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whimsiwitchy · 4 months ago

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Controversially Young Girlfriend (part four)

series masterlist & main masterlist

Hugh Jackman x popstar!reader

summary: y/n is a globally beloved pop star. She is known for her talent and dedication towards her craft. Recently, she has also been known for her preference for older men. After a breakup with her former older boyfriend, she had a run in with the hottest dilf right now, Hugh Jackman. Y/n tried to warn him, but what can she say, she has an effect on hot, older men.

warnings: age gap (23/55), cursing, y/n used, implied shorter reader, afab reader, she/her pronouns, sexual themes, fighting (verbal).

warnings will change as the story progresses! all descriptions of real people in this story are FAKE. I do not know these people and this is purely fiction. Please let me know if I missed anything!! <3

authors note: I don’t have much to say other than enjoy! Please leave your thoughts and opinions in the comments or message me! I’d love to hear what you have to say <3

part four: friends for now?

Hugh let you drag him through the club by your intertwined hands. The crowd seemed to be never ending as you walked through, trying to make it to the bar. A few people stopped you along the way to congratulate you and give their praises, but the night no longer felt special. It didn’t even feel like these people were here for you. They were just strangers attending a random party. Most of them already way past tipsy and probably wouldn’t remember anything in the morning. When the bar was in sight, you did a quick scan of the area. In the right corner, you saw a small, tall table that had two tall stools, perfect.

“Heyyy y/n! I’ve been looking for you!” Ashley yells over the music with a big smile on her face. You don’t miss the way she glances back at Hugh. “Where have you been?” She asks and you can hear the accusation that’s hidden behind her words. Hugh squeezes your hand and it makes you realize just how close he is to you, the front of his body a whisper away from touching the back of yours. “I’ve been making the rounds. I was looking for you but kept getting stopped along the way.” You’re yelling back at her, trying to sound alive and bubbly by letting a laugh out at the end. You weren’t sure if she bought it. Ashley gives you a look that tells you she doesn’t. “We were gonna grab a drink, you wanna come?” You offer her but she shakes her head. “No, I have one over there.” She points to a group of girls sitting at a larger table that sits on the left side of the bar. “I’ll see you later okay?” She leans to give you a quick hug and she notices the point of contact between Hugh and yourself. “Don’t be stupid y/n.” She whispers in your ear and leans back from the hug with a smile. “Love you!” She’s yelling this time as she walks away. Her comment made your chest burn. You could tell that she thought something more was happening between Hugh and yourself but he saved you. He helped you get away from Pedro and she had no right to be accusatory.

This night kept getting worse, the only thing keeping you from going home and leaving your own party was the warmth of Hugh’s hand. The warmth suddenly vanished, Hugh letting go of your hand for the first time since he helped you off of the couch in the backroom. He pulled back one of the stools for you and offered his arm to hold as you climbed up to sit. Your foot faltered slightly, causing your leg to buckle, but Hugh was quick to grab your waist to stabilize you. “Thank you.” You say again.

“Do you want a drink?” He asks julting his thumb towards the bar behind him.

“Oh! I'll take a pop my cherry margarita please.” You smile, voice full of excitement. Hugh lets out that rich man laugh that you haven't heard since the day you met him.

“A WHAT?” He’s still laughing, it’s so contagious that your own laughter slips past your lips unexpectedly.

“Pop my cherry margarita. It’s a real thing!” You explained to him that you wanted to create a drink menu that matched the album song titles. It was the one detail you really had a say in. “I thought they were handing out pamphlets at the door that explained that. Did you not get one?” Hugh’s eyebrows furrowed but they relax just as fast as he pulled a folded up pamphlet from his back pocket. You gasp dramatically.

“You didn’t read it?” Your voice held a joking tone but you couldn’t help but feel a ping of hurt within your chest at the thought of him not taking the time to at least skim over the silly little paper.

“I was looking for you when I first got here.” He admits shyly, an emotion you didn’t know Hugh was capable of having. He was always so confident and loud, never shy. It was cute.

“Well in that case, you are forgiven.” His words made your heart swell.

“I’ll be right back.” He gives your shoulder a light squeeze and walks over to the bar.

Taking a look around the room, you’re glad that people are enjoying themselves. Your album only has three more songs to play before you’d have to go back on stage to give your thanks again. The club was booked all night, meaning that everyone was welcome to stay until it closes at two am. You didn’t plan to stay that late and after the events of the night, you weren’t sure if you’d stay any longer than your second ‘speech’. You glance back over to Hugh. He’s leaning on the counter, making conversation with the bartender. He was so charismatic, easily falling into conversation with anyone he met. You were certain that there wasn’t a person in the world that disliked him, he was the definition of likable. The reality of the situation was starting to settle more clearly now that your mind wasn’t clouded by the brief altercation with Pedro. Hugh hadn’t left your side since the moment he found you, he helped you collect yourself, and now he was ordering you a drink. You weren’t sure what this meant for him- you knew exactly what it meant for you. All of his acts of kindness were starting to overfill the file in your head labeled ‘big fat crush on Hugh Jackman’.

“Here you are, one pop my cherry margarita.” He slides the glass in front of you and sits in the stool across from you. The drink is a bright red with a silver shimmer throughout. Two cherries sat on the top of the ice with a lime hugging the sugar lined rim. You took a sip, the tequila a little too strong for your liking, but the sweetness of the cherry and the slight hint of lime was refreshing. “Mhmm that’s good. What'd you get?” You ask while squinting at his drink. “Slut me out martini?” He says unsure. You laugh. “Hm. Slut me out is probably my favorite song off the album, a good ‘ol dirty martini fits the vibe of the song.” He takes a sip and nods. “Hey.” You say to catch his attention again. “I’m sorry you didn’t get to actually listen to the album. You’re probably disappointed, given you’re such a big fan and all.” You’re mostly joking, the only sincerity being behind the fact he didn’t get to do what he came here to do. What you invited him here for. “Stop apologizing sweetheart.” He grunts out giving you a pointed look.

“I did hear the first few songs, they were really good.” He says, taking a sip of his martini.

“Just good?” You question. It looks like he thinks for a moment before speaking.

“They’re surprising.” He says slowly. “How so?” You’re quick to respond.

“Just… didn’t expect it. It’s different from your other stuff, it’s seductive.”

“Hm..are you seduced?” His eyes lock onto yours. Your tongue darts out to pull the straw that sits in your glass to your lips. You can see his eyes move down towards your lips as you suck on the straw. When his eyes match yours again, he’s repositioning himself on the stool and lets out a low chuckle. “You’re something else y/n.” He shakes his head and you hum in satisfaction.

You glance over to the dancing crowd, eyes moving over the groups of people. You meet Stacy’s eyes and you can hear the buzz of the last song fill your ears. She started making her way towards you, disappearing every few seconds as she weaved through people. “Shit.” You mumble as you try to think of ways to get out of getting on stage and thanking everyone again. “What’s wrong?” Hugh’s voice was filled with concern, the same tone he had used earlier in the night. “Stacy..my uh.. my assistant, I guess, is making her way over here right now and I like really, really don’t wanna go up on that stage again.” You frown. You were being stubborn, you knew that. The smart side of your brain tried to tell you that it wasn’t professional to just leave your own event.

“C’mon.” Hugh is standing up quickly, offering his hand once again. “Huh?” You asked him, confusion written all over your face. “I’m getting you out of here. Let’s go.” You look around the room one last time. Stacy is about ten feet away, stress present on her face. “Okay.” You grab his hand and he helps you down, his other hand instinctively meeting your waist. “Y/n! I needed you on the stage like three minutes ago!” Stacy yells across the lowering distance. Hugh tugs your hand and you follow. You’re trying your best to keep up with his long legs as he walks swiftly through everyone. He pushes open the door and flashing lights blind the both of you. Covering your face, you tried to block the paparazzi’s cameras, completely trusting Hugh to guide you through this all. Once you reach the small parking lot that sits on the left side of the building, Hugh is opening the passenger door for you and helps you in. He hurries over to the drivers side and drives off as fast as he can, escaping the leeches that are trying to take as many pictures as possible. “Oh my god, you’re literally a life saver.” You say, adrenaline rushing through your veins. Pulling out your phone from the small purse that’s been draped on your shoulder most of the night, you sent a quick text to Stacy, responding to the endless texts and calls you’ve received from her in the past five minutes.

You: I’m sorry Stacypoo. I’ll explain later. Love you <33

You knew work Stacy would be mad at you for some time but once you explained everything, friend Stacy would understand. “Do you want me to take you home?” Hugh asks. “Yes please. I’m pooped.” You huff out and he chuckles. You connect your phone to the car bluetooth and set your address on the GPS. The silence in the car calmed your body down at a rapid rate. Exhaustion took over your body and you could feel the ache in your feet from the heels. You were only at the party for an hour, yet it felt like you had been there all night. Looking at the time, the clock read 11:30pm. Hugh was quiet and you were afraid you might have caused too much trouble for him. That he wouldn’t want to be around you again after this. “Thank you Hugh. Really, you totally made this night so much better.” Your head is leaning against the headrest and you roll it slightly to look over at him. The faint light coming from the street lights shined on his face dimly. He was so handsome. You wanted to tell him. “You don’t have to thank me. I enjoy your company.” He glances in your direction with a smile. The silence fills the space again.

“Did you purposely wear a gray shirt to match my outfit?” You asked curiously. You meant to ask earlier but it slipped your mind. “What?” He’s smiling. “You heard me. Did you?” Your tone was teasing. “Maybe.”

“Yes or no Hugh Jackman.” His name rolled off your tongue in a joking matter. You could've sworn you could see a slight blush but it was too dark in the car to tell. “Is this it?” He asks, pointing to your house. “Yea that’s me.”

He pulls into the driveway and puts the car in park, cutting the engine. Hugh opens his car door to get out. “Oh! You don’t have to get out, it’s okay.” He ignores you, walking over to your side of the car anyways, closing the door once you’re out. You awkwardly walk up to your front door and search your purse for your keys. When you find them, you turn around to face Hugh. “Thank you for driving me home Hugh.” “No problem sweetheart.” He smiles warmly and you take a moment to take it in. Your eyes rake across every wrinkle in his face, showing the life he’s lived. His smile lines set deep into his cheeks and you can’t help but think how perfectly they suit him. His facial hair was just past a stubble but not quite filled out into his full beard yet. “I should get inside, don’t wanna keep you out any later.” Your voice is soft and you want to invite him in but you couldn’t. “Okay darling.”

This crush on Hugh was something that felt deeper after tonight. If anything were to happen with him, you wanted it to be right. No rushing. The feeling was mature. Hugh was someone you didn’t want to lose, no matter how he fit into your life. It was a little scary to think about- how much you wanted him in your life.

“Goodnight Hugh.”

“Goodnight y/n.”

You turn to unlock your door and just as you're twisting the handle, Hugh wraps his large hand around your arm. He gives you a small tug, urging you to turn around. “Y/n…” He speaks softly. “Yes?” He doesn’t say anything. “Hugh, are you okay?” His hand releases your arm, both hands coming up to cup your cheeks. His hands are rough. You can feel a few calluses along his hand, undoubtedly from the gym. He’s searching your eyes but you're unsure what he’s trying to find. “Can I kiss you?”

Oh.

“Yes.” It’s barely audible, the only confirmation that he had heard you came from his lips meeting yours. The kiss was slow, soft, like he was afraid to move too much. Hugh’s lips melted into yours perfectly, dancing together in a rhythm that felt natural. He was bent down slightly to match your height, your heels aiding him. He was the one to break the kiss, you weren’t sure if you would have ever stopped kissing him if he didn’t pull away. You wanted to ask him so many questions, get into his head. You always had this impeding urge to know everything but you wanted to live in the sweetness of the moment. Hugh’s hands dropped from your cheeks and a small smile rested on his face. “Goodnight gorgeous.” He kisses the top of your head for the second time that night. “Goodnight..” You walked inside, standing half way out of the door, waving at Hugh as he drove away.

You: text me when you get home so I know you got home safe! p.s. ur a good kisser.

Walking around your house, you slowly stripped from your outfit, gathering your things to start your nightly routine as you waited for Hugh’s text. You hopped into the shower and thought about the crazy events that had happened in just a few hours. The kiss was something you hadn’t expected and it was killing you to not know what it meant for your relationship with Hugh. When you were brushing your teeth, your phone lit up on the bathroom counter.

Hugh <3: Just got home. You’re not half bad yourself lol.

You: really though, did you try to match my outfit?

Hugh <3: Goodnight y/n…

You: fine. I’ll get the truth out of you one day!!

You: goodnight hugh! <3

When your head hits the pillow, all you can do is think about the feeling of Hugh’s lips on yours, his hands on your face. You fell asleep with a smile on your face.

—

The constant buzzing of your phone woke you up. It’s been going off for close to an hour and you tried your best to ignore it but the vibration under your pillow was starting to give you a headache. You winced at the brightness of the screen as your eyes adjusted to the light that invaded your eyeballs too suddenly. Squinting at the name, you let out a sigh. “Oh fuck me..”

“Hi Stacy…” You say it sweetly, hoping it would ease whatever was coming your way. “Y/n, I need you to explain why the fuck you decided to run away from me last night.” Her voice is eerily calm, you’d prefer if she was yelling at you. “Oh yea…” You clear your throat. “So you know how when we started to plan the event, Pedro and I were still very much together?” You ask and she gives a short ‘yes’. “Well, when we had the last meeting, I completely forgot about him being invited already and forgot to take him off the list.” “Y/n, can you get to the point please, the label is on my ass right now trying to clear things up.” “Sorry…he uh.. Pedro showed up last night and he was mean Stacy. He kept saying how he wanted me back and he kept trying to grab me.” Your voice falters slightly. You couldn’t understand how Pedro, who was once so sweet and loving, had turned so cruel. “I’m so sorry y/n… I didn’t know, nobody knew.” You can hear the sympathy in her voice. “It’s fine, it’s over. I tried to stay, but I really wanted to leave. I’m sorry Stacy.” “It’s fine.” She sighs.

“Have you been on your socials yet?”

“No…why?”

“Look at what I sent you.”

You put her on speaker and open the text thread between Stacy and yourself. There were at least a hundred texts from her between last night and this morning. You click on a link she had sent and when you opened it, there was a picture from last night of Hugh and yourself leaving the party hand in hand. There were articles upon articles questioning if Hugh was your ‘new older fix’. There were also pictures of Pedro leaving the party with rumors of you cheating. It was all one big mess, but every single article seemed to agree on one thing:

Y/n L/n was a slut who liked older men.

They weren’t completely wrong, you loved being with an older man, but you weren’t a slut, or a cheater, or a gold digger, or any other names they had called you. The rumors and name calling never bothered you but it always had a negative effect on the men in your life, even if they never got the shit end of the stick. It was why Pedro broke up with you and why everyone before him never wanted to make anything official, or even be seen with you. You felt so stupid for not telling Hugh that you needed to go out the back way, that he shouldn’t be seen leaving with you. Your dating life brought nothing but a bad reputation and you didn't want Hugh’s name involved in it. You're thankful that this article was centered on dragging you down and not Hugh.

“Shit..” You whisper. “How mad are they?” You ask, referring to your management team.

“They’re pretty pissed off. They keep nagging about how they warned you with Pedro. They’re worried about your image.”

“God, I wish they would get over that already. It’s literally not that big of a deal.” Your irritation grew. It had always been something you hated about the industry, that they cared so much about minor personal details. As long as you were making music, making fans happy, and making them money- why does it matter who you’re seen with. You hated how much everyone ‘cared’ about what you did.

“I know y/n, it sucks. I’ll try to get them calmed down and prevent any unnecessary meetings. I want you to focus on whatever you need to. Don’t stress yourself out about this.” “Thank you Stacy. I really am sorry if I got you into trouble last night.”

“It’s okay. I understand why you did it and I’m glad you did something for yourself for once.”

The rest of the conversation is short and ends with Stacy complaining about Mark, the guy from the meeting, was blowing up her phone.

You needed to talk to Hugh as soon as possible. There were so many things that needed to be discussed: the paparazzi pictures, the kiss, what we are, can he handle being your controversially old boyfriend- if that’s even what he wanted. You couldn’t help but wonder if he had already seen the headlines, if his team was just as mad as yours.

You: hi hugh! could we meet up and talk sometime today?

Hugh <3: Of course darling. Just tell me a time and place and I'll be there.

You: 3pm at my house?

Hugh <3: See you then. 😀

The emoji he attached made you laugh, Hugh texted like your parents and it should make you cringe but it does the exact opposite. You sent him your address, not expecting him to remember where you live, and started to prepare for his visit. You had a few hours before the agreed upon time, allowing you to clean up around your house and get presentable. Not wanting to go overboard, you decided on a pair of black flared leggings and a dark green crew neck that had ‘New York’ across the chest. You could feel your nerves working up as the time ticked away, each minute that went by increasing your heart rate. You were sitting on the couch, when there was a knock on your door. Taking a peek through the peephole, you could see Hugh standing there. You opened the door wide and gave him a tender smile. “Hi sweetheart.” He greets you with his own warm smile. “Hi Hugh. Come in.” You open the door wider and he slips past you, waiting for you to close the door. “You can take your shoes off here if you want, but you don't have to.” He slides them off and you lead him into the living room. You take a seat on the couch, smacking the cushion next to you with your hand, urging him to take a seat as well- he does. You don’t speak right away, trying to find the right words to say, what to talk about first. “You okay y/n?” His expression is full of worry.

“Have you seen the pictures or anything about last night?”

“No…?” You can tell he’s confused and you don’t say anything. Instead, you open your phone to the link Stacy sent and hand it to him. His eyes are moving back and forth slowly as he reads and scrolls through it. When he's done, he hands the phone back to you and sighs. “This is what you wanted to talk about?” He asks. “Yea…and other things.”

He sighs. “Y/n, I already told you I don’t care what other people say. I don’t think what these people are saying about us should matter.”

“I don’t want to drag you into this mess though, Hugh. It’s not fair to you, especially when everything they’re saying are lies.”

“That’s just the way those people make a living. It won’t matter in a week, everyone will forget and move on, so don’t worry about me baby, worry about yourself. They said some nasty things in there, don’t let that get to your head kid?” His hand rests on your thigh and scrunch up your face at the nickname.

“Hugh, for moral reasons, you can’t call me kid when you kissed me just last night. It's weird.” Your voice switching from the previous unsure and scared to serious. He lets out a laugh and a quick sorry. His hand still rests on your thigh and you reach out to place your hand on his, fingers slightly intertwining at the awkward angle. “Why did you kiss me last night?” Your doe like eyes look up at him. “I wanted to.” His answer is too brief for your liking and you can tell he’s teasing. “Why did you want to?” You ask further. “You looked really pretty in your sparkly little outfit last night sweetheart. You always look really pretty, truthfully. There’s just something about you that draws me to you.” He confesses. “Yea?” “Yea…It’s a little scary if i’m being honest, how drawn to you I am.” “I’m scared too, Hugh.” You admit. “I’m terrified that whatever this is or whatever it leads to is going to get taken away from me.” Your willingness to be this open shocks you, but this needs to be done right. You would put your fears behind you for him. He squeezes your hand. “What do you mean?”

“I just feel like every time I get something good that makes me happy, it’s gone faster than I can enjoy it. I mean..with uh…with Pedro, everything was going great, I was so happy…and he just.. left. All because things got hard, because he cared too much about everything else. I was getting attacked consistently, but he couldn’t handle it. My happiness got shattered. I don’t want that to happen again, especially not with someone like you. It sounds insane, we only just met, but Hugh, I really like you.”

“I really like you too y/n.” He smiles and leans forward. His lips are getting closer to yours and as much as you want to kiss him, you can’t, not yet. “Wait..” You put the hand that isn’t holding his hand on his chest, stopping him from moving forward. “What’s wrong baby. You don't wanna kiss me?” there's a cocky smirk on his face and it was the sexiest thing you’ve ever seen. His voice was smooth and seductive. “As much as I want to shove my tongue down your throat right now, I really wanna do this right.” His eyes widen slightly at your words. “Right?” He questions. “I wanna get to know you more and take it slow. I like you too much for this to be rushed and ruined.” “Hmm. I can work with that, but just to be completely sure, you don’t want to kiss me?” The smirk is back. “God..you’re too hot for your own good.” You grab his neck and pull him into you. You kiss him with as much passion as possible, it would be the last one for a while, until time passes and these feelings are certain. His tongue slithers across your bottom lip and you pull back from the kiss. “You’re really testing your luck Jackman.” You laugh and he shrugs.

“Is waiting okay with you? I don’t want you to feel pressured or tied to me in some way.” You’re playing with his long fingers. “That’s fine by me baby, I'll wait for you as long as I need to.” He leans back into the couch.

“Friends for now?” You ask.

“Friends for now.” He nods.

Thank you for reading <33

part five

series taglist: @chronicallybubbly @spideybv28 @pear-1206 @robertthehoover @reidsworld @bloody-bunni666 @quillycrow @kythefangirl25 @bluetimeombre @cskidjgsjaoaknayan52782 @thewiselionessss @annagraceevanss @peterparkernotfound @rogueinmymind @samsamsantos @wolviesgirl @white-wolf-buckaroo @weskerussy @marvelgirlie-4 @honey-ros3ss @nonamevenus @nizem8 @chaimshelii @rockerchick05 @starryeddie @saylak @haytchee @godlypresley @mega-kittyglitter-1 @acescutejeans-1247 @bethexo07

if you want to be added/removed please leave a comment on this post! *let me know if I missed anyone or if the tag doesn't work*

#hugh jackman #hugh jackman fanfiction #hugh jackman x reader #hugh jackman fic #hugh jackman x popstar!reader #hugh jackman x female reader #hugh jackman x y/n #hugh jackman x you #hugh jackman fluff #hugh jackman fanfic #f!reader #popstar!reader #female reader #cyg #controversially young girlfriend

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twistedsoulmusic · 2 years ago

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The Melbourne genius DJ Plead landed on Livity Sound again late last year with four deviant club variations. He creates a mesmerising kaleidoscope of playful percussion and killer melodic hooks that draw parallels between global dance music genres without being confined to a specific formula. Full of tropical carnival futurism, infectious reggaeton lilt, understated trance synths and his trademarked hypnotic grooves that would work on any discerning dancefloor.

#deviant club music #global dance #experimental #electronic

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jpopstreaming · 1 year ago

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BUCK-TICK's Atsushi Sakurai Passes Away at 57 Due to Brainstem Hemorrhage

An Emotional Farewell to the Iconic Vocalist During a Fan Club-Exclusive Performance

The music world is in mourning as Atsushi Sakurai, the charismatic vocalist of the iconic Japanese rock band BUCK-TICK, passed away unexpectedly at the age of 57. The devastating news was officially confirmed, marking a sudden and shocking end to the artist's three-and-a-half-decade-long career.

On the fateful night of October 19th, Sakurai was performing at the fan-club exclusive event "BUCK-TICK FISH TANKer's ONLY 2023" at KT Zepp Yokohama in Kanagawa. Unfortunately, due to his deteriorating health, the performance had to be halted. Despite being rushed to the hospital, Sakurai could not be saved and passed away at 23:09 due to a brainstem hemorrhage. The family, respecting their privacy in this trying time, conducted a private funeral. However, according to the band's management, a memorial to honor Sakurai will be organized at a later date.

BUCK-TICK, composed of Atsushi Sakurai, Hisashi Imai (Guitar), Hidehiko Hoshino (Guitar), Yutaka Higuchi (Bass), and Toll Yagami (Drums), debuted in 1987. They rose to fame in 1988 with the hit single « JUST ONE MORE KISS », propelling them to national stardom. Celebrating their 35th anniversary this year, the band had just hosted a grand anniversary concert in their hometown of Gunma in September. They were just commencing their 36th year in the music industry when this tragic incident occurred.

Sakurai's untimely demise has sent shockwaves through the fan community and the music industry at large. It's a loss that leaves a void difficult to fill. The late singer was renowned for his mesmerizing vocals and enigmatic stage presence, qualities that have touched the lives of countless fans globally. His voice will forever resonate in the hearts of those who admired him. While the band's future remains uncertain, Sakurai's rich legacy ensures that he will continue to inspire generations to come.

#visual kei #jrock #BUCK-TICK #Atsushi Sakurai #櫻井敦司

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evermoredeluxe · 5 months ago

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How Taylor Swift’s Eras Tour Took Over the Entire World

By Chris Willman

By Alissa Gao for Variety

On the morning that Taylor Swift’s “Eras Tour” is about to begin a three-night stand in Dublin, the older gentleman taking charge of my passport at airport customs has clearly had his fill of Swifties, probably processing them by the hundreds already today. When I reveal myself to be one too — despite being arguably the wrong gender, inarguably old and lacking a telltale “Lover” mascara star over my right eye — his disdain is palpable. Suddenly, I’m getting way more screening questions than anyone not on a watch list should. “What do you like about her?” he sneers, peering up over specs.

This is probably the wrong time for me to point out Swift’s Irish heritage, or to assert that she is this generation’s James Joyce. (The original king of the Easter eggs, right?) I wouldn’t really go that far — I’m only on record as doing my best to certify her as this century’s Beatles. Trying to figure out how to answer him, the past 18 years of extolling Swift in print flash before my eyes. I end up murmuring the bare minimum: “Um, her songwriting.” This seems to disturb him further. He snaps back: “Aren’t they all the same song” — a slight pause, and I know what’s coming next — “about her breakups?” Then, abruptly, he stamps me through, sparing me a detour to Interpol for more grilling.

In the cab into town, the driver is blasting a local talk-radio personality sharing his dismay about the fans of an awful superstar taking over his country. The host reads an email sent in from a hater who says, “A year ago, when tickets went on sale, my partner and I made a reservation to take our kids out of the country this Friday morning. … Thank you for creating a safe space with your show.” I start to wonder if Swift might have met her match at the Cliffs of Moher.

But from my drop-off forward, the next three days are like living in a Swift-topia. The mile and a half to Aviva Stadium each night is like Disneyland when it shuts its doors early for an affinity group. Whether stopping in the pubs or walking through the charming neighborhood of Victorian brick homes adjoining the fancy new stadium, there’s that warm feeling of people who are united by one quality: They are all super in touch with their feelings — or else they wouldn’t be Swift fans. And they all are happy to stop on the street or over pints to talk about poetical expression. (Well, except for the occasional taciturn, invariably straight young male who has signified his supportive-plus-one status by wearing a jersey bearing the name of Swift’s Super Bowl beau, Travis Kelce.)

So it is that I end up chatting with a middle-aged gay man in a sequin-covered shirt whose female companion whispers to me, while he steps away to trade friendship bracelets with a 10-year-old girl and her mum, that Swift’s music just helped him through a difficult breakup. The girl then runs off to trade her homemade bracelets with a pair of high-helmeted Dublin policemen loaded up to their own elbows with friendship swag — unexpected accessories for long arms of the law.

All the stories about American Swifties swarming overseas to catch “The Eras Tour” turn out to be true: You couldn’t swing a neon golf club around here without hitting a Yank. Approximately one out of every five fans I approach is visiting from the States — and the jubilation they’re feeling about the night’s impending concert is compounded by the fact that nearly all of them financed a European vacation and a concert ticket for roughly the same amount they would have paid on a secondary ticketing site for a typical four-figure ticket to one of last year’s predatorily repriced U.S. shows.

Remember the venerable stereotype of the Ugly Americans, brusquely trampling over refined Europeans in their travels? Thanks to Taylor Swift, who has a gift for laying out global welcome mats, this is the summer of the Spangly American.

At the stadium on night one, just down the row from me are a group of millennials from New Jersey, several in glam unitards inspired by the “Lover” or “1989” portions of the career-spanning show and looking like they were costumed by Swift’s own designer, with fake jewel-encrusted microphones to match. I ask how many hours went into perfecting these nearly pro-grade outfits.

“About 80 hours for mine,” says Megan McLaughlin. “Hers probably longer,” she adds, nodding toward one of her sisters, Margo Steinberg. “She knows all the glues and the best gems.” Indeed, confirms Steinberg, “I was working on mine since January. And, yes, I did quit my job to finish it!” She adds, when I ask if she cares to share any secrets to a particularly good look, “You have to use the B-7000 glue.” (A third sister, Amelia McLaughlin, admits she resorted to buying her spangly dress off Etsy — “I was doing a PhD, but I had to match these girls’ enthusiasm” — while a fourth, Carolyn McLaughlin, skipped the glitter and went for a red dress that matches Swift’s from the “I Bet You Think About Me” video.)

Certainly, there is an element of cosplay to many of the fans’ outfits. Some have seen footage of the new segment Swift added to the tour beginning in April 2024 — devoted to her most recent album, the 31-song “Tortured Poets Department” — and have managed to manufacture gowns that look like they’re made of paper and feature lyric excerpts printed on them in script, à la Swift’s custom-made Vivienne Westwood dress. I meet a group of American women who became friends as literature majors in college who have “Tortured Poets”-themed outfits, one duplicating the Westwood dress and the other with handmade printouts of the latest album’s lyrics pinned all over her black dress, as if she were literally pulling pages out of Swift’s playbook.

It’s the devotion to lyrics, even more than glitter, that is most impressive about the bespoke outfits fans have concocted for the occasion. There are scores and scores of Swifties wearing homemade T-shirts — sometimes singular, sometimes matching with a friend, like walking Burma-Shave signs. Some of the messages are obvious, like the dozens of laddies wearing “It’s me, hi, I’m the husband/boyfriend/father, it’s me” shirts. (Bet that seemed really original at one time.) But a lot of them refer to more obscure songs or stanzas, as if every nearby street or stadium loge section is full of human Easter eggs, begging to be unpacked. It’s hard to think of any other superstar in the history of stadium tours who could have inspired as much fan-crafted clothing rooted in the power of words.

Combos of middle-aged mothers and their teen or 20-something daughters abound; some of them have seized on Swift’s mentions of her own mother, Andrea, to come up with their T-shirt ideas. On Lansdowne Road, I talk to a mum whose red-on-black shirt says, “Had to listen to all this drama,” accompanied by a daughter bearing the legend, “And here’s to my mama.” (This is a reference to Swift’s song “This Is Why We Can’t Have Nice Things.”)

Later, in a stadium Guinness line, I chat up a pair of thirsty locals, the daughter’s shirt reading “I call my mom, she said …,” with the mom’s shirt completing the thought: “It was for the best.” (Damn it, I had to Google to recall that’s from a “1989” Vault track that came out last year.) I ask the daughter if she had to explain to her mom what she was wearing. “She’s 52,” she replies. “I don’t think she knows.”

Age is really no guarantor of not getting it — the popular #SwiftieOver50 hashtag on X proves that. Although outnumbered, plenty of older people are unaccompanied by a minor, or by anyone who has been a minor in the past 20 years. I approach a middle-aged couple, Jean Sebastian Conley and Natasha Gagne, again bidden by their matching shirts — “Who’s Taylor Swift?” and “Who’s Travis Kelce?” They turn out to be French Canadians who found their 206-euro SRO tickets to be a steal compared with the extravagant resale prices they briefly considered back home after being shut out of the initial on-sale. I ask what attracted them to Swift since, unlike so many others here, they didn’t grow up with her.

“I really fell in love with her with the ‘Folklore’ album,” Conley says, referring to her low-key Grammy-winning album recorded during the early months of the pandemic. “I think different audiences and older audiences found her through that and ‘Evermore’ because they were more singer-songwriter, a little bit rougher indie music, and that’s what we like most. So that’s how I got hooked.” For her part, Gagne says, “I like everything she represents. And when she redid all her masters, that’s where I thought she was a lady boss.”

It’s a reminder that, for however many mini-narratives Swift packs into the three hours and 20 minutes of an “Eras” show, there are really four or five years of backstory that feed into the audience’s shared awareness. When she sings the ominous ballad “My Tears Ricochet,” accompanied by a coven of stone-faced dancers, at least some fans will understand it as a distant reflection of her very public feelings about the men she considers her business bêtes noires, Scooter Braun and Scott Borchetta, who bought and sold (respectively) the rights to her first six albums, spawning much vitriol as well as four “Taylor’s Version” rerecorded albums to date.

When the dancers put their grins back on, Swift plays an ebullient excerpt of a very recent “Poets” bonus track, “So High School,” which every person in the crowd will know is inspired by Kelce. There are some breakup songs of recent vintage too — yes, Mr. Customs Man! — like “The Smallest Man in the World,” which may or may not have cost Matty Healy, the 1975 frontman and former Swift paramour, a night of sleep.

The whole tour is themed around not just the newer records but the rerecordings that have made every older album in her catalog feel improbably fresh. It was, quite possibly, the single most baller move in the history of the record industry … and led to the career-retrospective concept for what is already unquestionably the biggest tour in the history of popular music.

Any discussion of the charms of fandom isn’t meant to forestall discussion of “The Eras Tour” as big business. The numbers are fuzzy because Swift’s camp does not release grosses from her shows, unlike nearly every other artist at the stadium or arena level. Even when the tour wraps after 20 months on Dec. 8 in Vancouver, it seems likely those numbers will continue to be guarded with a zeal on par with the government of North Korea’s. Many industry experts believe the gross will approach or even surpass $2 billion.

What is known for certain — even without a confirmation from Swift World — is that she broke the all-time tour-gross figure when she hit the $1 billion mark, whenever exactly that might have been. The two trade publications that specialize in the touring industry have slightly differing estimates: Billboard calculated a cumulative gross of approximately $900 million when she took a break at the end of 2023, figuring that she would crack $1 billion shortly into the tour’s resumption in April, while Pollstar estimated that she had passed $1 billion by the conclusion of last year. Any way you guesstimate it, Swift took less than a year to break the previous record of $939.1 million, which Elton John grossed with his “Farewell Yellow Brick Road” tour across nearly three years of shows.

One source close to the production said early in the “Eras Tour” era that her average gross each night is $14 million. Others believe that is a highly conservative estimate, with a possible total that on at least some nights edges closer to $17 million. One remarkable aspect is that this does not include the revenue from any inflated resale tickets — which, as anyone who has tried to get tickets through Vivid Seats or StubHub knows, mostly have gone for several times their face value. It was little publicized, but Swift had “dynamic pricing” turned off for her ticket sales, possibly to avoid the controversies Bruce Springsteen encountered when the face value on some of his tickets leaped to the four-figure range upon their first sale. Swift left money on the table by not participating in the scalping of her own tickets, which had an average price of around $230 and topped out at $499, excepting VIP packages, which zenithed at $899 — all well short of what some other superstars ask nowadays. Of course, neither Argentina nor anyone at Wembley Stadium ahead of Swift’s opening night performance in June will be crying for her when she’s in reach of $2 billion without the resale inflation … not to mention the hundreds of millions of dollars in merch.

(This is extraordinary also because Swift hasn’t done any press to promote the tour, except for when she was selected as Time Magazine’s Person of the Year in December. But she doesn’t need to — the tour is constantly being celebrated on social media with every outfit change. And it’s also become so huge, it’s featured more A-list sightings than the Oscars, from Julia Roberts to Tom Cruise to Stevie Nicks, who had the surprise song “You’re on Your Own, Kid” dedicated to her in Dublin.)

Benson Boone, whose “Beautiful Things” is the most-streamed song of 2024 in the U.S. and the world, says he felt dwarfed when performing as the opening act at one of Swift’s seven shows at London’s Wembley Stadium. He has forever committed to memory the exact attendance figure he was given for the night: “89,497,” he says. “Just her stage alone is bigger than anything I’ve ever seen — 300 feet of it!” he says. “I took in every moment. It was cool for me to experience another artist’s world and learn from it. I want to work that hard and be the captain of my ship.”

Although it’s maddening to a media that likes official box office reports and can’t get them, it’s easy to see the wisdom in not flaunting those figures if you’re a superstar artist who counts on being seen as relatable. Swift certainly is proud of breaking records — she posted a tweet when “The Tortured Poets Department” spent its first 12 weeks at No. 1 on the album chart, one of only three albums in history to do so. But she’d rather count fan impressions than dollars. By the same token, she doesn’t publicize or confirm acts of generosity that leak out, like the sizable food-bank donations she makes in every city she tours, or the $100,000 bonuses that the tour’s 50 truck drivers reportedly got for Christmas.

An addendum to all this is how the “Eras Tour” film — released last fall, less than halfway through the actual tour — grossed just over $180 million domestically and $261 million globally, beating the records set by Justin Bieber’s concert film in the U.S. and Michael Jackson’s globally. Massive big-screen spoilers only heightened, rather than diminished, resale demand for the shows yet to come on the 152-date tour and helped precipitate the movement among Americans to head overseas, to make up for the supply found sorely lacking at home.

“She is the torchbearer for the live industry,” says Andy Gensler, editor of Pollstar. “It’s nothing we’ve ever seen before, and it’ll be a long time before we see it again. Her timing was exquisite: The pandemic created this yearning and hunger for live entertainment like nothing else in our history, so she couldn’t have picked a better time to go out.” Pollstar called last year a “historic golden age” for touring, as the top 100 global tours collectively surpassed $9 billion — up 46% from 2022 — with Swift obviously contributing a significant chunk of that total. (This year, the trade reports that overall tour attendance is down, with flat grosses, representing a slight reckoning for the live industry that, obviously, isn’t impacting “Eras.”)

“What my partners and I talk a lot about is how it’s one thing to have a big tour in North America. It’s another thing to have an equally big tour wherever you are in the world and to do doubles and triples in these markets,” says Bernie Cahill, an Activist founding partner and manager of acts including the Grateful Dead and the Lumineers. “It’s an anomaly. It’s not normal. And don’t forget, you’re going into what I call asymmetric venues, which are venues that are not really built for music; these are venues that are built for football games or soccer games and can be very challenging to do music. And they get it right every time — Louis Messina [Swift’s tour promoter since her earliest days] and his team are world-class.” But for all that globe-trotting, he notes, “there are some artists that you see do a show and you know they don’t even know what city they’re in. I always feel like Taylor knows exactly where she is. She has a relationship with that city or that market and those fans and she’s connected to them in ways that are very authentic, that you can’t fake.”

The one big snafu in the rollout of “The Eras Tour” occurred in November 2022 when the Ticketmaster system melted down after too many North American dates went on sale at once, causing thousands of fans to experience long delays. The on-sale broke the all-time record for tickets sold in a single day at 2 million, but it also nearly broke the world’s largest ticketing platform. Swift herself was Teflon in this situation, as the blame fell on a ticketing system not capable of handling so much of the Swift-loving world at once. And although most of the problems people have with Ticketmaster are different from what fans faced in the “Eras Tour” debacle — mainly, hidden fees and monopolistic practices — it could have big legislative consequences anyway. Dean Budnick, co-author of “Ticket Masters: The Rise of the Concert Industry and How the Public Got Scalped,” believes that the Swift hullabaloo was the main catalyst for Congress enacting reform. “There’s no question that perhaps there’s gonna be some meaningful change in ticketing as a result of what people experienced with that on-sale.”

That sense Cahill spoke about of the singer making it clear to an audience she knows exactly where she’s at is in full force in Dublin. Swift introduces the “Folklore”/”Evermore” segment by suggesting that she had a spiritual locale in mind when she started writing that more intimate material, locked in during the first part of the pandemic. “It keeps me up at night all year long: Which era is the most Irish?” she half-jokes to the crowd. “I’m gonna make a case for it being ‘Folklore’ … This album’s imaginary world had a whole aesthetic — like I lived in this cabin in a really green, nature-y, moss-covered landscape. You see where I’m going?… Another thing that I think makes it more Irish than the other eras is, ‘Folklore’ was all about storytelling. And I know you hear this a lot, but you guys are naturally gifted storytellers, right?”

Later on, Swift will cement the local connection by playing, as a “secret” surprise acoustic song, “Sweet Nothing.” She doesn’t have to give the crowd any explanation for that: From the first notes, Irish Swifties will immediately recall that the lyrics reference to the coastal town of Wicklow. The real cherry on top of the show for locals at any international Eras Tour stop, though, comes with a customized moment each night during “We Are Never Getting Back Together” when the spotlight is put on backing dancer Kameron Saunders for a couple of seconds, as he blurts out something locally appropriate, and cheeky. One night in Dublin, it’s the Irish catchphrase “the neck of ye!”; on another, he yells out “pog mo thoin,” meaning “kiss my ass!”; the massive, knowing laugh that inside joke gets makes it clear this isn’t entirely an audience of American tourists after all.

But the basic theatrics and emotional currents remain consistent from show to show. If Swift is surprisingly reticent to make her “Eras Tour” numbers public, that may be, in part, her desire to keep the focus primarily on a personal fan connection. Music industry veterans are taken aback by Swift’s ability to be giant and intimate onstage. “She’s a master marketer of herself — and she is not afraid to be vulnerable to her fans,” says Michele Bernstein, who runs a consultancy that works with stars like Drake. Bernstein could almost be quoting the lyrics of “Mastermind,” where Swift describes herself in almost comically omniscient terms, then dives into a bridge about how no one would play with her as a little girl.

People like my guardian of the customs gate may complain about Swift’s songs centering on her romantic splits, but that subject matter magnifies her own insecurities and weaknesses, expressed in genuinely eccentric wordplay, in ways that keep the audience in thrall to someone they perceive as a humble underdog as well as a veritable cage fighter. She could do a $10 billion tour someday and still keep the crowd enraptured by how she measures up to, or rallies to exceed, the smallest man — or men, or Kardashians — in the world.

This plays out in the “Eras” show in all sorts of symbolic ways, like the new segment in the “Tortured Poets” section where she seems to have fainted from the vapors of failed romance. Dancers in tuxedos try to revive her while a swing version of “I Can Do It With a Broken Heart” plays over the PA. A pair of women dressed as nurses fit her with what looks like a majorette’s uniform — or, with all its off-white stripes, is it really meant to resemble a straitjacket? The resemblance is probably not coincidental. Swift fans know there’s nothing like a mad woman.

The most exhilarating moment that has been added to the show this year has her gliding down the ramp on a platform, appearing to anyone at floor level like she is levitating like the witch she makes herself out to be in “Who’s Afraid of Little Old Me?” Taylor Swift: She was Agatha all along!

Yes, there is much to unpack. But in Dublin and in every other city where “Eras” has alighted, there is also pure inspiration for those who maybe haven’t always felt like they’ve had a voice, whether it’s her LGBTQ+ fan base or, well, women. It’s a modern transmutation of Beatlemania in which Swift manages to be all four Fabs, and a mirror, as well as object, of that gaze. You don’t have to be a woman to experience the explosion of pure female joy that takes place on a mass scale at an “Eras” gig, but for men, it doesn’t hurt to have a healthy sense of where you might sit on the female spectrum.

Outside Aviva Stadium, two young Londoners have formed their own two-woman straight-gay alliance: One is wearing a shirt with the hand- drawn words “You’re obsessive and crazy,” and the other’s shirt has the phrase “You’re gay,” each with an arrow pointing to the other. This echoes the original lyrics to Swift’s 2006 oldie “Picture to Burn,” which was rerecorded after some were offended by “gay” as a possible teen epithet. “I am obsessive and crazy, and she is gay,” laughs Zoe Gibson, pointing to her friend, India Day. “We want to bring back the original lyrics. We never found them homophobic — we want to reclaim it.” Day adds, “We’ve listened to her since we were 4 years old, so obviously there’s the nostalgia factor. But for me, she speaks on quite a lot of issues like gay rights and feminism, and all of her songs perfectly sum up the experience of being a woman.”

Some of the shirts are apropos for Pride Month. Seeing a boy of no older than 15 or 16 wearing a homemade “But Daddy I Love Him” shirt (the title of a “Tortured Poets” fan favorite), it’s easy to imagine some courage was required to don that apparel. Along the same lines, I spot any number of women making their own statement in shirts with the modified exclamation “But Daddy I Love Her.”

Gay or straight, 6 years old or 60-something, female or just female-allied, the crowd inside gets its sway on early in the show, with the arrival of the gentle, waltz-time “Lover.” It’s not one of the big set-pieces of this nonstop Broadway-style production — the spotlight is just on Swift and her acoustic guitar — but it might be the one where the entire audience feels like it’s at a four-minute campfire. No wicked witchiness here, just winsomeness.

Down on the floor, I’m seeing what amounts to a Taylor Swift mosh pit: gangs of two or three or five young women, ignoring the fact that Swift herself is just yards away from them on the ramp. They’re singing and acting out every last line to each other, as if the superstar isn’t even towering right over them. A waste of their euros? Hardly. Swift will capture their full attention again as the show proceeds, but in the moment, she isn’t just a superstar — she might be the world’s greatest community organizer.

#variety 2024 #variety #eras tour #taylor swift

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stardust-bridges · 6 months ago

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Club Furies Review | Tamada's sins in sound: Georgian artist presents her second album for Alt Orient

Founded in late 2016, Alt Orient was established to create a home for alternative electronic music from West Asia and Africa. Covering a wide range of electronic sub-genres (Indie Electronica, House, Organic House, Downtempo, Techno, Avant Garde, Experimental and everything in between). Over the years, the label has released electronic music by artists from Egypt, Tunisia, Turkey, Syria, Jordan,…

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louisupdates · 20 days ago

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Louis Tomlinson was featured in Adidas’s documentary dubbed ‘Under The Tongue’ to celebrate the impact of the Predator sneakers on football on its 30th anniversary. The shoe brand teased snippets of the documentary on their Instagram on December 5, 2024.

Football and music fans were quick to spot the former One Direction star seated comfortably as he joined football stars and aficionados like David Beckham, Zinedine Zidane, Eniola Aluko and Jude Bellingham, amongst others, to pay homage to the legendary footwear.

Louis Tomlinson has been a lifelong fan of football and has never shied away from expressing his love for the game. Per the Yahoo! News report of July 1, 2024, the singer joined his favorite club, Doncaster Rovers, as a reserve player in 2013.

The Back To You hitmaker also launched his solo career with a video filmed around Doncaster which featured Louis Tomlinson on the pitch at the Keepmoat Stadium.

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A post shared by Louis Tomlinson Chile 🇨🇱 (@louischilensist91)

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As one with a passion for football, like the others featured in the documentary, Louis Tomlinson explores the cultural significance of the Predator shoes and how they changed the trajectory of football.

The video sees Craig Johnston, the brain behind the iconic silhouette, recounting his journey from coaching children’s football in Australia to designing the soccer boots that graced the feet of football icons.

Pete Martin of SoccerBible, who is collaborating with Adidas on the documentary project also spoke about the legacy of the Predator and stated that it was an honor to make Under The Tongue alongside Keane Pearce Shaw.

He added:

"A boot with such personality too, not only does it mean so much to the culture of the game but it has been an unrivaled yet consistent giver of glory."

Nick Craggs, who is the Global Football General Manager of Adidas, explained the rationale behind the documentary and its impressive lineup of athletes and superstars:

“Predator changed the game. We know what it means to us all at Adidas but as we come to the end of its 30thanniversary we felt it was fitting to hear from those who played such a crucial role in cementing its place in football culture."

You can watch the 60-second trailer on Instagram at Adidas football to catch a glimpse of Louis Tomlinson and watch the full documentary on December 11, 2024, on the Adidas Football YouTube channel.

- Soapcentral, 5.12.2024

#adidas #adidas predator #under the tongue #5.12.2024 #louis press #louis update #louis tomlinson #louisunderthetongue

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violet-yimlat · 1 year ago

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I hate to pull this card but

Pulls out a deck of cards from various sources and draws the tarot card, The Tower.

Oops. Wrong card.

Draws the Cards Against Humanity card reading “A hummingbird drinking nectar out of my urethra”.

I do hate to pull that card too but it wasn’t what I was looking for- ah! Here it is!

Draws a card reading “If this post can get 5000 notes within the next week I will continue writing my terrible, stupid book”.

Btw part two is in the reblogs of this post.

Preview under the cut.

Prologue

You might have heard the urban legend. It goes like this; someone is walking along a street. They’re always pretty much alone, perhaps with the exception of maybe a pet dog, a conveniently non-verbal companion, when they hear sounds of a pretty intense struggle in an alley. So they go to check it out, but nobody is ever there.

Although sometimes, there’s a little pool of blood or a few feathers.

Mostly this is dismissed as a hallucination, or birds fighting, but the amount of blood and the size of the feathers makes it hard to believe.

And the voices. Most people report hearing arguing. But wherever in the world the story takes place, nobody can understand the language spoken by the fighters. The reports are fairly consistent. The language is described as “mellifluous” and “ethereal”, and there are always multiple people speaking it. Or at least shouting in it, but it is generally agreed upon that they are angry.

But there is always another voice, speaking a different, but still incomprehensible, language. He, for in the stories it’s always a he, sounds defiant and cocky, speaking in a harsher, less musical tongue, unless, of course, you count black metal. Some especially astute listeners have picked up words and sentences used by the lone, defiant individual and the angry group, coming to the conclusion that they seem to be speaking different dialects of the same language.

And another thing; birds don’t generally use weapons. One witness said that they heard what sounded like a fencing match or duel before they turned the corner.

There are so many witnesses that they should probably make a discord server.

Now we come to the theories. We have the rational explanation as mentioned previously; birds.

We have the “Time travelling fight club” theory.

We have the “That one alien spaceship where they keep having to get out because that one alien speaking another dialect keeps picking fights and they always threaten to maroon him on Earth but they never do” theory.

There’s the “Mothman vs other Mothman” theory and the “Crazy global cult who’s leader travels from place to place to perform blood sacrifices” theory, and let’s not forget the “Magical mutant cock-fighting ring gone wrong” theory, but one theory stands above all the rest.

The most well known, and probably the most ridiculous, theory is the “Demon repeatedly getting jumped by angels” theory.

But it’s all just a conspiracy theory. An urban legend. A joke.

Until the day Amelia Butler found the devil bleeding out in an alley.

#writing #writers on tumblr #shitty writing

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estebanbicon · 1 month ago

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The F1 driver who takes every opening he sees

A mechanic’s son, Esteban Ocon took an unlikely path to an F1 driver’s seat. Now he’s fighting to keep it.

MONTE CARLO, Monaco — The mechanic’s son walks past women in bright dresses and men in fine suits, many of them sipping champagne. He breathes in the salty air of the Mediterranean, its shoreline neither rocks nor sand but dozens of mega-yachts.

The Monaco Grand Prix, held each May, is the global peak of sports opulence, less street race than picture postcard from high society: A-listers and royals toasting the good life in the richest place on Earth. Several Formula One drivers live here, their plain-sight hideaway amid a Netflix-fueled fascination with their sport. Among them are Max Verstappen and Lewis Hamilton — champions, multimillionaires and household names in a sport Hamilton has called a “billionaire boys club.”

Esteban Ocon, though, is not of this world. When Ocon was a karting wunderkind, other drivers would sneer at him and scoff, whispering that the only child of a dumpster-diving mechanic doesn’t belong. That the Frenchman, now 28, will forever be a [wanderer] playing dress-up in a place such as Monaco. Even after eight years on the grid, he remains an outsider.

Then again, an impressive finish here would change minds. It might even change Ocon’s, convincing him it’s possible to be born into one end of the economic spectrum and, with enough talent and moxie, reach the other.

He changes out of his jeans and into an Alpine race suit. He stretches the muscles on his thin frame and climbs into a $15 million super machine. The green flag drops. Ocon accelerates, 0 to 100 mph in 2½ seconds, trying to position himself and his team for an early chance at points. Over the years, he has proved himself as a skilled and fearless driver, aggressive sometimes to the point of recklessness.

With Monaco’s narrow streets and hairpin turns, passing is dangerous. Three-time world champion Nelson Piquet once compared it to riding a bicycle in your living room. And trying to pass a teammate? It simply isn’t done.

Before the race, in fact, Alpine instructed its drivers to avoid each other. Whoever is ahead after the first lap should stay there; the driver behind him is to protect his blind side.

Midway through the first lap, the cars are clustered. Pierre Gasly, Alpine’s other driver, is immediately in front of Ocon. On the eighth turn, just before the circuit’s famed tunnel, Gasly eases off the accelerator. Ocon sees his teammate drift left, allowing space between Gasly and the wall, creating an opening.

FIVE HUNDRED MILES NORTH, there’s a small French village built into the lush countryside. People in Évreux raise chickens, recycle batteries, mow their own grass. And the locals tell of a man north of town who could bring back the dead, so long as the corpse had four wheels.

One of those locals, Marc Guillouet, still remembers the sound of Laurent Ocon’s air compressor bellowing at all hours as Ocon performed reconstructive surgery on another broken-down used car that had been towed through his gate. Then, hours later, another sound: the engine humming back to life.

“The way he refurbished it,” Guillouet says, “it was like new.”

Laurent was a self-taught mechanic who built his shop onto the back of the Ocons’ home, a single-car garage jutting out in yellow stucco. It was in the house’s rear, but it acted as the family’s entrance. Before school some mornings, young Esteban would see his father, grease up to his elbows, still trying to solve the previous night’s puzzle. When Esteban returned in the afternoon, he would watch Dad beamas he turned the key, listened and … there it was, that beautiful music.

“We live for that,” Esteban says now. “He wants to win, like me.”

Laurent’s passion was reviving machines. His son’s was maneuvering them. Esteban says he was 4 the first time he got behind the wheel of a go-kart, gliding around the track at an amusement park, through cones and around other karts as if it were second nature. His friend who came along drove straight into the wall.

Esteban kept driving, testing himself in bigger, faster, more complex machines. The families of some other 8-year-olds hired engineers, barked into radios and traveled with professional mechanics. But Laurent and wife Sabrina had no money for that. If Esteban’s carburetor failed or his torsion bar broke, it was Laurent who mounted a new one. Then they would return to Évreux from Ambourville or Rouen, often with Esteban cradling another trophy.

“We tried to protect Esteban from pressure as much as possible,” Laurent says, answering questions emailed by The Washington Post. “But unfortunately, the only solution is to perform.”

After one of Esteban’s races, a representative from a management company approached. The boy had the talent to make racing his career, the man said, but it wouldn’t be easy. Or cheap.

Thousands of European kids grow up dreaming of the Formula One life, waiting to pilot a rocket at circuits such as Monza and Silverstone and Monaco. Most never make it, and even those who only come close do so after millions have been spent on equipment, travel and engineering.

The families of many drivers commit hundreds of thousands before their child becomes a teenager, largely to get noticed by top feeder programs and driver academies. Among the hopefuls are the kids of billionaires and oligarchs, able to bankroll the pursuit of a nine-figure dream. A few even pay their way onto the F1 grid, with cash-strapped teams agreeing because it transfers the financial responsibility.

Most, though, spend years working their way up.

“Even if you are talented,” Esteban says, “if you don’t have the right people, you don’t manage.”

But all he had were his parents.

“If he really wants to do it,” Esteban remembers hearing Laurent say years ago, “we’ll give him everything we can.”

LAURENT AND SABRINA SOLD THEIR HOUSE and the family business, leaving behind anything that didn’t fit in a 21-foot motor home. They stuffed Esteban’s mini-kart into the rear of a van, surrounded it with tools and Esteban’s toys, then hitched the motor home to the van’s rear.

“Prepping,” Esteban’s parents told him, “for the rest of your life.”

With Évreux in the rearview, home now was a parking lot in Lyon or a roadside in Le Mans. Ten-year-old Esteban had his bicycle and the family border collie to keep him company. Sabrina outfitted the motor home with a fake fireplace and told friends it was their mobile chateau. Le Palais des Ocons had a living room and shared sleeping quarters, with views that were a mountain some days, a vineyard others.

Sabrina and Laurent convinced their son that each day was an adventure, each morning a chance for Esteban to open the door so he and their dog, Viper, could breathe in a dramatic new backdrop. He and Laurent sometimes went on long bicycle rides, where they talked about engines, racing, the future. Then the convoy headed to a nearby track, where the soft-spoken Esteban slid on a helmet, climbed into his kart and transformed into an assassin. There wasn’t an opening he wouldn’t hit, a pass he wouldn’t attempt, a throat he wouldn’t cut. Esteban wanted to win races, yes, but victory was about more than bragging rights.

In his 9-year-old mind, he says, it was the only way to repay his parents.

“I had weight on my shoulders very early,” he says. “There was never a Plan B in my head.”

In 2006, Esteban, then 10, won the regional mini-kart championship, which qualified him for a spot in the French Cup’s “Minime” division. He reached the final heat, and he and another young star, Charles Leclerc, angled for positioning on the last lap. Esteban went inside, trying to overtake Leclerc, and their tires touched. Leclerc spun out and hit the wall; Esteban recovered but finished outside the top five. The two boys spent the rest of the day crying.

The family returned to Évreux each winter, staying with family so Esteban could attend a few months of school before the new season. Otherwise, they kept moving, rarely in the same place for more than a few days.

Esteban won the French Cup in 2007, the “Cadet” title a year later, the junior championship in 2010. With every promotion came longer trips and more expensive gear. An entry-level “baby” kart costs about $3,000, not including registration fees and fuel, and a used mini-kart engine and chassis can be twice that.

By 2011, with a promotion to Winning Series Karting, the chateau was crossing borders so Esteban could race in Spain, Italy and Portugal. Entry fees alone were upward of $5,000 per race, with fuel and spare parts pushing the cost higher. All youth sports have their own unique cultures, and in this one, there is an established taboo: Kids don’t talk about their parents’ wealth.

But chatter happens anyway. Jos Verstappen, father of 14-year-old Max, used to drive in Formula One and spent $1 million bankrolling his son’s career. Leclerc grew up among the yachts and Ferraris of Monaco, and Lance Stroll’s dad, Lawrence, was a fashion billionaire.

Esteban’s folks?

Homeless, the other boys murmured. Sometimes, they said, they even saw his dad lurking near the circuit, waiting to pull other drivers’ used tires out of the trash.

IN 2014, OCON, THEN 18, won nine races and finished in the top three in 21 of 33 races to claim Europe’s Formula Three championship. But it was 17-year-old Verstappen, who had finished third, who was promoted seven months later and became the youngest driver ever to appear on the F1 grid.

“My dad always said it’s not going to be easy,” Ocon says now. “I didn’t really know what my future would be.”

He spent the 2015 season with Mercedes and Lotus — discussed alongside Verstappen, George Russell and Gasly as the sport’s next generation of starsbut still toiling in its minor leagues.

The next season, another young driver, Indonesia’s Rio Haryanto, won a spot with Manor Racing, a fledgling F1 team from Britain. F1 teams today operate under an annual maximum budget. Back then, though,the annual cost for a two-car team could reach nearly $200 million per year. Some teams have lucrative sponsorship agreements and investments from engine manufacturers, but others rely only on prize money and the potential share of a year-end financial pie that is distributed to the teams that finish in the top 10 in points.

Haryanto started the first 12 races that year before Manor dropped him — and not just because he never finished better than 15th. It was because Haryanto, initially backed by a $16.65 million investment from an Indonesian oil and gas company, ran out of money.

Manor’s own survival depended on performance, so in August 2016, it contacted the most talented driver available and told 19-year-old Esteban to get to Belgium. A management company had agreed to underwrite Ocon’s career, so with the motor home now retired, the family traveled by plane.

“A lot of emotions and relief,” Laurent recalls. “The culmination of 16 years.”

FOUR MONTHS AFTER ESTEBAN’S F1 DEBUT, with the sport itself at a crossroads, Manor Racing announced it was broke.

It was January 2017, and this was the first of several dominos to tumble.

The next was that Force India, a well-funded team and a new contender, offered Esteban a multiyear contract after its No. 2 driver, Nico Hülkenberg, defected for Renault. With an elite car, Esteban finished seventh in Russia, fifth in Barcelona, sixth in Montreal — valuable points for his team and proof he belonged.

Then, in Azerbaijan, Ocon saw an opening. He tried to pass Sergio Perez, his Force India teammate, before their wheels touched. A moment later, he went for it again, contacting Perez’s car and damaging both vehicles.

“What did Esteban do, guys?” Perez said on his headset radio. He later called Ocon’s behavior “unacceptable.”

Three races later, Ocon again collided with Perez in Hungary, and a week later in Belgium, Ocon tried to pass his teammate on the inside. The cars made contact, Perez’s front wing flew off, and the veteran driver’s anger exploded.

“Honestly, what the f--- is this guy doing?” Perez said. “F---ing idiot.”

High drama — which, considering the sport’s new ownership, was undoubtably welcome.

Long owned by a European private equity fund, Formula One had recently been purchased by Liberty Media, an American entertainment titan that parlayed its ownership of struggling assets, from satellite radio to the Discovery Channel and QVC, into ownership of the Atlanta Braves. It wasalready planning the all-access Netflix docuseries that would debut in 2019 — less than a year before the pandemic. When the sports calendar ground to a halt, “Drive to Survive” became a massive hit that sent each team’s value soaring.

Sponsors and investors were fighting for a piece of a sports gold rush. Not everyone could keep up, though. Force India’s owner, Vijay Mallya, defaulted on more than $1 billion in loans after his airline failed, before numerous banks accused him of fraud. (Mallya has called these accusations “rubbish” but, after fleeing India for England, is still considered a fugitive.) He sold his team to a group of investors led by Canadian billionaire Lawrence Stroll, who had made his fortune on the threads of Tommy Hilfiger and Michael Kors. And who happened to have a son, Lance, who drove, if not very well, for Williams Mercedes.

Just like that, it was Ocon being bumped, his dream blown to pieces by his own team. When the 2019 season started, he was out of a job. He blamed “politics.”

He joined Mercedes as a reserve driver, and during race weekends, he says, he would climb into a racing simulator and go through scenario after scenario until 4 a.m. On no sleep, he would go to the airport and travel to wherever F1 was because that’s also where Ocon could meet with potential investors, sponsors and engineers. Then, a week later, he would do it all again.

“I didn’t care because I said, ‘Let’s give it a full go,’ show the people how hungry I am,” he says. Failure, he told himself, would mean that his parents’ sacrifices had been in vain.

“I didn’t do all that just to sit on the side,” he continues. “Teams saw how much I was willing to give, how much I was willing to suffer. I wanted to show everyone that I’m willing to go further than anyone else. No sleep for three straight days, simulator day and night, I’m going to do it. And, yes, I’ve lost four kilos in that year and got sick seven or eight times, and the reality is, yes, I’ve suffered and it was tough. And I don’t want to be suffering forever.”

In late summer 2019, with the first season of “Drive to Survive” being filmed, Ocon’s phone rang. Renault was parting ways with Hülkenberg. The French team wanted the kid from Évreux to come home.

“A crazy moment,” Ocon says. “This was it. The tough times are over now.”

LAST YEAR IN MONACO, something happened that was highly disruptive: Ocon finished third. It was his third appearance on the podium and his best result since he won the Hungarian Grand Prix in 2021. In one of Europe’s nightclub capitals, the 27-year-old celebrated. Hard.

Fatigued, dehydrated and emotionally drained, Ocon again got sick. He was nonetheless due back on the grid in Barcelona four days later. He finished eighth in each of his next two races, then 14th, then didn’t finish the two after that.

Nobody weeps for the motorsports rock star, but a life spent in constant motion does take a toll. A year after signing with Renault, which rebranded as Alpine, Ocon was reportedly paid $5 million per year. He put Laurent and Sabrina on the payroll of “Team Esteban,” he says, assigning his mother administrative tasks and his father responsibilities such as renovating Esteban’s house. He could also hire a performance coach to keep his body and mind sharp — or as sharp as possible in a sport whose schedule features two dozen stops around the globe.

Now, years after Laurent and Sabrina tried shielding their son from many of racing’s pressures, it is Tom Clark’s job to act as Ocon’s conscience. To tell him it’s okay to sleep in on weekends, to grab a nap after practice, to avoid media and fans because more interactions mean more exposure to pathogens.To urge him to eat more lean protein and complex carbohydrates, stay ahead of time zones by wearing sunglasses to simulate darkness, use a light therapy lamp or glasses that emit a bright glow above the eyes. To encourage him to take it easy sometimes, especially when it comes to challenging teammates, and maybe to even think about gearing things down a tad.

“Let’s really just put a bubble around you,” Clark says he tells Ocon.

The problem is this is in conflict with the instincts that got Ocon here. Without deprivation and exhaustion, would he have ever left Évreux? If not for aggressive racing and a ruthless competitive drive, could he have even reached the grid? Especially when it comes to challenging teammates, can’t he gear things down a tad?

ON THE FIRST LAP at this year’s Monaco Grand Prix, there’s Gasly in 10th place. Ocon is 11th. Points are awarded to only the top-10 finishers.

The Alpine drivers have known each other since childhood, their hometowns just 20 minutes apart, friends scratching and clawing for better footing. When they were 12, both were in the same championship race. Gasly overtook Ocon on the last lap to win. “I kicked his ass,” Gasly told the Netflix documentary crew, “and he didn’t like it.”

Not long after, the French racing federation had an opening at its sports academy in Le Mans, a kind of Hogwarts for kid racers. It was Gasly who got the invitation, not the mechanic’s son. The friendship crumbled, just one more thing Ocon left behind as he boarded the motor home once more, looking to win races, yes, but also in search of acceptance.

“But look where I am now,” he says. “That has helped me to get through a lot of steps in my life. That’s what made me so competitive, I guess, from so early on.”

Ocon and Gasly hadcollided in 2023, too, in Australia, with both cars taking race-ending damage. After that, tension between the teammates boiled over when Gasly accused Alpine of coddling Ocon. Before Monaco, the team told the pair to cool it.

And they did, for all of 40 seconds. Now, seeing that narrow opening, Ocon goes for it.

His rear tire connects with Gasly’s front wheel once, then a second time, sending a bitter cloud of burned rubber into the sea air. Ocon’s car goes airborne before turning sideways, and though it lands on its wheels, the impact causes catastrophic damage.

“What did he do?” Gasly says into his radio.

Pieces of carbon fiber fly off Ocon’s car. The tire is punctured, the gearbox fried, the suspension arm broken.

“That’s it, guys,” Ocon tells his team. His Grand Prix is finished.

Needing repairs that will cost tens of thousands and with Ocon’s car due in Montreal in 10 days, Bruno Famin, Alpine’s team principal, publicly admonishes Ocon and vows “consequences.” F1’s governing body, the Federation Internationale de l’Automobile, penalizes Ocon after ruling he initiated the collision.

A week after Monaco, Alpine announces that, in 2025, it will replace one of its drivers. Neither had gotten a podium, and only Ocon had won a point for Alpine. But the team chooses to keep Gasly, meaning Ocon again will be set adrift, the [wanderer] seemingly destined to forever roam.

A FEW MONTHS AGO, Esteban and Laurent went for a long bike ride. The old man still lives near Évreux, operating a shop his son bought him. He still likes to work on cars and make music, albeit as more hobby than job, andprefers to traverse the countryside on an e-bike.

Even against his dad, Esteban can’t help himself.

“I still pull away,” he says.

First, though,during a quieter moment on a recent ride, Laurent told his son a story.

There was once another boy with talent and ambition, the story went, hoping to someday become a professional cyclist. He was as skilled as anyone, but the other kids had access to training and coaches that this boy’sfamily couldn’t afford. So lying in bed one night when he was 16, he succumbed to these economic realities and abandoned his dream, diverting his attention and passion into becoming a mechanic.

So, he went on, when that boy became a man and a husband and a dad, he and his wife agreed to do everything possible to position their son for success. To tell him about possibility, not limitation, and raise him in an environment that would eliminate regret.

“He had never told that story,” Esteban says. “That moment, basically, when he was lying on the bed like that, probably changed my life. They clearly gave more than what they could, and without them I wouldn’t be here.”

Esteban says he occasionally fantasizes about what it would be like to stay in one place: to stop moving, inhale, feel settled. Maybe someday, he says, but not just yet. In July, after Ocon was two months adrift, Kevin Magnussen announced he would be leaving Haas.

Haas, as it happens, is run by Ayao Komatsu, a former F1 engineer who had met and encouraged Esteban when he was just a teenager. A decade later, Komatsu came through. Haas offered Ocon not only a seat for 2025 but acceptance for all the things he is and is not.

“Esteban, he needs an environment that he knows the team is behind him, supporting him, listening to him,” Komatsu says. “No politics. I believe we can provide that.”

But what about the suggestion that Ocon doesn’t play well with others? That you can never take the Évreux fully out of the kid?

“If I was worried about that,” Komatsu says, “I wouldn’t sign him.”

After their bikeride, Laurent and Esteban turned around but kept talking over the wind. Farmland and hills blurred past, same as they did years ago, and a favorite memory of Esteban’s sprung to mind. It was morning, and the 12-year-old awoke in the motor home again with no idea where he was. So he opened the door to see blue sky, the slopes of great mountains, the shoreline of the Mediterranean.

Laurent had parked the van and motor home in Monaco, where yachts are moored and the best drivers live. Esteban remembers the feeling of that moment, the possibility, and his dad stepped out and said there was nothing to stop his son from racing here someday. Whatever came next would be determined by Esteban.

“There was no guarantee,” Esteban recalls his dad saying. But the boy had a chance to prove he belonged. Picturing the momentyears later, he inhaled, kept pedaling and let Laurent catch up as the two of them headed home.

#used a site to remove the paywall #so here is the whole article for those interested! <3 #esteban ocon #f1 #btw the things i put in brackets is bc the author used the g slur and while i get the implication #of este always being on the move in the caravan and now as adult as well #i still think it is a bit in poor taste #also be aware that this author has zero wheel knowledge bc he mentions incidents that were simply not este's fault #and feed into the dumb bad teammate narrative

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bengiyo · 2 months ago

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Love in the Big City Part 1: It's Gay

We’ve finally made it to the Love in the Big City TV adaptation. Despite all the drama going on around this show’s release, we got the whole show at once. We won’t get canceled midway through. Though I hoped for a global weekly release schedule, I understand the decisions that led to dropping the whole thing at once. Thankfully, Nam Yoon Su is so charismatic as Go Yeong, and I have much to say about how this show doesn’t hate BL, has great regard for the humanity of its characters, and so far is one of the better adaptations I’ve experienced in my life.

Nam Yoon Su’s Go Yeong

I just want to state plainly that I love how queer Go Yeong feels in this show. I love his pissy little expressions. I love his frustration and anger at gross straight men. I love his gay little run. I love his dancing in the street to girl pop artists. I love him making out with men in public.

I loved opening with Yeong in the midst of a new fling and openly having lots of sex before the military boyfriend came back home. I loved Yeong ending things before later going to a club to seek new partners. We haven’t had that in so long, with Queer as Folk being the biggest cultural memory for many.

More than anything, I love how lonely he felt. Many others have noted it in the tag, and I think that’s the part that resonates when something feels queer for a lot of us. It was notable that they brought Yeong’s friends forward this time, which gives us insight into the shallow nature of most of his relationships. His connection to them is through the club, music, and boys. Go Yeong keeps everyone at a distance. It’s the hardest part about being queer sometimes. You try to connect with others, but something always seems to come up to prevent that closeness.

Kim Nam-Gyu

I think casting Kwon Hyuk as Kim Nam Gyu was such an excellent decision. He previously played my man Jong Chan in The New Employee, and it feels like a nod from this production that they are not opposed to BL. BL is a drama full of romance tropes and huge optimism about relationships, and they cast the actor who played my favorite version of the ideal man in a way that showed empathy for his lonely, quiet nature. Casting Kwon Hyuk feels like a tactful way for this show to say, “We’re not BL, and we respect the work others are doing.” The New Employee was directed by a Korean gay activist, and I love this show giving K-BL a polite nod.

Nam Gyu is a quiet gay. As one myself, I get a lot of what I saw in Nam Gyu. He takes pictures of hot models because it’s a socially acceptable way for him to be close to hot men. He leaps at the chance to be with Go Yeong, and speed runs the intimacy route. He missed that he was smothering Go Yeong, and I think it’s because it’s clear he lacks friends.

I feel so sad for Nam Gyu, because it’s clear he overinvested in his relationship with Go Yeong. He was so ready to give Go Yeong everything, but it was way too much for a club gay. Despite all the ways he rushed in (like a fool), he was otherwise so safe in his life. He stayed in the lines everywhere, and it’s so tragic that he died while speeding.

I thought a lot about the lack of Kylie in this section and the health scare, and it adds a layer to the situation with Nam Gyu as @twig-tea pointed out in one of our conversations that Go Yeong asked how he died because he might already know his status. Did Go Yeong wonder if he’d infected Nam Gyu? It also makes me wonder about the sex we didn’t see with Nam Gyu and IG guy.

Finally, the empty funeral hurts me to my core. This man was so decent, and no one was there to see him off. I am still thinking about how all of the breakups mirrored each other in this section.

Choi Mi Ae

I think @lurkingshan already covered Mi Ae in this adaptation very well. I’ve been thinking about her for a few days, and I’ve decided that I like that we get to see more of her outside of Yeong’s POV in the show. We can see how her circumstances rattled her, and how it was clear that she couldn’t make it on her own long term.

I get her taking the cushy job. I get her finding a nice enough guy who didn’t want kids. I get her choosing to protect herself when cornered. The most tragic thing about her outing of Yeong is that she told the truth and it only seemed to make things worse. Jonho could never understand the solace she and Go Yeong found in each other, and he was not ready to ever hear the truth of Mi Ae’s life.

I feel more sympathy for Mi Ae in this version because we can see that their relationship meant so much to her. Learning that he actually went on to become a writer touched her because it feels like he’ll immortalize a time in their lives that was mutually important to them. It also means that one of them may not have to settle for the choices available to them. The singing at the wedding hits so painfully here because it’s the last fun memory these two will ever have. Yeong goes back to the apartment Mi Ae left for him to eat the last of their blueberries, and that’s the last we’ll see of her.

Final Thoughts

I’m so relieved that we have book club discussion again. I’ll be reading and reblogging people’s posts, and I’m looking forward to the next part to see how Hyung fits into the show’s narrative. This adaptation has been so beautiful so far, and it’s been really great to see how the show has softened some of its edges by putting us in third person perspective. We are giving room to understand Mi Ae, Nam Gyu, and the T-aras by not seeing them exclusively through Yeong’s eyes.

#Ben watches #love in the big city #litbc book club #korean bl #Ben writes

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