#going to stop rambling now

[wildcry-crew]

Shame wouldn't have a continuity because TFOne Starscream has a quite good reason why he would want to usurp Megatron power, like imagine you are the trained military leader with multiple years in activity just for a person with 0 military skills becomes the leader of your army?

I bet Shockwave would love it because Megatron has no knowledge of what he is approving at all and don't want to ask to not appear dumb lol

Would be fun to see both Optimus and Megatron learning how to do their jobs properly, like imagine Megatron didn't think of using air support because he is a miner and Starscream just

Even though I doubt they would even think of doing something like that and would make both OP and Megatron tactical geniuses.

Also for OP would be fun if he just makes shit up and somehow it works and everyone, even himself, is impressed when it works out.

Elita is just losing her mind trying to make sense in OP logic, while Bee excell on being a soldier but he still needs a lot of guidance to do his work properly.

What I'm saying is that TFOne war would be a comedy of errors where Starscream is the only one that understands how absurd everything is and after some time just accepts he is somehow being punished by Primus himself.

[beastlyidiocy]

Feuċ, súile Dé go fuireaċ air

[foldingfittedsheets]

I’ll never forget the time at the vet where they brought Leeloo back to me and she was growling in her crate which is already pretty unusual. This was when I was still doing Banfield, the poor baby had to sit at the clinic for hours waiting to be seen. She was justifiably having a pretty shitty day.

As the tech set her carrier down for me I crooned and put a finger in the crate door.

The tech tensed up and blurted, “I wouldn’t do that!”

I looked up from where Leeloo was gently licking my finger and nuzzling my hand, all growling having abruptly stopped, to regard the tech with perplexity.

“Oh,” she said in embarrassment.

Like, ma’am. I understand that my very annoyed cat might take a swipe at you, but I think you can trust that I have the measure of this creature who I’ve had since she was seven weeks old and that she’d never attack me.

Would I have done the same for Korben? No. He turns into an absolute maniac when he’s upset, but Leeloo is a goddamn muppet.

[sadgirlautumn]

young women in the music industry are more united and supportive of each other than ever i really wish their fans would follow their great example

[xxplastic-cubexx]

crusty evolution redraw. in theory.

[bluerosefox]

One in the Same

Hmmmm

Hmmmmm

So we know during the time Tim lost in spleen (his Red Robin run) and wakes ups next to the pit he almost believed he had been tossed in the Lazarus Pits.

What if

Now hear me out.

What if he actually was.

But what if instead of gaining Pit Madness, he unlocked his past life memories.

His memories of being Daniel 'Danny' Fenton and Danny Phantom.

And once the memories returned so did his ghost form and powers.

And as Tim sits at the bottom of the pits, crossing his legs and letting all his memories slide back into place he questioned what to do now. He pondered for a moment and hummed tapping a finger to his chin.

Maybe he'll play the Pit Madness card? After all Ra's chucked him in here to either turn him into a mindless rage machine he could manipulate or see what the Pits would do to a mind like Tim's. Or Tim could pretend to be a silent rage, a calm before the storm.

Well, Tim grinned his eyes glowing green as he stared at the surface of the Lazarus waters above him, he was very good at lying this life time around. After all he was Tim 'I can even lie to Batman and get away with it' Drake-Wayne and he did used to be Danny 'Commit to the bit' Fenton/Phantom.

He was going to have fun playing that fruitloop named Ra's like the cheap kazoo he was.

[sboochi]

Now make them smooch 🔫

(Yes I mean hiijack)

(please)

Thank you for giving me an excuse I was missing them 🥺

[thatoneneuvichiliauthor]

With how Viktor behaved during the council room fight, I believe Jayce could have distracted him from the Glorious Evolution altogether if he’d just added a slutty boob window to this one outfit:

[paradoxbeta]

big sister moon

[rameiixo]

xiaolumi resurrected from my heart for the new year!!

[demaparbat-hp]

Almost

[shrews-art]

Introducing my Tremere character for a vtm campaign I'm joining soon! The story is set in Budapest, my boy is called Lazar Ilić and he's an unfortunate immigrant former phd student who didn't even get to graduate before he got the embrace 💔

[thethiefandtheairbender]

Had a good chat with my partner about it today that maybe let me put a finger on what's always bugged me about "we're here to fix canon" attitudes being so prevalent in fandom (especially in the past 10ish years) throughout my life. This is not to say there's never a time or place for that (I've written fix its myself, or the occasional meta on how something could be fixed/improved) or that people are wrong to (we're anti fandom policing). It's also not an issue to me on the basis of "I love my blorbo in canon and fandom mischaracterizes them in the name of 'fixing' them" etc as it is just... coming from a fundamentally different perspective for story analysis / interaction than most (not all) people in fandom, I think.

One of the reasons I enjoyed getting my English degree was because I was finally being encouraged to and taught in alignment with what my brain had always be inclined to do: you always assume that there's a reason, and a good reason, for the story to do whatever it's doing. It assumes that the story is already exactly what it is supposed to be as it is supposed to be, and it's up to you to find the reasons Why.

The story was boring, or made you feel uncomfortable/bad, or you couldn't root for a character or relationship? All of that, at least at the beginning, doesn't really Matter. You assume that the story is paced fine, you assume the discomfort was intentional or part of something broader (historical shit that hasn't aged well) or that the dichotomy of "I feel invested or not invested" isn't useful. And in doing so, you replace all that with asking why.

An example I'll use is 1984 by George Orwell. I read that book in high school and I fucking hated it. Normally, I like the protagonist the most in anything I watch/read, but in that book, I loathed both the two leads and were actively rooting for them to be captured and tortured so the book could end faster; it was an actively miserable affair. I don't think that was necessarily the author's intention (certain amount of death of the author is baked in, but for a lot of the texts I was reading, we didn't even know the author or anything substantial about them, i.e. Beowulf) but, more importantly, I don't think any of those things are Flaws or downsides in the text.

Part of this is because 1984 is a dystopian novel (if a romcom book breaks genre convention that badly where you're miserable reading it, yeah, maybe something went wrong, but more on that in a minute) but even then it doesn't really matter on the basis of genre; I'm sure some people read 1984 and felt fascinated/excited while reading.

Rather, the focus becomes: what do I find so unlikeable about the protagonists? Why would they be written that way (on purpose)? What does it say about the society they live in? What does it say about their characterization, social stratification, etc etc? If a character does something that I think is non-sensical, why? Have I missed something? Should I watch retrospectively for clues? Is there another way to engage and to understand? Is what I label as confusion potentially a, or the, Point?

It is only after finding the reasons, and/or finding them unsuitable, that I let my subjective feelings into play. While a story can have great merit on the basis of relatability, relatability or "this aligns with my worldview / expectations / desires / etc." is not the be-all end-all of discerning quality

For example, I'm never going to be a fan of Jane and Rochester (she's 18, he's her 40 year old employer who routinely lies to her) but there are reasons, Good reasons, they get together in Jane Eyre (a book so subjectively boring I struggled through it twice) in response to both when the book was written and with the book's themes / symbols / their characterization. If they didn't end up together, it would be a fundamentally different story; it would not be Jane Eyre. So objectively, it's fine and an understandably massive influence on the western literary canon; subjectively, it's so fucking bad and I'm so glad I never have to read it again. But if I stopped there with my lack of interest or dislike of the main romance, I'd be missing out on what the text has to offer as well, the text.

This applies to more modern day stuff as well. I don't like Double Trouble from SheRa as nonbinary representation, and I'm nonbinary myself; however, I can acknowledge that the things I don't like about them were probably simultaneously empowering and exactly what the author (who is also nonbinary) wanted to be per his own experience of gender. Having a "I assume the text is right" mindset means that I can hold space for my own feelings/analysis (i.e. I also did not like Catra's arc, as I think she needed to learn other things / be written under a different lens) while holding space for the text as is (under the canonical lens of Catra learning it's never too late to be saved, I think her arc is conclusive and well done). And these two viewpoints aren't fundamentally opposed, but can coexist as analytical soup, being equally true / having equal value under the subjective (my view) and more 'objective' (the canon text's construction, or what I / the scholarly consensus, if it exists, believes it to be, anyway) at the same time.

Again, none of this is to say that you can't take issue with a canon text, or want to change something. I remember one time I was watching a show where their refusal to explore a romantic relationship between the female lead and her guy best friend was actively making the show worse; I understood their reasonings of wanting to put them with other people to explore their relationships, and wanting to emphasize a male-female friendship at the core of the story, and I still wanted them to put the two together as a Ship instead for various reasons. But that doesn't mean my line of thinking would've been Objectively Better—assuming if they had been paired together would've been executed in the manner I'd enjoy, or that them being paired with other people couldn't have been executed in ways I would've enjoyed more—merely that I likely would've enjoyed the series more per my own subjective preferences.

What I see in fandom sometimes is that people, understandably, aren't approaching at the start from a "the story always has a good reason" as much as they are speed-running from a "this didn't make sense to me or felt bad/off" and maybe examining why (which is supremely useful!) but not going back to examine the other side of the coin as to why the story would do it anyway.

Because sometimes the story—or a part of a story—is still 'bad' to us. It's just worthwhile to look at why it's 'good,' too.

[puppetmaster13u]

Prompt 264

Danny squints at his tiny hands, eyes narrowing as Clockwork hums in the kitchen. Which he wasn’t even aware of having been in LongNow. Maybe it wasn’t. He huffed, voice too squeaky for him to continue complaining. Stupid time accidents. 

Which wasn’t even starting on the other figure awkwardly sitting at the table. 

He glowered at the Ghost King, who kept glancing at him with an unreadable look in their eyes, then looked back towards where Clockwork was. His scowl deepened over his cup of tea- which wasn’t fair, he wanted coffee but nooo, that’s not healthy for ‘little ghostlings’. Ugh.

Sometimes he wished he was fully ghost so he didn’t have to apparently worry about his living body having to grow back up.

[gojoest]

i just want to let you know that the first thing mr vienna did after arriving at my house was to stop in front of my gojo figures and formally ask for his blessing 😭 he was like “look, i don’t think i can fight you but will you let me take care of her?” 😭

[luna-loveboop]

Linktober day twelve- favourite game

Skyward sword! My favourite game forever :)) The duets with Fi are by far my favourite gameplay aspect and recurring scenes in the game.

The music is The Ballad of the Goddess with Link's harp accompaniment. I played through on three different instruments like fifteen times, and checked every note on ocarina before I carved it. So. It's very accurate. Close ups of the music +my reference because yes

Also I replaced the treble clef with the triforce

:)