#gifted kids act like they are the most oppressed but in my experience they love feeling better than other people

[thedisablednaturalist]

Kinda fucked up that we all coo and sympathize with "former gifted kids" but never talk about the students who had to stay late after school or over the summer for remedial classes/clubs, who struggled to get above a C, who were given up on or punished. Who tried so hard to understand or just couldn't. Who were grouped with the "stupid kids" (a classmate called us that in remedial math btw)

Autistic kids and adhders who can't relate to their gifted peers and are constantly alienated by them. Kids who struggled in school due to dealing with a chronic or mental illness or physical/learning/developmental disability. Those of us who have had to drop out of highschool or college. Kids who worked so hard and wanted to be seen as smart, but never were. Who watched as their peers seem to fly by them in school, while they were left behind. Who were bullied and put down by those in the gifted and honors classes. Whose confidence was absolutely destroyed by education.

I love you all and I'm so sorry the school system failed you. I'm sorry you weren't properly accommodated and given the education you deserved. I'm sorry people put you down for something that they never had to fight for.

[witchcraft-of-obsession]

Harry Warden; Yandere Alphabet

My Bloody Valentine

Warning; Yandere behavior, mentions of past trauma, murder, claiming, kidnapping

Affection: How do they show their 'love and affection'? How intense would it get?

Harry expresses his love for his s/o by physical means, though it's rare for him to act on them; he prefers to simply be in their presents because of the trauma he suffered being stuck in the mine. When Harry does show his affection to his darling, he prefers small touches like pats on heads or back. On the intensity scale, Harry is 4 surprisingly; he may not smother his s/o physically, but he does with his present. Harry wants to be around his s/o, just with some space.

Blood: How messy are they willing to get when it comes to their darling?

He's the Fear Harry Warden; of course, he's willing to get as messy as it takes for his s/o. Harry would send his darling the heart of their previous love just for them.

Cruelty: How would they treat their darling once abducted? Would they mock them?

Once abducted, Harry wouldn't treat his darling as cruel as some other slasher (ex. Asa, Patrick, the man), but he isn't as kind as others (ex. Martin, Carrie, John Reily). Harry is on the mid grounds on the kind to cruel scale. Though, he does find joy mocking his darling by giving them the heart of their lover or loved one.

Exposed: How much of their heart do they bare to their darling? How vulnerable are they when it comes to their s/o?

Harry prefers to show minimal of his heart and vulnerability to his darling; it's how he is naturally.

Fight: How would they feel if their darling fought back?

Harry would be annoyed and try to sedate them because he's wouldn't put up with it.

Game: Is this a game to them? How much would they enjoy watching their darling try to escape?

Similar to fighting, Harry wouldn't enjoy it coming from his darling. It's fun and a game to him when it's with victims, not his s/o.

Hell: What would be their s/o's worse experience with them?

Two come to mind, reviving hearts on Valentine's Day of a lover/loved one or being trapped in the mine with Harry Warden.

Ideals: What kind of future do they have in mind for/with their darling?

Harry's Ideal future with his darling is one he had before the accident in the mine; Him coming from the mines to a beautiful home where his house-spouse s/o greets him with perhaps even two kids.

Jealousy: Do they get jealous? Do they lash out or find a way to cope?

Harry may seem distant to his s/o, but he can be one of the most jealous slashers out there. He copes like every other slasher, murder. Though if that's not enough for him, Harry would claim his darling in more ways than one.

Kisses: How do they act around or with their darling?

Harry acts around his s/o as if they are the only person he can stand (which is true). Harry treats them as if they are thin ice on his tolerance level.

Love letters: How would they go about courting or approaching their darling?

Ironically, Harry courts his darling by sending them Valentine's gift of a heart before he actually meets them/ takes them.

Mask: Are their true colors drastically different from the way they behave around everyone else?

Harry's true colors are always shown to every victim/person he meets.

Naughty: How would they punish their darling?

Harry may be somewhat cruel to his darling, but he doesn't really punish his s/o. If he really had to punish his s/o, Harry would lock them up in their own home. He wouldn't dare to lock them in the mines for personal reasons.

Oppression: How many rights would they take away from their darling?

Harry has a few rules for his s/o; Never escape nor deny him, no backtalking, and never betray his love. He allows his s/o to return to their everyday life, though the catch is them coming back to him at the end of the day.

Patience: How patient are they with their darling?

Harry doesn't have the best patience when it comes to anything. So, when it comes to his darling, it's just the same as anything.

Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on?

If Harry's darling left or finally escaped his grasp, it would send him into a blind rage. His attacks become more violent, unpredictable, and unstable. Harry wouldn't move on from them; he would wait for them to come, but as he waits for them to return into his arm, he'll come up with a punishment for them.

If his s/o died, it would put harry in another psychotic rampage which probably led to his arrest/trip to the asylum. He wouldn't be able to move on from his s/o's death, just like the mining accident.

Regret: Would they ever feel guilty about abducting their darling? Would they ever let their s/o go?

Funny, no, and no.

Stigma: What brought about this side of them (childhood, curiosity, etc.)?

It mainly stems from Harry's mining trauma and the town to blame for why he's like this to his darling.

Tears: How do they feel about seeing their darling scream, cry, and/or isolate themselves?

Harry does not really do or feel anything when his darling screams, cries, or isolates themselves; he can become annoying after a while of hearing his s/o scream, but that's the extent of it.

Unique: Would they do anything different from the classic yandere?

The difference between Harry and a classic yandere is that he's not as physically affectionate and seems almost cold to their s/o.

Vice: What weakness can their darling exploit in order to escape?

A Weakness Harry's darling is able to exploit is when he's in the coal mines; they can slip away from him as he kills, but it would cause a lot of problems for the town.

Wit's end: Would they ever hurt their s/o?

Only If it was somewhat necessary.

Xoanon: How much would they revere or worship their darling? To what extent would they go to win their s/o over?

Harry would worship his darling from a distance, simply admiring their features; though, Harry prefers to be adored by his s/o simply because he desires it all for himself. Harry, in his sick mind, goes all the way for their darling; he'll give them a human heart as a meaningful gift. (He also finds it funny to see their fear).

Yearn: How long do they pine after their darling before they snap?

Harry has little to no patience, so it would take him about a week or two before snapping.

Zenith: Would they ever break their darling?

Harry is actually able to break his darling but secretly like their fighting spirit.

[luckycheesefoodie321]

ok...ok ok ok... ok... so I watched Mulan (2020)... spoilers + LONG POST (yo this took me an hour and a half)...

before yall scream at me for spending money on it, lemme just say i was fully intending to wait until December so that I would not have to give even more money to the Disney machine (especially in light of things that happened with John Boyega) nor endorse individuals who support police brutality or oppression... but my mum and sister nagged me to buy it so we could watch it now, and explaining the politics of supporting both Disney’s greed and the controversy around the lead actress and would’ve just frustrated us both so I paid for it -_- please don’t crucify me... 

also want to preface this by saying I am not Chinese (though I am Asian), and I understand that the 1998 film and this film have inherent issues, given neither were directed by Asian directors, let alone Chinese ones... so the representation of the Chinese culture is likely flawed (and likely straight up wrong) in many ways... additionally, Li Yifei has been shown to support the actions of police in Hong Kong, so just know I’m viewing her role purely from an acting and movie standpoint...

now that’s done... general rating for the movie

when compared to the original animated film (my favourite Disney movie of all time): scrapes by on a 5/10

movie that stands on its own as I watched it (just note I’m the type of person who can enjoy pretty much anything - even if I’m hyper-critical of it): 7/10 (I’m very generous but my viewing experience was nice)

if I break it down completely into its underlying faults and wash away the Hollywood sheen and the nostalgia filter: 4/10 for themes 8/10 for cinematography and the technical aspects... (this movie was gorgeous to look at and had some really fun camera work, sue me for enjoying the visuals)

Full SPOILER review:

For the most part, my nostalgia filter from the animated film, which I dearly dearly love, basically had me ecstatic anytime there was even a hint of a reference to the animated film (see: occasional notes from the songs), and also sorely disappointed when the acting or the general pace pulled the fun or the emotion from key points (see: A Girl Worth Fighting For being abruptly cut off upon seeing the carnage would’ve been so much more impactful because they actually showed the bodies in the 2020 version but instead we got this kinda funny convo referencing the lines completely separated from that scene)...

The biggest issue I have with the film is that Mulan was naturally skilled from the beginning and was told to suppress her abilities.. making her OP from the beginning undermines the 1998 journey where we see every step of her development both in physical ability and her emotional struggles... then through her wits, intelligence, and strategy, as well as being on par and even better than her fellow soldiers, she manages to defeat Shan Yu and makes us feel her “Hero” status is very much earned... so it takes away from what the 1998 film tried to show in suggesting Mulan could just OP her way to victory at the drop of a hat.. and also implied her being dishonest about her true identity was her primary flaw? idk thematically they were trying to be super empowering of women and the capability of women, and the boxes women are forced into according to society... but then suggest Mulan was always inherently gifted/had a special power and that is why she succeeded, while the other soldiers worked hard and effectively achieved the same goal (albeit in a less flashy manner)... so the message gets very confusing...

i felt that Xian Niang (was that her name?), the Witch, had a lot of potential, but I was also really concerned they introduced her to make sure Mulan had a female enemy to defeat, and Shan Yu/Bori Khan was a minion of this female enemy... so in that sense I’m glad she served as a foil to Mulan... I would’ve liked the parallels more if the “being your true self”/”bring honor to us all” theme wasn’t so muddled... Mulan was accepted while XIan Niang wasn’t because they both had powers, but then Mulan convinces her to take the noble path and so Xian Niang died for her? idk there was a better way to fold her into the story...

Shan Yu/Bori Khan was about as much as I expected from him... I think he matched Shan Yu for skill, though idk about ferocity or intimidation power, though the actor was decent enough... but I did enjoy his and Mulan’s fight... less impactful because he didn’t even know about her and how she was the one to take down most of his army...

didn’t mind that Mushu was missing... fondly referred to the phoenix as Mushu (though I understand there may be cultural missteps in a phoenix being the spirit/ancestor/guardian)...

I also didn’t mind they removed the power imbalance between Shang and Mulan and had her love interest be a fellow soldier...I really liked Yoson An’s character actually...but the romance element was significantly dialled back, so we didn’t get the bisexual icon that is Li Shang... also Li Yifei’s emotional acting was normal but not outstanding... so her feelings for Honghui didn’t really register much except for that first time they chat in the barracks about girls, and right before she goes home... (just me being pouty about him not joining the Imperial Guards to Mulan’s home and presenting himself for matchmaking... though I understand it was to keep focus on Mulan’s journey, not her love interest)...

while it probably wasn’t the intention of the 1998 film, the positive portrayal of gender fluidity, the specific empowerment of trans and bisexual individuals through Mulan and Shang (bc let’s get real, he was just as attracted to Ping as he was Mulan), all did not ring in quite the same way in the 2020 version... again I’m not part of either community, so I can’t say for sure, but this is what I read from it...

overall the fun was taken out, with the songs... I would say this is probably on the higher end of Disney Live Action adaptations, there were some fun moments and funny dialogue even, and I didn’t mind that they were trying to do something different, unlike some of the others which made it note for note the same... but ultimately the biggest flaw of most of the adaptations are that it removes the fun and the levity in lieu of a more serious tone... 

I accepted no songs (I was hopeful and then pleasantly surprised when they did pay some minor homages through the score to the original’s songs)... but the fun moments were meant to be intentionally undercut by the reality of the war... there’s a reason A Girl Worth Fighting For was cut off so abruptly in the 1998 version... it was the moment where these trainees (all of them young and having never experienced battle or war before) suddenly realised the severity of the situation before them, and it was in that moment they accepted their fate and duty to protect the kingdom...

the 2020 version just kind of had them walk through the carnage without any real build up... the grand battle sequence with the avalanche was pretty well done, the overdramatic “Hua Jun died but Mulan lived” scene notwithstanding.. i didn’t mind that Mulan volunteered to expose herself rather than be forced half-naked into the snow by the Chancellor dude... didn’t like Honghui got the “you listened to Hua Jun, why is Hua Mulan any different?” line... the “I believe in Hua Mulan” was kinda goofy, but I could see what they were going for... it was kinda undermined by the Commander saying “you dishonoured your family and this regiment but hey, you’re brave and loyal kid”...felt very patronising...

I’m not gonna lie, I kinda loved Cricket... he was adorable and I had half a heart attack when I thought he’d died... 

DIDN’T REALISE MING NA WEN MADE A CAMEO UNTIL I CAME ON HERE...so that was nice..

still pissed they didn’t even put the drum beats for “I’ll Make a Man Outta You”...they were using drums during the training sequence too so would’ve been real easy to do so AND THEY DIDN’T...they did it for “Bring Honor to Us All” and “Reflection”...idk why they couldn’t even give us that much of my favourite Disney song...

again, cannot emphasise enough how gorgeous this whole movie looked...and there were so many fun camera work moments... the visuals had me dead on the floor ya’ll...

idk what else i have to say now...

tl;dr I enjoyed the experience of watching it, but hooooo boi the film is flawed as hell...

[bigfan-fanfic]

Luka, Benny Cousland, Asha Lavellan, and Vaati Adaar (clockwise from top left)

Some headcanons for the new OCs I’ve been making. Maybe I should do these for all my OCs?

Vaati Adaar (Dragon Age: Inquisition) - face claim Chris Evans, bottom left

Vaati was practically born into the Valo-Kas Mercenary Company, a Vashoth child of Tal-Vashoth parents Meraad and Isala. However, he was kidnapped at age five by Templars and imprisoned in the Circle of Magi in Kirkwall, known as the Gallows. At age fifteen, he was rescued and set free by Warden-Lieutenant Lissa Surana and former Templar Raleigh Samson.

Vaati had a hard time in Kirkwall. His left horn was permanently damaged when a Templar sawed it off and had a fellow apprentice cauterize it with a fireball - the apprentice was made Tranquil and Vaati was left with a jagged white stump where his horn used to be. As part of his proposal, Blackwall gifts Vaati with a magic silverite false horn that he wears always.

 Vaati was raised by Shokrakar after he escaped the Gallows. He was eager to expand his powers beyond the Circle’s teachings - he has an analytical mind and quickly became Shokrakar’s assistant tactician and second-in-command.

Vaati wields a spear that he uses mainly as a staff, and a spiked greatshield for defense and sometimes offense. He is only twenty-three when he becomes the Inquisitor to protect young Tash Adaar.

Vaati used to be involved with Tash’s elder step-brother Arno and acts sort of as a big brother to the Herald. He and Tash work together to plan the way the Inquisition goes, although Vaati defers to Tash’s judgments for the most part.

Vaati is demisexual, and began being attracted to Blackwall after they spent many weeks talking in the stables and whittling toys for the kids in New Haven.

Vaati enjoys carving and making things with his hands. His greatest fear is Tranquility, and he still has nightmares about the Gallows, where he was threatened with it daily just for the crime of being a qunari.

Asha Lavellan (Dragon Age: Inquisition) - face claim Mallory Jansen, bottom right

Asha Lavellan was the First of Clan Lavellan, but she left in order to become a Watcher for the Arlathvhen, keeping an eye on the shemlen’s wars and movements and how they would affect the People.

She bears the vallaslin of Dirthamen, the God of Secrets. Asha is a competent assassin and mainly wields a pair of daggers. However she is a mage, so she uses these to channel magic.

Asha has spent years helping city elves flee oppressive conditions and make it to various clans. She is well known amongst the Dalish and a legend among city elves who call her the New Emerald Knight. Asha’s connections led her to become the Dalish Advisor to the Inquisition and work closely with the other advisors, the Herald, and the Inquisitor.

Solas’ apparent dislike of the People led her to greatly distrust him, even as he tried to find out more about the distinctly non-traditional Clan Lavellan, and she took over teaching Tash about the Dalish folklore and culture when he and Tash’s relationship crumbled. Solas offered to remove her vallaslin and she balked, avoiding him from then on.

Asha encountered Briala at Halamshiral and the two women fell hard in love, particularly after Asha helped Tash to keep Briala in power with a public truce, and then after she assassinated Celene once Corypheus was defeated, leaving Briala as the power behind the throne Gaspard occupied as a puppet Emperor.

Asha is a rift mage and has perfected a technique much like Calpernia’s ability to teleport. She also gives Briala an enchanted dagger as a token of their love.

After she and Briala marry, Briala wears a mask with the vallaslin of Falon’Din hidden inside it, to commemorate the bond between her and Asha as one of similar strength to that of the two gods.

Benny Cousland (Dragon Age: Origins) - face claim Pedro Pascal, top right

Benezio Alendro Cousland, Lord of Highever, is actually Josephine Montilyet’s cousin through marriage - his brother’s wife, Oriana, is Josephine’s cousin, but the Couslands originally came from Antiva and the two have several ancestors in common. Josephine gets a message to Benny to have him serve as Tash’s tutor in dealing with nobility.

Benny escaped the massacre at Castle Cousland with the sacrifice of Ser Gilmore, and came across the Hero of Ferelden’s party by chance as he was trying to reach Ostagar to find Fergus.

Benny is skilled in the diplomatic arts, as well as with the rapier, and he used both these talents to assist the Hero. He formed a close attachment to Zevran during this time - the two informally married after the Blight and traveled together, first to Amaranthine with the Warden’s party. He became known as the Dark Wolf there.

Benny and Zevran spend the intervening time between the end of Origins and the start of Inquisition fighting corrupt institutions and helping protect the disadvantaged. Around this time they both become Red Jennies. While Zevran does assassination work for Leliana, Benny becomes somewhat of a mentor to Sera, helping her organize the Red Jennies.

Zevran and Benny form a polyamorous relationship with Mysen of Denerim and his husband Alistair during Inquisition. The four eventually end up in Kirkwall, helping Varric, working to improve the orphanage Mysen and Alistair started, and occasionally going on missions for Divine Victoria or the Red Jennies.

Benny is mildly allergic to strawberries and will break out in hives if he eats one, although it will clear up quickly and he won’t be in danger of anaphylaxis. 

Benny is technically next in line for the throne of Ferelden should Queen Anora have no heirs. He formally adopts Alistair and Mysen’s foundling children so they are Cousland heirs, and hires guards to protect the orphanage.

Luka (the Witcher - Netflix) - face claim Niall Horan, top left

Luka is a gold dragon in human form - he prefers his human form immensely and only ever shifts back to save someone’s life or flee quickly. His mother was killed by dragon hunters when he was still a hatchling, and he had barely come of age in human years when his father Villentretenmerth had to leave him behind.

In human form Luka can still breathe fire, and can cast limited spells when he sings. His singing voice can be bewitching if he isn’t careful. HIs full name is Luczaryth.

Luka has a bright and happy spirit and is surprisingly naive. He seeks to do good deeds and seek out joy for his long-lived existence.

Luka has repaired over many years an abandoned house in a forest on the Continent. Jaskier heard Luka’s singing from afar one day and came upon the fine house. He seduced the young dragon, and the two spent many weeks together, falling deeply in love. Jaskier invited Luka to join him on his journeys and the two often perform duets, although Luka will occasionally leave to make sure their house is safe.

When Luka meets Geralt, the Witcher reluctantly takes the young dragon under his wing (so to speak) to protect him. Luka and Jaskier experience a great attraction to Geralt and act on it. 

The three maintain a polyamorous relationship. Although Geralt chases Jaskier off after meeting Luka’s father, they reunite and agree not to be parted in anger again.

Despite acting very submissive to the other two in public, Luka is the one to take charge in bed, with Geralt letting go of all control and Jaskier switching between roles as the mood takes them.

[bensk]

Be curious. Be humble. Be useful.

I was invited to give the annual Taub Lecture for graduating Public Policy students at the University of Chicago, my alma mater and the department from which I graduated. This is what I came up with.

---

I am incredibly grateful and honored to be here tonight. The Public Policy program literally changed my life.

My name is Ben Samuels-Kalow, my pronouns are he/him/his. I’m a 2012 Public Policy graduate, and I will permit myself one “back in my day” comment: When I was a student here, the “Taub Lecture” were actual lectures given by Professor Taub in our Implementation class. I’ve spent the last nine years teaching in the South Bronx. For the past two years, I have served as Head of School at Creo College Prep, a public charter school that opened in 2019.

I was asked tonight to tell you a bit about my journey, and the work that I do. My objection to doing this is that there is basically nothing less interesting than listening to a white man tell you how he got somewhere, so I'll keep it brief. I grew up in New York City and went to a public high school that turned out Justice Elena Kagan, Chris Hayes, Lin-Manuel Miranda, among many others…none of whom were available tonight.

We, on this Zoom, all have one thing in common — we have been very, very close to graduating from the University of Chicago. I have never sat quite where you sit. I didn’t graduate into a pandemic. But the truth is that everyone graduates into a crisis. The periods of relative ease, the so-called “ends of history”, even the end of this pandemic, are really matters of forced perspective. This crisis isn’t over. Periods of relative peace and stability paper over chasms of structural inequality.

You went to college with the people who will write the books and go on the talk shows and coin the phrases to describe our times. You could write that book. You could go into consulting and spend six weeks at a time helping a company figure out how to maximize profits from their Trademark Chasm Expanding Products.

You could also run into the chasm.

What is the chasm?

It is the distance between potential and opportunity. It is a University on the South Side of Chicago with a student body that is 10% Black and 15% Latinx, with a faculty that is 65% white.

It is eight Black students being admitted to a top high school in New York City...in a class of 749.

What is the chasm?

The chasm is that in our neighborhood in The Bronx, where I’m standing right now, 1 in 4 students can read a book on their grade level, and only 1 in 10 will ever sit in a college class.

It is maternal mortality and COVID survival rates. The chasm is generational wealth and payday loans.

It is systemic racism and misogyny.

It is the case for activism and reparations.

In my job, the chasm is the distance between the creativity, brilliance, and wit that my students possess, and the opportunities the schools in our neighborhood provide.

In the zip code in which I grew up in New York City, the median income is $122,169. In the zip code where I have spent every day working since I graduated from UChicago, the median income is $30,349. The school where I went to 7th grade and this school where next year we will have our first 7th grade are only a 15 minute drive apart.

In my first quarter at UChicago, I joined the Neighborhood Schools Program, and immediately fell in love with working in schools. I joined NSP because a friend told me how interesting she found the work. I’d done some tutoring in high school, and had taught karate since I was 15. I applied, was accepted, and worked at Hyde Park Academy on 62nd and Stony Island in a variety of capacities from 2008 to 2012.

At the time, Hyde Park Academy had one of very few International Baccalaureate programs on the South Side, and every spring, parents would line up out the door of the school to try to get their rising 9th grader in. I worked with an incredible mentor teacher and successive classes of high school seniors whose wit, creativity, and skill would've been at home in the seminars and dorm discussions we all have participated in three blocks north of their high school.

In my work at Hyde Park Academy, I learned the first lesson of three lessons that have shaped my career as a teacher. Be curious. I had been told in Orientation that there were “borders” to the UChicago experience, lines we should not cross. I am forever grateful to the people who told me to ignore that BS. Our entire department is a testimony to ignoring that BS. We ask questions like, why did parents line up for hours to get into what was considered a “failing” high school? Why had no one asked my kids to write poetry before? Why are they more creative and better at writing than most of the kids I went to high school with, but there is only one IB class and families have to literally compete to get in? I learned as much from my job three blocks south of the University as I did in my classes at the University...which is to say, I was learning a LOT, but I had a lot more to learn.

I knew I wanted to be a teacher from my first quarter here. I did my research. The Boston Teacher Residency was the top program in the country, so I applied there. I was a 21 year old white man interested in education, so...I applied to Teach for America. In the early 2010’s, I looked like the default avatar on a Teach for America profile. It was my backup option. I was all in on Boston, and was sure, with four years working in urban schools, a stint at the Urban Education Institute, and, at the time, seven years of karate teaching under my belt, I was a shoe in.

I was rejected from both programs. Which brings me to my second lesson. Be humble. We are destined for and entitled to nothing. There is an aphorism I learned from one of my favorite podcasts, Another Round: "carry yourself with the confidence of a mediocre white man." If you are a mediocre white man, like me, do as much as you can not to be. If you look like me, you live life on the "lowest difficulty setting." This means I need to question my gifts, contextualize my successes, and actively work against systems of oppression that perpetuate inequity.

Over the last two years, I have interviewed over 300 people to work at this school. There are a series of questions that I ask folks with backgrounds like myself:

Have you ever lived in a neighborhood that was majority people of color?

Have you ever worked on a team that was majority people of color?

Have you ever worked for a boss/supervisor/leader who was a person of color?

The vast majority of white folks, myself at 21 included, could not answer “yes” to these three questions. This is disappointing, but I've also lived and worked in two of the most segregated cities on this continent, so it is not surprising. By the time I sat where you’re sitting now, I had learned a lot about education policy and sociology. I'd taken every class that Chad offered at the time. I'd worked at UEI, I'd worked in a South Side high school for four years, and I still thought I was entitled to something. Unlearning doesn't usually happen in a moment, and I certainly didn't realize it at the time, but these rejections were the best thing that has happened to me in my growth as a human.

I moved back home to New York, was accepted to my last-choice teaching program, and started teaching at MS 223: The Laboratory School of Finance & Technology. I ended up teaching there for 5 years. I had incredible mentors, met some of my best friends, started a Computer Science program that’s used as a model at hundreds of schools across New York City…and most importantly, while making copies for Summer School in July of 2015, I met my wife.

All this to say — if you aren’t 100% convinced that what you’re doing next year is Your Thing, keep an open mind…and make frequent stops in the copy room.

I learned that teaching was My Thing. I didn't want to do ed policy research. I got to set education policy, conduct case studies, key informant interviews, run statistical analysis…with 12 year olds. This was the thing I couldn’t stop talking about, reading about, learning about. I really and truly did not care about the “UChicago voices” of my parents and my friends who kept asking what I was going to do next. My answer: teach.

If you look like me, and you teach Computer Science, there are opportunities that come flying your way. I was offered jobs with more prestige, jobs with more pay, jobs far away from the South Bronx. I was offered jobs I would have loved. But I’d learned a third lesson: be useful. If you have a degree from this place, people will always ask you what the next promotion or job is. They will ask "what's next for you" and they will mean it with respect and admiration.

Here’s the thing: teaching was what’s next. “But don’t you want to work in policy?” Teaching is a political act. It is hands-on activism, it is community organizing, it is high-tech optimistic problem-solving and low-tech relationship building. It is the reason we have the privilege of choosing a career, and it is a career worth choosing.

I had internalized what I like to call the Dumbledore Principle: “I had learned that I was not to be trusted with power.” This meant unlearning the very UChicago idea that if you were smart and if you think and talk like we are trained to think and talk at this place, you should be in charge. The best things in my life have come from unlearning that. Learning from mentors to never speak the way I was praised for in a seminar. Learning from veteran teachers how to be a warm demander who was my authentic best self...and more importantly brought out the authentic best self in my students. Being useful isn't the same thing as being in charge…and that is ok.

I believe this deeply. Which is why, when I was offered the opportunity to design and open a school, my first thought was absolutely the hell no. I said to my wife: “I’m a teacher. Dumbledore Principle — we’re supposed to teach, make our classrooms safe and wonderful for our kids.”

I also knew that teaching kids to code wasn’t worth a damn if they couldn’t read and write with conviction, so I started looking for schools that did both — treated kids like brilliant creatives who should learn to create the future AND met them where they were with rigorous coursework that closed opportunity gaps. In our neighborhood, there were schools that did the latter, that got incredible results for kids. Then there was my school, where kids learned eight programming languages before they graduated, but at which only 40% of our kids could read.

We were lauded for this, by the way. 40% was twice the average in our district. We were praised for the Computer Science — the mayor of New York and the CEO of Microsoft visited and met with my students. It felt great. I wasn’t convinced it was useful.

Kids in the neighborhood where I grew up didn’t have to choose between a school that was interesting and a school that equipped them with the knowledge and skills to pursue their own interests in college and beyond. Why did our students have to choose? I delivered this stressed-out existential monologue to my wife that boiled down to this: every kid deserves a school where they were always safe, and never bored. We weren’t working at a school like that. I was being offered a chance to design one. But…Dumbledore principle.

My wife took it all in, looked at me, and said: “You idiot. Dumbledore RAN a school.”

Friends, you deserve a partner like this.

The road to opening Creo College Prep, and the last two years of leading our school as we opened, closed, opened online, finished our first year, moved buildings, opened online again, opened in-person (kind of) and now head into our third year, has reinforced my lessons from teaching — be curious, be humble, be useful. These lessons are about both learning and unlearning. A white guy doing Teach for America at 21 is a stereotype. A white guy starting a charter school is a stereotype with significant capital, wading into complicated political and pedagogical waters. The lessons I learn opening a school and the unlearning I must do to be worthy of the work are not destinations, they are journeys.

Be curious

I didn’t just open a school. Schools are communities, they are institutions, and they are bureaucracies. If you work very, very hard, and with the right people, they become engines that turn coffee and human potential into joy and intellectual thriving capable of altering the trajectory of a child’s life.

First you have to find the right people. I joined a school design fellowship, spent a year visiting 50 high-performing schools across the country, recruited a founding board of smart, committed people who hold me accountable, and spent time in my community learning from families what they wanted in a school. There is studying public policy, and then there is attending Community Board meetings and Community Education Council Meetings, and standing outside of the Parkchester Macy's handing out flyers and getting petition signatures at Christmastime next to the mall Santa.

I observed in schools while writing my BA, and as a teacher, but it was in this fellowship that I learned to “thin slice,” a term we borrowed from psychology that refers to observing a small interaction and finding patterns about the emotions and values of people. In a school, it means observing small but crucial moments — how does arrival work, how are students called on, how do they ask for help in a classroom, how do they enter and leave spaces, how do they move through the hallways, where and how do teachers get their work done — and gleaning what a school values, and how that translates into impact for kids. Here’s how I look at schools:

Does every adult have an unwavering belief that students can, must, and will learn at the highest level?

Do they have realistic and urgent plans for getting every kid there? Are these beliefs and plans clear and held by kids?

Are all teachers strategic, valorizing planning and intellectual nerdery over control or power?

Is the curriculum worthy of the kids?

Can kids explain why the school does things they way they do? Can staff? Can the leader?

If I'm in the middle of teaching and I need a pen or a marker, what do I do? Is that clear?

What’s the attendance rate? How do we follow up on kids who aren’t here?

How organized and thoughtful are the physical and digital spaces?

Are kids seen by their teachers? Are their names pronounced correctly? Do their teachers look like them? Do they make them laugh, think, and revise their answers?

Would I want to work here? Would I send my own kids here?

Be humble

I learned that there are really two distinct organizations that we call “school.” One is an accumulation of talent (student and staff) that happens to be in the same place at the same time, operating on largely the same schedule.

These were the schools I attended. These are schools you got to go to if you got lucky and you were born in a zip code with high income and high opportunity. These are schools where you had teachers who were intellectually curious, and classmates whose learning deficits could be papered over by social capital…and sometimes, straight up capital.

“Accumulation of talent” also describes the schools I worked at. These were schools where if you got lucky and you were extraordinary in your intelligence, determination, support network, and teachers who’d decided to believe in you, you became one of the stories we told. “She got into Cornell.” “That whole English class got into four year colleges.”

Most schools in this country, it turns out, are run like this. I knew all about local control and the limits of federal standards on education and the battles over teacher evaluations and so much other helpful and important context I learned in my PBPL classes.  But when thin-slicing a kindergarten classroom in Nashville on my first school visit of the Fellowship, I saw a whole other possibility of what “school” can be.

School can be a special place organized towards a single purpose. One team, one mission. Where the work kids do in one class directly connects to the next, and builds on the prior year. Where kids are treated like the important people they are and the important people they will be, where students and staff hold each other to a high bar, where there is rigor and joy. A place where staff train together so that instead of separate classrooms telling separate stories about how to achieve, there is one coherent language that gives kids the thing they crave and deserve above all else: consistency.

We get up every morning to build a school like that. It’s why my team starts staff training a month before the first day of school. It’s why we practice teaching our lessons so that we don’t waste a moment of our kids’ time. It’s why everyone at our school has a coach, including me, so we can be a better teacher tomorrow than we were today. It’s why we plan engaging, culturally responsive, relevant lessons. It’s how we keep a simple, crucial promise to every family: at this school, you will always be safe, and you will never be bored.

Be useful

Statistically speaking, it is not out of the realm of possibility that several of you will one day be in a position to make big sweeping policy changes. You will have the power to not only write position papers, but to Make Big Plans. I will be rooting for you, but I hope that you won’t pursue Big Plans for the sake of Big Plans.

The architect who designed the Midway reportedly said "make no little plans; they have no magic to stir men's blood." I had that quoted to me in several lectures at this school, and you know what?

It’s bullshit.

I am asking you not to care about scale. Good policy isn’t about scale, it’s about implementation, and implementation requires the right people on the ground. Implementation can scale. The right people cannot. We can Make Big Plans, but every 6th grade math class still needs an excellent math teacher. That's a job worth doing. I could dream about starting 20 schools, but every school needs a leader. That’s a job worth doing. Places like UChicago teach us to ask "what's next" for our own advancement, to do this now so we can get to that later. I learned to ask "what's next" to be as useful as possible to as many kids as I have in front of me.

I hold these two thoughts in my mind:

The educational realities of the South Bronx have a lot more to do with where highways were built in our neighborhood than with No Child Left Behind or charter schools, and require comprehensive policy change that address not only educational inequity, but environmental justice, and systemic racism.

The most useful policy changes I can make right now are to finalize the schedule for our staff work days that start on June 21, get feedback on next year’s calendar from families, and finish hiring the teachers our kids deserve.

I will follow the policy debates of #1 with great interest, but I know where I can be useful, and I’ll wake up tomorrow excited to make another draft of the calendar. I hope you get to work on making your Small Plans, and I will leave you with the secret — or at least the way that worked for me:

Find yourself people who are smarter than you and who disagree with you. Find problems you cannot shut up or stop thinking about. Do what you can’t shut up about with intellect and kindness. Use the privilege and opportunity that we have because we went to this school to make sure that opportunity for others does not require privilege. Run into the chasm.

Be curious, be humble, be useful.

Thank you.

[glenngaylord]

OUTFEST 2020 FILM REVIEWS:  The Rest Of The Fest

As the curtain closes on another Outfest, this one presented under extremely unusual circumstances, I sit in awe of the filmmakers and of the staff who put together not only a great group of films, but managed to creatively bring them to its audience online and at drive-in screenings.  Typically, you find yourself having to choose one film over several others, but with this new format, you have a great chance of seeing everything you want.  In past years, I found myself lucky if I saw 15 films.  This year I saw 23 features and 4 shorts programs out of the 160 on the schedule.  

As it’s impossible to get full reviews submitted for everything while the festival is still chugging along, I wanted to write capsules of the remaining films not covered at TheQueerReview.com .  Please visit the website for all the other reviews I wrote as well as those by my colleagues.

THE OBITUARY OF TUNDE JOHNSON ★★★★★

Melding a Groundhog Day-style concept with police violence against black people, this stunning film could not be more prescient and emotionally overpowering.  A black gay teenager relives his moment of murder over and over again, with slight shifts in the narrative taking us to someplace unexpected and earned.  Director Ali LeRoi directs his first feature as if he’s been doing it all of his life and has interpreted Stanley Kalu’s ingenious script with a great cinematic approach.  Gorgeously framed, beautifully acted, written, and directed, this is one of the most powerful films of 2020.

TWO EYES ★★★★★

I can’t form sentences here so I’m gonna vomit out words:  Instant classic. Glorious. Set over three centuries seamlessly melding a triptych of stories about gender identity.  I’m a blubbering mess.  Fantastic and very funny last line.  Travis Fine is a very gifted filmmaker who screams love child of Terrence Malick and Kelly Reichardt.  Heartbreaking. Inspiring. Unforgettable.  Montana is so beautiful.  Barstow is not.  A perfect film for anyone who wants to find their place in the world. I wouldn’t complain if TUNDE and TWO EYES both received Best Picture Oscar nominations.  

DRAMARAMA  ★★★★

Theater nerds rule in this incredibly endearing, early 90s set film about a group of high schoolers discovering themselves in one night at a ridiculous Murder Mystery-themed party.  Hilarious script, vivid and wonderful performances, and the opposite of a “Coming Out” movie in the best possible way.  Jonathan Wysocki has given us The Breakfast Club for air-kissing, mid-Atlantic accented freaks and geeks. 

CICADA ★★★★

What happens when a traumatized, bisexual man who has more sex partners than any standard montage can contain slows things down to concentrate on one kind but also traumatized young man?  This elliptically told film has a fun, flirty side but carries its heaviness with great ease.  A terrific feature debut for director/writer/editor/lead actor Matthew Fifer. 

THE STRONG ONES (LOS FUERTES) ★★★★

From Chile comes this sexy, moving story of two men at cross purposes who form a beautiful bond.  Set against some stunning scenery and mining the chemistry between its two leads for everything it has, I am half-jokingly calling it Brokeback Andes.  It’s so much more than that trite, hackneyed comparison.  

MONSOON ★★★1/2

Director Hong Khaou’s followup to Lilting sets its sights on modern day Vietnam as Henry Golding’s character visits to find a suitable place to distribute his mother’s ashes.  It’s a terrific mediation on a gay man finding a sense of belonging in a place he’s never been and Golding proves himself to be a subtle, compelling actor.  Perhaps a little too quiet and reflective, the film makes up for what it lacks in narrative drive with its awe-inspiring cinematography and immersive qualities.  

P.S. BURN THIS LETTER PLEASE ★★★★1/2

What an unexpected surprise.  Michael Seligman and Jennifer  Tiexiera’s documentary about a treasure trove of letters dating back to the 1950s brings us into the world of drag queens from almost 70 years ago.  With many of its subjects not only alive but in fine form telling their stories and the dishiest voiceover readings ever to grace a film, I was not only thoroughly entertained, but I didn’t expect to weep like Laura Dern at the end.  Oh, this is so so so so good. 

MINYAN ★★★★

Eric Steel’s feature debut has its own unique tone and a star making performance by Samuel H. Levine, a spitting image of a young Al Pacino/Sylvester Stallone hybrid.  With its 1980s Jewish Brighton Beach backdrop, this powerful yet subtle film about a young man coming to terms with his sexuality as well as his place within his religion, it’s a stunning debut.  Ron Rifkin is stellar as Levine’s charming grandfather and Alex Hurt (William Hurt’s son) has his father’s intensity.  Fantastic, lived-in production design which feels like its decade without resorting to the usual candy colored tropes and a evocative score makes this a memorable experience.  Reminiscent at times of On The Waterfront, this film puts a fresh new spin on a coming of age tale and finds so many moving moments from first sex to an elderly gay couple hiding in plain sight.  A must-see. 

SHIVA BABY ★★★★

Writer/Director Emma Seligman must have studied Rosemary’s Baby quite a bit with this angsty story set mostly at a memorial service.  Rachel Sennott is fantastic as a young lesbian who moves from one cringe-worthy moment to the next in an attempt to avoid as much conflict as possible.  The great supporting cast includes Polly Draper, Fred Melamed, Dianna Agron, Molly Gordon, and Jackie Hoffman, all note perfect.  Less a comedy and more of an emotional horror story, Seligman knows how to make the best of a cramped space and throw up an endless variety of obstacles.  You just want Sennott’s Danielle to get her goddamned bagel with lox and cream cheese, but the fates have something else, something better, in store. 

COWBOYS ★★★★

Steve Zahn gives a career best performance in this moving story of a father with mental health issues and his trans son escaping into the Montana wilderness.  Sasha Knight makes an impressive debut as Zahn’s son and Jillian Bell expertly walks that fine line between villain and empathetic character.  Its comparisons to Butch Cassidy And The Sundance Kid are not coincidental.  Not perfect by any stretch, it may feel fairly conventional, but it’s tackling a vibrant subject matter.  Extra points for giving Ann Dowd a role where we don’t hiss at her. 

BREAKING FAST ★★★

Solid romcom with a Muslim backdrop, this very tight, deceptively simple script provides just the right amount of sparks between its charming leads, Haaz Sleiman and Michael Cassidy.  While structurally not breaking new ground, the entry point into a world we don’t see enough of on screen coupled with food porn for days makes this a fun, funny, goes down easy delight.

ASK ANY BUDDY ★★★1/2

Q: Daddy!  Daddy!  What were the 70s like down at the Piers in NYC?   A: Oh shut up and watch this movie.  

An experimental collage of vintage gay porn and archival footage from the disco, pre-AIDS heyday gives this film a mesmerizing, museum installation quality.  While technically without a story, you feel like you’ve gone on a journey nonetheless.  Would pair well with William Friedkin’s Cruising. 

DRY WIND ★★★1/2

Slow cinema meets voyeuristic gay porn in this one of a kind Brazilian exploration an arid small town, a workers’ union crisis, and a man obsessed with the Tom Of Finland drawing come to life who motors into his life.  Overlong and a little too obtuse as it goes along, it’s worth watching this Alice In Wonderland takes a quaalude, gets a very hairy back, and has a lot of sex in the dirt. 

NO HARD FEELINGS ★★★★

This year’s Teddy Award Winner at the Berlin Film Festival, Faraz Shariat’s film uses its backdrop of a refugee camp in Germany to tell the story of Iranians and Irani-Germans searching for a better life.  Its three leads bring a spark and youthful energy to a story with devastating undercurrents.  A wrenching glimpse into the emotional effects an oppressive culture has on its people, yet told with a driving pulse. 

LILY TOMLIN: THE FILM BEHIND THE SHOW ★★★

A look behind the scenes as Lily Tomlin and wife Jane Wagner workshop their legendary 1980s Broadway show, The Search For Signs Of Intelligent Life In The Universe.  It’s great to see these two at the top of their game and get a glimpse of their creative process, but this documentary is almost devoid of incident and feels more like a sweet gift to the fans than a fully realized film. 

SHORTS: WHAT A BOY NEEDS ★★★1/2

A mixed bag here of people searching for excitement, I found a couple of gems here nonetheless.  Not to take away from the shorts I don’t mention, I want to single out two exceptional films. Ruben Navarro’s Of Hearts And Castles looks great, has a beautiful vibe, and shows us a lovely connection forming right before our eyes.  Kiko’s Saints proves highly original as we follow a female Japanese artist on assignment in France become obsessed with a gay couple who have a lot of sex on the beach.  Combining animation with fairly explicit sex, I loved seeing the male gaze from a female perspective. 

THE CAPOTE TAPES ★★1/2

I love Truman Capote. I grew up at a time when smart authors found themselves on talk shows and were treated like superstars.  I’ve read his books and always have been in awe of his ability to be himself.  Featuring never-before-heard tapes of Capote’s friends being interviewed by George Plimpton, unfortunately, I don’t think this repetitive documentary gave me anything all that new.  It’s still touching at times and for the uninitiated, this is a great overview of his life, but I was watching the clock. 

OUT LOUD ★★★1/2

A moving look at the Trans Chorus of Los Angeles as they prepare for their first public performance.  With its ticking clock storyline, director Gail Willumsen expertly interweaves storylines of its founder and members.  As such, you really learn what’s a stake and what it means to them.  I was lucky enough to see the chorus perform David Bowie’s Ziggy Stardust a few years ago and basked in the power of its mere existence…and was also ridiculously entertained. 

TWILIGHT’S KISS (SUK SUK)  ★★★1/2

This quiet charmer form Hong Kong shows us something we almost never get to see on film - two elderly gay men meeting and falling in love.  The fact that both have been married to women doesn’t stop them from exploring their feelings.  A little to gentle by half, I still was in awe of this rarity.

[zahirali178]

The Difference Between Therapy Dogs And Companion Dogs

The Difference Between Therapy Dogs And Companion Dogs

As a rule, both treatment canines and buddy canines are your dearest companion and furthermore your steady mate. They get this order from having the option to help the proprietor with a large number issues. Treatment Dogs and Companion Dogs can likewise be delegated having practically similar capacities as a Service Animals however essentially are NOT creature help canines that assist people with actual incapacities.

In any case, what precisely is the distinction between Companion Dogs and Therapy Dogs?

OK, let me start by characterizing what a treatment canine is. Generally, they are found in retirement homes, nursing homes, clinics, and schools. They associate individuals with troubles in learning, and help to quiet distressing circumstances that can be regularly found in catastrophe regions brought about by characteristic dangers, for example, twisters, tropical storms, tidal waves, floods, quakes, mechanical risks including atomic and radiation mishaps, or sociological perils like uproars, psychological oppression or war. To put it plainly, Therapy Dogs are explicitly prepared to give fondness and solace to individuals who needs it as I referenced while back. They are notable for their demeanor. They show restraint, amicable, certain, delicate and simple in whatever circumstances... Your canine necessities to have these attributes to be named qualified Therapy Dogs. For what reason is that so? This is on the grounds that they are relied upon to appreciate human contact, can be petted and taken care of by individuals cautiously and even awkwardly. They come altogether breeds and sizes. It is a Therapy Dog's responsibility to have others even the new one to have contact with them and these individuals ought to appreciate that association. However, why? OK, as we as a whole know, kids consistently love embracing creatures, while grown-ups love petting the them. In certain circumstances, the Therapy Dogs may should be lifted onto, climb onto, set onto person's lap, rest on a grown-up's or child's bed, and either sit or lie easily there. Treatment canines should be agreeable on this circumstances and should adapt contingent upon an individual's should have the option to offer passionate help to the two grown-ups and youngsters. They are relied upon to be stroked, held, and here and there watched.

 Individuals frequently got befuddled between treatment canines versus administration canines. I needed to clear it up. Treatment Dogs are not help or help canines. Administration canines straightforwardly help people, it is legitimate for these canines to go with their proprietors in practically all regions and truth be told, in the United States alone, Service Dogs are ensured under the Americans with Disabilities Act of 1990 which is a wide-running social equality law that precludes, in specific situations, separation dependent on handicap. Treatment Dogs then again are not referenced on this law essentially on the grounds that they didn't give direct help to individuals with incapacities so this is the reason a few establishments gives restrict and forbid access for Therapy Dogs yet, as a rule, they permitted it, nonetheless, foundations may force prerequisites for Therapy Dog. There are associations that give testing and a few accreditations to Therapy Animal to guarantee the organizations that they were tried in certify way. Foundation authorize canines who are discovered to be positive on individuals, have great habits in open areas, healthy with state-of-the-art shots, and ought to be consistently loyal to proprietor's order. Most significant is that they ought not be forceful.

 How are Dogs ensured? There are in reality a great deal of foundations that give authorize canine confirmation locally, globally and surprisingly online for proprietor' s advantageous.

 Dog, During the preparation, Therapy Dogs are tried by Therapy guaranteed gatherings. It is performed by authorize evaluators who have master insight in pet treatment who ordinarily assesses creatures in arrangement of 14 - 22 test. This will decide the creature's demeanor in broad daylight like how they act towards clinical supplies like individuals with sticks and wheelchairs, strolling through the group, welcoming an outsider, and so forth The conduct of the canine during the testing is additionally assessed for this situation. A critical component of testing is to get rid of canines that are unfortunate or forceful, the two of which can mean a gnawing canine. As of now, In the United States, a few associations necessitate that a canine pass what might be compared to the American Kennel Club's Canine Good Citizen test and afterward add further prerequisites explicit to the conditions in which the creature will be working.

 Picking the best treatment canine is to some degree troublesome. I'm regularly posed that inquiry... Nonetheless, my suggestion will be for you to get a grown-up canine if at any point you need one. Why? Since I discover it truly difficult to discern whether a little dog will grow up to be a Therapy Dog by any means. I'm composing this dependent on experience. I had a doggy who I anticipated to grow up as a treatment creature yet grew up to just like me alone and no one else which is certifiably not a decent quality for a treatment canine. Thus, my recommendation is to truly search for an adult canine or a more seasoned little dog. Where to get Therapy Dogs is something more to consider. Safe houses and most salvage bunches are incredible spots to search for Therapy Dogs yet you must be truly cautious, it is significant for proprietor to take as much time as necessary choosing the canine that fits them. I recommend that you conversed with staff individuals and volunteers about the models that you truly need, your expectations and your fantasies. Typically the best Therapy Dogs are the resigned show canine. Why? Since the way that they can make an incredible show demonstrates their relationship building abilities and can prompt be a future Therapy Animals. Now and then you simply need to take as much time as necessary and trust that the best canine will discover you.

 What canines are qualified to be Therapy Dogs? All things considered, unadulterated variety and blended varieties are all fine as long as they are in any event one year old, female or male, fixed or not. Along these lines, it isn't so hard to pass this qualification. However long they breeze through the assessment, they would all be able to be Therapy Dogs. On the off chance that you have your own canine who you believe is qualified, you can generally feel free to have them assessed then have them prepared.

 So I trust, we're good to go with Therapy Dogs. However, what might be said about a Companion Dog? It brings a ton of disarray. To make it straightforward, these are the canines that don't work. They give friendship to their proprietors just as being a pet. Most regular Companion Animals are toy canine varieties which alludes to an exceptionally little canine like spaniels, pinschers and terriers. Why? This is on the grounds that their looks and characteristics fits to be utilized uniquely for the delight of their organization, yet unquestionably not as laborers. Each canine variety was made for an explanation and Companion Dogs are not an exemption. They can't be segregated on the grounds that on the more splendid side, their work is the main work a creature can do - to stay with individuals. Any canine can really be a partner canine.

 A Companion Dog is put with people who will really profit by physical and passionate treatment of having very much prepared pet. Partner Dogs help individuals (particularly older folks) to live more, better, more joyful, and a more satisfied life. The most well-known distinction between a Companion Dog and a treatment Dog is that while Therapy Dogs are relied upon to go out with their proprietors and be amicable out in the open. Partner Dogs then again are just prepared to help their proprietors in the home climate. So, Companion Dogs more often than not will be not prepared for local area access, not expected to help proprietor in broad daylight setting, and not prepared to go on open vehicles also.

 Assuming Companion Dogs is certifiably not a working creature, for what reason do we need to enroll and ensured them? Fundamentally, confirmation is a legitimate affirmation that your canine can comprehend and submit to essential orders. Accreditation exist for both assistance canines and partner canines yet the capability of each isn't the equivalent yet more often than not, affirmed buddy canines are likewise qualified as confirmed help canines sometimes. This is on the grounds that a few proprietors prepared their pets to make it a Skilled Companion Dog - these canines are relied upon to perform explicit undertaking at home. Gifted Companion Dogs can really do numerous the errands of what administration canines can do. Additionally, not all canines are removed to truly be an assistance canine, truly, a couple can make it to be on a level of a help canine. Not all canines are agreeable in circumstances openly and this trademark ought to be the main character a help canine ought to have - being agreeable altogether events, taking all things together circumstances they may experience. Notwithstanding, these canines can likewise play out their errand well and this can make them as gifted buddy canines all things being equal.

 Preparing Companion Dogs isn't just about as troublesome as preparing working canines, indeed, preparing just comprise of 5 essential orders - sit, come, stay, heel, and rests. Preparing is typically done one on one with the canine alongside their proprietors while some actually favored the "class" design. While all canines can gain proficiency with these essential orders, it's as yet simpler to prepare little dogs. Toward the finish of the preparation, both the proprietor and the pet ought to comprehend these fundamental orders.

 However, for what reason do we have to prepare Companion Dogs? Commonly, our canines are load creatures with all around characterized social orders. A canine in your home will consistently look to you and in any event, for whole family for direction. We are their chiefs. That authority can be set up in an agreeable and very much characterized way. Proprietors are pioneers who simultaneously are required to instruct canines suitable conduct. Like individuals, Companion Dogs vary from each other, some are timid, some are not kidding, some are laid back, while others are hyperactive and these makes preparing gainful for the whole family.

 To make it explicit, preparing Companion Dogs revises practices like hopping on individuals, burrowing, unseemly yelping and biting and simultaneously upgrading the canine's psychological and proactive tasks. It develops the connection between the canine and the proprietor, giving a more elevated level of fulfillment and delight that we get from the canine's friendship. Preparing additionally en

[captain-jinguji]

Yandere alphabet for Syo and Cecil? Ó3Ò

Yes 😏 I'll do Syo in another post so for now, im sorry for messing Cecil up ~

CECIL AIJIMA YANDERE ALPHABET

Affection: How do they show their love and affection? How intense would it get?

He worships them. Literally has a shrine in his room dedicated to them and prays in front of it every day, asking the Gods to grant him his wish of being with them forever. He's very clingy and always has to be around his darling; never lets them go anywhere alone. He even went as far as to bring them to Agnapolis and put the castle in lockdown for a while. 

Blood: How messy are they willing to get when it comes to their darling?

He, personally, doesnt let himself get messy. He has servants do his dirty work so his darling never has the chance of thinking less of him because how can they hold him accountable for actions he never did? Just don't go into the lower parts of the castle.

Cruelty: How would they treat their darling once abducted? Would they mock them?

No mocking here, surprisingly. He quite honestly treats them like a Queen/King, well, at least, if you can ignore the golden chain that connects them to him at all times. All their wishes are fulfilled, as long as they're reasonable and don't include the fact that they want to escape him 

Darling: Aside from abduction, would they do anything against their darling’s will?

He'll get their affection one way or another, even if it means drugging them just so he can hold them without them squirming around. Almost grooms them to be like a cat; soft, independent, and loyal

Exposed: How much of their heart do they bare to their darling? How vulnerable are they when it comes to their darling?

He's actually quite secretive. Like he shows affection and the love he wants from them, but he doesnt open up his thoughts and most certainly never lets them in on his plans or next steps. They might be a Queen/King to him but a King can rule without one.

Fight: How would they feel if their darling fought back?

Laughs at their attempt. First of all, even if they did manage to hurt him in any way, the guards would restrain them. No one is to touch the future King of Agnapolis, not even the future Queen/King that rules alongside him. Second of all, he'll just tell himself its the heat and the new environment making them go crazy and think irrationally 

Game: Is this a game to them? How much would they enjoy watching their darling try to escape?

Its a game of cat and mouse. He likes to chase them, almost like kids do on a playground, but he will never let them escape from within the castle's walls. Sometimes he even sends his pet panther LuLu after them to ~play~ a little bit. 

Hell: What would be their darling’s worst experience with them?

When he ordered Lulu to attack. He doesnt quite remember what they did to hurt him this bad, because he already forgave them for it, but he does remember seeing red and sending his panther after them. They needed stitches and to be hospitalized for a short period. 

Ideals: What kind of future do they have in mind for/with their darling?

Oh they will rule together of course. The Kingdom already loves their future King and Queen/King. Of course, they're also expected to keep the blood line going and believe me when I say that he's been working on that. 

Jealousy: Do they get jealous? Do they lash out or find a way to cope?

Doesnt get jealous; he gets sad. Theres no one better than him right? They wouldnt leave him, right? Because if they did, they will never see the outside world ever again. 

Kisses: How do they act around or with their darling?

Like a cat. Sly, calculated, but still affectionate at times. He tries to keep the peace between his darling and him as much as possible but sometimes his claws come out and puts them back in their place. 

Love letters: How would they go about courting or approaching their darling?

Much like Ren, he would charm his way into their heart and present himself as the most best possible choice in a partner. He has everything from looks to fame to wealth, and they wouldn't want that? Let him make them believe that that's what they NEED. 

Mask: Are their true colors drastically different from the way they act around everyone else?

He does a whole 180°. His usual soft caring attitude turns into that of a killer. He knows everything about them and more. Has taps on his darling at all times and is known to act out violently at times. But who is to defy the future king? 

Naughty: How would they punish their darling?

Torture. Remember how I said dont go into the lower parts of the castle? Yeah not only does he torture people there that treated/looked at his darling wrong, but he brings his darling there to emotionally and physically torture them himself as well. Theres no escaping him. He's everywhere. 

Oppression: How many rights would they take away from their darling?

A lot. See it as a traditional "wife obeys husbands every wish" kind of scenario. What he says goes and his darling has absolutely no say in it whatsoever.

Patience: How patient are they with their darling?

Again, he tries to reason with himself that its hormones acting up or the new environment, but he knows that that's not it and his patience tends to run thin. They might be the future Queen/King of the country but beside him, theyre just another pretty face that needs to be quiet in the public eye. 

Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on?

They cant escape. Not only is the castle on full lockdown at all times, but they are also escorted everywhere they go by several guards. If his darling died, he would absolutely break. He'd lash out at anyone and anything, maybe even going as far as killing part of his Kingdom, maybe even himself. 

Regret: Would they ever feel guilty about abducting their darling? Would they ever let their darling go?

No. He becomes extremely obsessive with them and sees them as THE perfect mate. Nothing could replace them and nothing can take them away. 

Stigma: What brought about this side of them (childhood, curiosity, etc)?

As a child, he always had everything, and that followed him into adulthood. The traditions his country kept over the years taught him that HE is the sole ruler and HE calls the shots. It's about control and obsession more than it is about love. 

Tears: How do they feel about seeing their darling scream, cry, and/or isolate themselves?

If his darling retreated from him or cried, he'd see it as one of their temper tantrums and let them be. He would try to make them feel better with little gifts and such, but if they retreat for too long, he just forces them back into his bubble.

Unique: Would they do anything different from the classic yandere?

Well he didn't just abduct them, he literally took them outside the country meaning that Japanese laws dont apply. In my opinion, he took it a step further by making a smart move. 

Vice: What weakness can their darling exploit in order to escape?

None. He's quite literally, always on his guard, and has guards around him. They cant get to him. At all. 

Wit’s end: Would they ever hurt their darling?

Yes and hes done it before. He will admit that sending a wild animal after his darling was a bit harsh, but the torture is still going on. 

Xoanon: How much would they revere or worship their darling? To what length would they go to win their darling over?

Again, he has a whole shrine dedicated to them and adds pictures of them and him all the time. He proudly displays it to his darling and acts fake hurt if his darling calls him out, successfully making them feel guilty and comfort him. Emotional manipulation is a big part of his. 

Yearn: How long do they pine after their darling before they snap?

He takes a while. Mainly because he has background checks done on them just to ensure that they are the perfect darling for him. He finds out everything and stalks them like prey for months, maybe even years. 

Zenith: Would they ever break their darling?

Yes. Thats his ultimate goal. To have a quiet, non-opinionated pretty face by his side that bends to his every will and desire. 

[giftofshewbread]

CRITICAL MESSAGE *READ*

Does God Ever Let You Down? :: By Steve Schmutzer 

Published on: February 26, 2021

Does God ever let you down?

Wait. Before you answer, I’m not interested in cliché replies. You know, “In all things, God works for the good of those who love Him,” or, “God’s plans are to give me a hope and a future.” I don’t want to hear that old standby, “He knows what’s best for me.”

Those responses ARE Biblically-based, and so they’re true when they’re properly applied with the right heart to the right situation. But in my experience, too many people say this kind of stuff when their faith has reached its limits. They are barely able to endure their pain, describe their confusion, or contain their rage.

Just because we can force certain words out of our mouth does not mean we are saying what we are truly feeling. Just because we can’t admit what’s really going on does not mean it isn’t.

Let’s be totally honest here – have you ever been mad at God? Did you ever bargain with Him in your heart and now you’re upset He didn’t keep up His end of the arrangement? Are you still “fighting the good fight,” but you’re exhausted and despaired? Did you take the high road – but you got the raw end of the deal?

Now – let’s get down to the brass tacks: Did you pour yourself into the task of raising your children the right way only to have them disappoint you with their choices?

Are you laboring long and quietly in a ministry while others with less gifting, less commitment, and less maturity are getting the reward and recognition?

Have you prayed and tried for years for a baby and one still hasn’t come? Meantime, irresponsible parents are popping out feral kids like rabbits?

Did you carefully plan for a simple and responsible retirement – only to see it all evaporate in the wake of unexpected health problems and medical bills?

Have you prayed around the clock for justice and truth to prevail, but all you see is the flourishing of evil and deceit?

Have you lost your job and now you are struggling to find work that pays the bills?

Did you find the man or woman of your dreams, but things have changed and now you wish you hadn’t?

So let me ask the question one more time: does God ever let you down? If you are feeling that way, or are tempted to – you are not alone. Even people that knew Jesus personally might have felt that way… or at least they may have felt they had reason to.

You see, we can talk all day long about our “relationship with God,” but three Biblical characters come to my mind that actually knew Him personally. I mean, they interacted with Jesus, they watched Him, listened to Him, and learned from Him. They knew who Jesus really was! Their lives are recorded in the New Testament as being part of His life, so the personal connection went both ways.

Despite that, I think it can be argued that all three of these people might have felt some disappointment with Jesus. Put another way, they might have admitted they felt let down by God.

But all three characters faced their natural reactions and chose to respond to Jesus in different ways. I think we can learn something from their examples because these are ways we still respond to Jesus Christ today.

The first of these three characters is John the Baptist. He had a key role before Jesus’ ministry. Since he and Jesus were cousins, he probably knew Jesus as they were growing up together. Maybe they even played together as children – this is not an unreasonable assumption.

John the Baptist turned out to be a rough and rugged character – unconventional, certainly. He was a strong man with equally strong convictions. He didn’t think twice about confronting the hypocritical religious leaders and calling them a “brood of vipers” (Matt. 3:7). His straight talk and no-nonsense approach attracted truth-seekers, and he had many followers and disciples.

A time came, however, when John the Baptist prepared the way for Jesus’ ministry as a “voice in the wilderness” (John 1:23). He did this because he had a right view of Jesus. John said of Him, “He must increase, but I must decrease” (John 3:30), so John the Baptist grasped the proper priorities and how things needed to be.

None of this was an act. John the Baptist was a man of God who had a passion for proclaiming the truth and for living it out. His extraordinary ministry and exemplary character were affirmed when Jesus said of him that there was “…none greater” (Luke 7:28). To be sure, John the Baptist was the real deal.

It is difficult to know how much time John the Baptist actually had with Jesus Christ. There was that special occasion where John had baptized Jesus (Matt. 3:13-17), and John had felt that Jesus should have baptized him instead. But in their adult years, it seems they had little face-to-face contact.

We know John the Baptist publicly confronted Herod Antipas for the king’s sins (Matt. 14:1-13), and this had resulted in John’s arrest and imprisonment – and ultimately his beheading. This happened early in the ministry of Jesus Christ, so there was no opportunity for further contact between the two cousins after that point.

It is after John’s arrest that we learn of his doubts about Jesus Christ. In a desperate situation with his life on the line, John the Baptist faced gnawing questions. Reports of Jesus had found their way into John’s cell, and news of Jesus’ ministry had worked its way into the fabric of John’s deepest frustrations. Time had passed since that glorious baptism, and Jesus’ ministry was now thriving while John’s had abated.

John’s disciples fed him bits and pieces of information as they were able to, and it’s fair to say these reports reinforced the misgivings John had of Jesus. You see, the ministries and activities of Jesus and John were very different, and it’s not beyond reason to suggest these differences aroused John’s concerns.

John’s choices had set him apart from the crowd while Jesus’ choices had blended in. John the Baptist and his disciples fasted often, but Jesus and his disciples ate and drank with sinners (Matt. 11:18-19). John performed no signs in his earthly ministry (John 10:41), but Jesus – and his disciples – performed miracles of every kind (Matt. 9:35, 10:1). John lived reclusively, but Jesus was a very public person who was often surrounded by enormous crowds of people.

Now John was sitting in prison, captive most of all to his own disappointments. It’s not hard to imagine the questions that may have gone through his mind, such as, If Jesus was really the Messiah as he himself – John – had announced, then why wasn’t Jesus doing more? Why was Jesus not getting down to the business of establishing His kingdom and burning up the wicked with unquenchable fire? (Matt. 3:12). Was he here in prison because Jesus was powerless to do anything about the situation?

When John the Baptist could resist his own insecurities no longer, he sent some of his disciples to confront Jesus and to ask Him directly, “Are you the promised Messiah or should we be looking for someone else?” (Matt. 11:2-3). The question is a revealing one because it shows John had expectations of Jesus that were unfulfilled. It also shows that John the Baptist was unsure, doubtful, and delicate – the same way you and I have felt from time to time.

John wanted to know if he’d been misled. Was Jesus their only hope or was somebody else going to come along that was a better fit for the job? Was Jesus Christ really the Messiah, or not?

Jesus sent John’s disciples back to John with an answer, but it was hardly the one John the Baptist was seeking. Jesus challenged John to consider the evidence of His miracles, and he added, “…blessed is the man who does not fall away on account of me.” In other words, Jesus exhorted John to cling to the truth of Old Testament Scripture. He did not give John a simple “yes” or “no” answer, but he left him hanging a bit. Jesus responded to John’s heart instead of his mind because John’s heart was the seat of his faith.

We can say John the Baptist was wrong for the ideas he had about how Jesus needed to operate, but – honestly – we’re not much different. We expect God to work in certain ways too, and if God does not fulfill our expectations, we also get disappointed.

We may not like to admit it, but it’s easy for us to think that if our God is really the God He says He is, then we have a right to expect something different from Him. I feel it’s likely that John died with some of his questions unanswered. That doesn’t mean his faith wasn’t real. It means he was human, and because he was human, his reactions to Jesus Christ were imperfect – the same way yours and mine can be too.

A second character that probably felt let down by Jesus Christ was Judas Iscariot. What do we know of him?

As one of the original 12 disciples, Judas Iscariot basically lived with Jesus for three years. He was given assignments and divine powers by Jesus (Matt. 10:1-4), and he was the official treasurer for the group (John 12:6) – albeit a deceptive and self-serving one.

The bottom line is Judas saw Jesus perform many miracles and he heard Jesus teach many times. He learned directly from the King of kings and Lord of lords, and he had the opportunity to grow as few others did. He saw the mistakes and the actions of the other disciples, and he learned from all of this. In other words, as a disciple of Jesus Christ, Judas Iscariot had the optimal schooling in the Gospel of the kingdom.

But it’s likely that Judas Iscariot was also a Jewish zealot. Many scholars believe his surname, “Iscariot” was a form of the title Sicarii, meaning “dagger-men.” This was a group of zealots who despised the Roman oppression. They were known to carry a knife with them, so they were prepared to assassinate traitors and capitulators. The Jewish zealots were principally motivated by socio-economic and political considerations. They believed that if they turned their nation back to God and incited a war against the Romans, the Messiah would rise to lead them and establish His Kingdom.

It’s easy to see how all this may have played out in Judas’ mind. Jesus was a righteous Jew and a descendant of King David. He spoke of establishing His kingdom, and he cast out demons, produced abundant food, and controlled the weather. Surely Jesus could lead the Jews to victory over the Romans and usher in God’s Kingdom! In Judas’ activist mind, his own ideas made perfect sense.

But somewhere along the line, the situation changed. Judas became disappointed as Jesus let him down. Jesus began to talk about dying, and His descriptions of His coming Kingdom didn’t fit with Judas’ ideals. Judas began to doubt Jesus, and he began to openly chide Jesus for His choices and priorities (John 12:3-6).

We know how this turned out. Judas chose to betray Jesus for 30 pieces of silver (Luke 22:3-6; Matt. 27:3-5). Perhaps Judas had come to a point where he felt Jesus was a fake – a false Messiah, someone who was not fulfilling the expectations that Judas had of a ruler that would lead Israel into her kingdom. We don’t know for sure – but it all seems to fit the larger story.

The bigger issue is the questions that are raised by how things ultimately transpired: How could Judas live, eat, walk, and talk with Jesus Christ day in and day out for three years and still turn out as he did? How could Judas miss the Messiah when he knew him so well? How could Judas hear the Gospel so clearly and miss having the right relationship with Jesus Christ?

We are left with some element of speculation, but it’s reasonable to assume that Judas resented Jesus and felt justified in his own views (Mark 14:6-16). Ultimately, that triggered his decision to turn Jesus over to the authorities. The greater account of Judas Iscariot suggests he had some underlying anger issues with the whole situation – which may explain why “Satan entered him” (John 13:27). The Bible teaches that our anger always gives Satan an opportunity (Eph. 4:27).

In the end, Judas’ response to Jesus Christ was likely dominated by a selfish desire for political change. Judas wanted conditions that were not there. Jesus didn’t overthrow the Romans as Judas wanted Him to, and so Judas’ selfish intentions led to profound personal compromise. It fostered resentment, clouded better judgment, and it ultimately destroyed him. Judas Iscariot wanted things to work out his way – not Jesus’ way. When Jesus didn’t do what Judas most wanted Him to do, Judas was through with Him.

Today, Judas Iscariot’s name is synonymous with betrayal, treachery, and disloyalty. He’s one of the most hated figures in Scripture – so it’s not without some hesitation that I suggest his patterns are often our own.

To lessen the blow, I’ll speak for myself. It is easy for me to get focused on one or two goals in my life to the exclusion of all else God is trying to do. In this situation, I can end up ignoring the things God is doing in my life, the lessons He is teaching me, or the way He is working in the life of my church, my friends, my family, and even my country.

Because it’s natural for me to become selfish in my expectations of God, it’s not hard to start compromising here and there and doing things I once never thought I would. I believe there is a huge principle at stake here. You see, we can be surrounded by believers and ministry and still fall. We can hear the regular teaching of God’s Word and still fail. We can witness God at work and still miss the most important need to be in a right relationship with God.

If we persist in thinking about ourselves first – what we can get out of the situation, what we think the outcomes should be, or how we feel “who” should be doing “what,” then we completely miss what God most needs to accomplish in our own lives the very same way Judas missed it. At that point, resentments creep in and we say and do things we ought not to.

And here’s the third and final character: the thief on the cross. By this, I mean the “good” thief (Luke 23:39-43). We don’t even know his name. There were two thieves who died with Jesus, and while both received the penalty for their crimes, the “good” thief gave Jesus the proper respect.

I feel that – for various reasons – the “good” thief is the most remarkable man of the three individuals we have assessed. What do we know of him? Not much, I’m afraid.

We do know that when Jesus was crucified, there was a cross on either side of Him. On His left and right were two criminals. In the Greek language, they are called “kakourgos,” which has the straightforward meaning of “criminal,” “evil-doer,” or “one who commits serious crimes.”

The “good” thief was a bad man. Other gospels call him a “robber.” He could have been a bandit – someone that ambushed others, took advantage of them, and left them for dead. It’s very likely that this “good” thief had been the sort of person that Jesus had in mind when He told His parable of the Good Samaritan (Luke 10:25-37). This “good” thief had been a burden, a blight on society – and so he was sentenced to death for his crimes.

But despite his faulty resume, this “good” thief had a right view of God! He asked the other bellicose thief, “Don’t you fear God?” He put the “bad” thief in his place by correcting the latter’s improper assumptions of Jesus Christ.

To put this remarkable situation another way, the “good” thief’s mouth revealed the condition of his heart (Luke 6:45). The Bible teaches that you are what you say, and the “good” thief said to Jesus Christ, “…remember me when you come into your kingdom.”

Whoa! By ANY measure, this is an astounding statement!

Consider that by this point, all of Jesus’ disciples had fled the scene, and only John is recorded as being at the cross (John 19:26). These disciples were the men Jesus had personally trained. These were the guys who had seen supernatural evidence of Jesus’ power and authority. These were the guys who had learned from the Messiah Himself – and they were nowhere to be found!

The “good” thief, on the other hand, had had none of that training and experience. He had not spent the same time with Jesus Christ, and he had not seen all the miracles Jesus had done. He knew far less about Jesus than others did. By conventional standards, the “good” thief had missed the boat.

On top of all that, Jesus Christ was now dying. Beaten and bloodied so badly, He was now unrecognizable (Isaiah 52:14). Jesus was breathing His last right there beside the “good” thief, and by all measures of the term, Jesus Christ appeared mortal. Few people at that crucifixion scene were confident in Jesus Christ’s future kingdom.

But faith sees through the way things seem to the way they really are (Heb. 11:1), and so here the “good” thief showed more faith than many upright personalities in the Scriptures. The “good” thief saw Jesus Christ correctly. He didn’t see a dying man – he saw a living King of kings. He didn’t see someone who had failed and was unable to deliver – he saw someone who was assured of having the final victory. He didn’t see someone who was abused and humiliated by others – he saw someone who had infinite power.

In short, the “good” thief recognized Jesus Christ as the Messiah! He knew Jesus was not an imposter or someone who couldn’t deliver on His promises. The “good” thief looked beyond the limitations of that horrible situation, beyond the natural questions that saturated that awful scene, and he fully understood that Jesus Christ would still receive and set up His everlasting kingdom.

The “good” thief faced personal adversities that exceeded those challenges John the Baptist and Judas Iscariot had faced, and yet – against all human understanding! – he still believed that Jesus was exactly who He said He was. For his astounding demonstration of genuine faith, the “good” thief received way more benefit than he had bargained for.

It’s a weighty question, but I have to ask it. Which one of these three individuals are you most like right now? Are you like John the Baptist: insecure, unsure, disappointed, and needing reassurance that God is still able to be the God you most need? Are you asking God to reaffirm Himself to you so that you can be convinced of His promises and plans?

Perhaps you are like Judas Iscariot: angry, resentful, focused on what you most want and what you feel the situation needs to be. Are you taking in the regular teaching of God’s Word and participating in a ministry – but it’s having little effect on changing who you are and how you’re seeing things?

Or, are you like the “good” thief? You are in a place where the odds are stacked against you – and by all standard assessments, there is no clear evidence that God is demonstrating Himself to you the way your desperate situation most needs Him to. Do you find yourself in a tenuous spot where you cannot see the power of God in the circumstances you are facing – – – and yet your heart is still bursting with faith?

I cannot answer the tough questions of these last few paragraphs for anyone but myself. However, my prayer for all of us is that our faith rises up and shows itself in the tough and uncertain times just as the faith of the “good” thief did.

The “good” thief didn’t see Jesus Christ as someone who had let him down – he properly saw the only one who gave him hope.

[yve-e]

Contribution

Anger can be a very powerful motivator. However, it can also be exhausting to maintain for long periods of time, not just mentally and emotionally, but can take a physical toll on the body itself.

At the same time, if we really want to change the world, we need to continue to act. This means that we each need to find a way to contribute on a regular basis to create that change. Over the past week, the focus has been bringing to light the atrocities that those in power inflict upon those they consider powerless, especially how “law enforcement” denigrates, abuses, and murders Blacks. Thousands upon thousands of people all over the world have gathered to protest the status quo, sharing horrific footage of the violence perpetrated by those who are at least nominally supposed to protect us.This has been crucial in bringing attention to the problem.

“Problem.” 

What an inane word to describe the wanton destruction of human lives. Still, it is a problem, and it’s something we need to solve. Making people aware of the situation is only the first step. It’s complicated and has been around for hundreds of years in one form or another. If we are serious about creating sustainable change, we need to approach it from multiple angles.

We need people to continue to show up and protest, speak up and sign petitions.

We need people to continue to share information.

We need people to donate to both national and local organizations to provide legal and social services.

We need people to provide those services.

We need to vote, especially in local elections that most directly impact our lives.

We need people to work to make sure that voting is fair and accessible to all.

We need people to run for public office to represent those who have been ignored or suppressed.

We need people to support those campaigns.

We need people to create stories, music, and art that convey the anguish and heartbreak of the oppressed.

We need people to create stories, music, and art that show us how much better the world could be and inspire us to work towards it. Fiction is a wonderful thing; even pure fantasy can contain Truth and give hope for the future.

We need people to volunteer in their communities, building connections with their neighbors, one human being to another.

We need to seek out and support minority-owned businesses.

We need teachers who can explain things to the next generations so that our children not only expect better but are stong enough to demand it.

We need everyone to have easy and affordable access to healthcare and nourishing food.

We need everyone to have easy, affordable, and non-stigmatizing access to mental health services.

We need so much, and there’s no way any single person can do it all. 

Fortunately, we’re in this together. Find out what calls to your heart, and that can be your contribution to our human tapestry.

The only thing that each of us needs to do is to work on ourselves.

I’m a middlish-class white woman. I grew up in a community that was almost entirely white with a handful of Hispanics. The only black kid I remember in my elementary school was Julie, then in middle school there was Vince. That was it. I only knew TWO black kids until high school. I used to joke that the reason I didn’t grow up prejudiced was because there wasn’t anyone around to be prejudiced against.

At the same time, even though I didn’t have negative assumptions about blacks, I also had NO idea what it was like to be black in the United States. It wasn’t until I was at university that I started to discover that the color of your skin had a huge impact on your world.

I entered UCLA at the tail end of anti-apartheid protests. I thought that racism was something that happened Over There. Then one of my English classes assigned Toni Morrison’s The Bluest Eye and my heart shattered at the horror of a black girl who had so deeply absorbed racist societal standards of “beauty” that she thought that the only way she could ever be considered pretty is if she had blue eyes. Later, I was chatting up this hella cute black guy, talking about how much I loved Johnny Clegg’s music and the way his bands combined Celtic melodies and “tribal rhythms.” With extreme politeness, the guy I was talking with gently informed me that he “found that term offensive.” I was stunned. To me, “tribal” was just a description that, in this case, referred to traditional Zulu music. I didn’t know how to respond, but the incident obviously stayed with me as I thought about it, long and hard.

I’d already been interested in psychology, especially in terms of identity and experience. I ended up majoring in social psychology, curious about how individuals and groups influenced one another. Race became another facet that I sought to understand.

That was 30+ years ago. And you know what? I’m still seeking to understand. Being “woke” isn’t something that happens once where you gain enlightenment and you’re done. It needs to be an active verb, something that you do, throughout your life. I’m still asking myself:

Am I making unfounded assumptions? How can I double-check both my premises and conclusions?

Am I speaking over anyone?

Am I projecting my own experience on someone else and mistaking it for Truth?

If I find myself reacting defensively to something someone else says, what does that mean about me? (Generally, it means that, on some level, my own thoughts, feelings, desires and actions are out of integrity; I need to step back and look at myself to see where I need to up my game and do more to walk my talk.)

How can I improve how I phrase my words to better convey my thoughts in a way that can be heard and understood as I intend them? And is my intention truly in the service of others or, if I’m just seeking validation or to hear myself talk, would it be better to keep silent?

We all have different backgrounds, experiences, gifts, and fears. We have different dreams and different ways of seeing the world. But we’re all human, and we’re all in this together, and while none of us can single-handedly do everything that needs to be done, we can all do something, even if it’s as small as trying to be a little kinder than we need to be.

We can do this.

You have to wash with the crocodile in the river You have to swim with the sharks in the sea You have to live with the crooked politician Trust those things that you can never see Ayeye ayeye jesse mfana (jesse boy) ayeye ayeye

You have to trust your lover when you go away Keep on believing tomorrow will bring a better day Sometimes you will smile while you’re crying inside And just once you’ll turn away while the truth is shining bright Ayeye ayeye Jesse mfana ayeye ayeye

It's a cruel crazy beautiful world Every time you wake up I hope it's under a blue sky It's a cruel crazy beautiful world One day when you wake up I will have to say goodbye Goodbye… It's your world so live in it!

Beyond the door, strange cruel beautiful years lie waiting for you It kills me to know you won't escape loneliness, Maybe you’ll lose hope, too Ayeye ayeye jesse mfana ayeye ayeye

It's a cruel crazy beautiful world Every time you wake up I hope it's under a blue sky It's a cruel crazy beautiful world One day when you wake up I will have to say goodbye Goodbye…. It's your world so live in it!

When I feel your small body close to mine I feel weak and strong at the same time So few years to give you wings to fly Show you the stars to guide your ship by

It's a cruel crazy beautiful world Every time you wake up I hope it's under a blue sky It's a cruel crazy beautiful world One day when you wake up I will have to say goodbye Goodbye….

It's your world so live in it!

Cruel, Crazy, Beautiful World Johnny Clegg

[thefederalistfreestyle]

You Can Star In ‘Hamilton’ And Still Fear For Your Life As A Black Man (HuffPo):

Carvens Lissaint is tired of having to prove he belongs in his own building. He’s a 6 foot 3, 29-year-old black man, raised in Harlem, and he lives in a new upscale glass residential tower in downtown Brooklyn. He moved there in September, the same month he landed a starring role in “Hamilton” on Broadway, one of the biggest hits in musical theater history. But again and again — five times in all, by his count — the rotating cast of security desk attendants treats him like an outsider.

“I come here with some Trader Joe’s groceries, about to cook my wife some dinner, and they’re like, ‘I’m sorry, deliveries are downstairs. You have to call up,’” he said. “They just see a black guy wearing Beats headphones, sweats and a hoodie. … I’m like, ’I live here. These are my keys.’”

[. . .]

Lissaint always struggled with traditional academics, knowing he wanted to be a performance artist. He enrolled in community college ― mainly to have a dorm to sleep in ― and flunked out after his first year. He wanted to be an artist and had already found some success as a spoken-word poet, despite his dad’s repeated warnings to ignore poetry and “get a job that pays the bills.” His dad went so far as to forbid him to attend poetry slams in high school, but Lissaint competed anyway and won the acclaimed New York Knicks Poetry Slam in 2007 at 18 years old. He won several more in the next two years and eventually began coaching slam teams and mentoring young poets.

Poetry wouldn’t pay the bills, though, at least not yet. He crashed on friends’ couches or rode the subway all night for about three years after community college. He would perform on the train to scrape together enough cash to see his favorite Broadway show, “In the Heights,” again and again. The musical, written by “Hamilton” playwright Lin Manuel Miranda, opened on Broadway in 2008, also at the Richard Rodgers Theatre, also starring Jackson, one of Lissaint’s heroes.

“In the Heights” is a love letter to Washington Heights, a Hispanic neighborhood in upper Manhattan. Lissaint was transfixed. He saw the play 13 times. Sometimes his friends would give him a ticket, knowing how much he loved it. “Chris Jackson is the reason I started acting,” he said. “I was a young black kid from upper Manhattan. To see a musical about Washington Heights and see a black dude onstage, that was inspiring.”

At 20, Lissaint had another terrifying encounter with the police. He was riding in a car with three black friends to an arts party in New Jersey, where people were playing guitar and rapping and making music together. A policeman pulled them over for allegedly making a turn that was too wide. The cop forced them out of the car and searched it, claiming there was a scent of burned marijuana in it, though Lissaint insists none of them had smoked or had any drugs on them. His friend Miles was angry at the injustice of the situation and started cussing, which prompted the policeman to call for backup, and five more squad cars showed up with dogs, Lissaint recalled. The officers approached Lissaint and his friends with guns drawn, though he and his friends were unarmed.

Lissaint had a sick feeling he could die that night. “I was sitting there, like, yo, they could kill us,” he said. “They could kill us right now, and we can do nothing about it.”  

He was homeless for two and a half years before he started auditioning at conservatories, hoping one of them might see his potential and give him a scholarship. He got a callback from Juilliard in 2010. New York University’s acting program had accepted him, but he couldn’t get into the main school with his academic record. Ultimately, the American Academy of Dramatic Arts in Manhattan gave him a full ride and helped him with living costs, and he was able to enroll.

It was there that he began to understand that high art was generally considered to be art created by white people ― and that black people’s art forms and aesthetics aren’t as valued pedagogically or considered worth investigating in the theater and academic worlds.

“A teacher would say, ‘Bring in a piece of high text,’ and I would bring in a spoken-word poem or a rap. And they’d say, ‘No, we mean high art, like Shakespeare,’” Lissaint said. “Voice and speech teachers told me, ‘You should stop doing spoken-word poetry, it’s inspiring your regionalism and your dialect too much. We’re afraid you’ll never be able to work in the American theater because of your speech, because you do that rap thing.’”

[. . .]

I asked Lissaint what’s like to go from being homeless and sleeping on friends’ couches to having this fancy apartment. “My wife was trying to get me a gift, and she asked me what I want,” he said. “I’ll tell you exactly what I want.”

He leaped from the couch, crossed to the wall and started flipping the light switch on and off, creating a strobe effect in the living room. “You see that? The lights work!” he shouted, his voice becoming louder and more performative. “That’s dope to me! I don’t need much! That is dope! You see this? The lights are on! I don’t need much!”

Instead of buying things, Lissaint has decided to use his new Broadway money and platform to make a five-track album and a book of poetry about racism and violence against black bodies. He realized while he was in grad school that performing art solely for entertainment’s sake wasn’t going to fulfill him. “I’m sitting in class doing Shakespeare monologues, and Trayvon [Martin] just got killed, and we see a Black Lives Matter march pass by our rehearsal. And I’m like, what am I doing in here?” he said.

Lissaint’s new projects, both called “Target Practice,” draw from his experiences and reflect on stories like that of Philando Castile, a black man who was pulled over by police in Minnesota and fatally shot in front of his girlfriend and her child in 2016. The poems pulse with outrage at the white ruling class, even implicating his Broadway audience.

[. . .]

He referred to an incident on July 4, when he posted a photo on Instagram of an 1852 speech by Frederick Douglass about “The Meaning of July Fourth for the Negro” and the fact that Americans were celebrating freedom while keeping African men enslaved. Douglass’ speech, one of the most damning pieces of oratory in American history, condemns the display of patriotism on Independence Day as “hypocrisy — a thin veil to cover up crimes which would disgrace a nation of savages.”

Lissaint now has 11,000 followers, and a white woman who described herself as a “Hamilton” fan commented on his post, “This would definitely make sense to an African American male in the 1800s. Not so much to an African American male who makes his money in 2018 singing in a play based on American history. You are very talented and one of my favorite actors in the play. This post, however, is offsetting.”

Lissaint points much of his poetry at people like her who seem oblivious to ongoing racial oppression in this country. “There are ’Hamilton’ fans who don’t like black people,” he told me matter-of-factly.

He said white people after the show will demand that he pose with their kids or yank him around for pictures like he’s a prop, instead of just asking him. One woman in Houston grabbed the “Hamilton” backpack on his body and twisted it around to show it to her friend, without ever acknowledging the man wearing it. “When you’re an artist, people feel like they own you,” he said. And when you’re a black artist ― “that has deeply rooted implications.”

[. . .]

Performing for an audience black and brown high school kids is his favorite thing to do; it gives him a special kind of energy onstage. He said he hopes that seeing “Hamilton” can do the same thing for the next generation that “In the Heights” did for him as a young black man. [. . .]

read the entire amazing article & get tix to his book release [x]

[okuraiani]

Ikemen Revolution – Oliver Knight Route Part 9

Oh dear, I’m really sorry. I feel bad that I’m taking so long to translate this. But as I mentioned before, this is still a translation practice for me, so a single part takes me several hours. So please understand that it’s quite hard for me to squeeze this (albeit enjoyable) work somewhere in between my daily life. Though, as I also explained in a message the other day, I will not abandon this project as long as I’m not asked to from Cybird.

As for this part... I have only one thing to say: Edgar is a meanie. He always strikes where it hurts most. So, have fun!

PART 9 CHAPTER 1

After we finished our meal at the café—

While taking a leisurely walk with Jonah, he tells me about the city.

(No matter where you look, the scenery is really beautiful...)

Walking for a while we arrived at the square.

[Alice] “Jonah, thank you for teaching me all those things about Cradle.”

[Jonah] “You’re welcome—“ “Or rather, why did I have to act like a tourist guide for you!”

(Even while complaining, you politely told me everything I didn’t know.) (Jonah probably isn’t such a bad guy after all.)

[Jonah] “You didn’t forget that this is a date, did you?”

[Alice] “How could I.” “It’s just that I never got the chance to slowly walk around town since I coming to this world.” “So this was a really fun and novel experience. Thank you, Jonah.”

[Jonah] “How am I supposed to be angry when you say something like that?”

Jonah, who breathed a big sigh, focuses his straightforward eyes on me.

[Jonah] “You are even tougher than I thought.”

[Alice] “So, does that mean you are giving up?”

[Jonah] “Why should I? You might be tough, but you’re no opponent I can’t win against.”

(Oof... I feel like we won’t reach an agreement.) (I wonder what I should do to make him give up.)

As we walk while I desperately try to think of something, my shoulder was hit by a person who came from in front of us.

[Alice] “Ah, I’m sor—“

[Man 1] “That hurt! Aaaah, the bone! My bone is broken!”

(... ...Eh?)

From behind man, who flashily jumped up, people who seem to be his companions appear.

[Man 2] “Damn you, look what you’ve done to our boss!”

[Man 3] “Hey you, you better pay him some consolation money!”

My path is blocked by those men who, no matter how you look at them, are clearly bad news.

(What should I do!? I bumped into some typical hoodlums...!)

[Man 1] “Hey, are you even listening?”

When the man almost grabbed my arm, the one who grabbed his hand instead was Jonah.

[Jonah] “If you are thinking like that, I can’t keep quiet either.”

 PART 9 CHAPTER 2

— at the time the plaza suddenly noisy.

[Oliver] “Is that the ‘present’ you mentioned?”

[Edgar] “Yes. Isn’t it a lovely gift?”

[Fenrir] “So you hired some nasty hoodlums.”

[Oliver] “Fenrir.”

[Fenrir] “I know, leave it to me.”

Fenrir points the muzzle to the distantly located men.

[Fenrir] “This is Oliver’s specially remodeled magic gun. It’s a special type where your little finger won’t stop itching for a week if you’re hit.”

[Edgar] “I would certainly like to see that hit them, however—”

In a flash, Edgar bound Fenrir’s arms from behind.

[Fenrir] “... Didn’t you say you have no hostile intentions?!”

[Edgar] “I did, but it will be troubling if you are getting in the way.”

[Oliver] “What are you going to do if something happens to the little girl?”

[Edgar] “It’s alright. If it’s Jonah, it will be an easy victory against that type of delinquents.” “I’m sure Alice will fall for Jonah who smoothly saves her.”

[Oliver] “... That way of thinking is immature. The little girl is so foolish that she’s easy to handle, but she’s not THAT simple.”

Edgar grins at Oliver who spits out poisonous words while looking grim.

[Edgar] “Are you maybe worried that Alice will really be taken away?”

[Oliver] “What a joke. Is your head fried?”

[Edgar] “Haha... Even Alice will rather be attracted to a charming adult than a kid after all, right?” “You can’t do anything, you know, so please obediently watch from here.”

[Oliver] “... ...”

Watching Alice intently, Oliver balled his hand into a small fist as if to bear some pain.

(Wow... So this is the Red Queen...)

To the intimidating air of Jonah who took a step forward, the pale men fall back.

[Jonah] “If you are prepared to compete with me, you should come and strike me.”

[Man 3] “Shit..., I’ll remember this!!!”

Leaving with cheap and sharp parting words, all of them ran away in no time.

[Jonah] “Alice, you are not hurt, are you?”

[Alice] “No... Thank you.”

[Jonha] “Really now, to think that there are such delinquents nowadays.”

[Alice] “But... Jonah, you were really cool. I see you a tiny bit in a more positive light now.”

Jonah, who blinked at me for a moment, gave a haughty laugh.

[Jonah] “Was that a declaration of submission to me right now?”

 PART 9 CHAPTER 3

[Jonah] “Was that a declaration of submission to me right now?”

[Alice] “What gives you that idea!? It’s completely different!”

(It didn’t have any deeper meaning!)

[Jonah] “Not entirely, right? It’s time for us to settle the matter soon.”

[Alice] “!?”

Immediately closing the distance, amber eyes are approaching me.

(No, w-wait...)

When I stand stock still due to his suddenness, as if to keep the approaching eys in check, an umbrella forced its way in between us.

[Oliver] “That’s far enough.”

[Alice] “Eh, Oliver...?”

[Oliver] “Get away from my assistant. Then we’ll talk.”

A: “You saved me.” B: “You came?” C: “Since when...”

[Alice] “Oliver... Did you maybe come because you were worried?”

[Oliver] “So you’re happy-go-lucky as always? I’m here because I want to go home right away.”

(Oh? He seems to be in a bit of a bad mood...)

With the tip of the umbrella pointed at him, Jonah distanced himself from me with cold eyes.

[Jonah] “What a child without manners you are for disturbing us.”

[Oliver] “The one without manners are you guys for using foul play.”

[Jonah] “What do you mean, foul play?—”

[Oliver] “If you don’t know, how about you question your subordinate hiding somewhere over there.”

When Oliver turns back, Fenrir and Edgar stepped out of the shadow of a building.

(Why... Why is Edgar also here?)

While it seems that I am not the only one confused, Jonah draws a breath.

[Jonah] “Edgar... Care to explain what this is all about?”

[Edgar] “It became really troublesome, didn’t it? Well, but I got to see something interesting, so let’s consider it a good thing.”

[Alice] “Something interesting?”

[Edgar] “The strategy was so successful that it became impossible to hold back for the child, who always remains calm.” “I’m reasonably satisfied with that.”

Edgar turns to Oliver and grins at him...

[Oliver] “... ...”

In response, Oliver’s mood is rapidly falling.

(Hmm...?)

[Jonah] “Alice, I will withdraw here today. It looks like Edgar took some unnecessary means, after all.” “But don’t get me wrong, because the match isn’t decided yet!”

Jonah, who oppressively declared war a second time, left together with Edgar.

(I don’t know what’s going on, but I guess it worked out peacefully for now...?)

I glance at Oliver who was still silent.

[Alice] “Uhm... Oliver, so, why are you here?”

[Oliver] “... I’m only here because Blanc told me to deliver this umbrella.”

[Alice] “An umbrella? Even though the weather is so good...”

[Oliver] “Whatever, take it. Are you intending to waste my effort?”

 PART 9 CHAPTER 4

[Oliver] “Whatever, take it. Are you intending to waste my effort?”

[Alice] “Th-Thanks...”

Even though I take the umbrella while being confused, Oliver is more sullen than usual.

(Oliver...?)

[Alice] “Hey... Did something happen?”

[Oliver] “Are you seriously asking that? Is your head purely for adornment that you forget the incident several seconds before?”

[Alice] “Of course I remember! But was that something that would put you in a bad mood, Oliver?”

[Oliver] “I’m just lamenting that you’re a much simpler dunce than I imagined.”

[Alice] “Simple...?”

For some reason, I was intently glared at from his big eyes.

(Ugh, the more  we talk, the more his moods seems to swoop...!)

[Fenrir] “Don’t you understand, Alice? Oliver didn’t want Jonah to ta— mmpf!”

Oliver, who stood on his tiptoes, presses the hat he took off on Fenrir’s mouth.

[Oliver] “I was what?”

[Fenrir] “I get it, it’s nothing! So stop it already!”

As Fenrir shrugs his shoulders, Oliver puts his hat back on his head and turns his back to us.

[Oliver] “My business here is over. See you.”

[Alice] “... Wait! That you brought me an umbrella means it’s going to rain, right?” “Where is your umbrella, Oliver?”

[Oliver] “I didn’t plan to stay so long. So I didn’t bring one.”

[Alice] “In that case, let me see you home.”

[Oliver] “It’s fine, so don’t follow me.” “And... It will get dark soon.”

With an awfully mature look, Oliver looks up at the sky.

[Alice] “...? But that has nothing to do with it, does it?” “Because a child’s body is weaker than that of an adult—“

[Oliver] “Don’t treat me like a kid.”

(Oh...)

Oliver disappears into the crowd of people by himself. His back is looking like he is a bit depressed...

(Just... What in the world happened?)

Before long, light rain wets my cheeks— In no time at all, thick clouds enveloped the sky and the weather changed to a downpour.

—20 days until the next full moon.

Early next morning...—

I visited the garage as usual, however...

(Huh, Oliver is not here...?)

Leaving the desolated garage, I head to Oliver’s room.

(This is the first time something like this happened... I wonder what’s wrong.)

[Alice] “Oliver, are you still sleeping?”

As I lightly knock on the door, there was a sign of movement inside.

[Oliver] “I’m not sleeping, but you go home right this instant. We’re closed today.”

 PART 9 CHAPTER 5

[Oliver] “I’m not sleeping, but you go home right this instant. We’re closed today.”

[Alice] “Closed? Why so suddenly?”

[Oliver] “There’s no reason. I just feel like it.”

(Such an oppressive...) (But, somehow... I feel like his voice sounds hoarse.)

When I try to tap the door again...

[Oliver] “ *Cough, cough* ”

Hearing a thin and painful cough, I got a bad feeling.

[Alice] “Oliver, sorry, but I’m coming in, okay?”

As I open the door, Oliver, who raised his upper body from the bed, scowls.

[Oliver] “ *Cough*... I’m sure I told you not to come in.”

[Alice] “Oliver... Could it be you caught a cold?”

As soon as I came over to his side and placed a hand on his forehead, his hot body temperature is transmitted.

(What a terrible fever...)

[Alice] “Did you... Get wet yesterday?”

[Oliver] “... ...”

[Alice] “Wait a moment, okay?”

(I have to hurry up and treat him.)

In a hurry, I get a tub filled with water and a towel from the kitchen. When I placed the wet towel on Oliver’s forehead, who lied down, my gaze was being diverted.

[Oliver] “When did you stop being my assistant and become a maid instead?”

[Alice] “Huh?”

[Oliver] “I don’t remember telling you to look after me.”

(Even at a time like this he’s still feisty...) (Anyone would be anxious when they are in a bad physical condition.)

[Alice] “Since you are a child, at least at times like this, obediently depend on me.”

The moment I try to stroke his head in a reassuring manner, for some reason, my hand is shaken off vigorously.

[Oliver] “I’m not a kid!”

[Alice] “Oliver...?”

[Oliver] “... Uh, sorry.”

[Alice] “Ah, no...”

(That surprised me... It’s really not like him.)

Turning to me, Oliver reaches out his hand—

[Oliver] “... Did I hurt you?”

[Alice] “It’s fine. Look, nothing happened.”

When he looks at the hand he swatted away, Oliver’s features loosened with relief and a hint of sadness.

[Oliver] “... Then it’s fine.”

(He looks so dejected...)

[Alice] “It’s not like you to make such a face, Oliver.” “Aren’t you usually more feisty?”

[Oliver] “Right...” “Right now, it’s like my head is damaged from the fever.”

[Alice] “If so... Then you have to rest properly, okay?”

(I want you to get well soon.)

I gently grasp Oliver’s small hand.

[Alice] “I’m here, so you’ll be okay.”

[Oliver] “... Again, I know that I told you not to treat me like a kid.”

With a sigh, Oliver hides his eyes even more with his other arm.

[Oliver] “If it were night right now—“ “I wouldn’t even need... To be treated like a child.”

[celestialsoft]

⤻   *       GREETINGS AND HELLO !!!! :   IT IS I   ,   ADMIN EDIE !    HERE ONCE AGAIN HERE TO POST AN INTRO  :~))))  

this time i’m here to introduce you to my tenderhearted wee bab of an angel who clears my skin and grows by crops tBH, FRANK KANGDAE LONGBOTTOM, my lionhearted boi who deserves e v e r y t h i n g ( literally ; empty out your pockets and give EVERYTHING u have to frankleface longbooty—— he . deserves . it . all . !!!!! ) if you’d like to plot, please like this post or hmu in my im’s & without further ado —— here’s frank ! pls love him

⤻   *       APPLICATION   —— !

* ╰    ( KIM YOUNGKYUN )┋have you met ( FRANKLIN KANGDAE LONGBOTTOM ) ? ( he ) reminds me of ( deep loneliness and deep kindness grown in equal parts —— and he speaks, so overcome with love, that i forget we are at war. he grew up hanging lanterns on hilltops to make sure the moon could see at night ; and practiced catching droplets of rain with his lips —— because even the clouds deserved a little romance. ' i infinitesimal being, drunk with the great starry void ' —— tenderhearted boy , luminescent boy : boy frightened , boy destroyed. unravelled by kindness ; compassion consumed —— on the precipice of supernova , he burns brightest in the darkest hour. he looks to me as if he were a man forged entirely of tenderness and the sun ; yet he is the sweet nocturne that plays despite how the beginning of the end has begun ). a ( twenty-one ) year old ( tenth ) year ( gryffindor ), the ( paladin ) is known to be ( + tenderhearted & + clement ), yet ( — oversolicitous & — pensive ). that explains why they’re majoring in ( healing ). rumour has it, ( frank ) is siding with ( the order ) in the solemn war that blazes beyond the castle walls. ( edie, 22, aedt, she/her )

⤻   *       ABOUT FRANK  ——   !!

ahhhhh, frank longbottom —— where do i even start ????? if there’s just one thing that you should absolutely know about frank longbottom, it is that he is a gosh darn heckin’ angel. his heart is ??? so ??? genuinely pure ??? just thinking about it makes me want to tear up tbh

frank is the kind of boy who will charge straight into the carnage and chaos of the whomping willow to save a cat. he’s the kind of boy who hangs out by the edge of the black lake, worried that the giant squid is feeling lonely. he’s the kind of boy who sees the potential for good in everyone & everything, and is genuinely confused and appalled by acts of unkindness and malice when they occur. he chooses the path of benevolence, always, and he wants to keep everyone he loves safe so he carries the weight of the world on his shoulders and feels like it is up to him, & him alone, to SAVE THE WORLD and make it a better place. i repeat for you my fronds : frank longbottom gosh darn heckin’ angel. but my god, is he a broken one.

⤻   *       BACKGROUND   ——   !!

frank was born into a sacred 28 pureblood family who cared very little for blood purity, but a whole lot for social justice & fighting for what is right. thomas and augusta longbottom first met at the ministry of magic, where their ‘ left-wing ’ progressive ideas about wizard / muggle / magical creature relations brought them together. their love brought frank longbottom into the world ; a child who was, from an early age, exposed to concepts of in/equality, systematic oppression, privilege, biased public policy, and injustice through his parents.

under the steady & tireless virtuous guidance of his mother and father, frank longbottom bloomed from infancy into childhood with a strong sense of egalitarianism & selflessness that most children only learned well into adolescence, and he had an awareness of the injustices of the world that many people did not gain even well into adulthood. yet despite his parent’s rather strict & heavy hand in discipline, there was always a remarkable air of benevolence and incorruptibility about frank that refused to be befouled.

nevertheless, frank was a terribly lonely child. he was homeschooled by a thoroughly screened, left-wing half-blood governess, and she was just about his only connection to the outside world. it goes without saying that sacred 28 pureblood socialising events & parties were off-limits and out of the question for frank, and since the longbottoms lived in suburban muggle england, frank was always too scared to socialise with many of the children in his neighbourhood, fearful that he would accidentally expose his magical lineage & incur terrible consequences for his folly. shut away in a house of absolute virtue and morality, frank longbottom was a victim of utter loneliness & never got to experience the world his parents adamantly taught and trained him to save … until his letter from hogwarts arrived, that is.

⤻   *       HOGWARTS   ——   !!

frank was a heckin’ confusing four-way house hat stall during his sorting. the hat sensed the resolute loyalty and benevolence of hufflepuff in him, the love and respect for knowledge and learning of ravenclaw in him & the tenacity and ambition to achieve his goals of slytherin in him, but ultimately, the sorting hat settled on “ GRYFFINDOR ! ”, declaring its choice with a booming roar. above all, the sorting hat sensed frank to be brave —— willing ( & desperate, even ) to fight for what is right. it’s a shame that frank, to this day, doesn’t seem to see this bravery in himself. but by the warm beacon of the gryffindor common room fireplace, under the twinkling candlelights of the great hall, and at the top of the astronomy tower ( the stars and galaxies at the reach of his very own fingertips ), frank, at hogwarts has grown to be exactly the kind of person his parents have always wanted him to be : stalwartly true ; combatting hate with kindness, and enveloping cruelty with warmth. he loves deeply and vastly, and he honestly radiates this other-worldy quality of brightness ??? he’s the light in the dark, and oh how he shines. 

however —— the fact that he’s already grown into someone that his parents are proud of doesn’t stop frank from still wanting to be better, and wanting to save the world. what frank doesn’t realise is that he can hardly save the world if he can’t first save himself. he’s constantly emotionally and physically exhausted ; spending every moment of his time helping those around him and making sure to change to the world one kind act at a time. slowly but surely, frank’s bleeding heart and compulsion for kindness is coming to the point of being harmful to his own health and wellbeing. 

so yeah … … . though frank is falling apart, he never lets this show & he really tries to never make this anyone else’s problem. through the haze of responsibility and moral duty that has always clouded frank’s life, there’s still a profound tenderness and warmth about him ; and among all his advocations and efforts towards justice & peacetime, it’s difficult to discern just how deeply scared, lost, and confused the boy is in a world that refuses to cease changing right before his very eyes ; an inevitable war upon the horizon. 

⤻   *       LITTLE HEADCANONS   ——   !!

frank has always been V MAGICALLY GIFTED. he showed his first signs of magic when he was just one and a half, when he had a terrible nightmare & woke up screaming in the middle of the night. instead of waiting for his parents to come and calm him down though, frank simply closed his eyes & focused on his breathing. when his parents stumbled into the room ; sleep hazy in their eyes, they could hardly believe what they saw : the entire room, covered in flowers and lush foliage —— something that frank had somehow conjured up to keep himself calm ( b/c untamed childhood magic be CRAZY ). frank is now able to command wandless magic, which is a GODSEND tbh b/c he’s such a sleep-deprived mess & he loses his wand c o n s t a n t l y istG

being a sacred 28 pureblood with quite advanced magical abilities, frank has always been in high demand for pureblood partnership through an arranged marriage. his parents, have always hastily shot down offers ( bc they aren’t all up in that pureblooded nonsense ! ), but that hasn’t stopped pureblooded parents from reaching out anyway :/ yIKEs :/// 

frank is part of the slug club ,,,,,,,,,,,,, and like ,,,,,,,,,,,,,, every single other club / extracurricular. baby longbottom is an OVERACHIEVER EXTRAORDINAIRE —— YA BOI DOES NOT KNOW HOW TO CHILL. it’s not that frank is driven by any sort of particular ambition and self-interest, though ?? rather, frank’s heavy involvement in every aspect of school life stems from the aforementioned incredible pressure of his parent’s expectations ; frank applying himself to every possible aspect of school life and extracurriculars in the hopes that he will make them proud

frank has so little chill that he’s actually started sleepwalking … yikes ????? it probably doesn’t help that frank is involved in almost every sport club tbH, & he is also gryffindor quidditch team’s seeker. the thing is that he could never give any sport up. sport is so cathartic for frankie my boi, because it helps him forget his worries & his responsibilities. while he’s playing sport he is just a body —— he is pulsing blood, deep breaths & he is free.

⤻   *       OTHER FUN FACTS / GENERAL SUMMARY DOT POINTS ABOUT FRANKLEFACE LONGBOOTY   ——   !!

THE MOST CLEAN CUT KID OF THE YEAR AWARD GOES TO : frank longbottom, OFC. innuendo is lost on the kid ( he is v v v lost every time someone uses the word ‘ wand ’ as double entendre ), and has only consumed alcohol once in his life —— and even then, it was by accident ( it was in a spiked cherry berry trifle at an end of year christmas party back in first year ). 

LATELY, THOUGH, frank has taken up smoking. he does it in secret ; one cigarette every night in the astronomy tower, or by the black lake. if anyone ever found out about this frank would be MORTIFIED & would legitimately probably DIE of shame, so ………….. *coughs* someone pls walk in on him smoking one day. 

it’s so strange, because frank is incredibly in touch with the real travesties and injustices of the world, but in many ways he’s completely naive and lacking in real life experience. he is such an experientially sheltered kiddo, someone pls take him out and get him RAGING DRUNK bc he needs to chill out tbH

#mumfriend

takes literally 15 minutes out of each of his days to have a few conversations with a few of hogwarts’ cats ,,,,,,,,,,,,,,,,,, what a loser ??

gets excited when people ask him for help with their homework ( hELP ME ???? )

excels at all his subjects, but has a particular soft-spot for astronomy, herbology and care of magical creatures :’)

LOVES KNITTING —— stress knits a lot . he’d like to just knit the entire world up into a snug lil blanket and keep it safe and warm 

wants to single handedly save the world

did i mention ????? babe is a gosh dark heckin’ angel

in the mirror of erised, frank would see all his friends and family happy and smiling —— but he wouldn’t even be in the frame. mY HEART BREAKS OVER THIS HEADCANON TBH

frank has a cat named alexis de tocqueville 

i’ve run out of things to dot point & this is probably WAY TOO LONG ALREADY ANYWAY ??? so i’ll stop :o :o :o but please come and interact with my son ?!!!!!!??!? i love yall peace out

[lil-miss-methodical]

On My Block was an immaculate depiction of family and resonated the meaning of 'squad goals'.

It's in the center of this diverse group that don't call themselves friends but instead family, that the heart of the story really resides. They're all apart of a grounded culture being all of colored people (AA's & Latinos) but they were all different individual characters that made up this functional crazy dynamic.

When we start out it's with a team of four - Monse our fierce female who has more courage in her pinky than most of the guys. She's a no bullshit taking kind of gal who believes in fighting for her fam (probably because one of hers walked out). Then we have Cesar, he's destiny to join a gang because his family legacy is in fact their own gang. Cesar is fine as hell, suave as hell, charming as hell, smart as hell, and not your normal good looking guy. He's not a player, not a foolish or light hearted guy. He's someone you could see with a bright future...and yet many like him end up gang chained. Ruby is the small shrimp of the squad, but what he lacks and size and muscle he makes up for with his gift of gab. He has a Virgo personality - type A, obsessive, organized, focused on small details. But he also has such heart. Wanting the best for those around him. Jamal is our 'black' voice. Normally this role is given to females but here we are and I love him for it. Jamal redefines the black male image on entertainment tv. Hes not over masculine, but he's not emasculated either. He's not closed off or emotionally stented from hood life - hell he can't even hold a secret much less his emotions. He's not your resident jock, he's not your airhead, or your athlete. In fact even though he feels pushed towards football, he actually hates the sport. His passion is found in the puzzle and understanding shit for what it is. Olivia joins the crew last but she's def a nice addition. They don't use her to be a rift or to lower Monse's status by having them riffled with jealousy and secret hate for one another. The women loved one another and went out of their way to do for the other, despite their situation. Olivia is a girls girl but they don't shine a bad light on that like it's wrong. She loves this concept of squad meaning family and she tries her damnedest to hold that shit together.

The show features concepts of gangs on the surface...you have Cesar's family gang, the rival gang and lil Ricky's crew. But the show doesn't try to over play gang concepts for entertainment...which often happens in entertainment television. They represented them how they just are...a part of the community. Just like our resident Squad, the gangs had a family/friendship quality like to them. They didn't give Spooky the villain cast just because he was a gang leader. He was feared, yes, but he was so much more than a gang leader. He had his own charm, he was not the bogeyman - he was a man who chose a life in part to take care of his younger brother. He had goals and dreams, he was smart and capable, and his being a part of the gang didn't erase that reality of what/who he had been. The rival crew weren't treated as evil either...the show presented the laws of the street simply as they are. Even though the rivalry tend to be latinos vs blacks in gangs that didn't overarch into the the internal circles - meaning Jamal was an automatic enemy to Spooky/Cesar because he was black. Lil Ricky's Crew although robbers and dead - their stent was about friendship. That representation of that friendship and who they were was the key to the puzzle. There was no stereotyping in the story, no Hollywood bullshit.

I love love so I ship the shit out of Cesar and Monse. They were right up my alley with their tease back and forth nature. Chemistry was on point. They didn't pretend like Cesar had to be control because he was a guy - even physically. In fact in his relationship with Monse he has to put in extra work to pull things his way. That was one of the cutest shits about them. Most of all, I love this concept of a guy just feeling all them damn emotions. They didn't try to make Cesar any harder than he had to be so there were many a time where we get to see him extend his emotional bounds and it's beautiful. I think it's important for coming of age stories that have love stories showing a guy extend himself instead of it always being the girl who has to chase, bend, or change herself. I loved that they were presented as that no matter what couple. I hate this need that a lot of writers seem to have to tell young people that love when you're young is juvenile and unimportant and so I was happy that didn't happen here. I love this fact that she had this belief in him that was unbreakable and didn't need validation to exist. While their thing was supposed to be a secret to outsiders he never tried to keep things from her - even when he fucked up he wanted to tell her before anyone else although his communication skills were whack (how you gonna tell someone that over the phone boo?! 😒) but she was his confidant, his go to - even when who he was upset with was her, he didn't hold that in and I think that's important. I really dug their thing. It was one of my favorite elements.

Ruby and Olivia's thing is cute. They're in the start up of what they could be but I am here for it too. They didn't try to play my baby - when he told her to go out and experience life but know that he's gonna be the love of her life, my jaw hit the floor and I was shooketh! They def had me on edge wanting to see what was next for these two.

The show was amazing. You get the sense that the writers knew what they were doing and what they wanted to say. The comedy was appropriate - current and not riffled with over used jokes. The comedy comes from the identity of the characters. It felt authentic - that alone is a joy because often when people do inner city productions the dialogue is terrible and it seems like they've never been around those groups before. That didn't happen with this show. These were all kids you could imagine knowing for real. Their personalities weren't at all over reaching and their internal struggles were relatable. The story was about more than a Squad, more than a group of friends - it was about a family who were willing to fight for that bond, fight for each other and  willing to die for one another. Even in the end - it was about going the extra mile in the face of those you care about. It was about protecting Squad.

This season did what it was supposed to do...it let us in - introduced us to the players and teased us with who they were. But it also showed us the door to season two. They left us hanging from  the cliff praying breath held. We have the questions and know the possibilities. We're in just deep enough to care and crazy enough to hope. A second season is not at all a difficult possibility to imagine - deservingly so.

There were so many aspect I loved about this show! The writers didn't have time for bullshit: The black man stayed and raised his daughter. The black parents weren't overly oppressive and controlling but passionate in the support of their child. Latinos didn't have to curb their tongue just because someone who didn't fully understand the language was around - in fact the one time he did question terminology he was told Google was his friend, and then later he understood the term by context clues (which was his bases every time they switched) Guys can have emotions and girls can sometimes hurt those feelings by being overbearing, or less sensitive...just like a guy can. Slut shaming is wrong - even if it is your old as granny Sass is not only a female trait - never fool yourselves Girls can like the same guy and not let it turn them into some raving mad cliche Casual presentation of culture is a beautiful thing

Review:

Acting/Casting: 10/10 The casting was perfect. Every stepped into the identities of their character and as the show went on the acting progressed as well. 

Directing: 8/10 The setting/set up was amazing. They really gave you that vibe and the sense of for the story but I do think camera work could have used some work.

Story: 8.5/10 I only deduct points because I was able to predict where it was going basically from the start. 

Over All: 9/10 I would def watch several times over and I'm here for season 2 which I better get!

[briangroth27]

Back to the MCU Part 2: The X-men

I’m absolutely looking forward to Dark Phoenix and New Mutants—I’ve loved or really liked all of the X-men movies except two and I’m sad to see the franchise end—but I’m also looking forward to the X-men joining the MCU. I was skeptical of the fan insistence that Spider-man would be inherently better just because Homecoming was part of the MCU and I was proven wrong, but I’m still not sure that the X-men going home will be a magical improvement. The Fox-films aren’t perfect, but they’re not the worthless dreck a lot of people make them out to be either and it’ll be a shame to lose all the good things about them (unfortunately along with The Gifted in all likelihood). Still, this is what’s happening and I’ll always be excited for new X-men adventures: they’re my favorite comics and I love seeing them brought to life! In a perfect world, we’d get a new X-men TV series (heck, both a live-action one and a new animated series) because there are just too many characters to explore over a trilogy or two of movies, but for these purposes, I’m going to assume they’ll only be doing X-films.

Full spoilers for the Fox-verse and MCU up to this point....

X-men Origins How should mutants appear in the MCU? This is super-simple: they just do.

There’s always been a handful around, like Xavier, Magneto (their ages and Erik’s Holocaust experience can be explained by saying they knew a mutant who could rejuvenate others), Apocalypse, Shadow King, etc., but mutants are just now starting to appear en masse. They’re a new and mysterious global phenomenon. Importantly, they’re a natural evolution and the most “cause” that should ever be given is the real-life explanation for evolutionary mutation: a reaction a hostile environment. Sure, you could say Thanos’ Snap created that type of environmental condition, but no one should be responsible for making mutation happen. This is something I strongly believe has to hold true: mutants can’t be created in a lab somewhere or Snapped back into existence “wrong” or have their X-genes turned on by Scarlet Witch or something. If anything like that happens, mutants automatically lose their “we’re natural, normal, and we’re supposed to be here” argument. It’s why the Inhumans aren’t really a great substitute for the mutants-as-minorities metaphor: even though the present-day Inhumans were born that way, they can still be traced back to experiments the Kree conducted on humans. Mutants, however, are completely normal and exactly what they’re supposed to be. Also, it’s that lack of an “explanation” that scares normal people and separates mutants from the other superheroes in the MCU. Bigots can write off a radioactive spider bite or a gamma accident as powers that happened to “those poor people,” but the X-men showing up and saying “this is who we are naturally, our powers come from the core of our being, and we’re the future?” That scares them and brings out the hate. That last point is just as much a source of fear as the others: just look at how white supremacists in real life scream about “being replaced” by Jewish people, Muslims, immigrants, etc.

I’ve been asked on Twitter how the common MCU people would be able to tell that the X-men are any different from the Avengers (Thor vs. Storm was the example I was given), and the answer’s in the characters. Storm and the rest of the team would absolutely self-identify as mutants, feeling they shouldn’t have to pass as aliens/accidents for an easier life (in addition to their stated goal of proving that mutants can be trusted). With that pride and the insistence that mutants are the future, bigoted reactions would mimic LGBTQIA hate: "Why should we cater to a minority? They should be committed/cured, not supported, coddled, and allowed to continue living in their delusions,” etc. People's kids being mysteriously powered is also a much scarier concept than an alien the public barely interacts with (Ragnarok having civilians know about Thor and Jane’s relationship status still rings false to me, unless Darcy’s been blogging). Thor's an external anomaly to the everyday MCU citizen and while the Avengers might accidentally wreck your town, mutants could be in your family and are an intimate threat to The Way Things Are.

I’ve also been asked how you square Scarlet Witch and Quicksilver with Magneto if the X-men just appear now rather than being rebooted into the history of the MCU, and that’s simple too. They aren’t his kids anymore in the comics, so you might not even need to explore that connection in the movies. If they do want to, he could be a secret parent they didn’t know about. They still don’t have to be mutants since their origin is tied to Loki’s scepter. Either way, Wanda’s continued presence in the MCU is not a continuity deal-breaker.

First Class While the idea I’ve seen tossed around of the team suddenly snapping into view after Xavier has been psychically hiding them from the world for years would be a cool reveal, I don’t think they’ll want to burn all the A-list X-men by introducing them as adults. IMO, the X-men are going to be the backbone of multiple future MCU phases since the big-name Avengers are winding done, so they’re going to want to cast X-teens who can grow with the MCU. They’ll also want to start at the beginning and (hopefully) really dig into the team finding its groove, learning as they go. I’ve enjoyed the Fox prequel trilogy immensely so far, but jumping 10 years between each film takes the wind out of proper development arcs. Showing the team’s learning curve as superheroes would also set them apart from the Avengers, who have personality conflicts but essentially came to the team as polished heroes.

Fox’s prequel X-team is a pretty perfect lineup in terms of characters, so I wouldn’t change the core roster much (though I do expect everyone to be recast). We’d meet the X-men as they’re recruited, allowing the film to both touch on the world mutants are living in and to show who these kids were outside the mansion. That’ll not only show the healing effect of having other kids like them in their orbit, but will also emphasize how important the school is as a safe haven (and found family) from the rest of the world. One area where Fox’s films have fallen short (and The Gifted has excelled) is showing what the common people’s reaction to mutants is, rather than just sticking with the military’s thoughts, and I hope the MCU follows that show’s lead.

While every teenager (and even every adult) can relate to the X-men’s outsider status, mutants are also (and most importantly) supposed to represent the oppressed in our society and the next cast should reflect that. So, I’d do a lot of race and sexual orientation switches. For example, Cyclops should be Native Alaskan. He’s closely tied to that region in the comics, Summers isn’t the real family name (it was chosen by an immigrant ancestor in the comics and here could be an example of his family trying to assimilate), and the pressure to be a “model minority” would mesh perfectly with Scott’s constant drive to be a straight-laced boy scout who thinks he’d be useless if he failed. I’d let the comics’ subtext about Storm being bi or pansexual be text here. I’d also stick closer to her having been a “goddess” as well as a thief; she should be the one mutant in history that ruled humans without fear or violence so she can be a voice of reason and experience on the team. Nightcrawler could be updated into a swashbuckling street performer who’s a little internet-famous (part of a growing mutant youth subculture) in addition to his religious struggles. He could also be a positive role model in how he embraces and celebrates his physical differences (like he did on X-men Evolution), no matter who calls him a demon. Kurt could be any race as long as he’s from Germany, though I kinda like the idea of one of the few white guys being blue the whole time. Rouge would definitely start out as a villain if I were writing it. She doesn’t necessarily need to be white and making her an African-American teen from Mississippi could grant her a whole new perspective on the mutants-as-minorities idea: her loss of memories and self could reflect the black American experience of not knowing where your ancestors came from or what their culture was. I also think her reaction to meeting a literal queen who’s also a black woman would be pretty great; Storm could be a role model for her once she starts to reform (and maybe punk Storm could come from interacting with Rogue’s more fun-loving persona). Those new aspects could potentially bolster the outsider feeling she’ll already have thanks to her powers acting like a disease that forbids her from making unencumbered contact with others, so she could be relatable on several fronts.

New Mutants Scott, Ororo, Kurt, and Rogue would be my core team throughout all the films, but there’d be room for others as well. Jean’s another favorite of mine and it’d be cool to see her without the Phoenix as a predetermined end-point in mind for a while. I’ve seen it pointed out on Twitter that one of her biggest assets is her empathy, so let her use that to promote human/mutant understanding and use her comic origin story to drive her towards not letting anyone die. Gambit would be a lot of fun (and, in keeping with making things more diverse, the movies could go through with an intended comic development that he’d be bi), but I would definitely not adapt his charm power: there’s just too much room for that to get rapey to even try including it (plus, he shouldn’t need a power to be charming). Being a roguish thief with a heart of gold would play well against both the X-men and the gruff Wolverine when he’s introduced. Jubilee is more than deserving of a larger, more active role after being a glorified cameo so many times; maybe she eventually becomes the PR face of the school? Iceman’s always been another favorite of mine and his deep-seated denial of his homosexuality would bring another realistic touch to the team. Polaris, X-23, Honey Badger, Eclipse, Quicksilver (who I guess is dead, though; it’s a shame we have to leave the superior cinematic one behind in the Fox-verse), Domino, Bishop, Beast, Firestar, Psylocke, Shadowcat, etc. …the list of great characters in this franchise goes on and on and they’d all be welcome; this is why there needs to be a show, not just films!

Logan, the Wolverine We should get to Wolverine at some point—he’s another one of my favorites and there’s no denying he’s the most popular mutant—and I’d play up the parallels between him and Scott rather than focus on the love triangle with Jean. But first, I want them to hold off on Logan and maybe not even introduce him until something like the third movie. Let the rest of the team breathe and become an ensemble before reintroducing a new Wolverine, who’ll instantly be saddled with comparisons to arguably the most iconic version of the character: Hugh Jackman’s. They’d spend most of their time justifying the new Logan and I worry that the rest of the characters would be sidelined again. Instead, let’s see all of them get the chance to be as fleshed-out and celebrated as Logan is, then add him in and watch as the franchise gets even bigger from there. Maybe a way around Logan stealing the X-spotlight is to do something unorthodox (yet with enough comic precedence to appease the fans) and introduce him in an Avengers movie first. Maybe the Avengers could take the place of Alpha Flight in the MCU (or maybe they’d do something totally unexpected and just make an Alpha Flight movie). Personally I’d like to see a Logan who was absolutely horrible in his past—an animal occasionally pointed in the right direction—who then had the mind-wipe truly make him a better person who’s out to atone for a life he doesn’t remember. I think that would be compelling and would make the mind-wipe matter. Edit: I thought it might work to make Logan a POC to reflect real-life atrocities and experimentation carried out against minorities, but “violent rage machine who becomes a hero after (probably white) scientists torture him and erase his identity” would be a terrible message since you could say it argues they improved him. If he were innocent before Weapon X it would be different (and possibly a comment on the damage white people have inflicted on just about everyone else); I guess it depends on what they want Logan's story to be and what effect Weapon X has on him (and there should be an effect, not that X-men Origins nonsense where he's essentially the same person on both sides of it). If he's an angry white guy who's improved by forgetting who he was/the society that made him that way, that could be an interesting comment on the white male rage we see so much of today too.

Dark Phoenix, Apocalypse (and other X-threats) I definitely don’t want to see Magneto right away (though he’s the best villain in fiction). On film, we need a break from him (though if they wanted to make him Xavier’s co-leader of the X-men for an extended period, I’d be interested). I genuinely liked Mystique’s character development into just that position in the prequel films, but when she returns in the MCU it should be as a villain first (and certainly as Kurt’s mom—or why not his dad, as originally planned?—and Rogue’s adoptive mother). Stryker, the Sentinels, and the Phoenix Saga should all be held off until far down the road as well.

I wish I could remember who on Twitter suggested it, but I love the idea of using conversion therapy as the basis for an X-men villain, so that’s how I’d open the series (let’s call these films The Uncanny X-men, for argument’s sake). Use Mesmero as one of two main villains, mind-controlling mutants into thinking that they don’t have powers to the point where they subconsciously shut down their access to them (like Iceman did to himself after House of M). Do this through Legion-esque twisty, mind-bending psychic sequences (so we can see each character’s inner fears and character traits), but mixed with real-world conversion therapy horrors. Once Mesmero’s phase is completed, the “cured” mutants are thrown into an elaborate deathtrap/maze to make sure they can’t access their powers anymore…this would be a Murderworld designed by an updated Arcade! That would provide the bombastic third act after the Mesmero stuff gives us some great character work. Xavier sends the team in to investigate this process (maybe it’s set on Genosha) and they meet Rogue there, who’s also undercover but for Mystique, out to kill everyone involved whereas the X-men want to expose the torture and shut it down peacefully to be a good example. You could start to argue whether the X-men being upstanding superheroes allows them to go far enough with a third party like Rogue/the Brotherhood.

My second movie would feature Mr. Sinister and his attempts to keep up with mutants by experimenting on himself to give himself powers. I’d make it a cultural appropriation metaphor, by having Sinister create agents for the government (the Freedom Force seems like an appropriate right-wing name and it looks like they might be needed to step in where the Avengers leave off after Endgame) who are heroes and celebrated by the public, whereas the X-men are still hated. The X-men would of course resent the popular “mutates” taking what made them special and being celebrated for it while they’re still hated. If the first movie is about the X-men fighting to prove they should be here, the second would be about mutants establishing their own culture (and the burgeoning mutant subculture would absolutely be a part of this). It’d also be about humans artificially clinging to relevance and fearing losing their status in society (extremely relevant to a huge problem with white society in America today), while larger sci-fi themes about moving toward the future of humanity via evolution are explored through Sinister. Sinister’s base would absolutely be in the Savage Land so we could see X-men vs. dinosaurs: in addition to just being fun and cool (and big business, if the Jurassic World movies are any indication), dinosaurs would metaphorically represent the human race. They’d be a constant reminder of the extinction and irrelevance Sinister is trying to outthink. Perhaps Sauron could be a minor villain in that setting. Since I wouldn’t want to do Phoenix yet, a Madelyne Prior story might be better for this new era (maybe she’s one of Sinister’s Freedom Force mutates). If they don’t want to do the Captain Marvel/Rogue animosity—and I’m not sure I want to see Carol lose her memories and herself again, though you could create a bond between the two of them over Carol being manipulated by the Kree and Rogue by Mystique (maybe that’s how they’d finally resolve their hatred?)—another of Sinister’s mutates being called Warbird and having flight/super-strength would be a fine substitute for Rogue to get her iconic powers and send her to the X-men for help.

As we get into Uncanny 3, I’d do Onslaught, but a more streamlined version that doesn’t involve the Heroes Reborn thing. I’d rather it be confined to the X-men, but since we’re in the MCU now it’d be a good opportunity for the teams to team up. My Onslaught wouldn’t be a Magneto/Xavier mind-meld, but a Xavier who finally lost hope in his dream and decided to force humans to accept mutants. I think Xavier screwing with the team, implanting false memories to manipulate them, sow discord, etc. would be a lot of fun…and a chance to have Rogue be the big damn hero because of her mental training to suss out her actual personality (in these films I’d dedicate time to the team actively helping her try to control her abilities and rediscover herself). A psychic threat would also be a nice bookend to the team’s first film and a response to “how impactful can the X-men be as true-blue heroes?,” while defeating Xavier would be a natural end to this chapter as the team goes on to new adventures under Scott and Ororo’s leadership.

Once we’ve explored new threats, I’m fully open to digging into Magneto, Apocalypse (hopefully maintaining his “I’m trying to save you all by forcing conflict to evolve you” delusion), Stryker, the Sentinels, Mystique, Shadow King, Juggernaut, Sabretooth, Omega Red (who hasn’t been used yet), etc. again. Whatever they do, I hope the MCU goes big and explores all facets of the X-universe, like Genosha, Asteroid M, the Morlocks, the Brood, Madripoor, Mojo, etc. The X-world is a rich one unto itself, so Disney should let it shine and really flesh out the MCU beyond the real-world boundaries they’ve lived in so far and are only just now starting to venture from (at least on Earth). When we do get to Phoenix again, I hope it’ll be a natural evolution and Jean’s quest to make the world better so no one has to die again, not a cosmic space bird trying on feelings or a secret evil split personality (as an early X3 idea pitched, my Jean would evolve into the comics’ cosmic force).

United I absolutely don’t want some sort of Avengers vs. X-men thing. Who wants the Avengers turned into the militant arm of a bigoted government or something? No matter how you slice it, the X-men represent minorities/PoC/the oppressed, so making the Avengers fight them just seems wrong and automatically tips them toward being agents of oppression. If you lean too far into “mutant powers really are dangerous” to justify the Avengers fighting them, the X-men lose their social relevance. At “best,” you’ll have the Avengers making an argument along the lines of “protests that cause property damage are just as bad as the racists/social inequality they’re protesting,” which is not a good look for anyone. Plus, I’m just sick of heroes fighting heroes.

I wouldn’t do House of M or X-men vs. Inhumans either: extinction events not perpetrated by bigots trying to pull off genocide undercut the metaphor of mutancy. The X-men represent oppressed minorities, not snow leopards.

Deadpool: The Last Stand While it would be absolutely crazy if Dark Phoenix ended with Jean re-creating the Fox-Earth into the MCU or something, I don’t think the Fox-verse will get that kind of send-off. Aside from Dark Phoenix, New Mutants (which looks very spooky-cool but who knows if it will be released in theaters or on Hulu), and The Gifted (which will almost certainly be cancelled, sadly) the big dangling thread of the Fox-verse is the still-popular Deadpool. Legion will be ending after Season 3 and I think it’s safe to say Gambit, Shadowcat, Multiple Man, etc. are dead at this point, and that’s probably for the best if Disney wants to create a unified vision and start fresh.

However, a Deadpool 3 (or X-Force) film should definitely still happen, and I have an idea to help the characters (and actors) we love from those movies make the jump to the MCU intact. I think DP3/X-Force should be an adventure on Mojoworld! Deadpool’s probably the only live-action property that would be willing to go all-in on Mojo, so they should be the one to take the dive (especially now that Shatterstar’s mentioned it exists). Everyone gets abducted and the writers can go extremely meta with it. They could structure it similarly to the first Mojo episode of the 90s X-men cartoon, but with jokes about Hollywood’s obsession with sequels, reboots, and the franchise wars (as well as society’s relationship with the media). They could also joke about fan fears about Disney making them PG-13 (though I think those fears are unfounded), via some Good Place-esque censorship. Mojo’s televised world could also allow for cameos galore from the Fox-films, including the much-desired Hugh Jackman and Ryan Reynolds team-up. This isn’t how I’d prefer to see those actors together for the last time, but since it seems like the only option I’d take it. And at the end of this Mojoverse adventure? The Fox-verse is “cancelled,” leaving Wade and friends to be dumped into the MCU. You could cherry-pick the Fox timeline for favorites to save here: Wade, Domino, Negasonic, Colossus, Blind Al, Vanessa, Cable, Dopinder, both Yukios, and Laura/X-23 would all be welcome IMO (alternatively, I’ll take people like Zazie Beetz and Dafne Keen getting cast as Domino and Laura again in the MCU, just with new origins). If there’s a way to get The Gifted characters—especially Polaris and Eclipse—to the MCU too (if Blink’s season 2-ending portal doesn’t do it and make that group the MCU’s Exiles; seeing them come from a hardened anti-mutant world into an MCU where mutants are just starting to pop up in large numbers would be a really cool switch for them), I’m all for that as well. You could even give X-Force’s appearance in the MCU some narrative impact by forcing Xavier to accelerate his plan for the X-men to go public to counteract Deadpool’s team in the public eye, since Wade is not the guy you want at the center of the mutant rights effort.

Days of Future Past I realize most of this won’t happen (especially my ideas for the movies, but hey Disney, if you want some X-novels give me a call), but it’s a vision of the X-Franchise’s future I’d like to see. The big things are that mutants should just appear naturally, Disney should be open to casting and writing the characters more diversely than they’ve been in the comics (a consideration I’d extend to the franchise’s creators behind the scenes and soundtrack as well, though the main theme should absolutely be the 90s Animated Series theme!), and the MCU should take the time to dig into every aspect of the franchise rather than immediately hitting beats Fox has already covered. There are a lot of socially-relevant angles to tackle the X-men world with, and I want to see them all explored. The Disney/Fox deal is officially finalized on March 20, so we’ll soon see how the X-men will fit in. 

Whatever happens, I’m excited to see Dark Phoenix and I can’t wait to see more X-adventures in the MCU!

What do you think? What do you want to see from the X-men in the MCU?

Check out more of my theories, reviews, and original short stories here!

[abitterlifethroughcinema]

         #ABitterLifeThroughCinema’s WOKE! Film Reviews

     The Top Ten (+1) Best Movies of 2018 and where to find them!

                                                          by

                                           Lucas Avram Cavazos

+1…11. Overlord  Having its premiere at this year’s Sitges Int’l Film Fest, Overlord not only happened to be one of the fave films screened there this past festival, but this cinematic fantasy is an all-too-real and stark portrayal of a horror that actually occurred, and it deserves a nod from the Barcelona film critic family, so here it goes. Duly noted, I’d say. It starts with an insane aerial combat mission on the night of D-Day, one which goes awry and sees only a handful of paratroopers surviving the drop when enemy fire rains hell. They land in provincial France and the plot sets out to detail some of the inner workings of the Third Reich in reference to the insane, gruesome experiments done on captured Europeans and Jews. Those stories you’ve heard about turning these poor people into guinea pigs for super soldier intent using potent, injected serums…yeah, those? They’re true, if you believe the words of JJ Abrams. Are they as utterly brutal and horror/zombie film-like as displayed here? I sure as hell hope not. (now available On Demand and DVD)

10. The Ballad of Buster Scruggs There once was a film called O Brother Where Art Thou? While this is not its sequel, there is a sharp-witted vein to this film that could only be crafted and gifted to us by the Coen Brothers. What a hoot it is, even if it is a rather darkly-tinted hue of that hoot and humour. It is also one of their finest in years. Revolving around the singing cowpoke Buster Scruggs (Tim Blake Nelson) and five other tales brought to us with the commonly-threaded theme of death in often brutally funny ways, this film is a fine return to oddball form from two of the finest sibling directors of all time. Starring Liam Neeson, James Franco, Zoe Kazan, even Tyne Daly and so many in its vignettes, and that acting star power fuses this Western comedy into new territory for the brothers. Their previous works set in the west always seemed to be re-hashing works of years gone by but here, with their usage of almost comic-book-like details and witty banter make this much more enjoyable than their other historical works like O Bother and their remake of True Grit. Best western in absolute years! (available on Netflix or VOD)

9. Eighth Grade This poignant little film, which should have been wide-released everywhere the world over, is given fierce and bittersweet star power by Elsie Fisher, protagonist and student at the heart of this film. Comedian Bo Turnham has brought us the quintessential coming-of-tweenage story and along with Fisher, everyone in this film is so perfectly placed in their roles, especially Josh Hamilton as her dad, who deserves some nominations for this film but is unlikely to get any. Telling the story of 13-year old Kayla, we the audience get a sneak-peek into the minds and lives of today’s young adults. From her simple YouTube videos made to encourage other young kids to her obvious desire to fit in with older kids to her insecurity with boys, this film paints a stark reality that too many have lived through and this little indie film deserves aplomb from anywhere it can get it! (now available On Demand and DVD)

8. A Star is Born I skipped the critics’ screening of this film for the mere fact that I couldn’t bear to see if the acting and plot lines were another torrid take on a much-redone film. Even into the holiday season, I had not yet seen it and then when I did, I certainly took back any reservations. Bradley Cooper’s update of the film starring himself and Lady Gaga is just about as good as everyone said it was, and that was beyond refreshing to note post-viewing. In many ways, I feel that Cooper is likely revealing a few things about himself with the guise of “it’s a movie” being a nice cover; in some ways, he gives us what I believe are hints of his covert life, and it’s with Gaga’s turn as Ally that we really see him shine beyond the shtick of his character, country-rocker Jackson Maine. In a tad corny-tad, gripping way that takes hold the moment you see Gaga, let’s be frank and real, this film goes on to detail a Diet Coke version of the grim realities that often detail too many a tale of celebrity in Hollywood. Without revealing too many details of the film’s plot and denouement, we are looking at a necessary conversation about alcoholism, drug addiction and fame (plus a lack of ’NO’ men/women in many relationships) that needs to addressed for all ages. Well done, Mr. Cooper Goes to the Oscars. (At select screens, On Demand & DVD)

7. El Angel Incidentally, this may be the first time in a rather long time that I say something good about Argentinian men, so do take note. Telling the true story of fresh-faced boy killer Carlos Robledo Puch, played to Oscar-worthy perfection by newcomer Lorenzo Ferro, the masterful detail to which director Luis Ortega has crafted this arthouse meets dramedy-thriller is astounding and easily touches heights set by dePalma and even, dare I say it, Scorcese. We follow young Carlitos Puch, who is just nearing the edge of seventeen, as takes up with a rough and tough family of his devilishly attractive school chum Ramon, played by the spirited Chino Darin, son of Ricardo Darin. But as Carlitos comes to find out, his street crimes can easily be paved to real ones and his sadistic tendencies suddenly yet gradually paint a picture of someone who is in part desperate for attention and tacceptance and in part a fairly smart, well-to-do young adult. He parlays his sociopathy at pubescence into psychopathy with time, and this film will likely be, but should definitely not be, forgotten come awards and Best Of lists time.(available On Demand and DVD)

6. Black Panther As Oscar season comes to a head, it is worth talking about one of the most striking films that you’ll see for a while. Black Panther is that good, not only because of its genre but also because of its message: that seeking freedom through recreating systems of oppression will only extend the ill-treatment and broken nature we find ourselves in nowadays. Set in the fictional African nation of Wakanda, protagonist King T’Challa (Chadwick Boseman) brings us the first real black superhero from the Marvel universe. With a cast including Lupita Nyong’o, Angela Bassett, Forest Whitaker and Michael B Jordan, the acting is beyond impressive. What is even more amazing, however, is how the plot power-plays many elements of our world’s current political climate. (now available On Demand and DVD)

5. Chappaquiddick Another film which is nothing short of striking in its relevance to the current political situation in the USA. Senator Ted Kennedy was the only remaining Kennedy that I was familiar with throughout my adolescence and early adulthood. Jason Clarke as the Massachusetts senator is astounding, as is the cut of his jib and chin, although the accent was a tad weak, to be ever sincere. This is a complete revelation on the many details that were only gingerly touched upon during the course of the week following the death which this movie is detailing . As the facts are laid out in the film, it astounds me that the American people continued to vote and elect Kennedy for decades after. This is a study on arrogance, class and governmental ambiguity. And if that was the case with liberals in the Sixties, how much more so with conservatives in this digital age? My favourite film of last year’s BCN Film Festival. (now available On Demand and DVD)

4. Private Life Good Lawd this is such a heartwarming/breaking story with the finest elements of believable comedy and situational realism that define the art of the classic Gen X film from the 90s to now. May we never forget that it was Gen, and even those a few years before them, who gave us the digiverse-Netflix-instant oatmeal www.orld in which we live today and when I see a very NYC film like this one, it makes it a true reality check. Being the age that one should be married with kids, I watched Kathryn Hahn as Rachel absolutely slay the silver screen and am eager to see if she picks up any more accolades throughout the current awards season. Simple plot…she’s in her early 40s and her hubby Rich (played by Paul Giamatti) is entering his late 40s and they are fully entrenched within the confines of every single way to conceive a baby. Following the couple through their trials and tribulations really get pushed up an ante when sort-of relative Sadie (the lovely Kayli Carter) decides she will be the surrogate mum for them as things get a tad pear-shaped. This could easily be dubbed a dreamed, for in effect, it is; what needs to be known is that this is also a morality tale for a new age. The old-fashioned ethics of yesteryear just do not apply anymore, at least not in big cities, and the less is more factor easily makes this one of the finest films released within the last year. (available on Netflix)

3. BlacKKKlansman Without a doubt, this is the finest work in all too many years by Spike Lee, and he takes no prisoners in letting you know that the spilled essence of blaxploitation all over this celluloid is to egg you into knowing that this story is 100% true…and crazy. The mere fact that David Duke is literally cheerleading for the current President of the United States should scare us all and wake those who are not. Watching actor John David Washington portray Ron Stallworth, the real-life cop who slyly infiltrated the inner workings of the Klu Klux Klan 40 years ago. After signing up for the Colorado Spring PD, he realises the lack of trust in the 98% Anglo-Saxon workforce, as he’s thrown into monitoring the goings-on of any Black Panther student situations. Eventually, he takes up with a guy on the force that he can dig called Flip and played to skilled excellence by the oddest of lookers Adam Driver. Basically, the plot follows the twosome, as they tag team the aforementioned white supremacist movement, Ron being the voice and Flip being the wingman as they start an investigation on grand wizard bastard himself David Duke, played to troubling perfection by Topher Grace, evoking all of the calmness and utter sociopathic tendencies of a man reviled by most yet revered by still too many. And watching this taut film and how it rolls through such a daunting story with comedic aplomb and vicious realness gives you goosebumps. That said, as the film gets toward its ending, is when Lee gives you the goods when he flashes to scenes from the crazy Charlottesville, Virginia, riots, AntiFa protesting and subsequent death of Heather Heyer, may she rest in peace. God Save the World…and Amerikkka.

2. Fahrenheit 11/9  Premiering a few weeks ago here in Spain at very select cinema screens across the country, this is the first documentary in some time by Michael Moore that could play across an international landscape and should be required viewing on any critic’s or person’s list. The titular oddity refers to the day after we all woke up across the world in shock and awe that Donald J Trump had won the Presidency of the USA. Even if this is not Morre’s best film to date, it is undoubtedly the one that holds the viewers’ feet to the fire and calls for them to fight the nasty funk of this administration. But, it’s when he takes it back to his roots, to Flint, Michigan, and ends up involving all local and state politics, that we start to see the more sinister undertakings happening amongst conservative parties, ideals and societies. When you add in the fact of the Parkland High School shooting and the way Moore later fuses footage of Hitler and his minions and followers with a rally speech made by the current occupant of the White House, it becomes all too obvious that things are exactly as we think they are (A HOT MESS!) and we have very little recourse rather than claiming truth. (now available On Demand and DVD)

1. ROMA There are tender moments of realism that are permitted to happen with the rise of instant cinema on VOD and direct-to-home films, and it has been a pleasure to see that sites like Netflix and Amazon and Canal+ have truly added to the foray in which great celluloid can be brought to the masses. Case in point comes the finest piece of dramatic celluloid that graced the silver screen in the last year. Being a Mexican whose father is a naturalised citizen of the US and a mother who is Chicana from the US, like myself and my siblings, the sentimentality ran deep with this film. One of the differences I experienced was the fact that we were the only Mexican-American family in a stately US country club…and we had an entire childhood spent with loving housekeepers, which is what this film inherently is honouring and depicting, using the backdrop of Alfonso Cuarón’s take on growing up in 70s-upper middle class Mexico City in the neighbourhood of Roma. Depicting the life of the house assistant Cleo (first-time performer Yalitza Aparicio in a J.Hud moment, frankly) and the family of Sr. Antonio (Fernando Grediaga), a doctor in the Mexican capital, what Cuarón has called his most personal film to date, is also a B&W modern tale in the vein of Gone with the Wind, and the fact that he centres around a privileged Mexican family is poignant for several reasons: it not only takes a focus away from how Donald bloody Trump has painted Mexicans, in general, to the world, but it also highlights a very human element to how many classes of society function and live there in the frontier regions of North America and, more importantly, EVERYWHERE…easily put, this is a sweet, oft-times simple, oft-times brutal story on humanity. What binds so many critics together on this film’s merits is that fact that Alfonso Cuarón has crafted the past year’s most enigmatic movie, leaving us to make our own answers to what happens to Lady Cleo, her best mate Teresa, and this beautiful family. Absolutely and quietly stunning! (available on Netflix and selects screens across the country)