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one-squash-one-end · 9 months ago

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An analysis on gender and sexuality - Blue Sargent

Hi! This belongs to my big Raven Cycle analysis, click here for the masterpost!

This part will deal with our favorite short ant, Blue Sargent. A sort of silly but still intentional analysis/essay on why I think she's nonbinary, where I go off on random tangents because i have adhd and access to the internet. Enjoy! (This will be so fucking long though, I had Thoughts)

3. Trust me, the characters are queer as fuck and I can prove it (+ my professional opinion on whether they’d wear a crop top)

a) Blue Sargent

Look. No matter how I look at this entire character, there’s simply no way Blue is not genderfluid. (The fluid is one of Maura’s footy healing teas btw.) And I am here to spread the agenda and force my own identity onto fictional characters so that after you have read this analysis and interpretation, you will agree with me on my correct opinion.

To begin with, there is this entire theme of not fitting in and dressing in an “unusual” way. It becomes very evident that Blue is really proud of being weird and eccentric, this displayed in attitudes towards her mom, the boys and her internal monologue about Mountainview High. She does not want to fit in if it means changing for others, yet she says “the problem with being weird was that everyone else was normal”. This could possibly be a metaphor for being trans; being proud of it, yet being only surrounded by cis people, who conform to all those societal gender norms. It means one would feel sort of isolated (as Blue does mention she is), not being able to relate to or feel deeply understood by anyone in their environment.

Additionally, alternative fashion (or at least that’s how I would describe her aesthetic in general) has quite typically been claimed by queer people. I know this is a lot of interpretation here, and it’s worth mentioning that you absolutely cannot tell someone’s gender by how they present on the outside. However, the evidence gets stronger as we dive deeper. If we look at her fashion sense together with the statement of “I don’t care to be pretty, I care to look on the outside as I do on the inside.”, it sends quite a clear message: Her outside is very jumbled, not conforming to societal norms, a mix of many different styles that seems to change its focus daily. In my opinion, that’s pretty gender of her. If that’s how she presents on the outside (which is not traditionally “female”, among other things I just mentioned), just think about what that would mean for her inside. It’s chaotic, it’s messy, it’s just a lot of things. It’s called being genderfluid.

The second big theme we have is her constantly being treated as “one of the boys”. And yes, of course cis girls can be friends with large groups of boys (and the other way around) but it is quite rare or unusual, especially if all of them are straight (so my point is this: Blue is not cis and also the boys are all queer, more on that later). Either way, Blue defies traditional gender norms and “girly” hobbies by taking part in fun teambuilding activities such as cave exploring, trespassing, grave robbery and burying a body. We stan.

Then we have this quote, which is talking specifically about Blue truly being part of the group for the first time: “They were loud and triumphant and kings of Henrietta.” Now, while kings are a theme that is quite consistent throughout the books, each of the boys and Mr. Gray being called one at least once in significant scenes of their character arcs, by that time it is not yet that established. There would have been so many other words for Maggie Stiefvater to use. First of all, kings and queen, though that would be a bit unwieldy. She chose not to alienate Blue. But there were other alternatives, something not quite so gendered, such as royals, or gods even. Yet, that specific wording happened, showing she is in no way other than the boys. And maybe in that scene she really wasn’t, feeling more masculine that day perhaps.

Furthermore, “whatever her identity crisis was, it seemed to live at home, not with the boys”, meaning she does feel alienated around all those women, but she does somehow fit in with the boys. Yes, this is also a teen thing of being misunderstood by parents while identifying a lot with peers, but when what she rejects is femininity and she seems to embrace masculinity, it’s a bit sus, don’t you think? And then lastly it’s not only the Gangsey, but also the Vancouver crowd as well, a group of boys held together by somehow being different than the rest of Aglionby (if I remember correctly), that she feels immediately at home with.

Next, there are the 300 Fox Way women. As we just established, Blue feels a sort of identity crisis in this house filled with women. She does not fit in, because she is the only one without any psychic abilities, meaning she is already “other”, but there is a clear focus on showing how she is so, so loved, by her direct family (like Maura) but also the others (Calla, Persephone) have accepted her as one of their own. Now, what if she was also genderqueer? Wouldn’t that give her one more reason to be different, while simultaneously putting emphasis on the fact that trans people can and deserve to be loved by their families?

I saved the strongest evidence for last (well, sort of, there’s still more to come actually). The following quote is the ultimate confirmation Blue is not female. As she, the Gangsey and some of her family group together in the kitchen, she says there were “three boys, four women, and one Blue”! Here she is specifically not assigned either of the aforementioned genders, not grouped together with the 300 Fox Way women in a “five women, Blue being one of them” manner and also not one of the boys in this scene. This might be an age issue (like how for months I wasn’t sure if I dislike both the terms “woman” and “girl” being used for me because of age or gender), but the scene could have easily said “women, boys and one teenage girl”, focusing on groups divided by age and gender like the original intention might seem to be. And yet it didn’t.

Now for some more quotes. After some guy from her school draws a penis on the unicorn on her binder, she says “she preferred her unicorns ungendered”. For the reasons already listed I deduce that, much like the unicorn, Blue prefers herself ungendered.

“She felt one thousand years old. She also felt like maybe she was a condescending brat.” is of course supposed to show how contradicting growing up can feel, perception of oneself flickering between being terribly grown up and still being a little child, who cannot know anything. I would also argue, though, that this duality can be quite reminiscent of her gender identity, feeling like multiple, supposedly contrasting, things at once. As an additional afterthought, the theme of being ageless is sometimes associated with omniscient beings, detached from being human, such as deities. Another thing that would be quite typical for gods, especially when they are so apart from society, is being genderless, or having a gender that fluctuates. Some examples for this would be Dionysus, Loki or the ancient genderfluid entity Asushunamir, stemming from the mythology of one of humanity’s first civilizations, Mesopotamia.

Then, naturally, we have other people’s perception of her. While she probably has been described as a girl in quite a few instances in the book (one of them being Henry, though before he really knew her), to me it sticks out that she describes herself as a “sensible teen”, not a sensible girl, though that might have made even more sense in the context of not going around kissing random boys (but yes, let’s be honest, that’s some antiquated slut-shaming, people can kiss as many consenting people as they like). Further instance is that Gansey says “Blue was a fanciful, but sensible thing. Like a platypus, or one of those sandwiches […]”. Like, he goes out of his way to not describe her as a girl in that scene, instead drawing weird-ass comparisons. Now, while calling his friends magnificent creatures is totally his thing (maybe Gansey rejects gendered terms and embraces silly greetings), this did seem intentional to me. Not to mention the obvious parallel of platypuses being mammals but laying eggs, somehow combining different species. Despite reproducing differently than “normal” mammals (also having different sexual organs), they are still recognized as such, and if that isn’t very trans rights of them, I don’t know what is. (Yes I know being a mammal is not derived from reproductive organs and this is probably all somewhat wrong, but I am relying heavily on metaphors here and also I dropped Biology.)

Now as a last thing I chose the entire theme of “something more”. If I’m not mistaken, “something more” is important for every other character as well (I specifically remember Henry), but it begins with Blue and seems to be most relevant to her either way. As I’m writing this I realize so much of the evidence I have collected can also be read under points of view of growing up, but still fits her gender, showing not only that Blue is pretty reminiscent of how teenagers feel, how things in their lives contradict, but also that we come to realizations about our own gender as we grow up, whether it’s realizing at five, fifteen or fifty years old, self-discovery is an ongoing process. So “something more” is absolutely about her future, but it might also relate to her gender being something more than simply female, more than the binary dictates.

If you read this entire series with the opinion that Blue is not cis (like I do! And like my real life friends hopefully will after reading this J), there are masses of hints pointing towards it and creating evidence. Smash the cis-tem.

By now I’ve made my point about her gender pretty clear, so now it’s time to point out that Blue isn’t straight either. First of all, if she does not confirm to either of the binary genders, she cannot, in any way, be heterosexual, but either way, there’s just no way she’s straight.

Now, if you read this essay (? analysis? meta deep-dive?), you will soon be convinced that her entire friend group is queer somehow, which absolutely accounts for something because I can confirm, from real life experience, that queer people seem to flock towards each other. I will admit that we don’t really see her interact with many female characters outside of family (yes I will admit this is a red flag, but I promise the book passes the Bechdel test), but the vibes she gives off are clearly m-spec.

Additionally, because I am always looking for some representation of my own identity, Blue could potentially be somewhere on the aro-ace spectrum. This isn’t shown super strongly, especially since she does get a canon relationship and it’s very sweet and romantic. Yet, she is not really sex-driven or anything like that and seems to value friendship a LOT, though the entire theme of friendship in general throughout the series will be explained in a later part of this analysis. Also, while I am aware that the books are YA and thus won’t focus on sex too much either way, especially in teen characters, it’s comparably low, considering the premise is (wrongfully) about true love’s killing kiss. We can also compare her storyline and character to Kavinsky, someone her age who seems to be very obscene, and characters like Ronan, who are somewhere between them on that scale. Overall, I would probably call her pan, but once again, there might be some greysexuality or something similar in there.

Lastly, Blue would absolutely wear crop tops of course. Now that I think about it, she probably even does at some point in the books.

#follow for more /j #also I recently read this part to my friend and they were like #“so what you're saying is that Blue is God.”#which honestly yeah that tracks #idk if my highschool English teacher would love me for the effort or hate me for the language i use #trc #the raven cycle #gansey #blue sargent #the dream thieves #the raven king #the raven boys #blue lily lily blue #op

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