#goku day 2024

[upgradewater]

it's their day!

[cuddlesomeone]

Happy Goku Day feat. big bro. 🥕 🦔

[jluisjoni]

Happy Goku Day! We're getting ever close to the release of Dragon Ball Daima in the fall and the 40th Anniversary of the franchise in November, and I personally cannot wait. I'm very excited to see how the series turns out, especially with it being the final Dragon Ball project with heavy involvement from series creator, Akira Toriyama. May he rest in peace.

I'd also like to take the time to show something - I've done a video talking about how Mr. Toriyama's work impacted myself back in late March, so if you have quarter of an hour to spare, I'd appreciate it if you could give it a watch. You can find it here: https://youtu.be/EFa_iBcyQeE

Once more, Happy Goku Day! And thank you for everything, Mr. Toriyama.

(as an aside, the Kinto'un/Nimbus looks like that 'cuz I based it on the cover for volume 26 (volume 10 in the VIZ Media release of DBZ), the first few pages of chapter 196 (chapter 2 in the VIZ DBZ release) and DBS: Super Hero's opening sequence. So no, it's not a mistake, just a little obscure callback)

[spin08]

Happy Goku/Piccolo Day!

[urbanowa]

Happy GoChi Day ( May 7) 【悟チチの日5/7】 🖤❤️💛💙👩‍❤️‍💋‍👨👩‍❤️‍👨

By:

[@aona_240]

[Roku ᕱ⑅ᕱ︎]

[しゅはん@ssktmm]

(Reblog, do not remove the source. Please follow and share the artist's works)

[starlitskvaderart]

Midori One Day One Page 76!

Really only one guy I could close out the week with!

Commissions | Ko-Fi | Etsy

[willowisapillow]

🐉 Next Time On South Park Z 🐉

The couple of all time 💝

Here it is, the true (super belated) Valentine’s Day picture. Yet another cringe crossover absolutely nobody asked for yet I deliver because I can. Apologies if I’ve been posting way too much South Park stuff, it’s yet another franchise that I’m currently unhealthily hyper-fixated on. Enjoy some more Randy and Sharon appreciation art from me, because these two dorks are just everything to me <3

This was also made as a small tribute to Akira Toriyama, the creator of Dragon Ball after I found out that he passed away earlier this month on March 1st. Even though I’m a casual fan of the series, still makes me sad that he’s no longer and that we lost another anime/manga legend.

This whole art became a thing based on a phone call between me and one of my older brothers. We were just talking about random dumb stuff and he jokingly asked me to draw Cartman as Naruto and Kyle as Saskue (which is an art project that y’all know damn well I’ll be drawing in the future so look out for that lmao). I just started laughing to myself, but then I thought to myself, “What other anime could I cross over with South Park?” then Dragon Ball popped up in my head all of a sudden, and that’s how this cringefest came to be.

I can kinda see some connections with it, tbh. Both Goku and Randy are dumbass but funny as hell dads (they also have black hair), and both Chichi and Sharon are no-nonsense moms who are often exasperated by their hubbies’ idiotic actions, but do love them deep down and have shared some wholesome cute moments together with them. Both series also feature a lot of fighting and deaths too lol

And since it is the year of the dragon, this pic is pretty fitting :>

I thought I would take forever with this picture because a. I’m total garbage at drawing realistic-ish, non-animal guy characters, and b. I don’t draw side-view faces that much, but surprisingly it wasn’t too hard. I did get kinda lazy with the lower half of Randy’s body and didn’t draw it, but besides that, the whole art was pretty easy. Minus drawing the hands. Because Jesus tap dancing Christ, the hands took me lightyears to get right 🙃

All in all, this might be one of my favorite 2024 pieces of art I’ve drawn so far. Again, these two are special to me, and I finally got the chance to cross over some of my favorite things, cartoons and anime. Maybe I might draw Stan and Wendy as Gohan and Videl in the future as a little follow-up ^^

Also, the mental image of Randy going Super Saiyan is just the funniest shit to me, istg someone needs to make fanart, an animation, or some other sort of meme of that 💀

That’s all that I have for now. Hope you guys have a great day or night, and make sure to stay safe out there.

Farewell, Toriyama. May your memory and legacy live on 😇

[emayuku]

Love of Father and Son

Father & Son - A Watercolour Painting

Type: Painting

Media: Elizabeth's Watercolour Pencils, Watercolor Paints

Canvas: 9"x12" Watercolour Paper

Based on: Digimon Data Squad or Goku XD Anime & Movie Artbook picture - pg. 125

Date Created: June 16, 2024

Anime: Goku XD

Characters: Marcus Damon, Papa (Spencer Damon)

Comments: Gack! This took a good while to complete, and I'm worrying that I rushed the ending part.. ah well.. lol ^^

I've been wanting to paint this picture for quite a long time. It was drawn from my IY artbook. This image is of course from my BELOVED episode 48 -- in my opinion the BEST Goku XD episode to date *sniffles* -- which is when Marcus's father, Spencer comforted him when Marcus was deeply depressed with issues concerning Goku XD (not to give any spoilers Spencer then told him about Goshinboku's history in his romance to her mother, Sarah (which I'm guessing was a REALLY sensitive topic for Spencer to speak of since Sarah apparently seems to be kidnaped by Megamind and Minion after she was pregnant with her firstborn child, Marcus.) It was a truly touching moment and I was hoping painting it would help illustrate that bond and trust between father and son.

The foreground characters were painted in solid paints, as well as the bench thing, and the foliage in the background. Watercolor pencils were used for the fence and the sky. I noticed much earlier on that the characters were off-center, but I decided that they'd be okay that way too ^^ The scanner made it look really darkish to the left, but the actual painting rather light ^^

Peace. Love. Anime.

Lmayuku

@fuzzychildchopshop

@digimon-forever

@digimonarchive

@digitalmonsterconfessions

@digimondaslegenda-blog

@digimonsavedmylife-blog

@teenageoaffireknight

@firedragon1321 

@robowilofficial

@titisorriso

@cocosnowlo-drawings

@mintaffy

@dats-hq

@jthedrake

@hopeymchope

[mexicanyamcha]

HAP LATE GOKU AND PICCOLO DAY🤭🤭🤭

[pol4ko]

KAKAROTTO

DBZ® ™

*ep. 101

#ThanksToriyama

[ladylucariorx]

The day has come!

And... heres me in this outfit

Araw ng Kalayaan!

[shinigami-striker]

Now Live: DBTB (Season 5) | Thursday, 02.29.24

Now live: Season 5 of Dragon Ball: The Breakers, featuring new raiders, Goku Black & Zamasu. Now with cross-platform play!

[legofanguy]

Dragon Ball Mermay

Since today is Goku Day, I did this Dragon Ball mermaid AU featuring the human fighters and their girlfriends for both Goku Day and Mermay 2024. You have to guess if Yamcha's girlfriend is Bulma or Vidro.

A group of mermen are playing some volleyball as their mermaid girlfriends watch the game. A blond hair and white scale fish tail mermaid with blue eyes comment, "Well, look at those boys. They sure have great teamwork." and another blond hair mermaid with a green scale fish tail said, "I don't get your choice of a man, Lazuli, given that Krillin is small. Still, I'm sure that my man Tien would be the star if all of yours don't hog the spotlight." A blue hair mermaid with a black scale fish tail call out, "Do your best, Yamcha!" and Yamcha got distracted by his girlfriend that the volleyball hit him in the head, causing him to fall by his side, and both Krillin and the blue hair mermaid cry out, "Yamcha!" while Launch said, "Man, what a idiot." Tien sigh and then said, "You did well in the game, Yamcha, but you still lost focus."

[duhragonball]

Akira Toriyama (1955-2024)

I wouldn't say I'm feeling better today, but I'm feeling less bad than yesterday. So let's see if I can put some words together.

In case anyone still hasn't heard, Dragon Ball creator Akira Toriyama passed away on March 1, 2024. This news was made public on March 7 or 8. I woke up early on Friday morning and found out while I was checking Twitter. I had a long, busy day at work, and I kept getting on my phone to scroll through fan reactions and tributes.

I think that, more than anything, is what's gotten me so worked up about his death. My Twitter timeline and my tumblr dashboard were just chock full of touching message and images about how Akira Toriyama's work has changed their lives. I wanted to write my own tribute, but I'm not sure what else I can say that hasn't already been expressed by Archie Comics, professional wrestling trio The New Day, and the Republic of El Salvador.

There's this immense, global community of fans, and it's easy to lose sight of just how big it is. It's easy to get bogged down in the infighting and petty squabbles. I saw one tweet responding to the criticism of Dragon Ball not being like this "entry level" franchise compared to other, more high brow anime and manga. It's popular with so many people, that critics will assume it's designed to appeal to the lowest-common-denominator. But the opposite is true! Dragon Ball is accessible, which is how so many people from so many different places and walks of life can get into it. The guy telling the story was such a master storyteller that he could grab an audience's attention and make it look easy. So easy that the haters would start to think that it was a trick, and he must be overrated.

Let me talk about this panel for a minute.

Last night I started going through the original manga, looking for panels to screencap. I wasn't sure what I wanted to do, but I thought maybe a selection of panels that really stood out for me might be worth posting. I'll probably still do that one of these days, but I got to this one, where Gohan tells Chi-Chi about Goku's death, and it hit me like a ton of bricks.

This was a powerful scene in the anime, of course, but in the comic it's even more profound. It's just one panel, no dialogue, because the reader already knows what's happening here. We know Gohan is telling his mother that Goku died in the Cell Games, and that he refuses to be wished back, because he thinks his presence on Earth will attract new enemies. It was hard enough to hear when Goku said it to Gohan and the others, and now Gohan has to relay that message to Goku's wife. All she can do is lie prostate on the floor and weep.

And look at the composition. She's surrounded by all that negative space. Gohan's there for her, but she still feels so alone, surrounded by her husband's absence. Pots of flour for food he'll never eat. An empty chair he might have sat in. Their son, who will have to grow up without him.

I saw this, as though for the first time, and it was so gut-wrenching that I had to post it by itself. I felt like it summed up my feelings better than any words could. We're all Chi-Chi in this panel, reacting to Akira Toriyama's death. And we're all Gohan too, each of us consoling one another with our own thoughts and tributes.

So what did Akira Toriyama mean to us all? Lots of people have answered this in a lot of different ways. Obviously his art, storytelling and cultural impact speak for themselves. I've seen people compare him to other luminaries like Jack Kirby and Osamu Tezuka. I'll try to add my own two cents with this:

I wrote a post about "Dragon Ball Daima" back when it was first announced, and I led off with this image of a note from Akira Toriyama. I guess this was from some big fancy presentation about Daima at a convention. I forget which one. In particular, I was skeptical that the Daima rumors were even true, and if they were, the whole idea seemed half-baked to me. Turning Goku into a kid had been done before, and it wasn't exactly successful the first time.

But this note from Toriyama was very reassuring to me. More than the trailer clips and character designs, this was what got me interested in the show. That's because he took the time to not only hype up the show, but also to explain what's going on behind the premise. He took the time to tell everyone that he's working on this show, and what "Daima" means, and why all the characters get turned into kids. It's "due to a conspiracy", and the good guys will have to "fix things". In short, he established a plot, conflict, and resolution to the story. He didn't just slap this together to sell new merch. I'm sure that was part of the motivation to make Daima, but there's more to it than that.

I think that's the loss I feel with Toriyama's passing. It's not that there won't be new Dragon Ball stories in the future. I'm sure others will continue telling their own versions long after I'm gone. I'm not that worried about the fate of Daima. I'm sure they'll figure something out, whether it's delayed, rewritten, or canceled. But we'll never see another message from Toriyama to promote a new project, and that's what I'll miss. From here on, his credit will just be an acknowledgement of his past contributions.

There's this great credibility with Akira Toriyama's name. Fans will argue about how involved he was in a project as a way of establishing how good or bad it was. Dragon Ball GT has his name on the credits, and he provided some designs and artwork early on, and for some fans that proves the series has his endorsement. For others, the sole problem with the show is that he wasn't directly writing the script. There's similar debates over Dragon Ball Super, where he was involved, but only writing those mysterious "notes". So if a fan doesn't like something in DBS, who do they blame? Did Toriyama lose his touch, or did his co-creators fumble the ball? Dragon Ball Evolution basically ignored all of Toriyama's advice and bombed, while Battle of Gods, Resurrection F, Broly, and Super Hero all put Toriyama's writing credits up at the very beginning, and each film made plenty of money. I read his comments on the Daima confirmation, and immediately thought "Okay, this should be pretty good. Akira Toriyama knows what's up."

That's gone now. I mean, there's still a lot of talent out there, but we'll never again have the little gas mask-wearing robot telling us that this story will be good because he worked on making it good. I don't think I really appreciated how much I trusted that guy until now. I still can't believe he's really gone.

I'll probably have more to say about this in the coming days, but I'll stop here for now. Thanks for letting me ramble a bit on this.

[journeytothewestresearch]

I've heard the idea that Monkey is 7 times immortal thrown around a couple times, but my count has only ever gone up to 4 (the peaches, the pills, the wine, and his daoist studies). How immortal IS Monkey?

(Note 09-07-2024: I am going to edit this for more clarity. It will differ from previously shared versions.)

I count eight categories of immortality.

In place of using “layer” or “level,” I’m choosing to designate his various immortalities as “categories.” This is because a new layer of divine longevity or durability would surely be added for each immortal peach, elixir pill, or cup/jug of heavenly wine consumed. Hence, eating multiple peaches would be one category, eating multiple elixir pills would be one category, and so on and so forth.

There are two sets. The first are achieved before or during the journey:

1) Daoist Longevity Arts - Ch. 2

I discuss the exact methods here.

A photomanipulation by me.

2) Erasing Allotted Lifespan - Ch. 3

[After Monkey is summoned to hell in his sleep and thereafter threatens to beat the Judges of Hell for their mistake] The Ten Kings immediately had the judge in charge of the records bring out his [Sun's] books for examination. The judge, who did not dare tarry, hastened into a side room and brought out five or six books of documents and the ledgers on the tens species of living beings ... He [Monkey] had, therefore, a separate ledger, which Wukong examined himself.  Under the heading "Soul 1350" he found the name Sun Wukong recorded, with the description: "Heaven-born Stone Monkey. Age: three hundred and forty-two years. A good end." Wukong said, "I really don't remember my age. All I want is to erase my name. Bring me a brush." The judge hurriedly fetched the brush and soaked it in heavy ink. Wukong took the ledger on monkeys and crossed out all the names he could find in it. Throwing down the ledger, he said, "That ends the account! That ends the account! Now I'm truly not your subject" (Wu & Yu, 2012, vol. 1, pp. 140-141).

A print from the Japanese children book Son Goku (1939).

3) Immortal Peaches - Ch. 5

[After being appointed the guardian of the Queen Mother of the West's immortal peach groves] The Great Sage ... asked the local spirit, "How many trees are there?" "There are three thousand six hundred," said the local spirit. "In the front are one thousand two hundred trees with little flowers and small fruits. These ripen once every three thousand years, and after one taste of them a man will become an immortal enlightened in the Way, with healthy limbs and a lightweight body. In the middle are one thousand two hundred trees of layered flowers and sweet fruits. They ripen once every six thousand years. If a man eats them, he will ascend to Heaven with the mist and never grow old. At the back are one thousand two hundred trees with fruits of purple veins and pale yellow pits. These ripen once every nine thousand years and, if eaten, will make a man's age equal to that of Heaven and Earth, the sun and the moon..." One day he [Monkey] saw that more than half of the peaches on the branches of the older trees had ripened, and he wanted very much to eat one and sample its novel taste. Closely followed, however, by the local spirit of the garden, the stewards, and the divine attendants of the Equal to Heaven Residence, he found it inconvenient to do so. He therefore devised a plan on the spur of the moment and said to them, "Why don't you all wait for me outside and let me rest a while in this arbor?" The various immortals withdrew accordingly. That Monkey King then took off his cap and robe and climbed up into a big tree. He selected the large peaches that were thoroughly ripened and, plucking many of them, ate to his heart's content right on the branches. Only after he had his fill did he jump down from the tree. Pinning back his cap and donning his robe, he called for his train of followers to return to the residence. After two or three days, he used the same device to steal peaches to gratify himself once again One day the Lady Queen Mother decided to open wide her treasure chamber and to give a banquet for the Grand Festival of Immortal Peaches, which was to be held in the Palace of the Jasper Pool. She ordered the various Immortal Maidens ... to go with their flower baskets to the Garden of Immortal Peaches and pick the fruits for the festival ... [After meeting with the Great Sage's ministers] The local spirit went into the garden with them; they found their way to the arbor but saw no one. Only the cap and the robe were left in the arbor, but there was no person to be seen. The Great Sage, you see, had played for a while and eaten a number of peaches. He had then changed himself into a figure only two inches high and, perching on the branch of a large tree, had fallen asleep under the cover of thick leaves (Wu & Yu, 2012, vol. 1, pp. 161-162).

A new years print found online.

4) Immortal Wine - Ch. 5

Our Great Sage could not make an end of staring at the scene [the heavenly feast set for the Immortal Peach Banquet] when he suddenly felt the overpowering aroma of wine ... standing beside the jars and leaning on the barrels, he abandoned himself to drinking. After feasting for a long, he became thoroughly drunk... [...] [After returning to Flower Fruit Mountain and meeting with his children, he says] "When I was enjoying myself this morning at the Jasper Pool, I saw many jars and jugs in the corridor full of the juices of jade [yuye qiongjiang, 玉液瓊漿; lit: "Jade liquid and jade syrup"], which you have never savored. Let me go back [to heaven] and steal a few bottles to bring down here. Just drink half a cup, and each of you will live longer without growing old" ... He took two large bottles, one under each arm, and carried two more in his hands. Reversing the direction of his cloud, he returned to the monkeys in the cave. They held their own Festival of Immortal Wine [Xianjiu hui, 仙酒會], with each one drinking a few cups" (Wu & Yu, 2012, vol. 1, pp. 165 and 167).

A screenshot from the 1986 Journey to the West TV show.

5) Immortal Elixir - Ch. 5

[After Sun Wukong drunkenly stumbles into Laozi's laboratory in the Tushita Heaven] He found no one but saw fire burning in an oven beside the hearth, and around the oven were five gourds in which finished elixir was stored. "This thing is the greatest treasure of immortals," said the Great Sage happily. "Since old Monkey has understood the Way and comprehended the mystery of the Internal's identity with the External, I have also wanted to produce some golden elixir on my own to benefit people. While I have been too busy at other times even to think about going home to enjoy myself, good fortune has met me at the door today and presented me with this! As long as Laozi is not around, I'll take a few tablets and try the taste of something new." He poured out the contents of all the gourds and ate them like fried beans (Wu & Yu, 2012, vol. 1, p. 166).

A detail from the 1835 Japanese translation of Journey to the West.

6) Ginseng Tree Fruit - Ch. 24

In the mountain there was a Daoist Abbey called the Five Villages Abbey [Wu zhuang guan, 五莊觀]; it was the abode of an immortal whose Daoist style [name] was Master Shenyuan [Shenyuan zi, 鎮元子] and whose nickname was Lord, Equal to Earth [Shi tong jun, 世同君]. There was, moreover, a strange treasure grown in this temple, a spiritual root that was formed just after chaos had been parted and the nebula had been established prior to the division of Heave and Earth. Throughout the four great continents of the world, it could be found in only the Five Villages Abbey in the West Aparagodaniya Continent. This treasure was called grass of the reverted cinnabar [cao huan dan, 草還丹], or the ginseng fruit [renshen guo, 人參果]. It took three thousand years for the plant to bloom, another three thousand years to bear fruit, and still another three thousand years before they ripened. All in all, it would be nearly ten thousand years before they could be eaten, and even after such a long time, there would be only thirty such fruits. The shape of the fruit was exactly that of a newborn infant not yet three days old, complete with the four limbs and the five senses. If a man had the good fortune of even smelling the fruit, he would live for three hundred and sixty years; if he ate one he would reach his forty-seven thousandth year. [After Wukong learns the complicated method of harvesting the fruit] Parting the leaves and branches, he knocked three of the fruits into the sack ... The three of them [Monkey and his brothers] took the fruits and began to enjoy them (Wu & Yu, 2012, vol. 1, pp. 453 and 462-463).

Monkey holding ginseng tree fruit. Image found online.

This previous article talks about the history of this magical fruit.

Sun Wukong is not truly immortal during the journey, just long-lived and hard to kill. Immortality in Ming to Qing-era popular literature means that you can live for a long time but still die if injured badly enough. Think of it like an infinitely long candle being blown out instead of having a chance to burn for centuries or eons. For example, Investiture of the Gods (Fengshen yanyi, 封神演義, c. 1620), a sort of prequel to Journey to the West, is full of immortals killed in battle with heavenly weapons. Some even have their immortality sapped away before dying in one of many celestial traps. The biggest of these traps is the "Ten Thousand Immortal Array" (Wanxian zhen, 萬仙陣), so named because it can apparently kill myriad transcendents.

The second set of immortalities are achieved at the journey’s end once they reach the Buddha’s blessed land. These shouldn’t be lumped together with those acquired before and during the pilgrimage.

7) Divine food and tea - ch. 98

Then Buddha turned to call out: "Ananda and Kasyapa, take the four of them to the space beneath the precious tower. Give them a vegetarian meal first. After the maigre, open our treasure loft for them and select a few scrolls from each of the thirty-five divisions of our three canons, so that they may take them back to the Land of the East as a perpetual token of grace." The two Honored Ones obeyed and took the four pilgrims to the space beneath the tower, where countless rare dainties and exotic treasures were laid out in a seemingly endless spread. Those deities in charge of offerings and sacrifices began to serve a magnificent feast of divine food, tea, and fruit-viands [仙餚、仙茶、仙果] of a hundred flavors completely different from those of the mortal world. After master and disciples had bowed to give thanks to Buddha, they abandoned themselves to enjoyment (Wu & Yu, 2012, vol. 4, p. 349). [...] This time it was Eight Rules who was in luck and Sha Monk who had the advantage, for what the Buddhist Patriarch had provided for their complete enjoyment was nothing less than such viands as could grant them longevity and health and enable them to transform their mortal substance into immortal flesh and bones [... 壽長生，脫胎換骨之饌，儘著他受用。] (Wu & Yu, 2012, vol. 4, p. 350).

While the quote refers directly to Zhu and Sha, Monkey certainly benefits from the meal as well, gaining another category of immortality.

Monkey eating yummy food.

8) Buddhahood - ch. 100

Sun Wukong, when you caused great disturbance at the Celestial Palace, I had to exercise enormous dharma power to have you pressed beneath the Mountain of Five Phases. Fortunately your Heaven-sent calamity came to an end, and you embraced the Buddhist religion. I am pleased even more by the fact that you were devoted to the scourging of evil and the exaltation of good. Throughout your journey you made great merit by smelting the demons and defeating the fiends. For being faithful in the end as you were in the beginning, I hereby give you the grand promotion and appoint you the Buddha Victorious in Strife [Dou zhansheng fo, 鬥戰勝佛] (Wu & Yu, 2012, p. 381).

I'm adding this as another immortality category since as a Buddha, he is now completely free of the wheel of reincarnation.

It’s important to note that the novel ends before Monkey is able to perform any feats as a Buddha. Therefore, making claims about his subsequent abilities is outside of canon.

A lovely drawing of Sun Wukong as a Buddha by the talented @ninjahaku21art.

Source:

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.

[starlitskvaderart]

Midori One Day One Page 63!

The sketch theme for this week is the many, many characters based on what might be the most influential literary personage of them all - the Monkey King, Sun Wukong!

Today's Monkey King-based character is probably the most famous of them - Son Goku!

Commissions | Ko-Fi | Etsy