#god i love zombie media so much

[bastard-lizard]

I have never been in the mlp fandom, nor have I seen the show, but I LOVE the infection au trend. No more gritty Walking Dead rip offs! Make zombies fun again!

[spacedlexi]

the way the ericson group were at the outbreak just a bunch of troubled kids who made various mistakes or committed crimes and were judged by a system that punished and abandoned them instead of giving them the support and love they needed, are then nearly a decade later put into a situation where now they must judge a troubled child for the mistakes and crimes hes committed against them. and 5 to 3 vote them out 😭

[forcedhesitation]

watching astarion's horde of undead summons follow us around is the funniest thing to me. just another day in baldur's gate, citizens, nothing to worry about here! carry on and don't mind the smell of rotting flesh!

[general-kalani]

Nvm it's not Raistlin hours it's zombie hours again.

Gimme questionssss

[aespsa]

i fucking put off watching aouad for nearly two years because i knew how badly it would make my zombie media special interest (plus… my all time favourite movie is train to busan and i heard a lot about similarities between them so i was like. that kind of scared that you get when you KNOW youre gonna hyperfixate on something but arent emotionally prepared?) go insane. i’ve only finished two episodes and i was so right. i’m literally shaking with pure adrenaline from how excited i am, it’s so fucking good. i know i am very very late but if anyone wants to talk about it (or better yet, write for it) with me please do i’m going to explode and it’s absolutely going to become a contender with gfn for my fav series ever. heesu is my fav btw if anything bad happens to her i’ll kill everyone ^_^

[seananmcguire]

I've just finished reading "Feed" and wanted to say thank you for all the feels. It was painful. It was also cathartic.

Thank you for portraying siblings relationship in such a way. I'm pretty close with my sis, and we love media that gives us interesting siblings dynamics. (And gods, it definitely feels like there are zombies here where we live, but my sis escaped, and she's safe, and... sorry for rambling. I just love her so much).

Thank you for the "Feed". Thank you for that not so hopeless narrative even with the darkest things happening in the story. I needed it.

I am very glad you enjoyed the book, even as this Ask makes me squirm a little.

An important thing--a very, very important thing--to remember about Shaun and Georgia is that they have gone out of their way to verify that they're not biologically related in any degree. They have the DNA tests to prove it. (Unlike Roger and Dodger, whose tests said "you are the same person, genetically speaking.") They were raised in the same house, being ordered to call each other brother and sister, and don't really have any other functional labels, but they're more like foster kids who grew up in close proximity than anything else.

I say they were the only students at a boarding school for the damned.

So while they call each other by sibling terms, they may not mean them in the same way biological siblings would, or adopted siblings, or anyone with healthy family models.

Please don't hit me.

[thavron]

So I think I've cracked this moment.

So this moment has bothered me. I've seen several people say this is Crowley breaking up with Aziraphale, but I think it has a different meaning. I think he's saying, "I understand."

Hear me out.

It was actually listening to the song Good Old Fashioned Lover Boy that caused me to have a little epiphany. I love how it's juxtaposed over Crowley rushing back to Aziraphale, indicating that he is the Good Old Fashioned Lover Boy, but there is more to it.

That song was released in 1976, which is a time when being gay or being queer of any kind was deeply frowned upon. Though laws in the UK banning same sex relationships had been lifted by this time, for consenting adults over the age of 21. Freddie explicitly coming out at this time was something that could have ended his career. Freddie danced with the media on this one, hinted but was never forthright and kept his romantic life largely under wraps. This is something that queer people did in general and had to do well into the 90s. They flirted in code, they romanced behind closed doors. They kept their love out of sight.

Much like our Ineffable Husbands.

Editing to add- that the reason this triggered something for me, is that despite the secrecy, Freddie Mercury got up on stage and sang a song about a man taking another man out on a date at the Ritz. Everyone knew. Just no one knew knew. And it wasn't enough to end his career. Much like our Ineffable Husbands. Everyone knows, including them. Just no one says a thing about it.

Which brings me back to A Nightingale Sang in Berkeley Square.

This song is about one magical night. A couple meet, fall in love, feel the magic of their romance, and then as the sun comes up they go home. It is something like a dream that has to be let go with the harsh light of day. But there is hope, because sometimes they can hear the echo of the nightingale. A promise perhaps to meet again.

So I think it is widely assumed that there is more to the 1941 flashback. I tend to concur. I think we will see the origin of why this song is important to them. I suspect the song is about them. They have one magical night, where they are both brave and express their love for each other. But then the sun comes up and they realise that they have to go back to their lives. I think they will acknowledge that the incident with the zombies was a close call, and they need to cool off and stay away from each other. Slow down.

So 1967 is the first time they have seen each other since. They both know how they feel, they're just waiting for the right time. They shouldn't have met at all, except Aziraphale wants to give Crowley the holy water. I think that explains the awkwardness but also their softness toward each other. It's a meeting of lovers, but the time isn't right just yet. No nightingales are singing. That's what Aziraphale means by "You go too fast for me." Not yet, it's too soon. We're still under suspicion.

So the end of season one, the world is not over and our ineffable husbands are free. What do they do? They go for date at the Ritz. You can not tell me this is not a date. Sorry, don't believe you. "The Ritz is the most romantic hotel in the world." It's like their whole selling point. It's why it pops up in the lyrics of Berkley Square, and also in the lyrics of Good Old Fashioned Lover Boy. It's the place where magic happens. And for me, the playing of the song, and the reference from God herself, it's saying the time is right. They can finally be together again. This is their moment.

So Season Two. I've read reviews of season two where people liken it to fanfiction. Neil calls it is a bridge season. I think it's the dream. Not actually a dream, I don't think Neil is that unoriginal. But in the song they liken that one magical night to a dream. It's a fantasy that they get to live until the sun comes up. They get to live their dream for four years. They are together and they are in love but they are still living in secret. They still don't acknowledge it. They're still holding back. One of the themes in this series is timing is everything. Maggie and Nina's relationship doesn't work because timing. The magic trick worked the time it mattered. Timing is important, and the ineffable husbands are bad at it. They should have thrown themselves into this but they were too cautious and they missed their chance.

I think this conversation is when Crowley realises. Not that he is love with Aziraphale, that was established in 1941. But that everyone knows anyway. There is no reason to hide. No one cares that they're an item. Aziraphale has a similar epiphany after his chat with Shax. So they both decide to move the relationship along, but damn do they have bad timing.

Now I am as confused and heart broken as anyone about the final fifteen. And I am certain that there is something that we are not seeing, a trick that we've missed. There are six minutes unaccounted for. Neil says its a continuity error, but he's demon, he lies.

So here is what I think, and why this line "that's the point, no nightingales" is important. At some point during that conversation Crowley catches on. Whether they have a moment of stopped time, or the fact that Aziraphale is acting so utterly unhinged, there is something that happens that we don't see and it clues him in. He is hurt and angry yes, but he understands. What he is understanding is that the dawn came stealing up, and that the interlude is over. The nightingales stopped singing, and they have to go back to work. He gets it and that's how he lets Aziraphale know.

"You're an idiot, we could have been us." He doesn't like the plan, whatever it is. He thinks running would have been preferable, but he is resigned to it.

Then that kiss. One last goodbye just in case the world ends? Desperate longing and years of pent up frustration? I don't think the trick is here. I think this is misdirection. We're all looking at the kiss, we missed the coded message that came right before. I think "No nightingales" may also suggest that this isn't the kiss. The romantic kiss will come later, when the nightingales sing again. And they will, of that I'm certain now.

The song playing in the car, a message from Aziraphale or from the Bentley reminding him to have hope. Two things we know about Crowley. He is an optimist. He loves to rescue his angel. We also know that he is the trusted stooge with the steady hand. Aziraphale will perform the theatrics, he will do the rest. The fact that he waited and didn't just storm off like he did when he was rejected in series 1 tells Aziraphale that he is still here. He's still in this.

That's my interpretation anyway.

[simpingforheros]

Jason Todd Head canon 1#

I’m bored at work so I’m giving yall silly headcannons to make y’all smile. This is very crack! Headcanon vibes because I’m manic as well right now. But, I love my toxic zombie boy.

Redhood! Jason Todd X Batgirl! Reader

If they had became vigilante’s together, they would definitely reconnect after Jason starts to forgive the BatFam.

Would definitely always pair up with her just so they can cause some mischief during patrols.

Definitely play up the flirting in-front of civilians and would definitely encourage shipping just to annoy Bruce.

Would ditch galas to do riding around.

You two basically just resume your friendship until one night, you both got drunk after hanging out at Roy’s and yall wake up the next day with a broken bed and tattoos on y’all’s hips.

If You became batgirl after Jason’s death, God bless you

Jason would be hard on you with the intimidating and dickish act for a long ass time.

He wasn’t as bad as he was with the others because he understands that you weren’t involved with his death and you weren’t a replacement for him as much as you were Oracle’s.

When the moody stage finally passes and he realizes that you won’t put up with his tantrums, he will try a new approach.

Red hood becomes known as a menace to Batgirl in the media.

Whether it be he would somehow end up saving Batgirl while being a snarky ass hole or do behaviors that would cause her blushing face to be on the covers of tabloids.

At the manor, the pair bicker almost as much as they bonded over common interests.

Now the arguments revolve around those interests even if half of them started because of joke either one of them started.

“Bridgerton is just a horny girl’s excuse to not read Jane Austen” “Take that shit back right now!” “Make me.”

When the feelings actually start to develop, the bickering and the flirtation gets so bad that they become the most shipped ‘enemies to lovers’ ship among the tabloids and Gotham’s youth.

Finally, tension boils over when an incident happens where Batgirl was almost killed by a major villain.

Oh shit, Red Hood was not very happy to find out that Batgirl was currently in a hospital bed after a failed recon mission.

He went head hunting after that 🫢 Not that kind of head.

After that, Jason became unbearably protective of her. Volunteering to be on patrol with her, driving her to appointments, stalking her , breaking in coming over to her room/apartment to hang out.

It all boiled over after a heated and trauma dumping confrontation between the two where the neighbors/residents of the manor heard screaming, yelling, maybe a broken vase, and some creaming.

Red Hood! Jason Todd X Civilian! Reader

Ngl y’all, Jason dating a civilian would probably be a little toxic.

He’s either gonna date someone so fucking sweet that it fuels his need to be a protector and act as a balm to his failure complex.

Or he’s gonna date someone as fucked up as him so he feels some form of trauma bond with them.

He probably would spot eyes with them in a busy setting and because he’s very good at reading people, he would immediately start his stalking because he wanted to know if he can trust them before building a relationship with them.

Would probably never approach them as the Red Hood before meeting as Jason Todd unless it was a situation where he had to step in.

Secret lover boy with self sabotaging tendencies.

He would stage their first meeting as a form of meet-cute scenario. Most likely on the street or a bookstore.

Would play the long game of meeting by ‘chances’ and casual little conversations.

Has a weird prey/predator mentality where he wants them to give him their number first or ask him out first but he’s the one actually pursuing them.

If they started dating, he would treat things very slowly or very casually depending on which type they are.

If it’s the sweet one, he’ll play it slow and gentlemanly, like the romance movie lead.

He wouldn’t want intimacy or pressure anything like that even if he constantly thinks about it.

Maybe a little less toxic but more manipulative.

“Oh baby, there’s been a ton of robberies around that area. Let’s just go riding then we can go see that movie you been talking about.”

“Sweetheart, I love how precious you are, but I’m really busy right now. How about I swing by after work with some treats I already had picked out for you.”

His true nature would come out eventually. His vulnerability would show more, but by then his sweet little partner would be so loving and understanding.

They would comfort his nightmares and rub his aching muscles.

It would be 1.5 to 2 years into dating before he would reveal he’s Red Hood.

The fucked up one is getting toxic Jason.

This pairing probably met at a bar/party, and their relationship started out as a casual friends with benefits.

The two would become closer faster than he would with a sweet one, but oh my god, y’all fight for your lives.

Arguments are usually loud and heard throughout the apartment building before they would either screw iy out or have to separate.

Jason would eventually return with either dinner or a gift to apologize. He learnt that from his daddy Brucie.

Unless that man is down bad, in love, he ain’t telling y’all anything.

Anytime he gets asked about where he’s going to at night,

“It’s none of your business.”

“Work, don’t worry I’ll tell her you asked.”

“You know I’m busy.”

Don’t worry, the longer you two stay together, he sweeter he becomes.

Our toxic king will get better and less toxic.

It takes him to the moment he realizes that you really aren’t gonna leave him and that you love his fucked up ass, for him to tell you he’s the Red Hood.

+++++++++++

AN: That’s all I got for right now. Let me know if you want an Arkham Knight version or if I need to calm down with our Toxic King.

+++++++++++

[kitorin]

sweet dreams.

in which, nanami kento finally goes on a long overdue vacation

contents. nanami kento x gn!reader, 2.965k words, fluff but then heavy angst (mcd and hurt no comfort), mentions of murder (true crime stuff) but no detail of it, reader is a coward and really can't handle horror (sorry that's just me projecting)

"What did you do?"

Guilt makes your lips purse, tongue swiping over them out of habit. You didn't want to call him, to interrupt him during the night shift he ever so loathes, contributing to the things he has to do.

But with demons lurking in the dark and the sense of impending doom beginning to latch onto you, it felt necessary, especially when fear decided to be quite clingy.

"I got scared."

A tired sigh comes from the phone. "How many times do I have to tell you not to watch anything disturbing at night?"

"This documentary got really interesting. I wanted to know what happened next..." Explicit content was fine, with Kento there to cling onto and his never-ending reassurance. Your husband watched these intense shows and documentaries without so much of a flinch, unfazed by quite literally everything displayed on the screen.

You, on the other hand, was a completely different case.

The slightest raise in volume managed to steal a scream from you, and jump scares had you flinching just a bit too hard. The mere build up and suspense of the music had your heart racing, even if nothing happened and it served as a little trick.

"I'm so sorry Ken, I'll hang up so you can focus on work." You're an adult, you shouldn't be so cowardly towards a mere genre of entertainment, and you should know better not to consume it.

Your thumb reaches for the red button, and your emotions hold you back, while rationality argues not to.

"No. Neither of us are going to be hanging up."

One part of you celebrates quietly, while another insists. "But you're working. Overtime nonetheless, and I know you hate those shifts. It's best to get everything done as soon as possible and get out of there."

His voice is raspy, garnished by a sultry tone. "Love, I belong to you, not my job. I do appreciate your thoughts, but you're more important than a mere paycheck."

Fuck. There it is, his eloquent, smooth way with words.

"Still. I can wait." That was a lie, though one you were willing to utter if it meant he'd prioritise his job. "Besides, what about that higher up you mentioned? The irritating one that's childish and overtalkative?"

Kento chuckles. "He's here, but he takes his job seriously and is highly capable. I'm on break anyways. Talk to me. If you can."

"I read about the Sapporo murder case. I still feel like the culprits from the case is going to sneak up on me. Or one of the zombies from Happiness." You adored the show and its cast, but god forbid you sit through another one of its jump scares.

"That's fine, it's normal. The point of this type of media is so scare. A lot of effort is put into making sure they elicit emotion." You cling onto every word he speaks, the world around you still there, only a bit blurry now. "Breathe in through your nose for four second, pause for two. Then breathe out through your mout for another eight."

Have you brushed your teeth?"

Kento hums as a response when you answer yes.

"Where are you right now?"

"In bed, but I need to clean up and turn off some lights before I sleep."

"Ignore it. I'll do it when I'm home."

"Are you sure?" There was no point in asking that, not when you'd rather not move away from the security of the doona. "You're going to be exhausted by the time you're home."

"Doesn't matter to me." Genuine indifference to the matter displays itself in Kento's tone. "I took a nap earlier, had a coffee or two as well. I'm going to be alright—" Something in the background echoes, though you could barely decipher what you were hearing, the furious tone of the voice concerned you.

"Who was that...? Is your boss mad at you? Wait but it doesn't make sense for a boss to give you a nickname—"

For a moment or two, Kento remained silent. "No, just an enthusiastic intern. He's talkative and sometimes loud but he's a good kid."

Your former worry dissipates, so quick that it almost seemed like it was never there in the first place. "Nanamin, was it?"

He sighs, the two of you know damn well that you'll refuse to forget that one.

"It's cute! Nanamin. I like how it sounds."

Voice softening, he replies with a chuckle. "I feel like you'd get along well."

"You should invite him over then. He must adore you if he's calling out to you that much."

"If that's true then I'd say the feeling is quite mutual." All you have is his voice, yet you can say without a doubt that he's beaming, a subtlety only you'll ever know— one of the many which compose the love between the two of you.

"Keep working." You whisper as a yawn claws out of your throat.

"Are you sure? Are you okay now?"

You nod, though he can't see it. "I am. Just listening to you helps a lot."

"I'm glad."

"Do your best at work, okay? And make sure you stay safe on the way home?" You hold back a grin, even though you're alone in your shared bedroom. "I have a surprise for you when you get home."

Kento piques with curiosity. "Really?"

"Yup, I think you'll love it." You stare at your bedside table, where tickets to Malaysia were stored. "I hope you do, at least."

"If it's coming from you of course I'll love it sweetheart." It's miraculous really, how you've been together for so long yet you have to suppress the urge to squeal over his sweet words. "My boss is going to start making me work again, good night darling. Sweet dreams, love."

You fall asleep with ease that night, this time with welcomed thoughts of spending time with Kento on the shore of Kuantan, running around whilst cherishing the cold, salty water licking at your ankles; rather than the intrusive thoughts from earlier.

"You could've kept talking to them. I wouldn't've told anyone even if it took a lot of time."

Fushiguro Megumi is examining the sharpness of his blade when he reassures his teacher Nanami Kento, not looking up from his weapon, seated by the railing of the bridge.

"I appreciate that, but it'd be wrong of you." He moves his shoulders in circles, loosening his tie to wrap it around his knuckles. "I can teach you other methods."

"Pardon?"

Nanami crouches in front of Megumi. "Your breathing changed when I told them how to." The student doesn't respond. "It varies from person to person, I've tested out a lot."

Megumi still doesn't answer, averting his gaze towards the weapon that he held down.

"Fushiguro - kun. Are you scared?"

The younger finally speaks once more. "... I guess." Hesitation presents itself in his words, barely stable and his reluctance to maintain eye contact. "I won't let that stop me from completing my tasks—"

"It's okay. You're merely sixteen, you're not even old enough to drink, nor get your driver's licence."

Megumi returns to silence.

"Look at me." And so Megumi does. "To be a child is not a sin. I'm perfectly fine with withdrawing you from this operation if it's too much."

"Wouldn't that get you in trouble?"

Indeed he would. He'd tolerate plenty of discipline and anger from the higher ups. But Nanami Kento knows too well what it's like to risk you and your peers for a 'greater good', at nonetheless a ridiculously young age too—an age where you're supposed to go to regular school and be regular, stupid kids figuring themselves out; not witnessing the death of the ones dear to your heart with the sight of their corpses forever imprinted into your mind, nor have the stench of blood memorised meticulously instead of historical dates or mathematical formulas.

If it were up to him, he'd prohibit such exploitation of children. None should be performing such tasks, even if born with an advantageous cursed technique.

If the higher ups adopted the same philosophy as him, Haibara would be alive and well, and Nanami wouldn't feel his stomach lurch whenever he sees a bowl of rice, nor flinch whenever he hears the mention of Geto Suguru. 

'I don't mind if it means you'll be at ease. Gojo can protect me, and if I'm unable to extract you from this operation then I'll handle everything."

Megumi takes a deep breath. "I shouldn't run away. I'll do my best. I have Tsumiki I need to return to. We should go find Itadori now."

“If you say so then, but it’s still my duty to protect you.” With a final, strong tug he tightens his tie around his knuckles. “I can't guarantee any results, not in this instable world and career. What I can promise, is that I will protect you with my life."

A determined nod from Megumi is all he needs.

Quick and efficient; that's the plan. Shibuya was already a mess, and all he wanted was the security of your arms within the four walls he calls 'home'.

"Thank you for having us."

Megumi, the one with the messy, black hair speaks coldly, though very politely, his manners were courteous and so was Yuuji. They'd come to your door and introduced themselves as interns at Kento's company. Now, they were seated in your living room, on your couch.

"Don't mention it, Ken's always been fond of the interns." You already miss him, he must've stayed overnight at the company again. "Are you okay with first names?"

Both nod.

You smile. "So, Yuuji, Megumi, what have you come here for?"

Yuuji speaks first. "It's about Nanamin, I mean Nanami—"

Without malicious attempt you cut him off. "Nanamin is fine, I overheard you calling him that last night. He was fond of it, it was quite cute after all." You chuckle to yourself at it. 

The boy swallows, appearing apprehensive. He sounded so enthusiastic last night, perhaps he was the type who needed to warm up towards people first.

"Well, um."

You don't say anything, giving him time to respond comfortably.

"Nanami sensei passed away last night." Megumi finishes what Yuuji couldn't.

Your heart drops.

Temptation to make an accusation of a prank attempts to claw out of your throat, but with how their expressions scream nausea and discomfort, it'd be rude to do so.

That explained why he never kept his promise of finishing up on chores, knowing Kento he would’ve done everything to make sure he made it home to do as he said he would. 

"What happened?" It doesn't feel right— and it isn't at all, but you have to figure out the truth, even if this all doesn't seem real.

"There was a fire." Yuuji whispers, barely loud enough and coherent with the tremble of his voice. "And he didn't make it out in time."

You remain silent, so does Megumi. Yuuji bites his lip, suppressing what seemed to be a sob.

"I see."

"I'm sorry. I'm so sorry. If only—" It drowns out in his bawling. "It was my fault. He—"

He completely lacked incoherency now, hiccuping as tears rolled down his cheeks.

"He helped us first." Megumi once again continues Yuuji's words. "But they recovered his body, we brought you his ashes."

He pulls out a package from his shoulder bag, wrapping it to reveal a pale blue funerary urn. Megumi places it onto the table.

"I'm sorry. If I had been capable of protecting myself he wouldn't've died saving me."

Your gaze meets Megumi’s, you're too afraid to properly acknowledge the urn, where your boyfriend was supposedly resting.

Silence permeates the air, Yuuji bites his sleeve to suppress his crying and Megumi breathes shakily.

"Don't apologise. You have no reason to. Neither of you." You've barely known the two, but the way Yuuji was sobbing broke your heart, and how both seemed to genuinely believe they caused Kento's passing. "It's not your fault. I don't think it is, and he would agree with him. He made the choice to help you, because he cared deeply for both of you. You can cry freely, I won't stop you." You muster a smile, hoping it'll be comforting in some sort of way. They're only kids, they can't be blaming themselves for the death of another they didn't cause.

Yuuji's teeth release the sleeve of his hoodie, hiccuping out what sounded like a thank you. You push a tissue box towards him, to which he accepts the offer.

"You idiot…” Megumi sniffles a bit.

“It’s okay, you’re going to be fine.” You pat him on the back, rubbing it too. You give him your phone, opening a new contact. “I’d like to invite you two to the funeral, can I have your contact details? In the meantime I’ll make some tea.”

You earn a nod, and are quick to retreat into the kitchen, hand holding your mouth shut as you slowly cry, pleading for Yuuji and Megumi to be unable to hear. 

"Kento! We're here, at Kuantan!"

After a long flight and travel, you finally arrived at your destination, you had dropped your luggage off at the accommodation, the urn Megumi had given you was held up against your chest.

I've always wanted to go to Kuantan, in Malaysia. One day I'd like to build a house on a secluded beach and live there. Of course with you, if you were okay with it.

You take off your sandals, tossing them away as you approach the shoreline, the coolness of the water catching you off guard. You continue walking, until it reaches halfway up your calves.

Off goes the lid of the urn, and you toss the ashes into the beach, watching the waves swallow Kento whole. It's not long before the urn is empty, you've never had to scatter someone's ashes, yet it felt like something was missing.

In all honesty, you have no idea if Kento wanted to be cremated, you've never touched on the subject of death, probably because the two of you were so young.

But something tells you this is the right decision. Kuantan's beautiful, and he wanted to go when work and money permitted him to do so. He'd loved to read a book under the shade of that large tree over there, and would've wanted to try fishing at the rock ledge nearby. It was just the two of you here, even better.

Fuck.

As you watch him swim into the ocean, you notice the tears threatening to spill. You don't bother trying to avoid it, not that you would've been able to.

"It's not fair!" You yell, out into the ocean. You don't blame Yuuji, or Megumi, or anyone, but you're still livid. "I miss you, I miss you so much that it gets hard to breathe."

The ring box feels heavy in your pocket.

"If you had to leave this world early you could've done it later." Your cry becomes a sob. "Just one month, then I could've fucking proposed. I don't need a honeymoon or marriage, I just want your fucking answer."

In an ideal world, you'd like to think that he would've accepted without hesitation, but that fantasy doesn't compare to the pain of remaining oblivious to his answer forever.

"Who's going to comfort me now? Who am I going to spend the rest of my life with? Who am I going to cook dinner with? What about Yuuji and Megumi? They had to finish their internships without you. Do you know how hard Yuuji cried when he came to tell me you passed away?"

By no means are you mad at Kento, you could never. But anger that slowly accumulated in your heart for the past few months, and had erupted. The empty coldness of your bed stings, and the amount of cutlery required being halved overwhelms you with misery. You can’t even laugh at his high school photos anymore, the amusement from his ridiculous haircut can’t triumph over the fact that he had passed away a mere ten years later. 

You’d much rather store it all away, each and every possession and photo of the man. The sight of his favourite mug serves as a harsh reminder that morning coffee with him will never happen. Listening to old voice mails seemed reassuring and almost lulled you to sleep, until you had to come to terms that he was truly gone once more. 

But at least sound can be captured.

What about his scent? Eventually his clothes would lose their scent, they probably were already on that course, even with your refusal to wash them. Touch can’t be preserved, you can cling onto the memory of your skin against his for as long as you want, but you’ll never truly experience it again.

“Goodbye Kento!” Despite your miserable state you pull yourself together just enough so you can see him off with a smile. “I love you, so so much. More than anything in the world, I always will! Thank you, for being there. Th-thank you for loving me.”

You've lost the energy to yell, throat now hoarse. You venture deeper into the shore, not caring about your clothes getting wet, as your face gets soaked with your own tears.

Who's fault is it? Was it the culprit of the fire (if there was one)? Or perhaps yours, for not proposing earlier. Maybe then he would've been safe and sound in Kuantan, after taking leave. Perchance it was the heavens deciding they’d rather just not authorise him to spend the rest of his name.

Whoever it was, it doesn't matter. Nothing could bring back the warmth of Nanami Kento. 

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[zamoimagines]

Women of Abbott Elementary - First Date (Headcanons)

A/N: Hey ya'll! I have so much fun writing for these girlies, I love them all so much. If you guys want more of them, please let me know! - Headcanons under the cut - **DISCLAIMER: None of the gifs are mine, all credit goes to the original creators**

Ava Coleman:

If there’s one thing about Ava Coleman, it’s that she loves luxury

Anyone who is with her is bound to know that and she’s more than happy to share the wealth with someone she cares about 

A first date for her is definitely at some hip new bar she found on social media with lots of fancy cocktails and champagne, maybe a few shots here and there

She insists that she pays for everything since she has a lot saved up (surely not for a potential zombie apocalypse, but she could afford to dip into her funds) 

She absolutely spoils you and tells you to get dressed up. She’s definitely in a sleek cocktail dress with a faux fur coat, or maybe a really fashionable jumpsuit. It’s whatever she’s feeling that night. Regardless, she looks hot and expensive 

The whole time you guys have drinks, she’s flirting hard with you. Unlike her other dates, she also spends some time getting to know you and asks you about where you’re from, where you see yourself in ten years, who your favorite celebrity couple is, etc. All the important first date topics 

Definitely calling you every nickname under the sun; baby, princess, cutie, baby cakes, honey, sugarboo, you name it, she’s calling you that 

Also making sure to take plenty of pictures of you, making you pose and encouraging you to be confident in how gorgeous you look

You stop her when she almost tries to make a tik tok video, but she respects you. Just means she has more pictures of you to look at later on her own time 

Absolutely making sure to touch you as much as possible, whether that means touching your hand, lightly jabbing your shoulder, maybe even playing with your hair a little bit

She definitely has a stare that could see right through you and while it’s intimidating, she also knows exactly how to make you squirm without doing anything at all 

After you guys are a little too tipsy, she’d surely take you to her favorite club. She’s dying to get you out onto a dance floor, especially when you both look so damn good together 

As soon as you guys arrive, the bouncers immediately let you through the door and you guys skip the line. She pulls you right out to the floor and encourages you to fuck it up 

The more you let loose for her, the harder she’s simping. More than likely, she’s grinding up against you, holding your hips to hers, rocking with you and making sure to keep you close

God forbid if ANYONE tries to dance with you, they’re getting kicked out of the entire club. She doesn’t give a fuck 

Straight up, she would make sure to put her arm over your shoulder just to be more possessive of you and make sure that everyone knows your her date. She respects you, she just doesn’t like it if someone doesn’t respect you

During a more slow song, she holds you super close so that you don’t get too far from her. She’s much more comfortable being vulnerable with you in a setting like this 

“I had a good time tonight. You’re so cute- Forreal, I can’t keep my hands off of you, baby” 

Right after, she’d lean in really close to your ear and ask you in a very husky voice, “You wanna come home with me, baby? I could take really good care of you.” 

Absolute best sex of your life as a nightcap, Ava is fully on board with having sex on the first date- especially if it’s with you.

Barbara Howard:

Barb is the most traditional out of all of them. After all, she’s a good Christian woman

She picks out the cutest local restaurant that’s not too snooty, but not too cheap. She also happens to be a regular there, but she doesn’t give that away immediately 

She’d meet you there, showing up a little early so she could have the table ready and waiting for you. When you arrive, she stands up and makes sure to give you a very tender kiss to your cheek and a little squeeze to your hand 

When the waiter comes by to ask for a drink order, Barbara makes sure to get a simple cocktail and urges you to do the same since the have the best ones in Philadelphia (in her own opinion)

For a while, you two start to talk. You both talk about work, then maybe move onto other first date topics like favorite movies, colors, foods, etc. Eventually, you both get on a topic in which Barbara tells you everywhere she’s traveled and you learn how much she loves cruises. 

You guys finally order, and you’re still not sure what to order because the conversation has gotten away from you. She most certainly asks for your permission, but offers to order for you to ease your mind a little. You give her your consent, and she tells the waiter exactly what to bring. Absolutely hot to you that she could take care of you in so many different ways like that. 

The more she finishes her cocktail, the more comfortable she becomes. You could tell she was slightly nervous before, but since it’s going so well, she comes into her own a little more. That signature Barbara confidence shines through with vigor and it only makes you swoon more 

She gets as bold as to hold your hand for a moment, and even takes time to gaze into your eyes while she’s speaking to you. When she laughs at your jokes, you could swear that she could be the personification of sunshine 

The food arrives, and you two eat happily to which you compliment her decision on picking this restaurant in particular. The food is delicious and she ordered you the perfect meal 

At the end, the chef surprises you both with a cute little dessert that’s sharable. It takes Barbara off guard, especially when they insist it’s on the house. You both feel like giddy teenagers in that moment, but you share it anyway 

Barbara would notice that there was a little speck of something on the corner of your mouth and would say, “Oh- Sweetheart, let me get that for you-” 

She’d take her napkin and start to wipe it away, but your heart would race at how close her hand was to your face. She’d notice how close she was too when the napkin slipped out of her hands 

There’s a moment where her hand is literally just caressing your face and neither one of you can move, completely swept up by the moment 

Once she snaps out of it, she apologizes to which you tell her not to worry. Secretly, you’re hoping she’d touch you like that again 

As you two finish up, you grab out your wallet to pay but she insists you put it away 

“I invited you out to dinner, darling. Let me take care of it.” 

You know better than to argue with Barbara, and so she pays for the whole meal. When you two leave the restaurant, she walks you right to your car to make sure you’re safe and taken care of. 

“I had a wonderful time with you, dear. Thank you for coming. I’ve been looking forward to this all week, and it was even better than I imagined it would’ve been.” 

Which is so cute to think about Barbara planning this whole thing just for you, and you make sure to thank you and assure her that you had a good time as well

There’s an awkward silence between the two of you as she takes in every inch of your presence, just silently swooning over how much she adores you

She cuts through the silence and softly asks, “May I kiss you?” 

You’d nod, but you can’t believe she just asked that question. You never thought in a million years that Barbara Howard would’ve been taking you on a date 

As you’re swimming in your thoughts, she’d lean forward and give you a firm yet sweet kiss to make sure she makes it perfect for you. 

You’d kiss back in an instant (how could you fucking not), and as soon as you accept her love, her hands move to hold your waist as she pulls you in closer, her other hand moves to caress over your cheek

She’d rest her forehead to yours and admit, “I’ve been waiting so long to do that” 

She’s certainly a lady and respects your boundaries enough to not invite you home, but you bet your sweet ass that she’s most certainly asking you on a second date. 

Janine Teagues:

Janine is a pretty classic girlie and takes you to see a movie 

At first, she’s trying to psyche herself up to see a drama or a horror movie, something that is way too serious for her tastes because she wants to impress you

She offers to pay for everything- The movie tickets, the snacks, she even tries to shove gas money in your face 

You try to insist that you can split everything, but she’s incredibly stubborn 

Once you have your drinks and your food, you guys go into the theater 

She made extra careful plans to sit in the perfect spot so you two could have enough privacy but be far enough from the screen to see everything 

The movie starts up and it’s clearly too much for her, you can tell by the way she’s getting tense and how she’s trying to hide her face every five seconds

She gets way too nervous and steps out to use the bathroom, but after she’s gone for so long, you make sure to go and check on her 

You’d use a line like, “You left your purse under your seat” or something along those lines 

To which Janine would completely crumble and let you know that she was acting all out of sorts just to make sure you’d still like her. She’s terrified of being too boring or not being “cool” enough for someone else 

You’d definitely have to reassure her very tenderly because you went on this date knowing it was Janine. Clearly you love everything about her, even her little quirks. You’d have to make sure to tell her that upfront so she could finally relax

Once everything was out in the open, she’d finally calm down. 

She’d say something like “Good- I was kinda hoping we could see Paw Patrol because my students have been going nuts over it. I heard it was a pretty wild time.” 

She’s definitely nervous about admitting that, but as soon as you’re on board, you two refund the tickets for the next showing of the other movie. This time, you make sure to get the drinks and you guys settle in.

You can clearly see she’s more excitable, laughing and being adorable as ever

She’d even hold your hand and make sure to whisper little things to you so that she didn’t get too lost in the movie 

Once it’s over, you guys would hit a little coffee shop and just talk for a while. Really gushy stuff, like laughing about how Janine picked the worst movie for a first date initially, maybe she goes on about how much she liked the actual movie she wanted to see. You guys stay for hours and talk about everything under the sun until the cafe closes.

“Well uh… Guess that’s it then.” She’d fidget a little, definitely super nervous about how to end the night. You’d let her know that you had a great time 

Which would give her enough courage to launch herself forward and kiss you right on the lips

Right after, she’d pull away and blush super hard and start apologizing and rambling like she does

But you’d cut her off and give her another kiss. In return, she’d just melt in your arms and you two could just let yourselves get caught in the wholesome gay vibes that the whole night had been leading up to <333

Then she’d most definitely ask you to come back to her place to hang out and cuddle, maybe play some board games she’s been dying to show someone. Absolutely more kissing- She wouldn’t be able to stop kissing you once she knew it was okay to do so.

Melissa Schemmenti:

Definitely plans a date at her place

Who needs a fancy restaurant when she’s the best Italian cook in all of Philly? 

She’d invite you over and everything would be super casual, she’d probably insist on it just so she could make you comfortable 

But nothing would be quite ready whenever you got there 

In fact, you’d get all dressed up in your best

And Melissa opens the door in jeans, a tank top and her denim jacket she always wears around her house, hair up in a ponytail with a small kitchen towel hanging off her shoulder

“Damn- You really thought you were coming to the Met or something, huh?” She’d definitely laugh it off, but she’d assure you that you look incredible. She’d even apologize for not being more specific or for not dressing up herself 

Her idea of an adorable date is letting you help her cook. Being able to make a meal with her loved ones always makes her feel at home, and you’re no exception to that 

She’d definitely teach you how to make a kick ass risotto and would hold your hand the entire way

If you did something wrong, she wouldn’t be nearly as harsh as she would’ve been with Jacob or Janine. She’d lightly redirect you and even show you how to do it by guiding your hands with her own

And for the most Sicilian thing to do, she makes sure to get out a bottle of wine so you two can indulge in some drinks while the meal is getting prepared 

She has on her favorite tunes in the background, and the more tipsy she gets, she definitely starts to sing to you which is so sweet (even though her voice is completely off key, still super charming) 

Absolutely letting you be a taste tester, offers you the cooking spoons or makes you eat something out of her hand 

She won’t say it out loud, but she loves how you go with it. It’s adorable to her that you’re comfortable enough to trust her and lowkey she thinks it’s kinda hot how your mouth feels around her fingers ANYWAY

Once the food is done, you help her set the table and get all the food set up. She cracks open another bottle of wine so you guys can still drink during dinner 

You literally wanna pass out because the food is so good. You had no idea that she could cook like this, and it’s very clear she takes a lot of pride in her work with that pleased smirk on her face.

She’s also just so happy to see you so happy and in her space being so comfortable, that’s all she wants in a partner and you’re fitting in so seamlessly with her life

You guys talk about everything under the sun; About work, about annoying people, she tells you crazy stories from her family, maybe some about her antics and how she’s run away from the law, in return you’d tell her stories of your own 

Before you know it, dinner is completely gone and so is half the bottle of wine 

You both are much more tipsy than before, but it feels so cozy and warm. Melissa is even gazing back at you with her chin resting against her hand, just taking in how beautiful you are

“Mm.” She’d hum a little bit while she’s just silently staring at you, to which you ask her what’s on her mind 

“Oh, nothin’. Just was thinking about what it would be like to kiss you.” 

There’d be a small pause before she just leans in and presses her lips to yours 

It’s heated almost immediately, because this woman does everything with as much passion as she possibly can- But she’s also so tender and makes sure to hold you while she’s getting closer to you

Melissa doesn’t care about rules, ya’ll are going straight up to her bedroom if you’re comfortable with that. If not, she fully intends to cuddle you on her plastic wrapped couch 

[moonlit-aura]

i think The Powers That Be (the big media) are failing to understand that not everything has to be a franchise. not every n years old piece of media needs a reboot, or a version in a different medium, a sequel or a prequel or a midquel, or a live action version.

and i think that we're seeing this at it's worst right now with things like the minecraft movie that is lacking soul enough that it makes our animal brains shriek and recoil because the uncanny valley sense lights up - but not in an 'it's a mask or a doll that's close to realistic but not close enough' way but in an 'oh my god, this is a corpse' way. it's shaped like something you love but doesn't act like it, doesn't move like it, doesn't feel like it. the main component of what made it it is missing. it's entirely money-motivated and we can tell just by looking at it, it's like a zombie.

(putting most of the post under the cut because it got like. long long. embarrassingly so.)

it just kinda feels like we're mid-stagnation of culture. original stuff just isn't being made as much anymore because it's seen as "risky" by the industry. and there isn't even any experimentation going on, just adding on things or getting rid of stuff, and the goal of all this is to make the final product more Digestible, but the side-effect is just this blandness. you're adding water and taking away the seasoning because what if it's too salty for some people, what if it's too spicy because some are more sensitive to that than others, and you end up with a vaguely tasteless sludge. nothing is gained. there's just a ghost of an aftertaste.

and the executives that mainly decide on all this want to continue doing this so much, and for the audience to be like little money-generating sheep blindly watching the same thing over and over again. but unlike sheep, we cannot regurgitate the same thing ad infinitum. we don't have the stomach for it. there's no substance and, arguably, no art in all this.

eisner was kinda onto something when he said that to make money it's necessary to make history and art, and some kind of a statement but it kinda feels like they're trying to skip this step, just keep serving us the same thing. but even the most delicious food, given enough time, gets old and boring, grows stale, and, eventually, goes bad and spoils.

i think that all that is additionally sad because it will inevitably lead to the current media cannibalizing themselves. they're already reaching for laughably young cultural texts like moana and harry potter. what will they do once they catch up to the point of history we're at right now?

[bastard-lizard]

So my Roman Empire is the zombie apocolypse and the different ways people would self organize for survival and... something funny happened in my brain. Recently I was thinking more about how people would get their food; I figured there would be communities formed in the suburbs near green spaces available for farming. But most people in the suburbs don't know how to manage livestock, and it would be pretty difficult to build enough agriculture production from scratch to sustain an entire community. A partnership with small livestock farmers would be mutually beneficial, they would need help processing and such. But thats not a *great* deal for the farmers, so maybe the communities would also send people to protect the farm and provide other services. And without modern preservation technology and large transportation, you would want to move the livestock *alive* from the farm to the local community. And while I generally reject the idea that people would turn into terrible evil bandits the moment shit hit the fan, any hungry people seeing a herd of cows paraded through the street might start to get some ideas; not to mention the Dead roaming the streets. So obviously it would make sense to have some armed people defending and guiding the animals and they would need to be skilled in survival, combat, and livestock management and they would need some way to get across long distances AND-..... it's Cowboys. I invented cowboys.

So if you're ever writing a story where the Dead Rise From The Earth.... please don't forget the cowboys. Yeehaw.

[ganondoodle]

Since you said it's ok to send you random ask, i've always found your "monsters" design to be really really gorgeous, and I wanted to know : in any form of media you've interacted with, what's PEAK monster design for you ?

i have been thinking about this ask alot bc ... i dont ... know? theres a problem with what counts as a monster really too, most are either some sort of anthro/furry or the horror gore type of monster that instills you more with disgust than awe

i guess theres some i really like but idk if thats what id call 'peak' (though its rarely JUST the design but their vibe and stuff too);

(its a lot of zelda.. sorry)

Eldra, Farodra and Naydra (engl Dinraal, Farosh(?)) though Eldra is def my fav one of them, i like how they are a little more less typical dragon- with the fur around the neck the floppy ears and kinda goofy face yet manage to be the most ethereal, awe inspiring creature i have ever seen in a game with how they act and are presented as (in BOTW!!! do not mention anythign sonau/zonai with stupid magic pebbles to me about them i will manifest worms into your tea)

Leunen (Lynels) (botw) -i could not find a better picture wtf, fav are white and silver ones) FINE they had some pretty neat new horn designs in totk- idk i just like them alot, rather simple if you think about it, horse lion plus horns- but its so well put together it just kinda scratches my brain in a good way (also how intelligent they clearly are, like the way they fight and act and also even their death animation is so??? huh?? you are just gonna treat them like any other mindless monste- *remmbers they treat ganondorf even even worse all things considered* .. nevermind you're good)

'Beast' Ganondorf (twilight princess) its my favorite beast ganon design (even if it technically is just kinda a man boar .. again) though if ww gan had a non puppet beast form that one would most definitely be my fav lol (i will not get over the fact that some descriptions call this a hideous beast EXCUSE ME???? WHERE???) (honorable mention here, darkbest ganon from botw, pig on fire but it looks cool as fuck)

Nimbusgarde (ww) .. (engl .. darknuts?) do i need to say anything? (i could throw alot of ww design here) not sure if it counts as monster but they are not human so ????

the pathless bosses- (here in order, Cernos, the Godslayer, and Kumo) all of them are rad as hell (except for the final version of the godslayer ... liek im sorry but it looks to boring compared to any other one lol) again not just the design but man do i love them

since i dont know what would count as a monster or no i could just list my fav characters here bfmjbfmjsbmj like radahn (elden ring) is just kinda a zombie, aurelion sol (league of legends) is a space dragon, the forest god in princess mononoke, Narisha (skyward sword- sky whale)- i could go on but this post is long already (honorable mention to Omus in nausicäa, weird bugs but also something divine, though it is much more how they are treated and the vibe etc)

in all honesty though i cant think of one that i would describe as perfect, what i want of a monster design is to be ... cool but also a little weird, big hulking monsters that have something off about them and something that makes them 'other', but also not, as much as i like bloodborne, just bloody gory messes of rotting flesh, AND not just as a monster to kill, i just crave a game or otherwiese piece of media where the cool monsters arent just there for you to kill- the perfect one i guess would be something kinda big scary weird and off but while non verbal clearly not a mindless beast?

and here is the thing; my own characters do not furfill that, my designs are really rather conservative, much to my dismay, anthro of a mix of animals, maybe an extra arm thrown in- Eadrya, one of my favorites, is really just a blueish furry (yes they have fur) and their demon form is a mix of seals and catfish with some extra arms, too many teeth and a mouth that goas wayy to far (if they want) - Shargon is a feather dude with extra arms and his demon form is really just a chinese type dragon crossed with a bird, throw some darts at the color wheel, done

together with my problem of my monster characters losing their 'otherness' vibe within the story rather fast bc the majority of my characters are non human and speak and you see them in all sorts of emotions and parts of life- they lose that divine, unknown vibe and i HATE that that happens, i want them more akin to the forest god in mononoke but thats not possible unless i start from scratch

and i really dont mean to make myself look bad to sound self depre- ... however you spell that; i really am rather dissatisfied with my own designs but mostly just roll with what i got bc i never seem to be able to actually achieve what i want

even my redesigns often really make things LESS interesting (unless maybe the og was just ... human, but they are blue eyed with golden hair and white so that makes them divine you seE-), the skyward sword dragons as i redesigned them made them much more classical dragon, in part intentional bc i was drawing a connection of them becoming the botw dragons at some point, but by all means the canon design is much more weird and unusual than what i did with them, you could apply the same to even demise, his canon design might seem a little uninspired but really what did i do? inject him with some classic satan spice like that makes it in any way less stereotypical evil demon ??? lol

im sorry this post devolved into whatever this is but i really am trying to answer sincerely, i am confused about it myself, what counts as a monster, what doesnt, there must be more that i really loved but why cant i think of them, why do i design characters like this when i really want something much more different, i dont know, i feel like my brain is in a cage, why do i keep making things less interesting in an effort to make it interesting, am i falling into the corporate trap of cool sells who am i what am i doing

(theres a zelda artist with a style so strikingly genuis in shape, color and just .. DESIGN that i want to chew my nails off bc i cannot design like them, their designs and redesigns are so different yet sensical and so full of crisp shapes i have never seen before it drives me nuts and i would want to give them a shoutout but i think they dont like me so aaaaarhekjbfhgdknbgdfklbg)

[thegirlfromgonewiththewind]

Hi, again. 👋

I found the post you were talking about. The stan's account was deactivated, but yeesh. 😬 Nice replies to them, btw.

The stan that bashed on me said I was being misogynistic, even though I'm a black woman who just wanted to see another black character get their chance to shine.

Hell, it's not just the shows and movies (I think this all started with Endgame). It's also the Steve Rogers musical too. I don't know if you know about it, but Disney made the musical real, and it really did Sam and Bucky dirty.

Sam isn't even in it. Maybe he was mentioned once, but the musical showed an image of Sam as Captain America. As for Bucky, his scene from CA:TFA, where he saved pre-serum Steve, was given to Peggy instead. Bucky was mentioned once, and the musical tried to justify Steve's ending from Endgame. All for this ship.

And, frankly, I don't hate Peggy, I'm just more annoyed that other characters get shoved aside as well as this great dynamic that Steve and Bucky had, while she and her ship with Steve has been getting propped up more and more. But, seeing some of your and the others' posts, I get why you guys don't like her.

Girl, don’t get me started on the abomination that was Rogers the musical. It could have been glorious, it had so much potential, but once again Bucky’s role in Steve’s story was given to Peggy, and Sam wasn’t even there!

I feel like Marvel feels the need to tone down Stucky or their friendship overall because it was just too powerful. We all remember the hashtag that begged Marvel to make Stucky Canon, #givecaptainamericaaboyfriend. They just couldn’t let it happen, not to a main and important character like Steve, god forbid. And so ever since civil war Stucky has always had little to no scenes together no matter how well established it was in previous projects. All their scenes and dynamic were given to Peggy, their friendship was toned down, Steve’s whole ending happened. It just feels like Stucky is so menacing to Marvel that the only way to stop us is by destroying Steve, Bucky and their relationship.

I mean, Steve is given no justice in his ending and in all the other projects he appeared in. Bucky went from a victim and prisoner of war to someone who must make amends for things that were beyond his control. And the depth of their friendship was toned down and reduced every time Peggy was involved. And then they wonder why many people in the fandom dislike Peggy or why the whole Rogers the musical initiative flopped the second it went beyond Hawkeye.

Like, even if you don’t ship Stucky you can tell that they care for each other, and you can tell there was a shift after people actually wanted Marvel to take action and do something about this dynamic. Steve can’t get even one episode as his own character because Peggy must be there. Bucky had more luck, but still… and let’s not even talk about Sam, his only appearance was as a zombie!

In another post of mine I ranted about how bothered I was that Peggy was inserted in the 1602 storyline, and i haven’t changed my mind. It would have been so nice to give Steve one episode about himself, about his dynamic with his best friend and about the relationship with himself and his fellow avengers. But no, Peggy must be there too, and for no good reason as well.

I feel like Marvel trying to erase pre-existing relationships to have Peggy shine only results in fans turning their back on Marvel and hiding in fanfiction or whatever piece of media that can actually bring justice to the characters. Once someone on Tumblr said “you gave us the characters, but once you mess them up they’re not yours anymore. You don’t understand and respect them, therefore you don’t deserve them.” and I couldn’t agree more, which is why I am currently reading and writing fanfiction rather than buying into everything marvel gives us.

Peggy was the love interest with more screen time even before what if and all that jazz, she had her own show! And I fear that the day Marvel will realize that pushing a reimagined Nazi turned Mary Sue into every single what if episode where she can fit instead of enhancing the characters that are actually relevant in-universe it will be too late.

Sorry about the rant, I get carried away when it’s about my boys lol

[olderthannetfic]

https://olderthannetfic.tumblr.com/post/739683077572395008/kids-in-my-anime-adjacent-fandom-discoursing-over

Reminds me of the time I found out that most East Asian BL writers actually have a set bottom/top dynamic and that switching is very very rare. I think the author for MDZS/The Untamed said that the main couple shouldn't be switched, and that the Chinese Danmei fandoms do follow that for the most part. As in, most Danmei fandoms do not switch the dynamics of the top/bottom in general, nor do they do much switching at all? Which makes it absolutely hilarious how the Western fandoms keep insisting certain Danmei boys to be switches or switching their dynamics and claiming it's canon. TGCF/Heaven official's blessing seems to be such a case, from the same author as MDZS. Author says Red dude is the top, and White dude is the bottom. Western fandom starts arguing dynamics because there's no porn in the books. (Apparently Chinese censorship bc one of them is a God.)

And just to be clear, I'm just sharing what I got told, so if you don't like it, that's not my problem. If I'm wrong though, I'd welcome the clearing up.

--

Sighhhhh.

Anon... Yes, this is roughly correct, but it's also just tonally kind of wacky. It's like if someone sent me an ask going "Apparently, some women ship m/m, but don't quote me on that".

If I don't like it, that's not your problem?

Really?

What a whiny bitch-ass thing to say in someone's inbox, dude.

--

Anyway, on the actual topic, yes, 100% strict top/bottom roles have been the norm in many Asian fandoms and, to some extent, foreign fandoms for Asian media.

That doesn't mean nobody ever likes switches there though. There are terms for that. It's just not as common and doesn't sell or get clicks as well.

Yes, you can generally tell from BL/danmei canons exactly who the top and bottom are even if there's no sex. It's like reading a Regency romance novel and figuring out which love interest is "the rake" or whatever. It's more than just who sticks it in: It's a whole constellation of character cliches that go together.

The only reason Western fans can't tell is 1. bad translations that lose the flavor of the original, 2. n00bs not knowing the tropes, 3. willful blindness.

It's like that post from a while back about shizun-fuckers. Yeah, there are tons of ships where the older partner is the top, but this trope is about reversing that, and it's so unbelievably unsubtle.

I've heard that Yami no Matsuei's set of leads is so wacky because the author changed direction on who was the main lead and who was supposed to read as more of a bottom and thus this one dude doesn't read as quite the trope he was probably originally supposed to be.

(Cue reheated zombie wank about who's the bottomiest bottom out of all of the abused woobies in YnM.)

--

Re Chinese censorship, it has varied over time. I'm no expert either, so people are welcome to chime in, but basically, a lot of horny stuff is straight up illegal on the mainland and they've been cracking down in recent years in a way they didn't a while back.

A lot of danmei novels will have the less censored version printed in Taiwan.

It's not just about some character being a god: it's about the entire concept of pornography being illegal.

Some decades, you can push the boundaries a lot; some, you can't.

[understandableparadox]

I think a fundamental problem with a lot of vampire media is that a vampire is not supposed to be a zombie. it is supposed to be a human who surrendered to their own vices and flaws. the flaws of cowardice in the face of death and the vices of pleasure and gluttony.

which is why vampires can be made very versatile. As much as I don't really like Twilight, it is still a story of dealing with vices with creatures that fundamentally have allowed themselves to be dominated by them.

which is why i really like the movie Renfield.

THATS RIGHT YOU BITCH ASS MOTHERFUCKER YOU THOUGHT YOU WERE GOING TO READ A SCATCHING BITCH AND MOAN SESSION ABOUT THE SATURATION OF SHITTY VAMPIRE MOVIES BUT NOW YOUR TRAPPED HERE READING MY THOUGHTS AND OPINIONS ON A NICK CAGE MOVIE, SIT DOWN SWEETHEART IM NOT GONNA BE DONE YAPPING FOR A FUCKING COUNTRY MINUTE

Renfield 2023 is a movie starring Nicholas Hoult, Nicolas Cage and Awkwafina.

Renfield if you do not know is the fanatical familiar from the original bram stokers dracula movie. the human who in exchange for aiding dracula in their dark dealings would perhaps gift him with the same dark curse, making renfield a fellow child of the night.

This movie takes place Years afterwards after a very serious battle with the last vampire hunters of the modern day and age. Dracula has suffered Severe damage from the fight and has Renfield aid him in taking refuge within the depths of an asylum while he recovers.

Here we get into the meat and potatoes of the movie, as much of a sin as it sounds, it does focus on nick cage as dracula but instead on nicholas holt as the aforementioned Stooge prime renfield. Renfield, between his random killings in order to sate the blood lust of his master, becomes more and more acquainted with the new modern world, undergoing the most harrowing journey of them all...

Therapy. 

Renfield over the years has lost his spark of mad fanaticism and is worried not only with his relationship with Dracula but his relationship with himself. Aiding at least one by attending an abusive partners support group to find victims. Mostly abusive partners and criminals.  

This is very notable because it's already setting up the original themes of vampires. Your cowardice and your vices. It sets up Renfield as a true coward whose vice is his love of dracula, or more exactly his desire to  Be Like dracula. Enough so that even though he wants to feel better about himself- to feel less like a monster- he still follows dracula's demands in killing people who he has decided to pass judgment on. 

Oh sorry i forgot a detail, renfield is a power ranger and his morpher is eating bugs. He gains some vampire powers everytime he eats a bug and does some john wick shit but thats not my deal, i dont care if renfield can do a sick back flip and punch a guy (complete fucking lie, the action scenes in this movie are so god damn rad sometimes, please watch this movie, please please please!!!)

The movie splits into a couple of different story lines. One being Renfield attempting to balance his burgeoning need to have a functioning moral compass and his romance with awkwafina character, rebecca the detective. Rebecca the detective attempting to balance both the rash of murder cases and a rash of mob related crimes in order to avenge her father, and the mob themselves attempting to figure out who is wiping out their foot soldiers. 

I'm not going to harp on the story for long so let's start talking about renfield. 

Renfield is a hypocrite, and it's made apparent throughout the film that he is a hypocrite. Despite wanting to be a good person he is still a murder. He has doomed multiple people to die across the world. He left his wife and child to be with dracula. He has done so much to cut himself off from his own humanity that it's almost insane that he wants to run back to it because Dracula has not yet answered renfields desire to be a true vampire. 

This all is blended into the idea of having dracula be a parallel to an abusive narcissistic partner in a relationship. Which in all accounts throughout the movie is true and we're going to bounce back and forth from that for a bit so buckle up bud. 

The main ire of the movie is that Renfield wants to push his problems that he has gained away onto Dracula without acknowledging his roles in them. Again we see that cowardice. Renfield cannot stand to see his own faults. He listens to Dracula both out of fear and admiration. At the start of the movie I mentioned that Dracula sustained heavy hits from the last vampire hunters. Well I forgot to mention how he survived. Lets go ahead and listen in Real Close to what he says 

The hunters had dracula dead to rights if you can dare to pardon my puns. Trapped in a binding circle, burning in holy flames and about to get skewered through his heart. The dialogue is specific, Dracula makes no specific promises but notes that Renfield is complicit and that regardless of whatever Dracula has done, he is still his greatest ally. We play on that cowardice and that vice. That desire to be near dracula or be like dracula contrasted with his fear of the repercussions of his actions. 

Snap back to reality and we see that Renfield is still struggling with this. He does not want to face the repercussions of his actions so he continues doing as instructed by Dracula while also indulging in his vices, his desire for escapism by delving into all of these new things. Vigilantism, pushing his problems onto dracula, pretending that he is at the moment capable of having a new life while still using dracula's powers to attain it. 

Ah but now we need to introduce the main concept of this film. That being the portrayal of Dracula as an abusive partner with narcissism. Dracula plays on renfields, and says it with me in class, Vices and Cowardice. He knows what to say to make Renfield back down. He knows all his fuck ups and exactly what renfield wants, that being to have a simple life with dracula, but not in a gay way of course, we still have to have a straight romance sub plot, i mean its insane to think that renfield wants to bone dracula its not like dracula promises to be his salvation while he is suspended in air in a soft whispery voice while renfield stares at him with all the gale of a oculerly enlarged puppy but hey what do i know? I unironiclly read isekais, my media literacy must be that of a brain dead lemur. 

We can see this played out in this scene here

Dracula knows how to keep the hook in renfield's mouth both taught and loose enough to keep him at the perfect level of knuckle dragging dejection to ensure that he runs back begging. In that while yes he is right that renfield at so many points gave in to his own desires and *coy eye to the audience as I listen to them scream “vices” at me.*. He has begun to make an earnest attempt to become a better person. Better late than never. 

Thus renfields true growth is him rejecting that which made him so close with dracula, the rejection of what makes a vampire and vampire. He embraces his cowardice by both admitting to what he is and now allowing himself to push his own crimes onto dracula, and then standing up to dracula, and then rejecting his vices when once again dracula makes him the same offer. To be that same shield towards himself and his own shortcomings rather than deal with a life without a master. Despite it being possible in the future coming with the promise of being a full vampire like himself. 

Look guys, let's not juggle bowling pins and call it arm wrestling, Watch Renfield. Its a good movie and nick cage is fucking awasome, thanks.