#god I can't wait for

[transformersbrainrot]

I am so normal about them

[egophiliac]

GET LOVED, IDIOT

GET LOVED SO HARD YOUR KIDS HOLD HANDS AND POWER-OF-LOVE YOU BACK TO LIFE

sorry guys, this is just my brain now. this is going to be the only thing I think about for the next week at least.

oh and also this

FIVE YEARS IN AND IT'S FINALLY CANON 🎉🎉🎉

WE DID IT

[bubbarnes]

“... there's something wrong.”

[jameszmaguire]

I think it would be better for everyone if I were to be left alone in the future. Don't you?

[bberetd]

PIGTAIL DAISY ACQUIRED!!!

[o3o-lapd-o3o]

the second odysseus picked up his (poseidon's) trident, poseidon did indeed realise that there are other ways of persuasion

[teaboot]

Social anxiety level: Chatting with someone experiencing a schizophrenic episode and becoming increasingly self-concious of how I'm just saying "That sounds really stressful", "I've never heard of that but it sounds scary", and "You must be pretty worried about that" over and over again

[just-gingerkat]

Thinking about how The Murderbot Diaries is a character that is completly and fully character driven to the point where the very writing and book format is revolved around it.

The first book is short, concise. It skips a bunch of scenes over the course of many weeks. It focuses purely on what Murderbot thinks is important and worth focusing on. Thats why the majority of the book is dedicated to its thought process, its complaints, or it's fear. It skips over "meaningful" scenes because it doesn't find them important. Like most of the conversations, like it helping Volescu. It doesn't care. It does care when it feels uncomfortable and wants to be left alone. It does care when its scared and something big might happen. It does care about Mensah which is why the few scenes that are more meaningful are with Mensah and then back to narration.

The books get longer and longer as they go on, showing how as Murderbots journey continues so does its ability to care. More intimate moments, more admitting to us that it's afraid, it doesn't want this, it does want this. It begins to describe and pay attention more and more to whats going on around it and it grows to decide what it wants and it's all so beautifully conveyed through writing.

Even The Company was such a clever and subtle way of telling us something. Because everything in the books centers on how Murderbot thinks. Murderbot would never aknowledge its feelings towards The Company and therefore we never knew of it until someone pointed it out. And that too is development because now Murderbot cares enough to let us know. To let itself know. It still shuts down, draws away in its own thoughts. But each book gets longer and longer with less time between them because Murderbot is slowly learning to pay attention, and interact, and aknowledge the present moment. Its learning to care

[appropriatelystupid]

[livelovecaliforniadreams]

☠️☠️☠️

[evan-buck]

9-1-1 Buck and Tommy 💕

[minhosblr]

The only singer ever!

[egophiliac]

once again, don't think I'm not still obsessing over 7-12

(eventually I will get back to being less scribbly, whoops)

[bamsara]

Doodled concept stuff for future scenes in TROD

Narinder is having a Great Time as god experiencing weird mortal dreams

[adamsrcnan]

nah stop pause because what the hell. there's ACTUALLY going to be a book about haymitch's games like this is for real happening. we're gonna meet 16 year old haymitch. we're gonna meet maysilee donner. we're probably gonna catch a glimpse of his family and more content on snow !!! like this is WILD after all these years of waiting we're finally getting this!!!

[licorishh]

no way she's alive ?? yea those mental health breaks because social media makes people suck are wild huh