#god this was stressful to write
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goodluckclove · 24 days ago
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hi it's me. "telling" in writing is sometimes fine. if you think a scene is better served by summarizing a character's reaction in plain, direct language, that's a thing you're allowed to do. you could consider elaborating from that direct language and using that to "show".
but like "show, don't tell" is absolutely not always the case unless you really want to buff out your word count. i had a writer early on quote "show, don't tell" to me when i showed her a scene that included what was essentially a set-piece character i described as a "sleepy-eyed dancer". she wanted me to spend time describing this character's exhaustion instead of just directly saying it. This dancer - who is referenced once in the initial description of a setting and never, ever shows up again.
that was probably the day i learned that you can hear writing advice and respond politely but quietly think "mm no". you can also do this.
(feel free to fight me in the comments but know that i despise catchy and generalized writing advice like this and the way it can hinder new writers when stated with no room for exploration. and i will die on this hill. i am not normal about this)
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dansemacabre · 6 months ago
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i’ve been thinking about “sixer, it would eat you alive” since i read it and. man. every layer you peel back makes it worse. im not a bill apologist but. shit
if you (1) take it at face value, it paints bill as an apologetic murderer in his single (and maybe sole) open moment of regret. he doesn’t let his walls down often- only with ford do we even get to see the remnant of his galaxy, see the “actual remorse” ford describes, get just a hint of his origins. but he does it, because he thinks ford should know.
if you (2) take it from ford’s point of view, as something he committed to journal three, like. wow. imagine being so committed to a being that you’d hunt down and kill the monster that destroyed his home, only to (assumably) figure out later that that being was the monster. the small moments of trust, the “good times”, are so key to manipulation. how long did ford hold onto that one shred of vulnerability? no wonder ford stayed for as long as he did. in his eyes, bill was a survivor. ford wanted to survive too.
(slight tw below for unreality- any time i mention our reality, i mean “our reality” as a narrative device used in the book of bill as a proxy for the idea of bill being in our reality, since he can’t actually be in our reality. all of this is a fictional theory about a show/book with fictional contents!)
but if you (3) remember that “even his lies are lies” and absolutely Nothing bill says should be trusted. Whoo boy. if i read tbob right the book itself is being created in the theraprism (even tho it shows up with the ciphertologists at some point? idk that’s a whole other post). it’s meant to show what the reader wants to see; it manifests in our reality as what the collective fandom wants to see. so if we want to see truth, if we want to see where bill ended up and who he actually is, there’s a non-zero chance that the whole interaction was a complete fabrication.
imagine bill, stuck in the actively harmful, probably earth-illegal theraprism, once again being forced to be “fixed” and molded into something more palatable, being forced to conform no matter how much it hurts. (i know natural uncontrollable mutation ≠ just so much murder and destruction and chaos, but. you can’t ignore the similarities. bill has obviously been thinking about those silly straws.)
he looks back on everything that went wrong, back on his relationship with ford, back through every dimension where he wins. would that one moment, that one truth amid centuries of lies, have saved him from purgatory? if he had just been open? shown his damage? maybe he did think of his parents, or his henchmaniacs (especially the oracle). people who he might have once opened up to. maybe he just wanted to open up to someone again.
so in his own weird way, stuck in a cell, he reshaped reality again. in this reality, for this fleeting moment, he had been someone worth believing. and ford had listened, hell, ford had wanted to help. looking back, knowing how he treated ford, knowing how ford ended up because of it, maybe bill would have said the most honest thing he’d ever told ford: i am the monster, i am not worth your time or belief, and i will eat you alive.
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specsthesecond · 28 days ago
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°❆⋆.ೃ࿔*:・°࿔*:・°❆⋆.ೃ࿔*:・°❆⋆.ೃ࿔*:・°❆⋆.ೃ࿔*:・
The only thing you register is the murky darkness beneath you and the ice above your head. It's calm for a long moment before you feel the twinge in your lungs and your body lurches with a suffocating need. You pound on the ice ceiling, acheiving nothing but bruised palms as the air bubbles leaving your mouth accumulate on the ice.
Then suddenly a sallow hand reaches up from the depths and grabs your leg. The knight’s dead eyes scrutinise you from below, as if offended that you would struggle against this well-deserved fate. Your scream is drowned by the water as you're pulled down, further and further into the icy abyss.
You jolt awake, breathing harsh and eyes frantic. You look around the room, brown curtains shut out the light of the moon, high in the sky. Thick sheets cover you, yet you're still cold, ever aware of the vacant spot next to you that wasn’t when you went to bed. Your heart aches, with longing or exhaustion, you're not sure.
Light emits from the ajar bedroom door. You climb out of the large bed, shuffling away heavy sheets and fixing your thick winter nightgown. You tiptoe down the short hallway, cold stone ground chilling your nerves through your socks until you reach the thick carpet that covers most of the living room.
Your orc sits in the middle of the room, hunched over the dining room table. A candle on the table casts a warm glow, you can hear graphite against paper, the movements slow and deliberate. He only notices your presence when you touch his shoulder. The orc looks up at you from his seat, and your eyes must have been red or puffy because he immediately knows something is wrong. He pushes out his chair so that he’s facing you and gives you a worried look.
You shake your head, trying to ease his concerns but knowing it won't work. He plays with the sleeve of the loose tunic he must have slipped on when he woke up and then reaches out to softly wrap thick fingers around your wrist, sliding them down until he holds your hand in his. It’s warm and grounding, his thumb slides over your knuckles, questioning but never demanding. You sigh and say,
“I had a nightmare.”
You place your hands together and rest your head on them, closing your eyes, trying to convey the action of sleeping and then you shoot your head upright, trying to convey shock. His face lights up in recognition and even though the hasty gestures are a little embarrassing, you still feel…proud when he understands you.
He says a string of orcish and you only catch the words, “I’m sorry.”  He then gestures to himself and nods sadly.
He had a nightmare as well?
You feel foolish for not considering that, extremely foolish for feeling disappointed when you noticed he wasn’t in bed with you, as if he isn’t dealing with his own troubles, as if you’re the only one who’s looked death in the face. Your eyes flick to his chest. How long has it been since you’ve cleaned his wound? Are you really so selfish you can’t remember to clean the fresh wound of the one you call your lover? You look from where his wound should be then back to his eyes, silently asking for permission to touch. He nods and you lift his tunic up his chest until you reach the wound, a wound covered by fresh, clean, white bandages. You scrunch your eyebrows and look back up at him, he looks back with a proud smile, almost smug, you’d say.
You scoff, drop his tunic back down and look away, irritation flowing from you. You’re glad that he knows how to clean his own wounds, you never doubted he couldn’t but you're responsible for that lifelong scar and you feel an obligation to help take care of it. You just want to make up for the pain you’ve caused, why isn’t he letting you? Not only have you not thanked him nearly enough for saving your life, but you've only made his life worse by being in it.
Your lover notices your mood and reaches for your hands again, leading your eyes to meet his, when you do, you can’t help but let the pain flow freely onto your face. The self-loathing finally too much to try and hide it from him with a tight smile. He sighs and brings your hands to his shoulders, pulling you gently until you’re sitting on his lap, head placed right next to his beating heart. He whispers something in orcish, rubbing your back. You know he doesn't see it the way you do, he doesn't see you as a burden but that doesn't negate the fact that you are burdening him. And yet, despite knowing this, you cling to him so tightly, wholly unwilling to let go. When did you become so selfish?
You look away from him and notice the loose pages on the table. There are loose pages with scribbled orcish and human common, some messily scratched out while others are crumpled into tight balls. You reach for one of the loose pages unthinkingly, but your lover reaches them first and pushes them further away. You're slightly startled by the action and look up to see him turned away, cheeks dark and eyebrows scrunched. He's angry or maybe embarrassed? Maybe he's angry because he’s embarrassed? You reach for his cheek to make him look at you and when he does, you lightly nod your head, trying to convey that you won’t peek at what he’s writing if he doesn’t want you to. You think he understands as his shoulders ease up and his hand comes back to your waist. You rest your head against his chest and let out a tired breath, closing your eyes. His fingers comb gently along your scalp as he eases back against the chair, with you nestled comfortably in his arms. You didn't intend to fall asleep but sleep comes anyway, it always seems to come so easy when you're close to him like this.
When you’re nudged awake, you can see out the window that some time has elapsed since you fell asleep, but not enough that the sun has come up yet. You rub your eyes and look up at the lovely orc who woke you. He looks down at you apologetically and nods his head towards the paper on the table. You reposition yourself and reach for the page, straightening up when you realise just how much is written on it, more than either of you have written before. You thoroughly rub your eyes clean of sleep and with one more glance towards his nervous face, you begin reading.
“My name is Շɿoþƚɿiǫ.
Please tell me your name.
I can’t might not be able to pronounce it but I want to try.
In my mind I have been calling you Ꮦлαᗩ, I think it will mean “My Love" in Human.
I’m sorry it is this way. Sorry you have to leave home. Sorry you had to kill that man those men. Sorry that you lose sleep. Sorry your life has changed so much. I want to I will make it better for you.
When you said you love me, do you mean it in the way I mean it?
Orc courting are different from humans, so I will explain.
I think of you when you are not here, I want to touch you when you are close, I want to make you smile and laugh. I want to make my home feel like your home.
Orcs don’t have marriage but we do have courting. This is what I want with you and I deeply wish that you feel the same.
If this is not what you meant then I'm sorry for misunderstanding.
I still love you.”
You read the letter once, wipe your tears and then read it again. He only looks back down at you when he hears your wet sniffle. His hand massaging your thigh stops moving, he looks at you with worry. You don’t know what else to do, so you nod your head and cry, pulling him into a hug. You hold him close, not knowing at all how else to respond besides burying your head in his neck and nodding, a poor attempt at an affirmation. He rubs his hand down your back, hugging you back, clearly hesitant but it seems like a weight has been lifted from him.
It takes you a few minutes to calm down. You thought you were good at hiding your emotions and being stoic but it may just be that you’d never actually felt such strong emotions in the first place, and now that you do, you have no idea how to hide or even manage them, it’s incredibly embarrassing.
Even more so when he is so patient with you, letting you melt into him, letting you wet his shoulder and hiccup into his chest. You curse yourself, he must be so nervous, anxiously waiting for a clear response to his carefully crafted words but all you can do is cry and nod.
You pull away, wipe your raw eyes and hiccup one more time before turning around and grabbing the thick graphite pencil. You sit on his lap and begin paging through the dictionary. He sits patiently, arms around your waist, resting his head on the back of your shoulders, giving you the same privacy you gave him to write your thoughts out. You struggle immensely with choosing the right words, there’s so much you want to say but it doesn’t need to be a poetic love letter, it needs to be clear and understandable. Even though he deserves all the most beautiful poetry the world could craft.
You are, unfortunately, not a world-renowned poet. You feel so exposed and it's ridiculous, honestly, trying to channel your most intense emotions into graphite lines on a page. You're not even sure any medium, language or alphabet could truly express these feelings but you have to try for him. You write until dawn is approaching, looking down at the orcish words your own hands have written, you sigh to yourself wearily.
You nudge the orc behind you and he simply hugs your form tighter. The man fell asleep around halfway through your painful writing process, back against the chair with his arms never leaving your waist. He breathes in deeply, sleep melting away slowly as he comes to.
You gently unwrap his heavy arms from around you and stand up, placing your letter in front of him on the table before he can argue about the loss of contact. He rubs his eyes and stares down at the page, you try not to stare at him while fidgeting to the side. He glances at you for a second and then pulls his chair in a little, picking up the small page.
“My name is ______
I would love to hear you say it.
This is difficult so I will be direct.
Please don’t be sorry for me. I killed for you because I love you and I don’t regret it.
That is what I mean when I say I love you. It means I want to protect you, clean your wounds, make food with you, help you when you can't sleep.
These are things I have never felt before you.
I don't know why you saved me from the ice, but I will live my life trying to thank you for it. Even if you say I already have.
I have never dreamt of marriage but I dream of you. I want to live with you next to me, I want you to be my home. We can call it courting or marriage, as long as I get to love you and feel your love in return.
I think you understand me perfectly, My Lover”
At least that's what you hope it says. Taking into account punctuation, tense and grammer issues, it probabaly reads very differently.
Your stomach churns when you remember all the sincerity that went into those penciled words, and still it isn't half as thoughtful as his. His was so beautiful and concise, while yours feels not nearly as put together. He deserves better. What if you translated it so badly that he doesn’t understand? You realise that he must have been feeling this exact same way when you were reading his letter but that thought only quells your anxiety a little.
You feel like hours go by in just those few minutes. You can't decide if you want to watch him read it or avert your gaze, so you do both, glancing back at him every few seconds while trying to give him the patience and privacy to read in his own time. You can’t help but watch how he rubs his eyes and sniffs quietly, you want so badly to console him but you just stand there and wait.
He wipes his eyes once more and stands up from his chair, moving closer to you, reaching out his hand for you to take. You do and he brings you into his hold. You hug tightly as he bends down to fully engulf you. He whispers something into your shoulder and gives the skin a little kiss over the material of your nightgown. You try to separate to ask him what he’s trying to say but he squeezes you close, nuzzling into your neck. He mutters in orcish and kisses your neck, repeating the process all the way up your neck until he reaches your lips. He looks into your eyes and it seems that whatever he was looking for in them was found when he leans his head onto yours.
You lean forward just a bit to kiss him, the same as your kisses have been before, slow and deliberate, meant to convey as much as possible. When you can’t convey something with words you have to convey it with actions. You separate from the kiss and he breathes out a soft word in orcish which you can now identify as “My love” and he blesses you with another searing kiss. You kiss back, feeling his tusks on your cheeks as the kiss deepens.
His hands smooth down to your thighs, where he picks you up slightly and places you on the dining table so he doesn’t have to bend down so far, you assume. He still kisses you so lovingly, whispering soft orcish. You try to decipher his words but your thoughts are quickly led astray by his lips on yours and his hand gently intertwined with your hair, holding you as close as possible while leaving room to move away if you please. You don’t.
As you kiss, you wrap your legs around as much of his waist as you can, just trying to get as close as possible, your chest presses against his and you're grateful for the scant layers between you. You can feel the fabric of his tunic dampen with sweat, the downsides of running so hot, you suppose. Though it doesn’t feel like such a downside to him as he feels your hand trail up under the tunic, feeling the thick fat and dense muscle of his stomach, he shivers at your touch but the cold doesn’t stop him from reaching back and yanking his tunic off, tossing it aside as if it offended him.
You stare at your lover, now able to appreciate his physique with all your attention, nothing to distract you from following his chest hair down to the trail that disappears into his sleep pants. His chest moves up and down with every breath as your gaze lingers, you bite back a grin when you think you can see him flexing his arms. You like that he can feel your eyes on him.
Your gaze meanders back up to his face, framed by messy strands of black hair contrasting strongly with his cream-white tusks. You want to feel those pretty tusks on your neck again, grazing against the soft skin there. He can clearly see you staring at them and he bends down to your height, resting his hands on the table on either side of your thighs. His face is inches away from you, his amused grin mirroring your slightly more nervous one. You lean forward and kiss him flat on the lips, then kiss both his tusks, your way of letting him know you accept him as he is, in the same way you know he does. A way of saying you love him, not despite the fact that he’s an orc or because he’s an orc but that you love him as whatever he may be. You hold his face in place while you attack him with loving kisses and pull him into your neck, not so subtly encouraging him to lay his own kisses on the recently discovered, very sensitive area. Your hands travel down his broad shoulders, feeling up the large expanse of muscle and skin.
He finally moves his hands to cup both of your thighs, touch burning hot, you let him trail his hands up your thighs until he’s massaging the fat around your hips. Your thighs squeeze around him as you shiver, the fabric pooling at your hips. You can see his eyes linger where your nightgown pools at your hips as your legs wrap around his waist. After debating a bit in your head, you make the decision to shift and shuffle your nightgown up and off your body, the action making you feel much more vulnerable than you expected, even in the heat of the moment. He stares unabashedly, trailing his hands up and down your waist. You can’t help but cover your breasts from him, it’s not that you’re shy, that’s not the word for it, though you’re clearly overwhelmed and a little out of your depth.
Luckily, it seems he understands. He places a kiss on your lips and then trails a few down your neck, making sure to nudge his tusks against the skin, it looks like he's figuring out exactly what you like. He then places kisses all over your neck and shoulders, he kisses as if he's blessed to even get to offer his affections at all. You breathe deep and let yourself feel his warmth, slowly taking your arm away from your chest and sliding the hand behind his head. You lead him down and he follows, trailing kisses down your chest until his hot tongue makes contact with your nipple, and you downright moan.
He moans back in return, suckling so sweet and gentle. He brings a hand up to your other breast to feel the weight of it in his hand. He pulls your hips closer to his, at the edge of the table, he has to bend down a considerable amount to reach your tits and have your hips meet his, but it’s clearly worth it for him.
You can feel how big he is through his sleep pants, and you know he can feel your heat through your underwear. You press even closer, wanting to feel more of him, and you grind your clothed cunt against him. Just that little friction has his grip tightening and his breath hitching. At the very least, you can be assured that your lover is probably as experienced as you are and will probably last just as long as you if you both keep getting so worked up so easily. You grind forward again, pushing his head into your breast, scraping his blunt tusks against your plush chest as he laps and sucks the soft skin. He suddenly grabs your hips with both hands and lifts you up, wrapping your legs around his waist tighter and holding you close with one hand on your back. You look each other in the eyes, you're getting really good at assessing each other's feelings through body language. You don’t need to tell him you want him, and vice versa, you can convey that with your bodies.
He places a hand on your ass and you pull him into a searing kiss as he grinds his hips forward, making both of you moan. He leans on the back of the couch next to the living room table for support. Clearly very sensitive himself, he slowly sinks to the ground, with you in his arms, still keeping you as close to him as possible. Now that he’s sitting on the floor, back against the back of the couch, you have more freedom to move how you want, now actively grinding into each other, searching for the incoming climax.
It feels so good, even through the layers. You can't help but murmur praises at him and he seems to like this very much despite the fact that he can't understand most of it. When you stop your praises to suck in a breath or moan, he whines softly and looks at you with a pleading expression that only melts into pleasure once you start talking again.
It just feels right, not too much too fast and yet the most pleasure you’ve ever felt. You can see him getting closer, hands clutching you tighter, moving you against his bucking hips. When you can feel yourself getting closer, you pull him into a passionate kiss. Your lips fit together so well, and so do your bodies, pressed as close as possible, save for two layers of cloth. You release the kiss only to rasp out his name and the words "I love you" in his mother tongue as you reach your peak. He groans out what you're pretty sure is a swear word of some kind before kissing you so deep you feel your lips might bruise. He kisses you through his shuddering climax, and you stay connected like that well into the come down.
You rest on top of your lover, feeling his heart beat alongside yours. Any attempt to move your lower half sends pain towards your most sensitive parts, having been rubbed raw against your soaking wet underwear. You shift a little and he sucks in a breath, the hand rubbing your back moves to still your hips. As if you needed any more evidence of his enjoyment, his thin sleep pants are absolutely soaked, you're not sure where his wetness ends and yours begins, but you find the sight oddly endearing. You look up at him and grin, he grins back and you both snicker at yourselves. It must be a funny sight, two star-crossed lovers, former lonely wood dwellers, cumming in their pants the first time they get even slightly intimate with each other.
Your lover only releases you from his embrace when you shiver from the cold night air, though not without a few more kisses and whispered endearments. You slowly lift yourself up, stretching and grabbing your nightgown before walking, only wobbling a little, to the kitchen to make you both some well-deserved tea. You can hear your lover trail into the bathroom, probably to get a fresh pair of pants and you know you'll have to do the same when you feel the wetness slowly cooling uncomfortably between your thighs. The stupid grin on your face stays there the entire day, only matched by the equally stupid grin worn by your lover.
°❆⋆.ೃ࿔*:・°࿔*:・°❆⋆.ೃ࿔*:・°❆⋆.ೃ࿔*:・°❆⋆.ೃ࿔*:・
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mitternacht · 3 days ago
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Hi I spend way too much time thinking about Fuuta Kajiyama and really wanted an excuse to throw out a full breakdown of his character and why I think he’s so well written.
The long and short of it is that Fuuta’s character was built to represent social isolation and the effects it has on the psyche. And the direction his character has taken in T3 was always going to be the natural progression of his character, especially based on his T1 verdict and the consequences of that, it did not come out of nowhere and is not a questionable writing decision.
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(The rest under the cut for really long winded meta and dissection of Fuuta’s character and how we got here)
To start, I want to talk about Fuuta’s life before Milgram.
He’s a 20 year old university student, with no strong ties to family and no real group of friends or social circle to speak of. Already, he’s very isolated and has shown that he’s quite directionless. He doesn’t have any dreams or aspirations, because he thinks things like that are “childish” and “worthless”. He’s also never felt a real sense of protection or authority from the adult figures in his life, based on the way he talks about his parents. I’m inclined to believe they weren’t really present while he was growing up as well based on what we know of them, which caused further isolation and left him devoid of a sense of purpose. (Getting slightly ahead of myself here, but guess which type of people are most susceptible to falling into cults?)
So, what does he have to cling to? What does he have to keep him going? We all have a deep innate need for human connection and community, so where can he get that?
Online, of course.
So, he turns to the internet. He finds a community of people who enjoy the same things he does that he can connect with, and this serves as a lifeline for him. Now, he’s also been shown to have a strong sense of justice, which is perhaps one of the only other defining characteristics he can claim for himself and one of the only things he believes in. He feels a sense of empowerment and pride when he’s “carrying out justice” in his eyes, and it gives him a sense of purpose and duty that he’s lacking elsewhere in his life. It also brings him validation from his community, who further enable him and fan the flames, so to speak. He’s part of a group, he’s part of something for the first time in his life, and he has no way of stopping at this point. And then, it goes too far.
(I don’t feel like I should need to say this, but for the sake of posterity, yes, what Fuuta did was very, very bad and should never be condoned or excused. But again, it’s a very real problem and is caused by social isolation which is very common in today’s world and is worth having a discussion about. Fuuta’s character is an excellent showcase of how easily this can lead people to do terrible things by turning to online validation and praise for their sole source of connection with others.)
Now Fuuta is a person that doesn’t know how to deal with heavy negative emotions. He’s not very mentally strong, and being so isolated for most of his life with no real sense of purpose has left him with not a lot of ways to properly process or cope. When we first meet him in Milgram, he’s leaning very heavily on denial. He’s convinced himself that he did nothing wrong, and can’t even entertain the thought that his actions had killed someone. He’s also the type of person that can’t stand showing any signs of weakness. He acts big, and angry, and tough, because that’s the easiest way to deflect from any other “weak” emotions he may be feeling.
But, the side effect of this inability to process his negative emotions and acting out like this, is that he can’t make any real connections with the other prisoners in Milgram. (I’m not counting minigram as canon in this breakdown as an fyi, I’m basing this solely on interactions from timelines and voice dramas)
He’s lost the only community he had, completely cut off from it, and is experiencing the social isolation that drove him to this in the first place all over again. He sees the older prisoners as unreliable and not anyone he can lean on in this situation, and at this point doesn’t seem to have any particular feelings about the other prisoners. He mentions looking out for Haruka in particular, but (as much as it pains me to say this since I do love the 0103 dynamic) it’s unlikely that this was a significant enough connection to keep him from feeling socially isolated in Milgram. He states that he’s not looking to make friends with the other prisoners, but that was likely just big talk and hiding the fact that he couldn’t make that connection with anyone.
With all of these negative emotions he can’t process or cope with, the fear and uncertainty of his environment, the loss of community he once had, and without anybody or anything to rely on for guidance or protection, it’s already a recipe for a shattered mental state.
Now let’s throw a guilty verdict, some horrible physical trauma, voices that you can’t escape, heavy sleep deprivation and paranoid hypervigilance into the mix!
(I also want to point out… Fuuta’s second voice drama is titled “Baptism of Fire”. Yes, it’s a turn of phrase involving fire because that’s Fuuta’s motif, but knowing what we do now this was completely intentional foreshadowing)
The attack Fuuta sustained from Kotoko would be traumatic for anyone, and I feel that the effect this attack had on him is frequently dismissed because he wasn’t on the brink of death like Mahiru was. In Shidou’s T2 voice drama, he lists Fuuta’s injuries as: an orbital floor fracture, traumatic retinal detachment, bruising, lacerations, and a partial fracture of the thorax. This is going to cause some very severe chronic pain for him, particularly in his head and chest, especially considering they don’t have access to proper treatment and from what Fuuta has said they likely don’t have access to any sort of painkillers either. Even the act of just breathing is going to exacerbate his pain, and there’s just nothing that can be done for it. Speaking as someone with chronic pain myself, it definitely has a severe impact on your mental state and ability to do quite literally anything.
Regarding the “voices and eyes” of the audience, Fuuta has always been a special case, because out of the characters that have mentioned the voices in particular he has been the most severely and negatively affected by them. He states that he can’t sleep because he feels that he’s being watched, and he’s mentioned several times how badly the voices affect him and how badly he wants them to stop. And this sleep deprivation just aggravates quite literally everything else that he’s currently dealing with, physically and mentally, making everything worse by tenfold.
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The fact that he even admits to being scared and shows weakness to Es, considering the fact that he has an innate need to hide any sort of weakness, should be very telling. We are also told so many times during T2 that Fuuta is at his breaking point and is a complete mess.
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Although it’s not directly stated in canon, Fuuta very heavily showcases symptoms of psychosis that have seemed to become progressively worse through and after T2. (I made a post about this not too long ago, trying not to repeat too much here but I broke this down a little more in that other post)
And what’s a common symptom of psychosis? Religious delusion.
To start with, Fuuta's character even before entering Milgram is a prime example of someone who is extremely susceptible to falling in with a cult. Someone who is socially isolated, craves human connection and belonging, and who is searching for a sense of purpose/duty. You add onto that his murder and the need for someone to forgive him for it, the desperation for something to cling to, the worsening symptoms of psychosis and need for something to cure his pain? How in the world was he supposed to do anything but turn to religious delusion? If he hadn’t, it’s very likely the only other possible option he saw for himself was to end his life, which he mentions doing in Backdraft (and passively in his T2 voice drama).
There was a glimmer of hope when Fuuta mentions that he was grateful to Kazui and Shidou in the aftermath of Kotoko attacking him and what they did to help him, but it’s likely that he saw himself not able to continue relying on them considering Shidou had been so busy with Mahiru and Kazui may not have continued to be as present as Fuuta would have preferred. Which is heartbreaking, considering Fuuta seems to so desperately need an authority/protective adult figure to look up to. Mind you, 20 is not that old and especially if he never had that growing up, it’s natural to still want that at this age.
I would like to reiterate again that Amane did not “brainwash” nor “indoctrinate” Fuuta, she just ended up being the outlet for the only thing Fuuta has become convinced will save him. And now they’re stuck in a very sad cycle of enabling each other through their trauma.
All in all, looking at the pieces of Fuuta’s character I feel that this was always the plan, even from the beginning of T1. We were conditioned from the start to view Fuuta as guilty: by making his character theme red, by introducing him as foul mouthed, angry, arrogant, and unapologetic, and even from Jackalope’s comments in Es’ voice drama. We were conditioned to dislike him from the start, and since that guilty verdict in T1 was made Fuuta’s fate was sealed and this was always going to be the natural progression of his character. It was a slow build up, but was very well thought out and didn’t come out of nowhere.
This is the fulfillment of what happens when you put a socially isolated person through extreme stress and trauma with nothing to hold on to, and again is an excellent showcase of what it can look like to fall in with a cult even with no religious background. And how it’s even easier with individuals who have pre-existing mental illnesses/disorders.
We’ve come full circle and I’m very interested to see where his character goes from here.
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gingermintpepper · 5 months ago
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There are many things people expect from one called 'God of Blood'. Always, the first thought is the blood of war, the blood of violence, the blood of the weak shed for the goals of the strong. Ares doesn't think of the blood of battle at all. When he thinks of blood, he envisions the many tied knots of blood bonds and bonds forged in the blood of battle. Blood sons and blood daughters, blood brothers and battle sisters, blood oaths and blood vengeance - he watches over them all and keeps close each one of these bonds.
One cannot begrudge his displeasure then when he realises he cannot tell Leto's offspring apart just by looking at them.
It was easier when it was just Artemis. Dark hair curled about her shoulders, a fierce mien whenever Father summons her to the mountain, a scattering of bones and blood shed whenever she was disturbed; the eldest child of Leto was a wild thing, sharp toothed with sharper claws always at the ready. There's whispers of her being a twin, of her other half being made to crawl on their belly as penance for their sin of god-slaying but Ares pays it little mind. What twins look alike among their number? Even dog litters are born distinct with all their unique markings inlaid in their fur. Artemis' twin too would be much more than their sister's mirror image.
Pouring over his list now, he wishes anything about Phoebus Apollo was that simple.
Mirror image did not begin to describe it. The twins were the same height, the same build, had the same colour and texture hair, ate the same raw food and drank the same amount of nectar. There was no difference in how they dressed, no difference in the company they kept, no variance in the weapons they used. There are some days Ares still cannot believe Phoebus will grow into a man and not some nymph with the way his ears have that slender point. He watches them now, sitting together beneath a shady palm and stringing their bows in an uncanny unison and curses because he still cannot tell them apart. What use is his skill in knowing blood when they both have the same damn blood running through their veins? What bond is there to sense when they are tied so tightly together, Ares can scarcely tell brother from sister?
He sighs. Unadorned and completely alone, the only way to know who is who is to speak to them. He'll have to find more ways to tell them apart from a distance. Surely they cannot stay this similar all the rest of their immortal lives.
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#ginger writes#hello and welcome to my 'ares is doing his best' corner#I can't overstate enough how alike Artemis and Apollo are as young gods physically#literally identical twin status which only begins to change as they acquire different domains#I was really happy with the font I got because it very closely resembles what I imagine Ares' handwriting to be like#But I'll gladly add an image description if it's too illegible#That said Ares has an interesting dynamic with the twins#In a lot of ways there's a sense of guilt/wariness surrounding him for Apollo and Artemis#because he knows how much they stress his mother out and he also knows how much Hera doesn't like Leto#But there's also a bit of fascination because Artemis is extremely strong#(in a way that's markedly different from Athena's strength)#while Apollo has all of these crazy stories attached to him from killing Python + his work while exiled#but when he returns he's very placid and calm and almost?? too nice? Definitely nothing like Artemis#in terms of personality#Ares doesn't really trust it until he learns that straight up that's just What Apollo Is Like#That too will change eventually but for now Ares just doesn't want to approach Artemis the way he'd approach Apollo#because he'd get his head caved in with the curved side of a bow#There are precious few encounters Ares has had with Artemis where he hasn't walked away with#at least a few arrow wounds LMAO#He'll eventually be forced to accept that it's Artemis' love language#ares#artemis#apollo#pursuing daybreak posting#writing
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fleur-a-whump · 7 months ago
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Overloaded (#2)
late night sparks
guys guess what!! little villain guy has a name!! it’s Jasper and we love him dearly. also team leader’s got a name too, it’s Miguel, but we don’t really care about him because he’s a bitch. plus new character reveal: Chase, a teammate. he is also, unsurprisingly, a bitch.
Content: ex-villain whumpee, hero/leader whumper, manipulative whumper, collars, electrocution (for realsies this time), implied referenced abuse of a minor, referenced bullying, bad team dynamics, adult language
in which Miguel gets worse. takes place probably a few months after "preventative measures"
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Jasper's back was sore. And his arms. And his everything.
He sat kneeling on the kitchen floor, determinately ignoring the pins and needles that pricked at his calves. He couldn't stop, couldn't take a break till the floor was spotless. Chase had once again threatened some mixture of violence and telling on him to Miguel for insubordination if he didn't do the man's chores. 
Big man-child, Jasper thought bitterly.
So, here he was, scrubbing well past midnight, after having spent the day straining his powers in the lab and doing his own chores. 
Jasper sat back to indulge a long, dramatic yawn. He nearly jumps out of his skin when an impatient ahem cuts through the previously dead silent kitchen. His bleary eyes take several long moments to focus on Miguel, leaning against the doorway. The hero would look casual if it weren’t for the peeved look on his face. Jasper’s stomach does a somersault.
Sheepish, Jasper drawls, “Heyyy, Miguel…”
Miguel is not amused. “What the fuck are you doing out here,” he snaps.
Jasper squeezes his hands into fists to quell the tremors. He stutters, “J-just cleaning.”
The villain can hardly finish the statement before the unsettling and painful electricity of the collar arcs through him. His muscles seize and ache and burn and it feels like death and he can't breathe—
Just as quickly as it began, the electricity stops. He gasps and collapses to the side, just barely able to catch himself on his forearm. Small, choked-off whimpers escape him as he tries to catch his breath and keep his volume to a minimum. His father never liked to hear him whine.
Jasper continues to shudder as his powers go haywire. The typically comforting restless skittering of his own electricity under his skin now burns as it travels across the newly fried neurons. More than that, it feels wrong for such a core part of his being to cause him pain. The feeling is everywhere, from the tip of his nose to his toes, and it is everything. Little sparks and crackles of energy fly from his shaking hands as it becomes too painful to completely contain his powers. Simply existing—not to mention actually using his powers—will be painful while his body tries to recover from the unnaturally strong current, engineered just for him.
As his body gradually backs down from its state of panic, ire at the punishment surges within him. The hero didn’t even let him explain. It was Chase who ordered him to do his chores; ordered him to not leave this room until it was spotless.
“I was just following orders!” he bursts.
Oh shit.
A quick glance at Miguel and his quirked eyebrow lets him know just how badly he just fucked up. And even if it didn't, the second burst of electricity from the collar definitely spells it out for him.
A guttural groan escapes his clenched teeth as he feels the current worm its way through his neurons, igniting them. The burning, all-encompassing pain is all he knows. Spots cloud his vision. Seconds feel like minutes, feel like hours, feel like eternity, until he wonders if that's all he'll ever feel. Nothing but the gut-wrenching pain of his greatest gift, so deeply intertwined with his being, turned against him and ripping him apart from the inside out. 
And then, it stops.
Jasper’s body fully gives out this time, his chin bouncing off the tile and teeth clacking painfully. He's a pitiful mess of useless limbs. His muscles feel like jelly and yet are still forced to endure the waves of aftershock, twitching and spasming irregularly. Each movement is agony.
He gulps oxygen, having still been out of breath from the first shock. He can hardly hear his own moans and whimpers bouncing around the kitchen with each breath over the ringing in his ears, and he has zero energy to control them this time.
A hand lands on his shoulder, and he can't help the delayed but violent flinch that ripples through him. But the hand is soft, gentle, as it pulls him to lie on his back. It guides his hand to rest on someone's chest, to follow as it rises and falls rhythmically. He latches onto it, using it as a guide to breathe and bring himself back to reality. Another hand gently cards through his loose curls as he works to steady his breathing and his vision clears. If he eagerly leans into the gentle touch, well, he can blame it on his delirious state.
When Miguel's face finally comes into focus above him, a shiver runs through him, and he averts his gaze. He'll blame that on his still-spasming muscles.
Miguel’s soft voice calls for his attention again. He focuses back on his leader’s face, haloed above him by the bright kitchen lights.
“There you are. You're alright, it's okay,” he soothes.
The hero lets Jasper relish the contact a moment longer before gently returning his hand to his own chest.
Jasper swallows the whimper at the loss.
Miguel lets out a long-suffering sigh. It gives Jasper whiplash how suddenly the familiar weight of anxiety settles back in his chest.
“I don't like doing that, man. You know better than to be in the common areas after your curfew, and you definitely know better than to talk back, bud. I don't wanna have to punish you, but the rules are rules for a reason. Yeah, they're to protect the team, but they're also to protect you. What if you'd had another episode with your powers?”
He decidedly doesn’t think about the ‘episodes’ Miguel is referring to. Still, the disappointment in his savior's voice hurt almost as much as the electricity. His eyes flood with tears as guilt settles like a rock in his stomach. The hero was right. He knew the rules, and he agreed to them. Anything to stay. Anything to be good.
His voice breaks, small and shaky, as he says, “I-I'm really s-sorry, Mig-guel.”
The villain’s not one hundred percent sure what exactly he's sorry for, but, fuck, is he sorry.
“Okay, that's alright, don't cry. I think you've learned your lesson. You're fine.” 
The words should be comforting. The edge to his tone, however, is not. Jasper blinks hard to clear the tears, not wanting to annoy him. That was another thing his father didn't like.
Miguel brings him back to the present, asking, “Why are you cleaning the floor anyways? That's not on your list for this week.”
Jasper swallows hard past the lump still in his throat. He’s afraid of what Chase will do to him if he tells Miguel and Miguel decides he doesn’t like that. However, he’s more “Chase s-said I should be busy all the t-time to k-keep me out of trouble…”
Miguel hums in thought, ever casual as Jasper trembles on the floor below of him. 
“I actually like that idea. We wouldn't want you getting bored. You'd be helping the team out a lot too, taking some work off our plates so we can train more. I'll work on the new chore schedule in the morning.”
Jasper bit his lip. He could read between the lines.
“A-and, my training?”
“We can reduce it some,” Miguel says, thoughtful. “I know you've been struggling to keep up.”
He makes it sound like a kindness, voice full of sympathy. No matter how gentle the tone, Jasper has to blink the tears from his eyes again. He knew he wasn't the strongest or the most capable, but that was the point of training. He'd never be good enough to redeem himself without the chance to train.
Miguel sighs again and stands. He suddenly reaches towards him. Jasper has to carefully control the urge to flinch, not knowing what to expect from the movement. He never knows what to expect.
Miguel simply holds it out towards him, however, expectantly. It takes Jasper a moment to realize he's trying to help him up. He takes the hand after that moment's hesitation and wavers on unsteady feet as the blood finally rushes back into his legs. He blinks spots from his vision, gripping Miguel for dear life until he's sure he's not going to pass out.
The hero gives him an easy smile, clapping a hand on his shoulder just a bit too hard. He nudges him in the direction of the bedrooms.
“You look tired, man. I think it's time for bed,” he all but coos.
It sounds like a caring gesture, or at the very least a joke. Jasper knows it's an order.
He dutifully mumbles, “Goodnight,” before making his way to the door slowly. He knows he probably looks like a newborn fawn as his jittery body tries to carry him to his bed.
“And Jasper?”
A slight jolt of anxiety stops him as he turns back to his leader.
“If I catch you out past curfew again, we're going to have an issue worth more than a little jolt, understand?”
“Yes, sir,” the villain says, too tired to bite back the honorific once totally engrained in him.
He doesn't notice the way Miguel preens at the submission.
“Attaboy, Jasper. Goodnight.”
The praise rings hollow after the night's events, but as he makes his way back to his room, dead on his feet, he allows the praise to warm him. 
He'll take what he can get.
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jasper doesn't deserve this :( but he will get more >:)
tags!! lmk if you wanna be added (or removed, I added some extra people)!!
@whumpsday
@sergeant-jasper (yo i didn't even realize lol)
@watermelons-dont-grow-on-trees
@crystalrose141
@aloafofbreadwithanxiety
@paingoes
@elizaisnotokay
@quaggasus
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muffinlance · 10 months ago
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Next Dark Night in Ba Sing Se part! Is! Fully outlined!
...And so is the majority of series in lesser detail because oops my hand slipped.
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feralpercy · 11 months ago
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Poseidon's usual Fisher wardrobe (which Aphrodite still wants to burn) usually consists of the same outfit each day.
Today, he wore a clearly hand man, very blue and with fish details around the edges, jacket.
(Apollo has been eyening the jacket with slight suspicion.)
"Brother," Demeter calls. "That jacket..."
Poseidon had the gall to look smug. "Oh, this? Percy has been learning crocheting for a while now. Its a gift."
Crocheting?
Demeter, upon receiving that answer, looked very considering as she stares at the jacket.
Coincidentally, at the same time, an offering was accepted at the hearth of ollympus. Whereas Lady Hestia got a similar cloth, more of a poncho shape with red hues and flames at the edges.
Percy clearly has favourites.
(Later, Hermes finds a crocheted hat in his temple.)
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lorax-devito · 4 months ago
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Okay but imagine Mike trying to flirt with Will but he has no idea how to bc he basically just kissed El and then she liked him
I mean the girl was okay with them having a sibling relationship ffs
anyway Mike knows he can’t just kiss Will and it’s all said and done so he try’s to flirt with him,it’s horrifying
Will is so confused bc why is his best friend suddenly so interested in going everywhere with him and not El,who keeps pulling him aside with a few of the others as they giggle and Mike goes bright red,it’s weird to him that they aren’t making out constantly like the last time he saw them as a couple especially since they said I love you to each other,I mean that one of the most romantic things to happen to a couple right,they should be all over each other
(I like to head canon that El would force Mike to flirt with Will along with several of the others,Dustin Lucas,Steve and Robin possibly and Nancy and Mike hates it bc it’s so embarrassing but I also like the idea that Mike has this internal conflict and is suffering trying to figure out how the actual fuck he is supposed to seduce William Bylers,his best friend and the most amazing person he has ever known)
basically Mike try’s to flirt with Will using really embarrassing tactics and Wills just like ‘ummm ok you do you ig but the worlds ending and your acting super weird so do you wanna talk about it or….’ and Mike just realised that Will loves him
him
He fell in love with him,the nerdy dnd obsessed geek bc Will is also a dnd obsessed geek and he is just himself just without the internalised homophobia (so s1 and 2 Mike) and then fast forward to love confession and Byler kiss
I can’t physically wait for s5 bc how the flying fuck are the duffers going to make Byler canon bc there are so many ways I can’t decide😭😭😭
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morelikeravenbore · 4 days ago
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How to Make a Villain, final chapter.
It was a wonder she hadn't immediately noticed them; almost decorative in the way they adorned her skin, it was hard to believe that the curlicues of scar tissue had been imparted by torture. Not jagged and hacked as if carved by knifepoint, but delicate brush strokes: a pretty flourish, an intricate filigree, as if whoever had inflicted them had done so lovingly, and with care. 
[...]
So softly she barely felt it, Sebastian traced the path the pain had taken with his fingertips, following the thickest scar down her chest to where it disappeared beneath her nightgown. Just shy of slipping under, he let his touch linger there, thumbing the edge of silk and lace.
‘Do they hurt?’ he breathed. 
She shook her head no, then lifted her head to press her lips to the mottled bruises on his throat. 
‘Do these?’ she whispered.  
He swallowed roughly, Adam's apple bobbing beneath her lips. ‘N-no.’
— How to Make a Villain, final chapter [coming soon]
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dukeofthomas · 5 months ago
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"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.
(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)
#my dc posting#dc#jason todd#jaybin#im having so many thoughts abt jaybin and he is so important to me#in one fic he went on a hunger strike bc alfred didnt eat w them and did it for so long they had to compromise#i love a jaybin 100% willing to menace and bother batman until the man folds. as is his right#the thing abt jason's backstory is that it shows him unwilling to suffer for a home#ma gunn's is bad; he gets beat up and she tries to get him to help rob a place. so he leaves! and rats the whole thing out to batman#and shows up himself cus he didnt think he had been believed#and lets not forget the fact he hit batman with a tire iron and called him a 'big boob'!#the boy's got moxie!! let jaybin be crass and angry and sassy and flawed and traumatized without reducing him to 2d caricature of a 'troubl#d kid'#i dont like a jason who did nothing but use excessive violence and disobey orders and be cocky and all that shit#i like a jason who was. oh yknow. a complex person!! a child/teen who has been fucking abused!!!#you shouldnt erase the fact that jason's reaction/response to stressful situations and triggers IS anger#it's not an indication that he was always gonna become a criminal/red hood or whatever. get outta here w that shit#but like. let us not go so far in the other direction we forget to have him react and be affected by the abuse he's suffered#anyway. if anyone should be a drama-queen it should be jaybin. once he becomes truly comfortable w bruce he should dial it up to 11#a lot of red hood's appeal (to me&many others) is that he is an 'imperfect' victim. meaning he is angry and flawed and doesnt suffer quietl#but is loud and obvious abt it#so when i see jaybin written as the opposite its like. man whats that about#anyway. jaybin is good and cares and wants to help and protect people. and by god if i ever see anybody writing#him having arguments with bruce about the no kill rule WHILE robin again im gonna throw hands istg-#my tags are like a hidden treasure box. most of what i say is in here lmao
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fromtheseventhhell · 1 year ago
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Imagine being 9 years old and asking your dad about the things you're interested in doing when you grow up and he's like "No ❤️! But you can get married, have babies, and then maybe your sons can do those things ☺️🫶 "
#arya stark#one of those /wtf Ned/ moments#then people act like she invented misogyny cause she was like /uuuhhhhh no thanks that's not me/#/Arya is masculine/ and she's literally just a child who has interests outside of her patriarchy-assigned role#the way people read this and then demonize Arya for not silently conforming like people expect her to...#that's the ingrained misogyny from being socialized in a patriarchal society speaking babes 😭#cannot stress enough how Arya is just an average little girl and what makes her behavior stand out is their society's strict gender norms#her life + learning almost entirely revolves around the fact that she is being raised to be a wife and people resent her for wanting more :#she is NINE in AGoT and her parents are discussing her refinement because /In a few years she will be of an age to marry/#the way misogyny is explored in Arya's story is actually so brilliant and well-written (+ underappreciated) though#we feel the full weight of how restrictive their society is through her POV and get the experiences of lower-class women too#which is why it's so significant that George wrote her based on feminists who realized they wanted more than becoming wives/housewives#she's one of his key characters who will /change the world/ but people think he's sticking her on a boat bc she isn't feminine enough 😭#thank god he's writing the books and not any of these reductive hacks who thinks misogyny is subversive 🙏🏾#sidenote: would've loved to see this from her POV to get her feelings when he said this cause I'm sure it doesn't match Ned's perception#considering he views her main issues as being stubborn/difficult while we know about the self-esteem issues she has
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rowanisawriter · 2 months ago
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daily im on this website fighting for my life
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blueskittlesart · 2 years ago
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cold fruit in a hot kitchen (so i had this great watermelon last weekend)
#so I had this great watermelon last weekend. and the thing is it probably wasn't even that great of a watermelon#but I was four hours into an eight hour shift and we had thrown out all the watermelon salad because no one was eating it#and then our manager ran in and yelled that the client really fucking wanted watermelon salad.#so like six of us servers started frantically chopping watermelon. and the kitchen got really hot#in the way it does when everyone inside it is really stressed because there's no fucking watermelon salad#and after we chopped all the watermelon and the client got their fucking watermelon we all had a moment#where we looked at the remaining watermelon and we were so hot and cocktail hour was almost over anyway and the salads were all plated#and we all went for the watermelon and we ate it with the kind of rabid intensity you only get while eating cold watermelon in a hot kitche#and it was the best watermelon I have ever tasted and several days later i am still chasing the high of that fucking watermelon#and the thing is i know it isn't even the watermelon i'm actually missing#it's the feeling of cool liquid on hot skin and the feeling of a crisis averted and the feeling of camaraderie#that comes with devouring a watermelon in a hot kitchen with six other people who you have nothing in common with except that watermelon.#i don't dream of labor but i am dreaming now of being 4 hours into an eight hour shift eating watermelon in a hot kitchen.#i dream of laughing around the cold fruit in my mouth. I crave that watermelon like i'll die without it.#< honest to god this is real and that watermelon left such an impact on me that i had to draw it and write this. having a normal one#maybe this is insane but working in a team of people you truly like to do something you actually enjoy is so underrated#if only they fucking paid me i could work as a server for the rest of my life. unironically#skribbles
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dogrocks · 4 months ago
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not to talk about warrior cats again but i wanna bring up how nightcloud and breezepelt are often portrayed yelling at crowfeather during that one gathering scene, when in the book it went like this
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this is the only time they’re mentioned during that whole scene, and while their reactions are sort of vague it can easily be read as them siding WITH him instead of being angry at him. and yet they’re often shown hissing and towering over him as he cowers. i wonder why that is
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shellem15 · 1 year ago
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Thinking about the Dawnfather. A god of light, a god of harvest, a god of the sun itself. Good but not nice, kind but not soft. Life-giving but also scorching. Protective, warm, and kind, but also stern, harsh, and abrasive. His light can foster growth, can protect and guide, but it can also scorch and burn. The sun is warm and nurturing but don’t stare at it too long, child, it’ll blind you.
Was he always so hard? Did he always hide his face with the harsh light of the sun? Or was there a time when he smiled and laughed, let others see him as he truly was?
Thinking about the Schism. Was the Dawnfather close to the Betrayer Gods before they turned? He must have been, Asmodeus wouldn’t be so hung up on him if he wasn’t. Speaking of Asmodeus, he was once a being of light, like the Dawnfather and the Everlight are now. Were they closer than the others? When the Gods came to Exandria, did they come from the same place or were they scattered, a ragtag group of survivors fleeing from predators seeking to devour them? And if the latter is true, did these three beings of light come from the same place? Siblings, born from the same stuff, forever tied to one another?
If this was the case, then, what was their relationship before the Schism? Did they call each other “Brother” and “Sister”? Did they hold each other when they were scared, dry each other’s tears, laugh and joke and tease and fight and make up because they were siblings and they’d always be together, and they loved each other with every fiber of their being and they only had each other. When Predathos came, when it devoured two of their newfound siblings, did the Dawnfather hold them both and promise them that everything was going to be okay because he was their brother and he was going to protect them, all of them. The gods, mortals, the world itself, they would not be devoured, they would not be destroyed, because he was there and would fight until his very last breath to keep them safe.
Wondering then, was that the moment when Asmodeus truly grew to hate their creations? Seeing his brother and sister and siblings risk their lives just to protect some mewling mortal wretches when they could just leave it all behind and start somewhere new. Was that the moment when he realized that mortals had done something to them, changed them when they were not supposed to change. Why else would they risk being devoured by Predathos, why else would they suffer through war with the Primordials? Why else would they choose them over him!? Was this the moment when he decided to conspire with the Primordials and the other Betrayer Gods? To destroy this world and the mortals on it so they could finally leave. And they would leave, of course, because the Dawnfather was his brother and the Everlight was his sister and the Gods were a family, and at the end of the day, they would always be together, and once the corrupting influence of those mortals was gone, they would surely all see reason.
And when the Dawnfather discovered this betrayal, when all the Prime Deities did, he must have been furious. How could they!? His kin, his brother, who had always been by his side through everything, how could they turn around and destroy their creations, their children. And so he and the other Primes took up arms and fought against their own family to protect this world they had created, and their children who inhabited it. Those battles must have been brutal, bonds of comradery broken, kin clashing against kin, screaming curses as they tore each other apart.
During those final battles of the Schism, when the Dawnfather clashed against Asmodeus, did they scream at each other in rage? A twisted reflection of previous squabbles, different because this time it was real, this time there is no forgiveness, no making up. When the Dawnfather knocked Asmodeus down, crushed his throat under his foot and banished him to the Hells, was he yelling when he disowned him? Or was he quiet when he did it, his voice going into a low growl, deadly calm as he told him that he was not his brother anymore. And moments previously, when the Dawnfather could have easily killed him, did he look into Asmodeus’s eyes and see his brother? Scared and hurt by his hands, hands that once held him and swore to protect him. In that moment, did the Dawnfather realize he couldn’t kill him? Because that was his brother and despite everything, he still loved him, and hurting him brought him more grief and pain than he could ever imagine. So instead, he banished him, locked him and all the other Betrayers away because he and the other Primes couldn’t bring themselves to kill their family, but they also couldn’t let them free.
Was this when the Dawnfather obscured his face? Hardened his heart because otherwise he would break, and he cannot break, because the other gods need him to be strong, because Exandria needs him to be strong. And so he stayed strong, despite the grief, despite the guilt, despite the pain of heartbreak, of hurting the ones he loved to protect the ones he loved. And this hardening must have continued, running himself ragged during Calamity, beating back Tharizdun, protecting Ioun after she almost died, sheltering the Everlight after Asmodeus once again betrayed her, stabbed her in the back and left her broken and weak when all she wanted was to do was get her brother back, to save him from his own wrath. Failure after failure after failure to protect those he cared about, to protect his siblings and mortals and Exandria itself. The guilt of his failures must be overwhelming, and these are his failures: Predathos devoured his siblings under his watch, his siblings betrayed them under his watch, Calamity ravaged Exandria under his watch, and even now, the threat of Predathos has once again returned under his watch.
No wonder he is so harsh now, so controlling now: because every time he has failed in his vigilance the world has suffered for it. He can’t fail again; he can’t lose any more siblings. And so, he continues hardening his heart, continues fighting, because the sun must always rise again in the morning, no matter what.
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