#going crazy. sorry.

[ahaura]

bones and all reminds me of the title of an anthology called "the humanity of monsters", which examines 1) how monstrous human beings and be, and 2) how human monsters can be -> the horror of bones and all is internal rather than external because the source is not a monster hiding in the dark but within, it is within maren and other people, it is about what they must do and what they are also capable of doing, which intersect but are two separate things

[cordspaghetti]

really factual recounting with no embellishments whatsoever

[assiraphales]

deadpool flirts with everyone and it usually doesn’t matter because he flirts with everyone and the general response is “ok wade”/no response. but with wolverine? with wolverine it’s obvious that whole damn movie he would fuck that man. the eye contact the smirks the innuendo the carefully placed claws. just say the word

[wojtekaneko]

That's how it went

[limonjarritos]

SHE HAS A PLACE AT THE TABLE, SHE IS THE VOICE OF ZAUN BUT AT WHAT COST

[soaked-doors]

pov the reaper that’s dragging away your boyfriends soul says something so freedomphobic you hit his corpse with the nika stare

[lazylittledragon]

mombin pt 6 and look who showed up

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[wetchickenbreast]

the thing about mangoball is that it has an honest to god truly unique sense of humor pulled from online stan culture and amplified to extreme camp. and i mean this one hundred percent seriously: it’s a genuine masterpiece. genre defining. it should go down in history as one of the most important pieces of fan content ever created. the way it is such a perfect reflection of 2021 mcyttwt. an incredible satire of rpf and the way fans ignore the complexities of a cc’s humanity in favor of casting them into fandomized versions of who they are. and above all it’s fucking funny. like dear lord it’s so funny

[rain-and-jellyfish]

i see people talking about how proseka made an entire 2d model for mizuki’s back in mizu5 but OF COURSE THEY DID OF COURSE THEY DID OF COURSE THEY DID HOW MANY TIMES HAS MIZUKI BEEN SHOWN FACING BACKWARDS AS A MOTIF OF HER RUNNING AWAY AND TURNING AWAY AND AVOIDING THINGS AND BEING UNABLE TO FACE THINGS

YEAH GUYS PRETTY OFTEN GUYS PRETTY OFTEN

[magicicephoenix]

*waddles up to moon*

"hey wanna know something crazy?"

*I don't let him answer before I speak.*

"crazy? I was crazy once, they locked me in a room, a rubber room, a rubber room with rats, and rats make me crazy. Crazy? I was crazy once, they locked me in a room-"

get snatched >:)

(prev)

[gay-fae]

part of what made across the spiderverse so perfect was that it was largely centered on WHO spider-man is, in EVERY universe. not just Miles, or Peter, or Gwen, or Miguel. Spider-Man. it was about the ESSENCE of Spider-man. Spider-Man is love for humanity. Spider-Man is having to sacrifice and lose everything you love for the mask. Spider-Man is rebellion against the powers that be. Spider-Man is about trying to do both, in every universe. about not taking no for an answer or listening when everyone tells you your destiny. refusing to choose between the things and people you love. that’s why Spider-Man is so compelling: they want everything, even though everyone else tells them they can’t have it. that it’s not meant to be. and they just. keep. trying. keep getting back up. they just keep going, man.

[menlove]

someone: are you okay

me: so in 1964 john lennon wrote one of his only love ballads, "if I fell" and called it auto biographical even though it doesn't match w any of his public relationships. the lyrics can easily be flipped to be about him pining for someone already in a relationship with a woman which would most likely be a man (as seen in "across the universe" where they did the song from a woman's pov to a man without changing the lyrics and it still worked). he wrote the full lyrics for the first time on the inside of a valentines day card and in the corner you can see his handwriting that says "to: paul with love" with an arrow pointing inside and some doodled hearts. it was auctioned off in the 2000s, but the description only says it was written on a plane on a card "given to paul" as a spare paper, not acknowledging the little dedication with the hearts. years later he referred to it as a "silly love song," referring back to paul's song that was in turn referring to his mocking comments. and that's why he's a fa-

[kuni-kuun]

My September

[poorly-drawn-mdzs]

Tis but a flesh wound!

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[a-scary-lack-of-common-sense]

I need to make Ford into a goddamn Disney Princess that can communicate with animals except he just has a special connection with the supernatural. Do you understand when I say that I need him to have a BOND with the strange creatures and anomalies of the nature in Gravity Falls. DO YOU SEE MY VISION WHEN I SAY THAT THE FOREST ITSELF IS FRIENDS WITH HIM. DO YOU GET WHAT I MEAN WHEN I SAY THAT THE MYSTERIOUS MAILBOX WOULD SOMETIMES GIVE HIM WARNINGS; AND HOW STEVE THE TREE GIANT WOULD SOMETIMES SCOOCH THINGS OVER SO HE DOESN'T TRIP WHILE HE HAS HIS FACE BURIED INSIDE HIS JOURNAL; OR HOW ALL THE CREATURES WITHIN GRAVITY FALLS JUST UNANIMOUSLY IS COOL WITH STANFORD WHILE HE HIMSELF HAS NO IDEA. HE IS SPIRITUALLY CONNECTED WITH THE FOREST IN SOME ELDRITCH MANNER BUT HE DOESN'T KNOW. DO YOU SEE MY VISION??

[buboplague]

time to put on the spooky hat