their plots aren't always combined so i don't get when people say that it hurts her personality or whatever. could've she reacted differently to the cheating? i guess. but these writers didn't want it to matter as much to her so? it's been seven years, and she's a forgiving person, especially when people aren't so forgiving to her. it's also their relationship's story so they both get points of view here.

reggie: literally, and unfortunately, has never had a point of view regarding anything. he helps her for old times sake. there has been no explanation for him to be inserted in her storyline. but it's her storyline, not his.

chad: is there to represent hiram, to be honest? and how she does not want, in any way, to marry a man that's exactly like him? and how she can break free from that cycle if she chooses herself, and to stay true to who she is - a pop's girl? none of this was about chad. or about archie. it's been about veronica and how she'll have to break free from this relationship.

other than that, veronica has literally been a business woman, a heroine, and someone who has fought head-to-head with hiram. she's surrounded by this men in her storyline but she's not an accessory to them, and the fandom fails to see it because they fail to listen to the things SHE is saying, and making connections.

do i think veronica deserves better? YES. she deserves a lot better than having no point of view regarding some of her feelings, her trauma, and she deserves to be able to tell the audience how she really feels, and to react emotionally to stuff. she doesn't have to be #strong #girlboss the entire time. if they write vulnerability into veronica, we'll get more of her feelings. they should write her better and give her more screentime - the 514 episode is a clear example of how they chose to go deeper with jughead, archie, and betty, and we still know nothing about her in the past 7 years - and more depth about her stories.

the fact that i have to explain how was veronica's trajectory just proves that it's all over the place and that she deserves better. of course, should veronica interact with more women? SHE SHOULD. veronica needs a friend! and she needs friends that aren't betty, tbh, but well, does this show ever does the friendships any justice? she should be friends with toni and tabitha, or even cheryl; she should be able to have conversations about her feelings.

could she break free from her daddy issues and evolve? yes, of course. could we have more fun watching her not have those daddy issues? yes.

but to say that she's an accessory for men is just... absurd. you guys don't pay attention to what she says or does and keep saying that, i just don't understand. just because veronica has a father, a soon-to-be-ex-husband, a friend, and a love interest, it does not mean that she's ONLY there to serve them. in fact, i have seen them serve her plot a lot more than the contrary.

the little pov she gets, you guys make it about men. we cannot win like this, c'mon. try to pain attention on what she wants and says, instead.

[linkspooky]

Series I’m Reading in 2021

My favorite manga all come from Shonen Jump. A lot of series ended last year, and a lot of new series started, so I thought I’d do a post with a quick recap of all the manga I’m currently keeping up with in jump, and my favorite things about them. 

My Hero Academia - My two favorite manga are both reaching the ends of their biggest arcs yet, and that’s been exciting but also exhausting to read week from week. 

MHA’s strength lies in its ideas and the scope of its ambitions. There’s few stories in shonen jump that work with such broad ideas, in trying to define hero and villain and giving the villains so much depth that the main character’s ultimate foil Shigaraki Tomura, feels more like a deuteragonist to the story, a second protagonist for the other side of the story rather than an antagonist. 

It’s a creative story,  with neat little ideas. Giving an entire arc to the villains was taking an actual risk. From a story that began wrapped entirely around Deku’s perspective, the story has evolved to balance the perspective  of multiple different characters who all come into conflict with each other. The best part of the war arc is that there’s no real good guys in a story with clear and distinct entities that label themselves “heroes’ and “villains.” The heroes are allowed to have impure motives, and do impure deeds. The villains are allowed to have noble motivations, and genuinely care for one another. This is all good because it’s not boring. A boring, simple, story where good defeats evil has been told a hundred times, My Hero Academia shines the brightest when it tries to do something different. 

Jujutsu Kaisen - If MHA’s strength lies in creativity, then JJK’s is in technical execution. If you compare the first 27 chapters of MHA and JJK just in the way that they develop the stakes, story, and ideals, JJK accomplishes a lot more in the same time. 

I’m not saying JJK is better, just that it tells its story better in some ways. MHA is in the middle of a tournament arc, whereas in JJK we see the first major emotional blow of the story. A character which was set up to be saved, and who everyone expected to be saved is instead killed and this has permanent ramifications for both Yuji’s development and the threat the villain presents. 

That’s why the Shibuya Arc has so much impact , despite only having 100 chapters of build up before it. Jujutsu Kaisen introduces a lot of characters, and then quickly develops them and the ideas that surround that character in a way that it feels like every time they’re on screen they are growing and changing in a way. It’s because things are continually changing in the story all the time, that every single time the story hits you it feels like a gut punch. There’s no one safe, no status quo, just a world that you know is going to change by the end of the story. Jujutsu Kaisen is good. Everyone should read Jujutsu Kaisen.  

Mission: Yozakura Family - Katekyo Hitman Reborn used to be one of my favorite manga in shonen jump, which gave me a weakness for manga with big mafia families where everry single character has one special quirky and eccentric power. 

Yozakura Family is also reaching a similiar pont that Reborn did, where after a year of publication it’s not doing well enough as a weekly gag manga and is starting to focus to a more serious with an overarching plot, and a fighter. The main female and main male protagonist have a relationship that actually develops which makes me soft for the two of them because I want to see the story improve and see where the author wants to take them. 

Our Blood Oath - There’s been a trend towards horror series in the recent newcomers in jump, which is great because I am all about horror. A series full of vampires using their blood to cut each other up is an easy sell to me. 

Stories in jump generally don’t tend to develop until they’ve lasted an entire year, but I like a lot of things that Our Blood Oath has started with. I love the series focus on adopted family, and the relationship between the two brothers. The main character genuinely acts like a bratty younger brother, and wields unlimited power exactly like a twelve year old swinging around a blood scythe would. Which is to say, very badly.  

Phantom Seer - Another newcomer series that leaves a strong impression. The things that the series has going for it so far is a really strong main character, who’s a pretty far deviation from the standard shonen protagonist of “I want to save everyone.” Rather than wnating to be the strongest, or wanting to be a hero, he just wants a normal life, and instead gets dragged into heroics by the good intentions of the people he’s surrounded by.

The art is also incredibly strong for this series. I’m glad the artist got another chance to draw a shonen junmp series because their art really shines in both the character designs, and the curse designs. There’s incredibly unique monster designs that are equally parts horrifying and fascinating even though most of them only stick around for one chapter. 

Undead Unluck - Most Shonen Manga either figure out right away what the central conflict is, other manga never figure it out. Undead Unluck is like “fuck it, let’s kill god.” 

Undead Unluck has a bad start, and normally I would never say “keep reading and give it a chance” if it gives you a negative first impression, but Undead Unluck quickly fixes a lot of mistakes in the first chapter. Andy at first says some creepy things towards the main character, but the author seemed to learn their lesson and made a lot of changes later on to make their relationship into a healthy one of consent and mutual affection. 

The main characters and the story premise are what sell this one. A bunch of supernatural beings going out of their way to do the impossible and kill god. The plot is almost pure chaos, but I believe the two main characters are strong enough that you want to follow them all the way through it. 

Dr. Stone -  The best part of Dr. Stone is trying to unravel the mystery of the premise, how the world became turned to stone. Senku is a compelling protagonist because he’s constantly trying to solve the mystery around him, the same way the audience is. 

Senku is a strong character, and there are other interesting ones like Gen, however sometimes the series while being a fun adventure the characters don’t really develop that much. However, there’s nothing better for a protagonist than a good antagonist. The best part of the america arc so far has been the introduction of an antagonist and foil to Senku. Instead of trying to rule through strength. Dr. Xeno views everything as a problem to be solved through science like Senku. He just also sees Science as a tool to rule others, unlike the fairly anarchistic Senku who doesn’t care for leadership. 

Some of the most interesting charactermoments for Senku lies in his interactions, his similiarities and differences with Dr. Xeno, and the fact that they’re now forced to cooperate while Senku is technically holding Dr. Xeno hostage is an interesting building tension between these two. I’m following this series for two reasons, one I’m interested in how the mystery will be solved, and two I wonder what kind of person that Senku will become when he completes his goal of restoring humanity. Senku is the main draw of the series with his weird charisma, and his unique interest in science above everything else, and I think there’s still a lot of untapped potential to mine in his character. 

[ladyloveandjustice]

Fall 2020 Anime Overview

I started out watching the a ton of anime for the Fall 2020 season, but then ended up not being caught up with most of them by the the time the end rolled around. I still pretty much intend to catch up with Yashahime Princess Half Demon someday (I do like the three leads, it just the plot’s been dull as dirt and the fights aren’t very inspired either) and though I dropped Wandering Witch after bad press started rolling in (I CANNOT deal with pointless tragedy in my current state of mind) I might check out a few more episodes someday just to from my own opinion. For now, let’s just quickly review the anime I DID manage to finish on time this season.

Sleepy Princess in the Demon Castle

Sleepy Princess in the Demon Castle is exactly what it says on the tin: Princess Syalis isn’t too bothered about being captured by demons and locked in their castle, but she does value a good night’s sleep, and she is absolutely ruthless when it comes to getting it- so ruthless, in fact, that the demons realized it might not be that she’s trapped in here with them, but that they’re trapped in here with her.

Sleepy Princess is top tier comedy comfort food. It rarely got a huge belly laugh, but it always but a smile on my face and was a great thing to watch before going to bed. Syalis’s single-minded search for some shut eye is a joke that could have gotten old very quickly, but the show consistently found creative ways to expand on the gags and build it’s world and a fun cast of characters along the way. 

Though Syalis is downright brutal to the demons when it comes to getting what she wants (and has a knack for getting herself killed at well), thanks to a demon cleric that offers easy resurrections, you never feel too bad for anyone involved. In fact, the demons and Syalis form a strangely heartwarming bond over the course of the show , and it’s clear by the end that Syalis definitely has the ability to come and go if she damn well pleases and just finds this castle a fun place where she can find respite from her princessly responsibilities. 

A nice bonus for those of us who like a little subversion is that the show has a lot of fun playing with standard adventure tropes- the demons often lament that Syalis is not at all what they expected from a captive princess, for one, but my favorite fun little twist is how Syalis feels about the hero currently on a (seemingly endless) quest to rescue her- she manages to both hold him in contempt AND consistently fail to remember his name. That level of disregard takes some impressive effort.

The show has the same director as the Gekkan Shoujo Nozaki-kun anime and as such has a similarly nice comic and visual flourishes throughout. It definitely gets two sleepy thumbs up for me.

Jujutsu Kaisen

Jujutsu Kaisen follows a young man named Yuuji Itadori who, after tangling with a demon, ends up with one inside him. With a death sentence hanging over his head, he’s inducted into a school for “jujutsu sorcerers”, and begins training to use his newfound powers to defeat demons and curses.

Jujutsu Kaisen quickly tells you on no uncertain terms it is Action Shonen, introducing a huge cast of a characters and powers and super high stakes and hey there’s even gonna be a tournament arc soon. It is really, really pretty to look at, with a killer opening and ending, some seriously great animation and cool visuals for the fights especially. But is it particularly memorable otherwise? Noooooot really, so far. The sea of technobabble it tends to descend into when trying to explain how the various powers work often has me zoning out and wishing they’d just let me watch the pretty punches. The villains and the general plot isn’t particularly compelling. The characters are nice enough, but haven’t given me much to be attached to so far. Though I do appreciate this one dude who is the embodiment of millennial ennui:

I’ll keep watching though, because it is a visually stunning, action-y thing to my turn your brain off to and god knows I want to turn my brain off all the time lately. 

And the characters do have potential- the One Girl of the main group, Nobara, has a really fun personality in that she’s a total shitlord doofus brawler who can thus doof around with our equally dumbass protagonist, which is an pretty fun, unusual personality for the One Girl to have! Her interactions with Maki, the weapons expert senpai girl, are promising too. I’m just waiting for her to actually, you know, DO something that really shows off her skills- I’m told she DOES eventually get to (gasp) win fights on her own and do cool stuff, but so far show has kind at that of failed miserably and underused her like most action shonen underuse their girls. Plus, taking Yuuji out of the group for such a long stretch seems like a weird choice, we’ve been deprived really seeing him for relationships with his peers. The pacing seems off. But maybe the upcoming tournament arc will make up for that and actually be worthwhile!

Talentless Nana

In a world where kids with superpowers are sent to island schools to fight mysterious “enemies of humanity”, one class of such kids is thrown into chaos when they find themselves targeted by a deadly force.

It’s pretty much impossible to talk about Talentless Nana without discussing how it deviates dramatically from what its premise appears to be in episode one, so I’ll just say if you like stories with superpowers and intrigue, you should definitely sit through that first episode and see if the plot that’s eventually revealed is something that you’re here for. But if you want to avoid spoilers, DON’T GO BELOW THE CUT, because I’m about to get very spoilery.

Basically, Talentless Nana pulls a bait and switch, starting it’s first episode posing as generic superhero anime where the protagonist appears to be your standard meek-but-powerful anime boy (Nanao) who just needs some support and encouragement from a pink haired mind reading manic pixie dream girl (Nana) to unlock his self-confidence and ~true power~ (ugh)...only to take SHARP swerve when  Nana ruthlessly murders Nanao and reveals she’s been sent by the government to take out the superpowered kids one by one because THEY are the considered the true enemies of humanity. Oh, and she doesn’t have any superpowers, or “talents”- she was just able to sus out everything Nanao was thinking through basic deductive reasoning because he was so flippin’ obvious and basic.

As my love for a certain character in a certain game may have clued people into, I am ALWAYS delighted when what appears to be a generic, underwritten girlfriend character is then revealed to be an interesting, ruthless mastermind. And having an anime appear to be about a bland boy with a Dream Girlfriend but then actually turn into a show about a deeply cynical, morally dubious girl who’s clearly holding down a lot of messy feelings as she considers everyone her enemy...well, it may be a cheap trick to some, but it also feels a little bit like justice for all the underwritten female characters sacrificed to bland male leads. It’s still rare enough that I dig it when it happens. And the metatext of Nana zeroing in on this kid as the most standard of main character boys, assessing him as the biggest threat because of it and knowing the perfect way to take him out, is pretty inherently funny to me.

But if the show JUST banked on that twist and was about Nana brutally and cynically slaughtering these kids, it would get boring quickly and Nana would be a bland character herself. Fortunately, it doesn’t go that route. Nana struggles and grows a lot over the course of the show. She finds opposition in transfer student Kyoya, a stoic (and socially awkward) young man who pretty quickly becomes suspicious of her. A lot of the tension from the early episodes comes from her sweating as she tries to outmaneuver him and she makes plenty of mistakes along the way. She also slowly but surely starts to question her mission, and we get an idea of her backstory and how the government specifically has groomed her into believing people with powers to be evil. That belief is one that’s challenged by her friendship with another girl, and it’s pretty rewarding to watch Nana’s feelings and world expand little by little.

The show is definitely a little schlocky-some of the plots (as well as the general premise of the government thinking this is the optimal way to get rid of their superpowered kids problem) fall apart if you think too much about them, and some of the kids Nana goes up against are sleazy and unlikeable in over the top ways (which makes it easy for her to stick to her convictions all these kids deserve to die at first). In particular, I have to give a heads up for some sleazy guys doing and saying sleazy things, though the show never gets too overbearing or graphic with it (and the gore is generally PG-13 level as well). 

Basically. There are some truly ridiculous happenings in this show. But how ridiculous and pulpy and over the top it is can be part of the appeal, and it’s fun to just sit back and watch the spectacle of Nana and her peers head-scratching machinations. 

So, while certainly not an anime with airtight construction or flawless quality and depth, I found Nana an overall entertaining watch, especially as a fan of cat-and-mouse murder-y shenanigans, and thought it has a very compelling main character and managed to end on a heartwrenching (but earned) note. I definitely wouldn’t say no to a second season and would be interested to see where things go from here.

[variousqueerthings]

Tory Nichols Is Not Okay (and other predictable book-titles)

I’ve been trying to figure out some things around Tory that make me very protective of her as a character + hopeful for more in-depth writing of her character in upcoming seasons.

1. within the story she differs from literally every other main in that she’s the single character without a support network to fall back on. Even Robby, who’s having A Tough Fucking Time, could theoretically have a moment where he figures out that Kreese (and probably Silver once he’s in the picture) is the fucking worst and Daniel, Johnny, Shannon, and Amanda would want him to come back, hell I imagine that next season will have Daniel and Johnny thinking a lot about how exactly to convince Robby to give them a second chance - as of end season 3, Tory hasn’t got anyone fighting in her corner at all.

This isn’t in the sense of characters competing about trauma or who-has-it-worse or who’s more likely to become a villain or anything. It’s just something interesting I’ve noted, because there’s never been a character like her in the movies or the show, one who is going through stuff quite as bad as what she’s being presented as going through: No support, no money, no friends.

2. I find it interesting that she doesn’t (at the moment) have any direct connection to either Daniel or Johnny - the two cores of the show. Sure she was Johnny’s student for a hot second, but I don’t think they had a single meaningful interaction.

She interacted with Aisha first, which - when they wrote Aisha off the show (actually probably the thing I most disagree with in this story, because it left several question marks hanging in the air) - meant that the first grounding element she had in the story was lost.

Then she interacted with Sam and I think the core of their rivalry - that Sam represents everything Tory can’t have VS the complicated mix of privilege (which I’m hoping will be brought up) + the way Cobra Kai took her best friend and boyfriend from her + everything she’s internalised from Daniel - is really really cool and some of Tory’s strongest moments come from that, because the two play off each other so well and this show is all foils and nemeses. Hopefully the show won’t try to simplify this into “boyfriend troubles.”

Then there’s Miguel Which, obviously there’s some complicated stuff going on there, but in the end, beyond jilted lovers, I personally find her actual relationships with Aisha and Sam more interesting, although the general sense of “oh great, betrayed again, why did I think anything different would happen” + at the same time getting an insight into something inherently self-destructive, (in that she deliberately went for a guy she knew wasn’t over his ex) has some good elements to it.

(there’s Hawk as well, but that’s more casual-trauma-friendship-with-a-dose-of-egging-each-other-on, the two of them aren’t really close).

And lastly there’s Kreese. Who is. The only person who knows what she’s going through. We have one episode with a couple of scenes + a handful of comments that indicate where she’s at and where she’s at is not good. 

3. Tory is maybe a tough sell right off the bat, because of several factors: she’s mainly angry and violent, she’s (as stated above) not emotionally connected to the two leads and her only other relationships right now are antagonistic or written off the show or... Kreese. Robby is going to be there in season 4 which’ll offer some nice opportunities, but for the moment they’re pretty much strangers.

She was introduced later than anyone else we’ve got right now (characters from the movies notwithstanding, but we do already know those + they are connected to Daniel) and her first meaningful interaction was with Aisha, who, I will reiterate, I feel should not have been written off the darn show, but I digress. There was some really interesting interaction going on between her and Aisha and failing to make good on that kind of meant that there was a sense of floatiness to Tory’s first introduction - suddenly this relationship doesn’t matter, oh okay I guess? Reboot. 

That being said I think she’s a very bold addition to the show and I’m curious about where the story will go with Tory next, since imo her first two seasons were about building her character to a point where she could become an Antagonist with some hidden depths. 

I’m expecting based on the first three seasons of the show that those depths will be revisited and respected.

4. I think I’m hoping for Sam to realise what’s going on there, for Sam to try and help, for Sam to realise that, actually, Tory’s problems extend faaaar beyond her and she was more like the straw that broke the camel’s back. I’d like this as well because while it might’ve been a weakness before that Tory wasn’t connected to Daniel or Johnny, now that can become a strength - the story can really start to move beyond them and into the ways that the younger characters interact with each other in a more forgiving + healing + understanding way (using their lessons, which... might? become more unified now? perchance? since they’re on the same side for the first time in... ever?)

I’d like for another adult to get involved there, but I’d absolutely love it if the first steps came from Sam and Tory, rather than Daniel or Johnny or any other adult noticing this kid needs some help. It’d be sad and hopeful all at once for them to have the realisation that sometimes kids just fall through the cracks, but then Tory can be supported by her peers first and foremost.

I wouldn’t necessarily say this needs to happen in season 4, but the sympathy extended to characters like Hawk, Robby, Johnny, Daniel, etc. in the writing needs to be extended to her as well. And for that to happen she needs to connect with someone other than Kreese.

Also, of course, Tory and Robby are going to be Sadness Bros next season, pretty sure they have horror stories to tell each other while they bond - I’m hoping this doesn’t become a romantic relationship, but it’s a show that likes its romantic relationships, so we’ll see. Fingers crossed. (also if Tory should be dating anyone it’s Aisha, right????) Point is, that’ll obviously give her more grounding with another main that isn’t I’M GONNA KICK YOUR ASS!

I think this is where the initial elements of those aforementioned depths can be explored more thoroughly. Robby wouldn’t just be willing to listen - he’d be the first character to really Get It. He’ll probably be the first person to understand her and so the first protagonist we’ll get to really relate to her through (again, to me Miguel doesn’t count, he didn’t know her at all). 

Anyway I want for Sam and Tory to become the ultimate remixed version of Daniel and Johnny, in that they fully cannot stand each other for X amount of the runtime, only to find common ground at the last moment and perchance do some gay, friendly karate matching. 

(Also Tory’s bi, right? Yeah, Tory’s bi. I see your flannel!)

Tory has the potential to be a great slow-burn character, so I’m excited!

[carewyncromwell]

Hi guys! I thought I’d start this HPHM AU Ships Challenge, just for funsies! Feel free to steal and pass it along, if thou dost wish!

Tagging @dat-silvers-girl, @annabelle-tanaka-official, @angellazull, @lifeofkaze, @samshogwarts, @drinkyoursoupbitch, @kc-needs-coffee, @cursed-ice-spirits​, @thatravenpuffwitch​, @cursebreaker-lilith​, @cursebreakerfarrier​, and @cursebreakerelmswood​! 💖💛��💚

What HPHM characters (or MCs) could you see your MC dating, in an AU? What would their relationship be like? Why did you ultimately decide not to go with that ship, or do you still hold a torch for it?

My answers for my girl Carewyn are under the cut!!

(Sorry, I couldn’t resist starting with a recycled doodle of my canon ship, the HMS Carion. 🥰)

Andre Egwu

Alright, right off the bat, we should discuss Carewyn’s canon ex, Andre. Carewyn and Andre attended the Celestial Ball and dated until their fifth year, breaking up right after the All-Wizard tournament. Fortunately despite their break-up, they’ve stayed on good terms and still greatly respect each other -- but truthfully, I never intended for them to be a long-term match in any universe. If you’d like to read more about why Carewyn/Andre didn’t work out, you can consult this analysis, but to put it very simply, Andre was someone Carewyn admired deeply, but couldn’t ever be completely herself around. And from a personal perspective, my parents are one of those rare couples who remained friends even after divorcing, and I’ve always found their relationship really fascinating, as no one can deny they do still sincerely love and admire each other, even if it’s no longer romantically. Carewyn and Andre know each other in a way no one else does, so it gives their friendship a depth that it didn’t have before -- so unlike with a lot of relationships, their bond actually strengthened after they broke up, rather than falling apart. 

Bill Weasley 

In Carewyn’s canon, Bill ends up becoming Carewyn’s best friend. Although at the start, their relationship had much more of a surrogate big brother/little sister dynamic, over time the two ended up on much more equal terms, both as Cursebreaker partners and as unofficial “parents” for the rest of their friend group. Bill is Carewyn’s right-hand man both while dealing with the Cursed Vaults and while leading the Circle of Khanna, and even though Carewyn wants nothing to do with Cursebreaking after dealing with the Vaults, she’ll still drop everything to help Bill with his work, should he need her. Bill is the one who came up with the nickname “Carey” for Carewyn, and he’s also arguably the friend who understands Carewyn best after the death of Rowan, given the similarities in their personalities and how long they’ve known each other. I actually did write out a post guessing what a romantic relationship between these two might’ve been like if they’d become a thing, but honestly, I’ve never really shipped these two. Carewyn may not be entirely based on me (she’s got elements of my mum too), but one aspect of the wish fulfilment for me early on was that my girl could have a ride-or-die best friend like Ron was for Harry in the original Potter books. In the end, that friend ended up being Bill, Ron’s eldest brother and a character I loved when I first read the books and only became fonder of through the game. And honestly, we could really use more sincerely loving, but completely platonic male-female friendships that never bump up against romance!!

Talbott Winger

Talbott and Carewyn are truly “birds of a feather,” though one would never know it based on their respective masks. Talbott is the sort to put a gruff facade on to hide his more sensitive feelings, while Carewyn is the sort to put on a pretty face to hide her angrier and sadder feelings. Underneath, though, they both are stubborn, intelligent, and distrustful people with a strong desire to fight evil and a creative spirit. After becoming an Animagus, Carewyn would frequently fly around the school grounds with Talbott in robin form, singing songs for both herself and Talbott, and even though Talbott teased her about it, he did sincerely enjoy it. Carewyn loves reading Talbott’s poetry, and Talbott is also one of the few people who can get Carewyn to laugh a lot, since their senses of humor line up really well. Last but not least, they become a lawyer and an Auror post-Hogwarts, so they end up working together A LOT, especially post-War. I did write a prompt once about what a Talbott/Carewyn romance would be like, and I admit, I could see them being a relatively good couple, particularly since I headcanon both of them as being on the ace spectrum. That being said, though, I ultimately didn’t go with Talbott for Carewyn for two reasons. One, I thought they’d be too similar in a lot of ways (most notably, they’re way too friggin’ serious -- give each of these two some sunshine, will you??) -- and two, on a much more superficial note, Talbott was so popular that I kind of hesitated before having Carewyn ask him out. (Plus come on, for that date, how much of a b*tch would you have to be to break Andre’s heart and then snatch up an outfit he made for you to wear on a date with his dormmate?! Just -- COME ON.)

Chiara Lobosca

When I first started playing HPHM, I strongly considered shipping my girl with Chiara, once she broke up with Andre. From the moment Chiara and Carewyn met, Carewyn just knew she had to know Chiara better, and that ended up being because -- thanks to her latent Legilimency potential -- she could subconsciously sense that Chiara and she were similar in a lot of ways. Most importantly, Chiara was very lonely and desperately longed for a friend, which reminded Carewyn of how lonely her pre-Hogwarts life was, especially after Jacob disappeared. Once Carewyn earned Chiara’s trust, Carewyn proved herself to be a very loyal friend, even learning how to become a robin Animagus so she could keep Chiara company and cheer her up with twittered songs during full moons. Both Carewyn and Chiara are sensitive “Healer” type personalities (though Chiara is a bit more literal of one) who fight against their own crippling self-loathing to try to nurture others. This, in the end, though, is why I hesitated on making them official and why I’m ultimately glad I didn’t. Like Talbott, Chiara in some ways is too similar to Carewyn, and I think in a romantic relationship, they wouldn’t grow as much as people through their interactions. I did come up with quite a few ideas about what their relationship might be like -- but ultimately I couldn’t help but feel that Carewyn’s happy ending couldn’t just be about peace, but about finding someone who could challenge and contrast her.

Diego Caplan

This  started off as a crack ship for me before actually gaining some legs and becoming Chiara/Carewyn’s main opponent, when it came to my debate with myself regarding Carewyn’s romantic future. In contrast to Chiara, Diego is pretty much Carewyn’s complete opposite. Carewyn is a planner. Diego is spontaneous. Carewyn is meticulous. Diego is flirtatious. Carewyn is serious. Diego is anything but. Carewyn is ace. Diego I headcanon as pan. And yet they both have their romantic and creative sides and are both seasoned fighters and loyal friends. Diego would definitely be able to bring some levity to Carewyn’s life, while Carewyn could bring some grounding to Diego’s. Diego even has a cute little nickname for Carewyn from their time in the Circle of Khanna: “general!” In short, these two would be perfect leads in a rom-com chick flick. But this, ultimately, ended up being why I hesitated on making them official and why I’m ultimately glad I didn’t. Diego/Carewyn is a ship that could really only bloom and blossom under fair conditions, and I had trouble seeing Diego being equipped to deal with Carewyn’s darker emotions or even her more intellectual bent. Just like with Chiara, I came up with plenty of ideas about how these two could be as a couple -- but I really felt as though Carewyn needed more than just “fun” as a happy ending. And ultimately, this conflict between peace VS fun ended up coming to an end when I discovered Carewyn/Orion, as Orion could provide Carewyn with both.

Jae Kim

Okay, honestly? When I first encountered Jae as a character, I didn’t think he and Carewyn would have anything in common, but in a weird way, they sort of subvert their respective house’s stereotype by exhibiting values from the other’s house! Gryffindors are seen as these rash, reckless, show-off hero types, but Jae showcases a lot of Slytherin-worthy cleverness, resourcefulness, and disregard for rules and what others think of him. Slytherins are seen as these cold, cruel, ambitious villain types, but Carewyn showcases a lot of Gryffindor-worthy courage, nobility, and selflessness. And so even though Jae is generally a rulebreaker and Carewyn is generally a rule-follower, when circumstances made it ideal for them to be on good business terms (namely, working in detention together and Carewyn needing an ally who knows Knockturn Alley and Jae needed an ally who was a Prefect), they soon found a lot of common ground. Add to that how much Carewyn encourages Jae’s cooking talent while respecting his privacy, and it’s little wonder that post-Hogwarts, when Jae opens up his own pub on the border of Diagon Alley and Knockturn Alley, the two still meet up very frequently to swap news from their respective corners of the world. I admittedly don’t know how well Carewyn’s job as a magical lawyer would be conducive to her being anything other than friends with Jae, and I don’t think they’d ultimately have many interests in common, so I do much prefer them as friends, but their dynamic is full of fun contrasts! 

Ben Copper

Hahaha, oh god. So. Obviously Ben in-game is still very polarizing, but in my canon, Ben and Carewyn’s relationship is really complex and honestly one of my absolute favorite friendships for my girl. Ben was one of Carewyn’s very first friends, so he -- like Rowan, Bill, and Penny -- knows Carewyn in a way few others do. He befriended her before she became known as the poised, perfect Slytherin “Mama Bear,” but unlike her other friends, he was a bit disappointed by her abrupt transformation between her third and fourth years. While those like Bill, Penny, and Andre saw it as Carewyn coming into her own, Ben noticed how much Carewyn put herself “over” the rest of her friends, becoming their protector more than their equal, and Ben lamented it, disliking how he felt like a responsibility to Carewyn more than her friend. But Ben kept those feelings inside, not knowing how to properly express them when he did still cherish Carewyn’s friendship. After the events in the Portrait Vault, Ben went through his own dramatic change, and Carewyn sure enough didn’t end up liking it any better than Ben had liked hers. But ultimately the two had a heart-to-heart and realized that they both had become very different people than the kids who’d befriended each other in first year. After Rowan’s death and the formation of the Circle of Khanna, the two reforged their friendship on more equal terms. I did actually write out an AU roleplay where Ben and Carewyn’s confrontation in Jacob’s room ended up hinting Ben/Carewyn, but I ultimately think that the people they ultimately become are way too different to be a great romantic match. It makes their friendship fascinating, as it makes you wonder how such a tall, suspicious, reckless Gryffindor ever befriended such a poised, methodical, lady-like Slytherin...but even if they do feel a lot of deep platonic love for each other and I personally headcanon Ben being on the ace spectrum like Carewyn, I ultimately think they’d have very different dreams in mind for their future and would each need something different in a romantic partner. 

Barnaby Lee

Barnababy!! 💚 Yeah, Barnaby Lee is my personal favorite HPHM character, and yet I have never really shipped him seriously with Carewyn, even though I love their relationship and could see potential chemistry. Barnaby and Carewyn are both amazingly sensitive, loyal, and modest Slytherins with a love of magical creatures and a strong sense of honor, but they also contrast each other in some fun ways too. Carewyn may put on a happy face a lot, but she’s actually rather pessimistic. Barnaby’s unblinkingly optimistic and he wouldn’t even dream of putting on a mask to hide his feelings. Then of course there’s the fact that Carey-Bear is this tiny and rather physically weak thing, while Barnaby is a perfectly dashing tank. 😂 Barnaby and Carewyn are both protective of each other, as seen by Barnaby throwing himself in front of Carewyn to shield her from an Imperiused Rowan’s spell and Carewyn verbally tearing into Ismelda when she learned she planned to use a Love Potion on him. Barnaby was the one who really taught Carewyn about how deceiving appearances can be, and Carewyn was the one who really taught Barnaby about how generous and selfless friendship could be, so they both respect each other a lot. For all that respect, though, there’s a significant slant to their relationship. Carewyn supports Barnaby emotionally infinitely more than she would ever let him support her, so their dynamic comes across as very “mother/son”-like rather than complete equals. Plus, honestly, I think Barnaby and Carewyn’s dreams for their respective futures -- namely, to be a magizoologist traveling the world and to be a magical lawyer for the Ministry of Magic -- don’t match up in the least bit. I could also see Barnaby wanting a large family, and Carewyn has no interest in bearing children herself and would prefer a quieter home life. 

[cyberfairyblog]

Why Jillian Sucks

Hi, welcome to Odyssey Mystery Hour! I'm your host @gritsandbrits and today I'll be talking about a hot topic in the AIO fandom! Wanna know the tea? Keep on reading!

In the weeks I started getting back into the radio series, the newer episodes have started to irk me, mostly because of one of the more annoying additions: Jillian. Marshall. 😬😬😬

Even though I ship Jason with my self insert OC this not going to be about her. There's a lot of reasons why I do NOT like the idea of Jillian x Jason becoming a canon thing on the show. I hope to describe these feelings as best I can.

Who is Jillian you might ask?

Well to put it simply, Jillian is what happens when a Soccer Mom and a TikTok boyfriend mate and spawn an unholy baby and name them Rachel Berry. Out of the aspects of Nu!Odyssey I dislike, Jillian is the one thing I truly despise. Thankfully I've met fans who share the exact sentiment! 😁😒

Double-N Annoying, Double-O Nincompoop

Making her debut in 2018, Jillian is described as lively and upbeat, if a little high strung and immature; the perfect recipe for Kid Appeal! Before she moved to Odyssey she lived in different cities and worked nineteen jobs before becoming roommates with Connie and her sister Jules.

Now this is actually a fairly interesting set up: a new character struggling to find purpose only to discover it in a quaint small town. But as it turns out her going through that many jobs seems to be more than just struggling to find purpose.

When I first saw her design my thought immediately went to the smarmy classmates I went to school with.

We're introduced with this iconic line: "Hi!! I'm Jillian Marshall, double-L Jillian, double-L Marshall! It's so nice to meet you!"

With that one sentence I knew I was about to die.

The following episode has Jillian bumbling through every job interview much to Connie's duress after which she conveniently ending up working at Triple J Antiques...the same place Jason works!

A little backstory on Jason: he is the adult son of John Whittaker, one of the show's main character, and a bit of an Ensemble Darkhorse. He was introduced as a secret agent meant to bring action and intrigue into the show. He was set up as a charismatic and reckless sort of guy clashing with the calmer Jack Allen. After the Green Ring Conspiracy Saga, Jason officially retired from James Bonding and settled down to work at the Allen's antique shop.

Given his immense popularity there's understandable concern for how he is written and who he gets paired up with. So what does that have to do with Jillian.

Well, the idea of Jillian working at the same exact place as Odyssey's resident bachelor and calling him cute raises a few eyebrows.

"B-but Grits all she did was call him cute! You're reaching too far into this!"

Am I? Look I know this wouldn't be much of a big deal too but that is a subtle tactic the writers threw in to get the cogs turning for Jillison. Jason is clearly uninterested and even implied to dislike her. Jillian bemoans this but Connie reassures her that that's not the case. But hey at least she called him cute so OF COURSE she's going to end up being his love interest!

To me removing a character's core trait to justify a romance means you do NOT know how to actually write a compelling romance. It's trite, it's forced and painful to listen to.

It's also obvious she's a replacement for Bernard, given they have similar personalities and her brief stint on TV (which she also failed at lol). But whereas Bernard was actually endearing, Jillian seems more of a cliche womanchild with zero self awareness and tact. No actual depth, just a personality that is incredibly dumbed down and even insulting. Seriously they made her the dumb blond stereotype in an era where we should've moved on from that! 🤦

Did I mention she goes to church?

Yep she's gonna be one of those Christians.

Literally Loveless, Literally!

Oddly enough the narrative frames this as a rivals to lovers thing, where Jason is both the charismatic friendly guy and the super uninterested Straight Man. The constant twisting the turning makes him go OOC. See we know he's fit better as the former because that goes in line with his canon personality. But when they make him the latter he just comes off as unnecessarily mean. This is turns frames Jillian as someone we should pity: "Oh the attractive male doesn't like me because I went into his office without permission!!"

Wouldn't it make more sense for Jillian to be the one uninterested in a romance since her focus in to find a job/better purpose and romance might distract her? That would make a fun subplot...IF SHE WASN'T OBNOXIOUS!

A pattern I noticed and several fans pointed out: Jason's previous love interests were consistent in that they were strong minded women who challenged him in different ways. Their personalities bounced off creating a fun dynamic that was entertaining to see. Even though they didn't end up with him, you can still see and hear and feel their chemistry which is my goal for Jason x OC. Tasha doesn't make Jason OOC & they had a bittersweet arc, so their interactions were organic. Monica only made him OOC because she was a villain actively manipulating him. So again that worked in terms of story and led to Monica's redemption if my memory serves.

However, Jillian's dynamic is not that fun to listen to. You can feel her annoying Jason through the airwaves. She's strong but only in the sense of feeling something hard underneath your back laying on the bed and realizing that's just your earbud. She's vibrant yes but what else? She doesn't have any unique traits to contrast Jason, and any attempt at a contrast would mean making him act out of character. Adding her bumbling clumsiness and annoying voice, Jason would get tired of her very quickly. He's the type to go for people to have intelligent conversations with, not make him lose braincells. She could very well bring out the worse in him, it'll be an unhealthy relationship.

Here's a tidbit worth mentioning: the VA for Jillian actually auditioned with Jason's VA Townsend Coleman. Now that is big ass red flag right there! No hate towards the actress, just throwing that out there. There's also a facebook page dedicated to Jillison. Typical FB stupidity ramped up to eleven, or AIO fans who see something in Jillian; or at least THINk they see something worthwhile in her.

It doesn't help the writers keep insisting that these two go well together. The audience knows they do not work well as a pair but the narrative keeps insisting they are anyways. I recall an episode that had them pretend to be married while undercover and it was bad. Like REALLY humiliating to see Jason put in that position. He also told her to shut up much to my joy because she could NOT stop being irritating for five minutes. Alas the show still tries to justify Jillian being the Perfect Woman for Jason when she's anything but. And not even endearingly imperfect.

Follow Up

These tags I wrote on one of the AIO posts describes how I feel about Villain Marshall and the Jillison coupling as a whole. It just wouldn't work because Jason needs someone that can actually CHALLENGE him, have their own personality that can bounce off his (without being forced), and most importantly DOESN'T AGGRAVATE THE FANDOM!!

I have not met a single person anywhere that say they like Jillian. It's a different story apparently on the Club App - they like her for reasons I'm too cowardly to find out. But no, she sucks as a character. She makes a annoying friend, and is not a good addition to the show, much less a good love interest.

The only good thing she brought us are the nicknames we gave her 😌

That's all for now thank you for tuning into the Odyssey Mystery Hour. Next week I'll be talking a bit more about my OC Vanessa and her role in the world of Odyssey! Goodbye and make sure to lock your doors to prevent Jillian from coming in!!

[childofaura]

Hi, what did you think of 3 Below, and were there any character deaths in TOA that felt unnecessary or could’ve been handled better?

Man I almost never get prompts to babble about my favorite things, so anon, let me first say: THANK YOU!

But also let me just say that everything I’m about to lay out is wholly and completely just my opinion, I don’t think of it as fact but I do feel very strongly towards it. I’mma put everything in a Read More because I’m about to excavate a whole damn site:

So one: If we’re being completely honest, I thought 3Below was the weakest of the ToA series. It’s not to say that it didn’t have things I enjoyed about it, but it was a very disappointing series to follow up Trollhunters, mainly because:

1. The two main characters were harder to connect with. Krell didn’t get to make any significant connections with people on Earth the way Aja did with Steve (And I’m not saying it had to be romantic, but I’d have liked it if Krell made a close friend or something), and Aja was very unpleasant sometimes but the show tries to make her seem like she’s in the right. Like the episode where Steve rightfully expressed his relationship concerns that he doesn’t get to have a calm, chill date with Aja where nothing crazy or life-threatening happens, and Aja just snaps at him, like... What? That’s messed up, girl.

2. The show very ham-fistedly tried to push political issues into the show, like making Aja and Krell an allegory for illegal immigrants, which made the writing suffer because there was a LOT of issues with character depth/development, plot holes, and just a weak story overall.

3. Those above mentioned characters not getting development: Morando is a flimsy villain whose kill count is grossly inconsistent, Tronos was a great-potential antagonist/possible protagonist who was essentially used by Aja the same way he was used by Aja’s parents (whom he had a grudge against), General Kubritz was a shallow one-dimensional villain with weak motives whose only purpose was to be a sockpuppet for the aforementioned hamfisted politics, Zadra (don’t know if I spelled it right) is an underdeveloped ally who rags on Aja about being cautious in battle, yadda yadda, then gets two-shotted by Alpha in such a goofy way, and then Beta and Omega Zeron also had some potential but got lost. I think the most interesting character on the show was Alpha, and he got killed off WAY too early into the story for it to feel like Vex earned that kill. Especially because it felt like without Alpha, the show was trying to shoehorn in other villains in his place to be obstacles for the siblings. Kubritz had only one episode in the first season with no personality, but with Alpha’s death suddenly she’s playing a bigger role. The Foo Foo bots were never shown to be a race (only an individual) until Season 2, where all of a sudden they become good guys?

4. The parents’ sole purpose of simply being a plot-vehicle. There’s the risk that jumping into and interfering with their parents’ memories could essentially give them brain damage, yet halfway through the episode they say “Fuck it” and go ballistic through the memories. This is shown to have absolutely no consequences later on, as the parents are revived just fine only for them to immediately die again. The weapon should have just operated on a regular core instead of needing a royal core, so then the dilemma of “Do we sacrifice someone for the greater good or keep our morals” is the dilemma in place (where I think Vex would have been perfect for sacrificing himself and giving him a good character death).

I could go on and on but I don’t want it to seem like this is just 3Below roasting hour. Long story short it was a flop to me.

ANYWAYS,

All the character deaths that were unnecessary or that I would change? Hoo boy I got a list!

1. Draal in TrollHunters. Now I swear this isn’t a case of “I love this character the most, therefore his death should have never happened” kind of thing. But with all things considered on how the show kind of mistreats Draal: He’s supposed to be a crazy-strong powerhouse, but he’s constantly getting the crap beaten out of him for plot purposes, once he’s dead Jim just kind of... forgets about him until he kills Gunmar and has a very forced feeling “That was for Draal” line, and in Wizards we see him alive in the past but JIM NEVER INTERACTS WITH HIM. YOU’D THINK SEEING YOUR BEST FRIEND ALIVE AND WELL WOULD HAVE SOME KIND OF EMOTIONAL IMPACT ON YOU BUT IT DOESN’T. If I’d at least change something about his death, I’d have made it so that he doesn’t die RIGHT when Jim gets him back. That’s too soon. Maybe have him die in the final battle.

2. Alpha in 3Below. Like I said before, he died WAY TOO EARLY ON in Season 2, literally in the second episode. This is a villain who should have lived way longer, like literally every second that he’s still alive just pisses Vex off. Make him escape for a few episodes, ramp up that drive for Vex to kill him so that in the final few episodes the pay-off actually FEELS earned. Especially because the way he died was so cheap; Vex was getting his shit kicked in by Alpha during that fight, and maybe got like... what, one or two hits in before actually landing a very weak killing blow? Vex, the character who embodies a lack of patience, lack of peace of mind, and lack of caution the most out of anyone in 3Below, suddenly pulls a “inner peace” moment to stab Alpha? It’s weak.

3. Tronos in 3Below. Tronos’ death was so cheaply written. Again, Tronos has beef with Aja’s parents. Aja swears up and down that she’s not like them and would make things right by Tronos. Tronos says, “Cool” and suddenly helps them because plot. Tronos gets left behind and probably is feeling even MORE bitter because he just got used the same way as before. Morando comes down to Earth and finds Tronos, who literally the first thing he does upon seeing Morando is drop to the ground in what is seen as the first act of loyalty from his character. Morando’s response? “Lolnope” and stabs him. Tronos deserved to die bitterly fighting against the royal siblings on Morando’s team towards the final fight, not get offed almost immediately after a redemption.

4. Kubritz.

Again, Kubritz’s character was used as a dirty trick to push a political agenda. She has no real or deep reason for hating aliens, she just does. But for some reason she’ll work with an alien (and an even worse alien at that) to get rid of aliens? And suddenly after she essentially gets socially cancelled in the middle of Arcadia park, she becomes good and sacrifices herself?

I’ve had a whole personal rewrite of Kubritz’s character that I felt would have been better and would have given her more depth: Kubritz has a father who worked in the Arcadia Observatory as an astronomical scientist, but when not at work he conducts experiments at home obsessed with contacting alien life in space, and enthusiastically involves Kubritz in his work; Kubritz as a child loves her dad and is just as engrossed in his home experiments as he is; however one of the transmission messages they send out brings an alien ship to their house, and abducts her dad; little Kubritz witnesses this, loses her dad to an abduction, and the hate of aliens manifests there. The whole plot twist is that the aliens that abduct Mr. Kubritz weren’t hostile, but picked him up because the contact transmission he sends out accidentally reads as an SOS signal, and Mr. Kubritz returns to Earth sometime towards the final battle and this gives Kubritz the strength to switch to the protagonists’ side.

So essentially, Kubritz shouldn’t have died, but should have been re-written as a whole.

5. Galahad in Wizards.

YOU TELL ME. YOU HAVE A CHARACTER. VOICED BY JOHN RHYS-DAVIES. AND YOU DON’T EVEN USE HIM PROPERLY OR LET HIM LIVE LONG ENOUGH TO GET A PERSONALITY OUT OF HIM. Literally he dies in like... episode 1 or 2, and Merlin calls him an old friend. But then you see absolutely nothing in his past that even suggests that? Out of all the deaths on here, homeboy should have not died at all. Galahad should have gone with Douxie to the past, where (once Merlin finds out they’re all from the future) he tries to persuade Merlin that Douxie’s become a fine capable young wizard, and he should trust him more.

That’s pretty much all my thoughts on everything, thank you Anon for giving me the opportunity to nerd out over it!

[veronicamarsconfessions]

I was hugely excited by the announcement that a fourth season of teen noir show Veronica Mars was going to be made, nearly fifteen years after the show’s initial air date (and cancellation after three seasons), and five years after the crowdfunded movie came out. As soon as the show dropped on Hulu (or Stan, if you’re in Australia like me) – a week earlier than initially slated, I rushed to watch it. And I was so distraught by the ending that it genuinely took two days for my mood to return to something even vaguely resembling ‘okay’.

For those of you who haven’t seen it *SPOILERS FROM HERE ON*,

season four has Veronica (Kristen Bell) chasing down a serial bomber who seems to be trying to destroy the Spring Break business in Neptune. It turns out that the first bomb was set by property developer ‘Big’ Dick Casablancas, trying to destroy the Spring Break business in order to buy the waterfront properties cheaply, and the subsequent bombs were set by a pizza delivery man, Penn Epner (Patton Oswalt), who fancies himself a detective and is out to find glory after he is initially ridiculed for his public accusation of an incorrect suspect. The season itself had several issues (one of them being some seriously murky motivations behind Epner’s behaviour, like, if he really was that much of a genius, why was he a pizza delivery man?, and that the people ultimately behind the crimes are more or less ‘hidden in plain sight’ all along, which is a disappointing departure from the way the initial seasons cleverly hid the villain until quite late in proceedings). However, the issue for which there is not enough therapy in the world to appease me is the season’s last-minute killing off of reformed bad-boy and Veronica’s long-time boyfriend, Logan Echolls (Jason Dohring), right after they finally got married.

Series creator and showrunner, Rob Thomas, justified this decision by saying ‘I know this seems crazy or harsh but Veronica is at her best when she’s an underdog and I don’t know that there’s much to root for if she’s now got a perfect relationship. I need to keep her fighting and I need to keep her a little bit uncomfortable in order to have a show. There’s nothing funny or interesting about perfection.’

Except that’s a deeply flawed understanding of how relationships function, and a deeply messed up thing to push on to people.

It’s fair to acknowledge that once the ‘will-they-won’t-they’ is resolved, TV shows often decline in quality, or at the very least, significantly depart from the original formula which made them into such beloved hits at their beginning. But there are two significant issues with this: First, the assumption that TV shows must remain the same in order to be good. There are some interesting observations that the job of the sitcom episode (in particular) is to return all characters to more or less their original starting points. While that is broadly true, TV shows, like life, need to evolve in order to stay interesting, and as across seasons, audiences grow alongside the characters they watch evolve and mature.

Nevertheless, it was fair for Thomas to note that the characterisation of Veronica is someone who is embittered and cynical about people’s fidelity and inherent goodness  – after all, when we first meet her at the age of sixteen, her best friend has been brutally murdered, she’s been raped, her alcoholic mother has upped and left, and her adored father and moral compass has been socially ostracised for a) doing his job and b) being not super wealthy. It’s a lot. Veronica’s very understandable trust issues are compounded by the moonlighting she does as a P.I where, to she regularly sees people cheating on one another and generally behaving in unpleasant ways. So it’s reasonable to point out that for Veronica, the notion of the ‘happily ever after’ is a deeply uncomfortable one. But to keep her in the same mindset as she was at aged 16 is to deny her the capacity to grow as a character.

It’s fair that there was a desire to avoid repeating the pattern previously established (withdrawn/bitter etc), but – and here is my ultimate point – that could have been avoided.

Some of the most complex and interesting storylines come from couples who get together and have to navigate relationships; compromising to fit together, find a way to make it work. Think about the evolution of Niles and Daphne’s relationship in Frasier (and leave aside some of the aspects to his earlier infatuation with her that seem distinctly distasteful in a post-#metoo world). While much of the humour between them in earlier seasons was because of his unrealised ardour for her, after they became a couple, the hardships they navigated through being a couple, and the deepening richness of their relationship that was both romantic and based in friendship, produced some truly hilarious moments. Similarly, one of my (and our fabulous Chief Nerd, Elise’s) favourite TV shows, Chuck, *SPOILER* has the two leads get together in season 3. The show was no lesser for that fact because as Chuck and Sarah’s relationship deepened, they explored facets of themselves that they hadn’t previously shown – it provided more material for the writers, not less.

One of my favourite articles on the ending of Veronica Mars, season four, pointed out that Logan has the most interesting character development because he works to better himself – he has come a long way from the miscreant teenager who organised ‘bum fights’, and he had the potential to become an even more interesting character. How this interacted with Veronica’s cynicism could have provided significant fodder for more story.

But, giving full credit to Rob Thomas for a moment here, the show is called Veronica Mars, not Logan Echolls. So the decision to axe Logan was made to push Veronica’s character development forward, especially given the shows position as a gender-flipped noir which so often has the embittered, cynical detective dealing with the ongoing pain of a tragically killed love.

But the problem is that I can’t actually see how this is going to do anything but ossify Veronica’s primary characteristics: bitter, a hardnosed and reckless desire to catch the bad guy at any cost. Moreover, in most of the noir detective stories, this love has died before we meet the hard-bitten detective.

Thomas said to The Hollywood Reporter, “Moving forward, we’re going to really build around [the idea that] the case is the thing and less of the soap opera of Veronica’s life.” Except Veronica Mars is all about character. Her interactions with her father, Keith (Enrico Colantoni) and the genuine bond of affection between them evokes some of the show’s most poignant interactions. Her internal struggle when the pursuit of justice comes up against questions of morality is inherent grounded in her character. One of its most interest aspects across the years is that Veronica is often wrong. She falsely accuses people (including Logan himself), she behaves badly, she takes her friends for granted, and she can be reckless to the point where she endangers herself and someone has to come in and rescue her (case in point: wandering into the base of an Irish gang that had a particular grudge against her father). So to strip away the elements to the story that allow for depiction and consideration of those complexities would be to lose much of the show’s point.

There’s also a part of me that feels the way in which Logan was killed feels personal. Logan and Veronica were never initially meant to get together, but in the first episodes, the chemistry between the characters, and Kristen Bell and Jason Dohring was so profound that it was written in. I might be putting on my tin foil hat to say this, but it feels as though Thomas resented the manner in which LoVe became such a pivotal part of the Veronica Mars ‘brand’. What really underpins that for me is that the way the series sent off other characters was considered, and gave them a certain ‘exit’. The way in which Logan was killed off feels almost like an afterthought, made more so by some of the questions that arise from the manner. How did he know that she would be in it when it actually blew up? Moreover, the convenience of him leaving a voicemail for his therapist about why he wanted to marry Veronica (why exactly would he call his therapist to tell him about his epiphany? Who has that kind of relationship with their therapist?), and this woman’s decision to keep it from Veronica for a year seems weirdly contrived. Because it was.

However, to be fair, one could claim that the season mistreated some of its other characters, too. Tina Majorino who plays Cindy ‘Mac’ Mackenzie specifically noted that she did not want to return because she did not want her character to be sidelined. Similarly, the complexity to Eli ‘Weevil’ Navaro’s character was stripped away, as was the depth of his relationship with Veronica. What’s worse is that this could have been a really interesting storyline; why he decided to walk away from the court case which would have seen him awarded with compensation for what happened to him in the movie. While we are told that his wife left him along with his child, prompting him to return to his old gang-running ways, the depth of his grief and the reputable life he lost were never really portrayed. Honestly, I would have preferred that rather than the convoluted storyline that involved Mexican cartel hitmen.

But beyond my argument as a writer as to why Logan’s death was a totally unnecessary element to bring in, it also feels like a real slap in the face to fans. I’ve previously talked about the relationship this show has with its fans. Realistically, season 4…hell, the movie, only existed because of the love and support fans showed the show.

Any narrative material exists to interact with fans. Obviously, there is a fine line that can cross into blatant pandering, and there is also a trend that offers a ‘gritty’ or ‘sad’ end (ie the tragic death of the lover), but it’s a balance.

The Veronica Mars movie was very much fan service – it was, after all, fan funded. Much of the movie’s contents and storyline were determined by what Thomas was seeing from fan comments on social media, noting “I did have an idea of things people wanted to see, characters I wanted to get an appearance in, whether it felt extraneous or not.” He added, “there’s no way in the world we would have had a fan-funded movie and I would have killed Logan,” he added.

In the same interview, he said, “I fear that leaning into the high school soap that the show started out as is a losing proposition, that it will start feeling nostalgic rather than vital. If Kristen [Bell] and I want to make more of these Veronica Mars mysteries, I think it’s going to survive best as a true mystery show with a badass PI at the center of it, and I think that works better if the PI doesn’t have a boyfriend.”

Yet for a show whose who schtick was challenging the noir detective genre, it seems the prospect that someone fundamentally gritty and damaged can also have a relationship that the struggle to be healthy was simply a bridge too far.

And at the crux of it, what really frustrates me – as a fan, and as a writer – is that for Thomas, it simply felt too hard to give Logan and Veronica an enduring relationship, and it if wasn’t too difficult, then he perceived it destroyed some fundamental part of the show by making it emotionally sappy. If that’s the dichotomy in which Thomas thinks, then Veronica Mars is no longer the show which attracted its die-hard following of fans and may as well be a different show with a similar premise.

[feuilly-cakes]

Breaking Dawn - 3* review

Oh boy was this a long one. Okay, I really don't know how to feel about this book, because on one hand I had lots of fun revisiting my old favourite and picking it apart but on the other hand I had a very big issue with a major part of the plot. If I were rating based on each book within this book, I would give book one 4*and book two and three 3*. It starts out strong, then gets progressively harder to keep track of, but then maybe my short attention span is the problem here. I learned many interesting facts and character traits in this book, and I also figured out something important to do with imprinting that's been vaguely introduced in the previous book but is explored in-depth here. Stick around if you want to see what that discovery is. As usual, I'll be putting interesting and relevant facts and things I found particularly offensive under sub-headings, but I'll be saying a lot about each book as if it's separate before then, because Breaking Dawn as a whole is too long to talk about with any coherency. So without further ado: There are only spoilers ahead. Book 1: Bella First let me just say that these books have such amazing prologues/prefaces that immediately grab your attention. If you didn't know she was going to get pregnant, it would probably seem like she's talking about Edward being the one killing her. Anyway, this book was shorter than I expected, but far more enjoyable. This one seems to be more family oriented in the language used than previous in the series; while before any of the Cullens would be described as 'Edward's adopted -' , in this they are simply his mother, his brothers, his sisters. Even Jasper, who always seemed to me to be the outsider of the bunch, uses the term "We Cullens" and it just feels more like a family than a vampire coven pretending to be a family. This is helped along by Bella suddenly knowing so much more about the history of the Cullens and their extended family the Denalis. She's ready to fit right on in there. This book deals with the wedding and the honeymoon. Bella reflects on how she told her parents, freaks out about getting married, has her wedding, abruptly changes her stance on said wedding, then they shoot off to the honeymoon and things occur. Basically, she gets pregnant. It's a huge commotion. Backtracking, both Charlie and Renee were weirdly supportive about the engagement and handled it super well, with Renee and Bella having such a lovely conversation I nearly teared up. She's a great mother even when she's not physically there for Bella. Bella, on the other hand, is doing that thing again where she's selfish and a bit mean without realising she's being that way. Poor Edward is stressed to his eyeballs about the honeymoon and the very real possibility of hurting and even killing Bella, and she just brushes him right off. More on that later, but that's not the responsible way to do things, Bella. Fast forward to the honeymoon, and Edward is now the one being dramatic, refusing to sleep with her again because he bruised her and not listening to her when she says she's perfectly fine. The way it happens is very funny. Then we get to see random things happening that oh so subtly turn out to be pregnancy symptoms, like strange dreams about vampire babies who look human, oversleeping, mood swings, strange eating habits, and last but not least, morning sickness. It wasn't subtle. When they figure it out Edward loses it and says he's going to arrange for her to have an abortion. Bella asks Rosalie for help, and screen fades to black. The big theme here is that Bella changes her mind. She doesn't want to be married until she suddenly does at her wedding, she doesn't want to stay human until she decides she can afford a few extra years, and she doesn't want kids until she's already pregnant. Even with Rosalie, their slowly evolving relationship wasn't going to be proper friendship until Bella asks her for help. She's changing so quickly it's like getting whiplash, but it's not unrealistic. That's how I make most of my big decisions too, like it simmers away unnoticed until it's ready to be addressed. Relatable, really. Book 2: Jacob Book 2 takes us through Bella's pregnancy from Jacob's perspective, as he goes from planning to kill the Cullens to becoming their biggest protector and an Alpha of his own pack. As much as I love multiple POVs in books this is one I couldn't get behind, and here's why. One of the main themes in this book is imprinting. I don't like it. While I adore soulmates as a concept, and even more so platonic soulmates, it's made clear that this isn't what that is, and it's icky. We get 4 pages of Quil interacting with his imprint Claire, who is 3. The whole time Jacob has a running commentary on how Quil is more devoted than a parent would ever be, how he wants to make her so very happy, how it's so very different from that of a parent, and how Quil has to wait like a "monk" for "a good fourteen years" until Claire was his age. This was never platonic, it was a waiting game. It's also grooming. This was also around the time it became apparent just why Quil imprinted on Claire in the first place: it was all a set up for Jacob's eventual imprint. It had to be a part of the story before it happened so people wouldn't question it, and for the most part it worked. Both Quil's story and Jacob's interactions with a pregnant Bella prove this: "the hold she had on me only got harder to break. Almost like it was related to her expanding belly" and "It feels... complete when you're here, Jacob. Like all my family is together." I hated reading that. He should've imprinted on that nice girl Lizzie, from the park. Surely Stephenie Meyer could've come up with something else to keep Nessie alive? Onto similarly disturbing things but less revolting in the long run, Bella's story here seems to be an attempt at pro-life propaganda that backfired. The reason? Bella makes a choice about her body, and though most of them don't like it, they don't force her to do otherwise. People seem to forget that being pro-choice also means the choice to stay pregnant even when it's best not to. Bella makes that decision and she's absolutely sure of it, at the expense of her life and health, but it's hers to make. She is pitted against Edward, who would absolutely force her to have an abortion if he had backup, and who is also losing his damn mind. He insists to Jacob that Carlisle would help him if not for Esme, and that Rosalie doesn't care about Bella's life, only the baby's. Carlisle himself tells Jacob he would never take the choice away from Bella, and context shows that Rosalie is protecting Bella's choices and bodily autonomy, and carrying out her last wishes to ensure the baby is brought into the world healthy. Remember that Rosalie had all her choices taken from her, and all she wanted for Bella was for her to make the right ones. Edward doesn't change his stance until he discovers the baby has thoughts that can be read, and loves Bella. Once again, this seems to have been an attempt at showing that babies have thoughts and feelings in the womb, but it does almost the opposite as Bella is a day away from full term and not once has anything been picked up by either him or Jasper before that point. It's safe to assume there was nothing to pick up on. The pregnancy ends with a truly horrifying birth scene that made my hands go numb and my ears ring from the violence of it all. Bella dies, Jacob imprints on a minutes-old baby and begins his journey as a child groomer, and then Bella comes back and begins her transformation. Book 3: Bella. Or as I like to call it: It all goes downhill from here. Bella has the most unrealistic yet brutal experience ever, and is now a super sexy, super perfect, super powerful, super smart vampire. She has a perfect baby, perfect control of her bloodlust, and somehow the perfect life. But oh no! The Volturi are threatening that peace! Who could have predicted that the last remaining villains would appear in the last book? Now Bella and the rest of the Cullens have to find their friends to stop the Volturi in their track, but peacefully of course, because they are the good guys really! Just a misunderstanding! I'm so glad that was addressed in story, because I would not have been able to deal with a pro-police/pro-dictator story in this political climate. The most unrealistic part of this is when the Volturi don't simply assert their vampire dominance over them by killing them all without taking their own witnesses. I didn't like how Bella suddenly became perfect and good at everything in this book. It's so unrealistic. Less than a month to become the strongest shield ever and be able to scare the ancient Volturi? Perfect control on her first hunt? I think not thank you. There was also a missed opportunity to have Bella be a psychic of some kind since she dreamt of the future accurately many times. Renesmee was very sweet though, and that's all I'll say on that. Now onto my lists! Differences between book and film This was mostly pretty accurate in terms of plot. - Edward's backstory that we see pre-wedding isn't a thing in the book. It actually isn't a thing in any of the main books, but I can't speak for the others. - Bella knows about the immortal children before the book even starts, and she's the one to realise that Irina thought Renesmee was one herself. - The wedding is inside. The film had it outside I'm pretty sure. - The whole part where Jacob freaks out and borrows a very fancy sports car to go and try to find his imprint was never in the films, and I think that's a tragedy. Vampires - The appearance of the nicknames Em and Jazz for Emmett and Jasper. It's not at all important I just thought it was cute. - Half vampire babies use their teeth to escape the womb. Also, Renesmee was trying to be careful to not hurt Bella while she was still inside her. She started reading when she was under 3 months. If I saw a baby read aloud in full sentences I'd never sleep again. - Edward called Jacob "Jake" in book 3. It's weird how their relationship changes throughout the book. - Poor Renesmee knows it's because of her that the Volturi are coming, and says "This is my fault." She's just a few months old at this point, and she's already going through a whole lot. - The volturi look like someone threw baby powder on them because they sat still for so long they started "petrifying". - There are 32 Volturi members, considering they took the whole coven with them to Forks. - Fun Bella fact: she was going to let Charlie assume what was up with her because she thinks he will never decide on vampire. Red Flags Most of these have been discussed in depth so I'll just mention them briefly. - Edward, pre wedding, is described as having a "panic attack" by Bella at the thought of hurting her, and instead of reassuring him she brushes him off and thinks "He wasn't getting out of this deal. Not after insisting I marry him first." This is beyond selfish and even cruel, because he has a point and genuine concerns that should have been discussed properly. - "We're going to get that thing out before it can hurt any part of you." Edward has decided this for himself, without Bella's input. - Jacob contemplates suicide over the thought of having to see Leah. This is absolutely not something that should be talked about like it's nothing. - The imprinting of Quil and Claire. - Every bit of foreshadowing about Jacob imprinting on Renesmee, and the act itself. - Rosalie calls the place in South America where the half vampire myths originated "a disease-infested swamp with a medicine man smearing sloth spit across your face" in relation to giving birth there, and it's more than a little racist. How would she even know what it's like? - "the Egyptians all looked so alike, with their midnight hair and olive-toned pallor, that they could have easily passed for a biological family" The white, blonde Denali sisters were never ever described this way, so why are the non-white people described as such? - Bella had "never met any vampires less civilized" than the Amazons. They have long black braids, so we can assume they aren't white. Why are only the non-white vampires being described these ways? - Bella describes the rough area where she met 1 person, who was working for J Jenks and happened to be Black, but was well dressed in rich clothes, as the "ghetto address". Upon googling, I learnt that this refers to low income areas of a city that are occupied by minorities. She met one person. How could she possibly know if it was the "ghetto"? It was described as the "downtown office" by Max, the man in question, so why wouldn't she just use that term? - Jacob gives Renesmee the Quileute equivalent of a promise ring. I want to throw up, because we all know what a promise ring symbolises. - Lastly but certainly not leastly, when learning Renesmee will be full grown at age 7, Bella feels a "shudder" from Jacob. I hate it, it's gross, it needs to burn. Disgusting. And that's that, sorry it's so long, I had a lot to say. If you have any opinions on this review, feel free to discuss with me!