#george recile

[dustinreidmusic]

Bob Dylan - February 9, 2002 ~ Atlanta, GA ~ Soundboard

Setlist:

I Am The Man, Thomas (acoustic)

My Back Pages (acoustic) (Bob on harp and Larry on fiddle)

It's Alright, Ma (I'm Only Bleeding) (acoustic) (Larry on cittern)

Searching For A Soldier's Grave (acoustic)(Bob on harp) (song by Johnnie Wright, Jim Anglin and Jack Anglin)

Lonesome Day Blues

Lay, Lady, Lay (Larry on pedal steel)

Floater

High Water (For Charley Patton) (Larry on banjo)

It Ain't Me, Babe (acoustic) (Bob on harp)

Masters Of War (acoustic)

Tangled Up In Blue (acoustic) (Bob on harp)

Summer Days (Tony on standup bass)

Sugar Baby (Tony on standup bass)

Drifter's Escape (Bob on harp)

Rainy Day Women #12 & 35 (Larry on steel guitar)(1st encore)

Things Have Changed

Like A Rolling Stone

Forever Young (acoustic) (Bob on harp)

Honest With Me

Blowin' In The Wind (acoustic) (Bob on harp)(2nd encore)

All Along The Watchtower

Concert # 1390 of The Never-Ending Tour. Concert # 7 of the 2002 US Winter Tour. 2002 concert # 7.

Concert # 7 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion).

1–4, 9–11, 18, 20 acoustic with the band.

4, 9, 11, 14, 18, 20 Bob Dylan (harmonica).

2 Larry Campbell (fiddle).

3 Larry Campbell (bouzouki).

1, 4, 18, 20 Larry Campbell & Charlie Sexton (backup vocals).

[mychameleondays]

Bob Dylan: Tempest

double, w/CD

Columbia/Sony Music 88725457601

Released: 7 September 2012

[vandals-took-the-handle]

Bob Dylan and his band - Appreciation post: George Recile

In the band since: January 31, 2002

Instruments: drums, percussions

Quote from Bob about George :I like the drummer I have now, he is one of the best around. 

Joke from Bob about George: On drums, George Recile. He's the best drummer - on stage.

Quote from George about recording Modern Times: I had total freedom for ideas and it was a lot of fun. The beauty of working with Bob is that it is a different approach. I mean if you're looking at it as a musician (and not solely as a drummer); this is the area you have to go in if you're going to play the song.

About working with Bob: To work with Bob Dylan do you have to be clairvoyant? Whatever you are delivering, make sure it's fresh. If you're doing that…and calling that clairvoyant, you're right. I think it's about being open to where the music is going to take you, and having the ability to seize it immediately. You relly need to have this sense. By that I mean, always pushing the limits. You can't be afraid to take chances. The word is fearless.

[mitjalovse]

Late styles of different musicians do not have many similarities, because each of them deal with their old age on their own way. Some become hopeful, others go wistful, whereas few continue to baffle us. I mean, I am sure no one thought Bob Dylan would release a trilogy of the songs from The Great American Songbook at this point of his career, but he did that anyway. However, he did not decide to do respectful simulacrums of these compositions, he imbued them with his own idiosyncrasies. Thus, when you listen to his greatest albums, you find out they pursue the same modus operandi his LPs before Dylan's Great American Songbook Cycle had. These records of standards still resemble Dylan's current I-always-did.things-my-own-way-weren't-you-paying attention phase, yet the choice of the material makes them look like outliers. Then again, the fact that this can surprise us only signifies how Dylan remains an enigma for us after all these years.

[krispyweiss]

Quarter Notes: Blurbs & Briefs from Sound Bites

GEORGE “POPS” CHAMBERS DIES AT 88: George “Pops” Chambers, singer and bassist for the Chambers Brothers, best known for the 1967 hit “The Time Has Come,” died Oct. 12 at age 88, his family said.

“We thank you for all your years of love, peace and happiness,” read a note on the group’s Facebook page.

DYLAN REVAMPS TOURING BAND: Former Pearl Jam drummer Matt Chamberlain has replaced George Recile in Bob Dylan’s touring band, which also added Bob Britt as second guitarist. Dylan is currently in the midst of a U.S. tour, the first outing for the new-look group.

CROSSROADS CONCERT COLLECTION DUE: Eric Clapton will release Crossroads Revisited: Selections from the Crossroads Guitar Festival, on six vinyl discs Dec. 6.

Culled from festivals in 2004, ’07, ’10 and ’13, the collection features performances from Clapton, Willie Nelson, Buddy Guy, Los Lobos, Susan Tedeschi with the Derek Trucks Band, Steve Winwood, James Taylor and many others.

BLACK CROWES TO FLY AGAIN? The long-feuding Black Crowes - actually Chris and Rich Robinson - dormant since 2013, might (maybe, perhaps) tour in 2020, The Wall Street Journal reports.

“There might be something in the works,” said “a person familiar with the matter,” who declined to confirm the band’s rumored reunion.

10/15/19

[doomandgloomfromthetomb]

Bob Dylan - Neverending Tour Choice Cuts, vol. 2 (2004-2018)

By semi-popular demand! Here’s the second volume of highlights from this year’s Neverending Tour 30th Anniversary Extravaganza. It’s a handy sampler for those of you who couldn’t quite handle listening to each and every show. (Cowards!) Lots of cool versions to check out (tracklist/notes after the jump). And here’s vol. 1 if you need it. And hey, Bob is still throwing curveballs in 2018 -- “Moon River”! “It's A Man's Man's Man's World”! What a crazy guy. 

Cold Irons Bound (Asheville 2004) 

“Cold Irons Bound” is given extra heft tonight, with drummer George Recile bashing away and Dylan’s delay-soaked vocals conjuring up an extremely ominous ambiance. Beginning to hear voices! 

“Visions of Johanna” (Dublin 2005) 

In a nice bit of synchronicity, I was reading Steven Hyden’s recent/recommended Twilight of the Gods: A Journey to the End of Classic Rock when listening and he singled out the excellent “Visions of Johanna” from this very show. Take it away, Steven: “Could this be the definitive version of my favorite Dylan song? I hope not. I never want to stop being surprised by ‘Visions of Johanna.’ It has come to symbolize the significance of Bob Dylan’s art in my life. What the narrator in that song goes through is an allegory for being a Dylan fan — if you never stop yearning, the song never ends.”

“Nettie Moore” (Los Angeles 2006)

The new Modern Times material doesn’t quite sound ready for prime time just yet – “Rollin’ and Tumblin’” in particular is a bit of a train wreck. But “Nettie Moore” is a treat, with Bob muttering riddles and half-truths over his band’s steady accompaniment.  

“Ain’t Talkin’” (St. Louis 2007)

Modern Times’ closer, “Ain’t Talkin’” is one of Dylan’s darkest latter day tunes, and it’s given an appropriately ominous airing this evening, with Dylan wandering through a surreal post-apocalyptic landscape, his band building a subtly intricate groove behind him. 

“It’s Alright Ma (I’m Only Bleeding)” (Vigo 2008)

This well-nigh country funk version of “It’s Alright, Ma (I’m Only Bleeding),” is bolstered by Donnie Herron’s grooving banjo and George Recile’s explosive drumming. A song that stands up to pretty much any re-invention Bob can think of.  

“Beyond Here Lies Nothin’” (Chicago 2009) 

Together Through Life’s opening track, does a good job approximating Tom Waits’ latter day sound, with its minor-key blues sashay, Donnie Herron’s bleating trumpet, and Bob’s carnival barker vocals. Killer.  

“Trying To Get To Heaven” (Tokyo 2010)

Holy moly, the “Trying To Get To Heaven” played in Tokyo this evening is … heavenly! Dylan sings like a bird, finding a new way into the melody, and his band chugs along behind magnificently. Dig the neat call-and-response harmonica/vocal thing Bob does on the last verse – excellent. This song is so good, a perfect evocation of past/present, physical/spiritual, earth/sky, memory/reality. The beautiful curse of consciousness!

“Things Have Changed” (Mannheim 2011)

“Things Have Changed” gets an interesting tumbleweedy remake that owes a lot to “Me And My Uncle,” making the Wild West imagery of the lyrics more literal. I like it! 

“Shooting Star” (Port Chester 2012)

Oh Mercy’s closer “Shooting Star” is brought out into the light for an emotional reading – the harmonica solo is a total beauty. Listen to the engine! Listen to the bell!

“She Belongs To Me” (Copenhagen 2013)

“She Belongs To Me” is majestic tonight. Bob delivers a strong vocal and a few even stronger harmonica solos. 

“Long and Wasted Years” (Chicago 2014) 

I’m loving “Long and Wasted Years,” with Bob’s dramatic vibe and the band’s steady backing rolling on through the night. 

“I’m A Fool To Want You” (Malmo 2015)

Give it up for Bob’s deep reading of “I’m A Fool To Want You.” He’s not Sinatra (or Billie Holiday for that matter), but Dylan finds his own way into this devastating standard. 

“Simple Twist of Fate” (Clearwater 2016)

This Florida “Simple Twist of Fate” is great; Bob’s slightly off-kilter piano playing adds a vulnerable element and the harmonica solos are gorgeous. Maybe it’s all the Sinatra material, but it had me wondering what Ol’ Blue Eyes could’ve done with this song …

“Blowin’ in the Wind” (Richmond 2017) 

The encore of “Blowin’ In The Wind” is a breezy and beautiful thing. Bob’s dive into Sinatra’s material has honed his phrasing to a sharp point, and he delivers every line of this iconic song with vigor. How many years! 

“Don’t Think Twice, It’s All Right” 

We’ll end things with Bob singing the six most beautiful words in the English language: “Don’t think twice, it’s all right.” The wondrously spare arrangement is focused on piano and voice at first, with the band eventually filling in behind a perfect harmonica break. It’s unbelievable. Don’t think twice …

[jshatan]

It’s a Day 4 of the #CPRWVINYLCHALLENGE2021 by @colinsprw: Favorite Record Of 2020. Bob Dylan - Rough And Rowdy Ways (Columbia, 2020) Now immortalized as my #1 album of 2020, I’ve shared this several times. To mix things up, then, here’s a few notes about the package. 1. I like the gestures in this 60 year old photo of an English juke joint by Ian Berry and it fits with the many nods to the past on the album. The type design and placement seem a little generic, but not terrible. 2. Inside we get a colorized photo of Jimmy Rogers and the Carter Family hanging on a street in Louisville, KY in 1931. They look tough, almost like gangsters (Bonnie & Clyde) and I think that may have attracted Dylan, as well as their positions as American music royalty from long ago. 3. Credits list no producer, not even Jack Frost. Note the great Matt Chamberlain on drums, replacing the long serving George Recile for reasons unknown. Tori Amos chips in on piano on Murder Most Foul and reported feeling out of her depth - Dylan told her to “just be yourself.” Worked out fine. 4. The first inner sleeve has the snazzy False Prophet graphic (repurposed from an old issue of The Shadow magazine), making it look like a 12” single. Nice to have! 5. Second inner sleeve - why this old picture of Dylan? Looks like it’s from the 80’s and it’s not credited, either. Dylan’s current high-rolling cowboy look would have better matched the sound and content of the album, but maybe he couldn’t be bothered. The I Contain Multitudes type is nice, also making it feel like a 12”. 6. Label has that old-fashioned look Dylan has been favoring for most of the 21st century. Still waiting for a free jazz album with a Columbia “six-eye” label! 7. The back cover recreates the single release of Murder Most Foul, which both is and is not about Kennedy, but is obviously an important song to Dylan. It’s a handsome photo with intriguing typography, lending more classic heft to an album that provides plenty of that through the music alone! #januaryvinylchallenge #vinylcommunity #vinyl #vinylcollection #vinylgram #vinylgeek #vinylcollector @bobdylan @columbiarecords #bestof2020 https://www.instagram.com/p/CJpNb9CAGnx/?igshid=zzd5or8s7lop

[wolffmcintyre17-blog]

Guitar maven And many Other Guitar tab Software

Guitars were very favored in the early a component of our 20th millennium. Frequently, pastoral musicians was given inexpensive various guitars from one particular mail series catalogs. Banjos were rather expensive from the time, but present is tiny little evidence so players ever before used that you simply slide on a a banjo. This Beatles song comes armed with a extraordinarily distinct particular racket which can possibly sometimes be accredited in which to the lap steel guitar played because of John Lennon throughout ones song. Anybody can pay attention to George Harrison saying "Go, Johnny, go," and "Elmore James (legendary slide guitarist) got nil on this approach baby," recommending to Lennon's guitar mastering during their solo. This can was uncharacteristic for Lennon to gamble a flow guitar, as this might possibly be the type of only discovered instance within it. Actually a simple, fun melody which is more substantiation of Harrison's diverse repertoire of your favourite music. In this 70s, take music happened to be the classy and recognized musical variety. The Going Stones succeeded this thanks to their time-honored fusion most typically associated with Rock and Blues removing the your favourite songs world times storm. As such, these products are thanks for revolutionizing the song selections industry with that times. Dylan relating to keyboard, harp, and guitar; Tony Garnier on striped bass guitar; Henry Recile in relation to drums; Stu Kimball on rhythm guitar; Denny Freeman on main guitar; and as well as Donnie Herron on electrician mandolin, pedal steel guitar and lap steel oboe. Solid Whole Type: This type of is usually the standard method of oboe body with is utilised in our own most number of guitars. As the exact name suggests, the solid body is truly absolutely hard (filled) other than the open area that is almost certainly occupied while the spaces that hold the guitar's electronic process together. Though it really is not each wild soundscapes as fifty percent of the trails are with out having studio gimmickry. There normally a quantity rock 'n' roll songs, such so as "Satellite," and thus the record and theme matter with regards to the continue for few files will good familiar so that it will fans of Farrar's early work. "Methamphetamine" is fork out by website visitor musician Eric Heywood's steel guitar network and delivers the mainly straightforward post of Farrar's lyrics. It may be a lonely, dusty tale of an effective addict, working hard the daytime shift somewhere, after swaying "a poisonous chemicals job during a mishap band". He could be "healthy now, but special if he'll almost certainly "ever wind up free" off the drug's hold. The conceiving of the guitar am not able to be traced to a definite single man or steel guitar teaching . The present day technology electric cymbals came associated with through ones development of the its predecessor the Conventional Guitar. The actual representation comes armed with also skilled many modifications throughout the centuries. Today, playing this particular guitar might be a mark of skill level and music ability, but this got not too in younger times; our guitar was previously actually the best symbol pertaining to being disappointing and the product was frowned on all by most classic musicians.

[dustinreidmusic]

Bob Dylan ~ Collisioni ~ Barolo, Italy ~ July 16, 2012

1.Leopard-Skin Pill-Box Hat

2.It's All Over Now, Baby Blue

3.Things Have Changed

4.Tangled Up In Blue

5.Honest With Me

6.Spirit On The Water

7.The Levee's Gonna Break

8.A Hard Rain's A-Gonna Fall

9.High Water (For Charley Patton)

10.Simple Twist Of Fate

11.I'll Be Your Baby Tonight

12.Highway 61 Revisited

13.Forgetful Heart (Bob Dylan-Robert Hunter/Bob Dylan)

14.Thunder On The Mountain

15.Ballad Of A Thin Man

16.Like A Rolling Stone

17.All Along The Watchtower

—

18.Blowin' In The Wind

Concert # 2422 of The Never-Ending Tour. Concert # 12 of the 2012 Europe Summer Festival Tour. 2012 concert # 28.

Concert # 252 with the 21st Never-Ending Tour 

Band: Bob Dylan (vocal, guitar, grand piano & keyboard), Stu Kimball (guitar), Charlie Sexton (guitar), Donnie Herron (violin, mandolin, steel guitar), Tony Garnier (bass), George Recile (drums & percussion).

1 Bob Dylan (keyboard).

2, 4-9, 12, 14-18 Bob Dylan (grand piano).

10, 11 Bob Dylan (guitar).

2-4, 6, 9, 13, 15, 18 Bob Dylan (harmonica).

7, 8 Donnie Herron (mandolin).

9 Donnie Herron (banjo).

13, 18 Donnie Herron (violin).

[dustinreidmusic]

Bob Dylan & His Band ~ 7/1/10

Zenith Nantes Metropole ~ St. Herblain, France

1. Leopard-Skin Pill-Box Hat

2. It Ain't Me, Babe

3. Stuck Inside Of Mobile With The Memphis Blues Again

4. Just Like A Woman

5. Rollin' And Tumblin'

6. Visions Of Johanna

7. High Water (For Charley Patton)

8. What Good Am I?

9. Cold Irons Bound

10. Love Sick

11. Highway 61 Revisited

12. Shelter From The Storm

13. Thunder On The Mountain

14. Ballad Of A Thin Man

—

15. Like A Rolling Stone

16. Jolene (Bob Dylan-Robert Hunter/Bob Dylan)

17. Blowin' In The Wind

Concert # 2241 of The Never-Ending Tour. Concert # 23 of the 2010 European Summer Tour. 2010 concert # 38.

Concert # 71 with the 21st  Never-Ending Tour Band: Bob Dylan (vocal & keyboard), Stu Kimball (guitar), Charlie Sexton (guitar), Donnie Herron (violin, mandolin, steel guitar), Tony Garnier (bass), George Recile (drums & percussion).

2, 3, 6 Bob Dylan (guitar).

1, 4, 5, 7, 8, 10-13, 15-17 Bob Dylan (keyboard).

9, 14, 17 Bob Dylan (harmonica).

7 Donnie Herron (banjo).

17 Donnie Herron (violin).

5, 10 Donnie Herron (mandolin).

[dustinreidmusic]

Bob Dylan & His Band ~ 6/29/07 ~ Jones Beach Theater (Nikon At Jones Beach Theater) ~ Jones Beach State Park ~ Wantagh, New York

1. Cat's In The Well

2. Don't Think Twice, It's All Right

3. Just Like Tom Thumb's Blues

4. It's Alright, Ma (I'm Only Bleeding)

5. Moonlight

6. 'Til I Fell In Love With You

7. Visions Of Johanna

8. Rollin' And Tumblin'

9. Shelter From The Storm

10. Things Have Changed

11. Spirit On The Water

12. Highway 61 Revisited

13. Nettie Moore

14. Summer Days

15. Blowin' In The Wind

—

16. Thunder On The Mountain

17. All Along The Watchtower

Concert # 1945 of The Never-Ending Tour. Concert # 6 of the 2007 US Summer Tour. 2007 concert # 34.

Concert # 216 with the 20th Never-Ending Tour Band: Bob Dylan (vocal, guitar & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel guitar), Tony Garnier (bass), George Recile (drums & percussion).

1-4 Bob Dylan (electric guitar).

5-17 Bob Dylan (electric keyboard).

5, 6, 9, 11 Bob Dylan (harmonica).

1, 4, 10, 13, 15 Donnie Herron (violin).

5, 7, 8 Donnie Herron (mandolin).

[dustinreidmusic]

Bob Dylan & His Band ~ 10/7/02

Pauline Davis Pavilion ~ Tehama County Fairgrounds ~ Red Bluff, California

1. Rainy Day Women # 12 & 35

2. You're A Big Girl Now

3. Tombstone Blues

4. Accidentally Like A Martyr (Warren Zevon)

5. Watching The River Flow

6. Brown Sugar (Mick Jagger/Keith Richards)

7. My Back Pages

8. It's Alright, Ma (I'm Only Bleeding)

9. I Shall Be Released

10. Cold Irons Bound

11. One Too Many Mornings

12. A Hard Rain's A-Gonna Fall

13. Honest With Me

14. It Ain't Me, Babe

15. High Water (For Charley Patton)

16. Mutineer (Warren Zevon)

17. Floater (Too Much To Ask)

18. Summer Days

—

19. Like A Rolling Stone

20. Knockin' On Heaven's Door

21. All Along The Watchtower

Concert # 1456 of The Never-Ending Tour. Third concert of the 2002 US Fall Tour. 2002 concert # 73.

Concert # 57 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion).

7-9, 11, 12, 14, 20 acoustic with the band.

1-5, 8, 9, 12, 14-17 Bob Dylan (piano).

9, 14 Bob Dylan (harmonica).

1 Larry Campbell (slide guitar).

2, 11, 16 Larry Campbell (pedal steel guitar).

7 Larry Campbell (fiddle).

8, 12 Larry Campbell (cittern).

6, 9, 20 Larry Campbell & Charlie Sexton (backup vocals).

[dustinreidmusic]

Bob Dylan & His Band ~ 10/30/02

Excel Energy Center ~ St. Paul, Minnesota

1. Seeing The Real You At Last

2. In The Summertime

3. Tombstone Blues

4. The End Of The Innocence (Don Henley/Bruce Hornsby)

5. Watching The River Flow

6. Brown Sugar (Mick Jagger/Keith Richards)

7. Forever Young

8. It's Alright, Ma (I'm Only Bleeding)

9. The Times They Are A-Changin'

10. Cold Irons Bound

11. Girl From The North Country

12. Old Man (Neil Young)

13. Honest With Me

14. Love Minus Zero/No Limit

15. High Water (For Charley Patton)

16. Mutineer (Warren Zevon)

17. Bye And Bye

18. Summer Days

—

19. Blowin' In The Wind

20. All Along The Watchtower

Concert # 1474 of The Never-Ending Tour. Concert # 21 of the 2002 US Fall Tour. 2002 concert # 91.

Concert # 75 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion).

8-9, 11, 12, 14, 19 acoustic with the band.

1-5, 8, 13, 15-17 Bob Dylan (piano).

2 Larry Campbell (mandolin).

8, 9 Larry Campbell (cittern).

13 Larry Campbell (slide guitar).

14, 16 Larry Campbell (pedal steel guitar).

2, 6, 7, 12, 19 Larry Campbell & Charlie Sexton (backup vocals).

[dustinreidmusic]

Bob Dylan And His Band ~ New Orleans Jazz & Heritage Festival ~ Fair Grounds Race Course ~ New Orleans, Louisiana

April 25th, 2003

Setlist: 

1. To Be Alone With You

2. Tonight I'll Be Staying Here With You

3. Highway 61 Revisited

4. Things Have Changed

5. It's All Over Now, Baby Blue

6. Dignity

7. Mr. Tambourine Man

8. Drifter's Escape

9. Bye And Bye

10. Stuck Inside Of Mobile With The Memphis Blues Again

11. Saving Grace

12. Honest With Me

13. A Hard Rain's A-Gonna Fall

14. Summer Days

—

15. Like A Rolling Stone

16. All Along The Watchtower

Concert # 1507 of The Never-Ending Tour. Concert # 6 of the 2003 US Spring Tour. 2003 concert # 17.

Concert # 6 with the 16th Never-Ending Tour Band: Bob Dylan (vocal), Freddie Koella (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion).

1-6, 9-16 Bob Dylan (piano).

2, 11 Larry Campbell (pedal steel guitar).

5, 7, 8 Bob Dylan (harmonica).

5, 7, 13 acoustic with the band.

7, 8 Bob Dylan (guitar).

12 Larry Campbell (slide guitar).

[dustinreidmusic]

Bob Dylan ~ Full Concert

Sudbury Arena

Sudbury, Ontario, Canada

13 November 2008

1.

Watching The River Flow

2.

Mr. Tambourine Man

3.

Rollin' And Tumblin'

4.

Positively 4th Street

5.

High Water (For Charley Patton)

6.

A Hard Rain's A-Gonna Fall

7.

'Til I Fell In Love With You

8.

Girl From The North Country

9.

It's Alright, Ma (I'm Only Bleeding)

10.

Workingman's Blues #2

11.

Most Likely You Go Your Way (And I'll Go Mine)

12.

Love Sick

13.

Highway 61 Revisited

14.

Ain't Talkin'

15.

Thunder On The Mountain

—

16.

Like A Rolling Stone

17.

All Along The Watchtower

Concert # 2101 of The Never-Ending Tour. Concert # 16 of the 2008 Canada Fall Tour. 2008 concert # 92.

Concert # 372 with the 20th Never-Ending Tour Band: Bob Dylan (vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel guitar), Tony Garnier (bass), George Recile (drums & percussion).

7, 10, 11 Bob Dylan (harmonica) guitar 5, 6, 9.

3, 6, 12 Donnie Herron (mandolin).

6-17 Stu Kimball (guitar).

5, 9 Donnie Herron (banjo).

14 Donnie Herron (viola).

[dustinreidmusic]

Bob Dylan and His Band ~ Live at The Ryman Auditorium   Nashville, Tennessee ~ August 1st, 2011

1.Leopard-Skin Pill-Box Hat

2.It's All Over Now, Baby Blue

3.Things Have Changed

4.Tangled Up In Blue

5.Beyond Here Lies Nothin' (Bob Dylan-Robert Hunter/Bob Dylan)

6.Mississippi

7.High Water (for Charlie Patton)

8.Sugar Baby

9.Highway 61 Revisited

10.Forgetful Heart (Bob Dylan-Robert Hunter/Bob Dylan)

11.Thunder On The Mountain

12.Ballad Of A Thin Man

—

13.Like A Rolling Stone

14.All Along The Watchtower

15.Blowin' In The Wind

Concert # 2346 of The Never-Ending Tour. Concert # 13 of the 2011 US Summer Tour. 2011 concert # 41.

Concert # 176 with the 21st Never-Ending Tour Band: Bob Dylan (vocal & keyboard), Stu Kimball (guitar), Charlie Sexton (guitar), Donnie Herron (violin, mandolin, steel guitar), Tony Garnier (bass), George Recile (drums & percussion).

5 Bob Dylan (guitar).

1, 2, 6, 7, 9, 11, 13-15 Bob Dylan (keyboard).

3, 4, 7, 8, 10, 12, 15 Bob Dylan (harmonica).

5, 6 Donnie Herron (mandolin).

7, 8 Donnie Herron (banjo).

9 Lukas Nelson (guitar).

10 Donnie Herron (viola).

15 Donnie Herron (violin).