#go well for her or do i hold genuine concerns. and if the latter/both potentially...is it unfair to be like

[oh-shtars]

Hello flick’s cool alternative blog! Can I christen it with a prompt? Give any random thing you’re excited to explore in your AU

Heeeyy!!!!! ✨✨

You know, I was planning to accompany this ask with doodles but I’m going to have a busy week and most likely won’t get the time. But then I didn’t want to keep you waiting for a while so. DAMMIT-

For now, I’ll answer this with words. But keep an eye out for the RFTS!Drawing Dump I’d be posting here on @oh-shtars. (Friendly reminder to follow this RFTS!Blog if you haven’t already.)

But yeah, some random things I’m excited to explore in the Reach for the Stars!AU! :)

1. Valentino

Okay, I know what you’re thinking. “wtf Flicker-?” Hear me out first.

I did attempt to make Valentino (or ‘Tino’ for short) a lot more endearing than his canon version. And honestly, I grew to like the little guy.

He’s just a 1 month old kid who views Asha as his parent after his actual mother rejected him. (Some animal moms tend to do that.) Once he was bottle-fed and grew stronger, he’s ready to face the world head-first.

No really, he would headbutt anything that bothers him or Asha, regardless of who they are. She even adorably dubbed him her “loyal protector.” Don’t worry, the headbutts don’t hurt as much and the worst they can be is annoying. Tino is impulsive and brave but cares a whole lot about Asha.

He didn’t like Star at first, even when the latter tried to ensure him he’s no threat. Tino disliked him for scaring Asha at their first meeting and over the story, gets a little jealous and bratty that he’s getting a lot closer to her. Like a lot… Idk, I find it funny that their first interaction is something like:

But eventually, Tino grows to like him and comes to become protective and endearing to BOTH of them now. Just imagine this scene, but instead of Canon!Star, Tino was more than ready to charge at Magnifico while RFTS!Asha and Star lunged to stop him:

So yeah. I, Flicker, had gotten to love RFTS!Valentino more than I expected. Not only would he be a little comedic animal sidekick, but he’s going to play a neat role in the final battle and have Asha’s back the entire time, while not letting his size stop him.

Tino’s going to be fun to write :))

………

2. Magnifico’s Character

Remember when I said RFTS!Magnifico is just brimming with unresolved trauma/issues? Well, then he projects all that towards people that don’t deserve it. He’s sour and furious on how the universe turned its back on him as a little kid when he watched his village get destroyed.

And under being raised by his adoptive father, who just never seems to listen to him, Magnifico thirsts for revenge and thinks he deserves to get the world that he and Amaya were denied from. So he would step on other people to get his way.

Another thing about him, is that the moment Magnifico discovered Wishing Stars exist, he genuinely thought they ignored his pleas for help and downright hates it. He unleashes that frustration onto Star and his whole kind.

Frustrations like how people only really care about you for your potential and the things you can offer. Mag had a belief that King Oliver had only took him in just so that he would have an heir for the throne, but didn’t actually loved or cared for him like a son. (Which wasn’t true.) So Magnifico projected that onto Star for the past decade he was caged, stating that:

“You know people only value you for what you could offer…. In your case, it’s your ability to grant wishes. For mine, it’s being a sorcerer AND an heir... But without all that..Well, you can really only imagine…”

So guess where Star’s insecurities came from:

RFTS!Magnifico is going to be an interesting villain, that’s for sure.

……..

3. Asha’s Wish

Asha, before and through the story, has a little habit she does every night before going to sleep. She whispers to the sky her wishes and desires and some of her concerns.

It’s a little thing her father used to do with her before he passed away, and she holds onto it as a memory of him. Tomás used to say that if she does this every night, then she wakes up the next day feeling refreshed and start the morning new. Maybe, just maybe, the stars above would be listening and would try to help.

Present Asha now believes that all those stories were just fairytales but she still hung onto them dearly since it’s one of the remaining things left of her dad. She also has this one wish:

“For everything to go back to the way it was. When dad is still here and that I never drifted away from my 7 friends. To wake up and see that the incident was just a mere dream.”

Welp….I sure hope that one wish doesn’t come back to bite her in the arse anytime soon-

…….

4. The 7 Teens

Somehow, I found a way I could make each of them have a part to play. Each friend that Asha had gotten estranged from ever since the “incident with her dad,” share a bit about themselves and rekindle their relationship with Asha. These short plots would be scattered at certain times throughout the story as Asha and Star encounter them on their journey.

And at the same time, each teen presents a positive trait of theirs that shows a very cautious Star, how not all humans are terrible people. Each show an example of an admirable trait:

Safi - Selflessness and integrity. Helping others even if it inconveniences him (Allergies)

Simon - Protectiveness. He means well but it doesn’t always show up right.

Bazeema - Consideration and kindness for others. (Doing small things to make them comfortable)

Dahlia - Determination + Loyalty

Dario - Patience + Forgiveness (Especially since he’s hard of hearing)

Gabo - Justice and hatred towards prejudice (it’s why he’s grumpy)

Hal - Helpfulness and the happiness received from doing so

Asha - Empathy and Love for others

Basically, these group of friends revive Star’s wonder and slowly help him become more trusting and open. In Star’s eyes, it’s amazing how they do all these incredible things for others even without the need for magic!

Idk, I think all this would be a very sweet thing to brainstorm. Haven’t finished developing this idea yet but I’m loving it so far 💖

[faaun]

i feel conflicted abt my relationship...need advice etc . in tags . pls i need input sm

[arhvste]

KIYOOMI SAKUSA - INVESTED

➵ summary : sakusa is a pain when it comes to movie night but to yourself and atsumu’s surprise, hinata has a suggestion that might give you the reaction of interest you’ve been looking for from your blunt boyfriend

➵ genre : fluff and a bit of crack

➵ an : this is dedicated to the anon who sent me the ask about what sort of films sakusa would watch, i hope you see this and thank you for giving my little fried brain an idea >:)

➵ inspo : this ask

“No.”

“Sakusa.”

“Fine.”

It was Friday night which meant it was movie night for the two of you in your shared apartment. Most couples would opt to head out for Friday nights but your boyfriend had insisted that he take you out on weeknights as less people would be out and “Contaminating the air”. So you and Sakusa would have an actual date night every other Wednesday and Fridays were stay-in-nights for the two of you.

This worked out well as Sakusa had no training on a Friday night, finishing at 2pm and you always had Friday off work so both your schedules were clear for each other.

Every week, the two of you would alternate between whose turn it was to pick out a film for the two of you to watch. Sakusa was very particular about the genre’s he’d pick out and would tend to select films no longer than an hour and forty-five minutes maximum. His attention was something that had to be worked for and most of the films the two of you would watch just didn’t meet his requirements to win over his full focus. He’d either fall asleep or find himself silently watching you and seeing all your little reactions during the film seeing as you were able to give your attention to the films all the time.

This week it was your turn to pick and you’d thought over what film you were going to pick over the last few days. You had even gone as far as to ask Atsumu and Hinata what they thought you should pick for the two of you to watch this week seeing as you weren’t exactly spoiled for choice due to Sakusa’s specific preferences.

Atsumu was eager for the two of you to watch a horror insisting he had to know what Sakusa’s reaction would be. You revealed you had already watched a handful and Sakusa hadn’t flinched once but instead critiqued the film production and how “unrealistic” everything was. Atsumu replied he wasn’t surprised over the latter’s lack of response to such films but Hinata suggested a romance film. To this, both you and Atsumu cackled, deeming the idea ridiculous. As if Sakusa would sit down and enjoy a romance film, you had to laugh at the thought.

Hinata didn’t laugh though. He insisted that Sakusa might even enjoy it and anyway, you didn’t have much choice on what to pick anyways so it was worth a shot surely. You agreed but told both boys no promises as to whether you’d get much of a reaction out of him when they asked you to let them know how it played out.

The look of distaste was clear on your boyfriend's face when you selected ‘Titanic’ for the two of you to watch. You turned and raised an eyebrow at his expression.

“Why would you want to watch this? It’s not historically accurate.”

“It’s a film love, of course it’s not going to be one hundred percent historically accurate.” You rolled your eyes and pressed down on the play button despite Sakusa’s resentment.

“I’ll watch but I won’t enjoy it.” He huffed as he sank into the couch letting you cuddle up to his chest as the film started to play.

“We’ll see.” you hummed quietly as the screen darkened.

Sakusa scoffed as the two of you settled down as the starting scene opened.

The film hadn’t even been playing for five minutes when Sakusa decided you were more interesting to watch. He observed the ways your eyes followed Leonardo Di Caprio across the screen. A small smile tugged at your lips as the american actor played his role of the protagonist, Jack, who Sakusa was going to later sympathise with; he just didn’t know it yet.

He could put up with this for the sake of you and he managed to tear his eyes away from you and observe for himself just what it was about this Leonardo guy that had you so captivated that you were able to ignore the ‘boring plot’.

-

“Isn’t he just amazing?” You sighed as you watched Jack and Rose position themself in the iconic Titanic pose on the rail of the boat.

Sakusa grunted.

He half heard you but he found himself somewhat invested in the protagonist's romance. He’d already mentally labelled Rose’s mother a ‘cow’ and Cal, Rose’s finance, ‘an arrogant dick’.

You glanced at your boyfriend due to his lack of response and a small smirk graced your face. He looked genuinely interested. Maybe Hinata was right about Sakusa falling into the trap of investment romance films always seemed to lay out for their viewers. You turned back to the screen to focus on the film yourself but the satisfaction never left your system.

-

It was 11:46PM and the two of you had just finished the film. Small dried tear stains remained on your cheeks as you sat up from Sakusa. The two of you hadn’t spoken for the majority of the film but allowed yourselves to watch the whole thing play out, both of your attention completely held by the screen.

You yawned and rubbed your eyes and tried to rub at the tear stains in the process. You mentally cursed and prayed Sakusa wouldn’t be too upset about your tears potentially dampening his shirt but when you turned to look at him, to your surprise you weren’t met with an agitated face but rather a confused and slightly bothered one.

“Baby… you okay?” You spoke softly as your hand stroked his bicep.

“Y/N, forgive me if I’m wrong and completely missed the point of something but tell me,”

“Tell you what?” you nodded for him to continue.

“Rose was a bitch for leaving Jack wasn’t she.”

“Huh?”

His blunt tone of voice caught you off guard as you tried to hold back your laughter. Sakusa had a completely serious look in his eyes as you tried to contain your amusement at his conclusion of the film.

“There was clearly enough room on the door as she didn’t even try to grab him. Did she really even love him? I would’ve left her raggedy ass behind and swam if she even dared try to act like she was helping me the way she was only half heartedly ‘helping’ Jack.”

At this point you couldn’t hold back any longer as your laugh echoed through the walls of the apartment.

“Sorry? This wasn’t a comedy Y/N, I don’t find murder very funny and I’m concerned that you do.”

“Murder? Sakusa! Hypothermia killed Jack and so many others it was an accident, Rose didn’t murder Jack it was a tough sitauion!” Your laughing had calmed down but a wide smile was still spread across your face as Sakusa tried to understand why you had a lack of anger towards Rose for her ‘betrayal’.

“Whatever, like I said it’s not historically accurate. She’s still a bitch for that though, I don’t sympathise with her at all.”

You stood up and shook your head as Sakusa took your hand and led you back to your bedroom to get into your warm sheets.

“Well I suppose you’re kinda right, there did look like there was enough room but I don't know, it’s a situation they were panicking in so I understand her too.”

The wing spiker grunted and pulled back your sheets letting you climb in first before joining you. You pulled yourself close to Sakusa as curled up beside him, one arm slung over his body. If it were anyone else, Sakusa would’ve gagged and moved to a different bed by now. You were privileged to be able to be close to him like this and Sakusa would never admit out loud just how much he looked forward to going to bed with you cuddled up close to him. It gave him a short while to forget about his germophobia before he’d have to wake up the next morning and leave the apartment for training.

“Goodnight Y/N, I love you and… maybe those films aren’t so bad.”

He pressed a soft kiss to your forehead before letting his head sink in the pillows.

“Mhm, I knew you’d like it...I love you.”

The affirmations of love spoken and now the two of you could fall asleep peacefully as you always would. You’d have to thank Hinata later on and tell him and Atsumu all about Sakusa’s interest in the dialogue but for now, being cuddled up with your Titanic enthusiast was your priority till morning.

-

“Hey.”

“Huh? Sakusa? It’s like 3AM? What’s wrong?”

“Nothing it’s just… you’d share your door with me right?”

“...Yes, I’d share my door with you.”

“Promise you’d actually try and grab for me too?”

“I promise.”

“Good, just checking. Night, love you.”

“I love you too Sakusa.”

general taglist → @atsumuwoah @bloody-bella @bbymilkbread @miracleboy420 @doggonudez @atsunakaashi @peteunderoos @saturnfarie @toffees-main @zumisace @boosyboo9206 @totorosleaff @27kei

ALL CONTENT BELONGS TO @KUROOSKULT ON TUMBLR 2020 PLEASE DO NOT REPOST, CHANGE OR PLAGIARISE

[vaalthus]

Remthalas Theory/Sort of Analysis: The All-Seeing Idiot God, The Dreaming Chaos, The Path of Omniscience. Oh and like potential Lore Spoilers maybe.

With the conclusion of the Reckoning War, and having bared witnessed to Remthalas’ actions, I believe we have a better idea of what our aquatic Dreamfarer desires and intends not only for themselves but for the inhabitants of Lore as well.

We already know that Remthalas believes that the only way to achieve freedom, to dream, is to not be shackled. To not live out the dreams or whims of others. Unfortunately, this boils down to the lesson Remthalas got out of the idea is that people should not tie themselves down by basic laws or morals people tend to follow. Otherwise, the endless possibilities provided by true freedom are not possible.

This a concept that he has clearly taken to his very core given how angrily or impulsively he’ll react should he feel someone is ordering him around or someone else shirking their freedom in his point of view as demonstrated when he rebuked Notha twice for commanding him and when he killed Mr. Nameless/Twinkles.

So that’s it then, right? Remthalas is just an anarchist drunk on freedom? Wanting all of Lore to break their shackles and live out their own dreams never minding once of those around them, right? Well yes, but there is I think a bit more going on here.

I found a few things concerning about Remthalas in our fight with either Notha or Uaanta. One, is that he found the Avatars more interesting in their reduced orb state. Secondly, he didn’t appear to want to destroy them. Thirdly, is that regardless of who we chose to side with, Rem finds us interesting either way. Fourth, and most concerning is that he only found Uaanta truly fascinating if she merged with the Avatars. Lastly, and most revealing was his desire to see all the events unfold regardless of what the outcome was and then simply bounce when a conclusion was reached.

The reason why I find him being able to see Uaanta as a truly fascinating player in this conflict is to be some cause for concern is that being ‘interesting’ to Remthalas seems to, at first, amount to being someone that can bring about his idea of freedom, freedom from the balance the Avatars imposed. Characters like the Hero and I imagine Notha when he first met her and was introduced to her ideology. However, if this is the case, why find Uaanta interesting? She after all plans to shepherd away the very entities responsible for the very concept that resulted in his abandonment and have shackled so many others and their dreams. Why find someone who still intends to be devoted to the Avatars to be a person of interest then? Are they not still choosing to wear their shackles? To ignore their own dreams in the favor of the dreams of others.

 The answer I think is simple. In the end, it was just less about Remthalas serving his ultimate plan and Remthalas wanting a show. Remthalas has always long been aware of our capacity to come out on top over our opponents, including his own fellow members. Why would he suspect there was any possibility we would lose to our dear friend or even Notha? He didn’t because he knew we would win, but how can he enjoy the play if all the actors aren’t putting in effort for their roles. After all, are you satisfied by the just the ending of a movie or the passionate performances that it took to get there?

You see I believe Remthalas revealed what he plans for us and Lore all the way back when we first met in the Ex Somniis Fabula or The Story of Dreams quest. In his introduction, Remthalas posits the question of whether he’d be able to alter reality if the entities only referred to as “They” dreamed instead of just slumbering. With quite the determined, if not a bit demented, expression on his face I might add. There’s also one other feature to this and it’s the fact that Remthalas points out that we’re in his dream, or perhaps more accurately his dream space, and that it’s basically just a blank white box. (There are also the blue glowing circles on his robes that could symbolize having multiple eyes to see which are only visible when he’s in his dream form, but it could also just represent Kathool’s eyes so who knows) This is ultimately his domain and by the looks of it he can bring anyone into it and determine what is experienced within this tiny space. What the viewer sees could amount to anything but what they ultimately stand is just the box, the blank canvas. Here, Remthalas controls reality, what goes on in the ‘bigger picture’ so to speak. Here, Remthalas is as close to a god as anyone else that can control their own dreams.

 What I’m getting at here is that Remthalas doesn’t just want freedom he wants to see possibilities and the process it takes to getting to an outcome. What he wants is to dream and for everyone else to be the actors in his never-ending play of entertainment. To see the big picture change from one point to the other. These are details that I think were touched on when he mentioned that he enjoyed the dreams of children because of their ability to imagine possibilities to fill in gaps left behind by a world they are still very new to. Or when he appeared genuinely disheartened at the idea that he was not at rest. Or when he finds dreams to be not interesting enough when pointing out that Voyna can only ever dream of dragons due to her trauma with them. Or even when we fought him in the dream to save Sally and he noted that our dream was “Fierce, but one dimensional” Or the rather basic nature, in comparison to whatever else he wanted to show us, of Notha’s backstory and memories.

 What he wants is for Lore to be his dream. To fit all of existence in that little box of his and to watch things go wild. Which is why I called him ‘Idiot God’ because if true then Remthalas is basically trying to become Azathoth, the Blind-Idiot God from the Lovecraftian Mythos who created the entire universe in that series by simply dreaming, and who will kill it if he ever wakes up. A character/concept I still believe was being referenced when Remthalas asked what would happen if “they” woke up and questioned if the world would stop existing if “they” did. However, unlike Azathoth, Remthalas intends to be aware of all that happens when he finally dreams.

Azathoth is not the only eldritch god that Rem appears to share similarities with and to be honest it the one that makes him perhaps the most untrustworthy. The god I’m referring to of course is Nyarlathotep: The Crawling Chaos, The Dweller in Darkness, The Haunter of the Dark. These are just a few titles of Nyarlathotep, but I believe they would fit Remthalas for the similarities they share with the Outer God. For one thing is how both Remthalas and Nyarlathotep communicate through dreams to any of their unaware victims and pass on information that might shatter their world view. Furthermore, much like Nyarlathotep, Remthalas seems take more enjoyment in the dreams of others being messed with in a way that is typically nightmarish in nature. The most important similarity here of course is that both entities are more driven by spreading chaos and madness through people as opposed to their utter annihilation like other eldritch gods such as Cthulu. The reason for this is because in the case of both characters, I believe in Rem’s case anyway, their enemies isn’t so much other people but rather boredom, in addition to their own stagnation.

An interesting contrast I just thought about between them however is how Nyarlathotep and Remthalas spread chaos. As mentioned, Nyarlathotep does so through dreams by revealing, in typical Lovecraftian cosmic horror fashion, how utterly pointless the lives of his victims are in the face of the sheer overwhelming forces at play in the infinite and unknown universe and how they should just succumb to madness and/or become one of his followers, to amuse himself. Remthalas kind of does something similar when he suggests that morals and the lives people are currently living don’t hold much weight in the face of the grander schemes and roles of the Avatars. 

However, unlike Nyarla, Remthalas would do this so that others cast off their rules, still to amuse himself with the chaos that would thrive from that but in his view, they’d be getting something out of it. A sort of “You and everything you’ve known don’t matter so succumb to despair and madness and entertain me” vs “You and everything you’ve known don’t really matter so do what you want and entertain me” Chaos vs Chaos but different philosophies on how to get it.

The connections that can be drawn to other well known eldritch entities does make me wonder if when we see Remthalas next he might be trying to elevate his power on the material plane to that of the Primordials (Kathool, Uthuluc (probably not Uthuluc out of all of them to be honest), The Witness, Sciuridaehotep, the latter of which is just a Nyarlathotep reference) or is somehow going to get them involved in some way when his plans really start to get under way. If he does somehow involve Kathool in what he intends to pull off I imagine we might see Aquella again given that she’s supposed to overwatch his bedtime and I think it would fit to have a water take on another that was devoted to Kathool. I’d suspect she, or potentially another water elf, could reveal more of in-depth info on Remthalas’ servitude to the Avatars and later Kathool.

This brings us to the question of course of how exactly Rem plans to pull this all off. Obviously, we fit into those plans. However, with what just happened with the Avatars now being out of the picture and Myalos also being out of commission, what’s the next step? Where does he take us from there? The answer goes back to those “They” entities being referenced. Remthalas has brought them up, but he wasn’t the only one I believe. Celeritas mentioned them once when Sinnoncence made his move. I believe, I’m certain, that our dear Big Daddy named dropped them for us a long time ago. 

The one and only Aequilibria, the true gods of existence who are said to be slumbering even now. How Remthalas intends on exerting power over these beings is unknowable, but it would appear the best time to do so before they awake once more.

Which brings us to the Hero and the interest Rem has taken in them. It is clear the main reason that Remthalas has taken an interest in us is because of how capable we were in comparison to Uaanta at the time he was scouting us both out. We are an invested tool…and yet. I cannot help but wonder if Remthalas continued engrossment of us isn’t just because he knows we’ll be useful to his plans but also because Remthalas is straight up looking for a plus one when his plan would be theoretically completed. He did offer us to see where the currents of existence could take us.

  After all, why look at and enjoy multiple paintings in a vacuum or go to the movies by yourself when you can have someone watch it all with you. Then again, as I mentioned earlier, he could simply be viewing us as just another tool to pull off his plans and that is join the others later once everything falls in place

All of what I stated is more speculation than anything but if any of it’s true then we are in for a ride.

[imthepunchlord]

My vote goes towards Scarabella and Boombay as well as Ninette and Kagalya. For the hero setup, I like the idea of Alya being the one on the receiving end of canon’s “lessons” and Tikki’s means of calling her out since, as you said, she’s the one who needs it the most out of the two, and I’d really just like to see her get a building reality check on what being a forefront hero really means and how to truly value what others’ opinions are from the get-go, since it would definitely take longer with Plagg and the Cat Miraculous. And her plans in battle not always working perfectly would show her that she’s not always right quicker with public consequences, while her already-present aggressiveness is still needed for battle in a situation where taking your time building it up isn’t really desirable given the current magical terrorist situation. On Nino’s end, having the Cat gives him the space to actually grow in aggressive combat since he’s not at the forefront, and I’d argue that having a more careful and protective use of Cataclysm at first would actually be a good thing, especially seeing how callously it gets used in canon in various degrees. And I like the idea of him and Plagg butting heads sometimes, especially since the relationship would still be amicable in the end and bring out more of Nino’s responsible and active tendencies to push back against Plagg’s antics. Concerning Kagalya and Ninette, I would love to see these rare pairs being written cohesively in a drawn out story, the former for multiple missed opportunities of those two interacting in any meaningful way in canon and the multiple ways their strong personalities can play off of each other, and the latter because we never actually got to see Nino’s crush explored in favor of the LS or DjWifi, and it would be interesting to see how their canon personalities would play off of each other in an official relationship. And speaking of DjWifi, while I definitely trust that you would be able to make it work without making either of them OOC, the canon tendency of Alya driving the whole relationship, for better or worse, Nino’s moments of going off and doing his own thing or jumping to conclusions behind her back/without consulting her, and the whole premise that whoever holds the Ladybug and the Cat Miraculous always end up together romantically have really just created an admittedly bitter taste in my mouth for them being a couple, ESPECIALLY in a universe where they have the Ladybug and Cat, and I’d rather see a genuine friendship and partnership form between them on both sides of the mask.

Thank you for the input!

For the last bit with DJWifi, I can totally relate. In terms of characterization they seem to get worse. Nino sadly became even less of a character and Alya's whole world seemed to be Nino and getting Adrienette to happen. She was barely even pursuing LB anymore (which made Anansi feel late as she wasn't doing this as often).

I will say, I have slight bias against them, but even s1 days, I wasn't relaly for them and Animan didn't help in that manor as they felt just shoved together with no proper development or growth. I think I could've been won over but not with how canon went about it. I'll admit I've always leaned more for Alya with another girl than a guy in truth.

And yeah, these days, the idea of LB and Cat always being a romantic soulmate pair, given the situation these days, it can easily leave a sour taste in one's mouth. I'm also joining the idea of soulmates being made not something that's set upon birth.

Soulmates can become official with work and dedication, and I like the idea that there's potential for soulmates in others than just one specific person. And I'd love to explore platonic soulmates as nonromantic relationships are just as important. Sadly they don't get as much attention as they should.

Either way! Thank you for your input!

[aboveallarescuer]

Btw, I wonder if you ever thought about the Jaime/Cersei and Dany/Daario relationships paralleling eachother? I never see people talking about it but some of their quotes and scenes seem intentionally similar to me. + For example, how Daario and Jaime's (yes, Jaime Lannister is a toxic romantic partner, the fandom can stay mad) reaction to their respective marriage proposals are heavily linked with posession (more so than love).

First of all, Anon, I'm assuming you're the same person who sent me two asks, this one and another about Tyrion. Re: the latter ask, I basically agree with your comments and have nothing substantial to add, so I'm going to focus on answering this one.

So, yes, I had thought about similarities between Dany/Daario and Cersei/Jaime before, but I'm glad you sent me this ask because you made me think of more parallels and antiparallels. They are certainly worth discussing because they highlight different aspects of Dany's and Cersei's characters and make it clear, once again, that they are meant to be foils.

(I'm not going to add book quotes here because I'm tired, sorry... But you can ask for evidence in another ask if you find anything I say questionable)

Daario and Jaime are both hot-headed, arrogant warriors presented as alternatives to the husbands of the two queens (Hizdahr, Robert).

Both Dany and Cersei love these men instead of their husbands.

Both Daario and Jaime react angrily when they find out that Dany and Cersei are going to marry.

Both Daario and Jaime ask the queens to leave their husbands and to be with them instead, but they both deny their requests.

Both Daario and Jaime offer to kill their queens' husbands for them. Both Dany and Cersei imagine the two men following through with their threats at some point.

Dany ends her affair with Daario after she takes Hizdahr as her consort. Cersei doesn't end her affair with Jaime after marrying Robert (and she did nothing wrong in this particular situation).

Neither Dany nor Cersei hides their affairs well (though it's worth noting that Cersei is being more reckless in doing so because she was queen consort and her power derived from Robert, while Dany was queen regnant and, therefore, had power in her own right. Indeed, Dany taking Daario as her lover is compared to Lewyn Martell, a man, taking a paramour in Dorne. That certainly isn't how the Faith views Cersei's affair with Jaime. Also, as I said above, Dany's affair lasted while she was unmarried, while Cersei's happened while she was married).

Dany thinks she'll never have a child with Hizdahr because she believes she's infertile. Cersei thought she'd never have a child with Robert back when he was alive because she always took measures to prevent that from ever happening (and she definitely did nothing wrong here).

Dany idealizes her relationship with Daario way more than Cersei idealizes hers with Jaime. For instance, Dany says to herself that she would give up her crown for Daario if he ever asked her to do so, but she doubts he ever would because she assumes he loves her solely because of her power. Cersei never considers giving up her crown for Jaime (to be fair, I don't think Dany would've done that for Daario either). In this particular case, I actually think that Rhaegar is Cersei's Daario, because it's with Rhaegar that Cersei dreamed and still dreams of marrying and having his children and living a blissful life together (though, even in that fantasy, Cersei would still want to be queen, while Dany thinks she'd be content living a normal life alongside the man she loves without any power or luxury in the house with the red door). Daario and Rhaegar (rather than Jaime) are the men who bring out Dany's and Cersei's romantic sides (which makes sense because Cersei idealized Rhaegar back when she was a young girl like Dany). Rhaegar is the one that got away for Cersei, and I imagine Dany will have similar feelings about Daario in the future.

At some point during their reigns, both Dany and Cersei send Daario and Jaime away, but for opposite reasons: Dany does so because Daario advised her to kill her subjects and she's appaled by the suggestion; Cersei does so because Jaime advised her to cooperate with her subjects and she assumes that that means he is disrespecting her authority (which he does sometimes, but not always).

It's harder for Dany to be apart from Daario than it is for Cersei to be apart from Jaime. Dany immediately regrets her decision to send him away and even goes as far as to think that, because she had an indirect role in Hazzea's death for allowing Drogon to roam freely, she is a monster just like Daario (seriously, how can anyone think that book!Dany is arrogant???). Meanwhile, Cersei only comes to regret her decision to send Jaime away after she needs his help, specifically after the Faith arrests her and she has no reliable option to choose to fight for her life in a trial by combat.

Both Dany and Cersei spend most of their storylines away from these men. (I could be wrong, but I don't think GRRM had Daario out of the picture because he was supposedly bored with him like I've seen some BNFs or 'neutrals' argue... I do think that was a choice specifically made to strengthen the parallels between Dany and Cersei).

Both Daario and Jaime feel jealous of Dany's and Cersei's relationships with other men throughout AFFC/ADWD.

Daario returns with the Stormcrows when Dany recalls him even though it would have been beneficial to betray her and turn to Yunkai's side, especially since he already knew that the Second Sons had done that. Jaime doesn't return when Cersei asks him to go back... You could even say that he switches sides, in a way, by deciding to prioritize Brienne's request instead. This is part of a larger pattern: while most of Dany's people (including Daario) remain loyal to her by the end, almost all of Cersei's allies abandon her. While it's said that Dany managed to keep everyone (former slaves and former masters) together, Cersei destroyed the Lannister-Tyrell alliance due to her poor decisions.

ADWD Daenerys X ends with Dany thinking about how Daario wouldn't mind seeing her in such a messy state like how she is by the end of the chapter. AFFC Cersei X ends with Cersei hoping against hope that Jaime will return and win her trial by combat. Both expect to be reunited with and to be saved by their lovers at the end of these chapters.

Dany doesn't trust Daario, but she doesn't close herself off from him either, which is why she has the support of the Stormcrows. Cersei says she lost her trust in Jaime, but then, by the end, she is in such a dire situation that she desperately decides to put all her hope in him and trust him way too much (to a degree that even Qyburn finds concerning since he lost his hand). This is part of a larger pattern: while Dany is wary of some people, she knows that she should still take risks and make alliances. This attitude doesn't make her omniscient and she is not immune to making mistakes or to people (like Brown Ben) betraying her, sure. That being said, Dany still remains open-minded, cooperates with influential allies and makes a peace agreement that could have worked if the deal wasn't inherently false for prioritizing the privileges of the masters over the lives of the slaves and if her primary goal wasn't to protect the disenfranchised first and foremost. Meanwhile, Cersei thinks she should distrust everyone, which leads her to alienate potential allies that could have been useful and to be surrounded by people who claim to agree with her on everything, but who are neither experienced nor reliable. Then she creates plans that rely way too much on these very untrustworthy people, which is why they backfire: from the construction of the dromonds (which she relied on Aurane Waters, who turned his back on her) to the attempt on Bronn's life (which she relied on Balman Byrch, who turned his back on her) to the scheme to have Margaery and her cousins arrested (which she relied on Osney Kettleblack, who turned his back on her) to the decision to rearm the Faith Militant (which she relied on the High Sparrow, who turned his back on her) to her decision to trust that Jaime (who also turned his back on her) will return to fight for her life ... I'm sure there are more examples, but that's enough to illustrate my point. Cersei's thinking is too extreme, while Dany has a healthy distrust of others. As a result, Cersei makes hasty decisions and burns bridges unnecessarily, while Dany is able to make more carefully weighed decisions, as well as to create and maintain important alliances.

Finally, I think Dany and Daario's relationship is more positive than Cersei and Jaime's. Not only there's no verbal abuse or disrespect of sexual consent like how it happens with Cersei/Jaime, but Daario didn't switch sides to Yunkai, gave her good counsel (such as when he tells her to hold court and reminds her that her children need her) and genuinely cares about Dany, which we see from when he tells her not to get married time and again to when we contrast him with Osney. He is possessive and brags about sleeping with her on some occasions, yes, but I think it was @evilwomen who pointed out in one of our conversations that Dany doesn't feel bothered by any of that, which goes to show how much she loves him, since she's willing to forgive actions that would be considered insults for his sake.

So, once again, thanks for this ask, Anon, it encouraged me to think about connections that I hadn't considered before.

And you know, I said this before and will say it again... This is why I think Dany is the YMBQ... Not just because she clearly fits all the requirements, but because she and Cersei were way too carefully written to parallel and contrast each other (so much so that the author mentioned that in multiple interviews). You said you "never see people talking about" the parallels between Cersei/Jaime and Dany/Daario, but look at how much I managed to find off the top of my head (and I'm not even sure this is comprehensive, tbqh)??? Now imagine that happening to all of their casts of supporting characters and to all the political events and to pretty much every single aspect of their characterizations and storylines. Their parallels and antiparallels are really overwhelming, and it's why I decided to make gifs showing why they're foils.

[crossdressingdeath]

Seeing your post about how JYL has a 'ranking system' in her head when it comes to WWX and JC hits so hard, but honestly, the more I read into the Jiang family dynamics, the more I agree. JYL obviously loves WWX, but I don't know if she's capable of putting him above JC. And we see her defending him, and she obviously gives her life for him, but she was also reacting in the moment. Not to speak lightly of her sacrifice of course, but I just feel like there are certain limits to how 1/7

far she's actually willing to go for him. I was initially one of JYL's staunch defenders, and always said that, unlike JC, she didn't have the same amount of political power as him, wasn't in a position to do anything about the Wens, ect. But...I'm starting to question if that's really true. JYL may not have had much direct political power herself, but she was the sister of a sect leader, and even if JC was unwilling to help, JYL had just married into the richest and most powerful sect 2/7

at the time. It was a love marriage, JZX adored her and would've done anything for her if she'd just bothered to ask him for it. Madam Jin also cared for her and respected her, and between her and JZX, had JYL actually bothered to tell them anything, I'm sure they would have been able to sort something out. Or she could have had it as a condition of her marriage - I'm not marrying into the sect that's trying to kill my brother unless you tell your father to stop. Had it been reversed and 3/7

The Lans were calling for JYL and JC’s deaths, no way in hell WWX would’ve just married into the sect, regardless of LWJ’s involvement. Instead she just doesn’t really do anything. We see no proof that she ever tried to see WWX after the wedding dress incident, which — god I instantly saw it as a sweet gesture, but now it just bothers me, because your brother is living in squalor, and you decide to show if the expensive dress that you’ll be 4/7

wearing when marrying into the sect that's trying to kill him, you bring along one bowl of soup for him, and don't even try to explain WHY you're marrying into said sect. Beyond that, we don't see a single moment up until her death where JYL actually seems concerned about WWX, puts in effort to try to see him - she doesn't even ask him how he's doing the one time she does come to see him. When we compare that to how WQ treats WN, yeah, she's outwardly not as loving or sweet, but she 5/7

goes to the ends of the earth for her brother, even going as far as to betray her sect and risk WRH's wrath because he asks her to. And now we come back to that ranking system you mentioned before - yeah, it really does seem like JYL places her blood family first, which definitely hurts, but in comparison, despite only knowing him for a shorter amount of time, WQ truly grows to think of WWX as a second brother. And she treats him as such, at an equal level with WN - after JZX dies 6/7

WQ doesn't attack WWX for what happened. She doesn't try to come up with a way to sacrifice WWX instead and let WN survive in his stead. She and WN, two people who have become WWX's family, both give their lives to protect both him and the rest of their remaining family members. And it's just frustrating to think that the one member of WWX's adopted family who we all thought treated him like an actual brother, might not have really been on his side after all. 7/7

Yes! To start with the wedding dress thing, because it drives me nuts when people treat that like some super sweet act of love: JYL shows up in the Burial Mounds with no money, no sign of having tried to talk the sects around, no news outside of her own, no food beyond a couple bowls of soup (one of which she gives to the guy who can’t eat), and doesn’t so much as ask WWX if he’s okay. She literally came all that way to have a family meal, ask WWX to name the future nephew it’s becoming increasingly clear he’ll never meet, and tell him about her impending marriage into the family that’s currently doing everything in its power to destroy WWX’s life. Like, if you think about it that entire visit is such a slap in the face; “Here’s a bowl of soup while the people under your protection are starving, oh by the way I’m going to marry the son of the guy actively trying to get you killed, okay bye”. All you can say in regards to her helping WWX is that she does potentially manage to persuade JZX to invite him to JL’s one month celebration, but if memory serves the novel never actually specifies whose idea that was and it was JZX who decided to go get WWX after JGY told him about seeing JZXun heading in the direction of the Burial Mounds. And even then JZX does the same thing JYL does; sees WWX outnumbered and surrounded and tells him to stand down. At least in JZX’s case you could argue that the actual fighting hadn’t broken out and JZX probably trusted in his authority to be able to sort the situation out so long as WWX wasn’t actually acting aggressive (or defensive, rather), and he’s also physically strong enough that he may well have been able to intervene if the cultivators had attacked. JYL, when she does the same thing, has no authority and no physical power to defend WWX with. And yeah, both JZX and Madam Jin adore JYL, and neither of them seem super fond of JGS (JZX respects his father, but I don’t get the sense he loves him); if JYL had asked them for help it’s entirely possible they would’ve started at least circulating her version of events and demanding a proper investigation into what happened. But there’s no mention of her so much as trying, and she doesn’t offer to ask them when she visits WWX.

And yeah, compare WQ to JYL and it’s... well. WQ is so quick to offer WWX her love and care? She’s harsh, but she loves him and views him and WN on such equal footing that she and WN willingly hand themselves over to the Jins for WWX’s sake without her so much as bringing up the possibility of saving WN instead. There’s no ranking for WQ; WWX and WN are her brothers, and she loves them, and she’d do anything to protect them. When it becomes clear she can’t save WN (like hell the sects would let him live, and by this point it’s pretty clear that WWX won’t be able to protect them forever) she throws her whole weight behind defending the brother she thinks she might still be able to save, even if it means bringing WN with her to die. WQ knows WWX for... a year or two? Maybe? The timeline is a little hazy. Not long compared to JYL, anyway. And yet she’s willing to walk all the way to Lanling to die in the hope of saving him. It’s for her whole family, yes, but she makes a point of including him. Basically, I think this fandom needs more stuff wherein the Jiangs and Wens survive and the Wens are fully like “Our brother now, you don’t deserve him”.

The thing with JYL is... she loves WWX, she genuinely does, but he is never going to be first for her. To the point where she outright enables JC’s abuse, in places; she always expects WWX to be the one to grin and bear it. Hell, one of their first conversations involves JYL cheerily allowing WWX to cover up JC locking him out of his bedroom and scaring him out into the woods by threatening to set dogs on him! Let me rephrase that: she allows a traumatized nine-year-old to hide the fact that the kid her dad expects him to share a room with locked him out of said room on his FIRST NIGHT and threatened him with his LITERALLY WORST FEAR, and as far as we know makes no attempt to tell JFM herself. To keep JC out of trouble. That is such a thing! WWX was scared to the point of running away and JFM expects him to share a room with the person responsible for that and JYL goes along with him promising not to tell JFM so that JC won’t get in trouble! And from that day forwards everything is just “Boys will be boys” to her. Like, let me put it this way. Before LWJ (and arguably the Wens before that, although WWX saw himself more as protector than protected there) JYL was the person WWX trusted to protect and care for and comfort him above all others, yeah? She’s the one he thinks of as having his back? He doesn’t tell her about JC trying to kill him. JC tries to kill WWX three times before JYL’s death, and WWX doesn’t say a word to her about any of them. You could argue that he doesn’t want to involve her, but... JYL pretty clearly takes JC’s side every time JC starts having a go at WWX. When he chases him out of their room, when he starts snapping about how annoying WWX is, when he stabs WWX... She never outright says it, but there really does come a point where by staying neutral you’re siding with the aggressor, and she reaches that point a lot. Hell, the stabbing is one of those aforementioned near-murders! JC stabbed him! According to WWX (who downplays serious injuries, he never exaggerates them) he had to hold his guts in! WWX is talking about a pretty fucking serious injury (and JYL grew up in a cultivation sect, I don’t believe for a second she doesn’t at least know what constitutes a serious injury) while JC whines about a broken arm like it’s worse than having to physically hold your guts in until you can reach a doctor and JYL acts like those are equal! JC could easily have killed WWX and has enough training with the sword to know better than to go for a blow like that in a staged fight and JYL doesn’t even suggest he should apologise.

Honestly? The more I think about JYL the more it pisses me off that she’s treated like WWX’s best sister more than WQ is. Imagine WQ seeing one brother stab the other in the gut and take the former’s side because the latter broke the former’s arm. Imagine WQ so much as considering allowing a child to cover up the kid he’s supposed to share a room with locking him out and scaring him into running away. She wouldn’t! Because WQ sees her brothers as equals. She won’t pick WN over WWX just because they’re blood siblings; she loves them both, and will choose based on who she thinks is in the right. And she wouldn’t just stay neutral to avoid rocking the boat, oh no. If WQ heard WWX say that WN stabbed him and did enough damage that he had to hold his guts in... oh boy would WN have a bad day. The thing with JYL is that she seems like a good sister in comparison to the rest of the Jiangs; stick canon JYL into a family that genuinely loves WWX and sees him as equal to their other children, and she would not look anywhere near as good.

[haberdashing]

The Archivists

Elsewhere University’s Archivist meets The Magnus Archives’ Archivist.

on AO3

The Archivist was inside their office, the door cracked open, when they heard nearby footsteps and rushed outside to take a closer look.

The man prowling the Library’s stacks was not from here, that much was evident from his wide eyes and the confusion crested upon his brow. If the Archivist had to choose one word to describe the man, it would be dark. Dark hair, dark clothes, dark eyes with dark bags underneath them, dark skin covered in dark scars. So unlike the Archivist, whose form (such as it was) was translucent to the eye, light and color refusing to cling to them any more than was needed to provide a bare outline of themself.

The Archivist didn’t concern themself with the man at first, though they did watch his meandering out of idle curiosity. That sort of thing was better left to the Pages, after all. One of their number would find him in time, they were sure of it.

But before that could happen, before the man was no longer visible in the library stacks that stretched and stretched and stretched, the Archivist heard a high, cheery voice call out “Archivist!”

The Archivist, naturally, turned their head to follow the sound, in order to spy who was calling them, who wanted their attention and perhaps their assistance.

They were a little surprised to find that the strange man wandering the Library turned his head to do the same, their movements nearly synchronized as the both of them looked over at the new visitor.

The Archivist recognized the speaker before long as she approached. It wasn’t the first time Timber had come to the Archivist, likely with another trinket to trade away--and sure enough, as Timber grew closer, the Archivist could see that her hands were cupped, that she must be hiding something within them. The Archivist wasn’t sure where she got all of her little charms--some seemed handmade, but others were more likely the product of other trades with beings likely to be less benign than themself.

Not their business, though. They were there to be a resource, to trade and give to those in need and to tell stories of those who came before,  not to lecture those who either already knew or already should know the danger they were putting themselves in.

As Timber met the Archivist, she opened her cupped hands to reveal what looked to be a paper flower, well-made but otherwise unexceptional.

Of course, the Archivist knew well enough that looks can be deceiving.

“I come bearing a charm to trade you, Archivist!” Timber said.

The Archivist merely raised an eyebrow; that much seemed evident enough already, but some people do insist upon following their internal scripts just the same, and this wasn’t the first time that Timber had proven to be one of that ilk.

“It may appear to be a rose made of ordinary notebook paper, but its form is firm and unyielding as stone.” Timber demonstrated by poking and prodding the flower repeatedly in a way that would crinkle or rip ordinary paper, but left the paper flower unharmed. “And if you smell it-” Timber took a deep, theatrical breath in through her nose, then held the flower up so that the Archivist could do the same. “-it always smells of a filled cranberry bog just before harvest.”

The Archivist nodded, a thin smile appearing on their face. “A fascinating charm, though I fear whoever made it may earn the ire of the Courts for so commingling their blessings. I know just what to trade for this, one moment...”

A quick pop into and back out of their office, and the paper flower was safely stored away, with the Archivist holding out a thick red pen in exchange.

“For paper, a pen. The indigo ink of this pen flows of its own accord, and it will only ever write exactly what its current owner needs it to.” Timber eagerly extended their hands, and as the Archivist handed over the pen, they added, “Do note that need and want are often very different things indeed.”

“Of course, of course.” Timber said, though her tone wasn’t a terribly solemn one, and the Archivist was less than convinced that she had actually taken their warning to heart. “I do appreciate the trade, Archivist.”

“As do I.” The Archivist responded, adding a slight nod of the head as Timber bounced back towards the building’s entrance.

Truth be told, the Archivist had almost entirely forgotten about the strange visitor to the Library during the course of their exchange with Timber, and they were thus more than a bit startled when the man, who had apparently been standing in place watching them the entire time, asked, “What is this place?”

There was a certain urgency to his question, one that could be found not in its volume nor its tone but in something else entirely, something that made the Archivist’s speech rise up before they could think their words through.

“The Library of Elsewhere University, though further in than most students will ever wander.” And they recognized what had happened, knew the stranger’s trick for what it was at least broadly, so they added, a bit curtly, “And for what it’s worth, my tongue will flow freely enough without your assistance in the matter.”

“I’m sorry.” The man said. To his credit, he looked like he meant it, looked like he truly did regret invoking whatever magic that had been, the picture of contriteness. He also looked scared, though, scared of the Archivist of all things, like their meager semblance of a body was going to lash out at him any second, like a half-being like them could strike real physical harm.

“Apology accepted, no debt owed. And do be careful about handing out apologies so easily; some on these grounds would not dismiss a potential debt so easily.”

“...sure. Thank you.”

“I’d avoid thanking people as well if I were you. ‘Please’ is also a dicey one, for the record. But I suppose you’re not accustomed to the Rules, now, are you?”

“I don’t even know which rules you’re referring to... I’m not from around here.” The man let out a bitter laugh as he added, “Really not from around here, from what I can tell.”

“I gathered that much already; the Library does have a way of picking up strays from time to time.”

“Strays.” The man laughed again, shaking his head as he did so. “Interesting term for it.”

The Archivist shrugged noncommittally.

“So you’re an archivist, then?”

That strange, unnatural urgency from before wasn’t present this time around, and the Archivist hesitated before they answered, weighing their options carefully. They knew well enough that their title was growing perilously close to a Name as their time in the Library dragged on, but... but the man had already heard Timber refer to them as such, could put the pieces together easily enough even if they tried to skirt the question, and even if their title was nearly a Name at this point, it was unlikely that he would know how to do harm with it.

“I’m the Archivist, yes. That’s been my role here for some time now.”

“The Archivist?” The man shot the Archivist a weak smile. “Funny, people call me that too. And not-people, sometimes. It gets annoying, really, I do have a name-”

“Best keep that to yourself, then.”

“What?”

“Names are valuable property, here. Better not give them out to any who ask.”

The man nodded, starting to speak with a “tha-” before stopping himself and taking a breath before restarting. “Alright. I’ll keep that in mind.”

The Archivist looked at the man again. He’d said he, too, was called the Archivist? Well, they had received a few inquiries clearly intended for another with that title, heard a few stories not about them but about another who shares their role... and as they gazed upon this man, upon the scars that criss-crossed his skin, upon his eyes that shone with an unnatural gleam, the Archivist began to put together some of the pieces.

“Other Archivist.” The man met their gaze, then, and oh, there was fire in his eyes, a sign of something burning deep within. “I may have heard your story before. Or pieces of it, at any rate.”

“Oh?” The man raised an eyebrow. “Do tell.”

“You are the Archivist from across the multiverse and across the pond, the one who watches and is watched in turn, the one who Knows too much and yet too little. Is that right?”

The other Archivist let out a laugh as dark as the rest of him. “That does seem to sum things up pretty well. Though... do you always speak like you’re telling a riddle?”

His eyes lit up, and some of that unnatural urgency was back, but it went away with a glare and a curt “Often, yes.”

“I didn’t mean to, I’m s-”

The Archivist cut him off before he could make another unnecessary apology. “Words are valuable here, too. Loose lips sink ships, or so they say. One should be either very specific or very vague in speech, lest the wrong thing slip out, and many here, yours truly included, find the latter to be easier and safer than the former.”

“I... I think I understand. Sort of. Isn’t this-” He paused. “This place has a strange sense of logic, I suppose.”

The Archivist shot the man a tight smile. “Between your appearance in the Library and what I already knew of your story, I suspect that you might well be able to say the same about the place you call home.”

“You’re not wrong.” His laugh sounded a little less bitter this time, a little more genuine, but there was a hunger behind his eyes. “You already know the big picture of who I am, it seems. I- I would appreciate it if I could learn the same about you.”

The Archivist’s smile widened. He was learning.

“I was human, once, long ago, lifetimes ago. I was a sailor, back them, and I drowned upon the Unsea.”

The other Archivist silently mouthed the term “Unsea” shortly after the Archivist used the term. Not a familiar one, then? Not a huge surprise; the world of the other Archivist sounded like an unfamiliar one indeed, and it was only fitting that their world would be equally unfamiliar to him.

“Fog rolled in on the Sargasso Sea, and none of us knew what it presaged. Drowning on the Unsea was like drowning on a true sea, but also like nothing you can know. It was like nothing. I washed up on the Unsea’s shores, and I was preserved, such as I am now. But much was lost along the way. Much of myself was lost. I freed myself, I sought shelter within the Library, I became the Archivist of this place.” The Archivist paused for a moment before adding, “Such is my story, or at least the grand outline of it.”

A minute or two passed where the only sound to be heard was that of the man’s breathing, neither especially shallow nor especially heavy for a human, or one claiming to be so.

“You were human, you were drawn into something much bigger than you knew, and becoming Archivist was both a gain and a loss, a role to be played in a strange new world...” The man shot the Archivist a wry smile. “I think the two of us have more in common than merely our titles.”

The Archivist tilted their head to one side and pondered this for a long moment. “Perhaps.”

“Much as I appreciate meeting you, though, I really should be getting back. There are people that need me back home.” Another bitter laugh. “Or that need an Archivist, at least.”

“Go back the way you came, then. The Library is vast indeed, but searching enough will lead back to where you started. If you need more detailed instruction than that, I can try to hunt down a Page for you.”

“No, no, that should do just fine, th- I appreciate it.”

As the man turned to head back into the depths of the Library, he waved and called out behind him, “Goodbye, Archivist.”

The Archivist nodded, a smile on their face, as they echoed, “Goodbye, Archivist.”

[muthaz-rapapa]

HealPre Final Review: Not terrible but not entirely laudable either...

*sigh* Where do I start?

Well, one thing I’m pretty sure of is that COVID definitely affected production somehow. By that, I don’t just mean the show needing to go on hiatus, resulting in a shorter run compared to previous seasons. I’m also talking about any possible changes that might’ve been made to the original narrative, if there was one.

Much like how Suite’s story had to be altered in the wake of the 2011 Tohoku earthquake and tsunami disaster, I believe Heal underwent a similar treatment in response to the pandemic becoming more widespread as 2020 went on.

Especially since it dealt with health and nature, HealPre is probably the season that has come the closest in relevancy to real life events.

Frankly, that can be quite scary because this virus was and is still a fucking nightmare on a massive global scale. From that view, I can understand why the writers/producers would be concerned of the anime hitting too near home. At least for their main demographic’s (children) sake, maybe they were compelled to shift to something lighter and less edgier so that the kids could find some comfort and enjoyment in the midst of the world’s current crisis.

So I can’t fault Toei for that, if that’s really the case. Going through a pandemic is terrifying, infuriating and exhausting and UGH. We could use something that can help ease our worries or momentarily distract us even a little bit. 

Though would it have killed them to dedicate one episode to the importance of wearing a mask or washing hands? (-_- ;;)

HOWEVER! Seeing as I am not a fragile child, I’ve still got several (oho~) criticisms to air out before I put this season behind me. This review isn’t particularly scathing but...there is a lot of discontent so you’ve been forewarned.

But first, let’s tediously review what structure means in Precure.

We all know that there are certain things that will forever (?) remain fixed in the series formula.

The plot is always going to be “magical girls fight evil doers threatening to ruin the world”.

There are plot points to indicate story progression but in reality, are put there to correspond with toy releases which are usually marked by these five: introductions, first power up, midseason Cure, second power up, and build-up to the climax + finale.

There is usually a specific message (a theme) to be told with every season and motifs (narrative tools) to aid in getting that across. For HealPre, the theme is “living is fighting” and its motifs are “health” and “nature”.

I left out “animals” b/c 1) it didn’t hold as much significance as the other two did, 2) animals are part of nature anyway and 3) let’s be real, it’s just a synonym for “mascots” which we already get every year. :P

Right. I’m probably forgetting something but for the most part, these are immovable pillars of Precure.

Story, on the other hand, has more variables you can work with.

Story is how you tell the plot, how you convey the message.

Precure, as a tv series, is unarguably carried by its main stars, the Cures. So it only makes sense that a huge percentage of a season’s success owes itself to how much of an impact its characters had on the audience as well as how effective their individual story arcs were as sub-plots tying back to the bigger picture (the message/theme).

Ideally, these arcs would shine the brightest in the filler episodes, where the plot  (“good guys vs. bad guys”) is less of a focus so there is more space for personal development and growth.

Also, not all character arcs have to be directly related to the plot but they ought to be written well in order to support the overarching message (the theme).

Now, has HealPre done that? Has each girl’s story demonstrated a good example of what “living is fighting” means?

...nnnnnnyyeeee... look, even I can’t give a straightforward answer on that because while technically they did, by virtue of Nodoka’s observance in ep 44 recounting it as such, there’s also actually not enough to make it feel substantial from a viewer’s standpoint.

At least, that’s what I thought while watching HealPre.

With the exception of Nodoka’s, there was a lot of saying but not much doing to convincingly back the other girls’ arcs up. The fillers themselves were very weak, loosely composed in relation to the motifs and, if I may be so blunt, downright boring that if Nodoka didn’t phrase those episodes as things that counted towards the theme, I probably would put up more of a fight on disagreeing. so shoot me, I’m soft for her :P

And I know that sounds confusing right now but I will elaborate as I continue.

Before that though, to be utterly fair, some seasons keep their respective themes shrouded in vagueness until they’re given a more concrete form in words around the finale. So it’s not like we can do much except make educated guesses on what they really are. Most of the time, we’re just measuring everything against our perception of a standard in the fog. Or maybe that’s just me?

Nevertheless, you can just tell, y’know? By simply watching and observing the whole show, you can tell if the characterization, the development, and the outcome (essentially the content given) really live up to what the season claims is endgame.

So let’s go through that first then. The characters, starting with our lead Cure...

Nodoka being the only Cure in her team to have an arc deserving of the praise “exceptional” should come as a surprise to no one.

She was the most solid in terms of direction on how her story was going to proceed. Out of all the girls, her journey had the greatest connection to the subject “health”, repeatedly delved into it every time the spotlight was on her and fulfilled everything it seemed to promise from her debut in episode 1.

Her struggles on the road to recovery from a long-term illness and the strength she’s drawn from that traumatizing experience as well as her time as Precure did more than establish her as the strongest character in HealPre.

She has also rose to become one of the most memorable Pink Cures in the entire franchise (personally, I rank her in the top 5).

And it’s not hard to see why she’s earned such high regard in a lot of fans’ hearts.

The writers clearly worked a lot on her character composition to the point where she can pretty much embody the theme of “living is fighting” all on her own.

She came into HealPre fresh out of the hospital and full of earnest desire to make the most of her newfound freedom but she also wasn’t without knowledge on what hardship is. From there, she only got stronger, even when she was stumbling and trying to figure things out along the way. She grew more fortified in her beliefs on what it means to be truly live a healthy life.

She bravely defied the ones who attempted to take advantage of her and twist her cause against her. And she learned that taking care of herself is equally as important as wanting others to be safe from harm.

It was never about winning or coming out on top. It was about protecting a fundamental yet precious truth. That one thing any decent human being should never have to concede: the right to live well.

Honestly, Nodoka is absolutely inspiring all around, as a fictional character, a heroine and a normal everyday person.

Everything about her arc went satisfyingly right like it was meant to and the best thing is, we don’t need to question it because we saw how it all happened with our very own eyes.

I sincerely wished I could say the same for the others but sadly, they were just too flawed.

And Pegitan can throw flippers with me all day if he wants but as undeniable as the above statements are about Chiyu, her arc failed to leap over the increasingly mounting disappointment I had with every episode that’s been assigned solely to her.

Two of which weren’t even about Chiyu. One centered on Pegitan’s admiration for his partner and the other focused on her brother, Touji. Which, while nice to give to supporting/secondary characters, is a fat waste of valuable screentime and not what I’m here for.

It also didn’t help that the conflict of her arc (the indecision over choosing between two dreams) started really late in the game and was resolved so quickly within two episodes. There was no time for me to get invested into it, there was no powerful sense of conviction like how Go!Pri or Hugtto handled theirs and really, it just felt like Chiyu was only following what the script dictated for her rather than genuinely awakening to her own competitive passion towards track and field.

It was almost like it didn’t matter. Almost as if the writers procrastinated in thinking up something worthwhile to further her development...but then settled on grabbing an old idea off the shelf without refining it to suit Chiyu when they ran out of time.

This happened similarly with Minami in Go!Pri and Elena in StarPre, both of whom left me angry at how their arcs were executed. Yet theirs don’t compare to how pissed off I am about Chiyu’s. Because while Minami’s took a while to arrive, it wasn’t done poorly and linked back to Go!Pri’s theme well enough. And while Elena’s was over crammed last minute, at least it was unique to her character and had lots of potential ways to play out if they actually started it earlier on in StarPre.

Chiyu’s arc is like a discount version of the former with hardly any of the intriguing qualities of the latter. Sure, she had two early episodes that laid out the two most important aspects of her life (her family inn and her dedication to her sport) but after that, they weren’t brought up again until we were only weeks away from the ending. Y’know, just to fill up episode slots and meet the minimal requirement of saying they did give Chiyu some issue to resolve. 

It was not engaging at all.

Furthermore, the fact that her arc had very little to no relation with either “health” or “nature” hurt my appreciation of her character somewhat. I just...don’t think her kind of story really matches with the central topics of HealPre?

...but maybe I’m being bitter about this all wrong and that’s screwing up my rational thinking on this matter.

Because Chiyu’s arc is valid under the logic of the overall theme, I would never say it isn’t. And again, character arcs don’t have to be close to the plot nor is it necessary to employ the “suffering builds character” method to make them interesting.

Chiyu always does her best every day. That’s sufficient argument on why her story does fit within the frame of HealPre’s premise.

Guess I’ll just have to wrangle my resistance into acceptance somehow.

...still, her arc could’ve been done so much better than what we were given. Chiyu at least deserved that much.

Next, Hinata.

Since the beginning, I knew she was gonna be runner-up to Nodoka for having the (for lack of better term atm) “best” arc because it was heavily implied that she has ADHD and therefore, immediately checked off the “health” trait. She was even more obvious about it than Nozomi was.

Difficulty paying attention, hyperactivity, impulsiveness. Hinata didn’t just display all those signs, she also showed how hard it was for her to deal with the downsides to them on a regular basis.

She kept apologizing and put herself down excessively for inconveniencing her friends even though they never blamed her for her condition. Got them annoyed a few times, yes, but didn’t stop them from staying friends with her and definitely didn’t make them hate her either.

Everybody was understanding of Hinata...except Hinata because she always took her failures to heart and considered quitting several times to avoid the crushing dejection of making mistakes over and over again.

She got better, though, and no one could have summed it up more heartwarmingly than Nyatoran with the encouraging words he gave her at the conclusion of her arc. 

But it still feels like there’s a huge chunk of development missing between the start and finish. Or rather, it seemed like all of it occurred offscreen and we were only informed later that it did in fact, happen.

To recap, iirc, Hinata had around 5 episodes that focused on her (ep 9, 13, 23, 35 and 40). Ep 18 doesn’t count because that was a Nyatoran-centric filler more than anything.

Ep 9 and 13 did their jobs of introducing and highlighting the details of Hinata’s troubles while also suggesting she will eventually learn to overcome her insecurities. The ones after, though? They pushed those issues to the backseat.

In Ep 23, she had to share the (uneven) spotlight with Asumi. Hinata’s improvements were briefly mentioned but the majority of the ep went to teaching Asumi what “cute” meant and how to get along with puppies. I mean, I get that Asumi recently joined the group and bonding with her was mandatory by tradition. But since each Cure only gets a limited number of eps to herself, it would’ve been more beneficial for Hinata if she didn’t have to split screentime with someone else’s growth schedule.

Ep 35 is slightly better but not by a whole lot. Sure, Natasha was able to reconcile with Elizabeth which was very sweet and heck, it was the goal for that episode. But again, nothing was really done or addressed about Hinata’s main conflict. She tossed it back with the rest of her homework to deal with later. ahaha, a TroPre hint

Then ep 40 came to formally close the curtains on her story and apparently, Hinata screwed up lots of times since...whenever but she picked herself up every time after and kept on trying. Awesome. So WHY didn’t we get to see that? 

I’m not asking for the impossible here. I’m not asking for Hinata to be cured or anything miraculous like that. There is treatment available for ADHD but it is not curable.

Also, forcing Hinata to find a way to get better at studying, the thing she struggles with the most, is not the solution either because that would only make her more stressed and anxious over her own disorder.

What I want is to see how she moved from wailing “I can’t do it! I don’t wanna! I’m so scared of failing so why bother?!” to determinedly declaring “So what if I failed 1 or 100 times? So what if I fail another 1000 times? What matters is that I don’t let that stop me!”

That confidence is not something that can be built up overnight. It’s gradual and it takes numerous tries to reach from where Hinata was to where Hinata is now.

Telling me she grew emotionally stronger can only allow me to believe so much. I need to actually witness the changes as well.

If it weren’t for that, Hinata’s arc would have been a lot more impressive. Shame.

Finally............... Asumi.

Asumi, Asumi, Asumi, Asumi, Asumi, Asumi, Asumi... *sighs & drums fingers*

...she has no arc, ok? Seriously, what story is there to speak of, much less write a hefty analysis on?

A spirit born for the sake of Latte who just went along with the Precure ride because Latte didn’t want to abandon her duty. She made friends with those who aren’t Latte, extended her knowledge and understanding and gained valuable human experience during her stay on Earth. But ultimately, she will always define her entire existence around a puppy. 

Nothing is more important than this puppy.

...... to be honest, Asumi not having a storyline isn’t what bothers me. It’s her lack of depth that does.

Hell, even the giant burger she ate had more depth than she did!

Oh, Asumi does have a personality alright. She’s consistently and unfailingly polite, utterly devoted to her raison d’être and in crucial moments, gives pearls of wisdom when the girls are in a pinch. She’s good.

But if that’s all she is, then she’s also painfully dull.

She has nothing to contribute to the discussion of health or nature, despite being created through an element of the Earth so you’d think she’d have an opinion of her own. At least worry about the planet that gave life to her as much as she frets over Latte all the time. But nope.

She shares the exact same face as Teatine’s past Precure partner so you’d think we’d explore that connection to see if it would influence or affect her in any way. But nope.

90% of the time, her role was just being Latte’s constant, fawning satellite.

Not only did that irritate the hell out of me but it just reinforced my stance that this type of character is one of the worst you can ever insert into any narrative.

Because if someone keeps reiterating how much they’re obsessed with this one thing and seldom talks about anything else without bringing their obsession into it... then what’s so special about them on their own?

You’ve practically surrendered the different qualities you could have had for worship of something else. That’s not a fair trade-in.

Asumi’s character is so packed with Latte-related stuff that there’s not much space left for anything that can be considered uniquely Asumi.

I mean, maybe it’s because I can never see myself or any normal person comfortable with living like that.

Living for the sake of being together with the one you love? Okay. But living with your whole universe revolving around that one thing? Making most if not all decisions based on this one thing?

No. That’s absolutely crazy, alright? Nobody with a healthy amount of awareness and self-worth would live like that.

And you can counter that Asumi’s just born like that. That she can’t help her origins because Teatine’s wish to protect her daughter is essentially what brought Asumi into existence so of course, her biggest concern would be Latte. At least, she wasn’t forced into it, right? As long as Asumi chose of her own will to follow Latte, it should be fine, right?

You can even use the fact that Asumi isn’t human. That she’s a spirit and we shouldn’t apply our human standards too strictly to her.

Yea, but those are feeble defenses in the face of her being a good main character, a good main heroine. 

There are many ways to make a decent MC. The way Asumi was written proves she certainly does not possess traits that can classify her as true protagonist material. A protagonist has to be more than one amplified feature, which Asumi is not.

For the record, I don’t hate Asumi (she’s not interesting enough to generate a feeling that intense). I'm just severely let down because even if I don’t end up loving the midseason Cure for whatever reason, I can usually count on them to bring something intriguing to the table to dissect and analyze. At least I should find something to care about them.

Didn’t happen with her. :(

Oh god, I’ve been working on this post for days now and I’ve got a headache and with the baton pass happening in less than a few hours as I type this, I just really need to get it done and over with so please forgive me for speeding up through the rest, I’ll try to keep it as coherent as possible. NYARGH! (@_@ ;;)

Mascots.

Would you be surprised to hear that I’m not surprised that they were actually written very well?

Like I said early on, I suspected the return of fairy partnerships were going to improve the mascots’ significance in the story and, well, I was right. 

This time, they didn’t just fill in the usual expectations of relaying exposition, serving as the Cures’ transformation devices and looking cute for the merchandise. The Healing Animals had to make progress on their own training to become doctors as well.

And they did through their relationships with their human partners.

It was a refreshing take on the mascot aspect of the series because the friendships felt really symbiotic. When the trainees arrived on Earth, they relied on the girls to help them perform their jobs as well as provide them with shelter, food, the occasional peptalk about their trainee status, etc.

Then as the story continued and they got to know each other better, the mascots were able to return the favor by giving support when the Cures needed it. Rabirin when Nodoka was frightened and confused about how to deal with Daruizen, Pegitan when Chiyu was having trouble choosing between two dreams and Nyatoran who made sure to always lift Hinata’s spirits up when she got upset at herself.

In short, they achieved their objectives of learning what it means to be good doctors by being there for their friends! How wonderful! :D

My memory for Latte is hazy, unfortunately, since she’s coddled by everyone all the time (can’t blame them, she’s friggin’ adorable! <3) but I’ll never forget how she stood firm on the battlefield to see things through, to fight for the Earth like she promised her mother. She started out so babie but showed us all there was enormous bravery behind her cute face and ugh, we should all be very proud of her! <3

The only major issues I had about the mascots were these:

1) Too many irrelevant fillers went to them. They only needed a maximum of two for their entire mascot group.

2) Latte kept getting sick even after she acquired a Precure partner of her own. I was hoping it wouldn’t hurt her as much as it did before Asumi arrived or that she would build up a stronger immunity but noooo, they insisted on torturing the poor pupper! T_T

Villains + Finale Battle

Not a lot needs to be said for the first part. We’ve had mediocre antagonists before. HealPre’s just happened to be extra annoying as they were despicable. 

Which is worse because jerks you can just leave in the trash but assholes won’t stop harassing you unless you pummel them into their graves, set fire to their corpses and leave no trace of them behind! >:(

Y’all know who I’m talking about. Opinions on him continue to vary depending on who you talk to and if they’re avid fans of his face or not but whatever. The son of a bitch served his purpose and is dead now. That’s all that matters to me.

Anyway, the King was flat like his two lesser generals. He was neither intimidating nor distinguished enough in the brand of evil to really make us think of him as a serious threat and because of that, it ended up making the boss fight look like any run of the mill boss fight.

I know, they tried so hard with all that shiny animation but it just didn’t have that glorious sense of vindication that previous seasons (or ep 42) gave and I blame it all on this Rumiko Takahashi reject.

Also, this strategy was pretty useless?

They built it up like Earth was gonna sacrifice herself and die or something (she wouldn’t and even if she came close, deus ex machina would’ve kicked in to prevent that and COVID-induced caution too I guess). 

But there were no signs of pain (well, that’s a relief) after absorbing Shindoi-ne and they really pissed King Byogen off more than they did any damage with the absorbed byo-gen power.

...so yea, this tactic was just to kill some time and budget, nothing more. Meh.

By the way, did Asumi eject Shindoi-ne’s pathogen out of her body yet or did they just leave it in there to bounce around until it eventually dissolves on its own?

Because that’s eww. I mean, it’s obviously not gonna hurt Asumi they can both relate on hyperfocusing their affection for someone so maybe the compatibility helps :P but still, ewwwww.

Fillers + Underused Motifs

In hindsight, perhaps HealPre didn’t exactly promise the content we I wanted about “health” and “nature” if their objective was to teach that any manner of “fighting” can count towards “living”.

......but fuck you Toei, you’re still cowards! >:/

Fillers will be fillers but it’s always better to try and make some of them as meaningful as possible. And they wasted the opportunity to inform an impressionable audience (during a very crucial period of our time, I must add) on a lot of things related to the HealPre’s motifs. Especially about the environment which for some ridiculous reason, they chose not to touch on for the main stretch of the overall story.

Proper hygiene, good diet plan and sleeping habits, regular exercise (already done by the girls a few times but could use another example), meditation, counseling/therapy (especially for mental health!), etc.

Real life pollution, climate change/global warming (IMPORTANT!!), deforestation, preservation vs conservation, endangered species, recycling, volunteering to clean up your community, etc.

These just came off the top of my head but yes, there’s more and no, I’m not saying that the writers need to cover all of them in extreme detail or replace the slice-of-life episodes.

But they should be able to mesh both serious and light-hearted together in harmony somehow. Like those fillers where the mascots saw people cleaning up littering at the park or that interaction with that arborist who taught them about wild animals and trees when the group went to visit a lake.

For health, maybe let the girls visit patients with chronic illness in the hospital or have them converse with a medical professional on some matter. Particularly if it’s got something to do with mental illness because stigma in Japan on those who are afflicted with such conditions is still prevalent and has caused a number of sad and shocking tragedies that could have otherwise been avoided if people didn’t have such outdated, judgmental mindsets.

That last part might be too dark for a children’s anime but there’s a lot more out there that is doable.

Do that without reducing it into a footnote, Toei. It is so necessary for your target audience to be aware of these issues at the age they are now. You have an almost 20-year old franchise to serve as a very effective platform. Make better use of it if you truly care about the message you’re conveying through your show!

Also, what the fuck.

The last episode was a mess. Why are you only mentioning this now when the season is already over?

This should’ve been brought up months ago!

All the things we could’ve seen the Cures done to protect the Earth without magic.

The excuse of “I didn’t know humans were so horrible!” is a shit one because everybody knows humans are deplorable trash when it comes to abusing the Earth. All the more reason why you have to persistently drill it into people’s heads that they should not be like those who don’t care or choose not to care.

One crack episode isn’t going to cut that.

God, I so want to unsee this ep just so I don’t have to end HealPre on a more sour note than it already was. *big aggrieved sigh*

Lastly (and this really is the end of my long ranting, I promise), the missing undisclosed lore.

There are few Precure seasons without a past lore of its own in the recent years. Is it a wonder, though?

Lore is mysterious and fascinating. If it involves a past Precure, even more so.

Sometimes fans might just hang onto a show because they’re curious about what happened before the main story. We’d never get the full tale of those adventures but at least, it’s fun to imagine the “prequel”.

Also, past Precure are just badass. Fact.

Strangely enough, we didn’t get that for Heal. All we know is that she was called “Fuu” and was very close to Teatine. 

Hmm. Probably one of those changes caused by COVID interference cuz I can’t imagine the writers choosing not to tell her past in the original draft.

With all that finally off my chest, I’m ready to part ways with you girls until the next All Stars (Nodoka, I’m gonna miss you so much! T_T)

HealPre wasn’t the worst and it was nowhere near the best that it had the potential to be. But it’s passable. At least for those who loved it even with its flaws, I’m genuinely glad it was good for you.

For those who are thinking about picking it up (although why you would read this spoilery post before watching, I have no idea), if you’re looking for a standard magical girl anime to enjoy casually, then this is a safe pick. If you really want to invest your attention and heart into it, though? Then perhaps it would be in your interest to ask someone who saw it already to help you filter out the episodes that are worth watching. You don’t need to worry about the rest, they’re inconsequential. :P

Ok then! Thanks for reading as always, brave souls who have reached this point. 

Stay healthy and safe out there and I’ll see you at the beach next week! Tropic underwater paradise here we coooooommmmmeeeeee!!!!!!!!!!!! xDDD

[hawkinsschoolcounselor]

Could you possibly do an analysis of the Byers Family as a whole?

I’m honestly surprised it took this long for this to be requested. The Byers family is really at the heart of the entire story. I’m going to try and limit this analysis to the on-screen portrayal of the family. If you want more of a deep-dive that includes predictions and suppositions that draw on the writers’ background material and references, I would point you to @kaypeace21. There’s some real next level stuff going on with her work, but I’m going to try and stick to what I know best. I will not be including El in this, though she may come up in passing, as we have yet to see any significant portrayal of her as a member of the family. The Byers are a family of unexpected strength and love. There’s a lot there that would suggest a family in shambles, but outward appearances can be misleading. I intend here to go through the family one-by-one and then go into some conceptualizations of the family dynamic based on my understanding of psychological theory and human development. My memory on some of the details of the show may be off, so feel free to correct any errors I may stumble into. Lonnie I’ll start with Lonnie, though it’s difficult to really refer to him as a part of the family. Still, for at least a portion of this family’s development, he was there and active in the others’ lives to some extent.There is much we simply don’t know about the family dynamic when he was still an active member of it. What we do know, however, is that he was involved in Jonathan’s life until he was at least 10, due to the story of Lonnie taking him hunting on his birthday, but that he was out of the house prior to the start of Stranger Things. Jonathan would have turned 10 around 1977, so the Lonnie would have left his family for up to 5 years prior to the first season.  Lonnie’s actions, as portrayed in the first season, depict him as a selfish and callous man with very rigid ideas of masculinity. He would routinely try to force his sons to conform to these ideals. We can see this through the aforementioned hunting trip, which brought Jonathan to tears, and through his overall treatment of Will. The fact that a man would call his own prepubescent son a “queer” or “fag” is harsh even by 80s standards. He would also attempt to get Will to enjoy baseball, though even then it’s implied that he often fails to deliver on his promises to spend time with his youngest.  Lonnie showed up in the first season upon learning of Will’s apparent death. He would seem to be a concerned father at first, but Joyce would later learn that Lonnie was prepared to file a wrongful death case against the owner of the quarry that Will was believed to have drowned in. Money has seemingly always been a concern for the family, but Lonnie is the only one who even considers financial compensation. All of this says a lot about where his priorities lie and what his values are.  Joyce Joyce Byers is, by all on-screen depictions, a loving mother and open-minded, friendly woman. It is curious as to what she would have seen in Lonnie (we will not assume Murray’s theories to be accurate), but conservative, small-town culture at the time certainly would have led many a woman to see a macho guy as ideal. Joyce has been portrayed in making many sacrifices for her loved ones, and she has a fiery temper that has come out whenever someone would seemingly try to get in the way of her taking care of said loved ones. By the time we are introduced to Joyce, her priorities seem to be her children. She works as a clerk at a local general store, presumably not making much money. It is assumed that after Lonnie left she had no significant romantic relationships until Bob Newby in 1984. While Joyce seems to love both of her sons a great deal, it is suggested in season 1 that she felt closer to Will. Despite this, there was no apparent favoritism. Joyce did however, albeit unintentionally, trigger some issues with Jonathan during the events of Will’s disappearance in 1983. Despite the lack of financial resources (we do not know if Lonnie pays any financial support), Joyce tries her best to support her children. She even managed to get an Atari 2600 for Will, which, even after the video game crash of the early 80s, would have cost her the equivalent of over $100 of today’s money. At first, Joyce welcomes Lonnie back into her life when he showed up after learning of Will’s “death.” She seemed exhausted and initially leaned on him for support. This changed when Joyce learned of his planned lawsuit against the owners of the quarry. She proceeded to lash out at him angrily, accusing him of never caring about his sons, perhaps giving us a look into what ultimately led to their separation (were they ever actually said to be divorced?). When Lonnie couldn’t even come up with what college Jonathan wanted to go to, Joyce viciously spat out that he has wanted to go to NYU since he was a child. To Joyce, not knowing something like that about your own child is reprehensible. When she brings up to Chief Hopper that Lonnie would refer to Will with gay slurs, the discomfort it brings to her is clearly visible. It’s purely speculation, but not out of the question based on what we know about her, that Joyce isn’t so much disturbed by the idea, but rather that she ostensibly allowed Lonnie to say such things. As the series moves on, Joyce is shown seeking out stability and security for herself and her family. Her relationship with Bob was an attempt to rebuild a sense of normality. Bob took a genuine interest in the boys and clearly loved her a great deal. His traumatic loss affects her greatly. She develops an understandable sense of paranoia about Hawkins and the agency behind the lab which ultimately leads to her deciding to uproot her family and leave town to parts yet known. While her decision to do so is certainly understandable and well-intentioned, it could have unintended adverse consequences that I intend to explore further below. Jonathan When we meet him, Jonathan Byers is an intelligent young man and a talented photographer. On the other hand, he is also well aware of the family’s struggles, perhaps more so than Will, and is somewhat parentified. Jonathan is not social, and is shown to be something of an outcast at school. We do not know how far back this goes, but it is possibly a result of Jonathan needing to go to work to help support the family. Jonathan is more like his mother than his father, as seen in his unconditional support for Will and his generally sensitive and protective nature. While in many cases a parentified child is a cause for concern, in Jonathan’s case it may well have given him a sense of purpose that allowed him to weather the rough family life he’s experienced.  Indeed, Jonathan initially seems to derive little satisfaction in life outside of photograph and his family. He apparently had already resigned himself to a life of sacrifice, at least until he can try to make a life for himself through photography. While he would go on to develop a relationship with Nancy Wheeler, he never lost his fraternal/borderline paternal bond with his little brother. He literally fought monsters to save and protect Will on multiple occasions. It is quite possible that Jonathan fosters a continuing sense of guilt, as the only reason he was not home the night Will vanished was because he took an extra work shift.  With Joyce, Jonathan seems to almost see himself as a co-parent rather than a son. While he clearly loves his mother, he is not above calling her out and butting heads with her as seen in the first season. When Jonathan sees what he thinks is Joyce losing her mind, his reaction is an angry outburst. While there is not enough evidence, this could be a result of abandonment issues as a result of his father leaving.Despite his maturity, Jonathan is still just a teenager at this point, and one who is already blaming himself for his brother vanishing. He needs his mother but sees her as abandoning him. Joyce is going around and publicly making herself seem crazy. While the viewers know that Joyce is right, Jonathan reacts like any of us may. He comes around once he realizes the truth, but it is clear that he is holding in a lot of his own pain and he may hold some resentment towards Joyce, even if he is unaware of it himself. Jonathan was older than Will when Lonnie left, so he would presumably have been more aware of what was going on. He also would have been old enough to potentially blame Joyce for failing to protect him and Will. This last part is all speculation, however. Jonathan’s relationship with Will is perhaps the strongest in the family. Jonathan helped Will build Castle Byers in response to Lonnie’s departure. He stayed until it was finished despite a rainstorm and (a presumably very young) Will’s lack of skill at actually helping. He would go on to support Will in all of his endeavors, blatantly encouraging him to dare to be different. He clearly doesn’t want to see Will succumb to the pressure of conformity. He makes it very clear that he supports Will completely and unconditionally. There is a suggestion here that Jonathan fears that Will may have a lingering desire to please their father at the expense of his own preferences. Will Will is smart, sensitive, artistic, and caring in a way that was discouraged in adolescent boys in a town like his. Will is heading towards the latter years of middle school as the series starts. Lonnie is already gone, but his influence is still there. Joyce dotes on him as much as possible, but time and resources are scarce. Jonathan takes on a hybrid father figure/big brother role to help keep Will happy. Oddly enough, given the circumstances of the plot, Will actually seems to come out the best. I will go further into detail below, but compared to his mom and older brother, Will actually has the most going for him. I’ve already covered Will’s role in the family above, but there is a bit more to explore from his perspective. Will is the much-loved son and brother to Joyce and Jonathan, and the bane of his father. Joyce wanted Will to be happy, and made every attempt to bond with him. Will did indeed seem to have a good relationship with his mother, as shown in his excitement to see Poltergeist with her and his risking his life to warn his mother of the Demogorgon. We also see many scenes of him bonding with Jonathan over music, but their relationship goes deeper. Jonathan is someone who Will confides in his relationship with his father. Will also worries about Jonathan’s hand injury despite the fact that he himself is in a hospital bed, having just woken up after being in the Upside Down for a week. Despite how good his relationships are with his mother and brother, Will is shown craving his father’s love. We do not know if Lonnie ever directly called Will a “queer” or “fag” or if he only referred to him as such to others, but Will does seem aware of his dad’s lack of support. Even though Will does not like baseball, he makes a pretense of it in an attempt to gain his father’s love, and he takes it hard when his dad does not deliver. It’s quite possible that Will harbors guilt as to what happened to his family, blaming himself for his dad leaving. Much like with Jonathan, this is speculative, but it wouldn’t be an unusual reaction for a young child whose parents split.  Development and Outlook

I will try to be short and sweet here. When one looks at the family as a whole, the many moving parts of the family and their environment quite frankly make sense. The family is portrayed in a reasonably realistic fashion. Lonnie’s displeasure with his family life, along with what is quite possibly dissatisfaction with his life in general, result in him leaving. These same factors left their mark on his wife and children. The Byers receive little support from the community, and are indeed seen as outcasts, resulting in reactions that range from indifference to scorn. This would lead to the Byers relying even more on each other and seeming even more like outcasts. The cycle is harsh. Even as you go outward towards more indirect influences, the Byers do not conform to conservative 80s norms, which sets them at odds with society as a whole. They are basically an island in a stormy sea. This is where Will’s bright spot comes in. Will has what the others in his family lack, at least before the events of the series: friends. Will is not an outcast in the same sense of the others. While he is still scorned by the larger school population, his relationship with the Party serve as a protective factor. In other words, he’s better able to deal with the bad aspects of his life because he has his friends to fall back on. Joyce and Jonathan, on the other hand, only have each other. Mike in particular is a source of strength for Will, which is what makes the rockiness of their relationship in season 3 so hard for him. Joyce and Jonathan would both form relationships outside of the family that make them better able to cope. Jonathan and Nancy have a mostly healthy relationship, and Joyce almost looks like a teenager in how carefree she is with Bob (before the plot hits high gear anyway). Joyce and Hopper aren’t quite as healthy, but there are signs that it could head that way before Hopper is presumably killed.  This is where Joyce makes a decision that she may come to regret. While her own attempts to develop a better ecoysystem seem cursed, Jonathan finally seems to have someone outside the family (indeed from a well-off family) that not only doesn’t scorn him, but loves him. Will has a group of friends that, despite some trials, is actually growing. Joyce, however, decides to separate them from these relationships in a well-meant attempt to save them from the town, the lab, and the Upside Down. It is hard to blame her for this, but the decision is nonetheless curious. She seems to be coming around to the idea of staying due to a burgeoning relationship with Hopper, which runs contrary to her tendency to put her kids first. One could excuse her for being clouded by grief, and we don’t see how she broke the news to Jonathan and Will (and El) or the aftermath. They all seem to have made peace with the idea, but the goodbyes are emotional, and Joyce herself looks upset and perhaps guilty, but this puts the family back to relying solely on each other, at least in the short term. Will they become stronger and be able to regain normalcy away from Hawkins? Will they end up resenting Joyce for it? How will El fit into this family? Can Will cope without his friends? Can Jonathan and Nancy’s relationship survive at a distance? How is Joyce going to be able to support a now-larger family? How will Lonnie fit into this? That all remains to be seen, but would be realistic elements to include in the next season.

[professoruber]

Epithet Erased Role Swap AU FanFic: A swapped place in Sweet Jazz City Prologue

Hi, This is just a quick Fanfiction I've written up based on the amazing Role Swap AU made by @spliinkles. I actually did have a somewhat similar idea before (which was what if some epithet related event caused characters to switch ages) but I really love the ideas of this AU and wanted to write about it.

Sorry first of all if there are any errors. I wrote this up kind of quickly and if I do find errors I will be willing to fix them if  I get around to it.

Am posting this fanfiction here because the Epithet Erased fandom seems biggest on Tumblr and also that's where this AU is from.

Prologue: You're reading it

Chapter 1: https://professoruber.tumblr.com/post/189841325568/a-swapped-place-in-sweet-jazz-city-chapter-1

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Giovanni Potage was what some might call a variety of unflattering yet undeniably accurate descriptors. Such things included ‘problem child’ and ‘wannabe delinquent’, both titles he wore with pride.

With the exception of the ‘wannabe’ part of course, if you were to ask him, he would insist he was the most feared delinquent in his school’s history and most definitely not an adorable little soup child.

His reign of delinquency was joined by his friends, his ‘boys’ as he called them. Two of these aforementioned boys were now accompanying him on the most boring field trip ever.

“-and that’s when I smash that ball right into the principle’s office, and everyone cheered” Giovanni finishes accounting his latest most definitely truthful anecdote about his misadventures as a dangerous criminal delinquent.  His squeaky twelve-year-old vocal cords pushed to their deepest potential level in order to attempt to put on a wave of coolness on top of what he considers his amazing storytelling ability.

 “WOW GIOVANNI. YOU’RE SO AMAZING! I LOVE YOU SO MUCH” Screams one of his friends, known most often as Crusher for rather self-explanatory reasons. The high volume of his sudden outburst eliciting a glare from one of the museum guides who were currently giving a tour to their class.

The young guide turns away from the crowd of youths briefly to pop another pain pill before taking a deep breath and snapping back towards the kids with a forced smile.

“As I was saying before I was… interrupted…” she began, briefly pausing to once again glare at Crusher, who blessed with embarrassment and hid behind the protection of Giovanni as she continues “Epithets are rare and amazing powers gifted to just a one in five of the population. Wow, so cool. Anyway, moving on…” she begins to keep walking before being lightly nudged by her older bearded co-guide.

“Come now my apprentice Mera. It is important to show enthusiasm for this thing. It’s important to always do your best in every situation” the man says the last sentence with such sheer power that he flexes for emphasis, prompting a array of awed stares bystanders at his muscular build.

Mera even admires it for a moment before turning back to the children and sighing “You’re right Indus… I’ll try to spice up the tour a bit” she gives a somewhat more genuine smile this time, as Indus pats her on the back.

“Now that’s the spirit! Why don’t we tell them about the Arsene Amulet, that will certainly spice things up” Indus suggests with large genuine smile aimed at his young apprentice.

Mera goes wide eyed at the mention of the amulet before whispering to Indus “Uh… Indus I’m not sure if telling these kids about the amulet is a good idea”

Indus looks thoughtful but nevertheless was still in proud teacher mode “Do not worry apprentice Mera. No harm should come from granting these children some of the wonder of this museum”

Mera eventually relents and soon launches into a somewhat less half-hearted explanation of the amulet as well as other cool and interesting exhibits, Indus sometimes dropping in to suggest topics, such as the Dinosaur exhibition which he insists is amazing.

However, these were quickly drowned out Giovanni’s criminal mind as it’s focus settled firmly on the fact a mysterious cool amulet was hidden within these halls. An awesomely evil formed from the dark confines of his self-proclaimed delinquent mind.

“Car Crash, Crusher, come with me” he whispers in his best covert voice before snatching his pair of friends away from the tour. The former blushed at the close contact to his crush while the latter looked annoyed.

“Hey, my name’s Fred. All I did was crash Ben’s go-kart five times and now everyone just won’t let it go!” He complains and throws up his hands in annoyance.

“Shush, will you? Whatever. I have an awesome plan to show the whole entire world my awesome criminal skills so no one will deny that Giovanni Potage is the most awesome supervillain of all time!” He exclaims quietly with clenched fist.

Crusher loved every moment of It and even ‘Fred’ was captivated by the intensity if nothing else.  

“I will sneak inside the museum; spray paint my name on the exhibits. And then for the finale I will steal that amulet thingy and leave a pool of boiling lava and… uh… acid! In its place. These history nerds will never no one hit them” he gives a smug smile, proud of himself for having come up with such a villainous plan.

Crusher fell to the floor as he clenches his heart, overwhelmed by the sheer continued amazingness of Giovanni. Fred meanwhile was somewhat confused on What Giovanni’s plan was.

“So, you want to get an amulet which steals Epithets?” he asks with a raised eyebrow.

Giovanni looks confused for a moment before putting two and two together “oh is that what that thing does? Nah that’s totally lame. What I want is the street cred. If I pull this off then all the greatest criminal gangs will be begging to have me join them. Maybe I might be able to join the Bushido Blasters… or even the Banzai Blasters!” He exclaims with enthusiasm.

As Crusher continued to be amazed, Fred scratched the back of his head “I don’t know man, this seems kind of dangerous even compared to what we usually get up to. And me and ‘Crusher’ can’t be out after dark, so you’ll be alone for this”

Crusher cries manly boy tears at the thought of having to abandon Giovanni. But Giovanni simply dramatically holds his hand to his chest and begins to reassure them.

“Don’t worry my boys! I have the greatest- hey what’s that over there!” He suddenly shouts pointing to the left, and grinning as Crusher and Fred look to in that direction. While his friends are distracting, Giovanni quickly dashes behind them and yells “Teleports behind!”, startling both boys.

“As you can see my stealth skills and unmatched. And after tonight no one will able to deny the supervillainy of Giovanni Potage!”

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Across the city in the backroom of a family owned toy store sat a young barely adult woman wearing a dark green dress and a yellow apron and boots, her dark brown hair tied up to prevent it getting in her face.

The woman was working stoically on toys which would be sold in the Blyndeff Toy Emporium, her family’s store.

“Police are still baffled at the recent theft of expensive several statues from a local art gallery, all of which were replaced by teddy bears. Despite the absurdity of this case police have still found no leads on the criminals responsible, although reports suggest Banzai Blasters may have been involved- “ the noise drowns out in the woman’s mind as her lips slip into an evil grin as she recalls the recent caper which led to her promotion from Blaster to Captain in the Banzai ranks.

In the monotonous world of manufacturing and retail she was glad to have an outlet to cut loose when she could, keeping up appearances in front of customers and not hitting the many who deserved it was tiring, and she’s been doing this for around a decade at this point.

Taking a deep breath, she got back to work, turning off the news livestream playing on her phone just had it had begun talking about how a Detective Ashling had been assigned to the case. She had bigger things to concern herself with right now.

Namely that of her first heist as a Banzai Captain. Her crew of minions were ready and a location had been mapped out. Now all she needed to do was complete the final workings of her special criminal helper toys, as well as the toys which need to be sold.

“Molly! Mum wants to know if the new toys are ready yet!” The bratty voice of the woman’s little sister comes through the door of the workshop as the young girl in question walks into take a look herself.

Molly feels like grimacing but instead effortlessly donned a smile as hollow as her soul.

“Almost done Lorelai. Tell mum I’ll have these out on the shelves soon” she said with a mask of cheerfulness, to which Lorelai simply rolled her eyes at and gave a quick “Whatever” before leaving back to the rest of the building, shutting the door behind her.

Molly got back to work, only stopping at one point to take out a small picture of the Sweet Jazz Museum, causing her to gain a much more genuine, and evil smile “tonight” she simply says, as she returns to work.

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Later in the dead of night, Giovanni’s head raises up above from a bin. He leaps out and whisper shouts “Teleports inside!” to himself as he looks around.

He proceeds to run carelessly around the now empty halls of the museum, slipping and knocking some stuff over a few times before arriving in the entrance.

“Uh hu! This shall be a great place to begin the reign of terror of Giovanni Potage” the twelve year out super-criminal announces as he walks up to the desk.

“I should call my boys, to let them know I got it, not that they would be surprised of course” He picks up the phone and dials Car Crash’s number, only for it to fail to go through. Confused, Giovanni looks at the phone only to find an explanation of its true nature.

“Internal and emergency calls only? Pfft, lame” he comments as he slams down the receiver. He then proceeds to duck down under the desk and take out some items from his bag. First a whoopy cushion which he fashions to the chair and then a canister of spray paint.

He begins spray painting a message about how lame their phone system is. Meanwhile as the young delinquent writes, a hole in the roof is silently made and a group of Banzai Blaster begin slowly coming in from above, going unheard from anyone who might be within earshot thanks to their leader’s Epithet.

The last to go down is their new Captain, Bear Trap, who under the silence of her Epithet begins handing out instructions to her minions.

“There all done” Giovanni says proudly as he finishes his villainous vandalism, popping back up from behind the desk her suddenly comes eye to eye with Bear Trap.

All parties present simply fall back, startled due to not expecting to encounter anyone else. For a few moments silence reigns even without the assistance of Bear Trap’s Epithet.

The silence isn’t broken until the shock face of Giovanni suddenly shifts into one of wonder and excitement.

“Wow criminals! Awesome!”

[knifeonmars]

Capsule Reviews, February 2021

Here's some things I've been reading.

The Curse of Brimstone 

DC's New Age of Heroes books, emerging from the beginning of Scott Snyder's creative-flameout-as-crossover-event Metal, mostly constituted riffs on Marvel heroes like the Fantastic Four (in The Terrifics) or the Hulk (in Damage). The Curse of Brimstone is a riff on Ghost Rider. It's... uneven. The first volume is generally pretty good, and when Phillip Tan is drawing it, as he does the first three and a half issues, it's gorgeous and unique, when he departs though, the quality takes a nose dive. None of the replacement artists, including the great Denis Cowan, can quite fill his shoes, and the story gets old fast. Guy makes a deal with the devil (or rather, a devil-like inhabitant of the "Dark Multiverse" as a not horribly handled tie-in to the conceits of Metal), realizes it's a raw deal, and rebels. The characters are flat, lots of time is spent with the main character's sister haranguing him to not use his powers (it is, in my humble opinion, something of a cardinal sin to have a character whose primary role is telling other characters to stop doing interesting things), too many potboiler "I know you're still in there!/I can feel this power consuming me!" exchanges, a couple of underwhelming guest spots (including a genuinely pointless appearance by the old, white, boring Doctor Fate) too many flashbacks, and not enough of the action. There's potential in the classic demonic hero rebelling plotline and its link to the liminal spaces of the DC universe, forgotten towns and economic depression, but the wheels come off this series pretty much as soon as Tan leaves. The really disappointing this is that the series is clearly built as an artistic showcase, so after Tan's shockingly early departure, the main appeal of the series is gone and there's nothing left but the playing out of an obviously threadbare story.

Star Wars - Boba Fett: Death, Lies, and Treachery

I don't care much about Star Wars these days, and I think that most of the old Expanded Universe was, as evidenced by Crimson Empire, pretty bad. Death, Lies, and Treachery, is that rare Star Wars EU comic which is actually good. John Wagner writes and he's in full-on 2000 AD mode, writing Boba Fett as a slightly more unpleasant Johnny Alpha (who is like a mercenary Judge Dredd, for those unfamiliar) right on down to the appearance of a funny alien sidekick for one of the characters. The main attraction is Cam Kennedy's art though, along with his inimitable colors: this might be the best looking Star Wars comic ever. The designs are all weird and chunky, with an almost kitbashed feeling that captures the lived in aesthetic of classic Star Wars, and the colors are one of a kind. Natural, neutral white light does not exist in this comic, everything is always bathed at all times in lurid greens or yellows, occasionally reds, and it looks incredible. In terms of "Expanded Universe" material for Star Wars, this hits the sweet spot of looking and feeling of a piece, but exploring the edges of the concept with a unique voice. It's great. I read this digitally, but I'd consider it a must-buy in print if I ever get the chance at a deal.

Zaroff

Zaroff is a French comic (novel? novella?). It's like 90 pages and it delivers exactly on its premise of "Die Hard starring the bad guy from The Most Dangerous Game." It's pretty good. Count Zaroff, he of the habitual hunting of humans, turns out to have killed a mafia don at some point, and after miraculously escaping his own seeming death at the end of the original story, finds himself hunted by the irate associates of this gangster, who have brought along Zaroff's sister and her kids to spice things up. Zaroff not only finds himself the hunt, but he also has to protect his estranged family as they struggle to survive. Nothing about this book or its twists and turns is likely to surprise you, but I don't think being surprised is always necessary for quality. Zaroff delivers on pulpy, early-20th century jungle action, is gorgeously rendered, and the fact that Zaroff himself is an unrepentant villain adds just enough of an unexpected element to the proceedings and character dynamics that it doesn't feel rote. There's a couple of points, ones typical of Eurocomics, which spark a slight sour note, such as some "period appropriate" racism and flashes of the male gaze, but for the most part these are relatively contained. It's good.

Batman: Gothic

Long before Grant Morrison did their Bat-epic, they wrote Batman: Gothic, an entirely different, but then again maybe not so different, kind of thing. It starts off with what must be called a riff on Fritz Lang's film, M, only where that story ends with a crew of gangsters deciding they cannot pass moral judgment on a deranged child-murderer, in Morrison's story they go ahead and kill him, only for the killer to return years later to rather horribly murder all of them as a warmup for a grandiose scheme involving unleashing a weaponized form of the bubonic plague on Gotham City as an offering to Satan. Along the way it turns out that said villain, one Mr. Whisper, is a former schoolmaster of Bruce Wayne's, who terrified the young Batman in the days before his parent's deaths. It's an earlier Morrison story and it shows. Certain elements presage their later Batman work; Mr. Whisper as a satanic enemy recalls the later Doctor Hurt, and the cathedral Mr. Whisper built to harvest souls recalls what writers like Morrison, Milligan, and Snyder would do concerning Gotham as a whole years later.The art, by Klaus Janson, is spectacular. If you're familiar at all with his work collaborating with Frank Miller you'll see him continuing in a similar vein and it's all quite good, even when he stretches beyond the street milieu which most readers might know him from. There's one particular sequence where Janson renders a needlessly complicated Rube Goldberg machine in motion that manages to work despite being static images. The writing by Morrison though, is not their finest. The M riff doesn't last as long as it could, and Mr. Whisper's turn in the latter half of the story from delicious creepy wraith to a cackling mass murderer who puts Batman in an easily escaped death trap feels like something of a letdown from the promise of the first half of the book. Gothic is good, but not, in my opinion, great. It's certainly worth checking out for Morrison fans however, and I imagine that someone well-versed in his latter Batman stuff might be able to find some real resonance between the two.

Green Arrow: The Longbow Hunters

For a long, long time, Longbow Hunters was THE Green Arrow story. It is to Green Arrow as TDKR is to Batman, deliberately so. Mike Grell wrote and drew the reinvention of the character from his role as the Justice League's resident limousine liberal to a gritty urban vigilante operating in Seattle over the course of these three issues, which he'd follow up with a subsequent ongoing. Going back to it, it certainly merits its reputation, but its far from timeless. Grell's art is unimpeachable absolutely incredible, with great splashes and spreads, subtle colors, and really great figure work. The narrative is almost so 80's it hurts though, revolving around West Coast serial killers, cocaine, the CIA and the Iran-Contra scandal, and the Yakuza, and it's hard to look back at some of this stuff without smirking. The story begins with a teenager strung out on tainted coke sprinting through a window in a scene that's right out of Reefer Madness. In the cold light of a day 30+ years later, parts of it look more than a little silly. The 80's-ness of it all doesn't stop with that stuff though, even the superhero elements smack of it. Green Arrow realizes that he's lost a step and has be to be shown a way forward by an Asian woman skilled in the martial arts (recalling Vic Sage's reinvention in the pages of The Question), and Black Canary gets captured and torture off-panel for the sake of showing that this is real crime now, not the superhero silliness they've dealt with before. The treatment of Black Canary here is pretty markedly heinous, it's a classic fridging and Grell's claims that he didn't intentionally imply sexual assault in his depiction of her torture is probably true, but still feels more than a little weak considering how he chose to render it.The final analysis is that this book is good, but it exists strictly in the frame of the 1980's. If you're a fan of Green Arrow, there are worse books to pick up, or if you're interested in that era of DC Comics it's more than worth it, but as a matter of general interest I wouldn't recommend it very highly.

SHIELD by Steranko

Jim Steranko is sort of the prodigy of the early Marvel years, a young guy who came up through the system, blossomed into an incredible talent, and then left the company, and by and large the industry, behind. He would go on to dabble in publishing, work in other mediums, and generally kick around as the prodigal son of Marvel Comics. This collection, of both his Nick Fury shorts in the pages of Strange Tales and the four issues he drew of the original Nick Fury solo series, charts Steranko's growth as an artist. The book starts off with Steranko working from Jack Kirby's layouts with Stan Lee's dialogue and writing, and Steranko might be the one guy in history for whom working off of Kirby's blueprints is clearly holding him back. The first third or so of this collection really isn't much to write home about, as Steranko is obviously constrained by someone else's style, and at the end of the day those early stories still read as somewhat uninspired pulp compared to the highlights of early Marvel. There are flashes though, of techniques and ideas, which foreshadow what Steranko is capable of, and when he finally takes over as solo writer/artist it's like he's been unleashed. He immediately has Nick Fury tear off his shirt and start throwing guys around over psychedelic effects. He writes out most of Kirby and Lee's frankly uninspired boys' club supporting cast, he makes Fury visibly older, wearier, but also so much cooler. It's the birth of Nick Fury as a distinctly comic book super spy.By the time he finishes wrapping up the previous writers' plotline with Hydra and Baron von Strucker, Steranko is firing on all cylinders. By the time it gets to Steranko's Fury solo series, he's somehow surpassed himself, turning in effects, panel structures, and weird stories which make the earlier installment about a suit-wearing Man from UNCLE knockoff and its strict six-panel layouts look absolutely fossilized.I can't recommend this collection highly enough for any fan of the artform, even if the stories themselves might not be everyone's cup of tear. It's truly incredible to watch Steranko emerge as an artist over the course of this single collection. The book itself has a few problems, it's not the most elegantly designed in its supporting materials and index, but the content of it more than outweighs that. It's great stuff.

[roc-thoughtblog]

Sense and Sensibility Readthrough Part 9

Chapter 12, Pages 49-54

Previously, Sir Middleton has started the Party Timez and Marianne is flirting it up with mysterious Mr. Charming. Meanwhile, Elinor has a sweet moment with Colonel Brandon where he alludes to a past love-related something, because they are both two lonely people watching a party.

I enjoyed this chapter, because Margaret finally opened her mouth and only gold came out. :D You little scamp, you have vindicated my small obsession with seeing you relevant in any form!

Readthrough below.

Chapter 12

AS ELINOR and Marianne were were walking together the next morning the latter communicated a piece of news to her sister which in spite of all that she knew before of Marianne's imprudence and want of thought, surprised her

Oh? OH? Marianne going to have many thoughts, head full of prudence?

by its extravagant testimony to both.

NOPE! Also, Austenism on first sentence of chapter, nice opening. I most creatively coined that for personal use and now I finally get to use it! Setup into unceremonious, and yet very extra, subversion that turns potential positives upside down. Anyway, Willoughby has given Marianne a horse, which she has accepted with zero thought into the Dashwoods' ability to keep it.

Elinor, has, of course, thought of all the things the family is lacking with regards to horse-keeping, including most prominently, a complete lack of a stable in which to house it. Was boutta ask, good Elinor answered my enquiry most quickly.

I have a friend who is a self-professed horse-girl, and many mutual friends who attest to not desiring to ride with her on account of it being quite dangerous. This isn't directly related to anything, Marianne just invited Elinor to ride her horse and I was suddenly struck by a memory of warring opinions on the risks of horseriding. Horse-girl's testimony to its relative safety was not aided by her own anecdote of having fallen off a horse onto her back once, and not being able to feel her neck for a while, or something similar to that effect (don't worry, she is fine). I imagine Elinor would be horrified.

Marianne brushes off all of Elinor's concerns in... most short-sighted fashion. No Marianne, do not keep a horse in any old shed. This reminds me of when my aunt kept her kittens in the bathroom. Bad. Awful. Don't consider keeping animals if you can't be bothered to house them properly. :(

Of course, Marianne draws the line when Elinor claims she doesn't know Willoughby well enough to receive a horse from the man;

"You are mistaken, Elinor," said she warmly, "in supposing I know very little of Willoughby. I have not known him long indeed, but I am much better acquainted with him, than I am with any other creature in the world, except yourself and mamma. [...] I should hold myself guilty of greater impropriety in accepting a horse from my brother, than from Willoughby. Of John I know very little, though we have lived together for years; but of Willoughby my judgement has long been formed."

Marianne has a great talent for speaking warmly. :'D

Ouch girl you have been hit hard. The infatuation, it speaks through you with a megaphone.

It's really fascinating how big an effect love and infatuation seems to have on apparent closeness. Like at some point it really does cross over the line to being genuinely close, but I feel like I observe a lot of the time, before that point, that people tend to... trick themselves into thinking they are close? Infatuation has a remarkable ability to warp the sense of emotional proximity between people, maybe even just through the firing of emotions on all cylinders.

One memorable conversation I will always return to was when a friend of mine referred to their boyfriend of a few months as their "best friend" in the most casual, natural way. A few months didn't seem like a long enough time, and when I asked them, they did suddenly realise they weren't quite there yet... I find it very interesting how love can so easily dominate social lives.

Anyway, Marianne has jumped to Big Conclusion about how well she knows Willoughby. It's a good thing he's probably a nice guy really, but this is also likely one of the ways predatory relationships can take root so uh, look after your friends I guess. Sometimes when this kinda emotion takes hold they need a second opinion to keep them grounded.

Elinor thought it wisest to touch that point no more. She knew her sister's temper. Opposition on so tender a subject would only attach her the more to her own opinion.

Yeah, Elinor has the right idea. Backfire effect is real, and it's not something you want to mess with when you really need to convince somebody of something. You definitely need to go around with a different approach... which Elinor does, nice! By appealing to Marianne's concern of potentially greatly burdening her mother, who would of course consent enthusiastically to a horse, but also be the most inconvenienced by its maintenance.

Marianne relents most sadly. :(

She tells Willoughby next she sees him that she can't take the horse, because of reasons. Willoughby is disappointed, but tells her that the horse is still hers, once the time arrives that she can keep- he named the horse Queen Mab? Horses. Always with funky names. Is that a historical figure? FAIRY FROM ROMEO AND JULIET! Please Mr. Willoughby! You are every bit the drama queen as Marianne. You are not so star crossed!

O-oh. Elinor overhears everything, and also realises now that they are in fact a couple? By the way Willoughby pronounces Marianne's first name, and the fact that he uses it at all. Oh, that she is now absolutely certain of it, and in no way surprised. Yeah that makes sense.

GASP! MARGARET SPEAKS!

Alright this whole sequence is gold, I dunno how to relate it here but it's a quick and fun read. Reading being generally fun, but quick doesn't usually come naturally to me. Also means I don't take notes.

Margaret thinks the two lovebirds will be married soon and Elinor is hilariously shutting her down for crying wolf about pictures that turned out to be of great-uncles. But this time Margaret has witnessed Willoughby beg for, and acquire, a lock of Marianne's hair, for romantically sentimental reasons I personally do not understand but have witnessed enough to accept without question. Because, y'know, children don't count as witnesses to secret emotional dalliances you don't the adults to see. And the account is specific and detailed enough that it doesn't seem like something a kid would just make up.

And then we go on a hilarious tangent about how Margaret accidentally spilled all the beans on Elinor's love life to Mrs. Jennings for not knowing any better how to respond to questions. :'D The poor girl asks Elinor for permission to say, so now Mrs. Jennings knows somebody exists. And then Marianne drags herself into it to defend Elinor's feelings, but Margaret innocently reminds her that all the speculation was her’s to begin with.

"Margaret," said Marianne with great warmth,

GREAT WARMTH! This is greatest warmth of Marianne yet, I have never seen her so upset, I'm rolling. Poor Margaret is a little out of her depth with all the adults bugging her for gossip, and the more the sisters try to contain her the more slips out. You can't expect so much from a kid. :'D

Thankfully Lady Middleton saves all the Dashwood sisters by abruptly and deliberately changing the topic to the weather, followed by sensitive Colonel Brandon. Nice save, guys! Willoughby, good man, invites Marianne to start playing piano too. Elinor is saved, but still thoroughly shook haha. Poor girl is not of a heart that can deal with this assault.

Chapter concludes with a quick two paragraphs which I guess will set up the next chapter; they organise a party to go party at an estate belonging to Colonel Brandon's brother-in-law, because, Sir Middleton has partied in that place all too much and yet never enough. Party. Sir Middleton: Party man, does whatever a party can. What exactly do landed lords actually do again?

All this arranged with open carriages and sailing, and I assume cold provisions to imply a picnic; "rather a bold undertaking, considering the time of year, and that it had rained every day for the last fortnight -" HA. Well, despite his extensive partying experience, we are given to understand that Sir M. is still a slow learner. Oh well.

... I just realised I found Margaret to be so entertaining I didn't realise the story had like... used her as a connecting factor to completely transition the theme, setting and topic of the chapter halfway through. I feel like this is important to note, as for the most part chapters in this story seem to stick to exploring one specific topic or person. This particular chapter was somewhat all-over-the-place topic-wise (Marillouby confirmed, Elinor's beau’s existence revealed) and the only unifying factor was Margaret shenanigans, which I love, but she isn't relevant to the central plot in the same way the two other pieces are. On top of that, the chapter ends on an otherwise random note that they're going to another party at a place related to Brandon; this isn't something that necessarily needed to cap off this chapter as far as I can tell.

I guess what I'm wondering is, this slightly frankenstinian chapter; is it the result of combining two smaller segments too short to be chapters in their own right, or is it more like... a deliberately transitional chapter? That the chapter lacks a unifyingly plot relevant topic to explore, because it's only concern is for setting up pieces for coming chapters at the new estate party? I guess I'll find out soon.

[sustraiii]

TEAM ZRCN ARC 3 - CHAPTER 9

You’re a mean one Miss Rossi.

Many thanks to @jaguar-knight who let me reference his character again in this chapter!

Slight warning towards the end as this chapter gets a little dark,

WISTERIA

For better or worse, Calantha Rossi had left the group. Wisteria couldn’t say she was surprised, she always expected the girl would wind up leaving them some day, either by her own volition or by Belleza’s hand. She was glad it was not the latter. Wisteria had little love for the Rossi’s and their allies, but Calantha was a sweet girl, and she had a certain naivety about her that reminded Wisteria of Nieve. There was also the fact that Wisteria felt some pity for the younger girl; seeing how Belleza belittled forcefully pulled her along at times reminded her all too well of her own experiences with her so-called “caregivers” growing up.

Shortly after arriving at the Rossi’s hideout for that day, it was Bianca who gave her a rundown of events that had transpired a few nights before, informing her of the attack on Cordovan Radcliff’s home, and the disappearance of Calantha. Bianca was clearly stressed at the disappearance of her younger sister, something which Wisteria doubted was helped by the conflicting stories given by Miho and Uriah.

The way Uriah told it, Calantha had betrayed them, and had retaliated in attacking Uriah, Miho, and Sparrow. He claimed he had tried to talk her out of it but that she had proceeded to shove him away and threaten him with the Sentinel that had been with them. Miho painted a more believable story overall, which Bianca herself seemed to agree with. Wisteria however was more cautious. Of all the people the Rossi’s had working for them, Miho and Uriah were by far the ones who were most loyal to Belleza, and would have done anything to curry her favour. It truly wouldn’t have surprised Wisteria if the pair of them were lying through their teeth and the poor girl had wound up killed in the crossfire.

What they really needed was Sparrow’s version of events. Wisteria didn’t trust them that well either but she knew them to be a more impartial voice when it came to certain matters within the group. Unfortunately, as was usually the case with Sparrow, they had since gone back immediately to their work, likely to only pop their head up once they had some useful information or if they were needed for a mission.

“So if you don’t mind me asking where is Belleza today?” Wisteria asked idly. Personally, she didn’t really care where the older Rossi sister was, she just found it odd not pacing around the place, gloating about how she always knew Calantha was a weak link.

Bianca was currently looking at a computer screen, entering some information into asset files. “I’ve sent her to look for, Cala,” She answered without looking up.

“Huh,” Wisteria said, blinking in surprise. “Not who I would have suspected you’d send to do that, given their relationship.”

“I needed her out of my hair,” Bianca admitted. “I know too well Belleza won’t bother looking for her, despite assuring me she would. With Belle out of the way it means I can focus on using our various hacks and access codes to the Atlas CCTV network to track her down. And then when I do find her, I can send someone I trust to retrieve her, such as you or Laurel for example.”

Wisteria’s scroll buzzed in her pocket but she ignored it. “I thought Laurel was off schmoozing some rich guy for you.”

“She is,” Bianca confirmed. “But Maxem Wulfric is still a low risk target for us, and should I need her, I can pull her out of her mission.”

Wisteria was about to say something when her scroll buzzed again - not just once but twice. Deciding she couldn’t ignore it any longer, she quickly pulled it out of her pocket and frowned at what she saw. There were three messages from Nieve glaring back at her. What was strange about these messages were that they looked as though they were responses to a conversation agreeing to meet up with someone in the back alley of the apartment building where she was currently staying. What was troubling, and somewhat concerning for Wisteria, was the fact that they had previously been communicating via a spare scroll Wisteria had bought, fearing that her own had been compromised.

“Something wrong?” Bianca asked, turning around in her chair to look at Wisteria with a raised brow.

“It’s nothing,” Wisteria was quick to say, hoping that would be the end of it. But the longer she looked at the message the more troubled she felt. “Actually, there’s something I need to take care of. Do you mind if I call it quits for today?”

Bianca held her gaze for a moment, as if trying to decide whether to let her go or not before shrugging. “You may,” She said with a flick of her hand. The Rossi woman was quick to swivel around in her chair and return to her previous work. “I won’t ask where you’re going, but if you are able, please keep an eye out for Calantha.”

Wisteria didn’t hesitate to try and call Nieve upon leaving the hideout. In fact, she wound up trying three times whilst she made her way to the apartment block. As she walked, her confusion and concern began to give way to annoyance, annoyed that after all these months of precaution her friend had been so reckless. Especially more so given that these messages implied she had been talking to someone other than Wisteria, which they had both agreed to be cautious about given the potential compromise of their scrolls.

Approaching the apartment building, Wisteria would continue to make her way up the street, before making a left turn and heading down a path between two houses, which looped around to the alleyway Nieve had mentioned in her message.

As Wisteria made her way down the alley, she was both pleased and annoyed to see Nieve already waiting outside, propped against the wall of the building. When she heard footsteps approaching, she turned to look in Wisteria’s direction, but upon realising who was coming towards her, her expression changed considerably.

“Wisteria?” Nieve blinked in surprise. “What are you doing here?”

“Don’t ‘Wisteria’ me!” Wisteria yelled, coming towards Nieve and giving her a sharp prod in the shoulder. “What do you think you’re doing messaging me out of the blue like that? What happened to us being careful, Nieve?”

“I didn’t message you!” She protested, rubbing her shoulder quickly. 

“Then explain this!” Wisteria argued, pulling out her scroll for Nieve to see the messages. Nieve came forward to read them,  squinting at the screen as she did so. When she pulled away she seemed genuinely surprised. “Those are my messages,” Nieve confirmed before shaking her head. “But I didn’t send them to you.”

“Then who did you send them to?” Wisteria pressed, gripping Nieve’s shoulders tightly.

Before Nieve could respond, their argument was interrupted by what sounded like a photograph had just been taken. Both Wisteria and Nieve turned in the direction of the sound, and Wisteria felt her heart sink when she saw Belleza and Miho standing opposite them.

“Catch, Miho,” Belleza said, tossing her scroll at the larger woman. “Once we’re done here, send that picture to Bianca and tell her to file it under times I was right and she was wrong.” Belleza proceeded to burst out into laughter at this, holding on to her weapon with her free hand as she creased with laughter. When she straightened, she looked Nieve straight in the eye. “So are you going to tell her about your secret conversations with Theo or should I?”

“Theo?” Wisteria frowned as she said the name. It took her a moment to piece it together. “Theo as in Theodora? Ulysses’s sister?”

Nieve tensed, and looked nervously between Wisteria and Belleza. “I’ll explain later!”

“Hah! You won’t,” Belleza taunted from the opposite side of the alleyway. Wisteria noted that she was gripping her weapon in more of an attacking stance, and Miho was also beginning to move into a fighting stance. “You’re not going to be leaving this alleyway.”

And then Belleza ran for them, her weapon held out in front of her, as through ready to run them through. Although neither Wisteria and Nieve could reach for their weapons immediately, Nieve was quick to deploy her webs, shooting a small one at Belleza’s legs, entangling her feet and causing her to trip and hit the floor hard. 

Belleza was already beginning to work at freeing her feet when Wisteria and Nieve charged Miho. Miho was a strong and heavy hitting opponent, and could have easily gotten the upper hand on Wisteria had she been alone, but with two opponents that were light on their feet she seemed to be struggling to keep up.

Wisteria and Nieve were able to get a few solid hits on her, before a sharp swing sent Nieve staggering back and breaking apart the duo. Unfortunately, by that point, Belleza had also freed herself and had reentered the fight, now having shifted her spear into its more compact form, allowing her to more effectively slash and parry with Nieve.

With Nieve left to deal with Belleza for the, Wisteria knew she was the only one who could weaken Miho. Punching her would be useless, and her gauntlets seemed to deflect her bullets easy enough, so she would have to rely on her semblance to distract the bigger woman momentarily. It worked, if only for a moment, allowing Wisteria the chance to get in close and try and weaken her aura. Her downfall came when she aimed a high kick at the woman’s torso, but Miho quickly recovered from the initial blast of Wisteria’s semblance, for she caught her foot and then forcefully pushed her away.

Wisteria skidded backwards but was otherwise unhurt. She was about to ready her gun to shoot at Miho, when a sudden cry from behind, stopped them both, and they turned to see Belleza and Nieve falling away from each other.

As Nieve stepped back, her aura flickered around her, clearly weakened from whatever attack Belleza had landed on her. But there was one small victory in that Nieve had landed a more harmful blow on Belleza, whose lack of aura meant she had easily been cut across her right shoulder. She seemed to be bleeding quite badly, and was using a hand to stem the blood while leaning on her weapon - once again in its spear form - for support.

“Miho,” Her voice called out, more strained than usual. “Break her aura.” And she pointed a bloody finger in Wisteria’s direction.

“As you wish,” Miho said, dipping her head in acknowledgement. She cracked her neck before punching the air with both of her fists at the same time, combining their power into a stronger blast of energy. It was all Wisteria could do to throw her hands up and try and shield herself.

The blast hit her hard, and whilst that hadn’t broken her aura entirely, getting knocked back into the wall behind her finished it off. As she slid down the wall, she was aware of the ache in her neck flaring up from getting flung backwards. Still disoriented from the attack, it took Wisteria a moment to regain her bearings, but hearing Nieve cry out in pain stirred her into action.

Watching as Nieve was thrown to the floor by Miho, Wisteria shakily raised her gun trying her hardest to stop her hands from shaking and aim towards the larger woman. Just as she got a good angle, Belleza interrupted her, kicking her arm just as she squeezed the trigger. Rather than hitting Miho the bullet struck the ground harmlessly.

Wisteria grunted in annoyance, and attempted to aim her gun at Belleza, only for the woman to preempt her attack, and wrestle the gun from her hand and throw it to the side.

“Come here!” She growled in a commanding voice, before grabbing at Wisteria’s hair and half yanked half dragged her away from the wall. Belleza threw her to the floor opposite Nieve, who made a pitiful attempt to try and reach out to her, before Belleza yanked her up into a kneeling position.

“Nie-” But before Wisteria could even finish saying Nieve’s name, she was aware of a gun being pressed against the back of her head, presumably her own as neither Belleza nor Miho typically used a gun.

“It would be so easy to kill you right now,” Belleza mused from behind. “One small squeeze would be all it takes to end your pathetic little life.” She inhaled deeply. “Unfortunately for me, my family still has a use for you and your semblance. We can’t rough you up too much, but as for our friend Nieve, well let’s just say she’s fair game.”

Wisteria’s eyes widened when she realised what was going on and tried to turn away as Miho began to punch and kick Nieve. However, Belleza was quick to grip her head and prevent her from moving. “Ah,ah, ah, Wisteria, this is your punishment. You don’t get to look away,” Belleza cooed, leaning in close and digging her nails into Wisteria’s skull. “You'll want to watch this.”

[drebspells2022]

Aggretsuko haida and retsuko analysis

I want to start off stating season 2 was amazing every new episode I was entertained from beginning to end and I absolutely adored all the characters they introduced ( Anai tadano) as well as fleshing out the characters of the main cast (Ton Retsuko and Kabae and I'll get to that analysis another time) I even liked the mini romance between tadano and retsuko as much as I ship haida and retsuko I found them cute together so much so I actually didn't mind haida and retsuko getting together this season

And here's why

I'm sure a lot of people already noticed this but there's definitely a lot similarities between season 1 and season 2 arc wise mainly in first half we deal with the stress and hardship retsuko suffers from her job and having her belt out a (catchy) death metal song and in the second half we have her meeting the "guy of her dreams" but there were some notable differences first and foremost was lots of characters being fleshed out and I found the tadano and retsuko arc engaging mostly due to the fact that the feelings were mutual they just couldn't see eye to eye on the future and that's great, that's real that's something most couples commonly struggle with myself included (topic for another time). One more major difference between 1 and 2 was haida and retsuko relationship this season despite romance wasn't the main thing between them that doesn't mean there was nothing they're few examples I could name such as haida having retsuko's back with Anai even though it got him on his hate list, haida talking to retsuko a lot more and I mean genuinely talking to him such as the whole conversation about parents him geeking out about tadano, also him helping retsuko get her point across with tadano about their relationship and where she wants it to go and telling her "that's what friends are for" these little moments are giving a little bit development between that's going to be very important way down the the line and here's how

Another notable similarty between 1 & 2 is how they end with retsuko showing her death metal side while venting her worries and concern about the relationship she's in to last person she wanted to vent to about it: the person she's in love with. Retsuko always seems to do this is a test of sorts or a last resort to see if that person truly loves her for her and both men have failed the test but in different ways Resauske was too socially inept and indifferent to Retsuko making her realize that her relationship was completely one-sided and tadano truly did love retsuko and wanted to be with her and her only her but Retsuko wanted it to be official and we'll he didn't and from his point of view him not wantings to marry is not a bad thing I believed him when he said he wanted to be with her and she believes him to but she was finally ready to bear the responsibilities of a wife and mother and it was her dram to marry him and dream she did not want to compromise no matter how much she liked him.

What does this have to do with Haida?

Imagine Haida and Retsuko do start dating these start off good enough just casual hanging out not too much different then when they're friends except for the occasional hand holding little things that gives a little confidence in their relationship but then they start to get serious retsuko hesitant not because she doesn't like Haida because she does she's starting to lose the whole friend image of him and is starting to see him a potential partner in life...and that scares her. Retsuko looks back on her previously attempts at relationship ( no whether they pick up that Haida and Retsuko ship after season 2 or there's other stuff in between I don't know right I'm just speculating but I'm hoping for the latter because you know, build up) and how she thought they were "the one" before and how she was left heartbroken and disappointed she couldn't go through that again for her sake as well as haida's she had to be sure. It was time for another "test"

Retsuko brings Haida to the karaoke bar and starts off sating she's been thinking about the two of them and she wants to talk meanwhile, Haida is freaking out internally and is worried that he might of rushed her and she was going to break things off so being the insecure, and overly nice dork that is he's about to apologise profusely saying he's fine the way things are and if she's not ready that's fine but retsuko cuts him off asking him to hear her out first. Haida sits down in apprehension and curiosity. Retsuko starts by saying before we talk about us there's something you have to know about me and my thoughts on our relationship and as she's talking she's typing in her go to song and getting her mic ready while Haida looks on in surprise because the song is so familiar and Retsuko...

Let's loose completely with the power of death metal she screams on and on about how she does this almost every night how she wants this relationship to go somewhere how much he means to her etc. While haida

Haida

Haida doesn't know what to think at first he's overcome with so many emotions shock over retsuko screaming out of nowhere and death metal of all things, awe at her being in to death metal and finding it pretty attractive and last not least happiness that he just as much to her as much as she means to him and he was stressing over nothing. Relief hits him after the shockwave of the other emotions starts to subside and vows once she's done welcome this restuko with arms wide open and have a thorough conversation about their relationship

And that's my theory on how their relationship is going to progress more or less. I feel like Haida and Retsuko is going to happen it just might take sometime and I kind of hope it does I want this relationship to flourish there so much room for them grow and I can't wait to see what they do next with this series even if haida and retsuko don't end up together I hope we have a ending that's satisfying

[aquilamage]

I have had the Faraday family on the brain so much lately, and I love them they’re amazing, and I have not written nearly enough of them, so here we are.

The first time it happens, Badd is over at the Faradays’ working on a case.

“Hey Dad, can you come help me with this?”

It isn’t until he pulls his head out of the fridge to berate Faraday for ignoring his daughter that Badd realizes he hasn’t come downstairs yet. Instead, Kay sits at the kitchen table holding a workbook and watching his silence with big eyes and a tiny frown that grows as the moment stretches on.

He soon comes to the conclusion that she hasn’t realized what she’d done. She’s just so used to saying it with her father, and with the familiar setting, it makes enough sense. Badd shakes it off and goes to assist her without comment.

---

The next one he almost misses.

Despite the fact that he was only delivering paperwork, Kay insists on accompanying him around the office. She spends most of the time tucked under his coat (which is helpful, considering that Faraday has gone and pinned his badge on her again. Not that Badd doesn’t also enjoy the poorly concealed annoyance on the other prosecutors’ faces, but he would never admit that. Besides, it’s an inconvenience he’d rather not have to deal with right now) with a practiced step that keeps them from tripping each other up. What she does manage, though, is to startle him a few times. Despite being so much smaller, Kay’s been steadily improving at matching the sound of his footsteps until he almost forgets she’s there. If her tiny bouts of laughter are anything to go by, she’s very much enjoying her newfound ability, and he can’t bring himself to be upset with her about it.

When they get back to Faraday’s office, he holds up the edge of his coat to let her out.

Giggling, she throws out a quick “thanks, Dad!” and reaches for the door handle.

Lost in thought, he nods. It’s a couple steps later when his brain catches up with the content of what she’d said, not just the meaning. It would’ve been easy enough to dismiss it as another accident of the same kind if it hadn’t been for the fact that when Kay sees her father and runs for him, what she yells is “Hi, Daddy!”

---

He still doesn’t address it, even as it continues to happen every so often over the course of the next few months. Which, other than himself being more troubled by the implications, seems to work out alright.

Right up until the moment it very much doesn’t.

It’s at the Faraday household again. Badd is attempting to convince Kay to get going for school while Faraday’s busy in the kitchen. While she does finally give in, his sense of accomplishment is immediately brought crashing to a halt by her response of “alright Dad, I’m moving”, that’s made just as Faraday walks into the room.

Up until now Kay’s only said it with the two of them around, something he hadn’t put much thought into. As he watches Faraday blink in surprise, though, he curses himself for not worrying more about this exact situation. He doesn’t know if he expected Faraday to be angry or weirded out or what, but Badd tenses up even more when the response is laughter. “What?”

Faraday shakes his head and turns to Kay. “Why don’t you take your things out to the car, sweetheart?” As soon as she’s outside, he leans back against the doorway, still smiling, albeit with the beginnings of the thoughtful look he gets when talking to a potential witness.

“Sorry about that.” Reading the atmosphere, there doesn’t feel to be a need for an apology, but in the absence of having anything else to say, Badd throws out an easy way out for the both of them. Something to shrug off the situation and then never have to talk about it again.

So of course Faraday laughs more. “There’s no need for that.” Seeing Badd’s skeptical look, he sighs, looking at him with surprising seriousness. “It isn’t- …I really don’t mind.” A brief pause where his expression teeters a few shades towards concern. “I can talk to her, if it bothers you.”

“No. It’s fine.” He’s surprised by his own response at first. But then when he thinks about it more, it’s not that he’s bothered by Kay’s actions so much as that he’s not unbothered by it. That’s all far too complicated to explain in the moment (especially given that he’s just started tugging at it himself), so all he adds is “but…make sure she knows not to let it happen in front of anyone else.”

Badd sees the way Faraday’s demeanor lifts at his first response, stance more relaxed; the expectant tilt of his head he does when he’s sure the person he’s listening to has something else to say; and the extra moment than usual it takes him to read Badd’s indication of being done with the conversation �� but none of it registers at the time. All he notices is Faraday nod, and they head out and go their separate ways without further comment.

---

He’d meant it when he turned down Faraday’s offer to talk to Kay. Despite that, and despite the fact that he also hadn’t had any intention of discussing it with her himself, that’s exactly what he finds himself doing after another dozen or so instances of her calling him ‘Dad’.

“Why do you keep calling me that?”

She licks her fingers clean of sandwich jam before answering, casually, “Because that’s what you are.”

He stares at her from the other side of the bench. It’s in hedged-off grassy area - too small to be called a park but lacking in any other features that could designate it as anything else - almost halfway between her school and his office. “How…do you figure?” They’d learned a long time ago that just telling Kay ‘no’ about something she’d made her mind up on rarely ever worked.

Her eyebrow raised, she stares at him for a moment as if she can’t believe he even has to ask. “You do all the same stuff.” She shrugs.

He wants to argue with her that that’s not true. After all, it’s not like he raised her. He’s just been helping Faraday out. Trading off different tasks when they worked together and occasionally watching her by himself when they weren’t. Making sure she was always kept safe, including teaching her to look out for herself as much as could be expected for her age. And of course seeing to it that she was happy and healthy.

…All of which he’d done on practically a daily basis, pretty much since the day she was born.

Well, shit.

If anything, the urge to protest increases, but he knows any differences he could come up with would be technicalities; everywhere it counts, he has indeed been like a parent to her.

He opts to change the subject then, but it’s something he finds himself spending the rest of the day freaking out about in the back of his mind. Badd has always cared about Kay, and always been keenly aware of that. But…the idea of being a father for her – it’s not what he’d been trying to do or ever even thought of as a possibility, but without him noticing it’s passed from possible to a very obvious in hindsight reality. Practically speaking, there’s nothing that would change because of that title, but in his mind there is a world of difference between “family friend who watches out for a kid a bunch” and “father,” and the responsibilities and expectations associated with the latter are not ones that he wants to mess up. Not with Kay.

“Got something on your mind, Badd?”

He looks up from his papers (that he’d admittedly been staring at without really reading) to see Faraday, sitting on the front of his desk, watching him with a cautious tilt of the head.

Then, of course, there’s the whole other side to the problem. After all, it’s not as if Kay is lacking in a present and caring father already. Hell, he doesn’t think there’s a real person who could be better than Byrne tries to be. The idea of someone else being in that same place…that doesn’t seem like something Faraday would just brush off. And yeah, he hasn’t had a problem so far, but how much beyond ‘casual amusement at his small child’s antics’ is that going to extend?

“Does it really not bother you that Kay’s been calling me dad?” It’s not meant to come as accusatory and sharp as it does, and it takes the both of them off-guard.

  Soon enough, though, Faraday recovers. “No,” he says, with the same surety he had the first time.

Badd wants to believe him. To drop it again and just accept that it would all be fine after that. But he’s known Faraday long enough, been paying enough attention to the details of this whole affair in turning them over in his head, that he can tell there’s something else going on. He just doesn’t know what.

In an ideal situation, it would be something benign. Considering how things actually go, he’s pretty sure it’s not, and that does not encourage him to go near the subject. Not only would it affect himself and Kay, but also with Faraday. They’ve been working together for so long, and so well, because they know they can trust each other (none of which he can say about the other prosecutors). Even outside of work, Badd finds him to be an enjoyable person to be around. Sure, Faraday gets on his nerves, but not in the same way that anyone else does (and if he’s being honest, he doesn’t mind it nearly as much as he makes it seem). He’s worked too hard to keep things in a safe place between them to risk things here.

Problem is, their understanding of each other goes both ways. Badd doesn’t actively react to his answer, but it’s easy enough for Faraday to pick up from the stiffness of his body language that something about it is troubling him. “I mean that.” He runs a hand through his hair. Sighs, and continues, more solemnly. “If she’d also stopped calling me dad, then I’d be concerned. But it’s not like I’m being replaced, and if it makes Kay happy without bothering anyone else…” He trails off as Badd continues to stare at him. “What?” It’s said with genuine concern.

Which is fair, since Badd’s expression has grown intense and thoughtful. He doesn’t respond yet, though. He’s much more occupied by the realization that what Faraday’s said has reminded him of a different conversation they had ages ago.

He can’t recall the exact context of what led up to the question, but since what followed was the important part, he supposes he shouldn’t worry. Kay had been about four (and Badd has to take a moment to think about when exactly he started measuring memories with her as a baseline. He doesn’t know) when he’d stumbled on the question of why Faraday hadn’t had a significant other since before Kay was born.

“I’ve managed just fine on my own so far, haven’t I?” he responded with the usual deceptively careless confidence.

Badd raised an eyebrow.

He sighed. “Alright. We’ve been doing fine. I don’t recall asking for your help, though.”

He hadn’t. Despite being in a near-constant state of exhaustion in the months following Kay’s birth (not helped by the fact that he’d gone back to work almost right away instead of giving his body a break), Faraday had refused to let Badd do anything. Getting Faraday to accept help had been less ‘making an argument that he agreed with’ and more ‘literally taking Kay out of his arms when he fell asleep holding her and staring him down when he tried to argue his way into getting her back the moment he regained consciousness.’ It wasn’t often that he was that destructively stubborn, but for better or for frustrating, Badd soon learned Faraday would always have an extra layer of caution when it came to his little girl.

“Besides, that’s not even…” He paused, sighed. “Well, it does have to do with Kay, but not like that.” His words took on an even, steady pace that usually only comes with practice. Clearly this was something he’d been thinking on a lot. “There aren’t a lot of people out there who are interested in someone who’s already got a kid. Even among the ones who don’t have a problem with it, the prevailing attitude I’ve encountered is that they’re willing to ‘work around it’ rather than having an active interest in her as a person too. That’s not what I want for her.” He leaned back against the wall, hands in his pockets. “Kay deserves someone who loves her absolutely, and I’m not even going to consider anyone willing to do less.”

For a moment, Badd simply stood there, trying not to stare, to give anything away. The conviction in Byrne’s voice alone was like nothing he’d ever heard, something he’d felt echo through him. And honestly, when he thought about it, based on what he knew of him, he would’ve been disappointed to hear anything less from the likes of Faraday. Instead of any of that, though, he said, “You might be…waiting a long time on that.”

He smiled. “If it makes Kay happy, I can live with that.”

---

Now, he doesn’t know if the connection truly was intentional, but there’s something about the way it was said that Badd can’t ignore. He softens his voice, trying to keep his expression safely neutral. “You got something you want to say to me, Byrne?”

He jolts out of his slouch. “I don’t know what you mean.” With the light of the encroaching sunset at his back, it’s hard to see well enough to make out his facial expressions, but there’s clearly the same flavor of defensive posture as when he’s thrown off-guard in court.

Again, it would be so easy to use that as a cue to stop pushing. Badd doesn’t know whether he’s nervous about being right or afraid of being wrong, but suddenly what Byrne’s trying to hide might not be such a bad thing and he has to at least try. He raises an eyebrow, doesn’t give any ground. “All I’m saying is, I’m pretty sure we’re both remembering the same other conversation about you doing things for Kay.”

Faraday sucks in a breath. Then, after a moment, he sighs, slow and heavy. The tension’s gone from his body, but he’s not so much relaxed as resigned. “I should’ve expected you would figure it out eventually, no matter how much I tried to hide it.” A dry laugh. “Not that I even intended for it to happen in the first place. I mean, when I said about Kay and someone caring about her, and-“ Shaking his head, he gets off the desk. “I’m sorry.”

Even despite the fact that he’d started thinking things could go this way, hearing the confirmation leaves Badd stunned. He’s always known Byrne enjoyed being around him, the whole deal, but he’d never thought he would have feelings for him (that’s a bit simple of a way of putting it, but the first alternative phrasing his brain supplies is far too direct and too much for him to consider thinking yet). Because of this, it takes him a while to register that Faraday is going through the files of his drawers. “What…are you doing?”

“Look, it’s your choice, but I don’t know how comfortable you’d be still working together, considering.” He looks up from where he’s kneeling to where Badd is standing on the other side of the desk. There’s something deep in his eyes, a fear that Badd’s never seen from him before. “You don’t have to stick around, but…if we could at least figure out something to soften the blow for Kay?”

Oh. “Is that why you never said anything?” Taking care to soften his movements as much as possible, he moves over to sit on the floor next to Faraday.

After a moment’s consideration, he plops down as well. “I know, right?” He rests his head in between his knees. “Finally find someone who cares about her, but then I realize I’m still in a situation where doing anything about it would compromise things.” A hand combs his hair out of his face. “Well, that and,” the same hand waves as much in the vague direction of between the two of them as it can considering that he’s not looking. “Prosecutor. Detective. I didn’t want to make you feel pressured to act a certain way, even unintentionally.”

There are so many ways he could respond to that, but he settles for the simplest, most general but true. He doesn’t want to press Faraday’s nerves so far so fast. “As if…I ever let that happen before now.”

There’s a lengthy pause in which the only apparent movement is his breathing and his eyes darting back and forth as he thinks. Finally, he laughs weakly. “Yeah. I guess you’re right.” He sits up enough to cross his arms over his knees and then rest his chin on that, still staring at the underside of his desk.

When Faraday doesn’t make any other moves, Badd huffs. He certainly can’t blame him for not picking up on the full meaning of what he’d said, in the circumstances. And since Byrne’s already gone and done the harder part, it’s only fair that he makes sure the truth on his side is fully laid out as well. “It’s not terrible reasoning. But there’s a few things you haven’t considered.”

Byrne turns his head just enough to look at him.

“Like…if I really cared about Kay so much, knowing how attached she is to me, you really think I'd drop out of her life like that, no matter how I felt about you?"

His eyes widen to an extent that would be comical were it not for the grimace that follows as he smacks himself on the forehead.  He takes a long breath. “I’m pretty stupid, huh?”

“No. Just dense, sometimes.”

The familiar response does some to lessen his tension. "I guess we'll figure something out, then." Byrne closes his eyes, and his posture has something of his usual, animated self in it again even as he rests for a beat. Then he tilts his head to the side. He draws his words out as he picks them, carefully, half question half accusatory statement. “You said- things… I hadn’t considered.”

“Yeah.”

He shifts to face him. “What else?”

"Your other assumption...was that your feelings were going to be a problem for me in the first place." Badd finds himself leaning in as he speaks, dropping his voice even though there isn’t a need for it.

A flash of confusion across his face. “You don’t mean…?”

The fearful disbelief in Byrne’s tone is what gets to him most out of everything that’s happened. The raw feeling to it, even with Byrne knowing what the intent behind Badd’s words has to be – if he’d had any doubts about whether Byrne really felt that way about him, they’re gone now. Badd knows it’s only fair, then, to give him the same absolute certainty.

Well, evidence usually did the trick. So, in response, Badd simply tugs at his scarf, gently pulling Byrne forward to kiss him.

It lasts a few seconds wherein Byrne doesn’t react at all. When they pull away, he simply breathes out a barely audible “oh.” But then, before Badd can voice the concerns that have begun to sprout, Byrne throws his arms over Badd’s shoulders and all but yanks him into a second, much more fervent kiss of his own.