#genuinely my favorite thing in the whole world

[keepingitformyself]

especially for tender ones like us

A/N: hehehehehehehehehehehehe synopsis: humor, anxiety, and the salvation of love.

pairings: natasha romanoff x reader

genre: fluff.

warnings: no?

MASTERLIST

please do not repost my work anywhere for any reason at all. if you do see this happen to any of my stories, please let me know. thank you x.

natasha tries not to stumble over her words when she suggests staying in, instead of going out. she does not mean to, but she does. 

how could she not? could you really blame her for wanting a quiet night? something that isn’t so public. she wanted to see you, of course, but she wanted to see you in a space you could be comfortable in, without any of the outside world and free from any distractions.  

you listen intently through the other line, you fight the giggle at catching her little stutter. she can’t see, but you smile widely at the whole thing.

“yeah, we can stay in. i can cook us dinner,” you nod. natasha’s shoulders drop in a quiet sense of relief at your words. her lips curl into a smile. “i’d like that. i can’t wait.”

although this would only be the fourth time you had met up together, to natasha, it felt like the first every single time. 

you continue talking for a little while more. natasha shares details about her day, work, and what she ate during lunch. she tells you how on her way to grab her usual coffee order, an americano, she decided she’d switch her order to a matcha latte after having had you recommend it to her. she tells you, 

“it was good, but not nearly enough caffeine for me to keep up with,” she said, her tone light but teasing. and while it hadn’t become her new favorite drink, just knowing she’d tried it for you was more than enough. her words sent your thoughts spiraling, a warmth blooming in your chest. you were certain that if she were standing next to you, you wouldn’t hesitate to kiss her right then and there.

but you can’t do that so instead, you just fall back on your bed like a high schooler talking to her crush. 

when you finally do meet up the following evening, natasha is buzzing with nerves she doesn't understand. she has taken down whole regimes and has fought aliens from space, yet she seems to draw the line when it comes to facing you. 

she knocks on your door, her other arm clutching a brown bag containing wine and flowers. a reasonable offering if you’re having dinner with someone you want to impress. 

when you answer the door, you're wearing a cream-colored knit sweater. 

“i thought i heard pacing out there.” you joke. 

natasha’s cheeks flush as she tries—and ultimately fails—to fight the smile tugging at her lips. “i wasn’t pacing,” she says, though the slight crack in her voice gives her away.

you step aside and invite her in, and neither of you acknowledges the quiet intimacy of the moment. it feels like more than just dinner, more than just a simple evening in your apartment.

you’re about to cook for her, and somehow, that feels monumental.

natasha’s nerves are a mess, though she can’t quite figure out why—or maybe she can. maybe it’s the way your presence makes her feel unsteady, as though the ground beneath her shifts whenever you’re near.

but natasha doesn’t want to be nervous.

she saw once—a penguin mistaking a sleeping walrus for a rock. the penguin had been caught completely off guard when the walrus stirred, nearly crushing it before it scurried away just in time.

natasha had found it funny at the time, the way surprises can sneak up on you. but now, thinking about it, it doesn’t feel so funny. it feels… unnerving.

surprises are bad for the heart, she thinks. she’s been taught her whole life to avoid them, to anticipate every possibility before it unfolds.

but knowing too much, being too prepared—that can hurt, too.

her thoughts are interrupted by your laughter, light and unburdened, as you guide her toward the kitchen. your smile is so easy, so genuine, and she can’t help but feel how good it is to exist in this space with you.

she offers to help you cook, but you shoo her away instead. you make her watch.

she sits there, with her hands on her lap, and just stares. and she can’t help the look of longing on her face. the kind of thing that suggests she wouldn’t mind this being a constant. 

you made pasta for the evening. nothing too spectacular, but natasha had treated it like you were a top chef and had spent hours crafting everything with your bare hands. 

and then once you’ve plated food for you both and you’ve gotten down to a few bites, you notice the small sigh natasha lets out. the flutter of her eyes as she takes in the meal. 

you smile at her reaction as you move some of the food with your fork. 

“do you like it?”

she looks at you, mid-chew, her mouth stuffed with the food, but she manages a smile. 

“yeah, uh, yes it’s good. it’s so good,” she says, hand over her mouth. 

you continue eating, talking about everything and anything. the night was filled with small moments that would bleed into much deeper ones. you laughed, she smiled, you smiled, she laughed. the kind of things one feels they become when around those who make you tender. 

and you don’t know how or when but you try not to notice how little by little natasha seems to retract a little. 

you decide maybe she needs a small moment for herself and start cleaning up the table. she offers to help, but you wave her off, insisting she relaxes. 

she tries to, but realistically, natasha doesn’t know how to relax. so she sits back and stares at you like she isn’t sure what to do with herself. she isn’t used to this at all. spaces like this–warm, cozy, comfortable.

the impending guilt comes. it’s all so layered. she feels so much at once. the nervousness, the anxiety, the fear of loss, the fear of not being present enough. 

natasha doesn’t know how to be here without sacrificing so much. 

after a while, natasha speaks up. 

“i should probably get going.” her voice too casual to sound like she meant it. she tries not to notice the look of disappointment on your face when you turn around to face her. 

“you don’t have to.” you find yourself saying, not wanting her to leave. 

she hums, something that says she’s already made up her mind. she gets up and gathers her things. 

you follow her to the door, or at least try to—but you pause at the end of the hall when you see her linger near the door, uncomfortably. unsure if she should leave. 

you call her out on it. “you can stay longer if you want.”

natasha wrestles with herself because she really wants to. she looks at the door as if it’d answer for her. 

you’re letting her know. 

natasha feels awkward, clammy hands. she doesn't know what she’s doing. and it’s hard to think of anything else when your eyes are screaming, don't actually leave, at her. 

you look at her carefully, trying to see if you can find any clear indication of what she may be feeling, but it isn’t hard to figure out the redhead in front of you. 

you’ve noted quite quickly how easy it comes for her walls to lower when you’re around. and if there’s anything you’ve learned from that, it’s that natasha romanoff isn’t the trained killer everyone thinks she is. 

sure we all have certain versions we show to certain people. but the natasha you know is anything but rough-edged. the natasha you’ve come to know is actually quite the opposite of what everyone else perceives. 

she’s tender, in her own silent way. too afraid to ever let too much slip away that she’s so painfully aware of everything around her. 

natasha is tenderness wrapped in quiet strength, a paradox of someone who feels deeply but guards herself fiercely. she sees the world clearly—the beauty and the harm—and carries that weight like a constant ache.

like she knows the world hurts more for those most aware of hurt. 

her tenderness isn’t soft; it’s sharp, vigilant, always bracing for the pain that comes with letting others in. you can see it in the flicker of her gaze, the way she hesitates as if expecting the world to hurt her.

and yet, she doesn’t harden. she holds onto that fragile, open part of herself, even when it would be easier not to. it’s beautiful and a little heartbreaking.

natasha looks up at you, then back down at her hands. just above a whisper, she says, 

“i don't know what i’m doing.” 

“that’s the most fun part.” you joke. she smiles, she doesn’t know how to say she wants more time. 

how could she say she feels greedy at this moment? she wants to protect being here with you. we have such little time, she thinks. 

bashfully, she steps closer to you, “i don't want to go.” she says. 

“then don’t.” and natasha almost complies. instead, she takes a step closer, her hand lifting towards your cheek. she’s so close now. 

she kisses you, soft, and shy, but you make her feel sure when your arm circles her neck, deepening the kiss altogether. when she pulls back, her forehead rests against yours, she lets out a shaky breath. 

“maybe i’ll forget my scarf,” she murmured, a small smile tugging at her lips. 

“please do,” you replied. please leave your scarf, please linger near the door uncomfortably instead of leaving. please always come back. “that way you’ll have to come back later for it.”  

and just like that, her quiet uncertainty washes away. 

she takes her scarf off and drops it near the door. you follow her actions, you smile, amusement in your eyes. 

later that night, when natasha gets home, she texts you. 

i forgot my scarf. 

you reply, you’ll have to come get it then. 

[jamiepaige]

Constant Companions Closeup #11: MACHINE LOVE

(also on bandcamp and spotify!)

Welcome back to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was the title track, My Darling, My Companion, which means today is the final track on the album - a song about the truths that lay in hiding within artifice, and a computer falling in love - Machine Love!

Before we get started on this particularly long closeup - I'll be doing a follow-up post after this one, answering various miscellaneous questions I've gotten over the course of writing these! If you've got anything you wanna hear more from me about, album-related or otherwise, feel free to reply to this post or send me an ask! It may very well end up part of the bonus closeup :~)

---

Let's circle back to the very first track, Dyad.

In that track's closeup, I mentioned the main sonic touchstones of this release relative to my previous ones being guitars and vocal synths. The whole guitar rock thing I think I've gone into detail enough about, what with all the inspirations I've rattled off in other posts, but there likely is still a burning question for some long-time listeners.

Why vocal synths? Why am I not singing on like half of this album? I thought you were a singer, Jamie Paige, so what is this Hatsune Miku robot Vocaloid crap?

Truth be told, the Vocaloid scene and community has always been a massive source of inspiration for me. So much of my favorite music ever, music that inspires me or touches my heart or makes me go apeshit, has been sung by synthesized vocalists in a language I don't even speak. I grew up with it, and it's grown up with me - music just as intricate, mind-boggling, twisted, fun, and ridiculously creative is being put out every single day by vocal synth producers, and nowadays it's coming from English speaking musicians in droves!

Before this year began, I'd made at least one major contribution to the culture, but in spite of my genuine adoration of everything vocal synth related, I felt like I was just looking in from the other side. Caught between worlds, existing outside of any communities, simply gesturing vaguely towards what I wanted to do.

But I wanted more! I wanted to make the same kinds of things that stirred my heart and made me want to write! I wanted to sing with those same voices! I wanted it to be true - to be like you!

---

I won't lie to you and tell you Kasane Teto has always been my favorite vocal synth. That title used to go to GUMI, and in general, I wasn't particularly attached to any UTAU voicebanks as a younger vocal synth fan. (Nowadays, I genuinely open up OpenUTAU just as much as SynthV because I've fallen deeply in love with Adachi Rei, but that's a story for my next album.) Obviously, I knew of Teto, and found her presence in things like Triple Baka delightful, but for the most part, she was mostly something of an oddity, a wayward piece of vocal synth history that had her Fans like any other.

However, there was one Teto song I've been inexplicably attached to since the moment I first heard it - Song of the Eared Robot, by nwp8861. I was introduced via this particular cover, which I love, but I quickly gravitated to the original. Something about the warbly, childish nature of her very first voicebank, the ambitiously orchestrated and unabashedly digital instrumental, the lyrics referencing fundamental frequencies and Markov chains and compiling code all just spoke to me!

That song stuck with me, laying in a part of my heart that had been collecting dust, all the way to April of 2023.

Now, yes, Teto wasn't always my favorite, and I had other vocal synths I was attached to, but I don't live under a rock, and I still understood how monumental the announcement of Kasane Teto's Synth V voicebank was - to the point that I interrupted a call full of FFXIV-playing friends who knew barely anything about vocal synths and gave them an impromptu TED talk because I was so excited.

(An excerpt of a summary of that night's events, written the morning after. i was up my own ass a little bit but in my defense Kasane Teto had just been announced for Synthesizer V)

I was watching, in real time, a dream made manifest. It's literally one of the Bits with Teto! That she'd be a Vocaloid one day too! And here she was, on the fan favorite engine, sounding genuinely fucking incredible. Especially in hindsight, it's such a beautiful and perfect twist of fate for her.

I saw myself in her. A weird little outcast, explosively reborn and thrust straight into a community's open arms with love. I wanted it to be true - To be like that, too.

It didn't fully hit until later, hearing another cover of a song I'd almost forgotten.

Machine Love, my love letter to the entire world of unbridled creativity and artistry surrounding vocal synths filtered through one sentimental little song, was fully written by the start of May, maybe 4 days after I had gotten my hands on Teto SV and long before a certain compilation album was even a glint in my eye.

If you haven't heard DAEMON/DOLL yet, you really, really, really should go listen to it - yes, I mastered this album, many of my friends and collaborators are featured, and I have two entire songs on it, but I genuinely mean it when I say I believe it's some of the best fucking music that's come out this year in general. In many respects, it also feels like a companion (hah) to Constant Companions.

I had finished writing Machine Love by this point, but it was working on this album in its entirety - discovering artists like Anh Duy, Eggtan, and beat_shobon through it, and hearing everyone in top form making this twin-drilled chimera fucker sing her heart out - that not only made me confident in my decision to go down this artistic path, but that made me fall completely in love with Kasane Teto. And honestly, how could I not? She feels like a microcosm of everything that makes vocal synths so special, this community of creatives all leaving their marks and touchstones along the trail of a great big shared folk mythos. Yeah, maybe the folk hero we're all collectively mythologizing is an anime girl, but yknow maybe Odysseus could take some branding cues from hatsune miku idfk

Basically, even if he says he wants to kill me, I owe fucking everything to rice for inviting me to work on DAEMON/DOLL.

---

On that note, my vision for Machine Love's MV was pretty clear from the beginning.

the actual factual setup for the above shot, which was done entirely in-camera with my laptop, a tv, and two video files manually synced using VLC

The fundamental idea was always there - live-action shots of animation playing back on various screens, edited together to feel somewhat seamless. However, I really struggled with what exactly was going to be on said screens for a while; Big commissions were very far out of my budget, but I knew this song needed something grandiose.

Ultimately, what I arrived at was exactly the kind of scrappy, DIY bullshit it was always meant to be.

I asked my Twitter mutuals for help. And spent a couple months in Final Cut Pro and Apple Motion hell turning all the Teto art I got into a bunch of tiny little mini MVs, some of them parodying real vocal synth MVs, some of simply just evocative of vocal synth MVs, all of them painstakingly edited by yours truly and filmed with the help of some friends over the next couple months across two states and many more cities just to be painstakingly edited and synced up again by yours truly.

THE NEXT MV I DO WILL BE SMALLER IN SCOPE

---

And with that, I believe that's the album!

There's a reason it ends with Machine Love, and not with the title track. I do think that in some respects My Darling, My Companion would have made a better closer, but that song only really resolves one of the thematic strands running through the album.

There isn't really a definitive answer to the specific question "Baby, do you know what you wanna hear?", but it evokes a theme running through the entire album - wanting something, knowing that you want something, and simply needing to find the courage to do it or say it or be it. My Darling, My Companion is in many ways a declaration of intent, an acceptance of what needs to happen, but Machine Love, to me, is that action being done. The words being said!

And now, if I may give this a somewhat selfish tint - with the explosive response my works from this album have gotten, my contributions to things like DAEMON/DOLL and Flavor Foley, the collaborations I've done and that I still have in the pipeline, the friends I've made and the community I've found a spot for myself in, and the newfound voices that I can lay my heart bare with -

Well, shit, I know what I wanna hear, and I've gotten to hear it. I'm a vocaloP. It's real!

Thank you all so goddamn much for reading and listening. I'll see you back here either tomorrow or Monday for the bonus AMA post thing!! Make art and be gay, motherfuckers.

❤️💚

[catras-breakup-song]

how do you feel about the whole "you always wanted more" line that got cut? at first i was wondering why they did that because adora didn't want more until it made me think "huh, what if prime was just running on catra's memories and didn't actually know adora?" but i'm curious as to what you think

OH MY GOD I AM SO GLAD YOU ASKED THIS. i am such a sucker for the cut STC script. back in late 2020 & early 2021 i had a twitter layout based on “that little spot on the roof that only they knew about” because S3 is my favorite:

even better, i have another old twitter fancam saved from around that time too that used that screenshot of the script in the beginning. it was by the username yoosene but is now long gone, so i reuploaded it to imgur here (the hands part, i’m going insane…)!

anyway, as for interpretations, it was absolutely to manipulate & guilt-trip adora. i recently saw someone say (i don’t remember where though, sorry) that he was torturing both of them by setting up that nasty fight against both of their wills and had planned to kill catra all along — despite saying he wouldn’t right after she rescued glimmer and was imprisoned for it, in my opinion there was an unspoken “yet” even though he did technically say that word but you know what i mean; “you will be of use to me, and then everyone from your blighted planet, including yourself, will be destroyed.”

that’s the thing about what the show was trying to convey through her stay on prime’s ship via glimmer’s desperate pleas, isn’t it? her illusion of power was only ever temporary. once she no longer had anything of value to serve, what would she be worth? how could she have genuinely believed that he wanted to save her, of all living beings, from the curse of humanity & will of consciousness? what makes one individual different to an omnipotent god compared to countless others across the universe throughout space and time? i truly believe that he was subtly mocking her when he talked of her being “exalted, raised up above the other wretched creatures of [her] home world.”

i was actually trying to find another five by five takes quote about this, because mentioning them is always an obligation for me, but surprisingly i didn't really find anything about how catra had worked her way up to prime's recognized single subordinate (only that moment of reflection afterward, which is just this entire short video), and was under the false impression with a cocky & confident attitude that her position meant something for her safety & survival; i'm mostly referring to this moment:

the horde's the horde...even in space. as long as i'm of value to horde prime, i've got a place in this world. i can work my way up here, just like i did before.

actually y’know what… i’m going to tag @horde-princess because this is starting to dive into religious meta which is like… her whole gimmick thingy. we would be blessed (pun intended) to see your take on this writing that never made it to the show, if you haven’t given it already!

now this is veering too far off from the original point after getting sidetracked. the tone of those quotes in the alternate script is (fake) pity, and horde prime was entertained by the struggles of mere mortals. to make adora a failure of what she represented would surely force her to give up she-ra to him, because what would even be the point anymore of living up to expectations if she couldn’t save catra first & foremost (that’s something that she struggled with since initially leaving the horde over three years ago due to how catra made her feel about supposedly breaking their childhood promise… but it’s a story for another post)?

i don’t doubt that your thought process is at least partially right too though, anon. prime didn’t read adora’s mind thoroughly at any point, so it’s entirely possible that he just read off catra’s intense feelings of abandonment & betrayal. that being said, if he really did see all as he claimed, maybe he was able to recreate an objectively accurate collection of events and knows what really happened and what the intentions behind certain actions were. i also wonder if catra secretly knew deep down that adora’s defection wasn’t directly about her but just couldn’t admit it until she had time to deeply reflect on it during “corridors.”

i’ll leave this messy, unorganized post with an amazingly relevant gif set made by an editor whose work on here i really enjoy:

as i said a long time ago, you just had to be there on november 19th 2020 when that excerpt was released because the hype was crazy!

[ogoatsuyuuta]

characters who main motif is love and how love changed them and how love makes them strong

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[gideonisms]

I love arranging it's like YES YES THE OBJECTS ARE IN LOCATIONS

[pitske]

"So watch me rise up Open the skies up And take the world by storm I'll flood the dry lands Low and highlands And take the world by storm Every inch of the land, every part of the sky Will be water when I transform it So watch me rise up Open the skies up And take the world by storm"

[bassguitarinablackt-shirt]

sleepy boys <3

[rimouskis]

sigh someone on twitter extolled the virtues of furiosa and said it was better than fury road. I just saw furiosa. they are wrong.

[dykebeckett]

shirt idea

[stormcloudsandshadows]

No one:

Me at 230 am: hm…… Nedzu.

[arolesbianism]

Yet another beautiful day to have the Maxwel tag blocked (can't see half of the posts in the Wendy tags)

[daincrediblegg]

what's ur ultimate comfort food?

Pasta. I make it every week. But specifically I make this sauce that is kindof of my own creation but is loosely based off penne alla vodka, except I don’t throw it in the oven: I fry up some sausage (mckenzie sweet italian, broken up into bite sized pieces) in a little bit of garlic olive oil (or minced garlic plus olive oil) and then upend a jar of vodka sauce (boves) onto it once it’s nice and crisp and then grate some grana padano and put some heaping handfulls into the sauce and then garnish with more cheese when it’s done. Works with just about any pasta but cappelini, penne, or any kind of spirals will work really well with it

[iheartbookbran]

like, I still think it’s sort of weird that Shonda Rhimes bought the rights to the Bridgerton novels, did a mediocre job at adapting the material and also kinda ruined one of the most popular pairings from the books in the process, and then proceeded to hyperfixate on her own OC to the point of creating a spin-off in which the central romance is about two members of a very white, slave-owning, racist and imperialist institution that could only maintain power through the exploitation of people of color all over the world, but now the protagonist is a black woman who’s about to end racism in 1700s Great Britain through the power of Love

[fangirlwithasweettooth]

sometimes i just gotta akfhjsxjsgjx🥹🥹🥴🥴🫠🫠🥰🥰🥹🥹sjgfkhskdhjahz bc oh my god my partners are so smart and pretty and wonderful and oh my god how did i get so lucky??? like what in the world did I do to deserve them 🥹

[opens-up-4-nobody]

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