#go find the translation too

[egophiliac]

I always though Mal's mom was meant to be like "Eleanor" but they stuck an M at the start honestly, Sobbing Emoji. But "Maleanor" also makes me feel less insane since in that scene where she's just handed egg Malleus to Lilia and went to battle, it sounds more like Lilia is saying "Maleanor" than "Meleanor" (Japanese accent pending). Mayhaps they went more with what it sounded like the characters were saying :0 (we don't talk about Doodle Suit to Paint The Roses)

the transliteration of her name is Marenoa (マレノア), which is what all the voice lines are saying! all the Draconias' names start with マレ (Malleus' grandma is Maleficia/マレフィシア) as a nod to Maleficent. :D it's almost certainly a take on Eleanor, which is Erenoa (エレノア), but her name is written in English at a couple points, and I was pretty surprised to see it was Mel instead of Mal!

and, like, that's fine, it wouldn't be first Twst romanization that's tripped me up (like Keito for Cater, I know that's something to do with the loanword specific to playing cards(?) but it's just not how my brain wants to read it). but now Eng has given us Maleanor! and someone else said it was spelled inconsistently between Maleanor and Maeleanor??????? so WHO KNOWS it's a SPELLING FREE-FOR-ALL

I AM torn on which I want to use, because Mel just sounds so cute to me (and is what I'm used to now), but...the Mal consistency is kinda too good to pass up. alas, alas, truly these are the most difficult conundrums of our times. 😔

[littlecrittereli]

Okay I gotta say your art + story have gotten my fanfic engines a churning and now I'm picturing AU with the bros starting out in the wildlife game but with Martin as an 18-19 year old and Chris as this 14 year old and it's more "panicked older brother trying to keep his baby bro safe" while they encounter poachers/dangers.

OKOK HEAR ME OUT....

Martin has legal guardianship over Chris (uhh parents gotta die for this i am so sorry mom and dad kratt but it's for the fanfiction so please forgive me) Which is why a 14 year old is able to join their research team. Martin is technically "homeschooling" him, (i mean technically he's learning on creature adventures so...)

Martin was offered a once-in-a-lifetime opportunity to join the Tortuga research program and Chris didn't want to be the reason that Martin held back on his dreams. So, Chris was basically like take me with you, I'll be good and stay out of trouble I promise. So basically Martin is trying to do his job while simultaneously juggling the responsibility of raising Chris. And the rest of the team helps out as well so they all become a little family and go on these adventures.

The rest of the team would step into older sibling roles as well: Aviva would teach Chris about programming and engineering, Koki would show him how the Tortuga runs and how to make small tune-ups, and Jimmy would teach him how to bake and play video games with him. JUST IMAGINE THE POSSIBILITIES

I don't think Aviva would make a CPS for him, Martin would lose his mind if she did. Chris was already a handful, he does NOT need to be running around as a gecko. Maybe she could make a less extreme version of the suit for him? Like a partial creature power suit, where it can give him traits of animals. Instead of turning into the whole leopard, it just gives him leopard claw gloves and a tail for balance. So a little kiddy version of the CPS. IDk it's just an idea.

[orange-cheetah]

Makochi Townspeople Profiles

The People Who Give Makochi Town Its Colours!

Yama-jii (山じい)

An elderly man Sakura met at Café Pothos. He was grateful when Sakura let him know he'd forgotten something behind. Kotoha calls him "Yama-jii".

Satou-baachan (さとうのばあちゃん)

Sakura gave her a piggyback ride since her hips were hurting so much she couldn't stand. Jumped off Sakura's back and landed like someone from the Av*ngers.

Liquor store (酒店) - Butcher's (精肉店) - Fruit and vegetable store　(青果店)

Bakery (ベーカリー)

Taiyaki place (たい焼き店)

Monjayaki place (もんじゃ焼き店)

The People of Tonpu Shopping Street (東風商店街の人々)

The people running shops on Tonpu Shopping Street. They give Bofurin gifts from their shops like bread and fruit for protecting the town. There are also people like the owner of the liquor store, who challenges underage Sakura to a drinking match…

Granny of the first aid kit (救急箱のおばあさん)

A kind old woman who brought a first aid kit over to tend to Sakura, who had been stabbed in the leg. This became an opportunity for Sakura to start building relationships with others again.

The girl Nirei helped (楡井が助けた女性)

The girl who asked Sakura for help as Nirei was getting beaten one-sidedly by some delinquents. The reason Nirei got involved with the delinquents was to protect her from them.

Sasaki (笹城)

The junior high school student who found himself caught up with Shishitoren while chasing a shoplifter on the shopping street. Sakura and the others saved him while he was being attacked by Shishitoren.

The female student Kiryu helped (桐生が助けた女子生徒)

The girl Kiryu brought to Muscle Power. She was being harassed by some delinquents but received help from Kiryu.

Granny (おばあちゃん)

Asked Kaji and the others for help when her pet cat Risa-chan went missing. This doesn't seem to be the first time Risa-chan has run away.

Risa-chan (リサちゃん)

A cat with a pink ribbon as its defining trait. Perhaps because it was being chased by Sakura, its momentum caused it to jump into the river, but was saved by Kaji.

土屋 (Tsuchiya)

A childhood friend of Anzai who used to play with him at the park since they were little. Even now that Anzai has entered Furin High, it seems they still meet at the park of their memories.

長門 (Nagato)

Anzai's childhood friend. Mature and kind, he always went along with Anzai and Tsuchiya's recklessness. After that, the three of them went to different high schools and became separated.

[masterlist]

[classicslesbianopinions]

i hope people know that goodreads quotes are, like, user-submitted and often not very reliable. and particularly when it comes to quotes from translated texts and especially when those texts have multiple translations/adaptations, you will find quotes from various writers/translators all attributed unambiguously to one ancient writer. like, you can find at least one quote from the movie troy attributed to homer on goodreads. and if you've read any homer it's glaringly and wildly obvious that it's not homer, but obviously not everyone has read homer (and that's okay). but like. if you're looking for a quote for a tumblr post or edit or fic title or whatever else and you find a quote on goodreads (or on tumblr) attributed to an author who did not write in english with no translator in sight maybe give it a google to see if you can find the specific translation/adaptation it's sourced from. you won't always find it but you literally cannot trust goodreads.

[cerealmonster15]

silver 😑 with his one(1) facial expression + the two most expressive people on this earth that he hangs out with every day

and kalisil :3

[koshercosplay]

got this amazing find at a secondhand jewish bookstore yesterday for only $2!!

[gareleia]

THE KNITTING SAGA BUT HERMES IS A DUMMY

update: my co-writer friend FINALLY got a tumblr account, so I can tag them now!!

previously: part 1 part 2 part 3

next: part 5

m'kay, so, we've talked about Athena & Telemachus' issues. now let's touch on Hermes, because a Diva™ like him deserves his own post. and also because this had been sitting in my notes for so long i've genuinely forgotten about it (i'd say that it's what translating a musical does to you, but honestly my attention span is just shit)

now, as much as I love Soft Boi!Hermes, I even more so love prankster Hermes who doesn't really recognize personal boundaries or the meaning of 'too far'. he's the guy who'll commit to the bit so far, he'll commit mass murder with a Tee-Hee and genuinely wonder what has got everyone so upset.

kid!Telemachus, holding a cup of poison: grandpa, are you sure it's a good idea? I'm scared… Hermes, laughing his ass off in the corner: of course I'm sure, champ! it'll be hilarious! good ol' game of Ithacean Roulette! now dump it into the wine, let's see who we'll get this time!

at the same time, he's not selfish. he's very keen on doing things for the people he likes, and he cares enough to know when someone is distressed. he, as a god, is just so removed from traditional human morality that casual acts of cruelty are perfectly acceptable to him, while, for example, breaking an oath is a horrible sin.

think blue and orange morality stuff.

telemachus, outraged: …murdered his own family, can you imagine? hermes, equally outraged: I know, right? he gave a blood oath and broke it! disgusting! telemachus: why is that your only concern?!

but don't worry, helping to raise Telemachus and hanging around the same people consistently makes a real boy outta him gives him enough time and insight into humanity to start understand mortals better, and, as consequence, adopt some of their values.

especially the concept of spousal loyalty. Hermes is a patron god of thieves, and at the time taking someone's wife was viewed as an act of theft (because women were property, yeeesh). which is why to him Penelope's situation was less of a tragedy and more of a "well, my dumbass great-grandson Odysseus should've seen it coming. snooze you lose! ¯_(ツ)_/¯"

that is, until he gets to know her better. and suddenly she's not a prize to be won or a challenge to conquer. she's a smart, capable person that commands respect from anyone who's got a shred of self-awareness. she's got gentle hands, and a radiant smile, and a spine of steel. Penelope looked Hermes dead in the eyes and told him serenely to keep being a good influence on her son, she does not deserve to be reduced to a token and given away to the highest bidder.

hermes, initially: well, penelope's a rich, gorgeous, basically single queen. I'd steal her too, if she was my type. hermes, 10 years later: she's the smartest, ballsiest human woman I've ever met and if she only wants her Ugly Ass Groom then she'll fucking stay single until he comes back.

unfortunately for everyone else, Hermes cannot step in to protect her, because Zeus and Poseidon are both pissed off at Odysseus already, and if either of them notices Hermes (and/or Athena) interfering with mortals on Ithaca, they might take it as an invitation to follow suit, and then it'll be Troy Story 2: Electric Boogaloo.

so he stays his hand, and hangs around Telemachus discreetly, mostly posing as a human. for a god of liars, he's surprisingly bad at blending in for long periods of time. Hermes thinks he's an awesome conspirator. meanwhile little Telemachus didn't even realise it was a secret.

the only people who don't know that [insert alias] is a god in disguise are the suitors, who are notoriously either too stupid, too overconfident or too busy drinking to connect the dots. the exception is Antinous who pretends to be oblivious and makes sure the gods don't see him as a threat to their beloved little pup (otherwise he'd have killed the prince long ago).

the suitors, however, unanimously agree that they hate this weird annoying stranger, and try to get rid of him in increasingly elaborate ways, from poison to stabbing to wild animals to dropping pots on his head.

spoiler alert: it doesn't work.

hermes, next day: *comes back every morning like nothing had happened, whistling cheerily* suitors: WHY WON'T YOU DIE?!

eventually Antinous convinces them to give up so they don't piss off Hermes.

years pass, Telemachus grows. Athena teaches him strategy and arts of war. Aeolus gradually comes out of the hiding and becomes the resident lovable comic relief side character. and Hermes? he teaches the kid all the good stuff.

and it's not just lying, okay? (though it's a significant part of it) music, diplomacy, geography, street smarts, some history. he's a worldly god, had observed and been a part of countless cultures. above all else, he knows people. he may not really understand them, but he knows how to get what he wants from them, how to find common ground and how to spin things to get along with practically anyone.

and girls. Hermes helps Telemachus with girls.

because he's the cool uncle figure that Telemachus admires, the kid trusts him enough to ask the god for advice when he starts growing older and gets his first crush in his early teens.

and, on one hand, Hermes is ecstatic. on the other one…

telemachus, blushing and stuttering: there's a girl I met, she's so pretty, and cool, and, and, and how do I talk to her, do I just come up and say hi, but what if sh- hermes: … hermes: *blue screen of death* hermes: MY BABY-

it's the first time he truly starts to grasp how short the kid's life will be. because in the blink of an eye he turned from a newborn to an adolescent, and soon enough he'll have his own family, and Odysseus was already a king himself at this age, and Hermes is not ready this can't be it he can't just grow old and die

so anyway, he pushes the thought aside and pretends it never came up at all (because that always works, and bottling shit up never blows up in anyone's face, right, Athena?)

he gives lots of advice, from useless macho stuff to golden nuggets like "be yourself" and "show her respect". and, of course, he cheers from the sidelines, hiding 'inconspicuously'.

and it goes surprisingly well. the girl appears to find Telemachus' awkward attempts at flirting sweet and charming, and the boy is on the cloud nine.

but Hermes isn't. because, unlike the prince, his judgment isn't clouded by a puppy crush and he can see that the girl is actually a lying bitch, who's playing Telemachus like a fiddle, hoping to become the next queen of Ithaca. and he won't stand for it.

except Telemachus, for some reason, doesn't seen thrilled when Hermes tells him to dump the girl?? he flat out refuses to believe that, because love is blind and so are sheltered insecure teenage boys.

so Hermes, in his infinite wisdom, decides to prove to his naive little charge once and for all that the girl is just using him and doesn't actually love him. now, what's the first example of true selfless love from a woman that comes to mind to the god who had spent the last few years hanging out with the royal family of Ithaca? right, Penelope. and the one thing that characterises Penelope is her unconditional loyalty, even into the face of countless threats and temptations.

hermes, to himself: so, if I show the kid that the bitch will leave him as soon as she finds a better prospect, he will definitely admit I was right all along! and dump her! it's a perfect, easy, foolproof plan! I am so smart! what could possibly go wrong!

another spoiler alert: everything goes wrong.

the girl does happily jump into his arms as soon as he hints that he's a god/demi-god/just a cooler prince or something. she does it right in front of Telemachus, in fact, so there's no way he'd be able to deny the obvious.

on the bright side, Hermes immediately outs her as a lying bitch and publicly shames her, embarrassing her family and ruining her prospects of marriage and causing her to suffer for the rest of her life ('disproportionate revenge'? what's that?).

on the down side, for some unfathomable reason, Telemachus doesn't seem very grateful??? what???????

hermes: and so, AS ALWAYS, I was right. telemachus: hermes: but please, hold your applause! telemachus: hermes: I did it all for you, out of the goodness of my heart! telemachus: hermes: and please, don't apologize! you were wrong, I get it! no need to- telemachus: *bitch slaps his smug face and runs away, hurt and betrayed* hermes: *shocked pikachu face*

thing is, Hermes doesn't understand what he did wrong. in his mind he did a rather good deed: showed the liar's true colors, and spared the kid a lot of heartache down the line. he doesn't understand the feelings of betrayal from having someone he trusts explicitly outing him as a naive fool in front of everyone he ever dreamed of earning respect from. doesn't get the pain of having been cast aside by someone he liked in favor of a god, with whom he could never compete. can't imagine living in the shadow of someone he had never even known and being constantly reminded of all the ways he's lacking.

telemachus: I'm not a stupid child, hermes. I could've handled it. hermes: but you didn't listen to me, maybe you'd have never seen it on your own- telemachus: and maybe I would've. maybe I would've had the opportunity to find out myself, and maybe I would've learned from it, but you never gave me that choice, did you?! did you think i'm that dumb?! hermes: oh, come on, kid, you're not dumb- telemachus: THEN WHY DO YOU TREAT ME LIKE I AM?! WHY DON'T YOU EVER TRUST ME?!

aaaaand there's the core issue. Telemachus had spent his whole life being babied at best and looked down upon at worst. constantly compared to Odysseus and his more vicious peers, always shielded from making tough decisions and proving himself. he feels like he will never amount to anything, because no one ever lets him really try. as soon as it looks like he's going to make a mistake, someone (usually Athena, Aeolus or Hermes) swoops in and 'fixes' everything for him, just like they used to do when he was an accident-prone toddler. which he isn't anymore.

and Hermes doesn't understand that. to him, ten years is basically nothing. the kid can't have changed that much in ten years. because if he did, then he'll change a lot in the next ten years, and the next, and very soon he won't change anymore, because ten years are nothing and so are human livespans.

ten years are nothing, because to admit otherwise would force Hermes to face the fact that Telemachus, no matter how precious, is just as mortal as any other human. which amounts to basically losing him already. and Hermes can't.

he held that boy as an infant. he fed him, helped to teach him walk and talk and make silly faces. he can't lose this child to time, the one thing even gods can't really protect humans from.

Penelope finds Hermes sitting on her balcony with the most human expression on his face she'd ever seem him wear. he's lost, and confused, and full of regrets, and kind of terrified. in that aspect, he reminds her painfully of her husband.

hermes, mumble: he's growing older penelope, sighing: I know hermes: he's not a baby anymore penelope: believe me, I know hermes: but... what do I do now??? penelope: you let it happen. not much else you can do.

she talks him through it.

hermes, rambling: but I will lose him. I'll lose him if he grows old and dies. this is why I don't get attached to mortals, you die too soon. he can't die now. penelope: he's not going to die now. he'll become the king first, he will find a good wife and have children and grandchildren. he will become great, greater that I and his father could ever dream of. and he'll be happy. don't you want to see that? hermes: I do, but- I don't want him to grow up! penelope: then you finally know the biggest joy and the deepest pain of parenthood.

it doesn't fix his fear. doesn't fix his pain, either. but it does help fix his attitude.

because she's right. Telemachus is growing old, and he can't shelter and protect the boy forever. soon he'll become a man, then an elder. and there's nothing Hermes can do about it, short of dragging the prince to Olympus and begging Zeus to grant him immortality, which will never work.

Hermes and Telemachus make up, of course. the latter knows, deep down, that the former is just trying to take care of him. they make up and forget the fight - at least, the boy does.

Hermes will always remember.

and he will count every day, every wrinkle, every grey hair.

the joy and pain of parenthood indeed.

[ravencromwell]

The poem evokes human greatness and human vulnerability. People are “godlike” in their courage and skill, but even the greatest mortals fall and clutch the dust between their bloody fingers. The beautiful word minunthadios , “short-lived,” is used of both Achilles and Hector, and applies to all of us. We die too soon, and there is no adequate recompense for the terrible, inevitable loss of life. Yet through poetry, the words, actions, and feelings of some long-ago brief lives may be remembered even three thousand years later.

--Emily Wilson's introduction to the Iliad

[sundial-bee-scribbles]

"my education is my highest priority" everything returns to vocaloid

[misterradio]

[sisterdivinium]

Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.

Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.

Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.

And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.

An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.

Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.

The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".

Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.

But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.

Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.

However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.

What's more is that this lurking "optimism" matches really well with our own protagonist's personality.

And it makes perfect sense that Ava would do the best she could with whatever she is given.

Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.

Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.

Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?

True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.

And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.

Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.

Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.

It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.

[marragurl]

something something “crazy roulette” by crazy:b enstars is aventurine’s facade crying for help to keep living each day while trying to heal something something

[aria0fgold]

FINALLY DONE WITH THE ISAT OC! SOLEIL!!!

The creature... So first things first is some info about them pre- disappearance of The Country. They're a loyal follower and avid worshipper of The Country. They love the Universe sooo much that they made a wish to be able to read the stars, and the Universe answered. I like to think that the stars are talkative, some can predict what will happen in the near future, some are just "chatting" to each other about the stuff happening in the world they overlook. It's a somewhat useful ability that Soleil used to use to be able to either predict someone's future (rarely though, the stars hold many different futures and it's hard to figure out which is whose) or use it during funeral rites to have a more reassuring experience to the ones mourning that their loved one arrived safely among the stars.

And then they found out about The Cursing of Chateau Castle-- they kiiiinda got Really obsessed with the book series that they wanted to know more about it but there wasn't any more copies of it in the Country's language so what better way to deal with that but teaching itself how to understand the Vaugardian language, and by doing that they got to learn more about the Vaugardian culture and was really amazed by it (considering that they spent most of their life with the Country's culture instead, learning about a different culture is a great feeling). One thing led to the other and it also led Soleil to travelling to Vaugarde (something that their family wasn't all that happy with but they stay silly).

And so we're back at the present time! Now to talk about some details on its appearance.

Its Craft type is Scissors! The eye on the center of its chest and the eye by its nape are in fact EYES and not just accessories (although they did try to make the eye on its chest appear to be like a mix between a star shape and the Change Symbol).

After spending some time in Vaugarde, they learned about Body Craft in which case they decided to experiment with it in regards to its eyes.

Since being in Vaugarde, there wasn't much use to its star sight and there also isn't a way to "turn it off." So instead, they decided to separate its Normal sight from the Star sight by adding another pair of eyes on its body.

The eyes on its face are blind. They can't see through it anymore but they Can still see the stars (they can't read it anymore however cuz of the Country's disappearance).

If they focus on the stars using those eyes, they'd get a REALLY bad headache and a star sign appears on its eyes. Nothing to be afraid of probably, its head just Really hurts.

The glass covering the eye on its nape is a one way mirror. You won't be able to see the eye but the eye can still see you.

With its vision split, it actually took them awhile to get used to that. It takes a lot of concentration and focus to see both from behind and from the front. When Soleil gets tired from doing that, they either close the eye on its nape (if the place is safe enough) or unfocus it enough to the point that most of its vision becomes blurry with only being able to see blobs of shapes and shadows which helps them be alert enough in case something comes running at them from behind.

All the round objects you see on its body are Bombs. They found out about Bomb Craft in Jouvente and was so fascinated by it that their inventor brain (inventing, crafting, and repairing stuff is a special interest of theirs). They now like making bombs and inventing new ones (only they have the recipe of those).

The bombs they invented only detonates via a Craft spell, it's basically as safe as an ordinary ball to handle unless detonated. Also the scissors at the top of their head has a cover on its tip. It's Very Sharp. They mainly use that (either the tip or the scissor blades itself) to cut the bombs dangling on its body.

Despite the multitude of bombs they carry, they aren't actually much of a fighter (they just like bombs). Most of its Craft spells are basic/beginner level. The one and only Powerful Craft spell they have is a shield/defense spell that they practiced several times. It's capable of negating all damage for 2 turns with a 5 turn cooldown, they wanted to master that spell to make it so that bombs won't hurt them no matter the close proximity.

Its hand signs are "broken." They used to mimic the hand signs that the Universe (I'm mainly referring to my design of the Universe) makes. But after forgetting about everything in regards to it, they can't remember what hand signs they used to make but the familiar feeling was still there.

A huge fan of The Cursing of Chateau Castle, to the point of practically making it part of its identity now that a HUGE chunk of its memory is missing. Its outfit is a modified version of what they think Lady Irene-Janine-Karine wears.

Its personality is a mixture of Lord Josephandre, Pierre-Jacques-Erneste, and Lady Irene-Janine-Karine (aka the Chateau Trio!!! Love those three...).

Its name, "Soleil" is just something they found in a book and decided to use for itself. They don't remember its name anymore.

[alvodra]

Felsenweich

Steter Tropfen auf Stein

Bin ich der Stein?

Werde ich geformt?

Ist das Wasser Wissen

Und das Ergebnis eine

Stets sich wandelnde,

unvollkommen vollkommene Struktur?

Oder ist das Wasser Druck,

Sorgen, Ängste, Last?

Und bin ich kein Stein,

sondern starr und zerbrechlich?

Werde ich geformt?

Oder werde ich gebrochen?

Bis nichts bleibt als Stücke

Und Erinnerungen und Leere.

Oder bin ich ein Gefäß?

Das Wasser beides, Wissen und Last.

Die Schale fängt es auf,

vermischt es,

bis beides untrennbar ist.

Und es wird etwas Neues.

Mit vielen Namen.

Erfahrung, Weisheit, ja.

Aber auch Persönlichkeit.

Die Schale fängt auf,

sie trägt.

Auch sie wird geformt.

Aber brechen tut sie nie.

Der Stein akzeptiert das Wasser.

Er ist beständig. Fest.

Ein Kunstwerk.

Die Schale ist im Stein.

Sicher. Fest. Unzerbrechlich.

Die Schale bin ich.

[dracrownian]

At some point I need to make a compilation of all the funniest translation errors in the official English release of the Detective Conan manga.

Currently in the lead for my favorite moments are either the time Amuro asked Vermouth if he can see the files on Amuro's death, or the time Yuusaku pulled Shinichi's cherry blossom badge out of his pocket and it read "Rachel Moore."

Honorable mention goes to Yukiko being referred to as both "Vivian" and "Yukiko" in the same case.

[kn11ves]

my comic is live right now!

kyle and rex is an absurdist drama set in a stagnant afterlife where everyone lies, cheats, manipulates, and hurts each other in order to gain political power and admiration from the public.

with characters constantly haunted by ghosts of the past, trying to stay on top of the food chain despite constant betrayals and having their secrets held up above their heads, comes back kyle, from his long stay back as a guiding spirit on earth, to take back reigns of the throne in the inbetween. though much like everyone else, hes got a long list of dirty laundry that many are aching to reveal. there are no real friends here.

⸻

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