#god I still love the Trickster though I just needed the right context to draw them

[chopshajen]

This redraw meme is going around and I did it with blorbos from my (live stage performance) shows

[bellamyroselia]

Who could replace Hades as the new big bad? Overly long essay

Like pretty much everyone else in this fandom, I love Hades. Guy’s your typical pure evil villain with a personality larger than life itself and he’s having so much fun with it that it’s contagious. Every time he pops up, I’m delighted to see him. It’s so fun to see him do his shtick and have the time of his life with it, which also makes beating him feel so great. After all the crap he has put the main cast through, it’s so satisfying to blast him into the face because for a moment that confidence finally breaks and once it's all over, people cheer because they don’t have to live in horrible fear for a while at least. This characterization is mostly rooted on the sheer fear factor Hades had in the eyes of ancient people - even in civilizations which have rather chipper afterlife people tended to prefer living over dying, and this of course meant that they were absolutely terrified of the Underworld deities. Hades was mostly addressed by epithets in texts because people thought that if they called him by his name, they were drawing his attention and the last thing a sane person wants is the attention of an powerful god who has power over the dead. So if a god has this level of appeal, be it positive or negative, you may not even need excessive amount of mythological content to create a frame for a character!

This being said, I don’t believe his chances of coming back are as the big bad of a next game are high - that is unless we have to wait another 15-20 years to get a new game, but I’d like to be more hopeful than that. So if he isn’t coming back, who could possibly replace him as the new big bad of Kid Icarus? It’s not like the writers could ever run out of source material because there’s so many monsters to deal with and every god is more or less morally grey, meaning that there’s many possibilities for new bad guys regardless of the scale.

This took a lot longer than I originally expected and I’m sorry for that - there’s no worse idea than to jump into a rabbit hole and bringing a shovel with you because things will quickly spiral out of control into new interesting directions. The more info I gathered, the more interested I was on looking more into it and sometimes it even spiraled out of mythology into history and philosophy. If you’re interested on some specific reasons for why this took so long, here’s few: myths are long and there’s many different versions of them, epics are even longer, Peloponnese people couldn’t be bothered to write their own things down so I had to look what travelers wrote down, it takes Plato way too long to get into the point, Herodotus never gets into the point, someone translated the term metic as resident alien of all things which I thought was the funniest thing ever and Ludovisi Ares is really pretty.

This is the point where I give the obligatory warnings, so here - since I'm discussing mythology here, it's inevitable that there's some talk about violence and death. I'm not going to linger on the gruesome details, but know that it's there. At couple points this will spiral into a full-on history lesson because I thought that understanding the historical context was important regarding the topic I was discussing. Also this is a one long essay - and by long, I mean really, really long. If you want to read it all at one sitting, prepare some time for yourself. But with that all out of the way, let’s jump straight into the discussion on who could be the next possible big bad, shall we?

I’m limiting this mostly to the main 12 Olympians with the addition of some other big names to keep things simple - while some smaller mythological figures such as Arachne or Arke would work fantastically as villains, they don’t have that recognition or presentation the more well known characters have. We’re trying to speculate who could fill Hades’ shoes as the new main bad guy here after all, not who we could add on the list of great yet less significant antagonists like Medusa, Pandora and Thanatos. I’m excluding Zeus, Athena, Hephaestus and Demeter from this list for rather obvious reasons - Zeus because the the guy seems to be MIA for good so Palutena could rule the place, Athena and Hephaestus because Palutena and Dyntos practically are them and Demeter because Viridi pretty much is Mycenaean Demeter on steroids in a package way too small to contain all that anger within. I also don’t think her relationship with Pit and Palutena will change drastically, so she’s sitting comfortably on her friendenemy-zone.

As for already existing characters, I don’t think anyone of them could snatch the title of the big bad. Viridi is off the competition for already mentioned reasons and I don’t see anyone from Forces of Nature defecting to become the new main villain. Pyrrhon is either gone for good or went back to whatever is this world’s equivalent of Egypt to lick his wounds, so I don’t think he’s coming back anytime soon - and if he’s coming, I don’t think he’s coming back as a main bad guy since he really wasn’t one to begin with. Thanatos’ only major mythological appearance is the myth of Sisyphus capturing death which doesn’t exactly strike confidence on his abilities in general and if that version of Thanatos couldn’t do his job correctly when meeting one guy too stubborn to die, do you really think that I believe our Thanatos has any chances of becoming the new big bad? Bringing back Medusa would be beating a dead horse at this point unless they really twist the formula and I don’t think that’s going to happen, so Medusa is off the competition. Pandora wasn’t all that big of a threat to begin with, so if she comes back she most likely stays that way. So it’s definitely going to be a new character, but who could it be?

As for who for sure can’t replace Hades as the new main bad, it’s Hestia. She probably has the lowest chance of any big Greek god to even appear in a possible future Kid Icarus game simply because there’s next to no material of her and that’s for a good reason. She was the goddess of hearth, domesticity, family, home and state. Most of these were and still are considered private, so that explains why there’s very little material of Hestia actually doing anything - we don’t write epic poetry about cleaning the house, making a macaroni casserole for dinner or going to bathroom and so didn’t the ancient people. With Hestia, you’re dealing with the bare bones of a character because she’s so passive and non-confrontational figure. It would be hard to make her a central figure in any kind of plot, especially for a one centered around action, so she’s out.

Hermes is also a figure I don’t think would work as a big bad or as an antagonist in general and I don’t really have any concrete reasons for why I think so. I just feel that he would be unfit for the role. He’s a trickster who started his shenanigans on the day he was born and the rest is mythology - by cunning escapades and underdog tactics he became the messenger of gods and from that point onward he kept collecting even more jobs such as becoming the god of merchants, shepherds and thieves, being a psychopomp, guiding dreams and helping heroes whenever he felt like it. He has a lot of going on but he’s always regarded as someone who knows all the tricks and isn’t afraid to use them, not all bad for a guy whose name was derived from a word meaning a pile of rocks.

As for why I think Hermes would make an terrible antagonist is mostly because of his status as the god of thieves and how it’s pretty much the easiest way to turn him into an antagonist. The thing here is that I just can’t stand antagonists whose main thing is that they’re amazing thieves and/or tricksters in games. While I think they can be enjoyable in other forms of media if they’re written on a smart way, in games this is almost never the case because gameplay and story don’t always match perfectly and writers need to use cheap tactics to make the character work - and by cheap I mean either A.I stands for artificial incompetence and the character is simply bad at being a thief/trickster despite all the characters and lore saying otherwise or that the game just starts cheating against the player to make them feel dumb even though they did nothing wrong. Thieves and tricksters are just really hard to balance in a game when it’s not the player character doing the deceiving. That perfect sweet spot for a great character is too goddamn tiny and if the thief/trickster isn’t exactly in there, you have an annoying character either because they’re incompetent at their job or because computer is a cheating bastard. So while there’s many enjoyable antagonists who share traits with Hermes, combine them all into a one character with the problems I already mentioned and most of the time you have a figure everybody hates due to how infuriating they’re to deal with. We’re trying to make people interested of going on and seeing what happens next here, not trying to annoy them to the point where they can just drop the game and never pick it up again. As for another reason I don’t think Hermes would work all that well as an antagonist is because his whole shtick is that despite his incredible powers, he still manages to be an underdog. Needless to say, the way underdogs are represented in media is vastly different from the way major antagonists are and while it can work, it’s hard to pull off. And of course there’s the thing of Hermes being portrayed almost always as a positive figure in myths, meaning that I and many others have a hard time imagining him as a bad guy. At his most evil we imagine Hermes doing stuff such as saying to his nephew that grandpa equals target practice, not anything that could threaten the world. Though if Hermes is included into the cast of a future game, I can image him having a theme that sounds similar to the BW rival theme for some reason. It has that I’m a one chipper fella but I’m also extremely busy right now so goodbye for a moment, see you soon-energy in it that I associate with Hermes.

As for what kind of role Hermes could be playing, he could work rather well as a quick cameo like Poseidon was in KI:U, where he offers help in some form. If one wants to go deeper into it, he could possibly run some service since he was the god of merchants and trade as well - though if one want to involve the fact of him being the god of thieves in addition to previously mentioned things, make him an occasional scammer because that’s what one would expect from a trickster. Or have him as a boss in a training gauntlet. Works either way.

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If Artemis was introduced into the series, I don’t think she would be antagonistic. I can totally see her having a cold personality and her being bit of a hard person to deal with, but I don’t see her being actively malicious character - only example of Artemis being overly cruel towards figures KI-characters seem to be based on would be her sending the Calydonian boar to cause chaos in Calydon. It’s interesting if you believe Magnus and Gaol are at least partially inspired by Meleager and Atalanta like I do, but I don’t think it’s enough to make Artemis an antagonist, much less the main villain so she’s off the competition. Not to say she isn't wrathful, I looked into it and her wrath far outnumbers her blessings, though it's rather messy at times and some of them even can't co-exist the ones about Orion and Callisto definitely can't but her wrath is divorced from the main KI-cast. You'd have to create new characters to excuse it and KI already has a rather large cast, so I don't think it would be all that wise to create new characters just for the sake of goddess cursing them for a plot line that's resolved in couple chapters. Maybe she’s just a cameo or possibly a boss in a training gauntlet.

Apollo would be an antagonist. I just don’t see any other way how he could be introduced into the series. He has potential to be a charismatic, funny and mostly harmless antagonist who isn’t there to cause any trouble, he just really hates Pit and only Pit. But why would he hate Pit? It’s not like the mythological Apollo dislikes Icarus or Perseus and that’s indeed true, but there’s one more thing. For a god who we associate with a celestial body mostly made out of hydrogen and helium, Apollo has extremely high levels of sodium chloride within him - which is to say that he has been salty starting from the moment Hermes robbed him that one time and that lake of salt inside him has only become larger ever since. That salt is directed at people he dislikes and while he doesn’t dislike Icarus or Perseus because he never met either of them, guess who he does dislike? Angel-like gods, or just Eros to be more specific.

The story goes that Apollo’s enormous ego took the better of him one day and so he started to mock his nephew for what he thought was mediocre use of the bow and arrow. Insulted Eros decided that Apollo had officially lost his uncle-license which led him to curse Apollo to have the worst love life imaginable, starting with Daphne. And as we all know Cupid is Roman version of Eros and Pit is named after Cupid, so this was hatred made in heaven and it would be disappointing to not use the opportunity when it has been given to us on a golden platter. And you don’t even have to come up with an detailed and intriguing story to explain why Apollo hates him - something could’ve very well happened during the three years Pit’s consciousness was in that ring. His body may have ruined Apollo’s chances to hit it off with people because it was destroying their cities or something similar. Or just leave it as a noodle incident that’s referenced multiple times, everyone wonders what the heck actually happened but only Apollo knows, refusing to tell the story because he just assumes that everyone already knows it and they’re just messing with him by pretending to not know. Either way, Apollo should be an antagonist if he’s featured in a sequel. Not a villain, definitely not the big bad but fun antagonist to deal with.

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This is something that most of you probably already know or at least you would know if you’ve actually read something other than Ovid’s Metamorphoses, or as I like to call it Jaded man screams at Emperor Augustus because apparently telling the Roman citizens to go all out on every monument the prude ever built clearly wasn’t enough, please tell me you have but Medusa isn’t an only child. She’s in fact one of Phorcys and Ceto’s seven children, both of them being somewhat monstrous primordial ocean deities - Phorcys has been described as a merman with red skin and crab claws, Ceto’s name in the other hand just literally means sea monster. Besides Medusa and the two other gorgons Stheno and Euryale, the list of their children includes the graeae sisters, serpentine dragon Ladon and Echidna, which is quite a lot of snake monsters for two deities who themselves don’t have any snake traits. There’s a lot of potential in this group but ideas of any of them becoming the new big bad end up falling apart because just like Medusa, they’re all rather bland characters like you’d expect from a mythological monster. They’re less like characters and more like plot devices that the hero needs to deal with. The only two members of this family besides Medusa who actually get to do something of importance are Ladon and Echidna and even those acts aren’t all that interesting. Echidna gets to have her many monstrous children with Typhon and then she’s apparently is killed by Argus, Hera’s servant-giant while sleeping on a cave just like her sister. Ladon guarded the garden of Hesperides which was well known for its golden apples and he doesn’t get to die with much dignity either, since Heracles just shoots him in the back and literally the next day other Argonauts find nymphs looking at his still twitching body. Alternatively Heracles just tricks Titan Atlas to do all the apple picking, which leaves Ladon alive.

Possibly one of the biggest problems writers have to deal with is setting. Ladon is very strictly tied into the garden setting and Echidna was cave dweller who never left her home, so writers would have to come with rather specific situations for them to appear. Of course if one wants to be lazy, Underworld could possibly serve as their home. It could very well house caves big enough to house a snake monster and Greek Underworld does have Elysium, which is basically Paradise and it could very well also function as a garden. But honestly even with the right setting, I don’t think either of them would make all that interesting big bads. They would definitely work fantastically as large-scale villains, but they don’t really have that much intimidation factor all things considered - you can blame Argus and Heracles for that.

But I’m not done with this family yet as there’s one character connected to them who’s probably the most feared monster of all Greco-Roman mythology and that’s Typhon, Echidna’s mate. He’s essentially an ancient Greek equivalent of a kaiju, more a destructive force of nature than a monster and everyone fears him - and by everyone, I mean everyone. There’s couple of versions of what happens but the most popular one goes that when the gods saw him, their first instinct was to shapeshift into animals and flee into Egypt. Those who did stay behind such as Hades were said to cover in fear in their homes while Typhon ravaged the land. Zeus tried to fight him but when he went for the kill, Typhon caught him and cut off his sinews, then threw him into a cave under the watch of another snake monster Delphyne. This didn’t stop Hermes and Pan from getting the sinews back and saving Zeus, and once his strength has been restored he and Typhon fought once again. Zeus eventually wearied Typhon down and then either casted him down into Tartarus or dropped a mountain on top of him, that being Mount Etna.

He could work very well as a big bad, problem here are just how high the stakes need to be for him to work. He’d had to be the ultimate villain if that was the case, the stakes need to be higher than they were with Hades. And considering how Hades was pretty much your typical pure evil villain causing chaos, what separates Typhon from him? Just some more chaos and no wisecracking dialogue because everyone is too scared to talk? He comes off as way too similar to Hades without all the fun personality. Maybe if KI:U became a KI:U-trilogy he could work as the ultimate big bad of the last game, but I got to say no otherwise. The bar for making him work is already sky-high due to how destructive he is and we don’t want to repeat the plot of Uprising here. So while he definitely can work, maybe save him for later.

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Hera and Poseidon both have potential to be serious antagonistic forces, but I don’t think they have it to be main villains. Hera simply fits the bill because most of the times she’s the antagonistic force actively trying to make people’s lives worse, all because she can’t direct her anger at correct people. Some times she’s just blatantly evil, like how she imprisoned her own daughter Eileithyia or you may better know her as Lucina to prevent the birth of Artemis and Apollo or how she tricked her pregnant great-granddaughter into disintegrating herself Semele is her great-granddaughter by the way. As for examples of Hera being wrathful which don’t involve Zeus being horny, she was said to be the one who sent Sphinx to Thebes, no reason given why or if there’s one, I couldn’t find it. Works either way.

Because she might as well be the personification of divine wrath, it’s pretty easy to see why one would think she would make a great villain. However that wrath also gives us a big problem, it being that her evil escapades are mostly rooted on anger and spite - while wrath is a good driving force for a villain, it needs more to work. With Hades, he does evil things for fun and is having a blast while doing it. Hera on the other hand just rages and most of the times it’s because of Zeus, who seems to be out of the picture. She’s not there to have fun and when you add her general lack of charisma on the top, you don’t end up with the most endearing character. While wrath can serve as a character motivation, it can become stale very quickly and this means that unless the story regarding villainy her is short (as in solved in 1-3 chapters) it starts to feel like dragging. I overall think that Hera does have very low chances to appear in general, but if she does appear as an antagonist she should preferably be a minor one in the same way Viridi was. You know the meme of what makes villain a supervillain and the answer is presentation? Hera doesn’t have that presentation. Writers can certainly just give her that which is what they did with Hades whose mythological counterpart was more or less a basement dweller, but why go trough all that trouble when there’s so many better candidates to work with?

On to Poseidon, who’s an important figure in the founding myth of Athens - it’s honestly quite odd how it’s never mentioned in any shape or form in KI:U despite Palutena being based on Athena. But then again, considering how much “care” this series put on the names of its cities and towns, this being ignored doesn’t really surprise me even if it does disappoint. He was a really big deal during the Mycenaean period, besides being the god of ocean he was also seen as the head god and the ruler of the Underworld. Then the Late Bronze Age collapse happened and Poseidon was nerfed in the lack of better words - during the Dark Age, Zeus became the new head god and Hades popped seemingly out of nowhere, taking over Poseidon’s role as the god ruling the Underworld. On the other news Poseidon’s antagonistic potential is somewhat dwarfed by the fact that most of his escapades involve banging and they don’t really feature any figures the main cast of KI seem to be based on. It’s annoying because he does so much but because it’s mostly banging people and either helping or bullying very specific heroes, it’s just not something that’s all that relevant in the context of KI. But there’s couple myths and stories that would make him an easy bad guy, first one is that of Atlantis - and we’re going to jump straight to the source material because on it’s core, it’s technically just another tale of Athena and Poseidon having a conflict. Fish people under the sea is fun as well, but by using the source directly it gives us the most potential.

So Plato tells in his dialogues Timaeus and Critias that when Athenian statesman Solon visited Egypt, he found some interesting records about certain events during 10th millennium BCE and translated them into Greek. Only thing here that’s true is Solon visiting Egypt, everything else was made up Plato - if you need more proof, know that 10th millennium BCE was during the stone age for context, Britain wasn’t sharing a land border with just France, but also with Belgium, Netherlands, Germany and Denmark during this time. It was that far into the past. As for the actual story, it begins by gods choosing lots of land for themselves and Poseidon chooses Atlantis. He then falls in love with a mortal woman Cleito, builds her a luxurious home, they have five sets of twin boys together and once the kids have all grown up, they divide Atlantis into ten parts and so is born ten different lineages of kings. But by each generation the kings become more and more human, meaning that it’s much more easier for their wealthy lifestyle to hit them in the head - compare that to Athenians in the story, who’re not tempted by luxuries and have quite Spartan lifestyle interestingly enough. This wealthy lifestyle of the Atlanteans quickly leads into colonialism and war mongering, leading into them trying to take over the Mediterranean but they’re are stopped by Athens because naval warfare was the only type of warfare Athenians actually excelled at. Zeus eventually looks down to see what the heck is going on and then tells Poseidon to do something because this racket is technically speaking all his fault. Poseidon agrees, causes an earthquake and then sweeps Atlantis under his rug, that being the ocean. So Atlantis is pretty much an antithesis of a perfect society, a concept that’s discussed more in Republic and the lesson here is that being consumed by hubris in the search of luxury leads to ruin - but since we’re not here for philosophy lessons, let’s forget all of that and think what kind of plot one could craft out of this mess.

Island nation in search of wealth is a good set-up for some action, so I don’t think there’s much that needs changing. Have Atlanteans attack some cities which alerts Palutena and that leads Pit into a mission in which he tries to tell Poseidon what’s going on. After 2-5 chapters of war against Atlanteans, Poseidon deals with the problem either willingly or by force - whether he just destroys the place or makes Atlanteans full on aquatic folk who can’t survive on land meaning that they have to give up the conquest is up to writers. It’s honestly quite refreshing to have the original tale working so well, because usually everything related to Atlantis in media is so divorced from what Plato told. Sure, a submerged city full of fish people could still work but by using the original tale as base we get a story with clear beginning and end which makes perfect sense in context of KI. Or maybe have the a plotline inspired by the original story first and then later have something related to the submerged city with the fish people. Best of both worlds, amazing!

Also orichalcum, the metal Atlanteans were said to have aplenty, is pretty much just copper. Reddish metal and only gold is more valuable than it, it couldn't be anything else but copper. The term even translates into mountain copper! So why is it never portrayed as copper in fiction?

Besides Atlantis, Poseidon has couple other myths I’d like to talk about too. The first one has him and Apollo losing their divine authority for a while and as punishment they have to serve Trojan king Laomedon father of king Priam and grandfather of Hector among some others if you’re wondering. The king makes them to build the legendary walls of Troy and he promises them great rewards, but once he doesn’t deliver them Apollo sends the plague upon Troy and then Poseidon sends a sea monster to terrorize the place Heracles kills it if you’re wondering. There’s also certain another situation which I’ve actually already talked about on a different post and how with little shaking it could work nicely on a future game - what I said was that Pit should do something Poseidon is going to hate to the point that the god is screaming for his head and that he wants to settle things on court.

The myth I used as reference was that of the supposed first trial in history, in which Ares kills Poseidon’s son Halirrhothius for assaulting his daughter and Poseidon loses his marbles over it. The gods gathered on Areopagus which is a real place in Athens, fun fact and I’ve heard two versions of how the trial goes. In the first version everyone agrees that Ares’ actions were justified and in the second one gods side with Poseidon, but goddesses side with Ares and since there was more goddesses present than gods, their words mattered more. Either way, Poseidon loses the trial and Ares gets away scot-free.

Were a future KI-game do their own twist with this myth, Pit would obviously take the role of Ares. Besides the fact that we’re trying to make Poseidon more antagonistic, Pit just being on a situation similar as Ares makes sense thematically speaking and I’m going to talk more about this later since it’s rather interesting. As for why the trial happens in the first place, it could very well be over anything. Maybe mix it with the one where Poseidon sends a sea monster to terrorize Troy just replace Troy with some unimportant city as this series always does and he’s so attached to it that seeing it getting slayed deeply saddens and angers him. You don’t even need to get rid of the idea that it was over a girl, even if the motive for killing the monster is changed along with what kind of relationship the girl could possibly have with the main cast. This is something I’ll get back into later because there’s in fact one other character who I’d like to talk about and how their most cruel and personal form of villainy happens to bound to a certain girl.

So back to Hera and Poseidon. There’s definitely potential for them to be antagonistic, but I’d say they would work much better as arc villains rather than as the main bad guy. There’s only so many things you can do with characters whose actions are rooted on anger or wrath, especially when they don’t have all that striking personalities.

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As for someone who could well work as the big bad, Dionysus is the first serious candidate. It’s partially due to how inconsistent his characterization has been, which I guess is something one should expect from a figure who has been around since the Mycenaean times and who happens to be the god of insanity, vegetation, orchards, fruit, grape-harvest, winemaking and wine. Does this sound like someone you’d expect to be a member of Forces of Nature? Because it sure does for me and I’d honestly be surprised if he wasn’t one if he was introduced to the franchise.

Symbolism behind Dionysus’ birth is pretty neat, my favorite version of it is the one written down by Diodorus of Sicily in Bibliotheca Historica and in that one Demeter is his mother. It starts the usual way in which the poor kid is killed shortly after his birth by Titans and Demeter comes back just in time to gather his remains to allow his rebirth shortly after. It references the harvest process and wine making - the god wine is born from the union of rain and earth just any plant is, he’s torn apart and boiled alive symbolizing the harvesting and wine-making process, his remains represent the fallen bare vines which become fertilizer for the earth and lastly wine itself is supposed symbolize the now reborn Dionysus. All of the versions of his birth myth do have this symbolism to a certain degree but I’d say this version has it the strongest because unlike his other the mother candidates, Demeter is a nature goddess first and foremost and also the goddess of agriculture.

This next point is somewhat tied to the previous one which is that he actually has valid reasons for his absence, that being his meanderings. Long story short - Hera’s angry over the fact that he exists, she injects him with madness and he wanders around like a madman for a while, then Rhea cures said madness and tells him to go on a journey so he could teach people how to make wine. So he goes and wanders around the world with the exception of Britain and Ethiopia for some reason teaching people the art of winemaking and does some other things in the meanwhile, such as apparently founding a city it’s told that on his campaign Alexander the Great came across a city that was supposedly founded by Dionysus. And this is a fun fact, apparently Dionysus’ popularity exploding around late 4th century BCE can be directly linked into Alexander, which is pretty neat. Once he comes back home he firmly establishes his place as a god and then he starts doing shenanigans much more familiar to us, such as giving king Midas his golden touch and marrying Ariadne.

So why do I think Dionysus is the first real contender for a possible new big bad? Well, do you know what’s the first thing he did once he came back to Greece? According to Bacchae, he brainwashed a city to worship him, caused an earthquake, set a palace on fire, gleefully watched when his worshipers teared a man into pieces and then turned some other people into serpents. Now that’s an entrance Viridi would be proud of!

Besides this, there’s also two similar stories in which Dionysus meets some pirates and they both show him as an unhinged god. They capture him and in the first one Dionysus shapeshifts into a lion and unleashes a bear against his captors, causing the scared pirates to abandon the ship and then Dionysus turns them into dolphins. In the other one he turns the mast and oars into snakes, fills the ship with ivy and the sound of flutes to make the pirates go mad and once again when they abandon the ship, Dionysus turns them into dolphins. The tale of him giving Midas his golden touch could also count as him being antagonistic since the act gives Midas nothing but suffering. So while he is much more friendly towards humans than your average god, Dionysus definitely has an antagonistic flare deep inside him and a place in the Forces of Nature and you can’t change my mind.

If Dionysus was a major antagonist or the big bad, I could see the plot going a lot like this - he comes home, causes some racket because he feels neglected, Viridi is happy about all of this and tries to control it while keeping him on this state of mind because who wants a happy party guy when you can have a chaotic deity, for a while she can do it but not for long before things snowball out of control and he becomes an unhinged god dead set on causing chaos. As for how he’s defeated, I can’t really come up with anything concrete on a fly but I don’t think Dionysus would be defeated the same way Hades was. And while he has the personality and presentation needed for a main antagonist, I just can’t see him as a pure evil villain like Hades was. He’s very much redeemable in my eyes and as for what happens to him after his defeat, I could see it leading to him mellowing down kind of like how Greek wine was watered down before it was used for anything - he’s still part of Forces of Nature and perfectly capable of doing all the same stuff he did as a major antagonist, but he would prefer partying with humans over destroying them. Viridi probably isn’t going to be all too happy about this, but it’s not like she’s going to be all that angry about it either.

Also fun fact at the end - in Dionysiaca, Ariadne laments if Eros and Anteros hate her because she had amazing dream about a wedding, only for Theseus to piss off and abandon her on Naxos. But as we all know, she would soon meet Dionysus who she does end up marrying so hey, the dream just wasn’t about the guy she thought she would marry. So if Dionysus isn’t going to be the big bad and the arc devoted to his villainy is relatively short, this could very well be used as a blueprint for a funny side story. Ariadne lamenting about Eros and Anteros would give Pit and Dark Pit valid reasons to be there.

This is not a joke, by the way. The part of Underworld which wasn't either Elysium or Tartarus was commonly referred as "the House of Hades" in ancient texts.

As for someone else who could also work quite well as the big bad, that would be Persephone. You all know the drill with her - Hades takes her, Demeter panics and goes to search her, she causes the Mediterranean summer on the meanwhile and does a thing which looks awful without context Demeter sets a baby on fire which is supposed to make him immortal if you’re wondering, everyone else decides that enough is enough because endless Mediterranean summer is a nightmare, they beg for Hades to give her back and he does that but not before the pomegranate trick. Demeter causes Mediterranean winter to come, the trouble is solved, we have a nice functional couple in our hands and they continue to appear together when Underworld is relevant to the plot - which surprisingly isn’t all that often as only Adonis, Heracles, Theseus who loses his arse and friend in the process, Orpheus who loses his wife and will to live in the process, Odysseys, Psyche and Aeneas managed to go to Underworld and back. That’s not really all that much all things considered.

And before anyone says anything about seasons here - Mediterranean climate is a thing and it’s best known for its hot, dry summers and mild, wet winters. One of these is much more preferable for plant life and in this case, it’s not summer. The more you know.

While there’s not much material of her when compared some other people in this list, I’d say there’s enough to create a frame for a character. In both Theogony and Iliad Persephone is described as dreaded and in Odyssey Odysseus assumes Persephone is the one sending ghosts to torture him while he’s visiting the Underworld. Just like Hades she has her fair share of vague epithets like Despoina (mistress) and Kore (maiden), presumably for the same reason as to avoid getting her attention. And while the etymology behind her actual name is rather muddied, the popular theories are that it means something in the vain of to destroy, to bring/cause death and she who brings destruction. And people have the gall to say she isn’t scary!

With this info and Hades’ characterization from KI:U in mind, you could very easily create a powerful pure evil villain who’s not going to be happy to learn what happened to her husband. As for why I believe she would be pure evil instead of redeemable one like Dionysus, it’s simply so she and Hades would match on their villainy. Considering how the big thing about Hades and Persephone is that they genuinely love each other to the point of possessiveness Pirithous and Minthe learned it the hard way, it would be weird if they hadn’t rubbed on each other during the time they were together. There’s an amazing chance for drama here and it would be dumb to ignore it when it has been given to us on a golden platter. And besides, unholy matrimonies are quite fun in fiction. Villains too have something they love.

As for attempts of villainy that don’t revolve around her being antsy at Pit about Hades, we interestingly need to look at the list of those she granted favors rather than those that had to deal with her wrath - or just one of them in particular, Psyche. As I’ve already mentioned she was one of those mortals who managed to go to Underworld and back and to make things better, she went to Underworld specifically so she could speak to Persephone. Persephone greets her with a nice cushion to sit on and a banquet, which Psyche declines because it’s a trap this is practically just the pomegranate trick on a larger scale. She tells why she came into the Underworld in the first place and Persephone fulfills her request, which is to say that she gives Psyche boxed death.

Coming to Underworld to speak to Persephone in particular definitely gives Psyche an edge compared to others when it comes to exploring Persephone’s potential villainy. But just why is Psyche such a big deal when compared to someone else like Orpheus, Adonis or Aeneas? Well, Psyche just happens to be the girl who would become the goddess of soul, a job that isn’t currently filled by anyone in KI-universe which Hades has kindly illustrated to us in KI:U by eating and repurposing souls for his own purposes. She’s also Eros’ wife with the addition of being the mother of his daughter and as we all know at this point, Pit is mostly inspired by Eros. While Persephone just being angry about her husband’s treatment makes a perfectly fine motivation, why not use the chance when it has been represented to us on a golden platter? Because while KI has a large cast of characters, most them are quite divorced from one another when it comes to their mythological counterparts interacting with each other. This subverts it since Persephone actually gets to interact with someone important to the figure Pit’s inspired of, which is more than almost anyone else in this list can say. The opportunity is there and there’s an open position for a new god, so why not take it?

Also if Persephone is going to be in a future game, I say I’m going to be so disappointed if there's not at least one pun about her epithet Kore. Like imagine if she was introduced on a chapter called Lost Kore or something similar and then the characters would just continue on making bad puns, annoying her. Wouldn’t be too out of line when it comes to this series humor.

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I know what I’m going to say next is probably going to be controversial, but anyway - if Ares ever makes an appearance, I don’t think he would be a bad guy and this is mostly due to how Pit has been characterized. I know that may sound weird at first but trust me, I do actually have a point with this.

So let’s start with something that may seem completely unrelated at first, these being a history lesson and some talk about over-demonization. We honestly don’t know much about how some city states worshiped gods and what specific versions of the myths they had because some people just couldn’t be bothered to write things down. Besides it being extremely annoying for me, this is also probably where the misconception of all of ancient Greece being either like Athens or Sparta came from, which just is completely false. However what is correct is that city states didn’t really like one another all that much and often engaged on stupid wars with each other, only uniting when there was a much bigger threat looming on the horizon - and with war comes propaganda and when only some people write things down, we’re usually left with really one-sided information when it comes to both good and bad. For one example of this coming off as hilariously hypocritical to me is Athena being worshiped under the epithet Areia in Athens. Areia is very obviously derived from Ares and means warlike, but Athenians had their heads so far in their arses that they came up with a reasoning that this version of the epithet is actually derived from areô or areskô, meaning to propriate or atone for. It’s most likely just some crap Athenians came up with to excuse the worship of Athena Areia, which I just can’t help but find pathetically funny - you can only blame your own propaganda for this, guys.

Historically speaking Ares most likely originates from Thrace since besides his popularity in there Herodotus notes in Histories that only gods from Olympian Pantheon that Thracians worshiped were Ares, Artemis and Dionysus, a really odd trio if I have to say so myself, it’s also said to be his birthplace in the myths. His name can be found on Linear B scripts, a writing system that goes as far back as 1450 BCE and which disappeared during the Late Bronze Age collapse around 1100 BCE. This informs us that he was part of the Mycenaean Pantheon in some way, most likely even then as a war god - it also informs us that he predates gods such as Apollo, Hades and Aphrodite who just don’t exist in Mycenaean texts at least in any recognizable forms. As for Ares during the Archaic, Classical and Hellenic period, especially when it came to places that weren’t either Athens/Attica or Sparta, I had to mostly rely on travelers who wrote things they saw down because some people just didn’t bother to write their own stuff down. Pausanias’ Description of Greece was especially helpful with the research, but what must be remembered is that he lived during 2nd century CE and that he was an outsider to these cultural aspects so how old some of this stuff here is and what the exact context behind it was, I don’t know and neither do others at least currently, one sure can hope so we know more in the future. Then again past is another country so maybe I'm setting my hopes way too high. When given anything in Linear A, people channel their best "I never learned how to read!"-impression.

As for how Ares’ Roman counterpart Mars came to be, it’s mostly due to syncretization. He probably was originally an agricultural god who was later associated with warfare once the Roman Republic started expanding. It’s possible that he was syncretized with an Etruscan deity called Maris, who was usually portrayed as a young boy whose caregiver was Menrva, a goddess who was later identified with Athena and Minerva. While this isn’t an universally agreed take, it’s still pretty interesting in context of Kid Icarus even if it wasn’t intentional or in the case of the take, true. Once Romans started to interact with Greek settlers from Magna Graecia Mars was syncretized with Ares, giving us the Roman god that looks familiar to us. One notable thing to keep in mind is that most of those Greek settlers in Magna Graecia originated from Peloponnese and what I’ve managed to find, they held Ares on much more higher regard than those originating from Attica did.

Okay, now when that has been cleaned out of the way, let’s go to the slightly more interesting stuff which is cult titles and epithets. Just like any other god he has his fair share of both, some examples include Teichesipletes (stormer of cities/walls), Hippius (horseman, of the horses), Theritas (beastly/brutish), Enyalius (warlike), Obrimus (strong/mighty), Thurus (violent/furious), Chrysopelex (of the golden helm) and Chalcocorustes (armed with bronze). I’m using Latin spelling of these to make things easier for myself if you’re wondering. But there’s two titles I specifically want to talk about, both them originating from Arcadia around Tegea because apparently all the cool stuff happens in Arcadia.

Interestingly also in Tegea there was a temple of Athena under epithet Alea. Pausanias tells that her priest there was a boy who held the title until he reached puberty, meaning that her priest was a child. Now this has nothing to do with Ares, but it’s pretty interesting when thinking of Pit. It’s not exactly same for sure, but could this mean that he would leave Palutena if he ever grew up?

The first one is Gynaecothoenas, meaning “Feasted by women” - and no need to worry, it’s nowhere near as sexual as it sounds. The story goes that Tegeteans were at war with Sparta and what decided the victory was an ambush by Tegetean women. Because of this, they offered Ares a sacrifice and celebrated the victory alone. The king of the Spartans at the time was said to be Charilaus, meaning that this victory must have happened around early-to-mid 8th century BCE, making this rather old cult title by the time Pausanias was writing. If only the research for everything else here could’ve been as easy as this.

The other and much more interesting title was Aphneius, meaning “Abundant” and under this title he was worshiped as the giver of food or abundance. The story behind this title goes that Ares fell in love with Tegetean princess Aerope and they had a child together, but she died during childbirth. Ares, doing his damndest to keep his son alive, managed to find a way for the baby to still have milk. Once he grew up, his son Aeropus then managed to do the thing that’s near impossible for a demigod, which is to live a normal life as the lord of Tegea. Now this would make a great character backstory…

… What was I talking about again? Oh yeah, history lesson is over! Finally! Now into the fun stuff, which is Pit’s characterization. It’s pretty common knowledge at this point that that Pit’s inspirations are Icarus, Perseus and Eros but when it comes to his characterization, Eros definitely takes the cake as the main inspiration. He is a fully realized character with multiple myths under his wing, unlike Icarus or Perseus.

Starting with Icarus, he isn’t even a character but a plot device. He’s a tool for Daedalus’ character development and that’s where his importance ends. He’s a miniscule part on a much larger narrative in which the most important part is the Minotaur, as it drives the plot for everything else in it. Icarus’ death serves to drive Daedalus’ character to the point which eventually leads into him killing Minos. He exists for a metaphor that pop-culture has blown out to be way more important than it originally was and that’s it.

As for Perseus… The guy is just really bland. While all the other heroes have their flaws like hubris and wrath, Perseus doesn’t really have any flaws. He doesn’t have that many achievements in either bravery or stupidity due to his method of dealing with things being the quickest way possible. This makes all of his battles extremely boring and because he’s one of the first demigod heroes in the mythological timeline, he doesn’t even get to interact with anyone who could be interesting. How many of you even know that he’s supposed be the founding hero of Mycenae? Not many, I’m sure about that. The most interesting thing about the guy his that he’s an ancestor to people such as Tyndareus, Alcheme, Heracles, Penelope and Telemachus but this doesn’t save him from being any less boring. He's that famous ancestor nobody gives a damn, so to speak. Pit certainly doesn’t get any part of his personality from a plot device or a blank of wood, only a literary reference and an antagonist.

Also can I quickly rant about the Angels in art vs. Angels in Bible meme because I hate it? For some reason most of times when people show art of these supposed angels, they aren’t even showing biblical angels but Erotes/Amores or Nike/Victoria instead. Erotes/Amores and Nike/Victoria are winged Greco-Roman gods, not biblical angels and using art of them proves absolutely nothing. Also you may have forgotten that there’s in fact hierarchy of angels and not all of them look identical. In Christian faith angelic hierarchy is composed of three orders, there being nine different kinds of angels - Seraphim, Cherubim, Ophanim/Thrones, Dominions, Virtues, Powers, Principalities, Archangels and Angels. Seraphim and Cherubim do indeed look terrifying and so do Ophanim, but Thrones are just bizarre because apparently they’re elderly carrying God’s throne, whatever that means also I’ve seen people use Ophanim and Thrones interchangeably which just makes the whole deal even bigger of a mess. And then there’s Dominions, who’re just really pretty winged people, proving that the idea of all biblical angels looking terrifying is completely false. I couldn’t find what Virtues looked like, but if they’re anything like Powers, Principalities, Archangels and Angels they’re most likely pretty winged humanoids. So yeah, surprising amount of biblical angels are indeed just pretty winged humanoids and only the highest order of them is clearly inhuman - so if you ever wondered why so many angels in art actually featuring Biblical angels have them looking so humanlike, now you know! It's not the highest rank's job to interact with the human world. Though in modern language, the term angel is simply used as an umbrella term which refers into a winged humanoid being regardless of which religion they originated from - so by using this as a frame, it would indeed make Erotes/Amores and Nike/Victoria angels along with some other winged gods such as Eos and Iris. This would also make Iris’ twin sister Arke a fallen angel because as punishment for siding with the Titans during Titanomachy, she was casted into Tartarus and her wings were ripped off so she could never escape from there. And then much later her wings are given as a wedding gift to Achilles’ parents, my god! You could actually a craft a plot out of this, hmmm. When it comes Pit and Dark Pit, I do think they’re angels only on this broad, modern way definition due to them being mostly inspired by the Greco-Roman Erotes/Amores and it’s possible that they’re only referred as angels because not only is the term Erotes/Amores is strictly associated with Aphrodite and only Aphrodite, it's also much more specialized term than just "angel". There has also been cases in art featuring multiple Nikes, but Nike's special role as the goddess of victory still prevents its use as a broad term. So I believe that in the case of KI, angel is just an useful umbrella term and nothing more.

So Pit’s mostly an Eros-expy when it comes to his personality and attributes, so what makes him so special when compared to many other Eros-expies in media? It’s actually a surprisingly small thing, but boy does it make a difference - on a thematic sense, Pit’s a total daddy’s boy and in this case the dad would be Ares. Most of the Eros-expies you see in media are completely divorced from anything related to Ares despite the guy being Eros’ dad but not in Kid Icarus, where we have a very blatant Eros-expy whose connections to his main mythological inspiration come almost exclusively from Ares. Just why is Pit doing Nike’s job? Because Nike happens to be Ares’ daughter according to some sources, like in the Homeric hymn dedicated to him. Why’s he a soldier in an army? Because Ares was a soldier and in some parts of Greece he was seen as a model of a perfect one who’s resilient and has physical strength that isn’t matched by anyone else. Apparently in Sparta they even had a statue of shacked Ares, supposedly as an attempt to keep the martial spirit and victory in Sparta I don’t know about you but for me this sounds like a very bad move, as if they were asking for the god’s wrath. Then again Athenians did the same thing with wingless Nike, so I guess it was fine in some twisted way. Why does Dark Pit exist? Because would you know it, there’s myth in which Ares and Aphrodite spot lonely little Eros and decide to create Anteros to be his brother, their only differences being hair, wings and weapons of choice Anteros has longer hair, plumed butterfly wings, golden club and lead arrows when compared to Eros' golden bow + both golden and lead arrows. Why does Magnus possibly being based on Meleager matter? Because would you know it, the dude’s sometimes a son of Ares. Why did he spend three years trapped inside a ring? It could parallel the tale of Ares and the giants, in which he spent a lunar year trapped inside a jar. Why does a dog help him during that section? It could still very well be reference Ares and the giants as Hermes and Artemis came to save him and one of Artemis’ sacred animals is a dog and Hermes is the god guard dogs. Also one of Ares’ sacred animals is dog as well, meaning that it could reference this as well. Honestly if Pit ends up having a divine parent and it’s not Ares, I call bullcrap.

So now when that has been made clear, what can writers do with Ares? Well if you take the myth of Poseidon wanting to settle things on court and give it to Pit, you end up losing one of his three major myths in which he’s wrathful towards someone odd I know, you’d probably expect a god of war to be much more wrathful but no, he’s not. The two ones that are left don’t really give all that great material either because in the first one, the target is Adonis and whether it even was Ares’ wrath that killed him is left open - in some versions it’s Artemis who wants him dead because she’s angry at Aphrodite for causing the situation which lead to the death of her hunter Hippolytus, sometimes it’s Apollo who still hasn’t forgiven Aphrodite for blinding his son Erymanthus, occasionally it’s Persephone of all people because she’s angry at Adonis for wanting so spend time with Aphrodite and at times it’s just an accident this all makes me think it was an elaborate coup. There’s always a reason for a divine being to be angry at Aphrodite because she just can’t help but cause trouble whenever she can. When it comes to the second one, it’s honestly pretty odd because not only does Ares forgive the man who originally was the target of his wrath, it illustrates how good of a parent he is on Olympian standards not that it’s a high bar but anyway - even better than the lady whose favorite boytoy he is, and she’s well known for being an overprotective parent.

The myth starts with this lad called Cadmus, who founds the city of Thebes, becomes its king and then kills a dragon residing on a nearby spring. Ares is furious about this since the dragon was sacred to him and apparently it’s sometimes his son, don't know how that works and as punishment, Cadmus has to serve Ares for eight years he got it easy when compared to Adonis and Halirrhothius. Once that service is over, Cadmus marries one of the two daughters of Ares and Aphrodite, this being Harmonia, the goddess of harmony. However not everything is all sunshine and rainbows because Hephaestus is still salty about how his marriage with Aphrodite went south and once he hears about a wedding, he prepares two gifts for the bride - first one was a beautiful necklace that could keep its wearer eternally youthful and the other one was a luxurious robe. But there was a catch, since both of these objects were cursed to bring bad luck to those who owned them. The bad luck eventually took its take on Cadmus’ mental state and one day he remarked that if gods fancied those serpents so much, maybe his life would be so much better as one. Gods fulfill this wish, he’s turned into a serpent and once Harmonia notices what has happened, she wishes the same. At one point Dionysus comes to the city, trashes the place and then gives them a propechy of this happening. Either way, Ares comes down to get the unlucky couple and then scoots them to safety in paradise-like Elysium, where they get to reside from now on.

You may already be familiar with this myth to a certain degree because Pokemon B/W could technically count as an adaptation of it. N is of course the most obvious parallel due to him getting his second name from Harmonia and Ghetsis takes a role comparable to Hephaestus. It all becomes even funnier because Harmonia hits some characteristics associated with yin - she’s passive, feminine figure who represents harmony which can only exist due to lack of action, an idea. It gains even more hilarity points thanks to existence of Adrestia, Harmonia’s sister and the goddess of revolt - she’s pretty much yang to Harmonia’s yin and to make things even more hilarious, she was often portrayed as a beautiful winged maiden. Now who would expect the goddess of revolt to be a lovely winged lady and the goddess of harmony to be at least momentarily a serpent?

While this is indeed an interesting myth, I don’t think it would make all great material for future KI-game, at least on its current form. The cast of KI doesn’t really get to interact with humans on a personal level, which is something this myth largely relies on. Honestly, I think the best way it could be referenced in game would be just Pit going to Elysium and meeting Harmonia still trapped on a draconic form. Considering the way Hades had been characterized in KI:U, it wouldn’t surprise me if he had just kept trapped Harmonia as a pet lizard in his garden. Maybe say something on the vain of him eating the husband’s soul or using it for something else to explain why she’s there all by herself. And if you want to make fun of the fact that the fourth wall might as well not exist, throw Adrestia in Elysium as well as a dragon as a nod to Pokemon. “The Twin Dragonesses of Elysium” sounds like it would make a very cool boss fight.

So a wrath or blessing, Ares gives us not much to work with either of those at least when it comes to him actually doing stuff - but that doesn’t mean we’re left with nothing because there’s three myths that I’ve glossed over quickly that could give us something, one just for comedy and two others actual plot. As for the one that’s just for comedy, it’s the one in which Sisyphus captures Thanatos. Ares is actually the one to save Thanatos from the tough situation since after it has continued for a month, he bursts into Sisyphus’ house, frees Thanatos and drags Sisyphus’ spirit to the Underworld… Only for him to come up with a sad story, which leads into Persephone letting him go only for it to backfire. Ares then disappears from the story, but it ends up with Sisyphus doing P.E for eternity in Tartarus once he dies for real as you all already know. This is pretty funny if a bit morbid myth, so it could be really easy to use it as a comedy goldmine if Ares ever interacted with Thanatos. Maybe have Thanatos trying to act like they’re friends, only for Ares to become more and more frustrated the longer Thanatos continues. Maybe once he mentions some of his escapades involving Pit, Ares finally decides that enough is enough and shows to Thanatos that mortals don’t call him by the name Thurus for nothing.

To the myths you could get some serious plot out of, the first one is very predictably the one in which he earns the title Aphneius. It just has everything a great character backstory needs on its original form, meaning that it could easily be inserted on the game with minimal changes and it could still work fantastically. It has a romance between a god and a mortal which ends up on a tragedy during a moment that was supposed to be joyous not because of any divine whim or I guess it could’ve been Aphrodite being salty because she has a habit of releasing her wrath upon Ares’ loved ones or relatives, usually grandchildren such as Hippolytus, but I think it would’ve been written down had the story actually said it was Aphrodite behind Aerope’s death, but because of something beyond their control. And instead of taking his frustrations on the baby like so many fathers in these stories do, he instead does everything to keep him alive and so Aeropus grows up to be fine ruler, if an unremarkable demigod. A writer could easily use Aeropus as a base for an interesting heroic character… And I guess you can already see where this is going. I already said that Ares would make the most sense as Pit’s divine parent if he indeed has one, so this would make an excellent backstory if that was the case.

I could see the timeline going something like this if this was true - Ares meets KI-universe’s equivalent of Aerope, the two have an adorable romance and are expecting a kid but something goes horribly wrong and Aerope dies, instead of letting Aerope’s family to take care of the kid Ares takes the baby with him because who knows what they would do to a winged baby so many myths have families abandoning their kids for dumber reasons than this so why wouldn’t he take the kid with him + this dude had 3-6 winged kids, one all by himself, so he definitely is the one hogging all the wing genes instead of Aphrodite, he tries single parenting but it’s hard when certain goddess is constantly shooting stinkeyes and paralyzing glares at his direction and it leads into him asking help from Palutena because a winged kid wouldn’t look too out of place among her angel minions. Considering how Palutena and Poseidon were capable of having a conversation in KI:U without any horrible atrocities being committed, I don’t think it’s too far-fetched to imagine her relationship with Ares being along your typical sibling-relationship rather than what Atheanians wrote down Ares and Athena were actually worshiped together in the town of Olympia under titles Hippius and Hippias, fun fact. You could also see it as a favor inspired by how Menrva took care of Maris. Anyway, this deal goes swimmingly for a while until the events of a certain other myth take place, which makes Palutena the sole caregiver of Pit - some unspecified amount of time later que the events of the original Kid Icarus and onward.

Fanfic time over, now to the other myth which could explain Ares’ absence - it’s the one about him and the giants. Long story short, there’s these two giants called Ephialtes (derived from the word meaning nightmare) and Otus (either derived from the word meaning insatiate, doom or horned owl) who’re sons of Poseidon because of course they are, goddammit Poseidon and a mortal woman Iphimedeia, they’re also called by the name Aloadae. They were planning to storm into Olympus to kidnap some wives for themselves, Otus wanting Artemis and Ephialtes wanting Hera what great choices, you complete imbeciles, absolutely amazing. So one day Olympians are surprised to find these two giants piling up mountains on top one another and as expected, there’s a big fight between them because no one comes to the Olympian home turf without facing the consequences. Once the two giants finally leave, the Olympians notice that someone is missing, that being Ares. Ephialtes and Otus probably realized way too late that kidnapping the god of war wasn’t the brightest idea and because letting him go wasn’t an option, they locked him inside bronze jar of which he tried to break out without success. It took around a lunar year for the giants stepmother to rat this out to Hermes, who went to save Ares with Artemis. While she distracted the giants and made them throw their spears at each other, Hermes lockpicked Ares out of the jar and so the three returned to Olympus.

So how could this myth be used while crafting a plot for a future game? I’d say it depends on whether writers want to use Ares as a full-blown good guy from the start or as an antagonist at first - and while I do still believe that Ares wouldn’t be a bad guy on his own free will, who said he’s going to burst out of that jar with that free will still intact? It’s not like we haven’t seen brainwashed antagonists in the series before, Gaol was a one.

So if we have Ares as an antagonist who’s brainwashed and crazy, how could the possible plot be handled? I could see it starting with the two giants resurfacing for something trivial but because they’re being destructive, it catches the attention of Palutena who sends Pit down to deal with them. The giants are dealt with in 1-3 chapters and one way or another Pit finds a large jar and breaks it, releasing the crazed Ares. Neither side recognizes each other and there’s possibly a boss fight which ends with Ares leaving and him becoming a wandering antagonist who causes racket when someone angers him. He most likely isn’t connected to any other antagonist or the main villain, but I could see them trying to recruit him without any success. As for how he was brainwashed in the first place, it could be the Aloadae wanting to get some use out of their prisoner and they decided to make him into an indestructible living weapon either to themselves or someone else - maybe it even was commissioned by the big bad because who wouldn’t want an powerful living weapon who’s loyal to you and only you. Either way it proves fruitless as Pit frees Ares from the mind control and slowly but surely he starts to establish himself as a good guy and an ally to Pit and Palutena.

This would actually go pretty well along with a certain another thing about Ares, that being helmet and symbolism connected to it - you see, mythological Ares was often portrayed to have something I like to call Meta Knight-syndrome. He was said to be a beautiful man with a lovely face, apparently much more prettier than any other male Olympian which could possibly explain why he’s Aphrodite’s favorite boytoy and he wasn’t particularly proud of it - just what kind of self-respecting enemy would take you seriously if you have a face of an angel? But that didn’t stop people from drawing or sculpting him without a helmet, and the result were indeed pretty my goodness is Ludovisi Ares a one beautiful sculpture. Just considering how the art we see of Ares can be categorized into him either with or without a helmet, writers could easily craft a narrative out of this - while wearing a helmet he’s under mind control and once freed he fights helmetless, allowing player to see him as who he really is. Helmet obscuring the face equals bad guy and once it cracks, we can have a very confused ally who cries over the fact that his baby is a big boy now, cries some more because there’s two of them now, may or may not join us to missions if there’s a two-player mode for story or just help with training and also maybe cracks dad jokes few times because humor is a valid coping mechanism. This all kind of reminds me how one other popular trend relating to Ares in art was to have him disarmed with young Eros playing with his armor. Cute!

Somewhat relating to the idea of Ares starting as a brainwashed antagonist turned ally once the helmet is smashed, I could see him having two different themes which illustrate the different natures of him. First one should be something brooding and terrifying, maybe something similar to Gustav Holst’s Mars, the Bringer of War which a really great piece of classical music that has inspired composers all around the world, even at Nintendo. If you haven’t heard it, you certainly have heard at least one song inspired by it metal genre can thank its existence on Mars, no kidding. As for the other theme, I think it should be a warm, calm and welcoming one with a hint of sadness, a complete opposite of the battle theme when it comes to the first expression. I’ve been recently listening a lot of TSFH and Hans Zimmer so if I had to say what kind of energy I’d want this possible theme to have, I’d probably say something between TSFH’s Friendship To Last from the demonstration album Nemesis, Final Days of Rome from album Unleashed and Now we are free from Gladiator. They all have this bittersweet yet beautiful feeling in them I love. Maybe there’s a shared leitmotif or something between the two themes connecting them into each other. Thurus and Aphneius were both titles for the same god after all, even if they were about wildly different aspects of him.

So just like with Apollo, I think there’s only one way to bring Ares into the franchise and in this case it would be making him Pit’s dad. It just makes way too much sense to me considering how Pit has been characterized that it would be odd if there wasn’t any connection between the two. And there’s even couple out-of-universe reasons why I don’t believe he would be the bad guy, the first and most notable being that the names Ares and Mars are already associated with morally righteous characters or at least characters we’re supposed to root for in Nintendo games. Sakurai certainly knows this, Marth has been in Super Smash Bros since Melee as a playable character and his name just blatantly is Mars in Japanese and his English name is just the Japanese way of saying Mars. You don’t bastardize the face of another franchise in your own one, especially if you’re both exclusives to the same company and the other franchise is much more bigger and important than yours is.

Since it would be hard to introduce Ares into the franchise, I would be completely fine with him not being featured in next game at all even though I would find it extremely disappointing. But if you’re not going to have him, at least have a reference to him in form of a weapon like Blade of Ares or Blade of Mars because would you know it, the legendary sword of Attila was also known as the sword of Mars. We’re probably never going to get actual swords in KI but blade has been used as a synonym for them, so there being a blade with said name could work just fine. That or finally add spear and shield combo into the game. But if you want to use the character who would work as the big bad the best into their fullest, maybe it would be a good idea to have Ares as well... All roads may lead to Rome, but not to the arms of Genetrix in this case.

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Call me crazy, but I think that Aphrodite would make the perfect big bad. Does she have that charisma and personality comparable to Hades? Yes she does, and unlike him she had all that in real life - one of her titles was Pandemos, quite literally meaning “of the people”. This made her extremely popular among people regardless who they were or where they lived, and how can you blame them since there’s not many people whom things such as beauty, love and sex don’t matter in some shape or form. Only Olympian who really matched her when it came to popularity was Zeus, but considering how he was the king of all gods it was to be expected that he’d outrank her on the popularity board. She was the most popular goddess in Greece by a longshot and that was also true for Venus in Rome, even if Mars took the place as the second most popular god after Jupiter. Due to her being the mother of Roman founding hero Aeneas, she was viewed as the mother of all Rome and it was used by people as a way to climb up the political ladder. The Julio-Claudian dynasty claimed to descend from her through Aeneas and it didn’t stop there - you can actually trace the ancestry of multiple mythological European figures all the way back to her! Some notable examples of this include Bladud/Blaiddyd, Leir of Britain, Goneril, Regan, Cordelia of Britain and supposedly even king Arthur himself last one is a bit iffy, but all the others are concrete, Aphrodite just flat out is their ancestor through Aeneas. She definitely has the charisma and presentation needed for a big bad because you simply couldn’t be able to pull of any of the previously mentioned things without them and if she could do it in real life, who says she couldn’t do it in a fictional world?

Pretty much only thing about Aphrodite that stays constant is her popularity because in the myths, her characterization is wildly inconsistent - I guess that something one should expect from a goddess who rules over matters such as beauty and love, two things one can never truly understand. However with that being said, there’s trends that stay with her regardless her ever-changing personality. She’s technically speaking an outsider to the Olympian family tree as her most popular and possibly the oldest one as well birth story has her as the motherless child of Ouranos, emerging fully formed from seafoam. Hestia, Hades, Demeter, Poseidon, Hera and Zeus form the first generation of Olympians and Ares, Athena, Hephaestus, Artemis, Apollo, Hermes and Dionysus are principal members of the second generation. By adding Eileithyia, Persephone and Hebe into the mix you get the main Olympian family, making Aphrodite feel like even more of an outsider. She only starts to fit among the family when the third generation is added and speaking of said generation, part of it forms her attendants. The two most important ones are her sons Eros and Anteros, love and love requited, whom she let’s to do pretty much all they want as long as they stay loyal to her. However once that loyalty shifts, she can be quite cruel towards them which is illustrated in the myth of Eros and Psyche quite well - and I’m going to let Aphrodite herself to do all the talking, so here’s a quote from from Apuleius’ The Golden Ass:

‘This is a fine state of affairs, just what one would expect from a child of mine, from a decent man like you! First of all you trampled underfoot the instructions of your mother--or I should say your employer--and you refused to humble my personal enemy with a vile love-liaison; and then, mark you, a mere boy of tender years, you hugged her close in your wanton, stunted embraces! You wanted me to have to cope with my enemy as a daughter-in-law! You take too much for granted, you good-for-nothing, loathsome seducer! You think of yourself as my only noble heir, and you imagine that I'm now too old to bear another. Just realize that I'll get another son, one far better than you. In fact I'll rub your nose in it further. I'll adopt one of my young slaves, and make him a present of these wings and torches of yours, the bow and arrows, and all the rest of my paraphernalia which I did not entrust to you to be misused like this. None of the cost of kitting you out came from your father's estate.’

Let’s file that under yikes. She’s saying this to her injured child and it’s about a girl he loves more than anything but she can’t stand her. And it’s not like Aphrodite dislikes her for any valid reasons, it’s all because Psyche is pretty and Aphrodite took it as a personal attack. This temperament is a stable with her, be the fuss she causes either positive or negative. It goes well in the line of the idea that she was never a child and was born fully formed, as it’s pretty hard to learn those important childhood life lessons as an adult. And do you want to know the best part about this mess? After this massive rant she’s confronted by Hera and Demeter, two goddesses who in all intents and purposes should understand what she’s feeling right now and guess what they do? They call Aphrodite a hypocrite in her face because that’s exactly what she is. Why is she so angry at her child for growing up and experiencing romantic love for the first time when she spends most of her time either being in love or making others fall in love?

Let’s leave the sad lovers behind for a while and talk about Aphrodite in some other myths. There’s not many myths about her that don’t feature romance or sex in some form, but those few are usually about her competitive nature. There’s a myth about Hermes and Aphrodite participating on funeral games yes, this was a real tradition organized by Apollo and she won, her prize being a zither which she later gave to Paris. There’s also a myth about her and Athena having a weaving competition which ended on her losing miserably because as one might expect, challenging the goddess of weaving into a weaving competition couldn’t possibly end well. But since these kind of myths are about things out of her assignments, there isn’t many of them. Most of them are about her helping people with their relationship problems, some examples could be her giving Galatea life on Pygmalion’s wishes and gifting Hippomenes the three golden apples so he could win the race for Atalanta’s heart. But it’s also really easy to earn her anger, some notable immortals who were victims of her wrath are the titan goddess of dawn Eos (she didn’t want to share Ares so she cursed Eos to feel uncontrollable desire towards a new man every day), the titan god of sun Helios (he ratted out her relationship with Ares so she cursed him to forget everyone he ever loved romantically and then made him fall in love with princess Leucothoe - it ends badly and that’s how we got heliotropes), the muse Calliope (Aphrodite saw Zeus asking her help for covering the whole deal about who gets to keep Adonis as a personal attack and so she cursed her son Orpheus to have a horrible death in the hands of Dionysus’ worshipers - interestingly enough this has nothing to do with the fact that Calliope did also sleep with Ares or that she married Oeagrus who’s sometimes said to be Ares’ son, which would make Orpheus his grandson), a minor ocean deity Nerites (he refused to follow her into the land so she turned him into a shrimp) and Pan (Aphrodite and this handsome lad Acheilus had a beauty competition and Pan was the judge - he said Acheilus was prettier so Aphrodite turned the poor lad into into a hideous shark-creature and then cursed Pan to be hopelessly in love with the nymph Echo, the very same Echo who had her eyes on Narcissus). It could even be said that her blessings aren’t going to last for long and by using Hippomenes as an example once again, we learn that in one version of the story she turned him into a lion all because he didn’t pay his respects back to her soon enough. Guileful Aphrodite indeed.

Due to her temperament and general lack of caring about the consequences of her actions, Aphrodite has earned the ire of many gods - just look no further than Adonis, there’s four possible culprits who could’ve caused his death. Because of their contradictory natures, she’s often portrayed as not getting along with Hestia, Athena and Artemis and while there’s not much material for Hestia there’s multiple myths of Aphrodite causing unpleasant situations for Artemis and her hunters, Hippolytus being the shining example of this. The judgement of Paris establishes her relationship with Hera and Athena as a rocky one and the Trojan war has them full-on enemies on opposite sides, Athena even telling the Greek Diomedes during the war that he should avoid fighting literally any god with the exception of Aphrodite - it leads into him throwing a spear at Aphrodite, piercing her wrist and this leads into Aphrodite cursing Diomedes in return. Also in some records such as Cypria Helen’s mother is stated to be the goddess Nemesis, so add her into the list of gods Aphrodite has angered so it turns out the goddess who truly was Nemesis’ enemy was never the one from Blue Sea Star but rather the one who represented Morning Star, how ironic. Her relationship with the male Olympians are a bit better but not always, in fact she has no meaningful one with Apollo at all. Her marriage with Hephaestus was an unhappy one and only after they divorced were they both allowed to be happy, Hephaestus by marrying Aglaea and having a family with her and Aphrodite by continuing her many affairs without any worries. She did scorn Zeus when he tried to get it on with her, but otherwise there’s not much either good or bad blood between them. Besides Ares, Aphrodite did find both Poseidon and Dionysus handsome and had affairs with them, but it’s unclear if they resulted any children - Rhodos has Telchine Halia and Amphitrite as her other mother candidates, Peitho is almost always said to be a child of Tethys and Oceanus instead, the Charites were more often said to be children of Zeus and Oceanid Eurynome rather than Aphrodite’s and Priapus just has no parents set in stone because no telling was seemingly more popular than others. The birth myth of Hermaphroditus starts with Aphrodite telling Hermes to piss off because he doesn’t come even close to her standards, so he asks little help from Zeus to get what he wants and therefore I can’t imagine them having a positive relationship because of this. And after reading so many myths in which Aphrodite targets Ares’ grandkids for whatever reasons, I’m starting to think that he should start running away and quickly. Maybe she really did kill Aerope.

Now returning to the love story with a happy ending which has the most famous victim of Aphrodite’s wrath, Eros and Psyche. It begins in a town with no name given oh, so this isn’t completely baseless in KI where princess Psyche (meaning either soul or breath of life) is having trouble socializing - the people have declared that she’s as if not more beautiful than Aphrodite and they have started worshiping her, denying normal human interaction from her. This obviously pisses off Aphrodite because it has been established that she has the self-control skills comparable to a toddler and so she orders her son Eros to make Psyche to fall in love with something hideous. While he agrees to do the deed, once he sees the beautiful Psyche he can’t help but to fall in love with her and then he chooses to defy his mother, crafting a plan on what to do next. In the meanwhile the loneliness is making Psyche miserable and that doesn’t go unnoticed by her parents, so they go to visit the oracle of Apollo for help. Considering how Apollo is still very much salty at Eros for cursing him to have the worst love life imaginable, his words aren’t all that comforting (another quote from The Golden Ass):

‘Adorn this girl, O king, for wedlock dread, and set her on a lofty mountain-rock. Renounce all hope that one of mortal stock can be your son-in-law, for she shall wed a fierce, barbaric, snake-like monster. He, flitting on wings aloft, makes all things smart, plaguing each moving thing with torch and dart. Why, Jupiter himself must fearful be. The other gods for him their terror show, and rivers shudder, and the dark realms below.’

She and her parents are obviously horrified by this, but they do as they were told to and Psyche is left alone on a cliffside where the god of west wind Zephyrus picks her up. He brings her into a lovely meadow where she takes a refreshing nap and after she wakes up, she sees a beautiful palace and goes in. She’s charmed by the looks of the place and then a disembodied voice tells her that she will be provided by many invisible servants while living in there. Once night falls she’s nervous to meet her husband, but after the first meeting she starts looking forward on their nights together. This continues for quite some time, but in the meanwhile Psyche’s family is starting to get worried about her and she’s in return worrying about them. Eros promises that her sisters can come to visit, but also tells her that she shouldn’t listen them if they sound jealous. Psyche agrees and Eros gets Zephyrus to scoot the sisters down to visit, but as expected the sisters get jealous really quickly and start to make her worry if what the oracle told about her husband was indeed true - what finally broke the camels back was the sisters suggesting that he’s planning to kill her and their unborn child. So when the next night falls, she has prepared herself a lamp and dagger to see if her husband really is a monster - once she draws the lamp near and sees that he’s in fact Eros himself, she’s awestruck and accidentally stabs herself with one of his arrows, making her fall for him even harder. But while admiring him some oil spills from the lamp on Eros, causing him to wake up and leave. Earlier in the story Psyche had said that she’d much rather die than throw this marriage away and she’s willing to live by that statement, so she goes to search Eros and atonement - meanwhile Aphrodite is beating her son in the head by talking how horrible child he is for daring to fall in love and then she imprisons him Genetrix knows nothing in this case. Hera and Demeter call her a hypocrite, which doesn’t ease her anger in the slightest.

Psyche eventually finds her way into a temple of Aphrodite and she calls her two servants to beat the poor girl to make herself feel better. After having a good laugh over Psyche’s suffering, she gives her another beating herself and then dumbs different kinds of grains on the ground, saying that she should sort them by night if she ever wants to see Eros again. Sometimes prompted by him, ants nearby take pity on Psyche and help her - predictably Aphrodite isn’t all too happy about this and she comes up with a much more deadlier task. By morning she tells her that she should get some golden fleece from the sheep living on a grove across nearby river. This disheartens Psyche because she knows gathering the fleas directly is a suicide mission, but she’s consulted by local river deity who tells her how the sheep behave and that instead of approaching the sheep at all she should just collect fleas caught on foliage. She does as was told and Aphrodite becomes even more enraged, telling her to go gather water from river Styx. While she finds her way to Styx without much hassle, she’s overwhelmed by the hopelessness of the situation - luckily for her everyone has come to the conclusion that Aphrodite is being horrible and Zeus sends one of his eagles to help Psyche to get the water.

At this point Aphrodite’s patience is running thin and she gives Psyche a box, tells her to go into Underworld to get a part of Persephone’s beauty and come back with it because this whole deal of torturing her little daughter-in-law has been so hard for her and she needs to look good while going to the divine theatre. After being consulted by a tower on how to actually get into the Underworld without dying, she does as was told and and it doesn’t take long for her to be greeted by Persephone. After refusing to fall into an obvious trap, Psyche told her why she was visiting her and Persephone agreed to help her without hassle - but after returning into the mortal world, Psyche’s curiosity took the better of her and she wanted to see that beauty herself. Turns out it was Stygian sleep fancy words for boxed death and Psyche drops on the ground like a rock, but at this point Eros has escaped his imprisonment goes straight to her. He draws the sleep back into the box, gently pricks her with an arrow to wake her up, the two have a heartfelt reunion and Eros brings Psyche to Olympus, asking Zeus if the two can now get properly married. Everyone agrees, Zeus tells Aphrodite to stfu and they give Psyche ambrosia, making her the goddess of soul. The two have a glorious wedding and some time after it Psyche gives birth to their daughter, either named Hedone or Volupta(s) depends if it’s a Greek or Roman telling the story, the personification of pleasure, joy and delight. I personally prefer the name Volupta, it rhymes much more nicer with rest of the family.

And since we’re at here, that gorgeous painting by John William Waterhouse that everyone thinks has Pandora wearing a pink dress? It’s actually Psyche opening the deathly beauty box. Don’t believe me? Just check Psyche opening the golden box and you see who’s right. He however did create an equally pretty painting about Pandora though.

So now when the story time finally over, what can we do with all of this info? Well, it does tell how perfect of an antagonist Aphrodite makes for an Eros-expy. She has power over him and isn’t afraid of abusing it when she feels betrayed. Compare this to the tales of Icarus and Perseus which really don’t have a main antagonists - Icarus has no personal stakes in the story because he’s a plot device rather than a character and from Daedalus’ point of view, the main antagonist is Minos but mythology doesn’t really treat him as all that horrible person. After he died he became one of the judges of the Underworld and probably sent Daedalus to Tartarus once he died, which illustrates a one seriously big missed opportunity which should’ve been used if Icarus truly was that important inspiration for Pit. Instead it just makes it even more clear how irrelevant Icarus and the narrative about the Minotaur are to KI. As for Perseus, I already talked about how Medusa is a mcguffin while alive and the other ones aren’t much better. Polydectes, Phineus and Acrisius are all dealt with so quickly that they don’t really matter - his only fight that isn’t solved by a handwave is against Cetus and it’s just a sea monster sent to kill Andromeda by Poseidon. Poseidon’s antagonistic potential is a topic I’ve already discussed and the already mentioned possible fusion of the myths of Poseidon sending a sea monster to harass Troy and Ares’ trial covers the idea of Pit saving a girl from a sea monster which is bit funny because in the former one, oracle tells that king Laomedon should let it eat his daughter Hesione to get rid of the monster, so that doesn’t really add anything new here. But with Aphrodite as the big bad it could be rather easy to craft two different but overlapping plotlines, one with a main goal and the other with a personal one. Aphrodite always was Eros’ biggest personal antagonist who treated him as a trophy child and didn’t take it well when he stepped out of the line - how dare her little doll grow up, behave like a man and then decide that he wants to move on to build a family of his own, which now takes the priority over her? Him choosing Psyche over his mother is his defining myth, with the addition of it being the myth in which he finally gains the respect of the other gods. Besides having its message about heart and soul being capable feeling and creating joy while together, it also functions as a coming of age story for its main couple - and when those stories have an antagonist, things tend get really personal.

So going back to those possible two plotlines and goals, what could they possibly be about? I’d say that the main plot line shouldn’t really be based on any myth but instead it should take advantage of her popularity among ancient people, more so when it comes to Venus and Rome. Even as a city, Rome was massive - by the time of 1st century CE it had reached the population of million people, being the first city in history to do that. And this was only the capital of the empire! Rome wasn’t build in a day indeed. Venus wasn’t worshiped by the thousands, her popularity was in the millions during this time period. That’s a lot of power for one goddess and as we all know, too much power can easily hit one in the head - especially when remembering that we’re dealing with a Pantheon composed entirely of manchildren. Give Aphrodite an empire that looks up to her, doesn’t do anything without a last world from her and you’re set with a supervillain who has it all from power to personality. In this case, the reason why Aphrodite should be stopped is that she’s a conqueror who rules by fear, saying that if she was ever abandoned she would curse them and take away all the blessings she has ever granted, leading her empire to ruin. If you want to make her feel even more villainous, don’t even give her an army of her own like Hades and Viridi had but make her use the people of the empire she rules over. There’s nothing more evil than using people who look up to you for protection for your own selfish goals. What those selfish goals may be, writers can be creative with them - maybe she wants to be viewed as the supreme goddess above everyone else, maybe she wants everyone to worship her and isn’t afraid to use extreme measures to get what she wants, maybe she wants to wipe out everyone who could be a threat to her, everything goes. Considering her role on the judgement of Paris, her causing a war or chaos for selfish reasons isn’t out of character. But whatever her reasons may be, there’s going to sparks in the air and fights of massive proportions. Ares may be Pit’s father but Aphrodite definitely isn’t his mother, so she’s not going to show him any sympathy or kindness if he gets in the way of her plans.

This would be the plotline that’s more on the background and focused on Aphrodite’s relationships with Palutena, possibly Ares and the other gods, the main goal is their goal. It’s why they want her defeated. If Palutena is anything like Athena, she can’t get along with her and she understands that allowing Aphrodite to do whatever she wants will have catastrophic consequences even if she herself couldn’t care less about those. If Ares was featured on a future game along with Aphrodite, their relationship would probably be focused on how they feel betrayed by each other. The myth of her cursing Eos illustrates how she sees their relationship open only from her end so she’s very likely still angry at him for leaving her, be it for Aerope or something else entirely. If you want to go with the depressing idea of her being the one who ordered Aloadae to kidnap him, she probably feels even more betrayed because even under mind control he didn’t come back to her like she had anticipated. And if it’s indeed her favorite ex-boytoy’s son with some other lady who has been foiling her plans, her blood quite possibly starts to boil. Ares’ feelings of betrayal would likely stem from Aphrodite trying to kill his child for no other reason than sheer pettiness, along with orchestrating his kidnapping and torture just so she could get her boytoy back. Other gods probably want her stopped for similar reasons as Palutena, maybe with some selfishness rippled in - the consequences of her actions are hurting them and because she doesn’t care, something must be done to stop her. For example, Viridi could possibly oppose Aphrodite because she doesn’t care about how she’s hurting nature on her attempts to viewed as the supreme goddess. Not to say that Pit doesn’t also care about this goal since he’s an empathetic youngster, but I think that the more personal plotline should be his and it’s goal his main motivator during the story.

As for the plotline with the more personal goal, the myth of Eros and Psyche makes the perfect outline for it. Aphrodite is already the main antagonist of the tale, so there’s no need for any massive changes when it comes to her jealousy and want to dispose Psyche. The tasks she gives to her could also be mostly unchanged, if adjusted with something that makes gameplay more immersive assuming we would get to play as her like we got to play as Dark Pit in chapter 22 in KI:U. However what needs to changed is Aphrodite’s relationship with Pit, how he and Psyche first meet and how their relationship is evolves from that point onward since following the myth to a T isn’t an option in this case. I could see Pit and Psyche’s first meeting being a result of Aphrodite’s wrath manifesting on a relatively harmless way, meaning that she already knows about this new, pretty princess that challenges her status as the supreme goddess and she’s not having any of it. As for how her wrath could manifest, it could be a your garden-variety monster attack in the first chapter disguised as someone else’s troops so no one would suspect it was her behind it. The sheer weirdness of it could catch Palutena’s attention so she sends Pit down to investigate it and to get rid of the monsters. While getting rid of them, he meets Psyche in one way or another - maybe she’s trying to escape from them or she’s trying to fight against them, either way Pit comes to her aid and they befriend each other. Maybe she’s featured on a few following chapters as minor character doing something on the background, giving them more possibilities to interact and become better friends - in these chapters Apollo could possibly be introduced along with reintroducing Poseidon, to foreshadow the roles they would play later on. What side plots would these chapters have, it could anything - maybe Pit meets Ares for the first time at this point of the story, but he’s not freed from mind control just yet.

At this point Aphrodite could be getting more angrier but she doesn’t want to out herself as the main villain yet, so she crafts a plan that would eventually lead into Poseidon hating Pit into the point of him wanting to take things into the court. Maybe she tricks Poseidon and Apollo into becoming mad at Psyche’s home city for whatever reason, like how they got angry at Troy in mythology proper. If this was the case, I think that she would keep Poseidon in the dark while letting Apollo fully know what’s going on - if Poseidon doesn’t know the true reason why Aphrodite wanted his sea monster to terrorize the city and why it was killed, he would be much more enraged when it happens. I’ve already established reasons as for why Apollo would dislike Pit, so he probably wouldn’t really need any prompting to cause Pit suffering since he’d still want some payback from that embarrassing noodle incident. So Poseidon sends his sea monster to terrorize the coastline and once citizens start asking help from the gods, Apollo lets the hate flow through him and offers nothing useful - instead he tells them to take the Hesione/Andromeda-approach and let it eat someone to calm it down oh look, it’s a reference to Perseus that’s not about Medusa for once, nice. In this case, it would be Psyche and Pit’s of course not going to let his friend die so he goes to save her, be it with or without Palutena’s approval. In my head I did imagine this as a chapter that would work amazingly with multiplayer, starting with Pit and Dark Pit distracting the monster, then Pit freeing Psyche and them setting out to kill the monster before it causes more harm. Player 2 would have to deal with changing characters on the fly but if Pittoo and Psyche had similar weapons, I don’t think it would be too distracting since they’d be playable on different parts of the chapter. But once the monster has finally been defeated, the joy is cut short by Poseidon interrupting and wanting vengeance for what happened to his monster, ending the chapter. The plot would immediately catch on the next one and what I could see happening on this chapter is that Pit’s taken into the court by Poseidon and he’s not allowed to have anyone defending him, but Dark Pit and Psyche go into his defense anyway Pittoo being the playable character. After a long and treacherous journey they find they way to the divine courthouse and tell their point of view on the events, which gives Pit the sympathy of the court and he gets away scot-free. Poseidon and Apollo may face on consequences at this point and they may even rat Aphrodite out on a subtle way, but the main group doesn’t catch it.

The following few chapters would be breathers before the plot kicks in again, Aphrodite ousting herself as the big bad in one way or another. Maybe she has sent her troops to attack some place, possibly in search for Ares since he would make a great ally on this brainwashed state. Much to her dismay he declines her offers, he and Pit fight and the helmet is smashed, but Palutena recalls Pit before anything can come out of it. The fight continues for couple following chapters, Palutena and Aphrodite are gradually getting more and more mad at each other and maybe she comes down to face Pit herself because the little brat getting on her way is starting to be really annoying now this would make a pretty cool unwinnable boss fight, but Ares comes just in time save him - que silent, cold anger between them, confusion from Pit and Palutena’s end with some extremely awkward reunions and explanations.

What could follow from here is another set more lighter chapters focused less on Aphrodite’s plans to become the supreme goddess and more of the cast getting to know each other better - Palutena and Ares reconnecting, Ares trying to form a meaningful relationship with Pit and Dark Pit, Pit and Psyche becoming better friends, etc etc. Not to say Aphrodite has given up on her plans - she’s still doing things on the background, but it’s implied that what little chaos she currently causes is serving as distraction to hide her bigger plans. Persephone could possibly be introduced at this point of the story, making it clear that she knows about the events of KI:U and that she’s going to get her payback on what happened to Hades in one way or another, possibly drop an implication that she’s working together with Aphrodite. But since everything good comes to an end and so do the breather episodes, plot would go on with Aphrodite kidnapping Pit and getting Persephone to throw him into some dark part of the Underworld, maybe even to Tartarus. And now we get into the fun part of the myth, Psyche’s four tasks!

I could see the plot separating into two directions from here on, first one being Pit’s great prison escape from wherever Persephone threw him into and the second one being the titular four tasks. The prison escape is more focused on traversing the Underworld and Pit trying get out of there while Persephone throws all kinds of obstacles at him - maybe it ends with a ghost gauntlet, since Odyssey illustrated that she can summon ghosts. Arke would make a pretty great boss fight here as well, since she could be classified as a fallen angel. Maybe her motive for going after Pit is to get his wings for herself as a mean to escape, since her own ones were ripped off as punishment for siding with the Titans. But since Pit’s a brave boy, this isn’t enough to stop him and he eventually finds his way out so there could be reunion and a final battle against Persephone.

While Pit’s great prison break is going on, Aphrodite makes an empty promise to rest of the cast that she can give Pit back, with some conditions - but just like in the myth, all she actually wants is Psyche’s death so the danger factor is amped up to eleven. I honestly don’t know how the one about sorting grains could be handled I guess it could work as a puzzle chapter, but the rest work rather well without massive changes. The one about gathering te golden fleas could now take a more direct approach, the one about getting Styx’s water is now missing the helpful eagle and the Underworld trip is largely same with the exception of Persephone not being cooperative. This would be the point where the two plotlines merge together and they take Persephone down together before leaving from the Underworld. Psyche falling for Stygian sleep in this version is up to debate, I say it could work either way. It mostly depends on when she’s going to wake up - if it’s too early it might as well not matter, if it’s after the final battle I’d say that’s too late.

As one might expect Pit’s escape makes Aphrodite furious and she challenges him into a one final battle - that brat has stolen her favorite boytoy from her, satisfaction of getting rid of the annoying princess and also her chances to become the supreme goddess way too many times, she has reached her third-act breakdown and at this point she has nothing left to lose anymore. Ares isn’t going to come back to her, Psyche is not going to die and the people under her empire have started to become less dependent of her, the last thing she can do is get rid the troublesome kid that brought her into this situation. Of course Pit ends up winning, sending the goddess to Aether to hang with Hades where they can now together sulk over the fact that they got defeated by an angel. Pit triumphantly returns to Skyworld where Palutena and others have been waiting, there’s a joyful reunion between all of them and if one wants to follow the original myth at this point, Psyche could gain divinity or immortality for her bravery for standing against Aphrodite as a mere mortal. People have become immortals for dumber reasons in Greco-Roman mythology, so at least Psyche doesn’t become immortal merely because one god thought she was pretty. Have some little banter at the end between the cast and then credits can finally roll in.

When thinking of some nice bonus content, maybe there could be a secret ending player can unlock after beating all the chapters on a certain difficulty, which confirms that everyone is doing well. If we have to deal with another long hiatus that could last for decade or two or eternity, best the game can offer is closure. Pit doesn’t have to a married man with a daughter, but at least show that he’s doing well and ready for a new adventure or that he has had many of those under his belt at this point. All one can do is hope at this point that there will be a new adventure or a happy ending that ties all the loose ends together. Praise Volupta, maybe one day dreams can come true.

______

Welp, this turned out to be much more longer and heavier than I originally expected! If nothing else, that would make an interesting fanfic. Anyway, I think I made my point clear - Aphrodite has everything a big bad needs from power to personality and motives to harass the already existing KI-cast. Even if you don’t want to go with the ideas I came up with, there’s so many myths to use and modify in which she could fill the role of the main villain. And just because there’s heavy themes it doesn’t mean it has to be without humor - I mean, there’s a lot of heavy implications in KI:U yet the game still manages to be a comedy gold mine despite those heavy implications. Writers just need to know when to be serious and when levity is needed, good pacing is something that every great story needs. For some reason I could definitely see there being a gag in which Pandora has regained her true form, only for Aphrodite to snatch it away because Pandora was living on borrowed beauty anyway and she’d like to have it back.

Though I must say that I’m proud of all of these plot bunnies I came up with. It was a fun journey to me to research, overthink, adapt and mix myths while trying to imagine who could be the next possible big bad and what the plotline relating to their villainy could be. And I came out wiser from it, so I really can’t be angry over it even if it took so me so much longer than I originally planned. I never thought that me wanting to write about a Nintendo game would make me read this much about history and philosophy yet here I am. Also now when I’m thinking of it, that last one would tie a lot of threads nicely together if they had a plotline like it on a future game - Poseidon gets to be an antagonist, Apollo gets to be an antagonist, Persephone gets to be an antagonist and Aphrodite gets to be the villain. It’s so nice when things work out this well together! Dionysus is left out though, but I guess it’s not all that bad because having too many antagonists would make the plot feel overly complicated.

Anyway, I hope you enjoyed my thoughts of who could replace Hades as the big bad. You can’t change my mind on Aphrodite being the best possible candidate but if you disagree with me, who do you think it could be? I’m always open for discussion so feel free to talk with me. Now there’s only one question remaining on my head - if a future Kid Icarus game had Arachne, would she be a jorōgumo?

[teriwrites]

2020 Writing Wrap-Up

Something that I do every year on the 1st is go back through absolutely everything I’ve written throughout the previous year and compile it into one massive word document. Everything from outlining notes to unfinished short stories to my NaNo project wind up in that file, where I like to read back and reflect on what I’ve gotten done through the year. 

Every year, I end up having written more than I expected, and this year was no different! 

Total for 2020: 203,119!

This is the first recorded year (I think it’s year 4 that I’ve done this for?) in which I’ve cracked 200K! It’s also the first year I’ve ever actually followed through on my resolution to share some of my writing online! So as rough as 2020 has been, I still somehow managed to break some personal records in writing. Which probably has everything to do with the fact that I joined this community earlier this year, and it’s been incredibly encouraging and supportive!

I also branched out a bit more this year in a few ways. I worked on some poetry and prose, which is not something I’ve put a lot of time into before so tends to be a challenge. It’s nothing that I’ll be posting anytime soon, but it was fun to work on in the moment, which is especially important in such a wild year as 2020.

One snag that I definitely hit was the fact that I have a lot more unfinished work than most years. A majority of the short stories I started working on never got finished. But I can’t even be too upset about that, because I totally loved being able to read back on even the fragmented pieces I ended up with. And while I do think a large part of that (for me) is discipline over inspiration, I’m willing to accept that, sometimes, things will remain unfinished. And it’s okay to stop working on them. 

My overall focus shifted a bit this year, too, which was interesting. I worked more on longer things than most years - started out the year by finishing my first draft of Castle on the Hill, continued making some edits and reworking its outline, did a large part of Beneath Alder Creek’s first draft in November. Right now, I’m working on what I expect to be a novella by the time I’m done with it. It’s a big contrast to the usual, short and snappy short stories that fill most of my previous wrap-up files. But I still definitely write those sometimes, and it’s nice to be able to try stretching and testing my own boundaries. 

This is the part of my wrap-up where I go ham throwing in some of my favorite out-of-context quotes from a variety of different things I’ve worked on. Some of them might be familiar, a lot probably won’t. I’m going to post it beneath the thing so this doesn’t become even more absurdly long!

Some of the ~highlights~ of 2020:

First Thoughts in the Morning: wow the sexual tension between me and the alarm clock right now. Later Reflection: wtf? (a literal note on my notes app that I included because I Cannot remember writing any of this and it made me laugh)

Edriele’s gaze trailed down to the woman’s armor, and her stomach twisted. “Where did you find your attire?” The woman glanced down in surprise, as though she’d forgotten she was wearing it. “It was fitted to me when I gained my ranking. I suppose it draws attention, but after my confrontation at… you mean to ask me whether I’m impersonating a Knight!” “The thought had crossed my mind,” the Sister replied dryly. (novella WIP)

“Do you need to make a stop at your house before we head to the chapel?” Leslie asked as they started off. “What for?” Winnie asked. Leslie looked pointedly at the tip of her galoshes poking out from beneath her dress. With another roll of her eyes, Winnie sighed. “Oh, I suppose so.” (Beneath Alder Creek)

When the third meeting for the Society of the Hidden Immortal Tribe was called for the decade, I knew heads would roll. Gathering the entire society together took months. Everything had to be hush-hush; that was the entire point of spreading ourselves out. Plus, every time a letter arrived in the mail, it was a reminder of the idiot who had decided we needed a name change. Everybody agreed that being deemed the ‘S.H.I.T.’ was humiliating, but nobody could agree on a better title, so it had remained the same for nearly a full century. That was the problem with living forever. You always had more time to make decisions, and, in the end, nothing ever got done. (S.H.I.T.)

When she leaves, I’m not sure I remember a word of what she’s said. But as the stresses of the semester wash back in, and my mind clears like being pulled out of a dream, I suddenly understand how one could crash upon the rocks without realizing they’d ever changed their course. (A Modern Siren)

When Georg arrived later, he found Klaus leaning forwards onto the table, staring vacuously at one of his textbooks. "Studying hard?" he taunted as he approached and dropped into the seat Ingrid had been occupying. "I talked with Ingrid," Klaus explained. Georg's eyebrows shot up in genuine surprise, but he quickly recovered and looked pointedly at Klaus' posture. "Go that well, then?" "She said I'm arrogant and completely self-involved and that I never take what a girl says into account whenever I'm on a date." With a haunted gleam in his eye, Klaus stared up at his friend. "I think she's right." "Well then it's a good thing somebody pointed it out," Georg offered, and he turned to his work. (Castle on the Hill)

Takemoto Hana rested a hand over her face. She couldn’t see the swirling of darkness over her head, but she heard the whine behind its words. With a wry smile, she asked, ‘Do you not know how to brew tea?’ ‘Of course I know how to brew tea!’ The dark spirit’s voice boomed with a defensive defiance that rang false in the funny little woman’s ears.  (The Funny Little Woman)

“None of us want to be here right now,” Edgar called out to the hall. “None of us want to go back through the handbook and listen to the steps of proper etiquette in immortality. But it seems that, once again, it’s necessary.” “Dammit, Dave,” muttered the man next to me. I said nothing, but I couldn’t help but agree with the sentiment. Dave was… how do I describe Dave? To call him an idiot would be underestimating his craftiness. To call him a genius, I’d have to ignore all of his dumb antics. Cruel was too strong. Misguided was too innocent. Mischievous fit best, but even that fell short. Dave was a trickster god, if ever one existed. (S.H.I.T.)

Ridiculous, he told me with a self-conscious laugh of someone who didn't expect to be believed. I smiled, but I didn't join in. (The Little Roads)

“Hey, where did Alina go?” Lorelai asked. Zoe shrugged, but Jaiden cleared his throat. “I think you crossed one of her boundaries, Lo. She specifically asked not to involve her girlfriend in this, and then you did anyways. I know we needed the help, but friendships have to be built on mutual trust, my dude. You should’ve at least let her know your plan before you went behind her back.” The two women stopped and shared a look. “Hey, Jaiden,” Zoe asked. “Do you know the capital of Canada?” He shook his head. “I dunno, Ontario?” “Amazing.” (Mirror, Mirror)

"We had a bet going over whether you'd make it in time," Hans told him. "Did you win or lose?" Josef replied. Hans flipped a 5-Deutsche Mark coin over to Peter, who grinned as he pocketed it. "I'm glad you have so much faith in me." Josef's voice dripped with sarcasm. (Castle on the Hill)

Taliesin reached over his head and grabbed at one of the low-hanging bows, picking leaves from it. “I’m not sure.” Winnie stopped. “What do you mean?” “I mean that I don’t know.” (Beneath Alder Creek)

While she attended to these, the man beside her began to stir. Ella could see him out of the corner of her eye, attempting to push himself up into a sitting position. ‘You may want to lie back down,’ she told him, scrubbing uselessly at her skirt. The man continued to sit up anyways, pressing a hand against the side of his face. ‘Am I killed?’ ‘No, but your savior may be.’ Ella threw her skirt back to the ground. ‘When the Madame sees the state of me, I’ll be spending my future afternoons off making a new dress out of the fabric scraps.’ A frown crossed the man’s face as he considered her words, followed by a scowl of understanding. ‘You work for them. The bourgeoisie.’ (Cinderella)

Ingrid took the seat and began digging through her bag for a book. As she did so, she explained, "There were no other tables open in the building - even in the quiet section upstairs - so I figured that I would just ask the first person I recognized if I could sit with them, and well... here we are." "Don't worry about it," Georg answered when Klaus found himself dumbstruck again. "Just ignore the oaf, he'll leave you alone." Ingrid shot a grin at Georg, and Klaus suddenly wondered whether it was a good idea to have the two of them sit together. (Castle on the Hill)

Up ahead, I could see the glass walls of the bus stop. Usually, I waited for the bus leaning against the metal frame of the stop, leaving the seats inside open for children on their way to school. But the seats were empty now. I still avoided them. (Flo’s Magical Emporium: The Pandemic)

Now, I ask that you do not feel too much self-pity. For as easy an error as it may be to mistake a visiting aristocrat’s son for the hired help, the true talent in such a display causing his immediate departure lies within you alone. And to think that the meeting was the work of your father’s tenuous sway over the court! Well, I am sure the time away will do him some good, lest you begin to consider that you’ve ruined his position as well as your prospects. (Dearly Detested,)

Edgar was at the front of the lecture hall, and standing beside him was Dave, smirking as though at some private joke that only he was in on. He was wearing sunglasses, despite the dim lighting of the room, probably because he thought he looked cool. I rolled my eyes. What a tool. (S.H.I.T.)

 The work is different now. Countryside pathways winding through the forest lie forgotten for years without the familiar steps of a traveler. Off beaten paths in the city are never unknown for long, and sometimes streets that were once crossed by thousands a day fall back into obscurity. (The Little Roads)

“How much time will you give me to think on it?” she asked suspiciously, wrapping her arms around herself as though afraid they’d reach out to him if not kept in check. “You have all the time in the world,” the golden man said. “The boy’s, however, runs out with every passing second.” He extended his hand. (Beneath Alder Creek)

You ever met a rich person? Not comfortably wealthy. Not ‘my Uncle Kenny is a lawyer’ rich. Not even ‘widow answering the door to her manor on a hill dressed in fine silk’ rich. No, I mean proper, so-much-money-you-literally-can’t-spend-it-fast-enough rich. They say it isn’t worth Bill Gates’ time to pick up a $100 bill off the floor because he’ll have earned more in the time it takes to grab it. That kind of rich. They seem to be bred for times like these. Their houses are a source of endless entertainment – movie theaters, bowling alleys, personal gyms with a view of the sprawling landscape they overlook like cruel dictators. There’s no need for them to leave during a pandemic; they have access to the equivalent of a luxury resort most families have to save up month to visit. Necessities can be stockpiled in one of the useless extra spaces in the house. I mean, I once had to hide out in a luggage room for a contract. That’s right. An entire room dedicated to holding luggage, bigger than some of the apartments I’ve rented. I thought their residential labyrinths were my greatest source of grief. But social distancing? I’m one bad contract away from retirement. (Bounty Hunter During a Pandemic)

Shaking his head, Detlef pulled a new sheet from his notebook. “Look, I’m just saying, if we can get the satire right, we can be a modern Jonathan Swift.” “I don’t want to be a modern Jonathan Swift, I want to be a student actually passing his debate course!” Peter snapped. (Castle on the Hill)

Moonlight illuminated the German’s fair hair and pale skin, the effect more malevolent apparition than man. (Face on the Other Side of a Dark Window)

Back then, he’d been known for commissioning the exact same portrait of himself every hundred years, hanging them in a hallway in his manor and trying to pass them off as his line of ancestors to any of the locals. It had been a far less skeptical age, and Dave had earned himself a small band of worshipers before Jeff Goldblum himself had been forced to intervene. (S.H.I.T.)

Clara stood before the board of advisors assisting with her thesis. She was one, very intense paper away from her M.A., and she wasn’t about to risk it all by being too proud to ask for help. When she’d made the appointment to meet with them, she expected a series of questions surrounding her topic. Instead, they’d opened by offering her a job. “You want me to steal from the school?” Dr. Pye wrinkled her nose at the suggestion. Next to her, Dr. Pritchard said, “Don’t think of it as theft, dear. It’s merely redistribution.” Clara hadn’t amassed tens of thousands of dollars in debt to be lectured on the definition of robbery. “Either way, it involves me sneaking into the Chemistry department and taking a huge risk to get you some new toys to play with.” (Origins: The Ghost)

“Why is undermining Pryderi so important to Queen Ceridwen that she would risk breaking a timeless alliance just to dismantle them?” Her stomach twisted into a knot, protesting against the answer. “There are few members of the Dusk Court that we know by title.” A shadow passed over Enid’s expression. “The Lord of the Undernell is second only to the Queen.” “Great deeds build the reputation of one in their own court. Cruelty builds it in both.” Taliesin buckled under Winnie’s weight as she suddenly leaned against him. (Beneath Alder Creek)

“Why are all my friends so quick to endanger themselves?” I muttered as I packed up Midas’ crate. Natalie swiveled around from the candy aisle. “So you’re finally willing to admit that we’re friends?” “Save it.” (Flo’s Magical Emporium: The Pandemic)

[fanfic-scribbles]

Tie a Yellow Ribbon For Me

Fandom: Supernatural

Summary: Roses are red, Violets are blue, Even death can’t keep him From finding his way back to you.

Quick facts: Romance – [established] Gabriel/Reader – Nondescript Reader

Warnings: Angst-ish with a happy ending, many flashbacks handle it, use of ‘sugar’ as a term of endearment for a gender-neutral reader

Prompt: Written for @gabriel-monthly-challenge​’s February prompt: Spin the Wheel. I landed on “A Dozen Red Roses”. Tagging @archangelgabriellives, @archangel-with-a-shotgun , @archangelsanonymous, @ttttrickster, @warlockwriter, and @revwinchester.

Words: 2459

Special Context Note: For people who might not know: “Tie a Yellow Ribbon Round the Ole Oak Tree” was a popular song in the seventies (I think?) performed by Dawn feat. Tony Orlando (I do recommend it; it’s a good song). It’s told from the perspective of a man writing to his lover after having been away for a few years. He tells her that if she wants him still, she can tie a yellow ribbon around a certain tree and he’ll come home, but if he doesn’t see it, he’ll assume she doesn’t want him back and he’ll keep going and never bother her again.

A/N: That summary is a little more sinister than I intended. Sorry, no dark!Gabriel here. Or “The Crow” AU. (Though hm, that’s a possible idea.) This is kind of an alt S5 post-“Hammer of the Gods” where Gabriel doesn’t go to Loki et al. This is sort of similar in premise to some other stuff I’ve written so I apologize to the people who follow me. Ironically, despite the title, this story was actually written to repeat listening of “11 Minutes” by Halsey and Yungblud feat Travis Barker ¯\_(ツ)_/¯ Please enjoy! (PS: In case my formatting gets fucked up, flashbacks are encompassed by tildes (~).)

   You feel like you’ve gotten used to the silence.

Sure, you had periods of it before– spending 24/7 with a sometimes-manic archangel is a pre-requisite for madness– but those quiet moments without him had always felt like in-betweens. Small breaks, or minor reprieves, sometimes purposefully taken, and sometimes just waiting. Gabriel could have popped in at any moment.

Now he can’t.

You can say you’re mostly okay now. Mostly. You’ve lost before and you’ll lose again. It’s the nature of things, just being in the world as it is. Being a hunter in it means you’ll do it over and over and over again.

It doesn’t make it ache any less.

But you’re still going, because it’s what you’ve always done and it’s what you’ll always do. Right now you’re on your way to a small desert town that seems convinced it’s living out the movie “Tremors,” and going by the reports, you can see why. You feel a smile creep onto your lips. Gabriel would have found it funny.

~

“Have you been terrorizing a small city in Wisconsin in your spare time?” you ask and flick Gabriel with your big toe.

“Ooo, Wisconsin. Sounds like a party,” Gabriel says out loud, but the look he gives you asks, ‘Really?’ and he holds out a piece of whatever candy he’s focused on now. You trade him for the paper and take a bite while he skims the story.

He snorts and tosses it down. “Amateur. Credit for style though; there’s worse you could do than a Mel Brooks homage.”

You roll your eyes and finish swallowing. “I’m sure the three victims would agree with you, if they could.” You fold up the newspaper and set it aside from the massive stack of other regional papers that Gabriel had whined about, and yet gotten for you anyway. “I’ll head out tomorrow.”

“So you’re done working now?” Gabriel asks. He sits up and puts a piece of chocolate between his teeth, makes sure half of it is sticking out, and waggles his eyebrows.

You laugh and lean forward, bracing yourself with your hands as you stretch to meet his mouth with yours. Just as you’re about to gently bite on the chocolate, it vanishes, and Gabriel slips his tongue into your mouth instead.

Once you’ve had your fill of each other (for the moment) you can’t help how big you smile. “You’re so cheesy sometimes.”

He grins. “Sugar, you have no idea.”

~

You need a shower.

Badly.

You don’t feel the slime as much as you did when the constructs first exploded, but you don’t count that as a good thing, because it’s still there and you keep getting reminded of that whenever you shift. The day is dry and warm and a wind rushes across the desert landscape. When you step out of the car a strong gust blows past you and you shield your eyes until the air settles back to its steady pace. You get to your room and put your key in the lock when something catches your eye.

All down the sidewalk are cutouts in the concrete, just spaces of dirt that look like they’re supposed to be planters. Some of them have scattered cacti, but most are empty. Yours was empty, you're fairly certain, but now there’s a spindly long-stemmed something, being blown to the side and clinging to the dirt with nothing but tenacity. You kneel down to get a better look and–

it’s a rose.

Your breath catches in your throat. Not even a desert rose; a real, thorned rose, with petals that have obviously been sandblasted for a while and a thin stem that looks sickly.

But a rose is a rose is a rose is a rose.

~

There are flowers everywhere.

Gabriel really likes this place. He’s been here for a couple of months, and it shows; every day he’s seen you (almost every single day, as of late,) he’s given you flowers– a bouquet of twelve red roses. And, as you haven’t exactly had places to put them, he has graciously offered to ‘keep them somewhere safe.’

So of course there are dozens (of dozens) of roses scattered all around the room, still miraculously alive. Heavy emphasis on the miracle.

“You're the one who said I was cheesy,” Gabriel says and sits down, but puts his drink on the side table. Champagne, of course, and he’s even wearing a ridiculous red and black patterned robe. It’s a testament to how much you like him that you are not making fun of him right now.

But you can admit you do like the roses. The petals are soft and they smell nice. You look up from your bouquet to see Gabriel smiling at you. The softness of his expression throws you off and you hide the lower half of your face in the flowers. “Why always roses?”

“Oh, I don’t know.” His smile turns all trickster. “It’s just what they have at the grocery store.”

You hit him with the bouquet hard enough that he falls off the bed. Well, his mad laughter probably helped, but you’ll still take credit for it. Asshole.

~

Someday, sentiment is going to get you killed.

You pick the rose anyway.

The young couple currently having their first date is pretty cute. Now that you’re not annoyed by them blocking the door, you can appreciate the beginning a new relationship. And it’s going to be one; they’re both all soft smiles and longing glances and dumbstruck lovelorn expressions. One of them keeps fidgeting with their hands, and the other shifts an enormous bouquet from arm to arm. You note the roses, of course, but it’s made up of a lot of other flowers too. It’s very pretty– and must have cost a fortune. You smile. Explains the coffee date.

~

“You work too much.”

“You’re a needy guy, aren’t you?” you ask and glance up from the screen. “Five more minutes, Gabriel. Then I’m all yours.”

He huffs and flops onto the table, head in his arms and pouting and grumbling enough to draw attention. You roll your eyes and, while he’s distracted, kiss the crown of his head.

He stops grumbling. But the next time you take a sip of your drink it’s like shoving pure sugar down your throat and you choke.

His smile is almost as saccharine. “I just wanted to make it as sweet as you.”

You stare at him and calmly wipe your mouth. “Twenty minutes.”

He sputters in protest.

“I’ll knock it down to ten if you walk up to the counter, wait in line, and buy me a replacement. With money.”

He starts muttering again. But he gets up.

~

You look at your computer and think about actually trawling for hunts, but, well, your coffee cup is empty and who can be asked to work under such inhumane conditions? You hop off the stool and almost crunch a stray rose underfoot. It must have been dropped by the happy couple by the door. As you pick it up you wonder how you’re going to interject and give it back, but when you stand, they’re already gone.

You look back at the flower. It’s truly lovely; obviously well cared for (and not just shoved in a fridge at a grocery store, Gabriel). You smile at the thought of his indignance, and set the rose on the table. It would be a shame to let it get thrown out, so you’ll take care of it.

Even at the end of the world, there are still mundane monsters to kill. You’re leaving a very shaken family with one less poltergeist and a lifetime therapy to look forward to (at least they have a have a lifetime, now,) when the youngest daughter runs up to you and holds up a rose. “Here! This is for you.”

Though you thank her and take it, the mom echoes your concerns when she asks, “Honey where did you get that?”

“I found it,” the kid chirps, like that’s all you need to know.

It’s a real rose with almost no thorns and a yellow ribbon tied around the stem. That’s an odd thing to just find. But the house has settled and you figure you can burn this and stick around for a day or two, just in case. You thank the little girl again, bid goodbye to her sisters and parents, and as you go you start to tuck the flower away when you see a small embroidered symbol on the ribbon.

An Enochian symbol.

  As you speed away, you barely resist the urge to chuck that fucking flower out the window. You want to. But at the same time, you can’t bring yourself to do it.

Fucking asshole.

~

“I need to understand!”

Gabriel shoves you up against the wall. Not hard enough to hurt, but it does stun you– for a second. His grip is too light and his expression too conflicted for him to convince you what a ‘monster’ he is. “You’re not that kind of person,” you say and stare him down. “So why do you want me to think you are?”

Gabriel jerks, but you grab onto his jacket and yank him back in. “What are you so afraid of, Gabriel?” you whisper. “I’m the one thing in the universe you don’t have to fear.”

Gabriel leans in, close enough to kiss. Your eyes shut on instinct. Or maybe it’s Pavlovian.

“You're the one thing in the universe I have to fear the most.”

Air brushes past your lips, the pressure of his body releases, and you open your eyes to empty space.

~

He had come back within a day, as soon as you had asked, and said ‘I’m sorry’ in every conceivable way without ever saying it with his mouth. (Well, verbally, that is.) At the time, you figured it was fine.

And maybe it was. Now that you’ve had a few days to freak out, get your hopes up and down and all around, you feel a little calmer. You have the roses set aside and the ribbon spread out on the bed while you sit with your Enochian dictionary. Gabriel wouldn’t lead you along willy-nilly. You have faith (just a little) that this means something.

And if this does turn out to be some “Drink your Ovaltine” bullshit you are going to find out how to travel back in time so you can murder him with your own two hands.

It takes a while, but you find the word, and then use a few other dictionaries and translation sites to get it into English. You check it five times, in different ways, and then sit, chest swelling with hope that you’re not sure you can handle.

‘Healing.’

You want to believe, but a rough translation boiled down to its essential part can’t make you Mulder. You put the books away and lean back against the headboard, just trying to process, when something ‘thump!’s against your door. You grab your gun and stay alert as you check the outside area, but as far as you can see, there’s no one.

But there are three roses, piled neatly just in front of the door. You smile. Because really– you’re skeptical, but you’re not stupid. You pick them up and put the flowers to your face while you mind the thorns. You’re pretty good at that by now.

“Okay,” you say and nuzzle the petals. “I’ll wait.”

You find five more roses over the next couple of weeks in utterly random places. On your pillow. In a sewer. In your water glass after you turn away for a second. In the basket you grab at a grocery store. On your passenger seat. That last one makes you ache.

That night, when you open your book and find eight perfectly placed rose petals, you almost cry. Twelve roses. It’s always been a dozen, so that means he’s coming back, right? He doesn’t appear right away, but you go to bed hopeful.

Except he’s not there in the morning.

Or the afternoon.

Or the evening. Or…

It’s late on the third day of waiting and hope is fading fast. You hit your forehead on your steering wheel and whisper, “Where are you?” Did you misread things? Was this set up in advance? Did he mean for you to heal? Was someone messing with–

Your radio comes on without any prompting and you jolt up. You’re so busy trying to look for danger that you don’t recognize the song at first.

“–nt me, if you still want me Whoa tie a yellow ribbon round the ole oak tree…”

You blink. You stop being afraid. And start being annoyed. “Are you fucking serious?”

But the song plays on, and the volume even gets jacked up. “A SIMPLE YELLOW RIBBON’S WHAT I NEED TO SET ME FREE–”

“Okay!” You turn the radio off and sit in silence for a few moments before you burst into tears and laughter both. “Fuck; you’re such an asshole,” you say, with wet eyes and a smile full of teeth.

You consider trying to track down a bonsai or some plastic palm tree, but you’ve waited long enough. Still, when you get back to your room you go through all the motions of getting ready to go to sleep. Once you’re actually sitting on the bed, you put the yellow ribbon to your wrist and manage to tie a messy bow.

You lie down, exhausted by days of constant, immense stress, and sigh. As you drift off to sleep you think, ‘I’m ready, Gabriel.

Come home.’

It happens without fanfare. You simply wake to an arm around your stomach, and a morning still dark.

“Hey,” you say, sleep-addled.

Gabriel chuckles. “Hey.”

You’ve never heard anything so beautiful, even as rough as his voice is. “You sound tired.”

“Yeah.” Gabriel presses closer to you. “Almost getting murdered by your own brother is pretty exhausting.”

“Hm.” That’s a conversation for later. Or never, depending on how stubborn Gabriel wants to be. Either way, not now. Not when you’ve got him back. You turn over and wrap yourself around him. “It’s okay,” you say. “Go to sleep. I’ve got you.”

He gives you a wry smile, but whatever snarky way you expect him to say ‘I don’t sleep’ doesn’t happen. He shuts his eyes, and you hold tight. “I’m glad you came back,” you say. “Even if I don’t have a hundred ribbons.”

He shifts with quiet laughter. “That’s all right.” He holds your wrist and places a kiss that straddles the ribbon and your skin. “I only need the one.”

[sirxelots-anime-land]

Manga Recommandations ...

Yeah, I am finally doing what nobody asked for. I am gonna give ya’ll a list of Manga that I think aren’t that well known but are great and worth a read (at least in my opinion), Sounds Good? Alrighty let’s get this going them! 

Groundless - Sekigan no Sogekihei       

Now that is one Manga that I would really like to continue and release chapters in english faster. But it seems like no one really bothers to translate it atm wich is sad :(                                                                                                                         Anyway, Groundless is set on an island in a somewhat modern fantasy world with a civil war rumbling on said island. The main character is Sophia who lost her husband and daughter after their arms shop got set up with a hughe order from the colonel of the army stationed there. All she has left is a sniper rifle her husband hid for her to sell in case something bad happens. Instead of selling it she decides to seek revenge and joins the local militia as a sniper. 

It’s got some pretty cool charakters, it’s brutal (not over the top brutal though) and the art is pretty good.

Afterschool War Activities

Alright, technically this is not quite a manga since it is a Webtoon but I like it and it is pretty cool ... yea.                                                                                              Set in a South Korean Highschool, the daily lifes of our class are dissrupted when strange things appear in the sky (strange and deadly). highschoolers and university students have to fill up the military ranks to fight this strange enemy off.

It has a lot of interesting characters in the school class we follow around and it gives a pretty good impression on the emotional stress and trauma the situation brings with it. 

Beck: Mongolian Chop Squad

Let’s switch our guns out for something different now ... how about a guitar. Beck is one of my favourite Anime and Manga out there and I’d say everybody should give it a try because it is so good. First of, the Anime ends around Chapter 29 of the Manga and it sticks pretty closely to it. So if you want to watch the anime instead for the first quarter of the Story, there you go :P                                  Since I don’t really know how I should summarize the story of Beck without going on for the next ten minutes I’ll make it short. Yukio Tanaka gets into playing the guitar and starts to set his sights on becomming a rock star (the absolute breakdown version of it).                                                                           It has a lot of good drama, is super fun and has pretty good music (Anime Only :( ). The only thing that might put you off on the anime at least is the animations. They can be a bit whacky in normal situations. The manga however looks gorgeous all the time. Two last words: JUST READ IT GOD DAMN IT’S SO DAMN GOOD OMG 

In This Corner of the World

Oh yeah baby, we’re back with the War stuff. Though this time we don’t really see anything of the fighting itself. 

Rather we’re following a typical japanese family through their daily lifes during the second world war. Sound glum and boring? Don’t worry thanks our somewhat clumsy but loveable main charakter and a wonderfull cast in general it won’t be that glum mos.. well ... not all the time. And if the cast isn’t enough, the art of it is also very beautifull and you learn a lot about how live was during that time in japan (there is a whole vocabulary list at the end of each volume explaining certain words and phrases in the context of the war). 

But wait that is not all, if you don’t necessarily want to read through the 3 Volumes of it you can watch the movie on Netfilx. It will definitly be worth your time (maybe don’t watch it when you want something happy go lucky though).

Maria: The Virgin Witch

I know it might seem like I only read stuff that is set during some kind of war but I promise you that that is not the case and just a coincidence. This time the story is set in the Hundred Years’ War.                                                                             Maria our young and ambitious witch wants to stop the war with her sex appeal... Do I need to say more to convince you? Yes? Well alright. She herself is still a virgin so she sends her domestic deamon to do the sexy time part for her. God on the other hand doesn’t really like the idea that Maria wants to end the war wich leads to our little conflict between our cute little witch and an arch angel. 

With only three Volumes it’s a nice and quick read and a very fun one at that. Or you know... you could watch the anime wich is also decent.  

Black Rock Shooter: Innocent Soul

Alright, now we’re really done with the War stuff i promise :D                                 So you might’ve already heard of Black Rock Shooter and you might have watched the anime/ short movie ova thing. BRS IS takes the charakters of Black Roch Shooter and puts them in a alternate story that has nothing to do with the anime stuff.  

Set in  Hazama, a world between heaven and earth where souls land that are not worthy of going to heaven nor hell, we follow a girl called rock who is a Black Star whose job it is to keep order.                                                                            Again a very short manga with three volumes it has a nice story (though it get’s a bit hard to follow in the very last bit from what I remember right now) and a very beautifull art style. Also it has some super funny moments in it thanks to the great dynamic between our main protaganist and her side kick. 

Prophecy

Another three volume Manga comming right up. Prophecy.                                    A man uploads videos on definitly not youtube Mr. Copyright man, where he promises revenge for crimes that didn’t get punished hard enough (and pulls through with them). Meanwhile a special divison of the police force specialized in cybercrime tries to catch the man.                                                                           It’s a nice cat and mouse detective criminal story with an interesting take on social media and social injustice. It can feel a bit silly at the beginning when they talk about the internet but that might just be the german translation in my case :P  If you have a thing for some good crime stories definitly check it out.

Aion

One of my favorite and first manga. A manga I would really like to see as an anime but probably never will. I kinda don’t wanna say to much about it here because I probably wouldn’t find an end. So basically mermaids are real and they try to F up humanity with worms that control them. Our main protagonist meets the girl who has her sights set out to kill all the mermaids.                           It’s a really cool story and unique (as far as I remember it ... I need to read it again) with some nice characters and I also did a drawing of one f the characters that turned out pretty dope ... ok that last part is probably not that convincing to you so just check the manga out ok? Good. 

Boku Girl

Ok, you’re almost done by now. To end this list I have something with a bit more bare skin that is also a bit weird and a 100% hillarious and caused me to cry of laughter more than the number of it’s chapters. And it develops into a cute little love story aswell.

Out main character is Suzushiro Mizuki who is far from a a very masculine guy, In fact he get’s mistaken for a girl more than he’d like to. Even his crush thinks of him more as one of the girls. Meanwhile, Loki the Trickster god get’s bored with playing tricks on other gods so he plays one on Mizuki ... (also Loki is a girl ... in this one at least). I guess you might be able to figure out what happens to poor Mizuki with this prank and if you don’t mind that stuff, you most likely will have a blast with it (I hope at least because I definitly had).                                               And I dont’t think I have more to add to that :D

 OH WAIT ... IT HAS SUPER CUTE MOMENTS ... that’s all 

The Afterword

Aight. that concludes my short list of manga that I want you to read cuz I like them and you better like them too OR ELSE ... 

Mind you I did this whole text in one sitting and it was very spontaneous and late at night. So if you can’t make sense out of my gibberish and  eventuall spelling/grammatik errors, I am sorry. I didn’t really prepare this as much as I could have and it’s been a while since I wrote a longer text in english.

I hope you enjoyed this list anyways and some of the Manga aswell. I might or might not do stuff like this again in the future, maybe a bit more prepared.

If you most definitly would like to see me stuff like this more, let me know :D 

Have a good one folks.

[survivingart]

STORY IS EVERYTHING

Be it online or in person, there’s a lot of competition in the arts. And the fact that the art world is much smaller compared to the world of business, law or medicine, only makes it harder for any one artist to succeed. While everybody online is telling us to “niche down”, and explaining why it’s so important, usually no specific tactics are disclosed, and the how is left for us to figure out for ourselves.

 This blunder is intended for anyone who wishes to find their focus and stand out in today’s oversaturated creative market by understanding the immense power of storytelling — especially when positioning ones creative skill and aspirations in the market.

Regardless if you paint, sculpt, make experimental video installations or are a political performance artist, the main goal for all of us is to express ourselves. 

We do so not because it’s the quickest or easiest way of making a living, but because it’s who we 

are. Most of us love our craft in some form or another and follow some internal aspirations that guide our interest and consequently the kind of art we make. 

But while creativity is a general term, it could not be describing a more colourful and rich abundance of personal motifs and ambitions of why we do what we do. 

For example, I could be selling skilfully crafted portraits because of my passion for creating narratives about beauty, intimacy and connection. But it could also be that I just really enjoy painting figures and fabric and am good enough at it to charge for my work. 

Both are great reasons to make a portrait and market ones skill, but even if the end product looks similar in both cases, their target audience couldn’t be more different.

So, let’s put the “art” in artwork.

I’d like to open this conversation with one of the hardest, but probably the simplest of all questions to answer, because we need to get it out of our way to really get the point of why story matters so much. But to find the answer we will have to go all in and drop the proverbial A-bomb. 

We’ll have to ask the big question. The one you can read about in 50€+ books, written by prominent and knowledgeable art historians and theoreticians, whose answers are mostly written so thoroughly, so extensively, that one needs a dictionary to find their point.

Ready?

What is Art?

Boom.

Unlike most other questions like: “What is carpentry?”, “What is music?”, even “What is philosophy?”, we artists and other creative souls appear to have an enormous problem — none of us really seem to know what the heck we are doing in our lives. Not because we are confused, undisciplined or too spontaneous, but because no-one actually seems to know what art is.

If you ask most academic professors, they will usually give you an academic answer. If they’re more on the liberal side, it will surely have to do with the freedom of expression and the lyrical power of images in the fight against social injustice.

Ask a person in the street — anyone you want really — and they might tell you it’s something pretty, something that looks good. And probably also something that is quite expensive. For a wealthy collector it might be freedom; a way of expressing themselves without the need to actually learn how to paint or draw or sculpt. 

A tattoo artist will tell you it’s tattoos. A barber will tell you it’s an exquisite haircut. An IT technician might even tell you it’s a perfectly sorted and laid out collection of ethernet and electrical cables in the server room. 

Just don’t ask an aesthetician — the branch of philosophy that researches art — and they might tell you a lot. Truth be told, they might tell you too much while saying very little. A wonderful example is Tiziana Andina’s prominently titled book: “The Philosophy of Art: The Question of Definition: From Hegel to Post-Dantian Theories”. Read at your own peril.

Art seems to be everything. And we all know that something that is everything is consequently nothing at all.

We have to take a closer look into the production of art; the making of paintings, sculptures, videos and maybe even haircuts and tackle the question by investigating the process of making something an art piece. 

So, let’s see if we can’t fix this mess of tattoos, pretty pictures and ethernet cables into a more workable definition by asking a better question: What makes something art?

In the 1960s the art world had a small crisis, caused by none other than the famous pop artist Andy Warhol. The root of the crisis was his artwork, titled simply: Brillo Box.

It looked exactly the same as a normal Brillo soap pad box, albeit being made out of wood. The question: What made Andy’s Brillo boxes art, but at the same time dismissed the original boxes made by James Harvey (the creator of the design) as mere industrial design?

Surely it wasn’t looks, and it couldn’t have been materials — the prestige of using silkscreen on wood instead of printing on cardboard was not the deciding factor after all. The only real difference that one could discern was the name associated with either product. 

You had Andy Warhol superstar and the other guy.

Apart from being a marvellous posh object to own, Andy’s Brillo box shines light onto an immensely important topic in art, namely that when push comes to shove, the classification of an artistic piece does not have anything to do with its physical composition — be it medium, motif, size, you name it…

This is immensely important, because if we distill the factors that make up art, we can get a pretty rough, yet quite precise equation, that looks a bit like this:

ART = Viewer + Art Piece + Artist

But why does it now seem like the art piece, the central point of the equation isn’t really important? Well, there’s another surprise coming up.

The artist has been regarded as a genius ever since the invention of the cave painting about 40.000 years ago. The master painter, listening to the whispers of his or her muses and transcribing the messages of the gods into reality, for all of humanity to experience the righteous powers of the divine.

As humans, we couldn’t have been more proud of the lineage of artistic mastery that our planet had created over the years, and we had every reason for it. From the Ancient Greeks to Giotto and Titian, then Caravaggio, Monet, Van Gogh and Picasso … all geniuses in the craft, that shaped how we perceive reality itself. 

But then came the trickster. The black sheep, the snake, the devil himself. Then, came Duchamp.

In 1917 as part of The Society of Independent Artists’ exhibition at the The Grand Central Palace, he unveiled his biggest joke of all — a urinal. And even though the organisation of the exhibition had promised that each and every art piece that was entered in the application stage would be shown, they decided to remove The Fountain (as Duchamp named his vertical toilet) from the exhibition. 

It was serious.

But the problem that Duchamp’s art piece created was minuscule compared to the big issue that was yet to come. His simple question : “Is this art?” didn’t just create a revolt inside The Society of Independent Artists, it started a revolution.

Thus, conceptualism was born.

The point he was trying to make was simple: Art is an internal human experience, not an invisible aura imbued into an object by some artistic genius.

The art world though, instead of getting his point, concluded that Nietzsche was indeed correct; the gods of art, beauty and aesthetics truly did perish. The murderer’s weapon was finally found — fully drenched in nothing but bloody ideology, the Fountain stood as proof.

Now, more than 100 years later, this narrative is still the bedrock of many institutions, both commercial and educational. And I feel it is about time we change this. 

Not only could more people start to appreciate art — instead of thinking of it as a pretentious playground for the rich, filled with expensive junk and weird intellectuals — but by removing some of the misconceptions that either artist or artwork are the origin of the artistic experience, we could actually improve the status of us artists in society.

How?

By educating the viewer. By making our artistic process visible to all via social media and other means. By not trying to overcomplicate our work descriptions and artist statements and ending the need to feel like we have to defend our right to paint, sculpt, dance or make videos, with big words and complex explanations.

By connecting with our audience and being strong, sincere and genuine people. And with social media exploding in a constantly connected world, the timing just couldn’t be better.

Art is a multitude of stories, each different from another and all created by every one of our viewers. 

And like good spelling and a decent vocabulary are the bedrock for any novel, we visual artists have a bunch of tools that we can use to build our narratives too.CREATING YOUR STORY (CONTEXT AND CONTENT)

In 1976, artist and critic Brian O’Doherty published his essay Inside the White Cube, that not only created lots of buzz in the art world, but gave this popular mode of displaying art in museums and commercial galleries a catchy new name.

While his wonderful critique of the White Cube is better to read in the original form, I would like to focus on one psychological factor that made his essay become so well known.

People experience things instantly and as a whole, rather than a collection of individual parts. When looking at a red triangle, we can’t just decide to see it as a triangle or just as something red — we always see both of its features at the same time.

Similarly with music; we can’t decide to hear just the tone of a note, while zoning out the colour of the sound (for example hearing the same note being played on a drum compared to a double bass or saxophone).

We as beings need context for just about everything in our lives — even our ability for differentiating object sizes and various temperatures is done by creating context from the surrounding environment.

Ok, but what does this have to do with art? Truth be told — everything.

As art is subjective, we can never really take full control over how a viewer of our show or a customer who bought one of our pieces will understand the work’s narrative. 

A description of the work might help, but some actually prefer to make up their own mind about what a particular art piece means to them on a strictly personal level, rather than listening to the artist describe what it should mean. And there is absolutely nothing wrong with that in my opinion. 

But, while we aren’t able to control everything our viewer will experience, there are many aspects of our work that we absolutely can and should be thinking about. Because understanding them makes our job of finding potential buyers or getting a place in an exhibition incredibly easier.  

WHAT YOU CAN DO:

Choose materials carefully, not just as a means to an end but as building blocks of your work’s narrative. 

A marble sculpture and a wood carving of the same motif tell different stories. Both may be a portrait of someone, but marble will always communicate prestige, longevity and may form subconscious connections to Ancient Greek and Roman statues of prominent individuals, making the portrayed look even more respectable and important. Wood on the other hand is softer and warmer in appearance and more suitable for creating intimate portraits emphasising emotion rather than status.

Evoke emotions, then seal the deal with a well prepared concept.

Nothing is worse than a conceptual piece that doesn’t also work on an emotional level. The appearance of your work will make or break its ability to convey your message, so regardless of how brilliant your idea may be, if your work doesn’t first captivate your viewer and make them curious enough to step closer, all is lost.

Presentation is really important when exhibiting your work. 

Adjust lighting, surrounding objects like tables, chairs, plants … to compliment your work, or at least not to distract your viewers attention.

Impressionists used a lot of green leafy plants to compliment the vibe of their paintings, modernists decided to completely remove everything (including the frame of a painting or plinth of a sculpture) to maximise emphasis on their work — hence the White Cube principle.

When showing work online, it is imperative to get it right.

Show your work not just as a clean, shadowless and speckless photograph with good colour correction (because the images should look identical to the real thing), but incorporate it into an environment — even a generic architectural shot of a living room will be better than nothing.

Give your online images enough context and help your visitors understand the colours, size, textures and other features of your work by providing enough visual information; a few detail shots, a side view and maybe even the back of the work (if it’s 2D). For spatial works, maybe make a 360° GIF by stitching together multiple angles — nobody wants to buy a sculpture only to find that they don’t like the rear end of it.

The venue is a big part of your exhibition. 

If you paint a picture of an apple being picked by a woman somewhere in a forest and hang it in an office of a juice company, people will probably see a nice lady picking apples. But hang it in a church community centre and people might see the highly complex concept of Ancestral Sin. 

Same painting, same communication, immensely different results — just by changing the context.

So whenever you have the chance — for example if you are invited to create a show in a certain gallery from scratch — work with the space in mind, or change it if you can to make it a better fit for your work.

Regardless of what kind of art you create, if you make a thorough examination of the materials you use, the message you are trying to tell and the environment you are telling it in, you can use all of this information to reverse-engineer your work to find your target audience. 

It should never be the other way around.

from Surviving Art https://ift.tt/2mSC2Mu via IFTTT

[mistralrunner]

Running Reads Oathbringer: Part II.V

Wow, it’s been a week since Oathbringer came out. I feel like Part I was ages ago.

Spoilers for pages 529-554 below. Again, also Mistborn spoilers.

Hmmmm

Hmmmmmmmm

That "I think" vocal tic

Sazed?!?!?!

Aaaaaaaaa

It has to be intentional right

Aaaaaaaaa Sazed I missed you

I still don't even know for sure if it's you but I miss you

Now back to actual plot

I have hope that these Parshmen slaves will escape the command of the Fused

Moash you can follow Kaladin's example. Just waiting to you to realize that. Eventually.

Ah Moash does know now

Kind of wish we got his initial reaction to learning that of all the groups he ended up with he ended up with the one that met Kaladin Stormblessed

Okay turning your eerie carapace into a saw is pretty cool

And the idea that these vengeful ghosts included carpenters, in a weird echo of the Heralds providing knowledge of Professions

Ironic that the beginning of each Desolation is a restoration of knowledge but it's geared toward war and destruction

I still can't believe that the Bridge Four situation with people being sacrificed to soak up arrows is happening again

Concerning/comforting to know some of the Voidbringers are crazy? Still not sure which.

The floating Voidbringers really do have an aesthetic

Kaladin's still the master of wind and sky though

Voidlight...

I guess that's a good name for it

That is a pretty cool and intimidating way to have a meeting

I am curious about this Leshwi

Moash is a Parshmen name? The ironies grow. How did that happen linguistically though? What were human-Voidbringer interactions that weren't just stabby stabby like in those days

Ah we get the consequences of constantly respawning Voidbringers up close

Huh are they just testing the humans to find the most worthy to their side rather than putting them on a pedestal after initial promise

I'm really worried for Moash

The idea that Parshmen bodies are sacrificed as hosts *shudders*

Okay having Voidlight holding you up just feels creepy and wrong

Ah but initially he was kept alive for potential vengeance

Sacrifice that's not your own, bastard

"Some of you may die, but that is a sacrifice I'm willing to make"

The whole throw yourselves to die cause if you live you're worthy and you'll be honored mentality so manipulative

Okay I agree Moash that the Alethi stink but the Voidbringers are slavers too

Oh no I'm scared

Kind of worried my wild theory that Moash will be Odium's champion and Kaladin Honor's champion will come true

The irony that he's still in his Bridge Four coat

Ah one last test of loyalty give him the choice of freedom and see what he does

You know at the beginning of this chapter I would have been delighted to see Moash pulling a Bridge Four with the Parshmen but now I am storming terrified

Yep it's Sazed.

Sazeedddddd

We interrupt our Stormlight liveblog because of yet another infiltration of Mistborn feels

I really hope Sazed can help in some way though

He actually is willing to help it seems

Ooh a Rlain pov I was hoping for one of those

Aww he's so alone

But the music thing is interesting. Rhyshadium attract musicspren, the vibrating devices to store information, the idea that humans could listen to the rhythms

What happened to those Listeners who fled though. Can we find them and reunite them with Rlain so he isn't so alone?

Rlain needs a hug

At least all the lady scouts can draw Stormlight

That is rough for Rlain even if Bridge Four does try

I'm glad Renarin and Rlain have some solidarity though

30-50 miles is quite the radius for squires

Admittedly for a Windrunner that can be pretty short but it's much better than say a mile

Yes please give Renarin leeway let him be well rounded

I'm glad they're trying. Stumbling sometimes but trying.

Also I appreciate Rock so much more

Bridge Four heart to heart, multiple people admitting they feel alone and being together in that I love this so much so so much

Yes good Kaladin I'm so glad Rlain gets to talk this out

Wait ancient singers and the potential for humans to hear the Rhythms-did the Dawnchant originate from the Parshmen? The Dawnsingers?

Also I'm starting to consider Illumination as one of the more dangerous Surges to the Radiant using it. You can heal physical damage from a misuse of Gravitation, generally, but Cognitive/Spiritual damage from Illumination perhaps not so much...I'm really worried about Shallan and Renarin now.

Yeah Hoid, the trickster thing might be fun, but it really isn't a way to garner support among the Shards. Being secretive until you want something is suspicious. Also thanks Sazed for asking the questions on all of our minds

I love the mother daughter scholarship trips and all the exposition and context for these visions

This should be interesting too cause it's the Recreance vision right

Two thousand years?

Since it's 1173 when did the calendar start then?

And what happened in the 2.5 millennia after Aharietiam if we're still at bronze weapons

There's a False Desolation?

Yeah what I suspected, the Voidbringers lingered to some degree

And yet people still believed the Desolations were over?

Aww Gawx

I am surprised he's admitting his insecurity to Dalinar of all people

Aww we missed a Lift appearance

I don't trust you white and gold person

Cause I'm pretty sure you're not Adonalsium

Which means you're probably Odium

Who's playing a very twisted and clever game if so

AAAAA IT IS ODIUM

So that comforting warmth at the end of WoR for Dalinar was probably due to Odium

That’s disturbing

And while I suspect that the histories weren't as black and white as they seemed, I trust Hoid's judgment on this one that Rayse shouldn't be trusted

You know Sazed has had the fairest reaction but I fear open honesty for Hoid might be more challenging than the water challenge level

(What if Kelsier is sent to help despite him and Hoid hating each other. Too much of a risk of disaster but it'd be hilarious.)

Back to screaming about how insidious Odium is

Oh no Dalinar is technically capable of freeing Odium that's terrifying

The Ruin and Preservation debacle has prepared me for this

Both in terms of not trusting the kindly voice who wants you to free them and in terms of their arguments about why they're not so bad

Of course Honor or Cultivation at their extremes are bad. As are you, Odium. And you're the only one seeking full domination here.

You know Hoid, now would be a good time for honesty and giving Dalinar an infodump

Oh except for the fact that this entire part has established there's a good chance Hoid will be off world seeking help. Bravo Sanderson.

Oh dear you asked for that Dalinar

Talking to a Shard's avatar is nothing

Meanwhile I'm imagining a wild Kelsier jumping into this scene and continuing his trend of punching gods

Was that nervousness from Odium?

LIFT I LOVE YOU SO MUCH DISSING ODIUM

How much of Cultivation was Invested into Lift

Heh free food to bribe Lift XP

I'm freaking out so much that I'm not even exulting over Lift finally joining the party and thus getting more screentime