#going 2 rewatch this scene until the end of time

[house-ofhope]

GOODBYE

[ayyponine]

not to be a milennial but harry potter and the prisoner of azkaban really is that bitch....

[candied-cae]

I am so sad that it seems like they're really done with Teal Oranges. Honestly, that's one of the biggest weak points of this season so far.

Season 1 ended not just with Stede and Ed separated, but notably with Oluwande and Jim and Pete and Lucius torn apart. That was something so many of us were so eager to see fixed, we wanted all those couples reunited as they are the two relationships that takes a supporting role right behind Gentlebeard and is able to exemplify the easier and more simple or stable nature of the couples who stay out of the main pairing's drama.

And with the introduction of Zheng Yi Sao and Archie, I like the characters. They're pretty fun, Zheng is so smart and tactful and Archie is so comedic and earnest. Between the two, Archie def needs more building, but I did find the Oluwande and Zheng romance to be genuinely compelling. But only if I wasn't thinking about Jim.

It just feels so sudden to have Jim and Oluwande be done with each other (romantically) considering they were definitely still a couple at the end of the season and it only seems like it's been a couple months since they last saw each other.

Had they just been best friends who ended up hooking up and were probably going to decide they worked better as friends, I would be way more on board and down for these new couples! But it felt like they were pretty clearly written as a serious relationship that we'd see stick together through the end.

And the entirety of us getting closure on their relationship is just- "I've missed you." "I kissed someone." "Okay then." "I also saw her boobs." "Cool, I guess, but I think that's tmi."

And my bestie pointed out, though Olu def seemed to be flirting back with Zheng, he didn't take things to kissing until after hearing that Jim was already kissing someone else. And when Zheng asks him, Oluwande doesn't say yes or no on if he and Jim are over. He dodges the question and just says they're his best friend and family. Which would usually be a kind of line used to mean he was still planning to be with Jim and didn't want to lie, but still wanted to kiss Zheng in the moment so he omitted the reality with a little half-truth.

Which usually would keep my hopes up about a possible polycule (I'm really trying to keep my hopes up about a possible polycule) but we have that article with David calling Olu and Jim exes and saying he wants to use them to represent more complex relationship structures in the queer community with exes keeping healthy friendships and- come on man.

I really don't wanna give up on Teal Oranges, but the more I rewatch and the more I think about them, the more I worry.

[clumsycapitolunicorn]

.

[kitsquared]

Busy busy but rewatching ep 9 of link click and my god

Cheng xiaoshi sounds so anguished and guilty :(

[thebctman]

Rewatching the show has given me a whole new perspective 3 years later. And one fundamental moment that I have an entirely new perception of is Viktor’s run. I truly believe it is the most important moment of Viktor’s story.

Not only because it underscores Viktor’s need for the hexcore but also because it fundamentally contrast Jayce’s inability to understand Viktor’s desires until the end of season 2.

Viktor is able to walk without support, to run. He is able to not just keep up with, but outrun the boat in the background of the bridge scene. The first moment of Viktor’s childhood we see is him try to keep up with the toy boat he made and set across the river. Viktor fails because of his disability and later him being able to do what his past self could not is an incredibly exhilarating feeling.

Jayce is the epitome of strength. He is a builder, a forger and a worker. He is loud, he is strong and unshaken. He is the personification of a hammer, always striking to leave an impact.

Jayce in his privilege, does not know what it’s like to be able to walk without support, to be able to live without the fear of having a countdown in your lungs due toxic fumes in your home.

And it is with this privilege Jayce does not understand how monumental it is for Viktor to want the hexcore destroyed. It is his one chance of freedom and he wanted it gone. Jayce does not understand this until it was too late.

Viktor was born waiting. He has always been waiting. Waiting for a chance to breathe, to live and to have a legacy. Viktor waits and waits to see if the Hexcore will him and it is that longing that binds his soul to the Hexcore.

Jayce does not understand this longing until Viktor is almost taken from him. He waits for him to return back to him but Viktor can wait no longer. Jayce is always a little too late when it comes to Viktor until the finale.

And it is in the finale where Jayce finally understands that makes it all more personal. That the Glorious Evolution comes from Viktor’s fear and his want.

The verbalization of his love for Viktor was incredible. That his imperfections were what he loved about him. That when he hallucinated Victor over that fire, Viktor had his cane with him. That Viktor can no longer wait, but Jayce can go with him. He can be there and choose him.

I now understand on a personal level what that scene means and what it meant to Viktor to not just be able to walk without support but to run.

I’ve been dealing with a knee injury for over half a year that has me unable to walk properly or even climb a single step without a brace. I don’t think it’s getting any better and I hope one day I have a bridge scene as well. I would do anything to be able to run again without pain, to wake up without pain.

I see myself in the way Viktor shifts all his weight onto his good leg without his cane, in the way he angles himself ever so slightly in the hopes that something will alleviate the pain. In the pure cathartic wonder on his face when he runs for the first time.

To see that all verbalized on Viktor’s face was incredibly bittersweet and I don’t if I could give up the Hexcore if I was able to do that. This moment underscores Viktor’s resilience, his personal strength and his want.

[stackslip]

I wanna ask what’s going on with arcane but I feel like I’m opening pandora’s box 😅

the thing about arcane s1's writing, is that every plot beat flowed naturally from characters' choices, and every one of the characters' choices made sense in the context of who that character was, where they came from and what information they are working with at the time they make that decision. it felt like a tightly written tragedy where on a rewatch, it all feels completely inevitable that things would end this way because it made sense to who we learned these characters were. and said characters were layered, much time was devoted to giving them a certain degree of depth and believability (bar cait). you can criticize other aspects of s1's writing such as liberal wishwashiness but s1 of arcane was a *good* tragedy with a genuinely compelling cast! the final scene of the show is a confrontation between three major players who were all working with different information and whose motivations are completely at odds but who have a deeply personal tie, it's about jinx as the end result of the zaun-piltover conflict, it's about vi and silco being two deeply broken people who see her in an idealized version they deeply love and want her to remain this static thing they can be comfortable with until it turns out she can't be and she shatters and at the same time irreversably destroys her relationship to both, leading her in her despair to set off the ticking time bomb that is piltover and zaun's inevitable conflict!

so like, s1 has its flaws but its finale imo was perfect and made the whole thing self contained. i was ok with s2 happening. the only thing i wanted was more the dynamic character writing. i expected wishy washy politcs. and act 1 of s2 already struggled with character, but at least the plot beats were interesting and while not earned, made sense according to the characters we'd left in s1.

s2 act 2 is an absolute catastrophe, even compared to the previous act, nevermind compared to s1. it's not just that the plot beats don't feel earned, it's not just that it's missing connective tissue between them--it's that all the most interesting conflicts and dynamics just cease to exist. they don't get "resolved", they either are completely forgotten or are just waved away magically to pave the way for an utterly stupid, shlocky, wannabe shock value emotional final ten minutes of episode 6 that is honestly infuriating in how it's trying to push you to have feelings about it. i don't have any feelings besides revulsion and bafflement frankly. even before these final ten minutes of ep 6, the sheer lack of buildup or of character moments, the way characters are basically willed by the plot to be there at specific points for plot to happen to them instead of them arriving at it naturally--the way it reframes interesting aspects of s1 and s2 act 1 into shlocky, tropey bullshit--it's honestly near mesmerizing? it's like they brought in whole different new writers specifically for this who decided to back down on ANYTHING the show did that was interesting to try to instead push to the league's status quo instead, no matter how little sense it makes. i'm almost in awe. how do you mess up so badly.

this isn't just like, the plot is rushed and we need to get there as fast as possible--none of these resolutions make SENSE. jinx and vi's relationship was the core of season one, and suddenly magically jinx shows up at vi's door and vi bitches a little and then they go hunt vander down together and then they all hug because he was their father too <333 isha. i'm supposed to have emotions about isha? she sacrifices herself for.... forwhat? what? why? it's like they knew they had to kill her off to give jinx feelings and do so in the most stupid and absurd way possible, i was laughing hysterically when the music came in. it was so blatantly manipulative and uncalled for. ok i guess! sevika helps jinx and then once she's served her plot purpose she just vanishes! doesn't she wanna meet vander??? ekko's disappearance doesn't both people much i guess even his own firelights. ambessa says a single line about mel disappearing, and can i say i'm kinda infuriated that two out of three of the main black characters are just locked away from the plot and main cast for a large period of time. jayce--i guess they'll give us an explanation as to why but here it's like he just...... shows up angry and "ruins" things and that's it. whatever there was to ruin lmfao sky and viktor's heterosexuality mind palace leading to him being cyborg satan or some shit? cait finally FINALLY gets some personality, something interesting to her, she is openly a reactionary fascist who gassed half the undercity to sniff out jinx, and then she meets vi and within a solid minute is now back to being Nice and helping out jinx. i guess. silco and vander's backstory kind of completely destroys a lot of the stuff that made vander and silco's relationship to vi and jinx interesting and goes for a Family Is 5ever approach i guess.

just. i don't think there's a single thing there that's redeemable or interesting. it's comically bad. vi has no personality or motivation. she just does things. she got an emo trauma amv so that we get that she's sad but it might as well not have happened bc she barely is a character. jinx is a sad manic pixie dream girl. her psychosis is gone or barely there now apparently. sevika is plot and then vanishes when her part is done. ambessa is not a mastermind as act 1 hinted at but the most stupid comical villain alive. mel is--is she just going to come back to do a big plot thing in act 3 and then that's it? ekko the same? we have no idea what jayce is even doing or what or why. piltover and zaun are gonna ally now i guess lol. ok sure why not. why anything. why do anything at all! what's the point!

it's funny bc i was willing to give this season a chance despite act 1 being so rushed bc again, the plot points were interesting and while the characters needed more time fleshed out for their decisions to make sense i COULD see the characters making these choices and it was just a question of missing buildup. here it's like everyone is a zombie of their actual self. there's no point to anything. it's so stupid. it tries hard to play the emotion part but why should i feel any emotion except befuddlement? why are caitvi shippers happy? i'd be insulted. i feel insulted. i heard via a friend that riot had intervened in the writing more and so far i hadn't felt it but now i'm wondering if that's not exactly what happened bc it genuinely feels like the writers were fired right after act 1. what the fuck lol. i don't think i even wanna watch act 3 after this, i feel genuinely insulted that i should be expected to think this is the same show as s1 or that i should feel any kind of positive feelings about it. fuck this show so bad lmfao i'm sticking to s1 and pretending nothing happened after it. maybe grabbing some act 1 plot points for fun and that's it. it's so bad

[absolutebl]

Best 24 of BL 2024 - Quirky Awards

ONLY shows that ENDED their runs in 2024 are up for awards.

SHOCK & AWE AWARDS

1. Biggest BL surprise of 2024:

Cherry Magic Thailand. TayNew's version was truly a lovely experience and very much its own take on the original, an adaptation rather than a remake. I'm so relieved and grateful that GMMTV managed to pull it off, and sad it wasn't more widely available.

2. The “that country did WHAT?” award:

Meet You At the Blossom from China. From start to finish it is exactly as it claimed to be, wuxia BL, including more than the expected amount of sexual claiming (dubious consent to the point of rape) and actual kisses, wife language, floaty sleeves, you name it. FROM CHINA!!!

3. Biggest casting whoa! where did you come from? award:

Up & Poom in My Stand-In. I mean, WHERE did you two come from and how did this happen? Holy smokes. My goodness are we grateful!

4. That studio did WHAT now? award:

Youku putting Unknown out wide and easily avaiable on YouTube (for most of us). It's just really rare for a Taiwanese BL to get any kind of distribution. And to do that with arguably the best TaBL of the year and not some sad little mew mew? Amazing.

5. I’m sad you were ignored award:

Sugar Dog Life - such a charming JBL, so hard to find. I'm so sad it didn't get distribution. It's charming, one of my favorites of the year, worth tracking down if you can.

6. 2024 BL That Actually Made Me Lose My Mind Award?

I gotta be honest, it was The Sign. I was such a chaotic mess of a show but never once was I bored. It was the only one that drove me into memes and captions and silliness.

I did go a bit feral for a while over Love for Loves Sake and Wandee Gooday not to mention The Only One (until it went tits-up).

NARRATIVE AWARDS

7. Best story 2024:

Cherry Magic (Thai remake). I know, but it worked just as well in another country, if not better. I always enjoy this kind of magical realism concept (after all Color Rush is one of my all time favorite BLs) and despite the increased length, the pacing was solid on this one... even from Thailand.

8. Best narrative structure 2024 award:

Love For Love's Sake. A KBL isekai about a man who must win a game by convincing a reserved teen outcast to fall in love with him. Of course, that teen represents himself and his own unhappiness. I drowned in this show and liked it that way.

9. Best 2024 dialogue (script) award:

We Are, it was just so much fun. And so FUNNY.

10. Favorite scene 2024:

Like anyone needed to ask. Unknown, of course.

11. The most rewatchable BL of 2024 award:

We Are

It's just all the couples are so cute and the core friendship group is so charming and endearing.

ACTORS & CHARACTERS AWARDS

12. Best performance of a queer actor in a leading role:

no award this year, yeah the whole damn industry should be thoroughly ashamed of itself

13. Best pining 2024:

The Time of Fever. That feeding him orange while lying on the floor scene ALONE.

14. Best wingman 2024 (The Namgoong Award)

Yai in The Sign.

15. Biggest OMG I LOVE you boys together, YAY!

SailubPon from Pit Babe & This Love Doesn't Have Longbeans, from the softness of one to the health code violations of the other. Sure their shows are bonkers, but man are these two good at bonkers (and bonking).

With a nod to BigPark from Monster Next Door.

16. Most unexpected return of a BL pair? award:

OffGun. There were rumors that Off was out at the beginning of 2023. And then they came back with 2 shows in 2024 (Cooking Crush and The Trainee)!

17. Well aren't you two just the prettiest? award:

I dithered a lot (Babe's damn waist and OMG The Sign's sex scenes hawt), but in the end it had to go to GreatInn. They were just so good at showing their characters having FUN together. There is a lot of beauty in enjoying sex and another person's company. It's so rare to see that portrayed in a BL (and it shouldn't be rare).

18. LIFETIME ACHIEVEMENT AWARD

I'm actually giving it to OffGun. Ya know, where others falter, these two just keep going. It's kinda amazing.

RANDOM PICKS

19. Favorite Linguistic Moment of 2024:

The general flirtatious banter from Last Twilight.

20. Biggest disappointment of 2024:

Addicted Heroin (Thai version). Some of the very best original material + one of my favorite Thai actors (who I've been waiting eons to see in a BL again) and THIS was the result? They could have fixed China's worst BL mistake, instead the made everything worse. I'm gonna be bitter for a really really long time.

I gotta sat The Only One comes a real close second tho. And I'm still mad about Last Twilight, too.

21. Best Wardrobe/Prop Use 2023

Meet You At The Blossom - I love a pretty boy pissing contest over who has the biggest sleeves. Twirl you beautiful bastards, TWIRL!

22. Best Queer Rep 2024

Again, not great this year. I loved the fun sex and play in Wandee, but there were precious few femme characters, and in general it felt like we took some steps back from queerness this year. So I'm gonna give it to Deep Night, because at least they gave us honest poly for the first time.

23. Best Meta Trope call out

Love for Love Sake - Korea taking to task the Dead Fish Kiss when they are often the worst offender was...... amusing.

But Deep Night having male sex workers having to act like they were in a BL for a couple chicks...... literally gay for pay depicting gay for pay and just, well, that's frankly a gut punch. There was some sarcastic clapping on my side of the screen.

24. Well aren't you getting all Live Action Yaoi retro with your bad self?

Dominant Yakuza and Wimpy Corporate Slave gets my vintage af award. I flipping LOVED it. Would I recommend it? Only if you, yourself, are a bit vintage.

Final question: which of the 24 was the hardest for me to pick?

20 Biggest disappointment of 2024. Look I had some pretty high expectations of some returning pairs, some great ideas, and some intriguing remakes. 2024 was full of disappointments.

2022's Version of the Quirkies

2023's Version of the Quirkies

Remember I only pull from shows that were completely finished by the end of 2024.

(source)

[physalian]

How to Make your Writing Less Stiff 4

Let’s keep this train rollin’! This time less down to line edits and more overall scope of your narrative

Part 3

1. Foreshadowing

Nothing quite like the catharsis of accurately predicting where something’s going to go. It doesn’t have to be a huge plot twist or a character death, it can (and should) be little things that reward your audience for paying attention. Double points if it adds to rewatch/re-readability.

Example: In The Dark Knight, this exchange happens:

Harvey: “You’ve known Rachel all her life.”

Alfred: “Oh, not yet, Sir.”

You won’t think anything of it on your first watch. Alfred is just making a witty joke that throws Harvey off. Watch the movie again, when Rachel dies, and it becomes some incredibly dark foreshadowing. Turns out Alfred has, actually, known Rachel all her life.

2. Chekhov’s Gun

Chekhov’s Gun is a narrative concept where a seemingly inconsequential element introduced at some point in the narrative (a gun) must “fire” by the end of the narrative. Sometimes this element leaves audiences uneasy or anxious, because they know something bad must come of it. Sometimes they think nothing of it until it’s about to fire and you get a one-two punch of the realization that it’s about to hit, and then the impact of the hit. It helps create tension, and tension is incredibly important (if you want a whole post of my take on it, lmk).

It also helps your narrative look more cohesive, where nothing is left on the table. Your set-ups and payoffs leave no threads dangling.

3. Repetition

The Rule of threes can apply on a micro and macro scale. I like doing lists of adjectives in threes, (e.g. My cat is soft, fluffy, and adorable) because the cadence and the flow of three is something we’re familiar with in spoken language. We like three supporting examples for an argument. Any less doesn’t feel strong enough, any more feels like you’re trying too hard. This is not a rule it’s a suggestion.

On a grander scale, you can look at the script of Curse of the Black Pearl for a masterclass in macro rules of three, like three parlays. Doing this helps your narrative look more cohesive and like every detail is thoroughly interwoven and nothing is coincidence. Your audience will get to the third instance and mimic that DiCaprio pointing meme—they will absolutely notice.

4. Motifs

Motifs as well, beyond threes, help. Colors are a huge one. For example every time you mention the color purple, you could attach it to an emotion, or a character, or an important plot beat, like how leitmotifs work for character themes in movies and TV shows.

Obvious examples in film are like lightsaber colors or dressing up the good guys in white and the bad guys in black. I did this whole post about color in fiction.

It’s a lot of other things too. Weather elements and times of day, or specific inconsequential objects popping up over and over again, like birds, or litter, fallen leaves, clothing items. Whenever the narrative mentions them, the author is trying to clue you in on some subtext within that scene.

—

My new novel is here!!! Do you like supernatural fantasy? How about queer vampires? How about acespec characters? Then Eternal Night of the Northern Sky is for you!

[miriadalia]

Things you can comment on the fanfics you love when you have no idea what to say

From what takes less time to what takes more

~show those writers your love, please!! They do it for free T-T and they deserve better

1. Emojis

You know the vibe of the fic you're reading, chose the ones that suit it better.

❤❤❤

💔💔💔

🙈🔥🔥

You may think this is kind of stupid, but trust me, it is NOT for the writer. It shows you've read until the end of the chapter and that you liked it so much that you decided to say it publicly. Your presence means A LOT.

Also, leaving kudos or votes takes literally just 1 second, what are you doing NOT doing that?? 🤨🤨🤨

2. Simple phrases

I loved it so much!!

Can't wait for the next chapter!!

This was just so good 😍

Amazing as always, keep it up!! 🙌🏼

Writing is a lonely work if you think about it. When I'm in a writer's block, just one sentence can hype me up for the rest of the day and give me the spirit I need 💪🏽

3. The emotions you felt

Yes, you DO matter. That fanfic author cares more about your opinion than your stupid ex so you better write to them instead 🧐

The plotwist was so unexpected, I'm shocked 😱

You can't end with that cliffhanger, how am I supposed to wait another week??

Excuse me, I will now lock into my room and cry all night, thank you 💔

I've read some people saying they won't comment how they felt because they feel ashamed or shy. Take it as if you were about to post a tweet or comment on a friend IG's story 👍🏻

4. One piece of dialogue/prose that really amazed you

Oof 🔥 this happened to me a few weeks ago and that comment still lives in my mind rent free. There's no better way to compliment a writer's work than to highlight something they wrote that left a true impression on you.

And it literally takes no time:

[Insert piece of dialogue], oh she didn't just say that, imma throw hands 🤬🤬

[Insert piece of a description], I could really see it with my own eyes, loved how you described it!

5. Hopes and wishes for future chapters

C'mon, you're going to comment this anyway with some of your fandom mutuals or friends, why don't let the writer know that too?? COPY AND PASTE IT ✍✍

I just need Chatacter A and Chatacter B to kiss, how long is it gonna take?? 😩

Watching that scene in [Canon series name] would have been awesome!! Maybe in future seasons 👀👀

I hope [Ship Name] don't break up in the next chapter, they are so cute 😭

6. Character discussion

Okay, we're entering deeper waters here.

But the truth is: if you love that fanfic that much is because the characters really resonated with you. So express your first thoughts without any fear:

[Chatacter Name] is so important to me, like you have no idea. All the things they went through... But they still manage to be a better person ❤

[Chatacter Name] was so forgotten in [Movie/Series Name], I'm glad they're getting the development they deserved here!

7. Scene discussion

Again, you might think the comment section is no place to start "fangirling" over the stuff you liked. But IT IS!! And the writer wants to know your thoughts on their work, especially if your opinion is all positive 💞

This will take more time, sure. But if you're going to write it anyways for other people, COPY AND PASTE AGAIN, hon!

8. How this story is impacting your fan life (or even personal life)

You don't need to overshare, but simple comments like:

Your fic has really changed the way I think about [Character Name]'s decisions, I feel like I can understand them better now.

This story has motivated me to rewatch all the episodes again 😢 the nostalgia!!!

What you did with [Character's situation] was incredible! I've been there myself and I could have not explain it better 😔

... They will be the ones the writer will remember the most, I can assure you that.

9. A simple THANK YOU

At the end of the day, fanfic and fanart creators only have your feedback to rely on when the block or discouragement hits... This is about showing appreciation to someone you may not know at all, but that has brighten your day with their creations and efforts ❤

[restinslices]

Bi-Han X Lucky Reader

Let’s all just ignore the Khaos Reigns trailer and have a good time :D. I rewatched Deadpool 2 yesterday (I have not seen the 3rd one yet, so no spoilers) and fell in love with Domino. The reader has Dominos powers, which is luck. It basically means everything always works out for her. Also lowers the luck of everyone else around her. It’ll make more sense as we continue. (I think fsfghee and I should just get married at this point cause how am I always picking their gifs?)

He is both grateful and irritated by your power

Honestly I can see him not even seeing “luck” as a power when you first tell him

But on a mission you say you should both make a detour, and the second he decides to humor you, the hall you would’ve been in blows up

He takes it seriously after that

He’s grateful for it because luck is always on your side. Failing a mission is kinda slim to none now

It irritates him because your power means that you’re always right

Ya’ll know that man hates being proven wrong

He’s stubborn, so he stupidly argues with you about stuff still

A quick example is one day he somehow loses his mask

He’s looking everywhere and he cannot find that shit

“Maybe check your bathroom” you say while picking at your nails absentmindedly

”Why would it be there?” He huffs out. “I never put it there”

You just shrug. It’s not your mask so you really don’t care if he finds it or not

He goes out of his way NOT to check the bathroom because when has he ever put his mask there? You had to be wrong this one time, and he was gonna prove it

After hours, he finally checks the bathroom

And would you look at that. It’s on the counter.

”Still got it” he hears you taunt from behind him

Yeah yeah. Whatever.

You’d think he’d just go with whatever you say, but nooooo. He wants to prove he’s the captain of the ship

Well if he’s the captain of the ship, you’re the ocean

“Where are the hostages being held?” “I don’t know” “You don’ know?” “I’m not a psychic! Things just kinda go right for me!”

You’re giving him a headache

He’d prefer if you could just see the future

He refuses to ask for help when looking for something. You’ll try to take a guess and he’s like “Don’t! Stop!”

Fine. Be stubborn.

And sparring with you? Oh dear

He lands hits but the fight will always end in your favor

“Bi-Han we can stop-“ “No. We go again”

Stop humiliating yourself

I have this scene in my head where it’s when Bi-Han sides with Shang Tsung and you’re begging him not to

“Your instincts are wrong this time” he says

You shake your head. “This has nothing to do with instincts or luck Bi-Han! Don’t do this because I don’t want you to! I want you by my side!”

“It is you that needs to stand by my side”

You keep your feet planted firmly by Kuai Liang. “Well I don’t sense any luck with you”

This supposed to be funny and fluffy. My bad-

If there’s too many enemies and he needs to have his attention somewhere else, he unleashes you like an attack dog

“Take care of them while I (something else that requires his attention. I don’t know)” “Sir yes sir”

Do not say any luck puns. Omg.

You knock someone down and look at Bi-Han with a smirk

“Don’t-” “Guess he wasn’t feeling lucky!”

He’s gonna kill you one day

But until then, he tolerates you

”You know you love me”

He just grumbles in response

He knows he loves you too

Sorry, had to add something corny at the end

[rootspiral]

Agatha All Along deep dive: episode 3 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

hey hey, it's episode 3 Through Many Miles of Tricks and Trials and we're on the Road, witches!

Agatha knew All Along (that Billy created the Road), evidence number 1 out of 646132.

And see how they added black bars in this episode? They're getting ready to switch aspect ratio like they did in Wandavision

but like, she's not wrong. you see that sharon's not wrong, don't you? she has been kidnapped by witches. again.

agatha's grimace when they say it's all her fault. which a) it totally is and b) she never expects other witches to be supportive of her anyway

oh sharon, you beautiful fish out of water. we all laugh at her, meanwhile she's PANICKING. HARD.

this particular group needs to figure out how to do that first, Billy. but hey, they'll get there. sort of.

Jen, looking directly at agatha: why is this MAGICLESS HELPLESS lady coming with us on a deadly mission, whose sick idea was this? she has no business being here!

Sharon, her voice drowned by everyone else: see that's what I've been trying to tell you~

Agatha deflecting hard, like the coward she is: HEY THIS IS MY GOOD FRIEND MRS HART YOU'RE TALKING ABOUT

a very scared coven looks at agatha for answers, because she's the only one who's ever been on the Road.

agatha, who's never fucking been on the Road and made up the whole thing: I've bullshitted my way into this mess, I'll bullshit my way out of it. live laugh love bitches!

I'm looking at this scene clearly for the first time now that I've brightened it, and wow, the others are worried, but sharon looks so scared, always so scared

billy is having the time of his life, and you'd think agatha would step in at some point and warn him about what he's done. but nah. let's wait and see. as long as she's covering her own ass.

lilia looking at billy's sigil like, damn that's some neat handiwork, wonder who did that. she sounds like a cool witch.

agatha totally insults stuff when she's impressed with it like some cheap anime tsundere

lies.

but see how she puts her whole body between billy and the others? super protective mama

HOW COULD YOU GUYS LOSE HER SO QUICKLY. it's funny and all, but this is exactly how she'll die: they'll forget about her until it's too late.

it's so clever what they're doing with sharon, and it's so clever that they chose debra jo rupp for it, because she's so delightfully funny. I've talked already about how the comedy in the first few episodes is deceptive. sharon is living in a horror movie and you're not supposed to see it quite yet.

you think she's a funny old lady upset about losing her purse. you think maybe she's gonna find out she's magical and join the coven, who knows! so much fun, so many possibilities! you don't think that this is a woman in her 70s who was brutally tortured by a witch only a few years back, you forgot the lesson from wandavision. this evening she was tending her garden and now she's god knows where with a bunch of those very witches she's sure to be terrified of, kidnapped by a neighbor she thought she could trust. think about that, she's not going home, ever. I'll elaborate more at the end of the episode, but this is a show about the inevitability of death. sharon is like nicky, doomed by the narrative, and it'll take you two or three or four rewatches to fully see it and to make your peace with it.

alice tenderheart, alice braveheart jumps to the rescue with no hesitation. she is a protection witch. she protects.

agatha stands in the back and (pretends she) doesn't care, like some asshole.

hey agatha, hey agatha? fuck you. fuck you agatha.

she's pulling all this out of her ass. she might as well be doing fart noises right now

my headcanon is that this is where Billy dreams to retire with Boyf in their golden years. you know he thinks about that sort of stuff

thank you to @friedwizardwhispers for pointing out that agatha is also in awe of the Road and the magic it took to create it. she is! look at her here, she's scared but also excited, she's fundamentally a nerd who's always hungry to learn and discover more about magic and spellcraft. she hates the witch community but she's also obsessed with it

now look at this sequence: agatha demonstrates once again that she knows Billy is behind all of this. only she goes about it with hints and metaphors because - you know - she's a damn fucking coward

sharon has gone through all the stages of grief in twenty minutes: denial (this is a kidnapping!), anger (this came from talbots, you can't have it!) bargain (okay, okay, okay, catching my breath, okay), depression (I don't know how do you expect me to walk and walk and walk when there is nowhere to walk to!) aaand now she's accepted her fate. time to get drunk. and die.

"That would be such a bummer." WOULD IT NOW BILLY. WOULD IT BE SUCH A BUMMER IF SHARON DIED SO SENSELESSLY? WOULD IT SEND AUDIENCES THROUGH ALL FIVE STAGES OF GRIEF TOO IF SHE WAS KILLED LIKE THAT??? IT'S ALMOST AS IF THEY'RE DOING IT ON PURPOSE OR SMTH BILLY

what I'm saying is, the writers are truly basking in some cruel irony right now. especially considering that billy is going to feel so responsible about sharon's death

the others look back at the house, agatha is the only one looking at billy, she's the only one who understands the implications of the exchange between billy and sharon. I imagine her process being something like "this is really going to hurt the kid later -> should I say something? -> should I step in? -> should i...? -> ... ->nah"

so the moon in the sky and the color of the leaves on the Road depend on the trial? is that why they were blue just now? I need to pay more attention to stuff like that

sharon takes a deep breath, sighs, goes into the house last.

sudden aspect ratio change! not my favorite outfits, but I love those pants on kathryn

see you tomorrow peeps ❤️

go to episode 3 part 2

[clairegregoryau]

Through the Looking Glass

From fairytale in Season 1 to stark reality in Season 2 of Our Flag Means Death- meta ported across from this Twitter thread by popular demand!

This thread contains spoilers for the entirety of OFMD Season 2

First OFMD S1 rewatch since S2, and holy shit, if you haven't done that yet... do that. A thing that it made instantly clear: they told us *all along* where this was going, but there was a reason we didn't see it. Because we were living in Stede's world then. Now it's Ed's.

I know that a lot of us have felt that the tone shift at the end of S2 was... jarring, compared to what's come before. This felt like a show that wouldn't go there. One where being run through was a temporary hiccup. We've travelled all the way from this to this.

But we haven't jumped there without a journey in between. And from the minute we started hearing about Blackbeard, the show never tried to hide what Ed's world and his specific life was like. Not once. In fact they told us over and over and over.

But Season 1 told us a lot of those things through song and story and fuckery. It blended reality with fiction.

Stede met the Blackbeard he knew through books and tall tales, and the real man was even more wonderful than he'd imagined.

We, along with Stede, were comfortable thinking that all those other tales were exaggerations and misrepresentations, and a lot of them very likely were.

The Ed Stede got to know was a person who was capable of whimsy and silliness and loved soft things and doing something weird. Yep, he was also capable of violence and rage, but when he was with Stede, he didn't feel it so much.

This was a vacation from that life.

To Stede he was absolutely lovely... oh, and also a bloodthirsty killer. And Stede loved (and loves) everything about him, and both of those things can be true. This is a perfect example of a spot where (in watching Season 1 without the benefit of hindsight) I assumed that everyone else in that pub was wrong, and Stede was simply trying to protect Ed's fearsome reputation by agreeing on the bloodthirsty bits. And I think from Stede's perspective that was largely true. I think that's how they wanted us to see Ed, through his eyes. Now, after watching both seasons, I think it wasn't the whole picture.

They told us, we heard it, we saw glimpses of it. But we (and Ed) were in Stede's run-away-to-sea fairytale the whole time. It wasn't until Stede left that we saw the reality- the Ed we knew had been, to a degree, a fictional character all along. I always saw this scene as Ed putting a bit of distance between himself and reality; it always felt like the Blackbeard of Stede's storybooks was the fictional one. But now it feels like the softer Ed that Stede knew was much the same- neither of them the whole story of who Ed was and is.

The one person who refused to live in Stede's fairytale was Izzy. I've seen people say it before, but he always gave off that vibe of the only human in the Muppets movie, or the guy who was in Black Sails while everyone else was in Pirates of the Caribbean. He saw the real risks clearly.

And in that light, the end of S1 has shifted an inch to the left for me, and I'm seeing it at a slightly different angle.

Izzy ripped away the healing Ed was doing, but in some respects he did it by tearing away the fairytale we'd all been living in, shoving Ed back into the Blackbeard story.

And that's where we pick up again in Season 2.

The fairytale reference came back in S2 in two notable places, those being Jim carrying that legacy forward in the darkest times, and in Izzy invoking the wooden boy against Ricky's efforts. Stede's made himself into a real boy. Ricky, nope.

Now that I've watched both seasons together, the tone shift doesn't feel so jarring at all, actually.

It feels like sliding through the looking glass, out of Stede's world, and into Ed's- a world that existed all along; we were just seeing it, la vie en rose, through Stede's eyes.

At the beginning of S2, Stede's gone, and we're seeing it unfiltered through Ed's reality.

But Stede wasn't lying when he said he loved everything about Ed. He made a promise to come back and find him- he went down into Ed's darkest place and reminded him that no matter how bad things got, there WAS someone waiting for him, ready to love him.

The contrast between S1's fantasy and S2's reality (excluding mermaids and actual bird guys and cursed coats) is stark, but it really is that.

We have the same settings, the same people, and very different ideas and outcomes at different times.

But it was always there.

Things do come back to a state of (precarious) balance once they're all together. Apologies are made, whether they're spoken out loud or through actions. Things go right, things go wrong. Healing happens. Izzy continues to have the steadiest, most real through-line in the story as he tracks toward redemption, finds acceptance, and to an extent finds himself.

Once again, I hate that they went here with the ending and I wish they hadn't. But it got a fraction easier for me looking at it not as a continuation of Stede's fairytale, but of the grounded-in-pirate-reality arc Izzy was always on, even while we lived in Stede's world.

Where does that leave us? We're not going back to the fairytale, but we're not going to be living in Black Sails for S3, either. We've hit a fusion point where S1 ended with each of them going to separate, miserable homes, but S2 ended with them in the same place, ready and willing to make a go of it.

Season 3 is going to give us their world, together.

I LOVED the moments in this season where the deep emotions were in balance with the silliness I've always adored about this show. Eps4-6 were wonderful like that. Clearly we're not done with drama, either, but like Ed and Stede, I think we'll find a middle ground.

Anyway in conclusion, a rewatch of S1 after S2 somehow made me love the first season even more, which felt impossible? It's now gained /even more/ layers of depth than it had before. No matter how you feel about S2 I think it's worth that rewatch.

Adding one more bit of clarity for myself: I think we got a bit (intentionally) seduced in S1 by the idea that the Ed of the storybooks, the Vampire Viking Clown with the nine guns, was a version of him that others saw, when Stede saw the REAL person who 'worked' for Blackbeard.

In hindsight I think it's clear the Ed Stede go to know was also not the complete version of himself- the reality is, there's a whole spectrum between the two, and they've landed in the middle of it now. Ed intentionally leaned into the unlovable Kraken image to protect himself.

It very much didn't work, just like being just... Edward hadn't worked to protect himself, either. This season has been very much about pulling those two extremes together and finding all the parts that make up Ed overall (another thread on that here on Twitter, which I'll also shift across to Tumblr soon!)

And I think one of my favourite things in S2 has been seeing the way Stede SEES that- he knows what Ed's done, everyone's told him, but he still loves Ed. sees his trauma and how it affects him, and believes he's a good man regardless. He IS lovable; he's not forever broken.

And together, they can heal.

[ostrichlady]

I've watched season 2 of arcane many times now, and that last scene of Viktor and Jayce never fails to amaze me. Once you know exactly what's going to happen after a few rewatches, you start noticing little clues and symbolism across the show which make the scene so much more delightful but that's not even what makes me feel so impacted at the end of it. With all the sincerity I hold in me, this is one of the most beautiful and purest depictions of love I've ever seen.

The scene sequence works so well. It's perfect. It's raw and tender and caring. Overflowing with all the abstraction of what love is.

The artistry is breathtaking. The colours of a ruined world contrasting with the lively shades of flowers against Jayce's stone figure. The clean blue from the sky, the polished and ancient figure of mage Viktor against the rough edges and vibrancy of defender Jayce.

The celestial colours of their bodies detached from any materialistic accessories, Jayce's face being so much warmer in contrast with Viktor's much paler complexion. The gold from the different souls, the thin strands of consciousness gathering at one moment. Galaxy in its most humane form if that's even possible.

Everything is beautifully harmonized to fulfill one goal, which is to frame the connection of Jayce and Viktor.

I can't get enough of looking at Jayce's face throughout this whole scene. His eyes speak for his heart louder than anyone could comprehend. Understandment, care, longing, affection. A need and a want to let Viktor have his love. He's telling Viktor that he's there and he won't leave again, wherever Viktor goes, he will too. And Jayce knows Viktor isn't like him. Viktor won't simply take love and gulp it down.

No, Jayce understands that he has to do it slowly, wrapped in tenderness but full of determination. It stands out to me just how, when reaching for Viktor's shoulder, Jayce's hand hoovers for a little bit before grabbing it. He's giving time to Viktor, but he's also assuring that he's there. For him. With him.

Viktor is confused, is scared, his eyes are desperately looking at what he has done, and what it could've become, how could it be that he had been so wrong? And why was Jayce talking to him about wanting his partner back when Viktor himself doesn't know if he could be anything remotely similar after everything? Why was this man overflowing with so much affection when Viktor was, until a few seconds ago, trying to get rid of it all? Viktor gets taken down from this polished, higher power mindset and is thrown right at the core of human emotions, barely able to hang on to it.

But it's okay because Jayce will hold Viktor until he can stand for himself. 

Jayce tells him it's okay. He does it by looking at him dearly. By holding his open hand carefully. By placing the gem in it securely. No matter what happens, it is okay. 

The gem is reactive and powerful and holds so much to it. Their lives, their projects, their dreams. Magic in raw form, full capacity.

When both of their hands are placed on what started everything, they both look at each other one final time. This is it. They know what's about to happen. But it's okay. It really is. Because there's nothing else they can do to fight their destiny this time. Because there's really no point fighting this time.

Jayce pulls Viktor, a call for him. I'm here. 

And Viktor responds to his call. I know.

They are together.  They've always been together, their connection preserved into a small gem stone. Into so many others, across so many other possibilities and timelines. Whether it failed or not, it has always been there. Raw and sincere.

This time, despite the circumstances, it did work. Not everything is perfect, but it doesn't have to be. That's the beauty of it all, as Jayce said himself. The world will keep moving even after they're gone. Broken as always, but never stopping.

Theirs souls are intertwined across what we call time and space. If forever has an ending, then it will be rewritten. Their love is bigger than any terms we might choose to describe it. Their bond is far greater than any anomaly or magic blast.

They're safe, embraced by the deepness and vastness of the universe. Nothing will separate them. It started with them and it finished with them. Always them, only them. Together as partners.

[notafragilething]

Buck/Tommy Late Night Endgame Ramblings

I want to start off by saying that this is all speculation and I think it's a bit to early to know what their long term plans with Buck and Tommy are but....I get the feeling that they are possibly being set up as an endgame/long term couple so I'm going to ramble about why I think there were some subtle hints of this already. And I need to know if other people agree with this. Please reply or send me messages or something because I HAVE SO MANY FEELINGS ON THIS!

The main reason being the parallel between the hospital scene and the end of Buck/Abby's relationship. Now, I can't claim credit for noticing this but I saw someone on here mention the parallels between the scene where Buck drops Abby off at the airport and Tommy arriving at the hospital.

So I went back and watched that singular scene.

It's Buck and Abby outside the airport saying goodbye. She needs to leave and Buck says he'll be there waiting for her, which is shown by Buck never moving from his spot in this scene (until it's time to walk away). He's standing still. They kiss goodbye, she walks through the glass door and we see them close between them. This visually showed the door closing on their relationship.

Now, rewatching the Buck and Tommy hospital scene after that made some things stand out.

The first thing that jumped out to me is that there isn't one door. There are two. The scene starts from Buck's point of view as he walks through opening doors. You then see Tommy, from Buck's point of view, walking through the glass doors to enter the hospital. Both Buck and Tommy are walking though their own opening doors.

Tommy, meanwhile, has literally come straight from the fire. He's in gear, dirty, sweaty and hasn't slept since he left the bachelor party. But he came straight to the hospital because he was here for Buck because this was important to him.

They then meet in the center together for that kiss.

We know now that Tim has been queer coding Buck since season 2 when Abby left and maybe this is all accidental but honestly? The opening doors, the meeting in the center, etc. It really seems to be doing some symbolism to set up their relationship in juxtaposition to a failed one and this isn't what you would do for something casual.

Have I completely lost the plot or is anyone else seeing this?

[let-us-cultivate-our-garden]

What do you think of season 2 of arcane? i've seen quite... a contrasting reaction from the public when compared to the reaction that s1 got

[cracks knuckles] ok, first some context: I was, and still am, largely unfamiliar with the League of Legends video games, which probably colors my perception of Arcane as a whole. The first season was incredible. 10/10 no notes. It's a masterpiece of animation hands down. One of its many strengths is that it sticks to a self-contained story that does not require lore knowledge or even knowledge of who the characters from the games are. It's a character drama wrapped in a steampunk/sci-fi/fantasy aesthetic. It tells a grounded story that follows its characters as their arcs play out all the way through to the end. I love it and habitually rewatched it while waiting for season 2.

...And then season 2 came and it kinda went. I enjoyed the season. The animation, music, voice acting, all incredible and it's what makes the season a joyride. But that's pretty much what it is. A joyride. That grounded story and character drama was largely dropped for bigger stakes and it feels like the season lost the plot. You were invested in the Zaun/Piltover conflict? Let's have Jayce give a half-assed speech about working together to defeat a common enemy and give Sevika a token seat at the councillors' table. You wanted to see how Jinx and Vi's relationship developed after the bombing? Well, Vi says "my sister is gone." Until Vander/Warwick shows up. But they don't really talk about their relationship or how much they've both changed. They're just cool with each other know.

Did you want to see how Jinx deals with the fallout of killing her father figure and embracing the role of the Mad Bomber? Well, she kinda mopes for a bit. Finds a street urchin that magically cures her of her mental instability. oops, street urchin is dead. Jinx is depressed now. fun. It's not like the marketing lead us to believe that Jinx was going to be an actual antagonist, right?

right?

Now, I know trailers and posters can be misleading but come on. Season 1 ended with her fully becoming Jinx and I feel like she was more Jinx-like there than in season 2.

We got less of the sisters than in the first season despite being the emotional core of the story. Part of that is the escalating conflict and having far too many antagonists. We have Ambessa, Viktor, and the Black Rose and they all take up too much screen time (this last one was a huge ??? for me as a noob to the games. Actually, Mel's whole arc in season 2 was so divorced from season 1 that it feels like they just gave her magic powers just so she could participate in the fight). The other part is that when the sisters are together, they don't really say or do anything meaningful. The dialogue is rather boilerplate and there's no emotional weight to their scenes. It's just there.

That's really my problem with season 2 as a whole, it just feels like it's ticking off boxes to get to the big action sequences, and even some of those felt superfluous (did we really need a fight scene with Smeech? Smeech? Who the fuck is he and why should we care?). The funny thing is that, there are a lot of good ideas here. Jinx feeling conflicted about suddenly being seen as a symbol of the people? Awesome! Caitlyn falling under the sway of Ambessa as she mourns her mother and gasses innocent civilians in her mad pursuit of Jinx? Great! Viktor slowly losing his humanity and becoming the Machine Herald while Jayce struggles to right what they have wronged and get his friend back? Excellent! The problem is that they're all crammed together and don't get room to breathe, so everything is rushed and unsatisfactory.

When your first season ends with four people at a dinner table that explores their character dynamics and your second season's climax looks like a Marvel movie, there's a problem.

(also, side tangent: Silco and Vander's backstory was shoddy and contradictory. Making them BFFs with Vi and Jinx's mom was a bad idea. It cheapens Vander's decision to leave behind a life of violence and adopt two orphans. It introduces a plot hole that Silco wasn't around for the kids' childhood and makes that moment when he tries to kill Powder extra weird. PLUS, we have the ever lovely trope of fridging a woman and making her the catalyst of conflict between two male characters 😒

although this season did make me ship these two, so there's that👍)

(another mini tangent: I'm not fond of making a time traveling Viktor the one who gave baby Jayce the rune stone. That scene was one of my favorites from season 1 and the mage actually being Viktor just makes the world feel smaller and less enigmatic YMMV).

So there you have it. An overall okay season but one that pales in comparison to its predecessor.