#god this post is really long isn't it

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[seventh-district]

Sam: "Look at me. Hey- look at me a second. I know. I know you're tough. I know how strong you are. You have every right to be proud of that. But being able to handle somethin' doesn't mean you should have to. Least of all when I'm right here trying to help. Please let me help. If not for you then for me, because I don't like knowin' you're hurtin', especially when there's somethin' I can do about it."

Me, shaking my head, fighting back literal tears: "B-but it's gonna give you another headache!"

[chatxkilluaxnoir]

I have Gravity Falls and Etc. fic(s) idea(s)

Which, I am going to write now while I am having this fic idea (probably going to be a short one, but in the future I might make a revised expanded version or something. Who knows).

I actually have multiple Gravity Falls and GF TAU and Reverse Falls and etc. stuff that stems from this specific The Book of Bill thing.

Specifically stuff exploring Dipper's nightmares.

(I have some other ideas for the other dreams and/or nightmares too. Sometimes even in relation to Dipper's in some way).

I love my boy, and his nightmares hurt my heart.

But also because I love him, I want to explore even more of issues/trauma/suffering and/or to do Dipper angst. And etc.

Because I want both happiness and/or suffering for my faves/the characters I love very much.

Like Dipper.

So he is going to be getting even more of that from me, probably.

Because he is great and I love him.

[bumblingbabooshka]

Chakotay being a person who (while of course being willing to follow orders to a point) ultimately puts what's morally right and wrong in his eyes over Starfleet protocol while Tuvok is shown to be a person who will follow Starfleet protocol (and more accurately Janeway's word) over what he personally thinks is right is something that could have been so interesting if the three of them were actually shown as a triumvirate instead of it usually being Janeway-Chakotay and even then mostly just Janeway.

It would be an opportunity to explore more about the Maquis v Starfleet dynamic, about how Chakotay & Janeway's different leadership styles work and don't work with this new crew and with different people, to interrogate what exactly Voyager should look like - to incorporate more leniency and Maquis tactics into its operation so that they really do become a blended ship instead of the Maquis simply becoming subsumed into Starfleet. It'd also give more opportunities to let all three characters shine and introduce more moral quandaries that they can have differing ideas about and how does that affect them? At one point Tuvok is willing to go against Janeway's orders because she wants to do something but can't due to Starfleet protocol. In another episode he also follows Janeway's orders to assist in killing an entire ship of people despite that being against both Starfleet protocol and certain moral standards because she feels strongly that they should. He protests this but once she rebukes him he doesn't object again or attempt to stop her (like Chakotay - though they both know at that point that she's crossing lines). This sort of implies to me that he's much more loyal to Janeway herself than he is to Starfleet as a concept. Meanwhile Janeway is shown to be staunchly and strictly Starfleet - adopting the code AS her moral compass a lot of the time. She sometimes has to go off-script due to the nature of their situation but most of her decisions are made depending on how Starfleet would feel about it. If she wants to do something but Starfleet would disagree, she rarely if ever questions Starfleet protocol and instead will go with what it says is best even if it's painful on a personal level. She also tells Tuvok in the episode aforementioned that he is "Her advisor, her moral compass" and having a moral compass/advisor that's either a bunch of rules written by the space government or a person who is mostly just going to agree with you no matter what they actually think and not challenge you if you rebuke them isn't the best idea. Enter Chakotay. Chakotay's willingness to disagree with Janeway and not back down is something I wish had been shown more. When he says "I don't care about logs or reports or whatever - I care about person to person shit. I care about what's right and what you're doing is wrong." it's something that could be so interesting and so necessary when contrasted with the other two. A good example is of course 'Equinox' but also 'Manuevers' where he goes off against literally everyone's orders and friendly advice because he feels responsible. And that's important - he's doing it because he feels responsible. That's different from Tuvok (who doesn't feel) and Janeway (who would most likely try to find comfort in protocol) - because Chakotay feels he's responsible and that he needs to protect the crew since he (in his eyes) is the one who put them in danger. He's a person who's shown to be willing to go against everything anyone says in order to do what he feels is right if the wrong is too great to allow. Voyager if these three were actually allowed to argue and be equals and figure out how to work together as sort of a microcosm of how this new blended crew is going to be able to fight and work and band together.

[allthecastlesonclouds]

bulleted headcannons of fh dance studio 🫴

oh my GOSH okay yes!!

aguefort owns the studio. nobody knows how bc he does one (1) type of dance and it's fucking BALLROOM. he somehow keeps the studio running though so nobody stops him

ayda works the main office mostly. she danced at a studio that did the yearly nutcracker and then got tired of it and wanted to learn some other versions.

(she does a lot of contemporary now, especially to hip-hop music. it's cool as hell.)

kristen does modern and takes ballet. she tries so hard and she is so strong but she is. absolute shit at anything harder than a piqué. she likes modern bc cass lets her work in her ribbon dancer. she's also Really Good with choreo and technique!! she can spot the issue in Seconds

she helps out around the studio a lot too!! definitely not to see more of the girl with the pretty side cut who dances in the later hours :)

gorgug does hip hop bc he loves the community aspect of it! and ballet- he does a lot of the background/supporting work.

he's never had a solo. all the bad kids want him to ask for one because he's really fucking good how dare he. he tells them that aguefort doesn't like him.

(arthur doesn't like him. ayda would fight the world for him.)

fig is a jazz+tap girlie but she was Raised on ballet+tap so she's signed up for ballet too! she's been doing tap since she was So Little and it's genuinely just. her favorite thing ever.

she crashes the hip hop classes often. nobody stops her because she has the Energy Ever.

adaine, like fig, was put into ballet as a kid (along with aelwyn)

she met riz and he dragged her to a hip hop class and she simply. has not gone back. added contemporary onto her repertoire and a technique class and pointe. definitely the busiest out of everyone.

riz tried it for like. school. and fucking loved it. he thought it would be good networking, good resume filling, good exercise- and also he loved it. that comes last in the list of importance tho

that guy choreographs and performs the most complex ballet pieces known to man. kristen has tried one during an after-recital party and that video is used as blackmail to this day

he does ballet and jazz. he's tried every class at the studio and settled into those two. he's perfectly fine in his comfort zone thank you!

fabian started as a solely Jazz dancer. his dad died and he underwent a whole buncha self evaluation and then signed up for so many classes- he's taking no joke like 10.

jazz. ballet. tap. technique. modern. contemporary. hip hop. pointe. he's doing it all and having the Time Of His Life.

and now we get into the actual *studio*! whoaa it only took 17 bullet points!

their studio doesn't do a show performance, like the nutcracker, or competitions, but they do work a lot on choreography and do multiple performances throughout the year

you can request to do a solo/double/group piece that's multi-track! ayda Somehow fits it in the schedule. you get a teacher advisor (for the bad kids maybe jawbone?) who gives advice but the dance is mostly choreographed by you

these dances are the highlights of the recitals. fig wants to do one but is already doing a solo so she wants to work on a group piece! she and adaine have traumabonded in multiple classes so she asks her first

adaine goes. you're not gonna believe what i'm about to do. and snags riz. fig grabs gorgug. they're the initial four.

they spy fabian after a late-night rehearsal having a mental breakdown through dance and go huh. he was already becoming less stuck up. let's speed up the process.

kristen swings by later, sweeping and restocking toilet paper and shit and offhandedly offers some solutions to things they're struggling with

and lo and behold the bad kids are created! they have No Concept of time ever. but they're gonna choreograph a dance and by god it's going to look good!!

[yuseirra]

I JUST HAD TO PAUSE, AND COME POST THIS HERE

I WAS FEELING SO SORRY FOR THIS KID AND THEN LEARNED HIS PET HAMSTER'S NAME IS HAMBURGER

you can't do this to me game I was feeling sad and then I just burst out laughing

[corfisers]

i really need to finish this one day

[solradguy]

Mr. Rad Guy, I've wanted to get your opinion on something for a while now, and finally snagged what I was looking for on twitter. I normally don't pay any of those transphobic Bridget discourse peddlers any mind, but they bring up her appearence in the canon pachinko game Vastege as supposed "proof" that Strive's story direction for her is a contradictory retcon. This game's plot takes place just three months before Xrd's, and they claim that through her voicelines she is still insisting sternly that she's a man and not to call her cute, but also that she STILL hasn't broken her village's superstition at this point in time. This is the only image they ever have as so-called evidence, so I wanted to see if you know if these lines are legitimately in the game, scrapped content, or made up altogether. I don't trust these lunatics as far as I can throw them when it comes to telling the whole truth 🤨

This screenshot is from same manuscript of dialog that is in the lore server archives and in the GG VXT archive pack that I compiled and uploaded to Archive.org. As far as I know, these lines were all used in the game and no unused lines have been (or even could be) datamined. Two of the lines here are highlighted so I'm assuming they're the ones these dorks are using to try to prove their point. I've translated them.

First line:

I want to break the village's rule/law*, and return to the village as a young man.

*In the official localizations I think they might translate this as "tradition" or "superstition" instead of rule or law.

"Young man" in that line is 男の子 (otokonoko). Do not let anyone convince you Bridget is using the other otokonoko there (男の娘；"young man with a feminine aesthetic"). They like to do that a lot, argue that it's the one that uses 娘.

Second line:

Cute is uncalled for... I'm a man.

In conclusion: Yes. Bridget is using almost 1:1 recycled dialog in Vastedge that she used in XX and the spinoffs. The Twitter grifters' Google Translating was correct this time.

Vastedge's plot may take place only 3 months before Xrd, but Vastedge itself came out in 2013—8 entire years before Strive released in 2021. A lot can change in 3 months in real life, but after almost a decade most people are entirely different altogether (wrt Daisuke and his plot decisions). Also it's a friggin pachislot machine lmfao Like, are people really expecting something as earth shattering as a character as irrelevant to the general plot like Bridget suddenly stopping all of the action to explore her identity on a slot machine? I have no patience for these people anymore. They're just stupid and arguing because they have no hobbies.

There's also the fact that Daisuke originally planned for Bridget to be a cis girl until the very last minute. So if anything her coming out in Strive was just returning to the starting concept. He mentions this in the interview in the back of Artworks of Guilty Gear X 2000-2004. Translation by fairymisao.

(27)---The character Bridget, introduced in Guilty Gear XX, looks like a girl but is actually a boy, right? What was your intention in deciding on creating this kind of character? Ishiwatari: The creation of Bridget as a boy happened at the very last second; during development I was drawing him as purely a girl. It's just that when there is a need to give a worldly backbone (to the game), in order for me to try to not forget each character, and in order to revive the character, I give them my very heart. As a result, the creation of Bridget as actually a boy instead of a girl was because I thought he could become my alter ego. [...]

It's also important to note that Vastedge was the first thing ASW made for Guilty Gear after getting the full rights to the IP back from Sega after the Sega-Sammy merger in 2011 (which they had started to lose a bit before Overture's release in 2004). They were absolutely more focused on making something that would generate income and looked flashy than they were a compelling cinematic experience.

[floralovebot]

I remember reading older fanfictions about Helia/Trix friendships and I found their dynamic really interesting! I can’t find it anymore but there was a post about Helia befriending them in his first year (and most likely the Trix’s first year as well if I remember correctly they were seniors in season 1) as a little act of rebellion from Red Fountain.

I had this hc of Helia being friends with them and particularly close to Icy then having a fallout once he realises what they are up to. Maybe he found out or unknowingly helped them discover they were descendants of the Ancestral Witches, or alerted them about Stella’s scepter and out of guilt he quit rf and disappeared! Then he came back because he knew but he never said anything and it ended up almost causing the destruction of Magix.

I like the idea of Helia not telling anyone he knew the Trix personally then them finding out later on! The angst potentiall!! But then again I don’t think the Trix would keep quiet about it either!

AAGGHHH i've read fics like that too!! there was one a while back about like 14 year old helia meeting the trix and becoming friends with icy specifically! and then when he came back from art school, he couldn't believe they were the witches who destroyed everything. there may have been a scene with him going through the tunnels to cloud tower to confront them but i might be thinking about something else?

anyway! i love those fics :') icy/helia is such a guilty pleasure pairing of mine. he's such her type! just without the crazy murderous personality. plus i love the darcy/helia friendship dynamic as well (besties who judge together!!) and stormy/helia dynamics would be SO chaotic like she would stress him out so much. but i can also see stormy letting out her cute side around him more since he wouldn't judge her for that

AHH it's just so much fun - it's definitely one of my favorite helia fanon tropes.

tbh i don't think he would ever purposely help them or withhold information from rf, but i can see him wanting to believe they're still good and trying to get info on his own first/change their minds. the idea of helia helping them realize they're descendants of the ancestral witches is INSANE i love that!!

and yes! i feel like helia wouldn't want to tell anyone he was close to them or at the very least he would make it sound like they were barely acquaintances and not actual friends. saladin would probably know, but i can't imagine helia wanting to tell the specialists or winx. and a dramatic reveal later on is so good!! but at the same time, the trix would never let him live it down!! they'd immediately reveal that info once they know helia is back at rf Or friends with the main groups. like,, OUGH it's so hard to figure out how the reveal would go yknow?

i love dramatic angsty reveals but i also think it'd be so funny if they just spiderman memed each other

[buggbuzz]

semi-heavy adhd vent tw 🫢🫢

personally of the opinion that the worst thing about adhd is the subtlety. we joke abt how obvious and silly it is but its barely visible 95% of the time.

& u spend your whole life not knowing if the mental struggle you have doing basic shit is what everyone deals with or if something's wrong. even when you KNOW you have adhd and even have it TREATED you STILL don't know if you're having a normal amount of obstacles.

i've been on meds for two years now and i just spent a whole fucking summer semester not sure if i was having adhd burnout or if my meds weren't working or if i was actually just being lazy. i think its all three, but who knows! and now i have a final tomorrow that i have to pass and i dont know if i can because i could barely fucking do any work all semester.

this happens like every year/semester but this one particularly stings cause it was supposed to be really good this time!! lots of free time, one class to worry about, the best nd-friendly note-taking system i've ever used, lots of flexibility, and friends to spend time with. it was even a science class!! chem, not bio, but better than non-science, right? but apparently, the only way i can ever stay motivated and on the ball is if im chained to a super-stressful and merciless schedule. so i have to choose between my long-term success and my mental health!!

i don't envy neurotypicals for the weird fucking ways they operate sometimes but good lord fucking jesus it sounds nice to be able to do things. i feel like a loaded gun with a busted trigger; i have all these amazing ideas and well-thought-out schedules and all the passion and desperation to follow through, but my brain and body just. won't. do it.

[maareyas]

Are you pro-ai art? Because that one "copyright art style" post you reblogged is in defense of ai art, by an ai "artist"

my feelings for this are more nuanced but in general I'm vehemently against AI "art" in it's current state (I had my art that was A GIFT FOR A FRIEND used in an data set and I hated it) because of the unethical nature of how they generate shit in the first place.

HOWEVER. I think "making art style copyrights" a thing will objectively make things even worse. I've seen petty internet drama over "art style theft" and frankly I'd rather it stay petty internet drama only.

I didn't know the post was by someone who uses AI but I still agree with it.

[sskk-manifesto]

What a good episode. Maaaaaan

[lususnatura]

🎤 🎤 🎤

a song that i associate with my muse meme!

AHH, hey, ramone!! thank you for sending in this prompt :D since you sent in three of the mic's, i shall now be treating you to three songs that make me think of blamore when i hear them / that i associate with it. an explanation of why i chose them will be in the tags <3

hozier - who we are.

icehouse - crazy.

depeche mode - personal jesus.

[nemesis-is-my-middle-name]

i kind of want to set my computer on fire and move to the woods but i can't really find any specific fault with this chapter other than a general dissatisfaction with just sort of everything generally, so.