#gestural art
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unrealward · 5 months ago
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resistance to movement
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whiteatticpapers · 1 year ago
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watercolour, acrylic inks, india ink and collage on gessoed paper
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attleboy · 6 months ago
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YES ‼️ KILL ‼️ ‼️ ‼️ ‼️
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bigolialragu · 8 months ago
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i like thinking that laios would go crazy on birdwatching after the [SPOILERS] curse
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vinestaff · 3 months ago
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sighs. another guy in my brain i guess
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polturn · 7 months ago
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Weird thing enjoyer found another weird thing to enjoy
Various Frankenstein doodlings. Abt half were from reference half from imagination.
Most of these are related to the Royal Ballet version which I watched a video of the other day. So good and such a wild combination. The elegant medium and the grotesque subject matter.
I also had to draw that amazing puppet version that was made for the Hamburg state opera. lil cutie he is
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aimasup · 5 months ago
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silly scribbles
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he had to think a while on that one
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yuukirita · 26 days ago
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He's doing hand talk :'D Cute and Sad.
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egophiliac · 7 months ago
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So you know of other fairytale-theme school medias?
oh yeah, there's a few! the one I was thinking of specifically was Ever After High; I was mostly into the dolls, but I also really liked the webseries and the Shannon Hale novels! Apple was my definitely my favorite. 🍎
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woahcoolbear · 1 year ago
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🤲my angel
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calmbigdipper · 26 days ago
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Alhaitham likes hugging Kaveh… a bit too much!
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whiteatticpapers · 1 year ago
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landscapes on the edge 03
acrylic and ink on canvas 20 x 20 cm
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acediscowlng · 2 months ago
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charles going "i'm aces with other people" literal seconds after he died from being murdered by his friends is absolutely fascinating, this kid's optimism and sheer determination to bullshit his way through every traumatic event he goes through and pointedly refuses to examine really knows no bounds
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glassedplanets · 3 months ago
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truly one of those zs top hits moments
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puppyeared · 11 months ago
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these two are so interesting to me
characters belong to @canisalbus
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davidguezart · 2 years ago
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The evolution of David Guez’s work begins with a predominant sun burning through thick clouds shattering an already fragmented ground scape. The blazing sun then becomes a small red presence in the background, a distant metaphor – a beacon, undiscovered planet or drone signaling a new order. This lasts just a short time until disruption enters again with porous boundaries; the red dot is an indefinable mass, a smudge, suggesting disarray and leakage from all corners. Guez’s story resumes again when he returns with the red protagonist, albeit now magnified. An amorphous speck floats where the piercing sun was in earlier works. Orbit lines appear and define it in space as a tactile relevant force.
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