#giovanni bellini artwork

[granstromjulius]

Giovanni Bellini

[christliche-kunstwerke]

Retter der Welt von Giovanni Bellini (Undatiert, )

[art-mirrors-art]

Jesse Mockrin - Herself unseen (2023)

This painting is from the artist's recent project, 'The Venus Effect,' which masterfully reinterprets old masters' artworks, with a focus on the motif of mirrors and women.

This piece nods to Giovanni Bellini's celebrated 'Giovane donna allo specchio' (c. 1515), which we marked the 500th anniversary of about eight years ago when I first shared the painting here.

I'm actually considering showing here an entire series of Jesse Mockrin’s re-interpretations; I should perhaps write a proper post on this project in my main blog.

[lasplaga]

✧ : My muse and art. (If they have an artistic side or not and why, favourite artist if they have one, e.t.c.) 

-;┊ 𓆙 𝕺𝕺𝕮 ; ◥ 𓆙      —       𝐒𝐘𝐌𝐁𝐎𝐋 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒 --- ALWAYS Accepting!

Los Iluminados values art but only if it expresses their religious ideologies. You will see many depictions of lotus flowers, serpents, animals or humans afflicted by torture / undeath, demonic caricatures, the likeness of insects & most obviously Las Plagas. Osmund has an artistic side practicing gothic calligraphy, manuscript illuminations, woodcarving ( or bone ) & metalworking. He is very into 'vulture culture' which includes taxidermy ( if you consider that a form of art ) or using organic materials such as twigs / plants to make rudimentary dolls or crucifixes. Sanctuary, for example, has a candle chandelier almost made entirely of antlers & human bones.

Osmund was also exposed to outside artwork via joining Ramon ( & briefly his mother Catalina ) in the castle, which was his first taste of Baroque, High Renaissance & Victorian Horror. Some examples would be : Sandro Botticelli, Michelangelo Merisi da Caravaggio, Jusepe de Ribera, Fra Angelico,  Peter Paul Rubens, Giovanni Bellini, Ambrogio Bergognone, & Leon Joseph Florentin Bonnat. Some of their artwork I have actually shown here in my aesthetic tag!

[wallpaperpainter]

The Five Secrets That You Shouldn’t Know About Giovanni Bellini | Giovanni Bellini

DElTCH PROJECTS

“The master’s tools,” wrote the artisan Audre Lorde, “will never annihilate the master’s house.” “Isn’t activity a alternation of images that change as they echo themselves?” asked Andy Warhol. If the master’s accoutrement are portraits of kings, saints, and accessory women garbed in the ermine and glassy of their class; and if the corridors of ability articulation the master’s abode to the museum, area admirable white men are apparent authoritative decisions and adorable white women announce die things decided; and if those portraits are again with adolescent atramentous men from the Fulton Mall in city Brooklyn continuing in the abode of Giovanni Bellini’s Sf. Francis in the Desert, ca. 1480, or Anthony van Dyck’s Roi à la Chasse, 1635, or John Singer Sargent’s Countess of Rocksavage, 1922 – if, that is, ermine has afflicted into Adidas, girls accept afflicted into boys, white has afflicted into black, and die alone things constant are design earrings and a exciting mix of animal acknowledgment and egotistic activity – again what kinds of politics, pleasure, and dismantled image-series do we see?

Kehinde Wiley has fabricated such images back 2001, and until this appearance they were paintings. At awe-inspiring size, his oils apriorism their capacity as gods and princes, draped in logo-rich hoodies, decrepit with bling and crowned with altogether uncreased baseball caps, backdropped by floral and geometric motifs that agitate beyond their bodies and abutment them into the adhesive handmade apparent of the painting. This, too, has changed. The aureate postures and aces streetwear still pertain, but the works on appearance actuality called from Wiley’s 2008-2009 “Black Light” alternation were seventeen digitally manipulated photographs, anniversary barometer aloof over two by three anxiety (all

The Five Secrets That You Shouldn’t Know About Giovanni Bellini | Giovanni Bellini – giovanni bellini | Welcome to my own blog site, with this time We’ll demonstrate concerning keyword. And now, this can be the first impression:

Файл:Portrait of a young man (23-23); Giovanni Bellini.jpg .. | giovanni bellini

Why not consider image preceding? will be in which wonderful???. if you feel therefore, I’l m demonstrate many image again beneath:

So, if you’d like to obtain these incredible shots regarding (The Five Secrets That You Shouldn’t Know About Giovanni Bellini | Giovanni Bellini), click on save button to download these images to your personal computer. They’re all set for obtain, if you’d rather and want to have it, simply click save symbol in the post, and it will be instantly downloaded to your laptop computer.} As a final point if you need to find unique and latest photo related with (The Five Secrets That You Shouldn’t Know About Giovanni Bellini | Giovanni Bellini), please follow us on google plus or bookmark this blog, we try our best to provide daily up-date with fresh and new pictures. We do hope you like staying right here. For most upgrades and latest information about (The Five Secrets That You Shouldn’t Know About Giovanni Bellini | Giovanni Bellini) images, please kindly follow us on tweets, path, Instagram and google plus, or you mark this page on bookmark section, We try to provide you with update periodically with fresh and new shots, love your searching, and find the perfect for you.

Thanks for visiting our website, articleabove (The Five Secrets That You Shouldn’t Know About Giovanni Bellini | Giovanni Bellini) published .  Today we are pleased to declare we have found an incrediblyinteresting nicheto be discussed, that is (The Five Secrets That You Shouldn’t Know About Giovanni Bellini | Giovanni Bellini) Most people attempting to find info about(The Five Secrets That You Shouldn’t Know About Giovanni Bellini | Giovanni Bellini) and definitely one of them is you, is not it?

Преображение Христа Детали, 23 по Giovanni Bellini (23-23 .. | giovanni bellini

Percorso – Museo Correr – giovanni bellini | giovanni bellini

Улица Джером Прочитав в тем Загород 23 по Giovanni Bellini (23 .. | giovanni bellini

Giovanni Bellini (ca.23-23) ~ Portrait of a Woman ~ Giovanni .. | giovanni bellini

“Nunc dimitis…”, 1505-1510, Giovanni Bellini (c | giovanni bellini

Madonna Adoring the Sleeping Child. Artist: Giovanni Bellini .. | giovanni bellini

Andrea Mantegna (Isola Mantegna, 1431 – Mantova, 13 settembre 1506) – Presentazione al Tempio (1455) Tecnica: tempera su tela Dimensioni: 68,9×86,3 cm – Gemäldegalerie, Berlino – giovanni bellini | giovanni bellini

Portrait of the Venetian Painter Giovanni Bellini, 1511 .. | giovanni bellini

The Transfiguration of Christ on Mount Tabor, painting by Giovanni .. | giovanni bellini

Файл:Giovanni Bellini – Ritratto d’uomo, 23-23 circa.jpg .. | giovanni bellini

Giovanni Bellini – Wikipédia, a enciclopédia livre – giovanni bellini | giovanni bellini

News – The Complete Works of Giovanni Bellini – giovanni bellini | giovanni bellini

Venice and its lagoons :: Giovanni Bellini – giovanni bellini | giovanni bellini

Giovanni Bellini – High Renaissance painter (1430-1516 .. | giovanni bellini

Milano – Pinacoteca di Brera – giovanni bellini | giovanni bellini

Giovanni Bellini | Madonna Adoring the Sleeping Child .. | giovanni bellini

Giovanni Bellini (c | giovanni bellini

Nunc Dimittis – Bellini, Giovanni | giovanni bellini

Giovanni Bellini | Portrait of a Venetian Gentleman (ca .. | giovanni bellini

Giovanni Bellini | High Renaissance painter | Tutt’Art .. | giovanni bellini

Giovanni Bellini, San Zaccaria Altarpiece – Smarthistory – giovanni bellini | giovanni bellini

Giovanni Bellini: Imago Pietatis – Изображение Музей Польди .. | giovanni bellini

The post The Five Secrets That You Shouldn’t Know About Giovanni Bellini | Giovanni Bellini appeared first on Painter Legend.

Painter Legend https://www.painterlegend.com/wp-content/uploads/2020/06/portrait-of-a-young-man-23-23-giovanni-bellini-jpg-giovanni-bellini.jpg

[meisterdrucke]

Through the image by Giovanni Bellini

[aic-european]

Virgin and Child, Giovanni Bellini, 1500, Art Institute of Chicago: European Painting and Sculpture

Charles H. and Mary F. S. Worcester Collection Size: 71.5 x 55.4 cm (28 1/8 x 21 3/4 in.) Medium: Tempera or oil on panel

https://www.artic.edu/artworks/14896/

[themuseumwithoutwalls]

MWW Artwork of the Day (12/25/20) Giovanni Bellini (Venetian, c. 1430-1516) Nunc Dimittis (c. 1505-10) Oil on panel, 62 x 82.5 cm. Museo Nacional Thyssen-Bornemisza, Madrid

Considered in his later years to be the greatest Venetian painter of his time, Giovanni Bellini was the teacher of the leading Venetian artists of the next generation. Among them were Giorgione and Titian, who disseminated a new style, the origins of which lie in Bellini’s art. 

In 1964 the art historian Hendy identified the subject of the panel as the meeting of Simeon and the Infant Christ just before the entry into the temple where the Presentation takes place, an episode recounted in the Gospel of Saint Luke. Hendy identified the richly dressed figure on the right bending to receive the Infant Christ as Simeon. In Hendy’s opinion Bellini’s innovation in this panel lies in the replacement of the interior or porch setting traditionally used for this episode with the broad, atmospheric landscape with the Alps in the background. Hendy also proposed the title of "Nunc dimittis," the words with which Simeon received the Infant Christ in his arms. (Mar Borobia for the Museo website)

[wallpaperpainting]

Eliminate Your Fears And Doubts About Giovanni Bellini | Giovanni Bellini

SEOUL, South Korea — South Korea has appear 50 new cases of COVID-19 as admiral activate acute nightclubs, karaoke apartment and gyms to annals their barter with smartphone QR codes so they could be calmly amid aback needed.

Giovanni Bellini’s Madonna and Four Saints – giovanni bellini | giovanni bellini

The abstracts from the Korea Centers for Ache Control and Prevention on Wednesday brought civic totals to 11,902 cases and 276 deaths. At atomic 41 of the cases were appear from the densely active Seoul burghal area, area admiral accept struggled to trace transmissions affiliated to ball venues, abbey gatherings and low-income workers who couldn’t acquiesce to breach home.

Since backward May, the country has been advertisement about 30 to 50 new cases per day, a improvement that has threatened to abolish some of the hard-won ets adjoin the virus as bodies activate to affluence on distancing.

SCUOLA GRANDE DI SAN MARCO | evenice – giovanni bellini | giovanni bellini

The civic claim of QR codes at “high-risk” venues appear afterwards a week-long balloon run in the cities of Seoul, Incheon and Daejeon, area some 300 businesses acclimated an app developed by internet aggregation Naver to aggregate the advice of some 6,000 customers. The government is additionally auspicious churches, libraries, hospitals and cine theaters to voluntarily accept the technology.

South Korea has aggressively mobilized abstruse accoutrement to trace contacts and accomplish quarantines.

吉奧喬尼 – giovanni bellini | giovanni bellini

HERE’S WHAT YOU NEED TO KNOW TODAY ABOUT THE VIRUS OUTBREAK:

— Apple Bloom Organization able clarifies animadversion on manual by bodies with virus but no symptoms

Giovanni Bellini – Wikipedia – giovanni bellini | giovanni bellini

— The U.K. government acknowledges that not all adolescent accouchement will be aback in academy afore summer break.

— Experts anguish that a added billow of the coronavirus in under-developed regions

San Cataldo (Palermo) – Wikipedia – giovanni bellini | giovanni bellini

Eliminate Your Fears And Doubts About Giovanni Bellini | Giovanni Bellini – giovanni bellini | Delightful to be able to my own blog site, in this particular occasion We’ll demonstrate about keyword. And from now on, this can be the initial graphic:

Giovanni Bellini | Madonna Adoring the Sleeping Child .. | giovanni bellini

Think about picture preceding? will be of which remarkable???. if you think therefore, I’l m teach you several photograph once again underneath:

So, if you’d like to obtain the outstanding graphics about (Eliminate Your Fears And Doubts About Giovanni Bellini | Giovanni Bellini), click on save button to store the graphics for your pc. These are prepared for obtain, if you like and wish to own it, just click save badge on the article, and it will be directly down loaded in your laptop computer.} Lastly if you desire to have new and latest image related to (Eliminate Your Fears And Doubts About Giovanni Bellini | Giovanni Bellini), please follow us on google plus or save this page, we try our best to present you regular up grade with fresh and new images. Hope you enjoy keeping here. For many up-dates and recent news about (Eliminate Your Fears And Doubts About Giovanni Bellini | Giovanni Bellini) photos, please kindly follow us on tweets, path, Instagram and google plus, or you mark this page on bookmark section, We attempt to give you up-date regularly with all new and fresh photos, like your browsing, and find the best for you.

Here you are at our website, articleabove (Eliminate Your Fears And Doubts About Giovanni Bellini | Giovanni Bellini) published .  At this time we are pleased to declare we have found an extremelyinteresting topicto be reviewed, that is (Eliminate Your Fears And Doubts About Giovanni Bellini | Giovanni Bellini) Many individuals looking for specifics of(Eliminate Your Fears And Doubts About Giovanni Bellini | Giovanni Bellini) and definitely one of them is you, is not it?

London National Gallery Top 20 06 Giovanni Bellini – The .. | giovanni bellini

Giovanni Bellini | High Renaissance painter | Tutt’Art .. | giovanni bellini

_ ST | giovanni bellini

Catania – Wikipedia – giovanni bellini | giovanni bellini

storia dell’arte – Giovanni bellini – YouTube – giovanni bellini | giovanni bellini

Portrait of a Condottiero (Bellini) – Wikipedia – giovanni bellini | giovanni bellini

IMG_0787 Giovanni Bellini. 1459-1516 Venise. Portrait de Frère Théodore d’Urbin en saint Dominique. Portrait of Fra Teodoro of Urbino as Saint Dominic. 1515. Londres National Gallery | giovanni bellini

Giovanni Bellini – giovanni bellini | giovanni bellini

“Mi manca il mare” – Serata speciale di poesia e musica – giovanni bellini | giovanni bellini

from Wallpaper Painting https://www.bleumultimedia.com/eliminate-your-fears-and-doubts-about-giovanni-bellini-giovanni-bellini/

[booshtube]

The Velvet Underground - Venus in Furs

Luxury Comedy - The Jelly Fox

The Loose Tapestries song Surrounded by Shape Shifting Werewolves that plays during the scene where Noel paints with Jeremy Beautiful Chest as his muse uses The Velvet Underground’s song Venus in Furs as an inspiration. During the scene there are various visual references to the song and also to the novel of the same title by Leopold von Sacher-Masoch (which the song was inspired by), as well as the Tiziano Vecellio painting Venus with a Mirror (which is mentioned in the book and was the inspiration for it), and the painting Woman with a Mirror by Giovanni Bellini (the painting that inspired Tiziano Vecellio’s painting Venus with a Mirror). The album the song was originally released on was produced by Andy Warhol, with the album cover featuring Andy Warhol’s artwork of a banana (as seen in the included video), which Noel’s painting briefly resembles. (In an early release of The Velvet Underground & Nico album, the yellow banana could be peeled back to reveal underneath a pink coloured banana with the banana peeling removed. Throughout the first series, a pink banana with a peeling that is meant to look very similar (but not identical) to the yellow banana by Andy Warhol is on the apron worn by Andy Warhol and Noel.)

[granstromjulius]

Giovanni Bellini

[art-heathen-blog]

Blog Post #1

Aesthetic to me means a style that we think is beautiful. Beauty and art do not always go hand in hand, and beauty means different things to everyone. This could vary between different styles or different artists that attract someone. Art over time has changed stylistically and what is considered beautiful. Art went from magnificent portraits of people to landscapes of beautiful fields, to abstract art that has only shapes and colors. I believe that art changes with the times, over the years different types of art has become the standard for beauty. 

When you look at art that was produced during WWI, it is full of dreary works of art portraying the happenings of the war and death. The piece I picked was from Christopher Richard Wynne Nevinson, titled “Returning to the Trenches” was made from 1914 to 1915.

The medium used was charcoal and crayon on paper, which gives it the very dark and shadowy outlines of every soldier. In an article written on the website Tate, it states that “Nevinson served in the Royal Army Medical Corp. during the first world war” (Tate). This tells us that the art made by Nevinson was real and true to life, not a product of fiction from someone’s mind.

The next time period I chose to look at was the 1930s in America, a time remembered as the Great Depression. Most artworks were dreary and dark, following the theme of the Great Depression. The artwork I picked, however, is the opposite, it was a painting by Paul Cadmus, titled “The Fleet’s In!” made in 1934.

In this image we see a fleet of navy soldiers hanging out with civilians. According to the article written by Elizabeth Newhart it “...ended up causing Paul Cadmus quite a bit of controversy” (Newhart). The painting portrays a relationship between a male civilian and one of the navy soldiers. Part of the reason why I picked this piece was because of how different it was the bright colors that were used instead of the muted tones. It portrays a happier feeling, even during the darkest of times. 

The final time period I picked to look at was the 1980s. A time of bright colors, homemade mixtapes, and the end of the Cold War. The piece I picked was by Keith Haring, titled “Chocolate Buddha 1” made in 1989. According to an article called “Keith Haring Paintings, Bio, Ideas” Keith Haring was an American artist who stuck mostly to Graffiti and Pop Art. He was born on May 4th, 1958 in Reading Pennsylvania and died February 16th, 1990 in New York. Haring had many great works, most of which I am familiar with from my aunt and uncle. I grew up with Keith Haring prints up all over their house and my cousin’s room was decorated almost entirely with them also.

This image is part of a set of many. According to an article by Guy Hepner “His work is about birth, death, sex and war” (Hepner). Haring was an openly gay artist who raised money to raise funds and awareness for AIDS, which he died of at 32 years old. 

Art and beauty have a very unique relationship, various different things can be considered beautiful to different people. A painting of a flower could be the most beautiful thing to one person, but to another, a portrait of a lady in a green dress could be for another. Art is all about what the viewer feels about it, and what the artist thinks is beautiful. Art does not have to be beautiful, because again what may be beautiful to the artist, may not be beautiful to the viewers. I can google “the ugliest work of art” and still find beauty in things. When googling that, I found a painting by Szabolcs Veres titled “Porthunt 3” made in 2009. This painting is what is considered one of the ugliest paintings around but still, I find myself attracted to it. The messy brush strokes and dull colors attract my eyes. The beauty in this work of art isn’t necessarily the work itself, it’s the elements of the work. The colors, the texture of the painting, the lack of space between things. It all plays into a bigger sense of beauty. 

Whereas when I google the most beautiful paintings, I found paintings that just were not my taste at all. Giovanni Bellini’s “Ecstasy of Saint Francis” was not my taste at all. The landscape was underwhelming, and the colors were all the same tones. I understand that this may not be the same for everyone else, but that is how I see the painting and how I feel about it.

References:

Hepner, Guy. “Chocolate Buddha by Keith Haring 1.” Guy Hepner, guyhepner.com/product/chocolate-buddha-1-keith-haring/.

“Keith Haring Paintings, Bio, Ideas.” The Art Story, www.theartstory.org/artist-haring-keith.htm.

Newhart, Elizabeth. “Painting in 1930s America: 10 Iconic Artworks at the Art Institute of Chicago.” Culture Trip, 9 Aug. 2016, theculturetrip.com/north-america/usa/illinois/articles/painting-in-1930s-america-10-iconic-artworks-at-the-art-institute-of-chicago/.

Tate. “'Study for 'Returning to the Trenches'', Christopher Richard Wynne Nevinson, 1914-15.” Tate, Tate, www.tate.org.uk/art/artworks/nevinson-study-for-returning-to-the-trenches-t00249.

[tractym]

i found your blog earlier this week and i love your art! i especially like the way you paint renaissance dress! 💕💕 if it's not rude to ask, where do you find your refs?

Thank you so much, I'm glad you like my art!! 🥺🥺💜

And don't worry, your ask is not rude, on the contrary! I'm more than happy to help - even if I want to specify now that I'm not at all an expert in historical fashion, so please don't believe that the outfits I draw are always 100% historically accurate. Also, almost everything I know concerns Italian Renaissance, so if you need reference for, let's say, German Renaissance I'm afraid I will not be that helpful 😔

Anyway! What I do when I want to draw Renaissance clothes is to look at art history! Luckily the Renaissance is a time where a lot of portrait have been made, and sometimes even religious or pagan artworks can be of help!

For example, for Venice I would search for the portraits by Titian or Giovanni Bellini to start, or also for the paintings by Vittore Carpaccio (the "Storie di Sant'Orsola" cycle is GREAT for outfit references). The same goes for other territories, for example a good start for Florence would be Domenico Ghirlandaio, or for Mantua the "Camera degli Sposi" by Andrea Mantegna and so on for the other cities.

If you don't know that many artist (as is my case when I want to draw someone from a place outside of Italy) you can start researching by finding portraits of the governors of the territory that you want to target! For example, let's say that you want to put a character at the start of the Grand Duchy of Tuscany, so you ask yourself (and you ask internet): who was the first Grand Duke? Cosimo I de Medici. Cool, do we have a portrait of him? The first one we find in wikipedia is by Bronzino. Has Bronzino made other portraits? Yes! And you already have some references.

Alternatively, you can look up who were the wife and children of Cosimo, and search for portraits of them.

Some disclaimers about this method are:

Mostly the people who had portraits of them made were noblemen and noblewoman, and they posed wearing their best outfits, so be careful if you want to take them as a reference for common people!

Many times religious or pagan paintings are set in renaissance times in terms of outfits, but they are still stories from another time and age, so I wouldn't be surprised if the artists took a few liberties with the clothes

Then as now, fashion trends changed, so I would keep an eye on the dates in which the paintings were made

Some other references:

I feel some artist do a much better work than mine when researching historical clothes, for example @aph--lietuva draws amazing clothes! If you have instagram, I love the work of toscasam, who always puts a great care in researching the clothes of her characters!

I'll also leave some photos from a book I have at home, but please consider:

These are all references took from paintings, so all the disclaimers I listed above still stand;

I found this book in a vintage shop and it has been printed in 1959, so I’m sure you will find much more nuanced modern publications out there;

The captions are in Italian, but I'll leave them here anyway because the years of the clothes are still understandable

Italian Renaissance:

German:

Spanish:

Also, IF SOMEONE READING THIS POST HAS BETTER REFERENCES, PLEASE FEEL FREE TO ADD INFORMATIONS IN THE REBLOGS! The more sources we have, the better!

Lastly, I would like to end this post by saying that despite the researches I'm more than willing to take some liberties when I draw. I'm an artist and not an historian, and whenever I feel like I'm limited by the lack of references I don't dwell too much on it and prioritize the completeness of the drawing by adding things from my mind, so don't rely too much on my art if you are looking for historical accuracy!

And that's all it comes to my mind about the topic. I hope I have been helpful (and clear, I know I still have some problems with the English language 🥲)! Thank you so much for the question and have a lovely day <3

[creativinn]

TEFAF 2022 – The Outstanding And Thrilling Return Of The Leading Art Exhibition

TEFAF Maastricht 2022 marked the outstanding return of the fair to live renditions. The event, whose 35th edition took place between 24.06.2022 and 30.06.2022, featured 242 exhibitors. Organisers held TEFAF Maastricht 2022 as a hybrid event. The Maastricht Exhibition & Congress Center did not feature Covid-19 safety measures.

TEFAF Maastricht 2022 was a hybrid event – a face-to-face trade fair and a digital platform. The virtual platform featured a variety of services. Among them were online exhibitor booths. The Maastricht Exhibition & Congress Center did not feature strict Covid-19 safety measures. This was because the country removed its national restrictions.

TEFAF Maastricht 2022 featured several highlights as part of the support schedule. These were the:

Each focused on a specific goal.

The TEFAF Talks featured a diverse range of topics. Among them were the current issues in the industry. The programme comprised panel discussions led by expert content partners. They enabled attendees to expand their art knowledge. The highlights of the programme included:

Three leading speakers were present at the panel discussion:

The moderator of the debate was Kate Seymour. The speakers debated the key factors that should influence conservation-related decisions. This includes involving as many specialists from different backgrounds as possible. This incorporates the perspective and input of conservatories, art historians and conservation scientists.

The discussion focused on the merits and issues of deaccessioning public museums. It also discussed the implications of such an option for the donors and the public. Three experts from different backgrounds provided their perspectives on the task. The speakers were:

The panel discussion's moderator was Jan Dalley, art editor for the Financial Times.

Similar in intent was the highlight known as the TEFAF Meet the Experts. It comprised interactive conversations about the various presented artworks. The programme featured sessions such as:

Discussed the restoration research on Vincent van Gogh’s “Poplars near Nueren”. This is an oil on canvas with dimensions 78 × 98 cm. It was the artist's first work to be donated to a public museum collection. During TEFAF, the work was displayed pre-restoration.

Discussed the works of Jacques (JCJ) Vanderheyden (1928 – 2012). He was one of the most unconventional Dutch artists of his time. JCJ Vanderheyden dedicated his life to investigating visual perspective dimensions and space. One of the leading examples of his works is the “Horizon” series displayed in the TEFAF Collector’s Lounge.

Vittore Carpaccio (c. 1460–1525/1526) was one of Giovanni Bellini’s pupils. Renowned for his large-scale paintings that depicted 1490s Ottoman Asian and Venetian life. An early panel created by the artist was the focus of the session. It features a Bellinesque convention of a Madonna and Child. Two female saints, modelled after contemporary aristocratic Venetian ladies, accompany it. They likely were attendants to St. Ursula in the painting cycle describing her life.

Diego de Siloe (ca. 1495–1563)’s arrival in Naples marked a turning point for the Spanish Renaissance master’s career. It signified the period during which he would infuse his works with the various stylistic elements he had absorbed during his travels. This is best exemplified by the marble statue of Saint Sebastian, circa 1514-15. After TEFAF, the statue will be exhibited as part of the Other Renaissance exhibition.

The session focused on presenting the uniqueness of “The Gatteaux Family”. This is a graphic work created by Jean-Auguste-Dominique Ingres (Montauban 1780–Paris 1867). The artwork is one of Ingres' most ambitious portrait groups and one of their most significant works on paper. It was completed in 1849 and is dedicated to one of Ingres’ closest friends, Edouard Gatteaux, and his parents. The work comprises three engravings, each created from earlier portrait drawings. It remained in the Gatteaux family and its descendants’ collection until 1931.

It discussed the “‘Japonisme’ Patinated Bronze and Cloisonne Enamel Table” by Ferdinand Barbedienne and Edouard Lievre, circa 1870. The work encapsulates the 19th-century French decorative arts' aspirations. During the age of industry, the West held a high fascination for Asian Art. In particular, it viewed such works as otherworldly objects from distant and exotic lands. It also shows the preoccupation of the day with Darwinism and the developing natural sciences. This is reflected in the naturalistic form of the work.

It discussed Van Cleef & Arpels’ Heritage Collection of Jewellery and High Jewellery. The Heritage Collection comprises period pieces crafted between the 1920s and 1990s. Each piece has undergone archival research to trace its history, thus certifying its authenticity. During TEFAF 2022, the exhibitor presented a creation representing the 1960s aesthetic–an exquisite necklace. Among the most notable features of the work is the selection of used gems, including 59 sapphires. Another noteworthy feature is the sources of inspiration used for the concept. They have gained from observing the magnificence of nature and decorative Indian motifs. Like many other works in the Heritage Collection, the piece is transformable. This is achievable by removing part of the composition or wearing it in an alternative location, such as the wrist.

Jacqueline Lamba was André Breton’s L’Amour fou, and a lifelong friend of Frida Kahlo and Dora Maar. She studied at the École des Arts Décoratifs and dedicated her life to painting. Beginning her career in Surrealism, she would eventually transition to Abstraction. This transition began in America and continued after her return to France in 1955. Her works from this period featured light brushstrokes that evoke the landscape surrounding the village in Alpes-de-Haute-Provence. A leading example of this transition is the “Untitled” from 1978. It is an oil-on-wood work depicting watery clouds using brushstrokes and curved lines. The blend forms a one-of-a-kind depth forged of dark greens and blues. Reflections highlight them. These have been sketched using lighter touches to portray the inherent movement of nature as the artist follows it peacefully.

The session's focus was Katsu Hamanaka’s “Tray”, created in 1930. Katsu Hamanaka is an artist renowned for his lacquer artworks. He implemented “the ancestral” art of lacquer in his abstract compositions. His works are rare, disappearing altogether in the 1930s. The "Tray" exemplifies his approach in its black vegetal varnish combined with a cubist mosaic of shagreen sheets. These have been treated using the “samenuri” technique.

The TEFAF Concert was one of the lead highlights of the event. It occurred on 28.06.2022 and was organised by Maastricht’s Sint Janskerk. It featured the solo harpist of the Wiener Philharmoniker Anneleen Lenaerts. During the Concert, she performed works from her latest music album. These were interspersed with fragments from Puccini, Richard Strauss, and Dvorak. She also performed orchestral works of Smetana and Liszt.

Among the highlights of the event was the TEFAF exhibition. A total of 7,000 years of art history were presented during the exhibition. There were many notable features among the acquisitions conducted during the sub-event. One of them was the high number of works acquired by museums and institutions. This showed the importance of the event in helping to preserve cultural relics and works. The Musee Royal de Mariemont in Brussels is one such example. They procured an Egyptian sculptor’s trial piece of a kneeling pharaoh from the Ptolemaic Period. The House of European History in Brussels acquired the "L’esprit de Locarno" by Max Ernst. Likewise, the American Museum procured a rare French sculpture of the Virgin Mary and Child. The Museum Rotterdam also acquired artwork from Cornelis Saftleven. It depicts a Cattle Market with the Ruins of Castle Honingen in Kralingen. Museum Boijmans van Beuningen also furthered its collections with the “Da Capo 2022” by Suchan Kinosita. The exhibition also featured high popularity among the works created by female artists. For instance, among the acquired artworks were the:

The exposition also featured a high demand for works created by living artists. Examples include a wood-carved sculpture by Wang Keping and “Iron Root” by Ai Weiwei.

Many of the presented works were acquired by private collectors as well. The leading examples include:

The high level of acquired books and manuscripts was also among the exhibition's notable features. One such instance was the “Les Voyage de la Nouvelle France Occidentale” by Samuel de Champlain.

Another notable feature was the La Haute Joaillerie exhibitors due to their glittering displays and creative installations. This resulted in many new acquisitions, such as the “Enchanted Lily Brooch in rubellite” by Anna Hu. The contemporary and modern art exhibitors also received ample attention. Among the notable acquisitions within this group was the “Huldigung (Homage)” by Emil Nolde.

The Maastricht Art & Icons Walk was among the high-interest sub-events. It allowed attendees to continue their exploration of notable artworks. They could explore for the task, a guided route through the city with stops at renowned museums, institutions and historical buildings. Maastricht Marketing organised the Maastricht Art & Icons Walk. The Walk featured 29 locations distributed throughout the city, with the starting site being the hosting venue. Among the featured historical and cultural locales were the:

Gouvernement aan de Maas - Provinciehuis

Bonnefanten

Helpoort

Limburg Regional History Centre

Jan van Eyck Academie

The crypt of St Servatius’ Basilica

Theatre aan het Vrijthof

Marres, House for Contemporary Culture

Dominicanen bookshop

Muziekgieterij

Lumière Cinema

The City Hall

St Servatius Bridge (Sint Servaasbrug)

Maastricht’s Train Station Building

TEFAF 2022 signified the successful restart of the leading art fair. It featured 242 exhibitors from 20 countries. They represented four continents: Europe, Asia, North, and South America. Among the exhibitor countries with the highest presentation rates were:

the Netherlands

the UK

France

Sweden

Switzerland

the USA

Germany

Italy

the USA

Belgium

Of the exhibitors, 215 were return participants, and 21 were first-time attendants. According to participating groups, attending the first live edition to take place during the pandemic was thrilling.

This content was originally published here.

[meisterdrucke]

Saint Francis in the Desert by Giovanni Bellini

[aic-european]

Christ Carrying the Cross, Sebastiano del Piombo, 1515, Art Institute of Chicago: European Painting and Sculpture

This painting by represents one of the most popular compositions invented by one of the most distinguished painters working in Rome during the High Renaissance. In the 1510s, following an early period in Venice, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively atmosphere of competition between the two great luminaries of the period, Michelangelo Buonarroti and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for some of Sebastiano’s major commissions. Following Raphael’s death in 1520, the painter and historian Giorgio Vasari stated that“first place in the art of painting was unanimously granted by all, thanks to the favor of Michelangelo, to Sebastiano.” Christ Carrying the Cross draws upon recent developments of an enormously popular iconography by artists including Giovanni Bellini, Giorgione, and Andrea Mantegna, among others. Here, Simon of Cyrene assists Jesus, emphasizing the heavy weight of the cross on his shoulders. A Roman soldier stands behind, his jeering face just visible in the darkness. In the background, the tightly packed composition opens up onto a crowd assembling at the foot of the hill of Golgotha, with two crosses barely visible. The luminous landscape is a hallmark of the artist’s Venetian training. The painting’s dramatic visual impact is a result of the powerful diagonals of the cross; the dynamic, almost sculptural quality of Christ’s clothing; and the pathos of his expression. The popularity of Sebastiano’s composition is reflected in the number of surviving variants that he created over the course of his career. The Art Institute’s version is an autograph replica of a painting—now in the Museo del Prado, Madrid—made for Jerónimo Vich y Valterra, the Spanish ambassador to Rome. Other versions survive in the State Hermitage Museum, Saint Petersburg; the Monasterio de las Descalzas Reales, Madrid; and the Szépmüvészeti Múzeum, Budapest. Lacy Armour, Ada Turnbull Hertle, Mary Swissler Oldberg Acquisition, Charles H. and Mary F. S. Worcester Collection funds; Wirt D. Walker Trust; Alyce and Edwin DeCosta and the Walter E. Heller Foundation Fund; Estate of Walter Aitken; Frederick W. Renshaw Acquisition, Marian and Samuel Klasstorner funds; Edward E. Ayer Fund in Memory of Charles L. Hutchinson; Lara T. Magnuson Acquisition, Director's funds; Samuel A. Marx Purchase Fund for Major Acquisitions; Edward Johnson, Maurice D. Galleher Endowment, Simeon B. Williams, Capital Campaign General Acquisitions, Wentworth Greene Field Memorial, Samuel P. Avery, Morris L. Parker, Irving and June Seaman Endowment, and Betty Bell Spooner funds Size: 118 × 92 cm (46 7/16 × 36 1/4 in.) Medium: Oil on panel

https://www.artic.edu/artworks/234781/