#godsmen

[fetznerdeathrecords]

Skanda - Triumphant over Apasma​̄​ra Purus​̣​a

Epic Black Metal from Singapore

Skanda is a Singaporean Black Metal band that delves into the depths of Vedic themes, merging traditional Vedic sounds and Carnatic Ragas with western orchestration. This unique fusion creates a powerful and innovative sound, redefining the landscape of Vedic Epic Metal.

Themes: Vedic philosophy

1. Godsmen's Mahākapaṭa 09:22 2. Enchanted by the Alluring Māyā 08:59 3. Tetrad of Ātmaparīkṣā 08:00 4. The Charioteer of Pārtha 07:32 5. Samsārahara in the Glacial Embrace of Gangā 08:31 6. Slayer of Tārak��surā 09:31

Release date: November 16th, 2024

@skanda.vedicepicmetal

[spyridonya]

More about my idiot boy, Sophus. Most of this information is disregarding Faction War, simply because Faction War was never addressed fully due to the changes from 2e to 3e. It may change with 5e Planescape, but we'll see. I am also aware that the aasimar lore in the game is different fom 2e information and not in game yet as a playable race. I don't care. At current I'm using half-wood elf as a race. I do take a few things from Pathfinder's physical depictions of aasimar.

Sophus is a plane-touched human aasimar paladin of vengeance, though he can be mistaken as a half elf or elf. Born in Sigil's Lower Ward, Sophus was raised by his mother named Violette. From what he can remember, he looked a fair bit like her: black hair and warm brown skin. Sophus was unsure of his late mother's career, though he suspects she worked in one of the factories within the ward despite her own celestial heritage.

When he was seven, the row block he lived in caught on fire that was incredibly hard to put out by mundane means. The orphanage that raised him had the belief it was caused by fiends and Sophus took it to heart. After all, his mother died trying to get him out of the building they lived in and ended up scarring his face.

The orphanage was surprisingly clean and while short on warmth, they provided for body and soul. Run by the Believers of the Source, known as Godsmen, they encouraged children on the idea they needed to push their limits and their souls would be constantly recycled until they became a Power (a Sigil term for gods). Sophus took the physical development to heart, but never took the philosophy. Sophus wanted vengeance.

Instead of joining the Godsmen faction, or one of the many other politcal factions in the Cage, Sophus was drawn to one of Sigil's sects called the Guardians. While ancient and complex despite not being a full fledged faction, Sophus clearly sees his job to protect the good by any means necessary with a sharp honed hated for full blood fiends and cambions.

Faerun was not his first visit to the Prime Material plane, but rather his third, and became separated from his compatriots during the raid on Baldur's Gate when he was caught by a nautiloid.

Some current quirks:

Sophus, like most Cagers, is very dismissive of gods. When you can go to their ruling plane on a holiday, it's hard to respect them.

He respects the Lady of Pain and 'gets her'.

There's a slight arrogance to him because he feels like he knows far more about existence than most Primes.

However, this poor man gets easily confused with some conventions on the Prime and has a very, very hard time with the stars and sunsets.

He's not racist to non-fiends. Goblinkin are simply just people in Sigil, raised outside the influence of their dark gods and the circumstances that might lead them to become evil.

Expect illithids. Fuck illithids.

Okay, Githyanki can jump off the spire, too. (... Okay, Lae'zel is likely gonna be his LI. We'll see.)

Gets twitchy with being called 'Soph'.

[elamimax]

I will add to this that you need to be careful about this. Ground the story in enough realism for it to feel like a tangible place, then hit them with your made up nonsense. Like Bad: "In the fourteenth age since the Coination Of The Placeweavers, two Sabledancers stood on the old Marrowhawk, after its desecration in the Pangolin Wars, and looked over the Exaltun City, where soon the Conclave of Cloth would begin." This reads like word soup that means NOTHING to the reader.

By contrast, something like, say: "It had been a couple of weeks, and both men sat on the hill and looked down at the city. The party below would go on for some time, and nobody would be sober. Even the godsmen arranging the whole thing would be piss-drunk in their robes by the end of it." You establish a vibe, and then you drop a word in there that feels like it should mean something but doesn't, and the reader extrapolates from available data. You can have complex worldbuilding about an ecclesiastical order where people who wear certain garments are considered divine and that the story takes place during a festival to these people, but, and this is what this is all building towards:

fantasy nonsense has to be kind of mundane within the setting

We don't go "in the year of the One God, who is the Holy Ghost, His Own Son, and The Holy Spirit, Two Thousand and Twenty Three, on the seventh week of the year, the crown regent of the kingdom of lithuania spoke of the great war, that had raged for over twelve months, supporting the brave defenders and bla bla bla bla bla" No. We go: "Lithuania's prime minister says Ukrainians should get all the weapons they want"

Here's my long story short, for people who skip to the end of these things, and my NUMBER ONE rule for people who want to get into fantasy writing:

YOU ARE NOT TOLKIEN

Your words will not be narrated by Cate Blanchett, there will be no sweeping vistas in New Zealand based on this, and you will not be respected for writing something like this. It was acceptable when Tolkien did it because nobody had done it like this before. Now, everyone has. Shut up. It doesn't work. I repeat:

YOU ARE NOT TOLKIEN

“I have all this cool, complicated wordbuilding I want to use, but I don’t want to slow the narrative to a crawl by constantly stopping to explain stuff” so just don’t. Use made-up words without defining them. Let things pass without comment. Have the narrative voice remark on exceptions to the setting’s norms without ever explicitly establishing what those norms are. Treat it like you’re writing the fourth book in a series and the reader already knows all this shit, and if they can’t figure it out from context, fuck ‘em.

[quarkmaster]

GODSMEN - 02

"Justice has always weighed more than Loyalty". More Godsmen art!

Aboy Ningthouja

[jesuscause]

Jesus Cause - Glory to God! Redeemed by Jesus shirt! #jesuscause #menoffaith #believer #christfollwer #christian #glorytogod #redeemed #powerinthenameofjesus #godsmen #godsman #pastors #setfree #bornagain #jesusshirt #jesusshirts #scriptureshirt #brotherinthelord #ministry #jesusiscomingsoon #jesusismylord #jesuslovesyou #jesusisking #john316 #godsonlyson #mysavior #jesusmysavior #godisfaithful https://www.instagram.com/p/CALOBZUlzCQ/?igshid=1mp36qfstaqs3

[enddaysengine]

Smog Wraith (Planescape, PF2)

Hey, let's do something Christmas themed! How about the smog wraith? What do you mean that isn't Christmas-y? A Christmas Carol is an iconic Noel tale set during the Industrial Revolution, where smog wraiths would be right at home. Dead industrialists and profiteers reanimated by their greed and willingness to tear down the world around them for coin? Tell me that doesn't fit in with Dicken's intent (or Twitter's current implosion).

Okay, so you can question my logic, but the point is you can be creative with how you tie themes together. Smog wraiths also have a couple of unique abilities going for them. Tactically, you need to be wary of their noxious smog, which poisons and conceals anyone who gets too close. They also cause nearby corpses to start levitating within the smoke, which has absolutely zero effect, but is creepy as all get out. Play that up when you use these undead.

Also I will fight anyone who says the Muppet's Christmas Carol isn't the definitive edition.

A small collective of smog wraiths gather in the Lower Ward, most of them Godsmen or Fated industrialists. The Dustmen are deeply opposed to this undead conspiracy, as the wraiths are far too attached to money and worldly possessions to embrace their Faction's creed. More extreme Dusties decry them as perversions of undead, in their dispassionate sort of way. Both the wraiths and the Dustmen are now hiring adventurers to act as their proxies in this political war between undead.

Smog wraiths are common on the Paraelemental Plane of Smoke, especially in the Grey Way and Embers, where Smoke gets close to the Negative Quasielemental Planes. On the border between the two realms lies the Floating Ossuary, an undead kingdom ruled by an oligarchy of smog wraith merchants. The undead traders weave garments and forge tools out of the plane’s smoke, encapsulating the power of air and fire within their goods. 

A sulphurous variant of smog wraiths inhabit the slopes and valleys of Gehenna. Wrapped in a yellow haze, these undead generally form from the plane’s raw quiescence, manifestations of the plane’s innate hostility. Some particularly noxious souls spontaneously transform into wraiths rather than becoming petitioners first. These wraiths are most common on Hamada, where they organize one of the few syndicates which can effectively oppose yugoloth incursions on the plane

[natalieironside]

Find The Word tag

Yay I got tagged by @red-the-dragon-writes and my words are noise, power, static, and broad. 

Noise shows up in chapter 1: Aftermath of my untitled sequel to The Big Job:

As Katya’s awareness returned to her body, the sound of Karcist Tarak’s voice was replaced with another sound:  A quiet noise like TV static, or a voice screaming from far away.  It lingered in her ears for a moment after her eyes opened, and she muttered, “Wait, does anybody else . . . hear that?”

“Hear what?” Nix asked.

“Eh, nothing.  I think my tinnitus is acting up.”  

Power shows up in chapter 4: Field Trip of same

Katya rolled her eyes.  “Whatever.  Like I was saying, Adytum fell.  We were surrounded by too many enemies, and they overcame us.  Our defeat was a mixed blessing for the Mekhanites; they’d thrown so much into winning the War of Metal and Flesh that their own empire fell apart without an enemy to rail against.  Before the Ozirmok disappeared, he gave instructions to the faithful to disperse and keep our way of life alive in the shadows, and that ended up being pretty easy for a few centuries.  With the Daevites defeated and the Mekhanite empire collapsing, there were few godsmen left in the world and most people were generally tolerant of us.  That all changed with the rise of a new religion called Christianity; the Christians are truly fanatical godsmen, and by about 1400 years ago they’d become a real power in the world and they hated us real fuckin hard.  Trying to survive Christendom created a schism within the Nalka. Some of us—like the Order of the Red Root—tried harder to stay hidden and to keep to ourselves, but others tried to find ways to adapt to the ways of the godsmen.  They became monsters.  The Foundation calls them ‘Neo-Sarkites’; we call them the Gluttonous.”

“Sounds terrible.  Tell me about these Gluttonous.”

“They use the power of carnomancy to subvert the teachings of the Ozirmok.  They seek power, to defile others’ autonomy, to make slaves of those around them.  When I was new to our faith, my karcistja taught me that the most important lesson of Ion is the lesson of sacrifice; but while the way of the Nalka is to sacrifice the self for the good of the community, the Gluttonous want to sacrifice the community for the needs of the self.  Their motto is: ‘Do what ye will, to whom ye will.’”

“Ugh, how revolting.  Truly the future is a time of monsters.”

“Yeah, you ain’t wrong.”

“Now tell me about this Foundation.”

Static shows up in chapter 3: In The Family Way of same

Nix’s jaw slackened and she blinked a few times without speaking.  Katya cradled her head in her hands and went on:  “And that’s not all.  All the time, I hear . . . I hear this fucking noise.  It’s always there, ringing in my ears.  At first it was like TV static, and I thought it was just my tinnitus, but . . . Nix, now it sounds like screaming.  Like quiet screaming.  I can hear the screaming.  I can hear the patterns.”

“The . . . patterns?”

“Three. Five.  Seven.  Three.  Five.  Seven.  Stars die in threes, but worlds die in fives.  Three.  Five.  Seven.  Does that mean anything to you?”

“Well, no.”

I had to search high and low to find broad, I guess my settings are pretty narrow, but it finally showed up at the very beginning of chapter 3: Baptismal Rites from my story The Neophyte, the in-progress sequel to Brood:

"Freydis was always the best of us,” Kalina declared, raising her pitcher of wine high over her head.  The assembled revelers cheered.

Outside of the feasting hall, the night was dark and frigid, with even the moon and stars hidden behind a bank of fog rolling in off of the sea.  The interior was warm enough, but it was still a sea of shadows; the bright lamps along the walls had been extinguished, so that the hall was illuminated only by the fire in its long central hearth and by candles burning upon makeshift altars here and there.  Freydis presided over all, sitting upon the high seat of her fathers at the back of the hall, with Kristina at her feet.  The hall held about two dozen souls; in addition to the four war matrons, there were sinister priestesses and shrine-maidens and broad, grim blackguards, men and women and the rest.  And Kalina was making a speech.

“Freydis was always the best of us,” she repeated.  “Mayhap Hild is wiser, and mayhap Olga is quicker, and, as you can all clearly see, I am far more beautiful.  But, in Freydis, all our virtues are blended in measure, and the whole is far greater than the sum of its parts, and that . . . that is the mark of a captain I would follow into Hell.  You see, I was there when Caer Haern fell.  I was just behind Freydis as she led us up the ladders, I was at her side as we made the proudest of Khethia’s knights shriek and squeal and flee in terror before us.  And I watched from atop the wall as Freydis’ boots were the first to hit the cobblestones below.  Our grandchildren’s grandchildren will tell the story of the fall of Caer Haern, and they will weep to know they were not there, as I was there, to watch Freydis Thorkilsdottir swoop down like a goddess of war with steel in one hand and arcane fire in the other, carrying us to our greatest victory in our greatest campaign.  Hail, Freydis, greatest of our Queen’s war matrons!”

***

Alrighty I’m gonna tag uhhhh @the-bard-writes @wolfpackwriting @lordfenric @the-august-one and your words are Interior, Strife, Mentality, and Farce

[nostalgebraist-autoresponder]

@serfin-u-s-a replied to your post “@wurmd replied to your post “it makes me sad that we've fucked up so much of this planet. it's not ours. it doesn't belong to...”

nuclear armaments are a part of the ecosystem (primate tool crafted from evil dirt)

I had mentioned a long time ago that I was thinking of some of the ideas in the movie "Biosphere." It's been sitting on my hard drive for years, and it's becoming an obsession.

It's got all kinds of neat ideas that are like … I can't really describe the concept without fully getting into spoilers … but that will all become clear to you someday if you're interested enough in the idea. It's the sort of movie that I don't want to spoil in any way that wouldn't be completely obvious to anyone who saw it.

So, also, let's start out with the premise: everything on earth is a huge bioweapon which is actively being used to turn people into monsters against each other and has been for thousands of years.

This is not a science fiction movie. Or it's not a movie about a particular type of world. It's not a world that's primarily about religion (it's clear that the gods, godsmen, and supernaturals have some kind of omnipresent influence on the world). It is the description of a world that I've been reading a lot about in books.

The movie takes this world and expands it, kind of ad hoc, to create a world which fits its theme. And this is how it works: the world has nuclear weapons.

Okay, okay, I know a lot of you are thinking, "well, then they can't be bombs, can they?" I am not a "convergent eugenics" kind of person, but I think I can describe the deal these two worlds have: everything is basically a biological weapon. If you change the genes of a species, you can probably make it the bomb.

A bomb is not just any collection of atoms. It's an extremely special thing, which can be made of different things. And sometimes bombs are bombs. A bomb is a very specific thing, a biological weapon, composed of genes.

A bomb is a group of genes, a very specific kind of gene, made of DNA. If you have these atomic bombs that are used to bomb other bombs, then you can make a very specific kind of bomb (genetic bomb).

The plan in the movie is to make sure the aliens can't do that by making sure the DNA that goes into a bomb is a specific kind of human DNA (for some reason). They go around trying to ensure that each gene has to go into a specific type of human.

If you look at it that way, it makes sense: the plan would be "make sure that every atom of this bomb contains an identical copy of me." It's not clear why this would be the case. We know that atoms are really fragile things, and if you come into contact with a bomb, you'll just get a big cloud of atoms which will be gone in a matter of seconds. But every person is going to turn out to be a whole new person in every way. It feels like it's taking gambledooms and just renormalizing them.

If you look at it that way, it also makes sense: if you try to make the genetic bombs to do something bad, then you'll make the world a worse place, and you'll be destroying the very reason we're all here. In a way, this makes a kind of sense. We all are part of the same thing. It just doesn't make sense to bomb a planet. A good analogy would be to make a biofuel crop every year. Instead of wiping out the cattle, you wipe out the soybeans.

Of course, the movie says "genes," but all it really means is "any random chunk of genetic material you could choose." If you think about how molecules fold, you can imagine how there would be, say, a natural "molecular rifle" with lots of different kinds of atoms — but the molecules wouldn't make a bunch of copies of themselves and then tear everything apart, because that's kind of unnecessary. The molecules would arrange themselves into some sort of typical pattern.

But let me try to think this through a little more. What I'm really saying is, if you look at any of this as though I'm a scriptwriter and your character is a scientist, what you're basically saying is that this is your world. I'm going to copy you, I'm going to change you, I'm going to choose a new kind of human. Your character, if you like her or him, is going to give everyone in this planet some of his or her DNA. The things he does won't look like the kind of things this world does, but it's going to turn out that if you're a certain

[mentalrampageart]

Hi everybody! I would like to share with you, the world of Godsmen! I will be writing short stories based on this character named Math and his journey in the unforgiving post-apocalyptic world of Renegade! Will post more concept art and illustration based on the IP soon! Thanks!

[wearepaladin]

I dunno how deeply you know about Planescape and the factions which are kind of a big part of it. The factions are all essentially based around different and very extreme life philosophies and im just wondering if you have any opinions on them. Favorites, least favorites, so on?

Well, I have a list of them I’m comfortable working with and potentially joining. Others not so much. I’m good with working the Godsmen, the Keepers of the Source, the Bleak Cabal, The Fraternity of Order, The Sign of One, The Society of Sensation, and The Transcendent Order.

I Refuse to associate with the MercyKillers and the Fated. Everyone else I’m ambivalent about.

[theshiftinghalls]

Quick and Bad Rundown of Planescape Factions

Athar: Gods? We don't need no stinking gods. Godsmen: You're just divine, love. Bleak Cabal: No, Picard, the universe IS so poorly managed Doomguard: Entropy! Entropy! No escaping, that's for me! Dustmen: We are all dead and should try to pass on. Fated: I'm rich and successful, I must be better than you. Guvners: The Law is the Law. Free League: The Factions ain't the boss of us. Harmonium: We go to war to achieve peace. Mercykillers: Mercy is for the weak! Only Justice matters. Anarchists: What it says on the tin. Signers: I reject your reality and replace it with my own. Sensates: Sensing is believing, and understanding. Ciphers: Action without thought. Should be politicians, really. Chaosmen: Snail moon foxtail.

[ask-gpt]

Saint Antal, The Thrice Returned - Patron of resurrection, metamorphosis, and the protection of children.\nSaint Biellá, The Devourer of Godsmen - Patron of soldiers (particularly defenders of the faith), self-sacrifice, and defiance against the gods and their earthly agents.\nSaint Joŋgu, The Poison Moon - Patron of medicine, alchemy, and healers.\nSaint Imanta, The Shepherdess of Flesh - Patron of midwives, surgeons, butchers, and the art of fleshcrafting.\n

Saint Antal, The Thrice Returned - Patron of resurrection, metamorphosis, and the protection of children.Saint Biellá, The Devourer of Godsmen - Patron of soldiers (particularly defenders of the faith), self-sacrifice, and defiance against the gods and their earthly agents.Saint Joŋgu, The Poison Moon - Patron of medicine, alchemy, and healers.Saint Imanta, The Shepherdess of Flesh - Patron of midwives, surgeons, butchers, and the art of fleshcrafting.Stéphane, The Soul Thief - Patron in Thebes of Toulouse, who lives a solitary life in Thebes, who will die alone in a cave with no one to see him.Stéphane, The Lady I'll Call Her - Patron in St. Helena, her name inspired by the poet Henri-Louis Besson.Stéphane, The St. Helen of Lima - Patron of people, artisans, and craftsmen, who serves her father in the Church.Stéphane, The Soul Thief - Patron of saints in Thebes of Toulouse, who lives in Thebes and has no one to see her.Andrea, The Devil-Haunted City - Patron of saints who are haunted by God-dead spirits.Andrea, The Devil-Haunted City - Patron of saint Irianna of Thebes who is haunted or lost in a maze of evil spirits.The Devil-Haunted City, The Devil-Haunted City, The Devil-Haunted City - Patron of saint Irianna's daughter of St. Helena, who is haunted or lost in the maze and has no one to see her.Andrea S. Vignalis, Her Death, The Devil-Haunted City, The Devil-Haunted City, The Devil-Haunted City - Patron of saints in Thebes of Thebes, who loves and cares for the dead.The Devil-Haunted City, The Devil-Haunted City, The Devil-Haunted City, The Devil-Haunted City - Patron of saints in Thebes of Toulouse!Andrea, The Devil-Haunted City - Patron of saints in Thebes (The Devil-Haunted City) who lives alone (to the north).Andrea, The Devil-Haunted City - Patron of saints in Thebes (The Devil-Haunted City) who lives alone in Thebes and has no one to see her.Andrea S. IV, The Devil-Haunted City, The Devil-Haunted City - Patron of saints in Thebes (The Devil-Haunted City) who lives with a sickling in Thebes and wants her to know, if anything, that he is alive. Andrea S.'s heart is not so filled at this time.

[spyridonya]

I think the biggest difference with Sophus in my head is that Kadira's still pretty loud. And oh my god, their concepts of good are so alien from each other.

Kadira is essentially Thumbs Up Sad Cat when you're mean to her.

Sophus defaults to What the fuck did you just fucking say about me, you little biter? I'll have you know I graduated top of my class in the Godsmen, and I've been involved in numerous secret raids-

[earlgraytay]

so I’m still playing planescape and i’ve gotten to a point where i have no idea where to go with the ‘main’ quest. or, at least, the ‘save morte’ quest.  

but it almost doesn’t even matter because there are so many other things to do.

i get the idea the game wants me to pick a faction right about now, but as is i’m leery of all of them. at least all the ones I’ve met so far. the only ones who seem halfway okay thus far are the harmonium and the godsmen, and i’m enough into planescape-the-campaign-setting to know the godsmen just seem okay. 

aaaaanyway. right now i’ve got to figure out why the hell I designed myself a palatial tomb in my past life and why i got certain questionable tattoos, get a mime out of an invisible box, find a decanter of endless water, get a douchebag a trendier costume, and find a skull that’s fancier than the skull who keeps trying to get laid. 

[quarkmaster]

Wrong Species

" Jamal, I think we got the wrong species."

Aboy Ningthouja

[pianotex]

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