#girl he's racist run!!

[indieswift]

Why do they got me calling a 34 year old man “matty”

[shinyobservationtree]

Sitcom au where Dirk is that little like, 12 year old genius in college trope. He needs to learn to let loose and make friends his age or whatever. Why was that a trope in so many highschool/college sitcoms? Does anyone remember that one where they gave like, a 15 year old a teaching job? Thats like, child labor thats fucked up. Anyway the rest of the cast is like, the betas kids and trolls or something. Daves a stoner. Johns the class clown. Rose's personality is reduced to scary goth like it always is. Jades got the Wacky Best Friend fits. Someone tells Sollux "In english please!".

Um. What else. Doc scratch is the principle played by the director who gets in like, a lot of trouble years after the show ends. Vriska is the "popular girl" but she gets to keep her cool arm. Karkat and Daves slow burn enemies to lovers romance is censored in the last season and they pair him with like,,,, I wanna say either Jade or someone completely outta the blue, like Aradia. Oh speaking of, shes the third mean girl, (Terezi's the second) who falls for sollux and stops being mean in like, the second season cause people liked her character so much they demanded she get a redemtion arc. thats why its so controversial when they break them up to pair her with Dave to cover up the homosexual tension they accidently wrote in. Shes red like karket so like, who cares. Sollux doesn't end up with anyone else btw they just kinda forget about him.

[starlooove]

Racist white ppl who don’t realize they’re racist getting mad about gojo is so funny

[izzyspussy]

tfw u kinda wanna make a post about how frustrating it is to try to find racial identity and the pressure of not really having a good answer to "what are you?" because 75% of your ethnicity is stuff that is sometimes considered white or sometimes considered something else or sometimes considered its own race and you've got pale skin and only speak english but you've been discriminated against for your cultural values and facial features but only some of the time in some places and you demonstrably have white privilege in most contexts but not all the time and how much white privilege equals whiteness and on the other hand isn't that awfully similar the concept of racial dilution which is just pc genocide anyway and if you self determine as white is that the right thing to do or is it just assimilation but if you self determine as not white is that respecting and claiming your heritage or is it appropriation/brownface and also what do you do if you self determine one way and then get treated the other way and you know based on the reality that race is socially constructed it can be true that the same person can sometimes be white and sometimes be not white but if you actually say that out loud to people they think you're trying to be a snowflake for woke points based on a technicality-

but also u don't wanna post about that because. if you actually say that out loud to people,

[jankillbride]

There is something to be said about the fact that half the time, marginalized characters end up being the "normal" ones in fanon when that is so clearly not the case.

[tariah23]

Oh………….. 😵‍💫…

[foldingfittedsheets]

No one made any distinction to me when I was growing up when a word wasn’t English. Andale was just another way to be told “hurry up,” and I was certain other parents told their kids, “Watch your cabesa,” when getting into the car. I laughed myself sick the first time I saw Dragon Ball Z because a ladies name was Chi Chi and I only knew that meant boobs.

All my moms family was brown and I desperately wished I was too. I wanted beautiful black hair like my mom and dark skin that didn’t burn. I didn’t like when people asked my mother if she was my nanny when they saw us together. I didn’t like that people told me I looked like my dad. They just meant I was pale.

I’d proudly announce to people that I was Mexican and become furious when they gaped or disbelieved me. My dads side has no cultural roots. When questioned my dad shrugs and says, “English maybe? I dunno.” I just wanted to be Mexican growing up. Alas, I’m only a quarter descendant of an immigrant family who vehemently didn’t want to be Mexican.

My great grandmother announced that we were American now, not Mexican. She embraced American culture as much as possible, while never learning English. My nana was put into school and punished anytime she spoke Spanish. She got caught halfway between both languages. Forced to spend her childhood raising her younger siblings she never learned to cook tamales with her mother and her friends.

When she had her own children she didn’t teach them Spanish. She used it to gossip with her own friends about them on the phone and resisted teaching them more than to come running when she shouted “Araña!” to kill a spider for her.

Thus came my mom, with her brown skin and dark hair, adrift from her culture but treated as lesser by her adopted one. My great grandmother would rejoice to see me as her descendant, white, ignorant of Spanish, the perfect American she wanted her family to be.

When I was born my nana shouted, “What’s that red on her?” only to realize it was my hair. She delighted in her palest grandchild, telling me often I was her favorite.

I’m used to the disbelief now when I tell people I’m Mexican. I can laugh and show pictures of my mom. My friend from work joked to me that I’m always coming out of the closet, over and over, because both my minority statuses aren’t as visible as her black skin.

I was recently lamenting this to a white southern friend the same one I cast psychic damage on during a DnD day. “I wish I could feel more connected to my culture, but I’d be such a fraud pretending my life is the same as other Hispanic people.”

“Skin color doesn’t matter,” he announced blithely to the choked outrage of our Indian friend in the kitchen, “You’re just as Mexican!”

I regarded him in astonishment and said, “I think skin color matters a lot. I am Mexican, but I don’t have the same cultural roots or experiences of people who are perceived as Mexican. My family didn’t pass the cultural heritage down. I think a lot of immigrant kids feel this way but it’s different for me.”

He rambled about how I’m just as valid and I quietly disregarded his advice. I could try to reconnect with my roots, but I know I’d just be another white girl pushing into a POC space.

Instead I make tamales by myself, sweating over the steaming corn husks, and I snap at people who make racist jokes about my family to me, feeling safe because my skin is the same color as theirs.

[j-psilas]

Will we ever get anything quite like Code Geass again?

I don't think it's possible.

Code Geass is Japanese nationalist propaganda disguised as a global political drama, disguised as a military mecha show, disguised as yaoibait, disguised as a teen melodrama, disguised as a high school romcom, disguised as a Pizza Hut commercial...

...except those layers aren't layers at all, but are instead comingled in a giant snake ball of insanity.

The lead writer, Ichirō Ōkouchi, only ever worked as an episode writer for other shows prior to Code Geass, and never took the helm of an anime series ever again. And it shows. [EDIT: Several people have pointed out his other lead writing credits to me. So I misread Wikipedia—sue me. I maintain that this guy is a better episode writer than he is a lead writer.]

The minute-to-minute pacing is impeccable from a mechanical standpoint, with tension and stakes rising to ever-higher peaks, balanced out by the slow simmers of the b-plot and c-plot. It keeps the viewer on the edge of their seat at all times. Meanwhile, the large-scale plot is the most off-the-wall middle school nonsense I've ever seen, continually surprising the viewer by pulling twists too dumb to have ever have been on their radar—and therefore more effective in terms of raw shock value.

"Greenlight it!" was the mantra of this anime's production. It must have been. It has, in no particular order, all of the following:

Character designs from CLAMP, the foremost yaoi/BL group in Japan at the time—for characters who are only queer insofar as they can bait the audience, and only straight insofar as they can be more misogynist to the female cast.

Speaking of the female cast, hoo boy the fanservice. We've all seen anime girls breast boobily, with many cases more egregious than Code Geass, but there's something special about it happening immediately after—or sometimes in the middle of!—scenes of military conflict and ethnic cleansing.

Pizza Hut product placement everywhere, in every conceivable situation. High-speed chases, light slice-of-life scenes, intimate character moments, all of it. Gotta have Pizza Hut.

The anime-only Pizza Hut mascot, Cheese-kun. He wears a fedora.

The most hilarious approximations of European names—which I would love to see more often, frankly. Names like, I dunno, "Count Schnitzelgrübe zi Blanquezzio."

A depiction of China that is wholly removed from any modern reality, with red-and-gold pagodas, ornamental robes, scheming eunuchs, and a brainwashed child empress. There's a character named General Tsao, like the chicken.

Inappropriate free-form jazz in the soundtrack, intruding at the most unexpected times.

A secret cabal not unlike the Illuminati, run by an immortal shota with magic powers, holding influence all across the world, at the highest levels of government. They matter for approximately three episodes.

An unexpected insert scene of a schoolgirl using the corner of a table to masturbate. She's doing it to thoughts of her crush, the princess Euphemia—because she believes Euphemia to be as racist as she herself is, and that gets her off. This interrupts an unrelated scene of our protagonist faction planning their next move, which then resumes as if uninterrupted.

Said schoolgirl, in a fit of hysteria, threatens to detonate a worse-than-nuclear bomb in the middle of her school. She then goes on to develop an even more destructive version of that bomb, and become a war criminal, in a chain of cause-and-effect stemming from the moment she finds out that Euphemia wasn't actually that racist.

A character called "the Earl of Pudding."

A premise that asks us to believe that the name Lelouch is normal enough that he didn't need to change it when he went into hiding as an ordinary civilian. "No, that's not Prince Strimbleford von Vanquish! That's our classmate, Strimbleford Smith."

The collective unconscious, a la Carl Jung, within which the protagonist fights his villainous father for control over the fate of humankind. After this is over, the anime just keeps going for about ten more episodes.

An episode in which a mech tosses a giant pizza.

A gay yandere sleeper agent who can manipulate the perception of time.

Chess being played very badly, even to the untrained eye. Lelouch frequently checkmates his opponent by moving his king. This goes hand-in-hand with the anime's crock of bad chess symbolism.

A fictional drug that can most succinctly be described as "nostalgia heroin."

Roller-skating mecha in knightly armor, and some of the most sickass mecha fight choreography that I've seen.

I could go on and on, but I think you get the picture. This anime is what the average Westerner in 2006 thought anime was, and it was made in a confluence of factors that cannot be replicated. I've never had so much fun watching something that I found so... insulting. Repugnant. Ridiculous. Baffling. I love it sincerely.

Catch me cosplaying Lloyd Asplund at a con sometime, or maybe even the big gay loser himself, Lelouch vi Britannia.

[hotvintagepoll]

What are some screwball comedy pairings you wish had been a thing? Can definitely be gay ones :)

Okay finally!

One of the reasons I made this blog in the first place is that few things bring me as much blinding rage as imagining the movies we could have gotten, if old Hollywood had stopped being racist/homophobic/anti-everyone for ten fucking seconds. There were so many talented hotties working through our tournament era who only got cameo spots or no-budget movies! for no reason beyond white supremacy! there were so many stories that didn't get told because heaven forbid we acknowledge gay people! If this blog has a mission statement, a big chunk of it would be about highlighting all the amazing hotties who never got what they deserved in their heyday.

So! Let's tear Louis B. Mayer a new one and make some better movies.

Diamond Eyes (1946)

Harold Nicholas, the bored but fabulous son of a Manhattan millionaire, decides to take himself off on a transatlantic cruise to recover from the boredoms of socialites, constant martinis, and west side glamor. When working girl Rita Hayworth snags him into a fake dating scheme to throw off a jealous ex (Cesar Romero), he doesn't mean to fall in love with his false fiancé—or to set the ex up with his scheming accountant (Tyrone Power).

To the Tune of Millions (1945)

Ann Miller and Lena Horne are conwomen besties who use a fake dance act to get into casinos, which they then promptly rob. Unfortunately, an over-enthusiastic talent agent (Gene Kelly) sees the act and thinks they're legitimate, hiring them on the spot as the lead number in a newly opened but already failing musicale review. Who can they hustle at a theater that's barely bringing in a dime? The two ex-cons fall in love with show business, Kelly and Horne smooch at the grand finale, and Miller has an intense will-they-or-won't-they sparring relationship with the hot stage manager (Ethel Waters—and they will).

Untitled Three's-a-Crowd Film (1942)

Cary Grant, Jean Arthur, and Ronald Colman are running interference on a corrupt justice system while trying to keep up the act that they are all simply cohabitating in a shared AirBnB and definitely not falling in love with each other. Wait. This is actually The Talk of the Town. This movie actually exists and does veer this hard into polyamorous romance.

Tomatoes and Toast (1928)

Anna May Wong and Greta Garbo eat sandwiches for three hours. It's riveting.

One Soul, Two Bodies (1948)

Farley Granger and Vincent Price star as Alexander the Great and Hephaestion in this sword-and-sandals period piece. Though clearly made on a studio backlot with a budget of $3, the dashing romance grounds the chariot races and cardboard sword battle sequences.

Grand Central Station (1931)

Interconnected narratives of Josephine Baker, Joan Blondell, Dolores del Río, and Fredric March all vying for the last seat on the 5:45 train out to Poughkeepsie. When they realize they're jostling to sit next to the same sugar daddy who's been stringing all of them along, the four decide to unionize. Pre-code thrills; the four-in-a-bunk Pullman car scene remains notable for a reason.

I have more but I think I've gone a bit delirious.

[mattslolita]

one of the girls - c. sturniolo

in which ... you're one of chris sturniolo's girls for the night of the versus tour. ( chris x black!fem!reader )

warnings ; smut, fingering, cowgirl, creampie, unprotected piv ( wrap it freak hoes )

"𝒊 𝒋𝒖𝒔𝒕 𝒘𝒂𝒏𝒏𝒂 𝒃𝒆 𝒐𝒏𝒆 𝒐𝒇 𝒚𝒐𝒖𝒓 𝒈𝒊𝒓𝒍𝒔 𝒕𝒐𝒏𝒊𝒈𝒉𝒕."

˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰

every moment since you had bought the tickets, you'd been waiting for this day for months — the let's trip versus tour. you've been a fan of the sturniolo triplets since late 2022, and since you weren't able to make the first tour, here was your second chance in 2023 to make the versus tour.

you and your best friend alize had been trying to pick out the perfect outfit for you both to wear, having switched things up many times in between since you wanted it to be a perfect day.

even though as a nick girl she'd be wearing purple, you and alize wanted to match with each other to the t — her outfit contrasted yours only because she wore a cardigan instead of a puffer like you had. the amount of pictures you both took on the uber ride to the venue was insanity, as you both were twinning so hard.

when the day came, you felt excitement course throughout your body as you realized you'd soon be in close vicinity with chris sturniolo — you were a die hard avid for 'black girls 4 chris', something you and alize would joke about all the time. you liked to joke and say you were the number one chris girl ever, whilst alize said that she'd hands down be nick's favorite lesbian.

you knew sometimes your fangirling could get out of hand at times, as you found multiple occasions where chris was your wet dream or you often daydreamed about what it would be like to be with him. his voice, his hair, his personality, that smile, he had lived in your head rent free. you also knew chris probably had no issue at all when it came to hookups, but that wasn't something you cared about — even if it was for one night, one time, you wanted to be in their shoes. you wanted to know what it was like to be one of chris's girls.

the line at the venue had filled quickly, as you and alize had met several of your online friends you made from the fandom — the other girls were sweet and kind, and as you looked at the other chris girls in the crowd you briefly felt a wave of sadness as you thought that any of them could be the lucky one.

your worry dissipated though as you felt alize's excitement radiating off of her body, causing you to giggle. "girl, how are you feeling?"

"how you gon ask me that, y/n?" alize said in disbelief, causing you to giggle as she put a hand on her chest, "we literally finna be breathing the same air as nick sturniolo. hoe, i'm unwell."

some people shot alize dirty looks at her seemingly rude behavior, but both of you paid no mind to them — anyone who was friends with her knew that that's the way she joked around with people, the way she spoke in general.

"i'm so excited to see chris," you tell her dreamily, running a hand through your curly lace front you got done yesterday, "i hope i get picked as his teammate."

"laura's racist if she don't pick us to be one of they partners," alize whispered to you, causing you both to laugh as the line moved forward.

"remember, we get to get pictures and do small talk before the show starts, so make sure we're headed for that line!" you explain to alize who playfully rolls her eyes and swats your shoulder.

"girl chill out, i remember what our tickets said!" alize giggled, "i sure as hell remember how much we paid for them things, ain't no way i'm not speaking to them!"

"and then the merch," you whined, pouting your lips, "that shit was going into my funds for college next semester!"

"then you might wanna start looking for a j-o-b!" alize tells you knowingly, causing you to groan, "i told you, i can speak to my manager for you!"

"girl that man is a pervert, i'm not working there!" you say firmly, "how do you even deal with him?"

"why do you think i act like a dude every time i have a shift?" alize tells you knowingly, "you'll never catch me wearing stuff like this around him."

you felt yourself become excited again as you looped your arm with alize's looking at you guys' matching outfits. "i still can't believe how much we matched with each other!"

"what if we can get a group picture with me, you, nick, and chris?" alize wonders, "we'd all look fine as shit."

"i know chris probably looking fine as hell today," you whispered to alize, causing her to giggle at you.

"girl you always think he look fine," alize says with an eyeroll, causing you to nudge her shoulder playfully.

you could feel your nerves heighten as you got a view of the area where the triplets could be seen doing group photos with the fans. a nerve of both excitement and arousal coursed through your veins as your eyes landed on chris — stray hairs peaked from underneath his black backwards cap, his usual friendly smile painted across his features. you unknowingly bit your lip as you scanned his outfit, seeing as he was wearing an orange tasmanian devil shirt with black jeans white air forces — casual, yet he still turned you on so much.

you took a deep breath as the line drew closer, and you had an even better view of the triplets. they all looked so good, and you felt both excited and nervous at the fact that it would soon be you and alize's turn.

just as you had turned to whisper something alize, chris's eyes had somehow wondered over to you unbeknownst to you — his eyes wandered around the entirety of your outfit, drinking in your brown skin and your thick thighs which were somewhat hidden by your skirt. he almost smirked as he realized you had been dressed in all orange, letting him know you were a chris girl. his girl.

when you looked up from laughing at what alize had said, you could feel eyes on you — your breath almost caught in your throat when you realized he was checking you out. you bite your lip nervously as he swiped his thumb over his nose before giving you a small smirk, directing his attention back towards the fans who were next in line.

you could've melted right then and there, now having to clench your thighs at this. there's no way chris sturniolo was checking you out just now? your mind had to be playing tricks on you.

then again, you didn't doubt chris had thought some fans were were cute. he definitely wouldn't have had any problem hooking up with the older fans if they let him, you definitely would've wanted to hookup with him.

your nerves skyrocket even more when you realize you and alize are up next.

the security ushers you towards nick first, who offers you a warm smile and outstretched arms. "hi, love!"

"hi nick!" you say, hugging him quickly before you make your way towards matt. "hi matt!"

matt gives you a smile, hugging you back as you go to chris next.

his eyes are already on you, having watched your interaction with his brothers — a small smirk is on his face as he pulls you in for a hug, his hands dangerously close to your ass as they reside on your waist. "hi, gorgeous."

it comes out a sort of whisper, which causes your cheeks to warm as you pull away from him with a shy smile. "hi, chris."

you turn to see alize already positioned in between nick and matt, so you took that as the initiative to put yourself in between chris and matt as well. nick puts his arms around alize with a smile, whilst both matt and chris put their arms around you.

well, matt's arm stays around your neck, while chris slips his around your waist, giving it a gentle squeeze causing you to clench your thighs together.

the picture snaps twice, and you turn to wave a quick goodbye to both nick and matt. chris smirks, sending a subtle smack to your ass as you give him a shy wave and you leave with alize.

you still couldn't believe what just happened — you debated on telling alize, but she was so caught up in rambling about the fact that she just hugged and smelled nick so you just giggled with her and let her talk.

the show soon started, and unfortunately you did not get picked to be chris's teammate — but you and alize squealed of excitement when laura asked if she wanted to be nick's teammate. of course that girl was not finna pass that up.

you were front and center of the stage, watching as the show took place in front of you — you knew your eyes weren't playing tricks on you when you saw the glances chris kept sneaking at you. you couldn't help but let your doe eyes wander and stay on his, even when you were recording alize and nick. you had almost missed the perfect swish alize made with the basketball, causing you to cheer loudly for your best friend.

when chris had walked near your side of where the stage was, he gave you a subtle wink to which you smiled and blinked your doe eyes up at him. you were hoping other girls couldn't see it, as they would be quick to make stupid assumptions, because it's not like anything was happening.

the show soon ended, leaving you both nervous and excited once again since you and alize had the small talk with them now. unfortunately you and alize ended up being one of the last people in line, since she accidentally left her phone somewhere on the stage and spent time looking for it.

the small talk line up was in birth order, which you were extremely grateful for — alize had went before you, and now you were up next as you make your way towards nick again.

"hi again!" nick says to you with a beam, holding his arms out for another hug.

"hi, how are you?" you ask him excitedly, as you place one of your posters on the small table.

"i'm feeling good, it was cool to meet everyone," nick tells you, unrolling your poster of all three of them. you hold a pen out to him, which he gratefully accepts, "how are you tonight?"

"i'm doing good!" you tell him excitedly, "i can't believe chris won again, what's going on with you, stink?"

both of you laugh, and he shakes his head. "trust girl, i'm gonna win we just need to give it some time."

"period!" you say, holding your phone up, snapping a few pictures with him, "thank you so much nick, i hope you have a blessed rest of the tour!"

"thank you so much for coming!" nick smiles as you both hug one more time, before you give him a wave as you're off to matt next.

matt smiles at you as you approach him, and you smile back as you set your things on his table. "hi again!"

"hi, matt!" you say calmly, "may i hug you?"

"absolutely, c'mere," he says politely, outstretching his arms towards you, and you slip into his arms.

"how are you tonight?" you ask him, as he signs one of your posters.

"i'm doing good, i can't believe how many people came," matt tells you, and you nod understandingly.

"i'm glad to know you're doing good! i hope you're having fun, too," you tell him sweetly, as he smiles and pulls you in for another hug.

"do you wanna take some pictures?" he asks you kindly, and you nod enthusiastically, handing him your phone as he snaps a couple of .5 photos of you both.

"have a blessed rest of your tour!" you tell matt as you collect your things, beginning to walk away as he smiles and waves at you.

as you're approaching chris, he already has that same smirk plastered on his face as he watches you walk up to him slowly — when you reach him and set your things down on the table, he's instantly bringing you in for a hug.

his hands skim over your skirt momentarily, causing your breath to hitch at the close contact. "hi again, chris."

"hey ma," chris says, swiping his thumb over his bottom lip as he eyes you up and down shamelessly, "did you miss me?"

"i'm a chris girl, of course i missed you," you purred, a sudden bold confidence striking you as you blink your doe eyes at him.

he licks his lips at you and hurriedly jots something down onto one of your posters, and you find yourself unable to look away from him as you take in the way his jawline is so sharp and how the light hits him. he looks so hot, and something inside you wishes he would take you right then and there.

"alright, wrap it up!" one of the security guards yells towards you, causing you to sigh as chris gave you an apologetic smile.

"it was nice meeting you, chris," you say shyly, going to grab your posters.

"you'll see me later, gorgeous," chris whispers in your ear, sending a shiver down your spine as he pulls away, giving you a wink, "see you soon."

you give him one last smile before you hurriedly begin walking to find where alize is at. as you're nearing the hallway, a buzz in your pocket causes you to take your phone out, seeing a message from alize.

alize🙈🫦

girl tell me why i left my phone AGAIN

i went to go look for it that's why you don't see me anywhere

you curse under your breath at this, silently shaking your head as you begin walking towards the exit — suddenly a hand goes out to grab your arm and carefully yank you towards the door.

"what the fu-"

"told you you'd see me again, ma," chris's voice smirks, and you could feel yourself gasp as you turn to see him, your hand still in his.

"where are we going?" you ask, looking up at him.

"giving you a private tour," he smirks, licking his lips as he looks you up and down once more before pulling you towards the door.

it's nighttime already as the both of you exit out of the door — you feel yourself giggle slightly as the wind whips your hair whilst he hurriedly makes his way towards their tour bus with you.

he looks around to make sure nobody saw or followed, and he quickly opens the tour bus doors. chris signals for you to get inside first, and he couldn't help but watch the way your ass jiggled when you walked up the steps.

as soon as you both were inside, you barely have a chance to look around at the tour bus before chris hurriedly whirls you around to face him, his lips meeting yours in a hungry kiss.

your arms find their way wrapped around his neck as he draws you closer to him, his arms slithering down to give your waist a gentle squeeze before he lands a smack to your ass.

you gasp into the kiss, allowing his tongue access inside your mouth — you moan when his hands roam all over your body, until he hooks his arms under your legs.

"jump f'me," he mumbles into the kiss.

you do as you're told, jumping and hooking your legs around his waist. chris walks backwards towards the sofa couch, sitting down on it as he continues to kiss you.

you move your legs on either side of his waist straddling him, as you whimper into the kiss — you detach your lips from his and bite down on his bottom lip, pulling away with a pop.

"fuck, you're so hot, baby," chris breathes, causing you to whimper again as you grind down on his hard on.

"chris i want you to do whatever you want with me," you breathe, resting your forehead on his as you catch your breath, "i'm yours."

"is that so, sweetheart?" chris grins up at you, running his hands up and down your sides which causes a shiver to run down your spine, "you gonna be a good girl f'me?"

"yes, always," you tell him, grinding down on him again eliciting a low groan from him.

chris reattaches your lips, tilting his head in order to dominate the kiss — he pulls away and leaves a trail of kisses on your neck, sucking on a particularly sweet spot causing a moan to escape your lips.

you shrug your puffer jacket off of your shoulders, as chris helps to take off your halter top as well. your tits spill out of your bra causing chris to groan as he takes one in his mouth, sucking and nipping at it whilst massaging and kneading the other.

"m, fuck chris," you whine, throwing your head back as you grind down on his erection, feeling your panties dampen.

"take this off f'me baby," chris instructs you, taking his hands off of you so that you could stand up.

you hurriedly pull down your skirt, revealing the orange lace panties you wore underneath — chris's eyes darkened with lust, immediately pulling you back onto his lap. "fuck, you had this all planned out, didn't you?"

"no, but i was hoping it worked," you giggled, biting down on his earlobe as his hand went down to rub across your slick.

"look at you, so wet f'me," chris breathed against your skin, rubbing his hand along your wetness teasingly, "take these off baby."

you quickly stood up and rid yourself of the panties, throwing them to the ongoing pile of clothes. chris pulled you back onto his lap, inserting one of his long, slender fingers into your hole, causing a lewd moan to escape your lips.

"f-fuck chris, feels so good," you moan, throwing your head back as his fingers work in and out of you.

"taking my fingers so well, sweetheart," chris rasps, leaving kisses along your neck as his fingers curl inside you.

"please, faster..." you whine out, his mouth leaving a deep purple spot on your neck as he pulls away with a pop.

he speeds his pace as he finger fucks you, loving the way you sound as he abuses your walls with his fingers — he added another, increasing the pleasure and you felt your orgasm approaching quickly.

"so close, chris," you moan, grinding onto his fingers, "m' gonna cum."

"cum on my fingers baby," chris grunts in your ear.

you quickly obliged, feeling your orgasm wash over you as a moan of chris's name escapes your lips and your juices coat his fingers, your legs shaking. you stand up as he licks his fingers clean, grinning up at you as he pulls his pants and boxers down revealing his throbbing cock — your eyes widened, now knowing that he was in fact huge as fuck.

"what's the matter baby?" he grins cockily, grabbing your waist again as you hover over him.

"you're s-so big, i don't-"

a loud moan escapes your lips as chris sinks you onto his cock, and you immediately feel him stretching your walls — tears feel your waterline from how big he is, your mouth fixed into a permanent 'o' shape as you adjust to his size.

"c'mon ma, i know you can take me," chris assures you, gripping your waist tightly as a groan leaves his mouth, "be a good girl, remember?"

you nodded, just as chris suddenly thrusts his hips up hitting your g spot which elicits a moan from you as you grip his legs while your head is thrown back — he grabs your chin as forces you to look at him.

"look at me while you ride me, ma," chris instructs you sternly.

your hands still gripping his legs, you begin bouncing up and down on his cock as it abuses your cervix repeatedly — the slapping of skin as well as chris's low moans and your high pitches ones vibrated throughout the tour bus, and you were pretty sure anyone close enough could hear what was happening.

"fuck this pussy feels so good," chris grunts, watching as your tits bounce in his face, his eyes staring into yours darkly, "who's pussy is this?"

"yours chris, all yours," you moan, throwing your head back as you continue bouncing, "m'close again..."

"hold it baby, i'm almost there," chris pants, his hips thrusting upward to meet your pace, "fuck..."

suddenly chris grabs your phone and holds it up, taking a live photo of you bouncing on his cock whilst he leaves another kiss to your neck.

with a few more thrusts, you feel chris's dick twitch inside you indicating how close he is — he finally releases inside you, painting your walls white. your second orgasm washes over you, as your legs shake whilst your juices release all over chris's cock.

chris helps you off of him, and you stand up immediately grabbing your clothes scattered around — chris lands a smack to your ass as you bend over to pick your shirt up. "chris!"

he just laughs as he pulls his pants up, then hands you your skirt as well. you smile up at him shyly as you slip it on — he rubs his thumb across your lip and plants another quick kiss to it as he holds your phone up again.

"sorry i couldn't take it earlier," he says, pulling your body against his.

"it's okay, taking it here feels more intimate anyway," you giggle.

you hold the side of chris's face as he snaps the camera once, then he places a kiss to your cheek as he snaps another one.

"can i use the bathroom real quick?" you ask him shyly, and he nods, showing you where it was.

once inside you hurriedly pee, letting out a sigh as you finish and wash your hands. you look in the mirror at yourself, a small smile tugging at the corner of your lips as you look back at the girl who just got fucked by chris sturniolo.

walking back outside, you look to chris who has your phone in his hand, as he holds it out to you, which makes you smile and walk towards him, reaching for it.

he puts his hand on your waist as he holds your phone above your head, looking down at you with a smirk.

"boy, if you don't hand me my phone back!" you tell him, trying to reach for it which resulted in him holding it higher.

"few more kisses first, ma," chris grins, puckering his lips out making you giggle.

you press a kiss to his lips and pull away, but he quickly dips down to peck your lips a few more times. he hands you your phone back finally, and you smile as you begin walking towards the tour bus's exit.

"your posters!" chris says before you can leave, hurriedly handing them to you.

"thank you," you said, looking up at him, "i enjoyed tonight."

"anything for one of my girls," chris winks with a grin, planting one last kiss to your lips.

you exit the tour bus, looking around for any sign of life before you make your way around the building — you look around, your body trembling from the cold air before a honk of a horn grabs your attention and you gasp, jumping slightly.

"where the fuck were you, y/n?" alize's voice says worriedly, rolling down the window to the uber, "bitch i was looking for you!"

"shit girl, i'm so sorry," you apologize, climbing into the seat of the uber next to her, "i have so much to tell you."

"hoe, you better tell me where you disappeared to," alize whispers to you half angrily, the other curious.

before you could get a word out of your mouth, a buzz from your phone grabs your attention.

unknown

*one attachment*

y/n

chris ??? are those my panties ??? 😭

unknown

didn't fuck anybody else baby, yeah they're yours

need something to remember you by since today was our only la show

y/n

is this you telling me you wanna see me again?

unknown

i'll fly you out to another show if you're down

y/n

only if my girl can come too !

unknown

i'll get you both a plane ticket

y/n

i'll see you soon then😘

unknown

good

send me some pics to keep me company while you not here😏

"bitch what?!"

( lilly's section 💌 )

this didn't come out as good as i wanted it to, but i hope y'all liked this ! love u guys so much muah💌.

@luverboychris @muwapsturniolo @prettiest-poision @mrssturnioloo @mattsturniolosleftnut @sturnprime @thenickgirl @guccifrog @nickgetsmewetter @eyeliketoeatpoosay @e1ias3 @sp3aknaur @middlepartmatt @summerssover @riasturns @sturn777 @l0akkzz @hysteria-things @pinksturniolo @chrissturniolossidehoe @chris-slut @hoesformatt @raysmayhem-72 @whosthislyssbitch @lanas-doll @chrisssluttywaist @mbbsgf @jetaimevous @sturnsxplr-25 @moonk1ss3d

[blueiight]

theres this quote running around from jacob anderson where he talks about how historically black people have been removed from period dramas and how, as suggested by the interviewer (w/ blueiight embellishment ofc), the very few times black charas would show up in these period pieces theyd be side characters delegated to a raceblind narratively incoherent plot to placate an audience ashamed with / of the nuances of blackness. i rly like how he said louis’s character represents both a ‘black and very human story about a vampire… [Black people] do not usually have the opportunity to play such complex and fluent characters’. i think that brings to heart a lot of why this show has my heart, as an armchair historian and r.n. (dont ask what that stands for). u racebent characters in a way that coheres, situate ur black characters in a specific context, and the story never deludes us into thinking the mere existence of an interracial relationship is enough to end racism. in e2 louis literally says “fledgling sounds like slave, dont call me that” and e3 starts with louis telling lestat the history of dismembering runaway enslaved ppl & placing their bodies on the gates of of jackson square.. in his initiation to vampirism, louis is moved from the historically Black creole treme area he grew up in & is placed into lestat’s townhome in the very white, french, old quarter. vampirism as hes initiated into is a loving, powerful, cruel, and isolating existence for louis. bc of vampirism he is able to kill a racist person and not be lynched for it, hes able to echo the historical dismemberment on the alderman by placing his body on the st louis cathedral, but he is unable to kill racist groups & systems that initiate race riots. his connection to claudia in s1 is not so much by the oedipal, but by both their connection as lestat’s fledglings and as Black [creole] people placed in a part of the city largely alien to them both. this connection can be broken down even further. louis saw claudia as his joychild of sorts, ‘[his] redemption’ for his 5 years of pimping but a big part of her tragedy is that a child being made into a vampire cannot redeem anyone, much less redeem an individual from what was a historical inevitability. claudia is adopted into such a stature that she wouldve otherwise never reached by virtue of being made a vampire, but even then that is conditional. claudia is rendered inert from being anyone’s ‘wife’ forever trapped in the confines of immaturity as a ‘daughter’, only hoping at best to be louis’s ‘sister’ and isnt that resonant to bw.. she’s selectively infantilized both a child ‘meddling in the affairs of her parents’ , ungrateful, arrogant, and adultified - presumed powerful enough to ‘poison louis against [lestat]’ , taking on the role of louis’s ‘knight in vengeful white black’ .. the response lestat has to claudia is characterized by him continuing the cycle of abuse he once faced toward her and with a black claudia who was once a poor girl now adopted into this immortal luxury it takes on a racialized element. “bach is beyond you” and claudia bites back with “yes this french music is hmm. not made for these mongrel ears”. the absence of metaphor is striking!! literally the fact that this show does not shy away from the era its set in is why its so good.

[bellsmess]

Whenever someone calls Charles Rowland straight, an angel dies.

What straight guy tells his best friend who just confessed to him that there's no one else – no one – he would go to Hell for. And that they have forever to figure out what that means. You don’t get his repressed bisexuality like I do!

Even modern bisexuals (I may or may not be speaking from personal experience) are oblivious to the fact they're bi because heteronormative roles are so engraved in our minds. When you're attracted to other genders, it's easy to miss a same-sex crush, only then to realise that oh, it wasn’t just admiration, it was attraction.

Charles, having grown up at the height of the AIDS crisis, with an abusive and probably homophobic father, killed by racist bullies? That would make anyone repress any gay feelings. Especially if you experience crushes on people with a different sex to you.

Charles sees Crystal and takes his chance. He's enamoured with this smart, strong-willed, pretty girl who can see him not only in a physical sense, but pays attention to him. He longs to be loved. Then he says the infamous "That sounds alot like you, doesn't it? Maybe that's why I like her so much" line. What an icon. And he compares himself and his best friend to the greatest love story of all time, Orpheus and Euridyce's.

When Edwin confesses to him, he doesn't rule out the possibility of returning these feelings. He knows they're already devoted to each other. They've already had 30 years of companionship and solving cases together.

"As long as I have my best mate and a case to solve, I'm good."

Being with Edwin is simple. They solve cases, help others, run away from Death. It's a simple existance. Charles gave up eternity to be with Edwin, because he was kind to him when he was dying. Charles finds him fun, wants to protect him, knows that Edwin is a kind and good person. One that Charles wants to be.

"Bad guys don't worry about being bad guys. And you, Charles Rowland, are the best person I know."

Crystal's role is very important in changing the dynamic between Edwin and Charles. Not only because Charles falls for her, but because she opens them up. She digs out their repressed feelings and trauma. Charles finally deals with his dad's abuse, his happy-go-lucky mask falls. She points it out to Edwin. Charles kept it up so well because Edwin didn't press it, but Crystal does. And Charles finally lets himself process what happened to him, and how that affects his relationships.

Charles never saw genuine love between his parents, and that affects how he views relationships. It impacts how he forms them, too. But he's a loverboy, he longs to be loved, he falls easily. Why wouldn’t he fall for someone who stuck to his side for 30 years?

Crystal and Monty's roles mirror each other – they help the boys figure out their feelings and desires. Crystal makes Edwin jealous that there's someone else Charles cares about in the same sense he cares for Edwin. The Cat King helps Edwin discover desire, Monty – genuine love. As Charles' and Crystal's relationship kickstarts (albeit ends as quickly) and Monty persues Edwin, he discovers the depth of his feelings.

"These complicated feelings that you have? They're for Charles."

I would love to see their wants explored more in the future season(s, hopefully multiple). Charles giving into desire with Desire of the Endless' guidance? Yes please.

I simply cannot believe that anyone would doubt Painland/Payneland endgame. They're everything to each other. They're a constant presence, reassurance, and love. Platonic, romantic, it doesn't matter. Their bond is so deep and genuine that immortal beings see it and leave them be, in the afterlife they chose for each other. Their love is so deep it transcends planes: from mortal plane to Hell, it leads Charles to Edwin. Charles is not Orpheus, when he turns around to hear Edwin out on the staircase from Hell, he manages to get him out. And they have literally forever for each other.

[starlooove]

Dickbea JayDana timtam I will always love u

[reginaldqueribundus]

the Sarek family is hilarious to me because you have so much drama in one place. there have got to be at least 3 like, holo-documentaries or whatever about them. how could you not?

you have Sarek, the patriarch: one of the UFP's top diplomats, who knocks up a Vulcan princess then goes “hrm I am ambassador to Earth therefore I should marry a human” and he does, upsetting all sorts of the worst kinds of people on his home planet and causing racist hate groups to try to blow him and his family up multiple times, and seems honestly more put out by his son joining Starfleet than his other son becoming Vulcan Moriarty

Amanda, the matriarch: an accomplished educator and quite possibly the only well-adjusted member of the family, but when her son Spock shows up on her doorstep after growing a beard, having a mental breakdown and apparently murdering several medical staff she still shrugs and hides him in the family mausoleum

Sybok: Amanda's stepson from the aforementioned princess fling, who becomes an antiestablishment criminal mastermind with an edgelord fake name, hooks up with a hot space pirate, finds religion, starts a cult, takes an entire colonial government hostage sparking a diplomatic incident involving three galactic superpowers, and hijacks a Starfleet ship to the galactic core to find the Vulcan Garden of Eden, where he dies fighting god in hand-to-hand combat

Michael, a traumatized human girl Sarek brings home from a work trip, who joins Starfleet, becomes their first-ever mutineer, goes to prison, saves the Federation from a war most people think is her fault and gets “killed” in a highly classified, very suspicious incident involving an experimental starship and a series of red lights that appeared across the galaxy like a divine omen (oh, and returns 900 years later to solve the dilithium crisis, kill the head of the Emerald Chain and save two entire star systems including her siblings' homeworld)

and last but not least Sarek & Amanda's one-of-a-kind hybrid baby. Spock, who gets accepted into the Vulcan Science Academy, tells them to go fuck themselves when they're racist about it, runs off to Starfleet instead, gets so famous his arranged marriage falls apart resulting in him publicly strangling his own captain to death except not really, steals the Federation flagship twice, invents time travel, saves the entire planet Earth, dies and comes back to life, goes into his dad's line of work and achieves peace with the freaking Klingons as his opening act, then after a long successful career suddenly dips to go do extremely dangerous underground activism on one of the most paranoid authoritarian worlds in the galaxy to unify the Romulans & Vulcans who've hated each other for over a thousand years — and he isn't around to see it but it eventually works. then he fucks off with the VSA's high-speed prototype ship full of the most dangerous substance known to science and gets sucked into a black hole of his own creation, never to be seen again. and this is just the stuff that's public knowledge!

then you dig into the novels where Sarek's ancestor basically makes out with Zefram Cochrane 5 seconds after meeting him and Amanda tells the press her husband has a huge cock

I love them

[raguonmynieceandnephew]

"It's so unfair to the Rat Grinders that they are killed instantly and the Bad Kids get to roll death saves." SHUT UUUUUUUUUUUUP

THIS IS LONG, AND HONESTLY FOR MYSELF, SO YEAH READ IF YOU WANT

I swear to god, this discourse is going to fucking be the end of me. Idk what kind of mind boggling spell Brennan Lee Mulligan wove into the fabric of the universe that spread through the data center of Dropout in order to absolutely hijack y'all's brains when it comes to Cocklord Assgape and her ragtag of character foils but whatever it was has made you Rat Grinder stans INSUFFERABLE in this site.

The levels of treating fictional characters as if they were real people have reached a level I honestly have never anticipated, to the point of y'all actually being mad AT THE CAST for "mistreating" them and ACTUALLY QUESTION BRENNAN'S CAPACITY TO DM. Do you not get how fucking insane that is?

We can't make fun of Copperkettle, one of the most pathetic, petty and incompetent villains in D20 history anymore (even though she is masterfully written and developed to generate this reaction from us) anymore because it's bullying apparently. I saw an account flip the fuck out because someone compared her rivalry with Kristen to Drake and Kendrick's beef. KIPPERLILY IS NOT A REAL GIRL. SHE IS A MAKE BELIEVE CHARACTER IN AN IMPROV SHOW SPAWNED FROM THE BRAIN OF A 36 YEAR OLD MAN

And then what truly pissed me off the MOST about this whole hell is the fact that, being chronically online avid consumers of this goddamn show, I would think you would have but a grasp of the main cast of characters' characterization.

Why the uproar about Riz saying they should chop Oisin's head off? The same Riz who tortured that pixie from Freshman year by shooting off their finger one by one? The same Riz who murked a disarmed and unconscious Coach Daybreak without battin an eye? The same Riz who ATE THE CORPSE OF KALVAXUS?

And the whole Fabian vs Ivy debacle MY GOD, THE GIRL WAS RACIST TO HIS GIRLFRIEND AND USED HER LAST BREATH TO CALL MAZEY "OBJECTIVELY UGLY". And the funniest thing is that is not even the most unhinged shit he has ever said.

And finally, Death Save Gate: THE RAT GRINDERS ARE NOT PLAYER CHARACTERS. THEY ARE NPCS! THE RULES FOR EACH WORK DIFFERENTLY, ESPECIALLY THEM BEING BOSS ENCOUNTERS. Imagine having to still hit Ivy or Oisin 2 more times to kill them when there is 14 foot tall Porter throwing legendary actions left and right, with Jace, and other 3 spell casters + Mary Ann and KLCK up and running. It's called balancing the fucking game. Also, game masters are entitled to break, mold and make up any rules they want if they find necessary in order to service themselves and their players. IF YOU PLAY WITH ALL THESE RULES AS THEY COME, GOOD FOR YOU AND YOUR TABLE. THIS IS NOT YOUR TABLE.

Not only is Brennan DMing for his CLOSEST FRIENDS EVER, he is also shooting and producing an ENTIRE TV SHOW. So yeah, i think he knows wtf he is doing.

"But the Ratgrinders had no real development": True. But it wasn't for lack of trying from the players. Everytime they tried to know more, the dice didn't let them, so they decided to focus on the mystery. It simply do be like that sometimes.

"But they are just kids!": And so were Penelope, Dayne, Ragh, Zayn, the Bloodrush Players, Aelwyn and Biz. Why wasn't it a problem then? Because most of them were evil to some extent and were about to bring the fucking apocalypse to the world? Yeah, sounds familiar right? And the ones who were manipulated or had any sort of redemption worked their way into earning it, right? Yeah.

In conclusion, I fucking love the Rat Grinders, I truly do, and not unlike 90% of this website, i'm still holding on to hope that they have any sort of development and redemption in the last episode, because I agree, they ARE children and they WERE manipulated by Porter and Jace, but like, can we also agree that they are fucking assholes and had it fucking coming? Also, the BKs are children too y'know. SO STOP BEING FUCKING ANNOYING.

[tariah23]

This floor mod at my job is trying to get back in the good graces of our bosses because she got chewed out about not pulling her own weight last week by the both of them (hilarious. She’s annoying as shit and never helps anymore. She had completely changed once she got promoted from a simple concierge to Floor Mod and she treats her position like she’s like, the legit boss of the entire place and no one really cares too much for her anymore) but today, I was talking amongst my coworkers about shady things going on at the job and we weren’t being too loud at all and she came in trying to linger around a bit and of course, we stopped talking once she came around (kiss ass type.) but anyway, after our afternoon huddle, (just a simple meeting amongst coworkers and the boss giving us updates about how different departments are doing and them bragging about how much money our company has made and them fake caring about us as employees while getting fake emotional) and so, after the afternoon huddle, my boss was all like “omg, Tariah, could I see you in my office after huddle-“ and I was like “yeah, sure.” And once went into her office, she started asking me about how I’m feeling and that Selena (the annoying floor mod) mentioned something about how someone isn’t being supported/ not stood up for,” and I was a bit confused since I was having a slightly private convo with other coworkers about the shit that’s been going on at the job and I felt as if she’d eavesdropped and wanted to get some “dirt,” on me or to start something since she knows that myself and many of my coworkers don’t particularly care for her and wanted to use this opportunity to look good for the bosses. I really want to confront her about this tomorrow tbh because I felt like it wasn’t really her place to say anything about what I was complaining about with my fellow coworkers who I get along with and like, to the boss at all like it’s weird to me. Like it was none of your business and I don’t really care for you at all like.