#god this is the female evil version of countries. what happened
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yurislavlcathedral · 23 hours ago
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hi. drops these two on you all cutely
(learning adobe photoshop.... found out how to transfer traditional drawings into photoshop and color..... also you can tell when i gave up here)
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fishyfletch · 3 years ago
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Valorant Agents' Names and Their Meanings
I spent more than an hour and Tumblr deleted the draft. Thanks, Tumblr. Anyway I wrote some things I found interesting at the very bottom.
Astra
Astra: the accusative plural form of the Latin word astrum, 'star'
Efia Danso: Efia, meaning 'born on Friday.' Danso, from Ghana, Akan origin, means 'one who is reliable.'
Breach
Breach: make a gap in and break through (a wall, barrier, or defense).
Erik Torsten: Erik, Old Norse meaning 'ever or eternal ruler.' Torsten, a Scandinavian given name. The Old Norse name was Þórsteinn. It is a compound of the theonym Þór (Thor) and steinn "stone"
Brimstone
Brimstone: sulfur.
Liam Byrne: Liam, an Irish name meaning "strong-willed warrior" and "protector." Bryne, burning, fire; flame, heat, burn.
Chamber
Chamber: a private room, usually a bedroom. or to place (a bullet) into the chamber of a gun.
Vincent Fabron: Vincent, from a Latin word meaning “conquering.” Fabron, surname of French origin meaning 'young blacksmith.'
Cypher
Cypher: a secret or disguised way of writing; a code.
Amir El Amari: Amir, a name of Arabic origin meaning 'prince.' Amari, meaning 'moon.' His name means 'prince of the moon.'
I'm not sure about this translation so please correct me if I'm mistaken.
Fade
Fade: to gradually grow faint and disappear.
Hazal Eyletmez: Hazal, a Turkish name meaning 'autumn flower' or 'fallen leaf.' Eyletmez means to 'not let something happen.'
Harbor
Harbor: a place on the coast where vessels may find shelter, especially one protected from rough water by piers, jetties, and other artificial structures. or to keep (a thought or feeling, typically a negative one) in one's mind, especially secretly. It also means to shelter or hide a criminal or wanted person.
Varun Batra: Varun, a name derived after an ancient Hindu deity, Varuna, a water god. Batra is an Indian Hindu and Sikh clan of the Arora Khatri community of Punjab.
Jett
Jett: a jet engine.
Sunwoo Han: Sunwoo, a name of Korean origin meaning 'kind friend.' Han, a Korean surname meaning "King”, “Kingdom”, “country" or/and “Korean people.”
KAY/O
KAY/O: Kill All Your Opponents or Kingdom Anti-Yield Operative
If we're following the theory that KAY/O's mental blueprint is Brimstone's fallen comrade, Tariq Porter, here's what that name means.
Tariq Porter: Tariq, derived from the Arabic verb طرق‎, (ṭaraqa), meaning "to strike", and into the agentive conjugated doer form طارق‎, (ṭāriq), meaning "striker". Porter, originates as an Old French occupational name, portier (gatekeeper; doorkeeper), or porteour ("to carry").
Yes, you can make gaslight, gatekeep, girlboss jokes now.
Killjoy
Killjoy: a person who deliberately spoils the enjoyment of others through resentful or overly sober behavior.
Klara Böhringer: Klara, the feminine form of the Late Latin name Clarus which meant "clear, bright, famous". Böhringer, a habitational name for someone from any of three places in Baden-Württemberg called Böhringen.
Neon
Neon: fluorescent lighting or signs (whether containing neon or some other gas).
Tala Nicole Dimaapi Valdez: Tala, Tagalog for 'star.' Nicole, a female name of French origin meaning "people of victory," or "victory of the people." Dimaapi, I can't find the meaning online but it's similar to the Tagalog phrase 'Di maapi' meaning 'can't be abused.' Valdez, a Spanish toponymic surname of Asturian origin. Its appearance has been dated back to the times of the Reconquista in the municipality of Valdés, Asturias, where the eponymous lineage began. The area around the current town of Luarca was known as Val de Ese, "valley of the river Ese", as attested in medieval documents.
Omen
Omen: an event regarded as a portent of good or evil.
John: derived from the Hebrew Yohanan, meaning “graced by God.”
Yohan: the Syriac Aramaic meaning is "God is merciful". It is also shortened version of the Hebrew word "Yohanan" meaning "Yahweh is gracious".
Fred: a masculine given name meaning "peaceful ruler". It is the English form of the German name Friedrich. It also means 'elf or magical counsel' and 'a sage' (Ancient Greek: σοφός, sophos), in classical philosophy, is someone who has attained wisdom.
Marcus: a name of Ancient Roman origin meaning 'dedicated to Mars.'
Dimitri: a name of Russian origin meaning "follower of Demeter."
Phoenix
Phoenix: in classical mythology, it is a unique bird that lived for five or six centuries in the Arabian desert, after this time burning itself on a funeral pyre and rising from the ashes with renewed youth to live through another cycle.
Jamie Adeyemi: Jamie, a name of Hebrew, Scottish origin meaning "supplanter" which means someone or something taking the place of another, as through force, scheming, strategy, or the like. Adeyemi, a Yoruba name that means "The crown befits me".
Raze
Raze: completely destroy (a building, town, or other site).
Tayane Alvez: Tayane, a name of of English origin and means "star". Alvez is patronymic, that is, it is a surname derived from the first name of a male relative. In this case, the surname is derived from the Portuguese/Spanish first name Alvaro, which is ultimately from the Germanic (Visigoth) words "all," meaning all and "wer," meaning true.
Reyna
Reyna: Spanish for 'queen.'
Zyanya Mondragón: a female name of Aztec origin that means 'forever, always.' Mondragón, a habitational name from Basque Mondragoe ('dragon mountain'), a place in Gipuzkoa province.
Sage
Sage: an aromatic plant with grayish-green leaves that are used as a culinary herb, native to southern Europe and the Mediterranean. Ancient Greek: σοφός, sophos, in classical philosophy, is someone who has attained wisdom.
 Ling Ying Wei: In Chinese, Sage's name is 魏玲瑩. 魏 Wèi is her surname. In very old Chinese, it would mean a "tower over a palace gateway", but that meaning has fallen off and now usually refers to the country of Wei in Ancient China (220-265 CE). The country of Wei was founded by the legendary general 曹操 (Cáo Cāo). 玲營 Líng yíng is her given name. 玲 (líng) generally refers to the tinkling sound of Jade or an onomatopoeia of that, but can also mean: exquisite, ingenious, delicate, nimble. (The radical in this character is 玉 and means Jade. Basically it means that this character's meaning would have something to do with jade.) 營 (yíng) has a lot of meanings. It can be a noun, in which it means a camp, battalion or barracks, or it can be a verb where it can mean to build, operate, manage or to seek.
Skye
Skye: a gender-neutral name of Scottish origin meaning 'island of clouds.'
Kirra Foster: Kirra, used by various Aboriginal Nations around the border regions of Queensland and NSW. To the Yugambeh people, it is said to mean 'leaf' or 'dancing leaf.' Other meanings from surrounding nations include 'Beautiful woman', 'to live' and even boomerang. Foster, "one who keeps the forest."
Sova
Sova: night owl, night person. 'Owl' in many Slavic languages.
Alexander 'Sasha' Novikov: Alexander, the Latin variant of the Greek name Alexandros, meaning "defender of men." Sasha, short for Alexander. Novikov, derived from novik - a teenager on military service who comes from a noble, boyar or cossack family in Russia of 16th-18th centuries. or patronymic from novik 'newcomer.
Viper
Viper: a venomous snake with large hinged fangs, typically having a broad head and stout body, with dark patterns on a lighter background.
Sabine Callas: Sabine, meaning "woman of the Sabine people", the Italian tribe from which, according to legend, the ancient Romans kidnapped their wives-to-be in order to populate their newly-founded city. It is the French and German form of Sabina. Callas, the short form of any of several compound surnames composed with the first element kalos 'good', 'beautiful.'
Yoru
Yoru: Japanese for night, evening.
Ryo Kiritani: Ryo, meaning excellent, excel, succeed; distant; fact; dragon. Kiritani, a name of Japanese origin meaning valley; ravine.
Things to Note:
2 of the agents' names mean 'light.' Namely, Tayane (Raze) and Neon (Tala).
4/5 of Omen's aliases have something to do with gods. 2 of which mean being a follower of a god and another 2 meaning the same thing. Another name means 'sage.'
If I missed anything or put something wrong, please correct me!!! that's all thank yaur
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twh-news · 4 years ago
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How Loki Shapeshifted From Nordic Folklore to a Marvel Icon
by Sara Durn
There are more than 800 years between the stories of Viking god Loki first being written down and his arrival (in the superb Tom Hiddleston) in the Marvel cinematic universe in 2011’s Thor. The new Disney+ series Loki, set to be released on June 9, is primed to explore more antics of Thor’s trickster brother as he attempts to fix the timeline he helped break in Avengers: Endgame. Among his many talents, Loki has cheated death a few times in the MCU, but that amounts to child’s play for this god.
In Norse mythology, Loki causes just as much confusion as his Marvel iteration. Though there aren’t any stories of him outwitting death, there are plenty of myths where he shapeshifts, swaps genders, or tricks gods into killing other gods. In the Marvel universe, he’s quite prone to allegiance swapping. Let’s dig into this troublemaker’s journey.
What is Loki’s origin?
The legends surrounding the Norse god are first documented in writing around the 13th century, primarily in Iceland. There are two versions of these legends that enter the historical record around the same time—the Poetic Edda and the Prose Edda. The Poetic Edda is an anonymous collection of Old Norse poems that are mainly pulled from an Icelandic medieval manuscript known as the Codex Regius (some of the poems date back to 800 CE). The Prose Edda is an Old Norse textbook for composing poetry that was written by a single author, Snorri Sturluson, a colorful Icelandic historian, scholar, and lawspeaker.
“Within the myths, you can see Loki moving from being just mischievous to being absolutely evil. If you think of him as only being mischievous, he’s actually a creative force and often ends up getting the gods much of their magical possessions, like Thor’s Hammer, through his cunning.”
“Pretty much everything we know about Loki came from Snorri Sturluson,” Viking scholar Nancy Marie Brown, author of Song of the Vikings: Snorri and the Making of Norse Myths, told io9. Brown says this was very appropriate given that “Snorri was quite a trickster figure himself.” While calling him the “Homer of the North,” Brown also acknowledges that Snorri spent a lifetime “double-crossing friends and family… scheming and plotting, blustering and fleeing”— a life that eventually led to his unheroic demise in a nightshirt where his (supposed) final words were “don’t strike!” In both Eddas, Loki is always portrayed as a cunning trickster. In the Prose Edda, Snorri describes Loki as “pleasing and handsome in appearance, evil in character, very capricious in behavior. He possessed to a greater degree than other [gods] the kind of learning that is called cunning.”
Besides appearances, Loki is always getting the gods into trouble and then cleverly extricating them from the mess he’s made. He fathers the Midgard Serpent destined to bring about Ragnarök, the end of the world in Norse mythology. He convinces the blind god Hodr to kill the beautiful and favored god Baldur. He kidnaps the goddess Idun to save his own hide from a furious giant. The mythological character is constantly switching sides—sometimes supporting the gods and sometimes their enemies, the giants. In the MCU, Loki is both hero and villain—in The Avengers he opened a wormhole in New York City releasing alien monsters and in Thor: Ragnarok he helped Thor save the Asgardians from Hela’s wrath.
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Thorwald’s Cross, a fragmented runestone depicting Odin being consumed. Image: Public Domain
Loki might have begun as a Norse god of fire—fitting considering how fire can be both “helpful and destructive,” said Brown. Fire can both burn down your house and cook you dinner. It’s tricky that way—like Loki. As Brown puts it, “You can see his two sides there [reflected in fire].” Brown also explains that there was likely a transformation in Loki over the centuries. “Within the myths, you can see Loki moving from being just mischievous to being absolutely evil. If you think of him as only being mischievous, he’s actually a creative force and often ends up getting the gods much of their magical possessions, like Thor’s Hammer, through his cunning.” Again, it’s just like Marvel’s Loki, who sometimes helps the other gods out, like when he teamed up with Thor to escape the Grandmaster in Thor: Ragnarok.
What is Loki’s relationship with the Devil?
In the long, slow conversion of the Vikings to Christianity that took place between the 9th and 12th centuries, Loki became a parallel to the Christian Devil. The creative, positive elements of him fell away leaving only the god favored by the Father (Odin/God) before getting cast out. (It does sound a bit like Lucifer, right?) Christianity paints a world that is far more black and white, good vs. evil than the Norse pagan religion—here’s little room for a grey, ambiguous figure like Loki. As Brown puts it, “The Christian religion insists that you’re either with us or against us. Whereas in what we understand of the pagan Viking religion, there were a lot of shades of grey. There was a spectrum on which you could move back and forth. You weren’t all one thing or all the other. You weren’t all female or all male. You weren’t all good or all evil. It was more human.”
Loki always moved fluidly between those two polarities—helping Thor in one story, causing an overthrow of the gods in another. In one tale, Loki shapeshifts into a mare, becoming the mother of Odin’s great 8-legged horse, Sleipnir. In another, he fathers the wolf Fenrir. The Church couldn’t really handle all that grey area Loki liked to inhabit, and so it eventually cast him as the devil himself. “[Monks] had to sort the gods into saints and devils, and Loki by being sexually ambiguous and also morally ambiguous falls into the devil [category],” explained Brown. Though Marvel’s Loki certainly channels a bit of the devil at times, we’ve luckily yet to see him become both mother and father to world-ending, multi-legged monsters in the Marvel Universe. But, there’s still time, especially with the new Disney+ series hitting the small screen.
When was Loki’s Revival?
After the Viking conversion, the Norse myths started to fade, and Loki with them—until the 1600s, when medieval manuscripts like those containing the Prose and Poetic Edda began to be translated. “The reason [these myths] became popular was because of nationalism,” Brown told us. “In the mid to late 1800s, there was the idea that what distinguished one nation from another was its cultural heritage.” This spurred Jacob Ludwig Karl Grimm and Wilhelm Carl Grimm—known to many simply as the Brothers Grimm—to go “collect the stories of the local people to prove that Germany was a nation, not a collection of states. You had the same thing happening in Ireland to prove that they were different from the English and you have the same thing happening in Iceland, Norway, Sweden, and Denmark.” This eventually gave rise to the Nazis appropriating Norse myths in their twisted pursuit of alleging Aryan supremacy.
Following the Civil War, the United States also looked to the Middle Ages to redefine the country’s fractured identity. As Chris Bishop, author of Medievalist Comics and the American Century, explained to io9, “[the Middle Ages] offered an aesthetic that was individualistic (think: the knight errant, Robin Hood, etc.), given to interpretations of exceptionalism (Camelot, the once and future king), venerable (where old equalled established and respectable), and (unlike Classicism) Christian.” The Middle Ages, or more accurately the remixing of the Middle Ages known in academia as “medievalisms,” appealed to many Americans obsessed with ideas of American exceptionalism and singularity in the 19th century. Eventually the U.S.’s obsession with the Middle Ages made its way into comic books starting with Prince Valiant in 1937, a comic strip created by Hal Foster set in and around the legends of King Arthur. Other medievalist comics followed eventually leading to the inclusion of Norse gods like Loki, Thor, and Odin.
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First appearance of Loki in the 1949 Venus comics. Image: Wikicommons
When was Marvel Comics’ Loki introduced?
While Loki first appeared in the 1949 comic book Venus styled after (you guessed it) the devil, the modern-age Loki didn’t hit the comic book scene until co-writers and brothers Stan Lee and Larry Lieber adapted him in 1962’s Journey into Mystery #85. It’s in that issue where Loki “becomes Thor’s enemy/ally/brother/adopted brother/etc,” said Bishop. The mischievous personality of the Norse god remains largely the same in the Loki of the comic books and films and even retains the ability to swap genders at times.
In the comics, Loki is raised as Thor’s brother in Asgard—somewhere the Marvel stories diverge from the Norse mythology. It’s Loki and Odin who are sworn brothers in the Norse myths, not Loki and Thor. As Brown explains, “Loki and Odin are blood brothers, which means they are even closer than real brothers.” In the Viking world, two people who swore a blood oath to one another formed a bond that went beyond kin, and so went the Norse Loki and Odin’s relationship. As Bishop points out, the Loki/Thor dynamic of the comics and movies is a “classic, formulaic archetype.” Thor is the “big, hunky, handsome (but slightly dumb) hero” and Loki is “his slight, quirky but super-smart frenemy. Loki is the dark, misunderstood, vulnerable shadow that audiences can relate to, reach out to, care for. Thor is that dumb jock who everyone looked up to at school, but Loki was that cool, quiet kid who went on to found a tech-empire.”
Why is Loki called a Trickster?
What does remain consistent with Loki is that he always plays the trickster. He is the manifestation of psychologist Carl Jung’s archetype: The trickster disrupts the individual and/or society causing either growth or destruction. Social scientist Helena Bassil-Morozow points out that when it comes to Loki, “despite the fact that the narrative details between the medieval Loki stories and their contemporary versions vary, the main idea remains the same—the trickster mercilessly attacks those in power and nearly causes the end of the world.” Both in the Norse myths and in Marvel, the world needs saving from Loki. He acts as the catalyst for a whole lot of upheaval—upheaval that in the Norse myths causes Ragnarök.
Loki “functions as a locus of salvation (literally, a prodigal son).” Loki just might be a savior. He’s someone audiences can look at and think “if Loki can be redeemed, so too might I.”
Perhaps that’s where the two narratives differ the most. In the Norse tales, the end of the world at Ragnarök is inevitable. Odin and Thor will die. Everything will change. Vikings lived with the knowledge that their world would end. In the MCU, we don’t know how the story ends, plus Ragnarök took place already and yet the Asgardians live on. There’s still hope that Loki will prove to be good and that the other superheroes will save the world from whatever mayhem he’s caused, or so we can hope in the upcoming Disney+ series. As Bishop puts it, Loki “functions as a locus of salvation (literally, a prodigal son).” Loki just might be a savior. He’s someone audiences can look at and think “if Loki can be redeemed, so too might I,” explains Bishop.
While the Vikings’ Loki caused the end of the world, today’s Loki might just save it. Or maybe not. And, perhaps that’s the fun of the trickster—you never quite know what they’ll get up to.
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drivingsideways · 3 years ago
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Hey talk to me about your top three favourite kdrama women. What makes them special? What's a fic you would like to write about any one of them?
Mystery anon! :D What a lovely ask. 
I’m going to cheat a bit and divide my answer into characters I loved a lot, but do not want to write fic about, because I think the canon gives me what I need; and characters that I loved a lot but NEED TO BE RESCUED ZOMG.  (My fic writing impulses are 50% spite and 50% fix-it )
Caveat being that I’ve still watched only maybe a dozen kdramas, so I’m pretty limited in my knowledge!
Characters that I love a lot, but have very zero fic impulses toward:
Han Yeo-jin from Stranger/Secret Forest: What a delight! What an iconique character! Is there anyone like her? NO. LSY-nim gives us a delightfully complex character, and Bae Doona knocks it out of the park in every single scene, so I’m just happy to be along for the ride. I think what makes Yeo-jin special for me is the intrinsic place of empathy that she operates from.  I think “righteous” is a word that often comes with negative connotations (self-righteous, for eg), but I do think she’s one of the most righteous-in-the-good-way characters I’ve watched in kdrama or any drama. I’m tired of stories that portray goodness as “boring” , as unworthy of narrative breadth or depth, and I love that Han Yeo-jin comes to us like a breath of fresh air in our particular dystopian narratives hellscape. She’s good, but never naive. She’s righteous but never cruel in her moral certainties.  I think that LSY nim, in the second season especially, gave Yeo-jin the kind of arc that character deserved when she’s forced to really dig deep into herself to figure out how she’s going to live in the world in the face of a deeply cutting, deeply personal disillusionment, and I’m really hoping for an S3 to see how that plays out further. 
Goo Hae-ryung from Rookie Historian: Ok, I will admit this may be rose tinted glasses view due to this show being my gateway drug into kdrama, but c’mon! She’s a reader! and a Thinker! And loves her wine! She’s plucky! She’s cute! She’s got a wry sense of humour! She’s got principles! She’s got a solid common sense to her that somehow doesn’t get in the way of her dreaming BIG! Oh dear, doesn’t she sound like the Mary-est of Mary Sues? Good for her.gif,  I say! Anyways, Shin Se-kyung is unutterably charming in this (AS IN EVERY SHOW OMG GIRL) and I just have a huge fondness for free-spirited heroines who get to tramp through the narrative changing the world as they do! 
Lee Ji-an from My Ahjussi: I’ve never had my heart broken more OR restored by any single character. IU is *phenomenal * in this, I think she really stepped up to what the script demanded from her. Ji-an’s weariness, her fear and vulnerability, her prickliness, her anger and her bitterness, and how, despite everything, she fights : GOD. Just. Again, what I love about the writing in this show is that it’s deeply empathetic without being cloyingly sentimental. I think a less, hmm, imaginative writer/PD might have focused on the Lee Ji-an the victim, and while the show definitely tells you in no uncertain terms that she is one,  of both circumstances and a cruel society, I think it refuses to take away her agency over her own life.(Lee Ji-an when we meet her is too busy hanging onto life by tooth and claw to indulge in self-pity, but we also see the toll it takes on her not to be able to say “this is too heavy a burden for me to carry myself and it isn’t my fault”; the show I think approaches Dong-hoon from the opposite side- his emotional isolation is partly a result of his own choices, but he doesn’t see it yet, and so his journey is also about letting people in and sharing the burden, but also recovering his own agency over his life. It’s an interestingly gender-bent arc, which is one of the things I love about this show. )
Ok, can I please add one more?
Hwang Han-joo from Melo is my Nature: She just felt SO real to me. She’s someone who doesn’t have the spectacular brilliance of either Jin-joo or Eun-jung, and struggles with accepting her limitations but not allowing herself to be defeated by them? I love her struggles as a mother, as a working woman in a sexist industry, a woman who’s perhaps having to rethink and reimagine what she wants from romance. I love that she’s a little silly, a lot kind, and an optimist, and just. I just think she’s the bravest of the three, tbh, and I LOVE HER AND I WOULD WATCH A SPIN OFF ABOUT JUST HER (i shouldn’t have faves among the three i know, BUT I DO, IT’S HER, IT’S HER.)
Ok! On to the next section! And I’m going to cheat again because I can’t stop at three. SORRY. NOT SORRY. 
Characters I love and SHOULD write fic for if I weren’t such a tired and lazy bunny:  
Song Sa-hui from Rookie Historian: Oh, girl, girl, GIRL. I love how she fights to snatch her freedom from the jaws of the patriarchy. I love that she unapologetically centers herself while doing that, because she knows that nobody else will.  I love that she’s prickly and calculating. I love that she’s smart and knowledgeable. I am SO HAPPY that she got to carve out a little bit of freedom for herself, even if it also is exile to some degree. She *should * be Emperor Jin’s Prime Minister and steering the ship of state, while also carrying on a tumultous affair with Queen Min Woo-hee, while ALSO commiserating with Emperor Jin about his boyfriend Historian Min Woo-won’s regrettable tendency towards Principles (TM) and masochism-but-not-in-the-fun-way. (This takes up much of his time which is why Song Sa-hui is running the country, of course. It works out well for all concerned, well, except her dad, of course.)
Song Ga-gyeong from Search:WWW: What’s NOT to love about our brilliant, beautiful, emotionally tortured gay icon? Nothing, absolutely nothing. I loved how the show allowed her to be flawed and make bad decisions, and then allowed her to make better decisions and regain control of her life. What I do need to do, of course, is see the CANON LOVE STORY between her and Cha Hyeon through to the end. It must, of course, include at least one baseball game, a lot of tequila and messy beach kisses. 
Oh Ji-hwa from Beyond Evil: Oh boy, this year’s runaway hit cleared the extremely low bar for standard crime/ thriller shows by leaving more than one of its female characters breathing and with all limbs intact, and got called feminist for it BUT it didn’t do justice to any of them in any meaningful way and that never hurt more than in the way they sidelined Kim Shin-rok’s talent by not giving Oh Ji-hwa anything much to do. She’s a tough as nails cop, a loving sister, a devoted but unsentimental friend-and by rights SHOULD HAVE BEEN THE HEROINE OF THIS SHOW. My secret fic fantasy is to rewrite the show entirely by making her , and the two other female characters in non-antagonist roles- Yoo Jae-yi and Im Sun-nyeo- as the central characters, as they investigate a serial killer who targets women.  It’s the only acceptable version of this done-to-death (ha!) genre, I have no idea what the Baeksang jury and tumblr fandom is smoking when they hype the show so much, I want none of it. 
Jung Sun-ah from The Devil Judge: I love her rage, her spite, her passionate defense of women, her style, her sexiness, her rage, her rage, her brilliance, her tenaciousness, her smartness, her clothes, her refusal to hate herself for everything she is and chooses to be, her ambition, her comfort wielding power, her EVERYTHING. Dead, her? NOT IF I HAVE ANYTHING TO SAY ABOUT IT. Here’s what *really * happened at the end of canon- she gets out of the building by planting that lady-like but still deadly gun against Kang Yo-han’s temple and making him lead her through his own “secret escape route” or whatever the fuck it was the show wanted us to believe. From there on out, it’s all sunshine and beaches, and scheming and waiting for the right moment to strike again-though of course, this time around, she also has to reckon with vigilant, tenacious cop Soo-hyun -another character who REALLY didn’t die for manpain reasons and had the good sense to leave her gay best friend to follow his psychopath boyfriend to Switzerland or wherever it is that star crossed lovers in kdrama land meet up on the regs these days- anyways, Soo-hyun and her are in this catch-me-if-you-can epic transnational honest and cute cop-and-beautiful sexy villain chase and yes, they WILL kiss (and more) AND IT WILL BE GLORIOUS. 
*whew *
Thanks for coming to my TEDTalk.
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wisdomrays · 3 years ago
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QUESTIONS & ANSWERS: How Many Prophets Were There? Were They All From Arabia?
Prophets were raised and sent to their people in different lands and at different times. One hadith puts the number of Prophets at 124,000; another mentions 224,000. Both versions, however, should be evaluated critically according to the science of hadith. The exact number is not important; rather, we should realize that no people has ever been deprived of its own Prophet: There never was a people without a Warner having lived among them (35:24) and: We never punish until We have sent a Messenger (17:15).
To punish a people before warning them that what they are doing is wrong is contrary to His Glory and Grace. The warning precedes responsibility, which may be followed by reward or punishment: Anyone who has done an atom's weight of good shall see it. And anyone who has done an atom's weight of evil shall see it (99:7–8). If a Prophet has not been sent, people cannot know what is right and wrong and so cannot be punished. However, since every individual will be called to account for his or her good and evil deeds, we may infer that a Prophet has been sent to every people: We sent among every people a messenger with (the command): "Serve God and avoid evil" (16:36).
The Prophets were not raised only in Arabia. In fact, we do not even know all of the Prophets who were raised there, let alone elsewhere. We know only 28 of them by name (from Adam to Muhammad), and the Prophethood of three of them is uncertain. We do not know exactly from where they emerged. Supposedly, Adam's tomb and the place of his reunion with Eve is Jidda, but this information is uncertain. We know that Abraham spent some time in Anatolia, Syria, and Babylon. Lot was associated with Sodom and Gomorrah, around the Dead Sea; Shu'ayb with Madyan; Moses with Egypt; and Yahya and Zakariyya with the Mediterranean countries—they may have crossed to Anatolia, since Christians link Mary (Mayam ibn 'Isa) and Jesus with Ephesus. But these associations remain suppositions at best.
We know the names of some Prophets sent to the Israelites, but not the names of any others or where they appeared. Moreover, because their teachings have been distorted and lost over time, we cannot say anything about who they were and where they were sent.
Take the case of Christianity. Following the Council of Nicea (325 CE), the original doctrine of God's Oneness was dropped in favor of the human-made doctrine of the Trinity. For the Catholic Church, Jesus became the "son" of God, while his mother Mary became the "mother" of God. Some believed, rather vaguely, that God was immanent or present in things. Thus, Christianity came to resemble the idolatrous beliefs and practices of ancient Greece, and its followers began to associate other things and people with God, a major sin in Islam.
Throughout history, deviations and corruption of the Truth started and increased in this way. If the Qur'an had not informed us of the Prophethood of Jesus and of the purity and greatness of Mary, we would have difficulty in distinguishing the cults of and rites of Jupiter (Zeus) and Jesus, Venus (Aphrodite) and Mary.
This same process may have happened to other religions. As such, we cannot say definitely that their founders or teachers were Prophets or that they taught in a specific location. We only can speculate that Confucius, Buddha, or even Socrates were Prophets. We cannot give a definite answer because we do not have enough information about them and their original teachings. However, we know that the teachings of Confucius and Buddha influenced great numbers of their contemporaries and continue to do so.
Some say that Socrates was a philosopher influenced by Judaism, but they offer no proof. Words attributed to him by Plato imply that Socrates was "inspired" from a very early age to "instruct" people in true understanding and belief. But it is not clear if these words are attributed correctly or exactly what his people understood them to mean. Only this much is reliable: Socrates taught in an environment and manner that supports the use of reason.
Professor Mahmud Mustafa's observations of two primitive African tribes confirm what has been said above. He remarks that the Maw-Maws believe in God and call him Mucay. This God is one and only, acts alone, does not beget or is begotten, and has no associate or partner. He is not seen or sensed, but known only through His works. He dwells in the heavens, from where he ordains everything. That is why the Maw-Maws raise their hands when praying. Another tribe, the Neyam-Neyam, expresses similar themes. There is one God who decrees and ordains everything, and what he says is absolute. He makes everything in the forest move according to His will, and sends thunderbolts against those with whom he is angry.
These ideas are compatible with what is said by the Qur'an. The Maw-Maws's belief is very close to what we find in the Qur'an's Surat al-Ikhlas. How could these primitive tribes, so far removed from civilization and the known Prophets, have so pure and sound a concept of God? This reminds us of the Qur'anic verse: For every people there is a messenger. When their messenger comes, the matter is judged between them with justice, and they are not wronged (10:47).
Professor Adil of Kirkuk, Iraq, was working as a mathematician at Riyadh University when I met him in 1968. He told me that he had met many Native American Indians while earning his Ph.D. in the United States. He had been struck by how many of them believe in One God who does not eat or sleep or find himself constrained by time. He rules and governs all of creation, which is under His sovereignty and dependent on His will. They also referred to some of God's attributes: the lack of a partner, for such would surely give rise to conflict.
How does one reconcile the alleged primitiveness of such peoples with such loftiness in their concept of God? It seems that true Messengers conveyed these truths to them, some soundness of which can still be found in their present-day beliefs.
Some people wonder why there were no female Prophets. The overwhelming consensus of Sunni scholars of the Law and Tradition is that no woman has been sent as Prophet. Except for a questionable and even unreliable tradition that Mary and Pharaoh's wife were sincere believers, there is no Qur'anic authority or hadith that a woman was sent to her people as a Prophet.
God the All-Mighty created all entities in pairs. Humanity was created to be the steward of creation, and thus is fitted to it. The pairs of male and female are characterized by complex relation of mutual attraction and repulsion. Women incline toward softness, weakness, and compassion; men incline toward strength, force, and competitive toughness. When they come together, such characteristics allow them to establish a harmonious family unit.
Today, the issue of gender has reached the point where some people refuse to recognize the very real differences between men and women and claim that they are alike and equal in all respects. Implementing these views has resulted in the "modern" lifestyle of women working outside the home, trying to "become men," and thus losing their own identity. Family life has eroded, for children are sent to daycare centers or boarding schools as parents are too busy, as "individuals," to take proper care of them. This violence against nature and culture has destroyed the home as a place of balance between authority and love, as a focus of security and peace.
God the Wise ordained some principles and laws in the universe, and created human beings therein with an excellent and lofty nature. Men are physically stronger and more capable than women, and plainly constituted to strive and compete without needing to withdraw from the struggle. It is different with women, because of their menstrual period, their necessary confinement before and after childbirth, and their consequent inability to observe all the prayers and fasts. Nor can women be available continually for public duties. How could a mother with a baby in her lap lead and administer armies, make life and death decisions, and sustain and prosecute a difficult strategy against an enemy?
A Prophet must lead humanity in every aspect of its social and religious life without a break. That is why Prophethood is impossible for women. If men could have children, they could not be Prophets either. Prophet Muhammad points to this fact when he describes women as "those who cannot fulfil the religious obligations totally and cannot realize some of them."
A Prophet is an exemplar, a model for conducting every aspect of human life, so that people cannot claim that they were asked to do things that they could not do. Exclusively female matters are communicated to other women by the women in the Prophet's household.
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hhuta · 4 years ago
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(3D lbqfm anon) y'know after reading ur post on it i realized i a) subconsciously noticed the de-gaying and that's probably why i didn't like it and b) somehow didn't notice ANY changes despite the fact that I watched the two versions less than a week apart,,, i thought it was just the new cravat (tho i still don't like it. the old one was better) | also,,,, is it too much trouble to ask why u don't like the 3D assassymphonie? guessing smtg to do w the women | also ur opinion on 3D vaec?
where do i start with miss l'assasymphonie.. btw u can watch the video of the two versions side by side here. and my rant got wayyy too long so ill talk about VAEC in another post ldkjasl
tw: self harm/suicide mention just to be safe
im going to start with minor differences that make me prefer the 2010 version but not hate the 2011 one
first of all his dramatic soft gay sappy ass touching his heart when talking about mozarts music i like that a lot :(
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then when he sings "killing out of spite everything i create" he metaphorically stabs himself in 2010 but not in 2011
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and i love the first version because its a nice and subtle parallel between how mozarts music makes him feel like (lbqfm) vs how his own music affects him (l'assasymphonie) as i pointed out here before. this is on different levels !! the fact that in lbqfm its his inner gay demon stabbing him, representing mozart(s music) and in l'assasymphonie he stabs himself..... bc he is killing what he creates and what he creates is part of himself... so this isnt about him wanting to kill mozart its about him being self destructive... this is crazy this is just one gesture and i can go on and on about it and honestly my rant will only get more insane.
later he grabs the knife at different moments and in different ways and i think the 2010 version is more dramatic and impactful. the editing helps too, it really made me jump, its all done at the right time. but honestly both are valid to me; i feel like in 2010 hes more angry and impulsive, like its the very first time he thinks about doing something like this, whereas in 2011 he feels sad and defeated, like hes going back to a place he fought very hard to get out of and because of this one guy hes back there, but in the end he recognises its his own fault
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another minor difference that i think is worth mentioning, and honestly i like both versions, is what he does at the "senseless (or crazy) symphony" part. in 2010 he almost covers his ears cuz obviously it goes along with the lyrics in a literal sense. meanwhile in 2011 its more of a symbolic interpretation? idk how to word it but 2010 feels like hes just talking about his music and the thoughts inside his head making no sense, but in 2011 when he looks at his writs, his veins, its like he is talking about himself as a whole; a being without any meaning, who is losing his mind, and i like that too
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and this difference goes on when he talks about the "disconcerting concert"; 2010 feels like hes literally listening to it around him, his performance in 2010 is overall more dramatic lkjslkd, meanwhile theres none of that in 2011, hes too melancholic to be jumping around
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here when hes talking about his talent (or rather lack of) u can see how hes more angry in 2010 and sad in 2011 (honestly this corroborates my theory that at the beginning florent played salieri as a legit evil villain but as it went on he added more depth)
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anyways so far both versions are good to me now........ the fucking dancers............... i move away from the mic to breathe in.jpg
theres just. so fucking much going on in 2011. there are a shit ton of people moving around, the flashing lights, the constant zoom in and out, the curtains moving the background, im gonna have a stroke????? l'assasymphonie is such a heavy song, emotionally, and florents performance is amazing on its on theres no fucking need to add 100 more elements!??!? it totally takes away ur focus from salieri ....
my biggest problem is with the dancers as u guessed it cuz honestly idk why they are there, i dont understand the need. i get that they are his inner demons, but not the sexy ones, so they are there to represent his inner turmoil and add a chaos element to the performance and a parallel to lbqfm with the whole hands on salieri part, but its way to obvious that it becomes repetitive! inner demons dancing around a character happens way too much on mor; bim bam boum in a way, j'accuse mon pere, la mascarade, comedie-tragedie, si je defaille, lbqfm and now again?!!?!?!?! bitihc dlajsdlkas
and the worst fucking part to me is when salieri goes to kill the female dancer
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.....why whY... WHY.. why make the song literal like this!!! this is not what its about??!?! i know she isnt supposed to be A Person, this isnt him being A Murderer, she is him in a way but ?? we already saw him almost killing himself??!!? why repeat that, this is just so unnecessary and it doesnt sit right with me why make him stab a woman!! it makes my blood boil. it takes away all the drama from the other scene, of him with the knife on his wrist, because it is essentially the same!
now lets discuss why i prefer the lost half naked blindfolded men. is it because its gay? yes. is it because of the kinky element? yes. u see how that creates a parallel to lbqfm but in a subtle way? yes thank you.
to elaborate i feel like the 2010 dancers represent his psyche at the moment soooo much better. its not just simply his inner demons haunting him again, making it repetitive.
his is how i interpret it and how it relates to salieri:
the blindfold: god it can mean so much... above all i think its his envy and anger blinding him, making him feel lost and afraid. but it can also represent how salieri is a stern man, he only sees things one way and is blinded to other possibilities, other ways of living. because he is so narrow minded, so used to just following the status quo, he doesnt understand mozart and how his carefree way of life is working for him. he doesnt understand his conflicted feelings towards mozart. he doesnt understand how mozarts music can be so unconventional and yet beautiful, etc etc. his world was shattered and he feels lost because of this one little guy
but honestly i think the intention was to give a shoutout to amadeus lmao which is still cool. they do mention in MOR that mozart can play blindfolded so u can view as a parallel to that too
the lack of clothes: around mozart salieri feels naked but not in a sexy and fun way, in vulnerable and seen for the first time way. imagine how strongly he considered changing his name and moving countries after the whole eh bien, maestro? trop de notes? ordeal..... he was caught off guard in that situation so he let the truth out way too much, but he knows he cant fake it around mozart any other time either
their behaviour: they look afraid, lost, in pain and are constantly falling, getting up, then falling again and being pushed up against the wall by something invisible (to me its mozarts music/influence) and honestly i dont have to say anything else ! its all there !!! it represents salieris emotions perfectly !!!!!
in summary, to me the 2010 dancers dont have a lot to do with the lyrics of the song and i think thats good. they are there to add a new element to it, to let us see inside salieris head, while salieri himself is performing what the lyrics are about. so on the other hand i think the 2011 dancers are repetitive and unnecessary, not adding anything new to the performance
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atamascolily · 4 years ago
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lily watches fma:b, eps. 58-61
I hate suspense, so I went ahead and read the plot summary for the next few episodes, so I could relax a bit. Unfortunately, there's a lot of plot decisions that elicit a major "WTF?" from me, so we'll see if they work better in context.
so they're using the Gates as transportation portals now?? This is new, isn't it?? or does it only work with people who have already opened gates?? I'm so confused!!
okay, so ling doesn't know how to use alchemy to heal people? but he can sense homunculi because chi? or is this just something everyone in Xing can do? I'M SO CONFUSED.
[he has a stone but neither he nor Greed know how to use it to heal others, I guess?? why not, though?]
Bucaneer calls Olivier a "queen," which is right on!
Greedling is the best thing about this adaptation, full stop
*sings* "It must be nice, must be nice, to have a homunculus on your side..."
that one random woman looks so much like Danta from FMA03 that I just had to shake myself to make sure I wasn't imagining it
Elicia HAS ECLIPSE GLASSES AND IT'S THE CUTEST THING
I don't understand why Hoheneheim counts as a sacrifice - yes, he was present for the opening in Xerxes, but he did not attempt human transmutation himself (even though the portal was centered around him without his knowledge) I feel like intent matters?? iirc, he wasn't consumed and broken down the way Ed and Al were???
He's also now fused with Father in a weird blob that reminds me of Topaz trapping humans in Steven Universe.
I don't know why Hawkeye hasn't managed to shoot the evil doctor in all this close-quarters fighting. And why isn't Roy using flames? We had a demo earlier with the zombies that he can work around his allies without burning them, so... ???
Mustang is ordered to perform human transmutation so the bad guys can have a fifth person to complete their circle (somehow, alchemy always works in fives?) He refuses, but then they say they'll shoot Hawkeye if he doesn't so he caves.
this "gotta get a complete set" seems really sloppy for Team Bad, because the eclipse is like, any minute now. Seems like they're cutting it really close. You think they could have found/persuaded/forced someone into doing it, given how long they've had to work at this. So I'm just like "???" about this.
(the doctor dude also lampshades this, lol)
also, I'm so confused why the doctor claims Roy can bring anyone he wants back - maybe this was FMA03 I'm thinking of, but it seems like you would need some sort of specific connection to a particularl person in order to bring them back that you couldn't just whip out at a moment's notice??
is there any other way to open the gateway besides human transmutation?? And why doesn't the doctor count, since they've made plenty of philosopher's stones (which involve human transmutation, and is why Hohenheim is a sacrifice in the first place)??
okay, hawkeye isn't dead yet, but he's supposed to transmute her anyway? How does that differ from healing? I'M SO CONFUSED.
anyway, pride shows up and eats the annoying doctor and also makes a transmutation circle with his shadows while Bradley pins Mustang to the floor. o...kay. andthen it just...happens?without roy's consent?
WHAT THE ACTUAL FUCK DUDES
okay, andnow the eclipse is starting, irl they'd have a maximum of 8 minutes at totality to Do The Thing, but who the fuck knows what's happening here since all the characters are UNDERGROUND (how do they even KNOW)
fuck, they're basically raping mustang here since his consent does not matter because pride ate the doctor and the doctor has the knowledge (but that should make him and/or pride the sacrifice, not ROY).
like what the actual fuck
so the doctor gets transmuted, even though he was the one with the relevant knowledge?? I don't get it.
and mustang is automatically transported to be with the other sacrifices - why? how?? how does this even work? is that other circlethey wereusing still active? was it part of pride's set-up for this circle to be dual-purpose?HOW IS THIS POSSIBLE?
and apparently, it's just one floor below so all they have to do is break the floor??
Roy is blind... but does not physically lose his eyes, which makes NO SENSE, given that Al, Ed and Izumi lost actual physical pieces of themselves.THE FUCK.
ed's like, "this is super fucked up shit, and you don't get to moralize about human nature and hubris if you guys forced him to do this"
pride is basically acting like a kid who had all the time in the world for an assignment and then rushed to complete it at the last possible moment
scar fights bradley, yes FINALLY SOMEBODY KILL THAT DUDE
al's emaciated body is just so heartbreaking, and al's like "no! I can't suddenly move to this incredibly emaciated version of myself before the final battle!" which is actually really smart of him
of course, al's body waits until AFTER his soul leaves to monologue about how al might have just destroyed the entire world. GEE THANKS YOU ASSHOLE.
broussh shows up at the radio station and maria ross is like :????:
Father says the sacrifices are "all in his belly" and we cut to the chimeras on the outside looking at a massive blob - so Father is ALSO a gate???
(ngl: it would make TOTAL SENSE if Father was originally one of the creatures we see when the gate opens, who got pulled into our world by Hohenheim's master... especially since he used Hohenheim's blood? DID HIS MASTER PERFORM HUMAN TRANSMUTATION? WOULDN'T IT BE AWESOME IF WE ACTUALLY GOT SOME ANSWERS??)
(okay, this is my working headcanon now)
May's like "I'M GONNA TAKE 'EM" and I'm like "aww, heck yeah girl!"
it's really appropriate that Scar--Formerly Consumed by Anger--is fighting Wrath, who ordered the Amestrian equivalent of Order 66 on Ishval.
scar put a reconstruction circle on his other arm, how Symbolic
FATHER MAKES A GUN OUT OF HIS OWN BODY WITH EYES AND TEETH
no seriously, what the fuck did I just witness
Al apologizes to Hohenheim in case he hits him when he attacks father, bless that boy
Izumi makes A GIANT FUCKING CROSSBOW, did I mention I love her?
the personal gates of all of the sacrifices open - so they have giant eyes in their stomachs, wtf
father wants to open.. the planet's gate??
(this ties in with the alkahestry and chi, but... what?)
okay, the country-wide transmutation circle activates and everyone dies
Pinako (who knows Hohenheim is involved with this shit): Hohenheim, I'm gonna slug you. AND DAMN WELL YOU SHOULD MA'AM.
then the gates open and Father challenges God to a fistfight
... and God answers??
[apparently God lives in the sun, and only comes out during an eclipse??? looks just like the usual gate-eye-tentacle creature, tho]
okay, so we get our answer as to why an eclipse: male + female, sun + moon, = perfect being = immortality.
apparently there's a rule that all megalomaniacal shounen villains end up looking the same, because Father looks just like Aizen''s final form from Bleach now, except with more eyes.
Father ate God and now he's young and hot and mostly naked again.
He negates alchemy and creates a miniature sun in his hand because he can.
I hope God gives him indigestion or something.
Oh, wait, Hohenheim had a plan after all... THOUGH APPARENTLY 50 MILLION PEOPLE HAD TO DIE FIRST, WAY TO GO THERE
turns out he's been letting bits of his philosopher stone around amestris on his travels so that father would eat them and they'd tear him apart from the inside
... and the circle for the alchemy is the moon's shadow on the earth.
[I don't know if the astronomy actually works out, but it's very nifty nonetheless]
anyway, everybody's soul returns to their bodies, and everyone wakes up. IDK how their bodies handle having been functionally brain dead, but we're just gonna say it all works out, okay?
ooh, and everyone REMEMBERS WHAT JUST HAPPENED so they’re all like “...the fuck??”
scar saves the world by activating the reverse transmutation circle over the center that all the Ishvalans set up during the time skip
instead of blood you just need circles drawn on paper for reconstruction? why did Team Evil go to so much trouble to murder people instead?
father spends this whole fight looking like a very ripped hohenheim in a bathrobe around his waist OMG
pride calls ed his brother and I think this was handled better in 03 with Envy, but w/e. anyway he's going to take over ed's body but kimblee steps in and stops him
(man, this fucker again!!!)
kimblee's like "lol, I just like being a contrary bitch"
pride is reduced to a little baby, which Ed calls "Selim" and puts on his red jacket... okay...
well that was a trip.
cannot fault the manga-ka for ambition and epic scale here, but also: WHAT DID I JUST WATCH.
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myupostsheadcanons · 4 years ago
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Books “Read” in 2020
Previous entries: 2019, 2018, 2017
I don’t rank these based on actual literary quality, but by how much i enjoyed reading/listening to them. Hopefully with Audible’s new “Premium Included” feature it would cut down on so many Average/Below Average books next year, it’ll give me more of a choice on what kind of books/podcasts i want to listen to rather than given a handful to pick from a month.
The “Top 10″
Forging Hephaestus / Bones of the Past: Villains' Code Series - Drew Hayes has became one of my fav authors over the past couple years, from his Vampire Accountant series, 5-min Sherlock, and his Spells, Swords, and Stealth books. FH is one of the few times he wrote Adult Fiction. This is the second time Drew created a world of super heroes (the YA Superpowereds), thus previous experience in dealing with the nuisances and meta of super meta dynamics. I love the main character, Tori, and especially love many of the side characters (like Ivan) and the comedy is the right tone of dark and not-in-your-face (not quite as well -written as something like The Venture Bros or The Tick, but being adult fiction you can get away with having characters named Johnny Three-Dicks and Captain Bullshit)
Dreadnought / Sovereign - the second super hero series I’ve placed on my top list this year, this one is Young Adult. This one is far more serious and deals heavily in issues like trans and women’s rights, mental abuse, and social acceptance. The main character is full of angst, but that should be a given for a 15 yo with lots of mental baggage and new social pressures. The main character is the main draw, most of the side characters are a bit more one-dimensional.
The Trouble with Peace: Age of Madness, Book 2. It isn’t a “First Law” book if you don’t want to strangle half of the main characters. Many are stepping outside of the shadow of the previous generation and finding themselves falling flat on their faces. If they aren’t at each other’s throats, they would soon have to deal with rebellion in the streets and the constant looming presence of Bayaz, who waits to sweep the board clear and rearrange the pieces the way he sees fit.
Michael J. Sullivan’s: The Riyria and Legend of the First Empire Books.
Riyria Revelations: Theft of Swords / Rise of Empire / Heir of Novron
Riyria Chronicles: The Crown Tower / The Rose and Thorn / The Death of Dulgath
Age of Death / Age of Empyre, Pile of Bones
After finishing the Legend of the First Empire books that came out earlier this year, I went ahead and read the prior series that takes place in the same world. I would suggest reading the entire series by Publish order, but they can be read Chronologically. I read the Legends books first, and it helped me see where Sullivan was heading and when he started to plan out the Legends books in more detail. (The early cameo of the Main characters from Legends in a mural in Heir of Novron, and knowing who is behind the events in Dulgath)
The Dresden Files: Peace Talks / Battle Grounds - They really should be read as one book, because that was how they were written. It is a Feast of Crows / Dances with Dragons situation, where the book got too long and got split up. The fans are pretty divided by the book(s) ending and how some of the main characters are handled, but these are Jim Butcher’s characters not theirs and he can drop bridges on whom ever he wants.
What Lies Beyond: Cycle of Galand, Book 6 - This is a “mythology” book (like Sullivan’s Age of Death was) where it introduces most of the Pantheon of their religion and corrects much of the mythology that had been lost over the decades. They seek a weapon to vanquish the Litch and save their world and the afterlife from oblivion, but not all of their Gods are happy about it.
Will Destroy the Galaxy for Cash - Yahtzee (Zero Punctuation!) has to be one of my favorite internet personalities for the past 10+ years, and I eat up every book he puts out and because he wrote the books, and is an actor himself, he could deliver the lines as they are intended to be. The sequel to Will Save the Galaxy for Food does not disappoint and even ups the stakes from the previous book.
The Girl Who Drank the Moon - This has to be one of the most charming books I’ve read. It is magic and wonder at it’s finest, no need for long explanations on how the world works. If you like Ghibli movies, you’ll be interested in this book. It has its dark moments but isn’t outside of what you’ll find in something like Spirited Away, Princess Mononoke, and Nausicca.
The Goblin Emperor - the youngest son of the Elf King finds himself emperor after the death of his father and brothers in an assassination. The only problem is, that he is only half-elf... his late mother was a Goblin, and he had been in exile as an embarrassment to the family for most of his life. He knows nothing of how the courts work and what’s left of his own family work against him just for being who he is.
Lost Gods: Brom - I liked this book more than I did American Gods (which I read a few years ago). It is darker and bleaker by the bucket loads. One of the few books with a downer ending that I actually liked. I would compare this book to books like All the Pretty Horses and No Country for Old Men-- but it is a Fantasy!
Above Average.
Siege Tactics (Spells, Swords, & Stealth. Book 4)  - What happens to adventurers after they retire? A fun concept that is explored with our party of NPCs running across a town full of epic-level characters that no longer have a player.
The Arthurian Saga - The Crystal Cave / The Hollow Hills  / The Last Enchantment / The Wicked Day - A more realistic version of the Arthurian tales, taking the POV of Merlin, bastard son of a princess, as he earns notoriety as a scholar and wizard.  The Wicked Day takes the POV of Mordred, making him far more sympathetic than other iterations of his character.
Arc of a Scythe - Scythe / Thunderhead / The Toll - Science and Technology eliminates death and in order to prevent over population and complacency an order of grim reapers are chosen to randomly deal out quotas of permanent deaths. An example of what happens when every need and want is satisfied by a higher force and the apathy that causes rot in human society and the superiority complex of those in charge of life and death.
The Diviners / Lair of Dreams / Before the Devil Breaks You / The King of Crows - Horror during the Roaring 20′s. Tackles issues as Racism, Poverty, Government Secrecy, Christian-Evangelical Cults, Nationalism Cult Mentality, Communism, Labor Unions, Eugenics, Post-WW1 trauma... It could almost pass as an adult fiction book. I wouldn’t recommend giving it to someone under High school age.
Ancillary Justice / Ancillary Sword / Ancillary Mercy - Artificial Intelligence takes over human bodies as a form of capital punishment, controlling ships and space stations. The dominate human empire outgrew the need to label any gender, using “she” to refer to everyone rather than the vaguer “them/they” pronouns, and only outlying colonies stick to the binary ideals. Think of “The Left Hand of Darkness” but on a more broader scale and as the default majority/ruling empire. Toss in a solid military action novel on top and it isn’t nearly as boring as Left Hand.
Children of Time / Children of Ruin - War destroys the human population of Earth and those that remain are the ones that headed out to the stars on tera-forming missions. A virus created to advance life forms to prepare a world for human habitation runs amuck with out its overseers, creating intelligent arachnids, crustaceans, and squid.
The Licanius Trilogy - The Shadow of What Was Lost / An Echo of Things to Come / The Light of all that Falls -  It is very heavy on info overload, there is a lot to keep track of, so much so there is a summary of book one and two at the start of the third. I like the twist at the end of the first book and that the villain is actually trying to help save the world, and you spend most of the second stuck between who thinks they are doing the right thing and who is actually doing the right thing - a lot to talk about doing the lesser of two evils.
Mythos - Steven Fry - A humorous retelling of Greek mythology. I read Mythology - by Edith Hamilton prior to this book, which is a more scholarly take on the myths, and helps if you are unfamiliar with classical mythology prior to reading Fry’s take on it.
Iron, Fire and Ice: The Real History That Inspired Game of Thrones - a nice history book about Iron Age royalty. It is actually refreshing to read after going through so much faux fiction that is in Philippa Gregory’s books.
Will My Cat Eat My Eyeballs? - Children ask questions to a Mortician about death and what happens to bodies after people die. I listened to her autobiography last year/year before and it is worth picking up this one along with it.
Average, but still good.
Jack Campbell’s Lost Fleet Universe: Triumphant (Genesis Fleet, Book 3) / Tarnished Knight: Lost Stars, book 1 - The realistic space battles just drag me back in each and every time.
The Case of the Damaged Detective: 5-Minute Sherlock - Drew Hayes can’t write a boring book. It isn’t quite on point as his other series, but still fun to read. Hayes is really good at making YA books with Adult Protagonists. It is a road-trip book, the main character is a washed-out operative that is getting his second chance playing bodyguard and future assistant to the 5-minute Sherlock.
Locked In / Head On - Do you remember “Surrogates”? that Bruce Willis movie where people walk around in robotic avatars, well... it’s almost the same thing. A virus kills millions, save for a select few that experience “lock in” syndrome and are able to connect to robots via their brains and the internet.  The main character is gender neutral and you get a choice to listen to the book with a male or female reader.
Murder by Other Means: The Dispatcher Book 2 - more John Scalzi! The first book was in my top list a few years ago, and i enjoyed the sequel just as much. Between Scalzi’s The Dispatcher and Locked In series, i like the Dispatcher more.
The Shattered Sea Trilogy: Half a King / Half the World / Half a War - Joe Abercrombie’s attempt to make Young Adult books. It keeps all the grim dark, but lacks all the swearing and humor that made The First Law books more enjoyable. Many of Joe’s favorite character tropes are still present and is one of the better “Fall to Darkness” stories I’ve read. It also has different POV characters each book and is one of those “faux fantasy” settings.
Mage Errant: Books 1, 2 & A Traitor in Skyhold: Book 3 - If you are wanting to get away from Harry Potter, pick up this book series. It takes place in magic school, but it is its own world and setting and not just a hidden world within our own. The main group of kids are misfits among the school, unable to master their powers, that get taken up by the badass librarian to be trained in more unconventional ways.
Dawn of Wonder: The Wakening Book 1 - the main character has ptsd from growing up in an abusive household, and i thought it was handled rather well. He would be rather competent and cleaver most of the time until he gets triggered into an episode, he fights really hard to overcome this short-falling of his. Standard classic affair else wise, family leaves home because the local authority figure doesn’t want them around anymore, goes to big city, kid wants to do good and avenge the deaths he was accused of, joins the badass school of hard knocks...  big powerful evil thing trying to consume the world.
The Rage of Dragons - It shares a lot of tropes and story points with Red Rising... just in a fantasy setting, not in space. If you are wanting fantasy with POC main characters and a non-European-centric culture, that doesn’t pull any punches, give it a shot.
Earthsea - Tehanu and Tales from Earthsea - I had read the first three books several years back, and i did re-read them in order to refresh myself prior to reading the final two.
The Secret Garden - I absolutely loved the movie from the 90′s as a kid, and finally got around to listening to the book.
Six of Crows - A heist book in fantasy world with the magic users being heavily “Jewish / Slavic” coded by how they are treated and persecuted. I might have thought more favorably about the book if i hadn’t read other books with “street rat slum” main characters. (Seriously, after spending six books with Royce in Riyria someone like Kas is just second bananas)
Unconventional Heroes / Two Necromancers - Comedic Fantasy, the humor’s not on par with say MogWorld, and has more jokes than Fred The Vampire Accountant. It is still a parody of villains and heroes in fantasy worlds. I would find it safe for a 12/13yo to read, cursing and all, though they might not be aware of many of the tropes that are being deconstructed. The reader of the book did better in this one then he did with Six of Crows and Beezer, still the audio needed some editing because it repeats itself a few times.
Once More Upon A Time (Free Audio Book)  - I don’t always care to read romance stories. I like the idea behind it however, to trade their love for each other in order to save their partner’s life, then learn to re-love one another again.
Monster Hunter International - If you think Dresden is too liberal, this takes a hard turn to the right.. replace the magic with GUNS, lots and lots of GUNS. An organization that hates the government but hunts monsters for government bounties. The main cast is multi-ethnic and they do make fun of that at one point. There isn’t a lot of thought into the plot, because action is #1, but it is fun enough to ignore the politicking.
The Chronicles of Narnia: The Collection - i bitched about there not being an omnibus last year, and then Audible uploaded one. The ending is still one big clusterfuck.
Stephen King’s Insomnia - this book is the bridge between Steven King’s two universes. It is a sequel to IT and brings up the Darktower often. IT dealt mainly with childhood fears, Insomnia deals with Elderly and feminine fears.
D’Arc / Culdesac: War with No Name - I liked D’Arc more than i did Mort-e, and Culdesac is more on track with Mort-e. The virus that mutated the ants and animals reminded me of the virus from Children of Time/Ruin, even though i read Mort-e first, reading D’Arc after CoT let me notice it.
Michael McDowell’s:  The Amulet / The Elementals / Gilded Needles / Blackwater - From the guy that wrote the screenplay of Beetlejuice, and the pioneer of the Southern Gothic Horror. Gilded Needles is a bit out of place, taking place in 1890′s, and is more of a social horror rather than a super natural horror the other books are.
Gardens of the Moon: The Malazan Book of the Fallen, Book 1 - high fantasy dark fiction. if you really want some CHONKY door stoppers, there’s over 10 of them in this series. Could’ve done less with the manipulative bastard mage that speaks in 3rd person. I had read The Willful Child, an attempted comedy science fiction novel by the same author, and it showed that the author was unfamiliar with that kind of genera and should stick to grim fantasy.
The Knife’s Edge / Citadel of Fire: The Ronin Saga - This is one of those series that I’m always going “oh, that reminds me of [insert another better series]”  At times it reminded me of The Licanius Trilogy, Shades of Magic, Arc of Scythe, Riyria, Korra... It is just shy of being as good as them, and is rather firmly in that Sci-Fi Fantasy Ghetto and has a bit of “anime” feel to it with their magic users having ‘power levels’ and the power creep. 
In Calabria - My only problem with the book is the massive age-gap between the Main character and his love interest. Outside of that, the whole Unicorns in the modern world concept is done very well.
Pout Neuf (Audible Free Book)  - Journalism and romance during WW2. A quick read and the book really shows that research had been done about the setting and time period.
Nut Jobs: Cracking California's Strangest $10 Million Dollar Heist: An Audible Original - Not only does it talk about the heist, it actually touches on the subject of migrant farmers and slave labor, as well as the desertification of the California Valley.
The Science of Sci-Fi: From Warp Speed to Interstellar Travel (Free Audio Book) - a neat little informative podcast if you are looking for an introduction to some of the harder science fiction.
Mythology - by Edith Hamilton - Text book about Greek Mythology. Like “used in schools” text book. It is a good read if you don’t want to go through Ovid, Virgil, Homer, and all the other classical writers on your own.
The Space Race: An Audible Original - America didn’t win the Space Race. Russia did just about everything first. The only thing we did first was put people on the moon. It also goes into detail about how the inventor of the Nazi’s V2 rockets became employed with the US Space program. As well as the government’s announcement to let space travel become privatized.
Pale Blue Dot / Cosmos: A Personal Voyage - It’s Carl Sagan. Come on! Everyone should be reading them. Pale Blue Dot was being turned into an Audiobook in the 90′s but with Sagan’s death, only the first few chapters were read by him and his partner reads the rest of it (she does a decent job, and i understand why they wanted her to read it, it should’ve been done similarly to Cosmos, with guest readers doing each chapter)
Thicker Than Water (Free Audio Book)  - start up pharmaceutical company scams people out of millions with promises of a miracle machine that was ahead of its time. Story told from the whistleblower himself as he recounts what his job was within the company and how he knew the owner/founder of the company and how coming out about what was going on ruined his relationship with his family and friends.
Don't Panic: Douglas Adams and the Hitchhiker's Guide to the Galaxy - biography on Douglas Adams and the history behind the creative process behind the Hitchhiker’s Guide series.
The Genius of Birds - It reminded me a lot of “The Soul of an Octopus” in quality. It is rather informative about birds, how they behave, and how we judge intelligence in non-human animals.
It’s “ok.”
Les Miserabes - I can see why people favor movies and theater versions because of how dense the book is, getting the cliff notes version of the book instead of reading several chapters about the Battle of Waterloo. 
Viva Durant and the Secret of the Silver Buttons (Audible Free Book) - It’s cute, and I spent the next several weeks humming that freaking song.
Challenger Deep - A book about mental illness by the same person that brought us The Arc of a Scythe series. It isn’t a bad read, but if you are prone to get panic attacks and have mental illness yourself, you might get too into it and make you uneasy. It can help with neurotypical people with understanding how some illnesses work.
Into the Wilds (Warriors, Book 1)  - Ah, the cat book. It is prob because there are soooo many books in this series that it over-saturates the kids impressionable minds.
House of Teeth (Audible Free Book)  - I read this book prior to Monster Hunter International, and thinking back on this one, i am reminded about the other. Save for this one is PG. So... the kid friendly version.
The Martian Chronicles - Space Horror, on Mars. If you like old science fiction, like Classic Trek, Wells, or Forbidden Planet stuff. There is a lot of zerust.
Andrea Vernon and the Corporation for UltraHuman Protection - The third superhero series I’ve read this past year. It is not as ground breaking nor subversive as Villain’s Code or Dreadnought. The humor is a bit too forced and parts of it falls into “we can be more offensive because it is an adult book” category.
Interview with the Robot - Don’t really care for books or programs that are set up in the “interview” format where it is two people talking to one another. (I have no fucking idea how this book got top Kids book of the year on Audible, it is more of a YA book... it must been because it was Free and lots of people picked it because the rest of the choices that month were complete garbage)
Micromegas - perhaps one of the oldest examples of Speculative Science Fiction. Written by Voltaire, it is about a giant from another solar system that is so big that humans and life on Earth are microscopic. “what value are the lives of ants to a man?”
The Three Musketeers - i had forgotten how much espionage there was in this book. I would say this is a good companion book to Don Quixote, as it takes its fair share of inspiration from and even name-drops the character a couple times. 
Charles Dickens: Oliver Twist / David Copperfield / A Tale of Two Cities - DC is the standout IMO among the three, it is Dickens’ Magnum Opus. Les Mis did a far better job with the Revolution than Tale did as well. I felt rather obligated to reading these books because of the subplot in the Age of Madness books being about Poverty during the Industrial Revolution and Workers Revolts against the Ruling Class.
20,000 Leagues Under the Sea - the version i listened too made most of the Americans sound like GWB... which is funny because one of them is Canadian, and the Comic Relief character about how boorish Americans are.
Stuck (Free Audio Book) -  it is a neat idea, getting jarred free of time but everybody else isn’t and doesn’t remember. It gets a little heavy for a kids book near the end, edging into YA territory as the character gets older mentally and the people around him age physically.
Phreaks (Free Audio Book) - i knew a lot about Captain Crunch and other phone hackers of the 60′s. There is a subplot of the big radioactive corporation covering up causing cancer to their workers, and the father (voiced by Christian Slater) being in the closet but still homophobic about it.
Silverswift (Free Audio Book) - If you like fairy tales set in modern times, it is worth a look. It is similar to In Calabira in that way. The mom being the nonbeliever and thinking grandma is off her rocker, but the granddaughter knows it in her bones that grandma is telling the truth.
Sleeping Giants - alien mechs from the distant past, once mistaken as the titans and gods form mythology, now being studied and experimented on by the government. This is another “interview style” story telling.
Celtic Mythology: Tales of Gods, Goddesses, and Heroes - there is a lot of names and stories, it is worth prob getting a physical copy of the book to keep things straight and to use as a reference.
How to Defeat a Demon King in Ten Easy Steps - A love letter to The Legend of Zelda’s Ocarina of Time and other RPG games.
Casino Royal: James Bond - the movie was rather faithful, including the part of being tied to a chair. I do wish they kept more of the book’s ending where Bond was ready to retire prior to his secret-spy love interest gets killed.
Aliens: Bug Hunt - a compilation of Alien stores about people landing on various planets and encountering aliens, not always the Xenomorphs we know, but the term “Bug” came synonymous to any dangerous alien lifeforms encountered.
Macbeth: A Novel - retelling the story of Macbeth but in a novel form. If you can’t get past the language of the original play, this would help. It sets it more firmly in historical fiction.
Hannibal: A Novel -  I went ahead and re watched the tv show after finishing the book. I’ve seen the movie a dozen times, and i understand why they changed the ending to the movie. The book is the main one that characterizes Hannibal and the show uses a lot of the plot. Hannibal Rising wasn’t really needed because Hannibal (in this book) does think/talk about what happened to his sister and home, and i can see why Harris didn’t want to write that book either. The audiobook is rather poor quality, they talked too fast in places and i don’t really care for their acting...
The Power of Six - I read I am Number 4 several years back and this one popped up on sale so i nabbed it. I like Neil Kaplan, and i think this one is better than the first one and actually gets into the meat of the story.
Cut and Run: A Light-Hearted Dark Comedy - body parts harvesting.... mmmm.
Calypso - non-Fiction, biography of the author. Talks about his family, his life with his partner, and what he does. Much of it is charming and it is read by the author. this was prior to him loosing his marbles about retail workers and becoming a karen.
Our Harlem: Seven Days of Cooking, Music and Soul at the Red Rooster - the history of Harlem and the Harlem Renaissance. I didn’t mind this podcast so much because i was reading The Diviners during the same time.
Malcolm and Me - another biographical book. one of the free books i got during Feb’ Black History Month.
History of Bourbon (Free Audio Book) - Informative about the liqueur industry in America.
Junkyard Cats: Shining Smith Book 1 - post apocalyptic action science fiction novel. the moment that guy showed up i was “that’s your bf.” and it was so... the plot wasn’t hard to figure out, it’s all about the action and setting.
The Moon is a Harsh Mistress - One of the better Heinlein books. The man can’t write romance and he is rather big on casual polygamy and open marriages. An anarchist-revolution book written by someone that is more on the Libertarian side of the aisle. Mycroft (the computer) comes off as rather antiquated, an AI that runs on a closed server, communicating through the telephone lines and printed paper, makes me wonder what Heinlein would’ve done if he was told about the internet and Deep Fake tech. (the book takes place in like 2075, but written in 1966)
Caffeine: How Caffeine Created the Modern World - the production of coffee and it’s prevalence around the world.
The Life and Times of Prince Albert - Exactly what it says on the can. *rimshot*
The Real Sherlock: An Audible Original - a biography of Sir. Arthur Conan Doyle.
The Design of Everyday Things - using psychology to improve the design of systems, products, and the modern business model.  It gives proper terminology for several common design features and how to improve on existing structures.
Bottom of the Barrel.
The Pagan World: Ancient Religions before Christianity. I was hoping there would have been something in there about European Religions, there isn’t, and the book was mostly Greek and Roman life styles and how gods are worshiped. It let me know where the word “auger” came from and why it was used in the Licanius Trilogy.
Life Ever After - disjointed at best. a couple that aren’t good for each other spend the next several hundred years in a crappy relationship.
Beyond Strange Lands: An Audible Original - The audio was complete crap on half of the voices. Which is bad because this could’ve been better. It is a Pod Cast Show and the director couldn’t make sure everybody had decent recording equipment and the sound effects often drown out the actors.
Henrietta & Eleanor: A Retelling of Jekyll and Hyde: An Audible Original Drama - They were going for a modern telling, but the language used is archaic. They speak like Dickens characters even though they talk about cellphones and computers.
A Crazy Inheritance: The Ghostsitter book 1 - The concept is there, but it is too nerfed. It was made for the 8-12yo crowd in mind by people that don’t know how to write for children.
Tell Me Lies (Free Audio Book) - It really wants to be smart. Who’s playing who and who is the actual villain of this story? If you want a quick “who done it?” maybe look into it.
Evil Eye (Free on Audible Plus) - told through phone calls between a mother and daughter. The whole genera of evil boyfriends/husbands isn’t really my cup of tea, and the boyfriend’s actor was too fake and the set up to the meat of the story was annoying.
The Half-life of Marie Curie - I didn’t mind learning stuff about Marie Curie... falls squarely in “made for TV lifetime movie” quality though. You should not carry around a vile of uranium where ever you go.
Alone with the Stars - A girl in Florida hears the call for help from Amelia Earhart, but nobody listens to her. Part fiction, part biographical. It would’ve been better as a biography and talking about various conspiracy theories about what happened to her and finding the pieces of the airplane.
Beezer - The son of the Devil learning to become a good person with a found family... however, most of the characters are annoying.
The Year of Magical Thinking (Free Audio Book) - very heavy on the subjects about loss and death.
Complete Garbage.
The Getaway (Free Audio Book) - A man being a POS by stalking and abducting women. It broadcasts just about everything that is going to happen.
Agent 355 (Free Audio Book)  - Do you like “American Mythology?” Like the whole “the founders are the greatest people in the world” kind of vibe? I don’t. I also hate the main character for being one of those “i’m smart, because i read books that women aren’t supposed to” girls when she doesn’t really think for herself at all.
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honeylikewords · 4 years ago
Note
They took a perfectly good start and turned it into the white evil guy is just misunderstood and needs the love of the right woman crap, completely screwing up pretty much everything else. Poe deserved better. Finn deserved better. Rose deserved better. Heck, even Rey deserved better than being shoved together with him. It sucks, and I'm over it. And all the actors didn't deserve a single second of hate because they weren't white.
Yep.
I’ve been very vocal about my feelings on the many failings of the SW sequel trilogy, both as failures politically and failures as just cohesive narratives, but hearing firsthand, straight from John, exactly how much he endured because of not only the story-based racism perpetuated against him but the actual on-set and directorial racism that was also active against him is just...
Like, I want to be shocked. I’m horrified, I’m disgusted, and I’m angry, but what more can I expect from people who tokenize, dismiss, and humiliate Black people as an industry? These people don’t value him as an actor, as a talent, or as even a human person to treat with basic social dignity. I can’t fake surprise when I know that this industry, this country, this world runs on the fuel of delegating Black people to “less-than” status. Christ.
I really don’t know how to get through to people that rooting for R*ylo from the get-go was just such an insidiously white-centric, shitty move. I won’t even deny it with “let people ship what they want” politeness anymore: the narrative was setting up a FinnRey endgame, and people pushing so hard for a white, abusive, Neo-N*zi character to “earn his redemption” by being “loved better” by a white woman, shutting the Black male lead out of the film and out of the relationship he was supposed to build over the course of the coming films, was racist. It is racist.
I don’t care if people like Adam Driver. I like him too-- he’s a great actor and, from all accounts, a nice guy-- but liking him or thinking he’s handsome doesn’t excuse narratively rejecting a Black man in favor of a violent, totalitarian, abusive, white man who was a LITERAL NEO-N*ZI PARALLEL. 
And the creative teams, LucasFilm, Disney, whoever listened to all the petulant white fans demanding to see the white people kiss caved to racism. They fed the fire and look where it got them. 
It’s vile, it’s low, it’s degrading, it’s nothing less than a hollow placation of white fantasies at the expense of genuine progress and of even the most basic structures of storytelling.
We were promised a growing dynamic between a female Jedi and a Black Jedi. We were supposed to see their bond grow and evolve. We were supposed to see their characters develop and strengthen and watch them tear down a fascist empire.
But what we got was pandering to white people, pandering to heteronormative expectations, and racist action taken against the very small handful of Black and brown actors who had finally broken through in a heavily white-dominated fandom space. 
Kelly Marie Tran was bullied off of social media, harangued and harassed, and had her character relegated to brief blips in the following film because the team behind the film caved to the racist mudslinging perpetrated against her.
Oscar Isaac had his character reduced to a heteronormative DRUG DEALER, despite having CHANGED HIS LAST NAME so that he would stop being typecast in drug dealer roles. He has even said that if he knew what was going to happen to Poe, he would have let them kill him off in the first movie like JJ Abrams had originally suggested. 
And John.
What else can I say except that my heart burns and breaks and aches for him and everything he’s been through? What could I say that he hasn’t said?
I’ll drop this quote from his interview: “His primary motivation is to show the frustrations and difficulties of trying to operate within what can feel like a permanently rigged system. He is trying, really, to let you know what it feels like to have a boyhood dream ruptured by the toxic realities of the world.”
He has been so strong in his push back against this system and the people who seek to harass and belittle and dehumanize him and for that I am so grateful and I look up to him with intense admiration, but, God, I wish he didn’t have to. I can’t imagine what this must have been like behind closed doors. What must have been going on for him in private, in his heart and head and soul as he had to just sit there and smile and watch his big break get smeared in front of him, as vitriol and hate and death threats flooded his inbox for no reason other than him having the audacity to be Black.
I love the characters. I love parts of the movies and I’ll rewatch them and cobble together my own canon and enjoy what brings me love and warmth and happiness, and continue to support and promote characters like Finn and Poe and Rose and, hell, even my own version of Rey. Force Awakens is still an objectively great Star Wars film and a comfort of mine and a window into the future we could have had with these amazing characters.
But absolutely fuck every single person who contributed to tearing down the people of color in this series, and fuck every single person who harassed their actors, and fuck every single person that put all their energy into supporting Kylo Ren and his goddamn waste of a ‘redemption arc’ instead of giving a single thought to the Black man who should have been given his due depth.
And go John Boyega; every new project he takes on, I’m gonna be there watching and supporting as best I can. He’s more than damn well earned it.
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obeyme-and-you · 4 years ago
Text
Lucifer Son of the Morning Star
Italics is Gabriel
Bold is Kimimela
Normal is Verses
Lucifer Son of the Morning Star
Uh, who exactly are ya?
*Spoilers for chapters 16 and onwards, especially after chapter 20. Minor spoilers for the Lamp and Baddies events and the Search For Self Devilgram.*
There’s a few key pieces of information that is important to note before diving into information about Lucifer, both biblically and Obey Me wise.
( https://bible.org/article/lucifer-devil-isaiah-1412-kjv-argument-against-modern-translations explains this more in depth, but for the TL;DR points these points are all from this website. It also explains that “Morning Star” is not synonymous with evil, it’s a descriptor)
The KJV of the bible, is a translation, of a translation. The Old Testament was originally written in Hebrew, while The New Testament was written in Greek. Those were both translated into Latin by a scholar, and then that translation was translated into English, aka the KJV Bible. The translators knew Latin better than Greek and Hebrew, so when they didn’t know a word in Hebrew or Greek, they did their best with translating the Latin word. The word lucifer was similar to this but not quite. 
Lucifer was not originally the name of The Devil/Satan/whoever, but a word that roughly meant “Morning Star”. The translators who were translating it into English, didn’t translate the word, and through the many years, it eventually became what people assume the name of the fallen angel was before his fall.
There’s only one verse in the KJV that uses the name Lucifer, there are other passages that do use “Morning Star” and other variations of this.
Lucifer did not originally mean The Devil, and is not synonymous with evil, so because of this, there are verses that use “Morning Star” while referencing Jesus.
So what does this mean and why is this important?
Lucifer Morningstar means Morningstar Morningstar and therefore should be bullied for it
It’s important to note because there are instances of “Morning Star” not actually talking about The Devil, there will only be 2-3 verses used that use the term when explaining Lucifer from Obey Me. The NASB version never uses the word lucifer, and only uses variations of “morning star” throughout the texts. And one last thing to note, typically (but not always, it’s dependent on some factors) The Devil/Satan/Lucifer/etc. are talked about as one figure, but for the sake of Obey Me, they will be thought as completely different entities. (One passage (the king of Tyre) that will be used is not universally accepted as a story about Lucifer, but will still be used because there are plenty of people who use it when talking about Lucifer and The Fall)
(Who are we talking about again?)
                                                                                  Okay let’s try this again  
                                               (Again they say) 
                         Lucifer Son of the Morning Star
                                                  Who are ya?
                    (You want a real answer or a sarcastic one?)
There are two important passages needed to understand Lucifer as a character, and some possible foreshadowing further into the story of Obey Me. The book of Isaiah (specifically chapter 14) and Ezekiel 28 (The King of Tyre).
Isaiah 14
 “When the LORD will have compassion on Jacob and again choose Israel, and settle them in their own land, then strangers will join them and attach themselves to the house of Jacob.
The peoples will take them along and bring them to their place, and the house of Israel will possess them as an inheritance in the land of the LORD as male servants and female servants; and they will take their captors captive and rule over their oppressors. 
And it will be in the day when the LORD gives you rest from your pain and turmoil and harsh service which you have been enslaved,
that you will take up this taunt against the king of Babylon, and say, “How the oppressor has ceased, And how fury has ceased!
“The LORD has broken the staff of the wicked, the scepter of rulers
Which used to strike the peoples in fury with unceasing strokes, Which subdued the nations in anger with unrestrained persecution.
“The whole earth is at resent and is quiet; they break forth into shouts of joy.
“Even the cypress trees rejoice over you, and the cedars of Lebanon, saying, ‘Since you were laid low, no tree cutter comes against us.’
“Sheol from beneath is excited over you to meet you when you come; It arouses for you the spirits of the dead, all the leaders of the earth; It raises all the kings of the nations from their thrones.
“They will all respond and say to you, ‘Even you have been made weak as we, You have become like us.
‘Your pomp and the music of your harps Have been brought down to Sheol; Maggots are spread out as your bed beneath you And worms are your covering.’
“How you have fallen from heaven, O star of the morning, son of the dawn! You have cut down to the earth, You who have weakened the nations!
“But you said in your heart, ‘I will ascend to heaven; I will raise my throne above the stars of God, And I will sit on the mount of assembly In the recesses of the north.
“I will ascend above the heights of the clouds; I will make myself the Most High.’
“Nevertheless you will be thrust down to Sheol, To the recesses of the pit.
“Those who see you will gaze at you, they will ponder over you saying, ‘Is this the man who made the earth tremble, Who shook kingdoms,
Who made the world like a wilderness And overthrew its cities, Who did not allow his prisoners to go home?’
“All the kings of the nations lie in glory, Each in his own tomb.
“But you have been cast out of your tomb Like a rejected branch, Clothed with the slain who are pierced with a sword, Who go down to the stones of the pit Like a trampled corpse.
“You will not be united with them in burial, Because you have ruined your country, You have slain your people. May the offspring of evildoers not be mentioned forever.
“Prepare for his sons a place of slaughter Because of the inquiry of their fathers. They may not rise and take possession of the earth And fill the face of the world with cities.”
“I will rise up against them,” declares the LORD of hosts, “and will cut off from Babylon name and survivors, offspring and posterity,” declares the LORD.
“I will make also make it a possession for the hedgehog and swamps of water, and I will sweep it with the broom of destruction,” declares the LORD of hosts.”
I included this chapter because I do believe it is very important, but I do not have an entire explanation for this chapter and how it pertains to Obey Me. It should be noted though, verse 12 (“How you have fallen from heaven, O star of the morning, son of the dawn! You have cut down to the earth, You who have weakened the nations!”)   is the only verse in KJV that mentions the word Lucifer.
“How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations!”
There is some information that can be taken from this chapter and applied to Obey Me’s story, but until future information within the story is released it won’t be a verse by verse explanation. Once more is learned within the story, this will be further broken down if it turns out to be important information, but it will be mostly unexplained and theorized until said information is presented.
Verses 1-11 could be used for something that has yet to happen within the story of Obey Me, because it involves MC.  (Flash backs maybe? Maybe there is Devilgrams we need to read?)
“1) When the LORD will have compassion on Jacob and again choose Israel, and settle them in their own land, then strangers will join them and attach themselves to the house of Jacob.”
When the exchange program became in effect, strangers did come into each of the realms. MC, Solomon, Simeon, and Luke all came to the Devildom as exchange students, but the demons did know who Solomon, Simeon, and Luke were before the program began. Solomon was famous for having 72 demon pacts and being a very powerful warlock, and Simeon and Luke were angels that the brothers already knew personally. MC on the other hand is considered a stranger in their eyes because they never knew them.
“2)  The peoples will take them along and bring them to their place, and the house of Israel will possess them as an inheritance in the land of the LORD as male servants and female servants; and they will take their captors captive and rule over their oppressors.” 
The demons brought MC to live with them as a roommate at the House of Lamentation, and each of the demons there do have their own way of saying they “own” MC. Mammon is most notable in this aspect, by his consistent insistence to MC and his brothers that he was MC’s “first” and therefore has more power and privilege when it comes to anything involving MC. Lucifer tells MC after they make a pact with them “As of this moment, (MC), you are mine.” (chapter 20-14) But all of the brothers have shown jealousy or possessiveness when involving MC.  (Beels Devilgram ‘Queen of jealousy’ shows a possessive side to a boy i thought was pretty laid back for the most part) MC, even though not technically a servant, has been tasked to help the brothers many times by the brothers, and is charged with helping cook and such at the House of Lamentation. While, neither the brothers or MC can truly be considered captors or oppressors in a literal sense, the brothers are MC’s “captors” in the sense that MC didn’t really have a choice in living there and MC does end up having power over them through the pacts. It will more than likely have to deal with something in the future, specifically with Diavolo if this passage was in fact used as inspiration for Obey Me. (<_< Spoiler chapter unknown)
V 3-9 sounds like foreshadowing for something we have yet to get foreshadowing for within the game. (galaxy brain)
"10) They will all respond and say to you, ‘Even you have been made weak as we, You have become like us."
This has happened once to Lucifer when he and Satan switched bodies. Lucifer, in Satan's body, was unable to punish Mammon because he was in a body weaker to Mammon's. Mammon ridiculed him and constantly made fun of him for it, while Satan told him that now he's stronger so Lucifer has to listen to him. This is possible foreshadowing that all the demon brothers will have this happen to them in some form or another later into the story. (Beel and Asmo also swapped in a side story)
"12) How you have fallen from heaven, O star of the morning, son of the dawn! You have cut down to the earth, You who have weakened the nations!"
This is in reference to The Fall. The civil war between the angels would have weakened the Celestial Realm, and could have affected both the Earthly Realm and the Devildom if they were stuck in the crossfires/participated. It would have weakened the link (politically) between all the realms, because of the resentment towards humans, and the fact that angels fell into the Devildom. (The fact that Lilith was mortally injured in the process as well)
“13) But you said in your heart, ‘I will ascend to heaven; I will raise my throne above the stars of God, And I will sit on the mount of assembly In the recesses of the north.
14) “I will ascend above the heights of the clouds; I will make myself the Most High.’”
Biblically, one of the big reasons why Lucifer rebelled against God and the other angels, is because he wanted to, essentially, dethrone God. Lucifer was full of pride and wrath and wanted to be on top. We have yet to learn all the events that transpired for the demon brothers to rebel and fall from heaven, but it’s safe to assume that one possibility is he thought he would be a better leader, or at least wanted the power that came with being God. Even though a non-canon side story, we can look at the Lamp event and see some insight into Lucifer’s personality. In the event, Diavolo is an oracle and says that whoever marries the MC is the person who will rule the world. Lucifer is very adamant about marrying MC because he wishes to rule everything, and when Satan comes up with a plan that all the brothers will marry MC, he agrees to it, saying that he doesn’t need to marry MC in order to rule the world.   (I’m sure we got told more when Satan was giving us a history lesson but noooooo)
“15) “Nevertheless you will be thrust down to Sheol, To the recesses of the pit.”
When he lost the civil war, he was cast out of the Celestial Realm, down into the Devildom. (Sheol is not technically hell but a place spirits go when they die but like a transition point)
“16) “Those who see you will gaze at you, they will ponder over you saying, ‘Is this the man who made the earth tremble, Who shook kingdoms,
17) Who made the world like a wilderness And overthrew its cities, Who did not allow his prisoners to go home?’”
When Simeon comes down to the Devildom and sees Lucifer for the first time since the Celestial War, he seems surprised by his appearance and both him and Diavolo talk about Lucifer and his beauty, and how he hasn’t changed much while Lucifer asks them to stop.
“18) “All the kings of the nations lie in glory, Each in his own tomb.
19) “But you have been cast out of your tomb Like a rejected branch, Clothed with the slain who are pierced with a sword, Who go down to the stones of the pit Like a trampled corpse.
20) “You will not be united with them in burial, Because you have ruined your country, You have slain your people. May the offspring of evildoers not be mentioned forever.
21)“Prepare for his sons a place of slaughter Because of the inquiry of their fathers. They may not rise and take possession of the earth And fill the face of the world with cities.”
We do know that angels can die, because Lilith was going to die until Diavolo made his deal with Lucifer, and the fact that there are tombs in the Devildom (which is where the grimoire is located) it can be assumed that demons can die too. Lucifer attacked his country (the Celestial Realm) (or at the very least a fighting retreat) and caused a civil war which could have partially ruined the Celestial Realm, at least for a short period of time. Knowing that angels can die, it is very possible that Lucifer killed angels that fought against him. “May the offspring of evildoers not be mentioned forever.” could be either about the demon brothers, because they are the “offspring” of their former angel selves, or it could be about MC because MC is the offspring of Lilith (a few thousand years down the line) and in the eyes of God, and the Celestial Realm, evil because she interfered with the life of a human, something considered very bad. Verse 21 could be foreshadowing further down the line.Another thing to mention, “You will not be united with them in burial” could be in reference to Lilith, because they didn’t get to be with her in the end.
22) “I will rise up against them,” declares the LORD of hosts, “and will cut off from Babylon name and survivors, offspring and posterity,” declares the LORD.
23) “I will make also make it a possession for the hedgehog and swamps of water, and I will sweep it with the broom of destruction,” declares the LORD of hosts.”
These verses are possible foreshadowing.
“I will rise up against them,” declares the LORD of hosts, “and will cut off from Babylon name and survivors, offspring and posterity,” declares the LORD.” This could be specifically against MC, because if the Celestial Realm learns about Lucifer and Diavolo’s deal, and that Lilith was reincarnated as a human, and that MC is offspring of her, could cause a war. There’s a possibility that MC will be put to death for Lilith’s crimes.  (Spoilers? Glad we didn’t meet Michael)
“I will make also make it a possession for the hedgehog and swamps of water, and I will sweep it with the broom of destruction,” declares the LORD of hosts.” If a war were to break out between The Celestial Realm and The Devildom, God may order the complete destruction of the Devildom.
Ezekiel 28 is debated on whether the passage is talking about Lucifer or not but it is used to talk about him and The Fall even though not everyone agrees on it. In the case of Obey Me, it would mostly be about him but it will talk minimally about others.
Part 2 HERE: Lucifer Son of the Morning Part 2
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sixth-light · 5 years ago
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Chekhov’s Garden Shed
For the last four or five years, the RoL fandom has had a masterpost of Chekhov’s guns/unanswered questions from the series – the last version, with links to the original, can be found here. Past contributors include @deviantaccumulation, @the-high-meggas, @maple-clef, @uncommonsockeater​, and @flannelgiraffe, as well as others who I have doubtless forgotten. [If that’s you or someone you know, please speak up!]
Ben Aaronovitch has indicated that he views the various open questions of the series as less of a set of ‘guns on the mantelpiece’ (which must be taken down and fired before the series is finished) and more a ‘garden shed’ of things he thinks might be useful one day but could also end up rusting in the back after getting buried under other things. The fun is finding out which is which. (Thanks to @ilikesallydonovan for originally reporting this and chasing down the link!)
So, without further ado, here is the renamed Chekhov’s Garden Shed Of Stuff That Might Come Back Later. It’s separated into Answered Questions, Partially-Answered Questions, and Things Still Buried At The Back Of The Shed. I enthusiastically welcome comments, corrections, and missing items. Contains spoilers for all published RoL-related material including the novellas, comics, online snippets, and interviews with the author. A mirror of this version can be found at Dreamwidth – I will try and keep it updated as I update this one.
ANSWERED QUESTIONS:
·        What the fox said to Abigail in WuG It was warning her about Chorley’s involvement with/interest in Skygarden. 
·        Peter’s father needs a few thousand for dental work; his mum is very keen to get the money so that he might re-launch his career. They’ve already done a gig (beaucoup money) for Ty. Will this be a vulnerability for Peter at some point? Apparently not; his dad’s band do regular gigs for the demi-monde, his dad has his new teeth, and Ty doesn’t seem to have been involved at all. Peter just has to live with his parents being better-informed about his work and new world than he might like! 
·        Will we see Awa Shambir again? Her of the suspiciously expensive hijab to be cleaning the offices (of a front organisation for an evil wizard) in… Goodbye Awa Shambir the Somali cleaning lady, hello Lady Caroline Elizabeth Louise Linden-Limmer, surreptitiously aerial scion of nobility. 
·        What was Molly doing in the tech cave? Is she on facebook/twitter/tumblr/a cooking forum? Looking up recipes? Has she discovered online shopping? Molly is active on Twitter gossiping and swapping recipes; it’s not a secret from either Peter or Nightingale, they just pretend not to know. 
·        Is that watch Nightingale gave Peter going to have any future relevance? Peter and Caroline had a watch-off in The Hanging Tree which Peter won, and the practitioner habit of wearing mechanical (and hideously expensive) watches enabled Peter to identify Chorley as the Faceless Man. 
·        Who is Mr. Nolfi’s mother? Where did she learn magic? and Have any other Newtonian wizards continued to practice in secret and/or trained apprentices in other parts of the country, without telling Nightingale? (Broader: was Nightingale mostly wrong about being the last wizard in Britain or really, totally, 100% wrong?) and What about the “female affiliates” of the Little Crocodiles? and How many wizards did Wheatcroft actually train and where are they now? Most of an answer to all of these: there’s a long-standing tradition of women practicing and teaching each other Newtonian magic dating back to before the founding of the official Folly. Mr Nolfi’s mother and the ‘female affiliates’ of the Little Crocodiles could well have come from this tradition. And Nightingale was totally utterly wrong about being the last wizard in Britain. Practitioners exist trained by ‘hedge’ wizards and witches, trained by Little Crocodiles, immigrated and bringing other traditions with them…that cat is not only out of the bag, it was never even in it. C.f. Patrick Gale and co. in Detective Stories and Lies Sleeping. However, many Little Crocodiles never really learned magic at all, or managed to brush it off after university as unimportant – unfortunately for them, Martin Chorley targeted them as tools and bait.
PARTIALLY-ANSWERED QUESTIONS:
·        What happened at Ettersberg that caused magic to disappear? Answered in various interviews: magic didn’t disappear at Ettersberg as an objective thing, but a lot of practitioners were wiped out by the war and the Nazis, as well as a lot of genii locorum and other fae and magical people. Nightingale over-indexed on this because he was depressed and traumatised, and the magic ‘coming back’ is a combination of a new generation of gods, fae, and practitioners growing up, and Nightingale noticing the ones who were there all along.
·        Where are the notes Peter was promised? Peter has a deal with Nightingale about getting questions answered in return for magical progress; we haven’t seen him look at any old wizard’s notes specifically but he doesn’t seem to be waiting on them. 
·        What was Nightingale doing in the 70s that he managed to miss the original FM’s adventure in Soho? Working with the Met, apparently - he was called in when Woodville-Gentle got his at Lady Helena’s hands, but too late to determine whether it was magic. Seems like he just wasn’t paying enough attention to what was going on around him!
·        What was Peter doing after he left school and while he was a PCSO? Why did he have problems during his A levels? Why did he join the police? Peter flatted and worked retail for a while after he left school (possibly while he was at school, too). We still don’t know what happened with his A-levels or what led him to join the police. 
·        Outwith the Met, does the Folly answer to the Home Office (or higher)? There are hints at that (cf. Walid in RoL), but nothing more and Who is Nightingale’s boss/who does Postmartin send his files to?  No direct answer to who they answer to beyond what we already knew, but we learn in THT that they have their own source of funding and aren’t an official part of the Met. Nightingale does not appear to have any direct supervisor beyond the Commissioner (or presumably they would have been informed/called when he was kidnapped in Night Witch). 
·        How do “Hedge Witches” practise magic; how does it differ from formal Newtonian magic and will we get to meet any? Are “Hedge Wizards” simply rusticated Newtonian wizards, or do they also have informally-developed skillz? Per the one we meet in Black Mould: hedge witches and wizards have informally-developed skills rather than just being rusticated Folly wizards, but how close their magic is to the style Peter is learning, it’s hard to say (because it was a comic.) Others are probably from the female tradition, ex-Newtonian wizards, etc – it’s a mixed group.
·        How old is Postmartin, exactly (Peter thinks he looks older and frailer than his Dad, who’s in his 70s, but that’s just his guess)? How did he get that job, and is he ‘just’ a civilian affiliate, like Walid, or something else? Who does he answer to, and what happens if/when he needs replacing? What’s his twitter handle?! Postmartin served during the Korean War, so must have been born between 1928 and 1936 (per @sparrow-wings) - he’s currently in his 80s, as it’s late 2015 in current book time. His Twitter handle might be “dyingforafag” (who Molly is chatting to in Body Work). 
·        What sort of experiments were the Nazis doing with vampires? (Do we want to know? Proooooooooooobably not.) and Can the Rivers be killed, if they’re badly injured enough far enough away from their river? What happens then? We found out in Lies Sleeping you can use ‘tinned vampires’ to kill and hurt genii locorum and discomfit practitioners, so that’s…you know…fine. Rivers can definitely be killed in general, c.f. the former Lugg whom the Methodists got to. It’s only functional immortality.
·        What’s the deal with Mr. Punch when Peter’s leaving London at the beginning of Foxglove Summer? Is he coming back? Is it only Peter who senses him? If so, why? and How are Lesley and Punch connected? And What powers does Lesley have now aside from face-changing, if any? Martin Chorley was trying to murder Punch, who was a god of chaos and vengeance, in order to 1) gain magical power 2) ????? 3) glorious white supremacy. Lesley agreed to help Chorley to get back at Punch, but may still have some connection to him, having survived possession by him; she certainly has magical powers of her own now, being able to change her face at will. They wanted Punch powered up so he’d be a better source of magic when taken down. Punch was still pinned to London Bridge, but was freed by Peter. He can be talked down by his daughter Walbrook, but for better or worse, he’s out and a player in London’s magical ecosystem. Let’s hope Peter’s right and he plays an important role in it.  
·        How and why did Isis become immortal, since just marrying a River doesn’t appear to do the trick? Kelly tells Tobi Winter in The October Man that sometimes the partners/spouses/better halves of Rivers do just pick up immortality, although even she as an elder River doesn’t know exactly how or why that happens. Probably it’s what happened to Isis. Why it hasn’t happened to George McAlister is an open question.
·        What does it mean that Michael Cheung is ‘the new guy in Chinatown’? and Is there something going on with Guleed (PLEASE NO) or is she just picking up things about the demi-monde via her friendship with Bev (…and others)? Michael Cheung is the latest of a long line of people who have responsibility for any magical shenanigans in London’s Chinatown, so 1) the Folly/Nightingale don’t have to worry about it and 2) Chinatown doesn’t have to be offended by their attempts to worry about it. He’s dating Guleed and teaching her cool martial arts magic. Whether she has other demi-monde contacts is not yet clear.
·        Who is Chorley’s mole within the Met?  Probably not Seawoll, Stephanopoulos, Richard Folsom, Guleed, or Carey, due to the security practices put in place during Operation Jennifer. But if not any of them….then who?
·        How/why the fox knows about [Skygarden and Chorley], (and why it would tell Abigail) According to Abigail, the talking foxes view themselves as secret agents, and someone like Chorley would naturally draw their attention. Why they do so and who they think they should be reporting to is still unclear (but may be elucidated in the Abigail novella).
STILL BURIED IN THE SHED SOMEWHERE:
·        What about the paintings of Molly and a blue-eyed elderly man who looks like Nightingale that Peter found in the coach house?
·        Are there really werewolves or just creepy magic trackers called werewolves? (I’m waiting for them to turn up.)
·        Why does Fleet have a captain of dogs? What do her dogs do? (Is this related to the werewolves? Were-dogs?)
·        What’s the actual connection between Wheatcroft, FM1 (Woodville-Gentle, if that’s him) and FM2? Did he train them both, or did W-G train FM2? NB: Unlikely to be directly answered now Chorley is dead.
·        What’s up with Abigail’s apparently useless protection charm?
·        Is there a special reason that Nightingale is called The Nightingale? (+ is he strong/good at magic because of hard work or something else.)
·        People I’d like to know more about: Nightingale’s uncle, David Mellenby, Nightingale’s family.
·        How much do senior officers in the Met really know about the Folly/Nightingale/magic? Is it well-known that Nightingale has been running the Folly since the 1940s?
·        How did Nightingale learn the language Father Thames speaks?
·        How much does Nightingale and/or Walid know/suspect about the deaging thing? How much of this aren’t he/they telling Peter?
·        How did Walid and Nightingale meet?
·        Are there aliens?
·        Was the 1911 decrease of odd magical activity in Herefordshire linked to Molly?
·        Why does Seawoll dislike Nightingale so viscerally?
·        Did Peter really drop architecture because of his draughtsmanship or was it something else? Is it related to why his chemistry teacher wrote that letter to the newspaper?
·        How active is the ex-wizard grapevine, really? Is the FM connected to it at all?
·        What was the Faceless Man actually planning on doing with his Crossrail lair? Why build it so close to the Folly?
·        What happens if one river tries to userp, unseat or in any way properly fight another? Are the results ‘mythic’?
·        Was Emma Wall really a waste of space? As a character she is a bit of a smoking gun - red herring, or something else? She was living next door to our two, and *in* one of the flats where… stuff was being put. Any happily waltzed out on d-day. Peter never really got a chance to speak to her - but Lesley did, and was the one to dismiss her from suspicion. Which is suspicious (to me)!
·        Although we found out after that he’s been around for much longer, Nightingale said that Father Thames was definitely the same person in 1914. So presumably they met then… In what circumstances?
·        Are fae genetically different to other humans? Are they human? What about changelings (like Zoe in FS) - and will she get in contact with Dr Walid? NB: Dr Vaughan is getting some genomes sequenced, so answers to this question may be forthcoming....
·        What did Lesley say to her family about what happened to her face? Do they know about magic?
·        Just how much of an age gap is there between Peter’s parents?
·        Why did the Virtuous Men blame the British for Ettersberg? What was the agreement between them that Nightingale was referring to?
·        Postmartin made a show of wanting to get Peter alone to have a ”big” talk with him. Yet, the discussion we, the readers have witnessed was relatively small. Nightingale only arrived to The Eagle and the Child an hour later. What was said between Postmartin and Peter in the meantime?
·        Peter’s narration at certain points (like Chapter 14 in Moon Over Soho) waivers between past and present tense, and he is occasionally referring to events in (presumably) later books. Just what point in the future is Peter actually narrating these books?
·        When Nightingale got an infection in MoS, how did Walid know? Did Molly phone him and do her Nightingale’s being an idiot silence, or was he just visiting anyway?
·        What does Molly do on her days off?
·        When Nightingale doesn’t go to Peter’s parents’ for Christmas, did his not wanting to leave Molly excuse have any truth to it, or did he just say that so Peter didn’t realise that Nightingale planned to work (and so Peter didn’t feel he should be missing his own Christmas to help)/ he had a reasonable excuse to not go to Peter’s family’s Christmas celebrations?
·        (tongue-in-cheek) What would have happened if Peter and Lesley had given Molly a Heston Blumenthal cookbook?
·        What’s the deal with Lady Helena (and Caroline) - are they connected to Chorley and/or Lesley’s face being healed?
·        What does Caroline want to escape from? What was she doing posing as a cleaning lady at the County Gard offices? 
·        What do the Virginian Gentlemen want, and how connected are they with the American government?
·        What’s their specific definition of a ‘shade’? 
·        When and how did MI5 learn about magic, and do they have any practitioners of their own?
·        Was Christina Chorley a practitioner, possessed, or something else? 
·        Who sold and bought Molly, Foxglove, 'Charlotte' (the Pale Nanny), and 'Alice' (the Pale Lady)? Where were Foxglove, Charlotte, and Alice before they were put in the oubliette and rescued by Woodville-Gentle and then Chorley? Where is the fifth girl who was with them before they were split up?
·        Is it important that Walbrook is also Isis of London? Are there any other Isis-figures in the UK and Europe (aside from Isis who is married to Oxley, and is probably an Isis of Oxford?)
·        Are there any other non-Mama-Thames tidal Rivers? What exactly is Lea’s relationship with Mama Thames, as they see it?
·        What WAS Chorley's master plan, aside from ‘become Merlin, Profit!’?
·        How is the Difference Engine linked to magic, and why? NB: May be answered in ‘False Value’, which is about computing to some degree
·        Who or what is killing talking foxes (as Peter discovers in The Furthest Station)? Why?
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greedy-fox · 4 years ago
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Halloween Recommendations!!
Thought tis the season to be creepy, if y’all are are interested ranged animes to watch. I have placed these animes from PG-13 to the Horror Level
Interviews With Monster Girls
Let’s start with a happy go anime for this Halloween season, and I will start by talking about “ Interviews with Monster Girls.” 
This anime is actually an adorable comedy which follows the premise that all mythical creatures (aka demi-humans) are real and they are living peacefully within society. Our main character Tetsuo Takahashi, is a biology teacher at Shibasaki High School, with a big interest in learning the biology of demi-human.  
With the bar set low on his part since demi-humans are a pretty rare species, he unexpectedly meets a Vampire, Dulhan and a Yuki-Ona (Snow woman) as his female students, there is also the fact that one of his co-workers is a Succubus. 
In my opinion this is a good one to watch because of how cute the characters are, and also how considerate the biology teacher is to his demi-human students
Bloody Blockade Battlefront
Is another supernatural comedy, the story is set in a world where a version of ‘Hell’ (and the demonic creatures that come with it) decided to come up and live in New York. Now the area is closed from the rest of the world and considered its own country called ‘Jerusalem's Lot.’ To keep the inhabitants in check, an organization called ‘Libra’ that is filled with their own supernatural beings. 
A freelance photographer called Leonardo Watch lives in in said  ‘Jerusalem's Lot.’ But before he made that change, a demon gave Leo the ‘All-seeing Eyes of the Gods’ while his sister goes blind. After much research and a stroke of coincidental luck since that incident since that incident, Leo was finally able to join ‘Libra’ and finally use his eyes while finding a cure for his sister.
This is one of the funniest animes that I have watched. Artwork is beautiful and the storyline is great.
Soul Eater
Is a supernatural fantasy anime. The setting is Death Meister Academy in Death City run the head honcho Lord Death (aka the Grim Reaper). 
The school teaches the student how to become better shinigami in order to defeat any evil spirits and their biggest enemy are witches. The student are split into ‘Weapons’ who are humans that have the supernatural abilities to transform into weapons and ‘Meisters’ their human counterparts that are able to use the transformations at their best possible outcome. 
Our main character are team members Maka and her scythe Soul, Black Star and his katana Tsubaki, last but not least Death the Kid and his twin guns Liz and Patty.
Note: Highly Recommend reading this story line as a manga rather than watching it as an anime. Reason is because the main story line cuts off mid way through the series and ends in a completely different way. 
Highschool of the Dead
The story follows a group of Japanese highschool student and their nurse as they survive an unexpected Zombie apocalypse. Along the way they meet both friends and foes and pick up both a child and a dog. 
While all of this is happening, they toward a neighborhood that might be a safe haven for them, while kicking zombie ass along the way. 
Tokyo Ghoul
Is a story about ghouls, humans, and a human who unexpectedly became half ghoul. The setting is Tokyo, Japan; and there monster living within the human population called ghouls. Even though they look human they look and act human they aren’t because they live off of eating human flesh for sustenance. 
Ken Kaneki is your average male high-schooler who unluckily fell in love and victim to one of Tokyo’s most notorious ghoul criminals Rize Kamishiro aka the ‘Binge Eater.’ As what seemed to be a normal date, ends with him running for his life from her and they both fall victim to unsecured metal beams at a nearby constructions site. Just when Kaneki thought he was dead, he wakes up in  hospital bed where his the doctor tells him that he miraculously survived the accident. But as time goes by while he still a patient and after he get discharged Kaneki realizes that there is something very different about his body and was shocked to realize that he is half ghoul. Thankfully he was able to find allies within the coffee shop he frequents.
This anime is on point one of the best things I have watched. The main character goes through a lot of character developments and regressions. There are about four seasons overall and I loved every single one of them.
Devils Line
Is a vampire romance- drama. Set in a world where vampires live among humans in hiding. But they don’t really require human blood to survive. Instead they drink blood when they are about to go on a rampage. 
Our main character is university student Yuuki Anzai and she meets Taira Tsukasa a vampire-human hybrid whom she saves before he went berserk. The two then unexpectedly get closer and start to grow some feelings for each other. But Yuuki is worried that she is a liability to Taira. 
I honestly really liked this anime for it great art work and honest storyline. (Reminds me of Twilight but better) If it catches your and you really like it this is a manga adaptation that you can read after watching the series.
Parasyte: The Maxim
An action horror series where aliens that are called ‘parasyte’s’ have descended into earth orbit and take on the human brain and make them into living hosts. 
Good news is that our main character Shinichi Izumi did not have his brain taken over. Bad news is that the alien instead took over his right arm and is calling himself Migi throughout the series.
 That not all, there are other evil and much stronger ‘parasyte’s’ that have taken over human bodies. Now Izumi and Migi are caught up in multiple fight they just can't lose or it might mean the end of the human race itself.
Another great anime. I personally read the whole thing and it was great the characters go through a lot fighting and there come literal life and death situations happening.
Another
Probably one of the creepiest horror-thriller animes on the decade. The show follows  student by the name Kouichi Sakakibara transfers into 3-3 of Yomiyama North Middle school which rumored to be a cursed classroom. The rumors tells of a female honor student that dies tragically 26 years ago. As she was loved by all the student, class 3-3 decided to keep on believing that she was alive until they graduated.  😖😖😖😖😖
Suspicious and afraid of the classroom atmosphere Koichi ends up befriending Mei Misaki (who he is also very wary of). As the story unfold most of his classmates start dying one by one. Now Kouichi afraid that the curse is real and he might be the next target. 
Will be able to survive this torture and be able to graduate from middle school or will the curse kill him off 
I really believe that this story is creepy beyond compare. I honestly have not watched it myself but based on the opening and what I remember when I saw the trailer, I had nightmares for a month.
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This is all I have for this year be ready for more the next!
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bregee13 · 5 years ago
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Leopard Gang
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It's the Leopard Gang!!!!! 
I made a bunch of Raposa (from Drawn to Life). They're all based on certain sections of the Jack Stauber song, Leopard. 
I worked really hard to represent each part. The song changes to the next Raposa after "every time we change ___" . With the exception of #2 and #3 (#2 is the the part that goes "nothing happens" , and #3 is right after that. "Little angel you're no harm..." ). 
for an explanation of each of the characters, click the read more!
1)
"God sent you wrapped in satin 
Hey stop pretending I'm the captain 
But yesterday we look down and say: 
Every time we change it's great"
 #1 is a traveler that loves nature, and is fascinated by the concept of change. They often sail the seas with pirates, despite not considering themselves one. In group settings, people often look up to them for help and advice. While #1 is proud of this, they don't want to be seen as a leader. Even when they are actually left in charge. They don't like being in the same situation for too long, and will often leave people behind when bored. (Might be related or even be an older version of #10)
2) 
"It's nothing. Nothing happens. (x2) No...
It's nothing. Nothing happens.
It's nothing... (x3)"
#2 is an anxious Raposa that never goes outside their village. One of their biggest fears is that nothing in their life will change. Despite wanting something to happen, #2 is really scared of leaving their comfort zone. Any time someone asks them what's wrong, they'll just say it's nothing. They're usually in denial when something goes wrong.
3) 
"Little angel You're no harm 
I've got my smile and my sweetheart in my arms 
You got me dancing to the music I can't believe it
You've got me losin' all my sense, there's nothing to it! 
Now how can I blame that on fate? 
When you're right you're right baby 
Every time we change it's too late!"
#3 is a country Rapo that wears their heart on their sleeve. They're not very good when it comes to romance. Especially since they're always in denial when they've fallen for someone. And they can never tell when someone is into them. By the time #3 realizes what's going on, it seems like it's too late. They have a submissive personality, and often let others get what they want.
4) 
"I admit it You look mighty fine 
Hop into my suit I'll take you for ride
Lickety split I am gone again 
Swallow your spit Sick consequence 
I lost your signal Get back in my range 
Lo-lo-lo-lo-lo-location 
Every time we change it's strange"
#4 is a mystery solver and ghost hunter. They are really into the paranormal, and are very open to other people's stories. They're also relatively tech savvy for a Raposa, and will use that to their advantage. Another important thing to note about #4 is that they might as well be the embodiment of lust. They always find themselves attracted to someone and will ALWAYS take their spare time to flirt with someone. They usually end up driving people away because of that.
5) 
"And the minds under the floor 
Don't see the life as a chore 
Though the bad is gone and they're no longer sore 
They can't feel the light anymore 
Keep the promise sealed in pain 
Every time we change It rains"
#5 is a very quiet and mysterious Raposa. They live alone in a rickety old house that has a handful of secret rooms in it. Nobody knows what kinds of secrets they hide (or if they hide any at all). While many people think #5 is constantly sad and depressed, this isn't necessarily true. They are just an incredibly pessimistic person who sees all the bad things in life. They're not upset by this at all. In fact, they just accept it as life. That's why they always carry an umbrella. They know it will rain.
6) 
"Open up open up I'm alive 
Cut that psyche I'm inside 
Loser I know you will stay the same 
Every time we change, it's a game"
#6 is a normal average Raposa. Or are they two? Who knows. Either way, they take the form of a glitched fusion of the female and male generic villagers in Drawn to Life. Unlike most Raposa, #6 is more than aware of the fact they live in a game. And they aren't very happy about it! They're a very angry person that has no issue with the concept of revenge. They are very upset with the creator for keeping them trapped inside the game. They know nobody is really going to change, and that their situation will stay the same. They have little to no empathy for others, and only care about themself.
7)
"Oh yeah! 
Natural as the moon! 
Feel it out! Coming soon! 
Brain to remain 
You're a fool! 
Every time we change It's cool!"
 #7 is a very chill Rapo. They are obsessed with nature, and are very spiritual. Their home is scattered with dream catchers and various knick knacks. They also own a bunch of tarot cards. Along with nature, this Rapo is also obsessed with dreams and sleep. They always write down their dreams and find loads of wisdom within them. They seem to have the ability to feel the energy and auras around them. #7 thinks that everyone including themselves is a fool by nature. And that change is natural. And if something is natural, it's cool.
8) 
"I am doing fine 
How can I remember everything all the time 
Heavenly poised 
The shoes and my shirt are lined up for the winter now 
I will rearrange the frantic (tock tick tock tick)
Every time we change there's panic (nic nic nic nic)"
#8 is a very nervous and anxious Raposa. They always seem to be in some sort of panic. What about, isn't always clear. Sometimes it's due to them being overwhelmed and unable to remember things. Sometimes it's due to their idea of perfection not being met. And sometimes they're simply afraid of the time left. #8 usually  tries to calm down and stimulate themselves by rearranging clothing and over-preparing for the worst. If there's one thing that always makes them panic, it's change.
9) 
"Then you'll say to you: 
So long! 
Every time we change You're gone!"
#9 is... can I even call them a Raposa? They WERE a Raposa once. But after multiple incidents, they lost every part of their Raposa body. All they are now is a raposa doll with a Raposa soul. They may look friendly, but they're definitely haunted and spoopy. Do they have evil intentions? Not sure. They never harmed anyone though. #9 believes that they are no longer the person they once were. According to them, once you change, you're gone forever.
10) 
"You can smile and say you had 
Every time we change, be glad"
#10 is a little Rapo kid that is very curious about the world. They may be small, but they have a big future ahead of them. A little shy, but very adventurous. They like to wander about looking for interesting objects and toys. #10 is a very clever kid for their age, and always seeks out to understand everything around them. They usually take responsibility for themselves, unless they think the responsibility is nonsense. They want to explore the world and see everything they can. Every time they experience something new, they feel glad. (Might be related or even be a younger version of #1)
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“After the disappointment of the Andrew Garfield-led Amazing Spider-Man movies, everyone’s favorite wallcrawler has been having a renaissance. Entering the Marvel cinematic universe in 2016's Captain America: Civil War, the webslinger fully redeemed himself with well-crafted live-action film in Spider-Man: Homecoming.”
 Yes...okay...that was definitely what Homecoming was....
 “and a wildly successful spin-off film Venom, ”
 I mean financially successful sure...
 “In the midst of all his success, Spider-Man has quietly become one of the most inclusive and socially conscious superheroes of today.”
*raises eyebrow*
 Okay...go on...
 “Last week, it was announced that Spider-Man: Far From Home would feature two out transgender actors playing trans characters, the first big-budget superhero film to do so. Spider-Man: Homecoming also featured a queer character, as well as numerous people of color.”
  Wait who was the queer character in Homecoming?
 “It’s also worth mentioning that Spiderverse included a Jewish version of Peter Parker, who is typically portrayed as either secular or Christian.”
 ....ehhhhhhhhh....yes and no.
 In media adaptations barring maybe one (the 1994 show cos I do not remember where he got married) Spider-Man is portrayed as...I guess secular but really it’s more that they just don’t say anything.
 It’s not that the character is not a believer in a faith per se, especially if you go by older adaptations during times when hardly anyone was secular. It’s just that they, understandably, aren’t saying anything.
 In the comics Peter is some kind of Christian but probably a Protestant (unless you go by Amazing Grace where he is an atheist but that’s hot trash we don’t talk about) but we don’t really talk about it that specifically.
 We just know that he and his family celebrate Christmas and very, very occasionally Aunt May references going to church and that she, Peter and MJ believe in a monothetistic deity they refer to as ‘God’.
 And really apart from the Church thing there is no clue to Peter’s religion and Marvel probably (wisely) would rather keep it that way. He even got married in a civil ceremony!
 However in the SUBTEXT...he’s Jewish. And it’s basically an open secret that he is and always has been Jewish.
 “The Spider-Man video game also featured a wonderful easter egg for queer fans by having a giant rainbow flag, as well as several smaller ones, scattered around the game’s fictionalized New York City map. ”
 I mean that’s wonderful but I wouldn’t call that an Easter Egg so much as...it’s just what you’d find in modern NYC.
 “Even the Venom film got in on the fun, with fans shipping Tom Hardy’s Eddie Brock and the titular male alien-symbiote after the two kissed in the film. Sony even encouraged the pairing, releasing a romantic comedy-esque trailer for the film to promote the home release. While some complained of queer-baiting, most felt that it was all in good fun and included queer people in on the joke, instead of making us the target.”
 Again, good for them but I don’t think that was the movie actively trying to be positive towards queer people.
 Brock and Venom kissed when Venom was bonded to Brock’s ex-fiance and had a pronounced female form, being an adaptation of a character literally called She-Venom.
 And it was based upon a script written in the 1990s so really it was more the movie did it and then people took it as a thing that was shipping Venom and Brock (even though Venom is sexless). Brock and the symbiote have been shipped numerous times in the comics but the subtext has always been that the symbiote, if any sex, is female. In the Spec cartoon it is referred to as Symbi (a pun on Cyndi) and in the Spider-Girl comics it is marked out as female (granted this happens after it’s bonded to a woman).
 And again, headcanon away but like...that probably wasn’t intentional at all Sony were just being goofy or unintionally made something people took a certain way.
 “Indeed, even in the comics, Spider-Man has always been a fairly inclusive hero. Miles Morales was introduced in the early-2000s, taking over the mantel from Peter Parker for several years. ”
 Okay, this is so weird for me to be correcting such a praising point but lets really look at this.
 First of all Miles didn’t take over Peter’s role for several years he did it permanently.
 Second of all Miles is from 2011 so that’s not the early 2000s, that’s the early 2010s, but okay maybe that was a typo.
 Third of all, is it really all that logical to say this franchise that began in 1962 has always been fairly inclusive and then cite a character from 2011 as proof of this? Wouldn’t examples from during the FIRST quarter century have been more apt?
 Fourth of all...eh. Has Spider-Man been fairly inclusive from the start? Yes, no, its complicated.
 Look there were exactly 0 LGBTQ+ characters in Spider-Man until maybe the 1990s and even then I couldn’t off my head tell you who they were. Felicia Hardy is bisexual but we didn’t find out until the 2000s and it was most prominent in an AU. Really the most significant LGBTQ+ character who’s had the fact that they are queer be more than a one off reference was Max Modell and he debuted 2011 and IIRC wasn’t established as queer until 2012. In defence of Spider-Man the Comics Code literally FORBID any character be anything other than straight until the 1990s and even then it was relatively rare, even in X-Men which you’d think it wouldn’t be.
 If we’re talking POC again this one is a bit complicated Glori Grant, Joe Robertson, Randy Robertson are frequently appearing POC characters but not in every run and they aren’t usually as prominent as like Jameson, Aunt May, Harry Osborn, MJ, etc. Characters of other ethnicities are even less frequent and I don’t even know what we should make of Puma/Thomas Fireheart. I mean A for effort, they wanted a Native American character who wasn’t really a villain and wasn’t exactly a sterotype so there is that I guess.
 Again though...most other Marvel franchises decade by decade weren’t much better with this and we should give credit where credit is due to the same guy who created Black Panther writing a nuanced scene where 2 black people in the 60s separated by age discuss different approaches to civil rights with neither being proven right or wrong.
 When it comes to disabled people, outside of evil insane villains, forget it, there is nothing before Flash Thompson in 2008 unless you count Aunt May’s chronically poor health.
 “Spider-Gwen quickly became one of the highest-selling female superhero comics. Spider-Woman was a prominently featured bisexual character, and the female Asian-American hero Silk also had LGBT supporting characters, Rafferty and Lola, who were in a healthy relationship. Additionally, many view vampire villain Morbius, who is getting a spin-off film starring Jared Leto next year, as a metaphor for those suffering during the HIV crisis of the '80s. ”
 Again...Spider-Gwen and Silk are 2010s characters so that’s not ‘always fairly inclusive’.
 I don’t even know if Jessica Drew is bisexual, I’ve never heard that but I don’t think she is.
 Morbius as a metaphor for HIV...MIGHT be true if we are specifically talking about his 1990s solo-book which I’ve never read. But the character as originally created 100% was never about that because he was created in the 1970s before HIV was known about.
 “Unlike his Marvel counterparts Thor, Iron Man and Captain America, Spider-Man’s world has accurately reflected real world diversity for years.”
 ....Not really.
 I’m not even saying Spidey maybe haven’t been comparatively better at it than those guys but he’s deffo not been accurate.
 Plus to be fair to the other guys, Captain America and Iron Man have had at least one major black supporting cast member and in Cap’s case he was fairly candid about social strife and issues.
 And with Thor it’s not that fair to throw shade at him for not reflecting the real world given that 90% of this characters and stories are literally pulled from fantasy and myth. I don’t even know if there are any queer figures in Norse myth let alone poc.
 “While it’s a seemingly simple idea that any of us can be a superhero, it’s sadly still a radical concept in a endlessly growing film genre that has predominetly centers straight cisgender white men. ”
 Well that’s mostly because the comics the movies adapt are about those types of people.
 “That is because relatability and inclusion has always been core to Spider-Man’s appeal and message. It’s why the late Stan Lee decided that, unlike other superheroes who expose parts of their faces, Spider-Man had to wear a full-face mask.”
  Stan Lee only speculated that that was part of Spider-Man’s appeal, he never had any input on that design choice it was all Steve Ditko...who frankly was unlikely to have been thinking about that...
 “Even further, Spider-Man isn’t the king of a country, a billionaire, a woman out of a Greek myth, or a brilliant scientist. He’s just an average high-school kid from Brooklyn who always strives to do the right thing even while struggling to balance his everyday life and hiding a secret identity.”
 WHOA there buddy...Spider-Man isn’t routinely ‘a kid’ nor is he from Brooklyn.
 MILES is from Brooklyn but Peter, as evidenced by that great big caption in Captain America: Civil War, is from QUEENS.
 “And it’s the idea of balancing a secret identity with everyday life that has always allowed Spider-Man to connect with queer audiences long before comic writers were allowed to explicitly include LGBT characters.”
 ...I’m not denying this necesarrilly but whilst i’ve heard stories from poc who connected with Spider-Man I’ve never heard this about LGBTQ+ fans of Spider-Man.
“Indeed, perhaps the strongest part of Spider-Man’s inclusivity is the subtlety to which it has been done. While Black Panther, Black Lightning, and Wonder Woman rightly put issues of identity front and center, Spider-Man’s quiet diversity allows audiences who typically cry “SJWs are ruining my favorite characters” to actually see diversity showcased without it being overt.”
 Errrrrrr...sure....*represses memories of when Miles Morales was first announced*
 Lets um...wait and see what happens when those trans characters show up in the movie this year okay.
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drivingsideways · 4 years ago
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k-drama rec list
Prior to 2020 I’d maybe watched 2 k-dramas in my entire life, but this year I got sucked in, thanks to some great recs, and y’know, *gestures * everything.  
I think I’d held off watching kdramas because my impression of them was limited to romances that I didn’t enjoy at all. But this was the year I discovered the equivalent of “gen fic” kdrama- dramas that had wonderful ensemble casts, strong story lines that weren’t entirely romance focused and also a variety in terms of themes and styles. A big plus was that I found so many of these dramas had women leading the writers’ room, and seeing the effect of that in the story telling. (Notable exceptions: a certain “star” writer who should please stop inflicting her badly written, formulaic crap on the world, yes Kim Eun-Sook, I mean you, and whoever wrote that trashfire Flower of Evil)
So here I am with my own rec list! Caveat- these are mostly not the dramas released in 2020, I’m still playing catch up! :)
Under the cut for length
My Mister/ My Ahjussi  (2018, Written by Park Hae-Young, Directed by Kim Won-Seok, starring Lee Sun-kyun and Lee Ji-eun aka IU) 
This was definitely my absolute favourite of the shows I watched this year across western/ asian media. It’s a story about the thread that binds us all and the ineffability of human connection. It’s also a story that deconstructs ideas of masculinity and honour and shame in a non-western context, but with an extremely compassionate touch.  It’s a story that doesn’t shy away from showing the consequences of material and spiritual poverty; and how one can so easily feed into the other. It’s a love story that isn’t a romance, except that it’s a Romance. It’s about finding salvation in one another and in the kindness of strangers.  It’s about choosing life, and picking yourself up off the floor to take that one last step and then the next and then the next. The one quibble I have with the series is that it could have been better paced, it does get extremely slow after the half way mark. But god, do they land the ending. Both Lee Sun-kyun and IU turn in absolutely heartbreaking performances, and fair warning, be prepared to go through an entire box of tissues watching this series. 
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Life  (2018,  written by Lee Soo-yeon  and directed by Hong Jong-chan, starring Lee Dong-wook, Cho Seung-woo, Won Jin-ah, Lee Kyu-hyung, Yoo Jae-myung and Moon So-ri.)
Medical dramas are very much not my thing, and I wouldn’t have taken a chance on it except that @michyeosseo said I should, and she was right! It’s a medical drama in the sense that it’s set in a hospital, but rather than a “case-fic” format, this is actually a sharp commentary on the corporatization of health care, and the business of mixing, well, money and what should be a fundamental human right. Writer Lee Soo-yeon was coming off the global success of Stranger/Secret Forest S1 when this aired, so I understand that expectations were probably sky-high, and people were disappointed when this show didn’t give them the adrenaline rush that they wanted. On the other hand, I thought that this outing was really much more nuanced in terms of the politics and also how the ending doesn’t allow you the luxury of easy-fixes. This show has a great ensemble cast, and while it took me a while to get used to Lee Dong-wook’s woodenness (i ended up calling him mr.cadaver after watching this and was surprised to learn that he’s very popular?), in the end I was quite sold on his version of angry angst-bucket elder-sibling Dr.Ye Jin-woo. His best scenes were with Lee Kyu-hyung who turns in a lovely, achy performance as the paraplegic Dr. Ye Seon-woo who just wants to live a normal life. The love story between the two brothers is actually the emotional backbone of the story, and I think they landed that perfectly. 
My one quibble with writer-nim is that she ended up writing in a forgettable and somewhat (for me at least) uncomfortable romance between the characters played by Won Jin-ah and Cho Seung-Woo. I think part of my uncomfortable-feeling was that I got the strong sense that the writer herself didn’t want to write this romance, it was as if she was being made to shoe-horn it in for Studio Reasons, and she basically grit her teeth and did the worst possible job of it.  I do wish we could have absolutely had the OT3 of my dreams: Moon So-ri/Cho Seung-woo/Yoo Jae-myung like, c’mon TV gods MAKE IT HAPPEN, just...look at them!!!! 
Anyway, that apart, I think this was a very engaging series, and by engaging, I also mean thirst-enabling, see below. 
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 Stranger (aka Secret Forest  or Forest of Secrets) S1 & 2 : (2017-, Written by Lee Soo-yeon, directed by 
2017′s smash hit aired a much anticipated second season in 2020, and I managed to catch up just in time to watch that live, so that was thrilling :D . Writer Lee Soo-yeon  mixes up thriller/office comedy/political commentary in an ambitious series. I think S1 is more “exciting” than S2 in terms of the mystery and pacing,  but S2 is far more dense and interesting in terms of political commentary because it takes a long hard look at institutional corruption and in true writer-nim fashion doesn’t prescribe any easy solutions. Anyway, please enjoy public prosecutor Cho Seung-woo and police officer Bae Doona as partners/soulmates kicking ass and taking names in pursuit of Truth, Justice and just a goddamn peaceful meal, along with a stunningly competent ensemble cast. Also yes, Han Yeo Jin is a lesbian, sorry, I don’t make the rules. 
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Search: WWW  (2019, Written by Kwon Do-Eun, directed by Jung Ji-hyun & Kwon Young-il, starring  Im Soo-jung, Lee Da-hee, Jeon Hye-jin)
GOD. Where do I start? +1000 for writer Kwon Do-Eun saying “fuck the patriarchy” in the most grandiose way possible, i.e. absolutely refusing to acknowledge that it exists. Yes, this is that power fantasy, and it’s also a fun, slice-of-life  tale about three women navigating their way through work, romance, national politics and everything in between. It’s true that I wasn’t entirely sold on the amount of time spent on the romance, and I really wish they’d actually had a textual wlw romance, though the subtext through the entire series is PRACTICALLY TEXT. But still, it maintains that veneer of plausible deniability and I think queer fans who are sick of that kind of treatment in media have a very valid grouse against the show. On the other hand, personally I felt that the queer-platonic vibe of the show is very wonderful and true to real life, and it was only reinforced by the ending. This is a show written by a woman for women (like me), and it shows. 
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Hyena  (2020, Written by Kim Roo-Ri, directed by Jang Tae-yoo & Lee Chang Woo, starring  Kim Hye-soo and Ju Ji-hoon )
Those of you who’ve been watching hit zombie epic Kingdom are probably familiar with Ju Ji-hoon’s brand of sexiness already. I had not watched Kingdom and got hit in the face by Mr.Sexy McSexyPants’ turn as a brash, privileged-by-birth, up and coming lawyer who gets completely runover by the smoking hot and incredibly dangerous fellow lawyer/competitor from the other side of the tracks in the person of Kim Hye-Soo. When I say they set the room on fire, I mean it, ok. Every single scene between these two is an actual bonfire of sexual attraction and emotional hand grenades, and they’re both absolutely riveting to watch. “Flower of Evil” wishes they had what this show has- an actual grown up romance as opposed to a thirteen year old twilight fan’s idea of an adult romance. 
The “lawyer” shenanigans and the “cases” are hit or miss, and I think the occasional comedy fell flat for me. But that’s not why I mainlined like 6 episodes of this series overnight like a coke addict, and that’s not why you’re going to do it either. It’s so RARE, even in these enlightened days to find a female character like Jung Geum-ja: hard as nails, unapologetic about it, and not punished by the narrative for it. The best part for me is that she feels like a woman’s woman, not a man’s idea of what a Strong Female Character should be. Anyways, when I grow up I want to have what Kim Hye-soo has ok?
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Other dramas that I watched this year, quickly rated:
The King: Eternal Monarch (3/10 and those 3 points are only for the combined goodness of second leads who deserved better- Jung Eun Chae, Woo Do Hwan and Kim Kyung Nam. Please head over to my AO3 and read my attempts to fix this garbage fire and rescue their characters from canon)
Flower of Evil (-10/100, dont @ me)
Tale of the Nine Tailed (5/10, I think it succeeds at what it set out to do, which is a light hearted, sweet fantasy-romance-melodrama, plus “second lead” Kim Beom will make you cry as the hot mess of a half human/ half fox spirit ALL TEARS character. I think if you’re into kdrama romances as a genre, this is probably a good bet?)
Signal  (7/10,  This was the first full kdrama I watched this year and would definitely recommend. It’s a police procedural with time travel shenanigans and has an engaging plot, good pacing, texture and compelling performances. My one disappointment with it was the way they wrote Kim Hye-soo’s character. As literally the only female character to survive in any way, she was given short shrift, and toward the end it really began to grate on me.)
Six Flying Dragons - (7/10, also would recommend if you’re interested in Korean historicals. It definitely already feels a bit dated in terms of styling and production values, and even scripting and acting choices. But it has a good balance of fantasy and history and political commentary. I was not a fan of Yoo In-Ah’s performance in this series, but it’s not anything that would make you want to nope out of the series. It’s GoT , if GoT was thoughtful about politics and characters and not the misogynist, racist trashfire that it became.)
My Country: The New Age - (3.5/10, and that’s 3 points to Jang Hyuk’s fan and 0.5.points to Woo Do Hwan’s heaving bosom. If you like your historical drama/fantasy with very pretty men, very gay subtext -seriously RIP to show makers who thought they could hetero it but didn’t account for Woo Do Hwan’s Tragic Face- lots of blood and tears and very nonsense plot, this is right up your alley. I probably would have enjoyed it more in other circumstances, I think? But this one just annoyed me too much at the time! 
I have a couple of more dramas to watch on my list, that’ll probably carry me over into 2021, so see ya on the other side! :D
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qveenpoppy · 5 years ago
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kingsman the golden circle: a review
so, i kinda just jotted stuff down as my reactions during the movie, so i’m just gonna copy that over here and have that be my review. figured that’d be more authentic and i also just kinda did it for fun. i mean, it made my viewing a lot longer than it should have been but hey, i had the time, so why not? enjoy, my friends. i’ll add some overall thoughts and a score at the tail end. (i’ll bold it, for anyone who wants to jump right to that.)
Gosh that opening action sequence was BONKERS, so high-energy and kinda unrealistic that Eggsy would survive that but incredible to watch nonetheless. And it's been so long since I watched the first film in full, I've forgotten about my love for the theme/score. It's so gorgeous and epic.
I made a mistake starting this before dinner, and that first scene at Poppy's dinner was one of the most disturbing things I ever saw. I find these characters so interesting but the violence in these films is a little too much for me. I tried closing my eyes during the scene but I did so too early and then opened them back up during That part. I gotta make sure to keep them closed if something like that happens again (which I'm guessing it might).
The transitions in this movie are phenomenal, I love continuity with shapes that tie each scene to the following ones.
Because I'm watching this two years late, I saw some spoilers for the movie online. Like,  a while ago. Like, back when it first came out. I was curious and only moderately liked the first movie (it was visually great but as I said, not one for R-rated violence). That being said, the scene in which Harry gets his memories back is WAY better viewed in context. Whether you think of Harry and Eggsy as an item or not, it's very good. Eggsy knew EXACTLY what would bring Harry's memories back, and I adored their hug after Harry calmed down. (The height difference!!! Eggsy went on his toes!!!) Also, I hope Harry got to keep the puppy after that and named him Mr. Pickles Jr.
Anyone else get super hyped when they hear Colin Firth say, "Manners maketh man"? It's like you just Know shit is about to go down when those words are said in these films. I hope the prequel next year gives us an origin of that line being a battle call. Also, I heard Pedro Pascal did some rope training for this film but holy wowness, it's so good! Yeah, it's enhanced with CG effects and probably some switch-ins with stunt doubles, but it still makes for an incredible action sequence! I hope Pedro gets to show off some of these skills somehow next year in Wonder Woman 1984 or Mandalorian s2. (Can't believe I slept on him for so long as an action star, what a talent!)
You know, I can kind of see where this president is coming from? I mean, as his female aid reminds him, it's a gray area, considering those who experiment with drugs or self-medicate or teens/kids, but I can also see how taking out those who use illegal drugs kinda ends the whole "war on drugs". There's logic to it but considering those mentioned parties, it's got a devious, ignorant edge to it. I can at least say I like this movie having a little bit more of a political edge to it than the first one. I wonder if anyone had a debate like this while/after watching the movie, whether they agree with this president's stance or not. I would guess the red tie he wears points to him being a Republican, so you know most Democrats would be quick to disagree, given the climate of the country following the 2016 election (aka, more divided than ever).
Also why is Charlie hotter in this movie than he was in the first one? Is it because he's evil? The shaved head? The robot arm? (I mean, being a legit villain isn't a good thing, but he's not as psychotic as Poppy and kinda has a foot in both sides, at least since he's English and now his girlfriend is infected with Poppy's disease. I wonder if he'll change sides at some point, or just die at the hands of the Kingsman, considering what he knows about them.)
(Oh wait, nevermind, he gave her the antidote. But maybe he went behind Poppy's back to do so? Or it's a placebo version and he'll wind up turning on Poppy??? Also does he know his girlfriend got fingered by Eggsy?)
(Yeah, think I can kiss that redemption arc goodbye. Eh, at least there will be fanfics for that. Or at least ones where he and Eggsy have hot hate sex.)
Oh shit, Whiskey made Eggsy drop the antidote. But at least Eggsy and Harry are okay. But how the fuck are they gonna save the day now?
Was Harry seeing butterflies as part of the delusion stage of Poppy's virus? Did the Statesmen unknowingly treat him with one of the drugs she infected? Is he gonna die AGAIN?! (Oh wait, I saw the spoilers, he'll be fine. But they might have to use the antidote on him.)
Okay I also knew from spoilers that Whiskey wasn't gonna survive the movie but delusional Harry took him out?! Why?! Will he be revived by the Statesmen like Harry was? (Whiskey's just too cool a character to lose in one movie.)
Nevermind about the agreement thing, this president is one sick motherfucker.
Sorry this commentary is becoming much briefer and summary-esque, but Whiskey (aka Jack; they did that on purpose, didn't they?) is back. But I still don't think he'll make it till the end of the film. Is he gonna try and take Harry out? Is he actually a double agent? 
You know, with them bringing Harry back, it kinda lowers the stakes of these movies. Like, is anyone ever fully dead? 'Cause this movie especially seems to keep bringing people back, at least with that Statesman tech. So it's hard to be all that sad about Merlin's death. I mean, obviously him fucking BLOWING UP seems like a pretty permanent way to die, but I thought I saw - again, around the time this came out - behind the scenes photos of Mark with some sort of green motion capture pants, as if they'd given him some metal robot legs like I guess Gazelle's in the first film. Like he just got knocked back by the blast and could no longer use his legs, if revived. But apparently it didn't make the final cut. Still, wouldn't be surprised if they used that footage for the third film as a way to bring him back. 'Cause clearly Merlin, Eggsy, and Harry are the main trio in this franchise. (Sorry, Roxy fans.)
Ohhh, look at Elton getting in on the action sequences. Yes, Sir!!!
I love when action sequences are set to more creative choices of music :)
Harry & Elton, huh? I ship it
Oh, Whiskey is actually a bad guy. Damn. Take back all the praise I had for him. Pedro, I love you, but fuck Whiskey.
Thank god I covered my eyes this time when That happened. Ugh, gross.
Ohhh, an impeachment and removal from office. If only life could imitate art... (But only in that way, nothing else from this movie should happen in real life.)
Tequila works for Kingsman now?!
overall thoughts: a suitable sequel for this franchise. obviously pretty similar tone-wise with the humor and language and violence. i always forget that these films aren’t exactly my taste. kinda triggered my anxiety with all that violence and the whole drug-triggered virus (not that i’ll be experimenting with any illegal drugs anytime soon, but my paranoid brain will definitely keep me even further away from them now.) like, they’re well-shot and i like the characters, and i mostly wanted to watch this for some explanation of how harry was brought back from the dead, but i’m at least glad i chose to watch this at home and on my laptop/tablet. it would not have been good for me to see this on the big screen. (and i managed to watch both movies for free, and completely legally. first on xfinity on demand, this on a free rental from fandago. go me!)
as i said, the political aspects did at least make for some cool thought-provoking moments and debate. i do love when movies make you think like that. mindless action movies are the absolute worst (i’m looking at you, marvel and transformers franchises). 
i’m at least curious about that third film, how they’ll handle the loss of so many significant characters, or if they’ll magically be brought back to life, again. yeah, as cool as it was, bringing harry back may have been a mistake for this franchise. but i understand that it’s the main relationship of the series, even if eggsy is now married to that swedish princess, tilda or whatever. (meh.)
rating: 7/10. it’s hard for me to give a film any lower than that, unless i turned it off or got particularly tired/bored while watching it, so. good action, good characters, fun humor, smidge too violent. 
till next time, my dudes!
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