#genbi
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vermillioncourt-if · 10 months ago
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So we know how the older siblings feel/think of MC but what about all the younger ones ?
Hello! ❤️ By younger, I'm going assume you mean each sibling under Kenlu (who's 14), since I think I wrote about mostly everyone else?
If you meant like chronologically younger, so Zhouwa, Gaotang, Duanzu, Casao, and Kenlu, just send me another ask!
I also excluded Liangxu and Qiongkuai since they're MC's full siblings.
Lunsu to Kenlu - LINK
Sixth/Seventh Princess Nan Zhuanying - Zhuanying is Consort Xing's 4th child and is her "favored" daughter. As a result, Zhuanying doesn't really like MC that much, although it's more because of her mother's influence over her than her actual feelings. She's 10, so give her a little time to develop her own opinions.
Eight/Ninth Princess Nan Tuojiu - Tuojiu is Consort Dou's 3rd child. Tuojiu is actually a little scared of MC! MC hasn't done anything to her, she just has her mother's personality and all of her older siblings (Kenlu and older) are intimidating to her! She's 7 years old.
Seventh/Eighth Prince Nan Genbi - Genbi is Consort Re's 4th child and is the eldest of her twins. Genbi likes MC. Since Consort Re and Consort Huo are friends, he sees them fairly often. He likes to try to be "grown up" around them since they're one of the older siblings!
Eighth/Ninth Prince Nan Zhuibi - Zhuibi is Consort Re's 5th child and is the youngest of her twins. MC is one of Zhuibi's favorite siblings, so he likes them. He likes that MC is willing to let him be a menace, within reason.
Ninth/Tenth Princess Nan Quanying - Quanying is Queen He's 3rd child. Quanying is acquainted with MC, but she doesn't have any super strong feelings since she doesn't see MC too often, often with her nannies at Queen He's palace. She's 5, so she's still a bit shy around her siblings.
Ninth/Tenth Prince Nan Zuoya - Zuoya is Consort Xing's 5th child. He doesn't really have an opinion like Quanying. He tends to just repeat what Consort Xing says about the other consorts' children/the consorts, if asked, since he's 4 years old.
Tenth/Eleventh Princess Nan Tangye - Tangye is Consort Xing's 6th child. She doesn't have an opinion on MC since she's 1.
Eleventh Prince(ss) Nan Guangtian - Guangtian has not been born yet.
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hmshermitcraft · 1 year ago
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Consider: space pirates cleo and gem
Gem and Cleo have a... Complicated relationship. They're dating, firstly. There's no hard feelings between the two of them.
They just also happen to be clones made from the same source.
Cleo was pretty pissed when she found out the lab that made her was, firstly, still operational and secondly, that Gem existed. So she attacked it, and somehow ended up stealing Gem.
They'd certainly refined the process since creating Cleo. Where Cleo's skin is dead, flaky, Gem is radiant. Freckles dot her skin, a soft rosy blush across her cheeks. She looks so alive, and Cleo does not.
Somebody would have a field day studying nature versus nurture with the two of them. Because, somehow, Gem decided to join her as a pirate. Looking at the two of them, you wouldn't expect Gem to be the more bloodthirsty of the two. But she is.
Cleo is just happy to cuddle with her, and share their riches.
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lookingviewer · 9 months ago
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Since the comic has already launched, it's time to tell how it all came to this!
In the beginning, it was just a funny idea, like a meme, that Gen was Kirby. Because Iggy loves Kirby
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But after...
An idea came to me: What if we made a comic based on this?
Well, these moments came to mind:
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Then, the most important thing: How will Gen look in general in a Kirby costume?
And now, I will show you what options there were)
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Ahem... Gen was simply touching with his appearance, hehehe
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And bonus, my favorite 👀🦊✨
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PHAHAHHAHAHAHAA!!!
Gorgeous ✨
Comics "Genby"
Note: This was not intended to be a Valentine's Day comic, but a comic because of the funny moment where I introduced Gen as Kirby to make Iggy completely happy.
But because of the timing, it came out like this.
In fact, this is a comic for Genzy.
Author of characters and style - @just-a-carrot
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....
Thank you very much, and now, I want to take a rest. Because yesterday I had a feeling like Iggy, but in terms of creativity... More precisely, I burned out, and I want to temporarily stop drawing something (that’s also because no one canceled my studies at the university, although the schedule has become easier.)
So, thanks to everyone who appreciated this long work. I could have published it earlier if I wasn’t lazy, but the main thing is that it turned out well and I’m happy.
I used Iggy's 3D room, which I created in Blender, which made working with the background easier.(By the way, I passed the exam, hurray!)
Orlam supports me, thank you very much.
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AND BONUS!!!
While I was drawing I was also playing, hehehehe
Genzou: Hm? Iggy?
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Iggy: CHU❤️✨
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Genzou: Hehehe....
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bmpmp3 · 4 months ago
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UNTUNED and barely mixed wip of cover #5986304534948053425433 i am working on, another one with genby, ,, benbu.,,, benby,,.... bgbgbgbbgbgbgbgbg lite (passes away forever)
song is Watashi to Aruite iru to Hazukashii no by watashinokoko (offvocal in desc) and here's the program files if u want em HOPEFULLY i have not made any lyric mistakes. hopefully
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genburgson · 9 months ago
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Hello Everyone, My Name Genby Nice To Meet Y'all Here :D BTW I'M NEW HERE YAY Tumblr :0
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gabriella-krasimira · 1 year ago
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Like a Hallmark Card || Genby || Greased Lightning
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bongianimuseum · 2 years ago
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BIOGRAFIA DI SHOZO SHIMAMOTO
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BIOGRAFIA DI SHOZO SHIMAMOTO
Nato nel 1928 a Osaka, in Giappone.
1947 / Frequenta l'atelier del maestro Jiro Yoshihara, dove produce la sua prima opera "Høie".                       
1948 / Prende parte alla mostra "Sette artisti d'avanguardia" presso il department store Kintet-su a Osaka.                                                                                                                                                          
1950 / I laureati del Gakuin University Kansai in Hyugo.                                                                              
1953 / Partecipa alla prima mostra del gruppo Genbi, con Jiro Yoshihara,. Diver si giovani artisti che espongono si uniranno al gruppo Gutai .                       
1954 / Fonda Gutai con Jiro Yoshihara. Partecipa alle più importanti mostre Gutai.                                         
1955/ Alla prima mostra Gutai presenta un lavoro rivoluzionario per essere vissuto e goduto dal corpo: "Prego, camminate qui". Il lavoro è stato ricostruito nel 1993. 1956 / In occasione della mostra a cielo aperto Gutai mostra la sua opera realizzata attraverso l'utilizzo di un cannone a mano che verrà presentata alla Biennale di Venezia del 1993, in cui bottiglie di vetro contenenti pigmenti sono gettati ed esplodere il colore direttamente sulla tela 1957 / Mostra il suo video pionieristico arte alla mostra Gutai prestazioni. Un altro dei suoi lavori, un lavoro sonoro, che può essere considerato come musica concreta, è inserito nella Raccolta Centro Pompidou...                
1970 / Produttore artistico per 1000 spose al Festival EXPO
1976 / Partecipa a un progetto di Mail Art che coinvolge 60 paesi e con una rete di 8000 scambi. Crea una strada con 10.000 giornali lungo il lato del fiume Mukogawa 1992 / Mentre continua a produrre nuove opere, diventa Presidente della Japan Society Arte e Cultura di disabili-persona (ora Arte Giappone) e organizza la prima mostra su larga scala di persone disabili in Osaka. Nello stesso anno viene intervistato di Jane Kennedy Smith per il quotidiano più famoso giapponese, Mainichi Shinbun 1993 / Invitato a partecipare alla Biennale di Venezia come membro del Gutai 1994 / Invitato ad esporre al Guggenheim (New York) 1996 / Shimamoto viene proposto come candidato per il Premio Nobel per la Pace in riconoscimento delle sue attività pacifiste da numerose riunioni Bern Porter, il medico che ha fatto la bomba atomica sganciata su Hiroshima.
1997 / Unico artista giapponese dopo la Restaurazione Meiji ad avere la sua foto in Storia dell'Arte, pubblicato da l'America Album
1998 / Invitato come uno dei primi quattro migliori artisti del mondo dal dopoguerra, insieme a Jackson Pollock, John Cage e Lucio Fontana, a partecipare a una mostra al MOMA (USA) 1999 / Invitato ancora una volta a partecipare alla Biennale di Venezia, con David Bowie e Yoko Ono 2000 / Tiene una mostra a Parigi (Unesco) e propone una collaborazione artistica in Francia, co-sponsorizzata dall'Unesco del Giappone e dalla Felissimo Museo. Inizia la creazione di un lavoro enorme che sarà conservata da 100 anni a Shin Nishinomiya (Prefettura di Hyogo. 
2001/ Invitato alla manifestazione Giappone Anno a Londra. Alcune opere sono assegnati alla Tate Modern da inserire nella collezione.
2003 / Invitato a partecipare alla Biennale di Venezia (Extra 50)
2004 / Performance con un elicottero vicino a Venezia.  Performance Nyotaku a Ca 'Pesaro Galleria Internazionale d'Arte Moderna (Venezia). Tre opere ora appartengono alla collezione della galleria.
2005 / Performance con Elicottero a Trevi e mostra al Trevi Flash Art Museum.  Mostra personale a Reggio Emilia (Pari & Dispari Agency, Italia). Realizzazione dell'opera piccola d'arte nel mondo, utilizzando nanotecnologie, per realizzare immagini sulle estremità delle setole di uno spazzolino da denti (in collaborazione con Ritsumeikan Università di Kyoto)
2006 / Invitato ad esporre alla ZONE ZERO a Duesseldorf. Invitato ad esporre alla Hsinchu City International Glass Art Festival. Exhibition e Performance della gru a Napoli. Invitato ad esporre alla Tokyo International Art Fair
2007 / Espone quaranta opere prodotte dal periodo Gutai ai giorni attuali nella mostra "Shozo Shimamoto: Action Colors 1950-2006" presso la Galleria Pier Giuseppe Carini di San Giovanni Valdarno. Presso il Fashion Museum di Kobe tiene la performance Felissimo WHITE PROJECT; le opere realizzate vengono esposte allo Hyogo Prefectural Diplomatic Estabilishment e al Kobe Fashion Museum. Presenzia al P3 Project per la Biennale di Venezia; qui si cimenta in una performance, Bottle Crash, nel Chiostro di San Nicolò, organizzata in collaborazione con l’Architetto Luigi de Marchi presidente del “ABCOnlus”. Viene coinvolto nell'organizzazione di un evento a Pechino, "Art Challenged Project", cui partecipano molti artisti disabili arrivati dal Giappone. Alcuni dei suoi lavori più rappresentativi vengono esposti nella collettiva "Artempo" organizzata da Mattijs Visser e Axel Vervoordt nel Palazzo Fortuny di Venezia. 2008 / Il 7 maggio realizza una performance a Punta Campanella, Napoli, coinvolgendo un gruppo di danzatrici vestite da spose con la testa ricoperta da bicchieri saturi di colore. Il 9 maggio fa una performance nel chiostro della Certosa di San Giacomo di Capri lanciando il colore su otto tele disposte a terra e su due contrabbassi disposti a lato delle tele, ricoperti da spartiti musicali e sorretti da due giovani donne. Sempre alla Certosa di San Giacomo di Capri espone alcuni suoi lavori nella mostra "Vento d'Oriente".   Presso il Museo Magi ‘900 di Pieve Di Cento (BO) si tiene la mostra Shozo Shimamoto / Yasuo Sumi - I colori della pace, con una performance nella sala Modigliani del Museo. Il 13 novembre 2008 presso il Museo d' Arte Contemporanea di Villa Croce di Genova “Shozo Shimamoto. Samurai, acrobata dello sguardo”, curata da Achille Bonito Oliva.
2009 / In occasione di Roma. Road to Contemporary Art , sono esposte sue opere in diverse mostre: Hofficina d’Arte, a cura di Achille Bonito Oliva; Palazzo Barberini, “Cose mai viste II” a cura di Achille Bonito Oliva, dedicata alle opere delle collezioni private degli artisti. Palazzo delle Esposizioni, in collaborazione con la Fondazione Morra, l’Archivio Pari & Dispari e l’Associazione Shozo Shimamoto. Partecipa alla mostra collettiva “Madre Coraggio: l’arte” a cura di Achille Bonito Oliva che si tiene all’interno del Festival di Ravello. Tiene una mostra personale presso la galleria “VV8 artecontemporanea” di Reggio Emilia, in collaborazione con l’Associazione Shozo Shimamoto, dal titolo “La danza del colore”, in occasione della quale ha luogo una performance del coreografo Mauro Bigonzetti e quattro ballerini della Fondazione nazionale di danza Aterballetto che animano gli abiti da sposa realizzati da Shimamoto nell’azione di Punta Campanella.
2011 / Sculture e grandi tele provenienti dalle performance di Venezia, Punta Campanella, Capri e Genova sono esposte nella basilica di Santo Stefano di Bologna in occasione di Arte Fiera OFF in una mostra a cura di Achille Bonito Oliva. Mostra personale presso la galleria “Nicola Pedana” di Caserta. Mostra personale presso la Fondazione Morra di Napoli. Assieme a opere di grandi dimensioni sono proiettati due video di Mario Franco che documentano le performance di Piazza Dante a Napoli (2006) e Punta Campanella. Viene invitato a condurre due performance presso il Moderna Museet di Stoccolma in Svezia in occasione dell’evento “AN EXPERIMENTAL CONFERENCE ON ART AND SCIENCE TO CHALLENGE THE MID-SUMMER SUN” dove reinterpreta la performance con il cannone del 1956 e quella su palcoscenico del 1957.
2012 / Dal 14 marzo al 5 maggio 2012 la mostra personale “SHOZO SHIMAMOTO” c/o la Axel Vervoordt Gallery di Anversa (Belgio). Mostra personale "Shozo Shimamoto, Opere 1950-2011" a Palazzo Magnani a Reggio Emilia. Partecipa alla mostra "Explosion: Pittura in Azione" al Moderna Museet di Stoccolma. Mostra "Dipingere il Vuoto" al MOCA di Los Angeles con una sala dedicata a Shimamoto.
2013 / Partecipa a Milano  al  progetto internazionale di Mail Art  "INviso" curato da Ruggero Maggi. Prima del 25 gennaio  2013,  l'anno della morte, partecipa a Salerno al Progetto Internazionale "Wunderkammer Artistamps " a cura di Giovanni Bonanno, con  una delle ultime partecipazioni alla mostra Collettiva Internazionale in omaggio ai 70 anni di Marcello Diotallevi svoltasi  a giugno. Prima retrospettiva dopo la morte alla Galerie Hofburg a Bressanone con una ventina di dipinti  a cura di  Vittoria Coen. Prima antologica milanese di Shozo Shimamoto  allo Studio Giangaleazzo Visconti di Milano  con 30 opere presentate  in grado di ripercorrere la ricerca dell’artista giapponese.
 2015 / Collettiva internazionale “Add &  Return” con la partecipazione di 97 artisti dal titolo: “VIRTUAL FLUXUS POETRY” che lo Spazio  Ophen Virtual Art Gallery di Salerno dedica all’artista giapponese Shozo  Shimamoto come  evento  contemporaneo ed indipendente  progettato in concomitanza con la 56th Biennale Internazionale d’Arte di Venezia 2015, a cura di Sandro  Bongiani.
2016 / CRUCIFIXION - Shozo Shimamoto, ArtVerona I Art Project Fair 2016 - i7 Spazi Indipendenti Italiani, a cura di Sandro  Bongiani, Spazio Ophen Virtual Art Gallery di Salerno.
2019 / SHIMAMOTO - CAVELLINI – COHEN, IDENTITY OF ARTIST / Marginal Active Resistances, a cura di Sandro  Bongiani, Spazio Ophen Virtual Art Gallery di Salerno
2023 / MEMORIAL SHOZO SHIMAMOTO 2013-2023 . ”Relazioni marginali sostenibili “avere un’idea per capello”.  Mostra Collettiva Internazionale, per il decennale della scomparsa dell’artista giapponese  a cura di Sandro Bongiani e Ruggero Maggi. -  Galleria Sandro Bongiani VRspace e Spazio Ophen Virtual Art Gallery di Salerno.
  COLLEZIONI:
In  Giappone
Museo d’Arte Contemporanea di Tokyo, Museo d’Arte di Fukuoka, Museo di Kitakyushu, Museo d’Arte di Hyogo, Museo d’Arte Moderna di Osaka, Museo di Nara, Museo d’Arte di Takamatsu, Museo d’Arte di Ashiya, Museo d’Arte di Miyagi, Museo d’Arte di Shizuoka, Museo di Gifu, Museo d’Arte Contemporanea di Osaka, etc.
All’estero  
Tate Modern (Londra), Museo Nazionale di Arte Moderna di Roma, Art Center di Milano, Paris Gallery, Mail Art Museum (Berna, Svizzera), Galleria Internazionale di Arte Moderna Ca’ Pesaro, Collezione Bongiani Ophen Art Museum di Salerno, etc.
Il sito ufficiale di  www.shozo.net  
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bossymarmalade · 2 years ago
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see you real soon  |  disney, teen & up, gen
by bossymarmalade (636 words) minnie & mickey, daisy & donald, goofy cw for gore, madness, cannibalism
Donald leaves smudges of white and orange wherever he goes. Pluto melted long ago, and Mickey only has half an ear. They try to redraw themselves with what they can, but is it worth it anymore?
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jcmarchi · 7 months ago
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Omri Kohl, CEO & Co-Founder of Pyramid Analytics – Interview Series
New Post has been published on https://thedigitalinsider.com/omri-kohl-ceo-co-founder-of-pyramid-analytics-interview-series/
Omri Kohl, CEO & Co-Founder of Pyramid Analytics – Interview Series
Omri Kohl is the CEO and co-founder of Pyramid Analytics. The Pyramid Decision Intelligence Platform delivers data-driven insights for anyone to make faster, more intelligent decisions. He leads the company’s strategy and operations through a fast-growing data and analytics market. Kohl brings a deep understanding of analytics and AI technologies, valuable management experience, and a natural ability to challenge conventional thinking. Kohl is a highly experienced entrepreneur with a proven track record in developing and managing fast-growth companies. He studied economics, finance, and business management at Bar-Ilan University and has an MBA in International Business Management from New York University, Leonard N. Stern School of Business.
Could you start by explaining what GenBI is, and how it integrates Generative AI with business intelligence to enhance decision-making processes?
GenBI is the framework ​and mechanics ​to bring the power of ​GenAI, LLMs ​and general AI​ into analytics, ​business intelligence ​and decision making​.
Right now, it’s not practical to use GenAI alone to access insights to datasets. It could take over a week to upload enough data to your GenAI tool to get meaningful results. That’s simply not workable, as business data is too dynamic and too sensitive to use in this way. With GenBI, anyone can extract valuable insights from their data, just by asking a question in natural language and seeing the results in the form of a BI dashboard. It takes as little as 30 seconds to receive a relevant, useful answer.
What are the key technological innovations behind GenBI that allow it to understand and execute complex business intelligence tasks through natural language?
Well, without giving away all our secrets, there are essentially three components. First, GenBI prompts LLMs with all the elements they need to produce the correct analytical steps that will produce the requested insight. This is what allows the user to form queries using natural language and even in vague terms, without knowing exactly what type of chart, investigation, or format to request.
Next, the Pyramid Analytics GenBI solution applies these steps to your company’s data, regardless of the specifics of your situation. We’re talking the most basic datasets and simple queries, all the way up to the most sophisticated use cases and complex databases.
Third, Pyramid can carry out these queries on the underlying data and manipulate the results on the fly. An LLM alone can’t produce deep analysis on a database. You need a robot element to find all the necessary information, interpret the user request to produce insights, and pass it on to the BI platform to articulate the results either in plain language or as a dynamic visualization that can later be refined through follow-up queries.
How does GenBI democratize data analytics, particularly for non-technical users?
Quite simply, GenBI allows anyone to tap into the insights they need, regardless of their level of expertise. Traditional BI tools require the user to know which is the best data manipulation technique to receive the necessary results. But most people don’t think in pie charts, scatter charts or tables. They don’t want to have to work out which visualization is the most effective for their situation – they just want answers to their questions.
GenBI delivers these answers to anyone, regardless of their expertise. The user doesn’t need to know all the professional terms or work out if a scattergraph or a pie chart is the best option, and they don’t need to know how to code database queries. They can explore data by using their own words in a natural conversation.
We think of it as the difference between using a paper map to plan your route, and using Google Maps or other navigational app. With a traditional map, you have to work out the best roads to take, think about potential traffic jams, and compare different route possibilities. Today, people just put their destination into the app and hit the road – there’s so much trust in the algorithms that no one questions the suggested route. We’d like to think that GenBI is bringing the same kind of automated magic to corporate datasets.
What has been the feedback from early adopters about the ease of use and learning curve?
We’ve been receiving overwhelmingly positive feedback. The best way we can sum it up is, “Wow!” Users and testers highly appreciate Pyramid’s ease of use, powerful features, and meaningful insights.
Pyramid Analytics has virtually zero learning curve, so there’s nothing holding people back from adopting it on the spot. Approximately three-quarters of all the business teams who’ve tested our solution have adopted it and use it today, because it’s so easy and effective.
Can you share how GenBI has transformed decision-making processes within organizations that have implemented it? Any specific case studies or examples?
Although we’ve been developing it for a long time, we only rolled out GenBI a few weeks ago, so I’m sure you’ll understand that we don’t yet have fully-fledged case studies that we can share, or customer examples that we can name. However, I can tell you that organizations that have thousands of users are suddenly becoming truly data-driven, because everyone can access insights. Users can now unlock the true value of all their data.
GenBI is having a transformative effect on industries like insurance, banking, and finance, as well as retail, manufacturing, and many other verticals. Suddenly, it’s possible for financial advisors, for example, to tap into instant suggestions about the best way to optimize a customer’s portfolio.
What are some of the biggest challenges you faced in developing GenBI, and how did you overcome them?
Pyramid Analytics was already leveraging AI for analytics for many years before we launched the new solution, so most challenges have been ironed out long ago.
The main new element is the addition of a sophisticated query generation technology that works with any LLM to produce accurate results, while keeping data private. We’ve accomplished this by decoupling the data from the query (more on this in a moment).
Another big challenge we had to deal with was that of speed. We’re talking about the Google era, where people expect answers now, not in an hour or even half an hour. We made sure to speed up processing and optimize all workflows to reduce friction.
Then there’s the need to prevent hallucination. Chatbots are prone to hallucinations which skew results and undermine reliability. We’ve worked hard to avoid those while still maintaining dynamic results.
How do you handle issues related to data security and privacy?
That’s a great question, because data privacy and security is the biggest obstacle to successful GenAI analytics. Everyone is – quite rightly – concerned about the idea of exposing highly sensitive corporate data to third-party AI engines, but they also want the language interpretation capabilities and data insights that these engines can deliver.
That’s why we never share actual data with the LLMs we work with. Pyramid flips the entire premise on its head by serving as an intermediary between your company’s information and the LLM. We allow you to submit the request, and then we hand it to the LLM along with descriptions of what we call the “ingredients,” basically just the metadata.
The LLM then returns a “recipe,” which explains how to turn the user’s question into a data analytics prompt. Then Pyramid runs that recipe on the data that you’ve already connected securely on your self-hosted install, so that no data ever reaches the LLM. We mash up the results to serve them back to you in an easily understandable, visual format. Essentially, nothing that could compromise your security and privacy gets exposed or leaves the safety of your organization’s firewall.
For organizations looking to integrate GenBI into their existing data infrastructures, what does the implementation process look like? Are there any prerequisites or preparations needed?
The implementation process for Pyramid Analytics couldn’t be easier or faster. Users need very few prerequisites and preparations, and you can get the whole thing up and running in under an hour. You don’t need to move data into a new framework or change anything about your data strategy, because Pyramid queries your data directly where it resides.
There’s also no need to explain your data to the solution, or to define columns. It’s as simple as uploading a CSV dataset or connecting your SQL database. The same goes for any relational database of any sort. It takes only a few minutes to connect your data, and then you can ask your first question seconds later.
That said, you can tweak the structure if you want, like changing the joining model or redefining columns. It does take some time and effort, but we’re talking minutes, not a months-long dev project. Our customers are often shocked that Pyramid is up and running on their classic data warehouse or data lake within five minutes or so.
You also don’t need to come up with very specific, accurate, or even intelligent questions to get powerful results. You can make spelling mistakes and use incorrect phrasing, and Pyramid will unravel them and produce a meaningful and valuable answer. What you do need is some knowledge about the data you’re asking about.
Looking ahead, what’s your strategic vision for Pyramid Analytics over the next five years? How do you see your solutions evolving to meet changing market demands?
The next big frontier is supporting scalable, highly specific queries. Users are eager to be able to ask very precise questions, such as questions about personalized entities, and LLMs can’t yet produce intelligent answers in these cases, because they don’t have that kind of detailed insight into the specifics of your database.
We’re facing the challenge of how to use language models to ask about the specifics of your data without instantly connecting your entire, gigantic data lake to the LLM. How do you finetune your LLM about data that gets rehydrated every two seconds? We can manage this for fixed points like countries, locations, and even dates, but not for something idiosyncratic like names, even though we are very close to it today.
Another challenge is for users to be able to ask their own mathematical interpretations of the data, applying their own formulae. It’s difficult not because the formula is hard to enact, but because understanding what the user wants and getting the correct syntax is challenging. We’re working on solving both these challenges, and when we do, we’ll have passed the next eureka point.
Thank you for the great interview, readers who wish to learn more should visit Pyramid Analytics.
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gmtindiasposts · 7 months ago
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Best Luxury Watches with Unique Dials
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If you are Looking for the Best new timepieces with nature-inspired dials, such as Cartier's Animal Jewellery Watches, Oris Aquis Date Upcycle models, Grand Seiko's SLGH021 Genbi Valley, and more. These watches come with unique dials that are sure to draw your attention. Moreover, some models even feature recycled plastic bottles and enamelling techniques. If you want to know about more timepieces with unique dials, read here.
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vermillioncourt-if · 10 months ago
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(AI Generated Images)
Siblings Height Charts
Name Color Key: Black = Queen He's children, Red = Consort Dou's children, Green = Consort Hou's children, Purple = Consort Re's children, and Pink = Consort Xing's children
The Princes and Princesses of the Xiatian Kingdom
Crown Prince Nan Lunsu (南囵速)
(南, nán, "south") (囵速, lún sù, "complete (make whole) quickly")
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Crown Prince Nan Lunsu is the oldest son and child of King Nan Shaimian of the Xiatian Kingdom. His mother is Queen He Taiyin. He is the current heir to the throne. He is mostly busy in court, shadowing his father. He is supposed to be engaged, but he keeps dodging the question. He is 27 years old at the start of the story.
Name Pronunciation: nahn loo-un sue
Height: 6'2 (188 cm)
Appearance: Fair skin, Dark Brown eyes, Wavy Black hair
First Princess Nan Kutuo (南酷媠)
(南, nán, "south") (酷媠, kù tuó, "ruthless beauty")
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First Princess Nan Kutuo is the oldest daughter of King Nan Shaimian of the Xiatian Kingdom. Her mother is Worthy Consort Xing Fangguo, who tends to ignore her in favor of her younger brother, Third Prince Pihen. She is second of twenty-two. She shadows under Queen He Taiyin, learning about city infrastructure and social policies, interested in city improvements. She is not yet engaged, much to her mother's dismay. She is 26 years old at the start of the story.
Name Pronunciation: nahn koo t-wa
Height: 5'9 (175 cm)
Appearance: Fair skin, Dark Brown eyes, Straight Light Brown hair
Second Princess Nan Dapang (南大滂)
(南, nán, "south") (大滂, dà pāng, "great rushing water")
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Second Princess Nan Dapang is the second daughter of King Nan Shaimian of the Xiatian Kingdom. Her mother is Virtuous Consort Re Hanshang. She is third of twenty-two children. She spends most of her time among military tutors, determined to be one of the first women to hold a military officer's title. She is not yet engaged, although she does have a potential candidate, unlike her older siblings who are completely unattached at the moment. She is 25 years old at the start of the story.
Name Pronunciation: nahn dah pahng
Height: 5'11 (180 cm)
Appearance: Pale skin, Black eyes, Straight Black hair
Second Prince Nan Shuailu (南率律)
(南, nán, "south") (率律, shuài lǜ, "to command law")
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Second Prince Nan Shuailu is the second son of King Nan Shaimian of the Xiatian Kingdom. His mother is Pure Consort Huo Qinwen. He is fourth of twenty-two children and is MC's older brother. He is currently 2nd in line for the throne, after his older brother, Crown Prince Lunsu. He spends most of his time in court or with tutors, learning politics and law. He is not yet engaged, although he seems to be interested in his own personal guard. He is 25 years old at the start of the story.
Name Pronunciation: nahn sh-why loo
Height: 6'0 (183 cm)
Appearance: Fair-Tan skin, Dark Brown eyes, Straight hair, Player Determined Hair Color
Third Prince Nan Pihen (南丕狠)
(南, nán, "south") (丕狠, pī hěn, "grand fierceness")
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Second Prince Nan Pihen is the third son of King Nan Shaimian of the Xiatian Kingdom. His mother is Worthy Consort Xing Fangguo. He is fifth of twenty-two children. He tend to be shier than his siblings around his age, much to his mother's dismay. He spends most of his time in court or with tutors, learning politics and law. He does actually have a fiancée, unlike his siblings. He is 23 years old at the start of the story.
Name Pronunciation: nahn pii hon
Height: 5'7 (170 cm)
Appearance: Tan skin, Black eyes, Wavy Brown hair
Third Princess Nan Luexia (南掠霞)
(南, nán, "south") (掠霞, lüè xiá, "to sweep red clouds")
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Third Princess Nan Luexia is the third daughter of King Nan Shaimian of the Xiatian Kingdom. Her mother is Noble Consort Dou Rizhe. She is sixth of twenty-two children. She spends most of her time with tutors, learning how to teach. She excels at teaching her younger siblings. She is not yet engaged, but has a potential partner. She is 22 years old at the start of the story.
Name Pronunciation: nahn loo-eh shaa
Height: 5'4 (163 cm)
Appearance: Pale skin, Dark Brown eyes, Straight Brown hair
Fourth or Fifth Princess Nan Zhouwa (南宙娃)
(南, nán, "south") (宙娃, zhòu wá, "forever (a) doll")
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Fourth or Fifth Princess Nan Zhouwa is the fourth or fifth daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Virtuous Consort Re Hanshang. She is eighth of twenty-two children. She spends her time among the nobility, a social butterfly, similar to her mother. She is charismatic and charming, much to Consort Xing's ire. She is not engaged nor does she have a potential partner. She is 20 years old at the start of the story.
Name Pronunciation: nahn jho wah
Height: 5'5 (165 cm)
Appearance: Fair skin, Black eyes, Straight Dark Brown hair
Fifth or Sixth Princess Nan Gaotang (南杲棠)
(南, nán, "south") (杲棠, gǎo táng, "sun shines on cherry-apples")
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Fifth or Sixth Princess Nan Gaotang is the fifth or sixth daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Noble Consort Dou Rizhe. She is ninth of twenty-two children. She, similar to her older sister, spends her most of time around nobility. She also spends time with her tutors, learning more about court politics. She is not engaged nor does she have a potential partner. She is 18 years old at the start of the story.
Name Pronunciation: nahn gow tahng
Height: 5'4 (163 cm)
Appearance: Light skin, Black eyes, Wavy Black hair
Fourth or Fifth Prince Nan Duanzu (南锻崒)
(南, nán, "south") (锻崒, duàn zú, "to forge rocky peaks")
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Fourth or Fifth Prince Nan Duanzu is the fourth or fifth son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Worthy Consort Xing Fangguo. He is tenth of twenty-two children. He spends most of his time with his tutors, completing his education, although can be spotted goofing off with his half-brothers. He is 16 years old at the start of the story.
Name Pronunciation: nahn du-wahn zoo
Height: 5'7 (170 cm)
Appearance: Fair skin, Dark Brown eyes, Wavy Black hair
Fifth or Sixth Prince Nan Casao (南擦臊)
(南, nán, "south") (擦臊, cā sào, "to erase shame/shameless")
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Fifth or Sixth Prince Nan Casao is the fifth or sixth son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Queen He Taiyin. He is eleventh of twenty-two children. He spends most of his time with his tutors, getting his education. He can also be spotted goofing off with his half-brothers similar in age. He is 15 years old at the start of the story.
Name Pronunciation: nahn cah sow
Height: 5'8 (173 cm)
Appearance: Fair skin, Brown eyes, Straight Black hair
Sixth or Seventh Prince Nan Kenlu (南垦蓼)
(南, nán, "south") (垦蓼, kěn lù, "to cultivate luxuriant growth")
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Sixth or Seventh Prince Nan Kenlu is the sixth or seventh son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Virtuous Consort Re Hanshang. He is twelfth of twenty-two children. He spends most of his time with his tutors, learning about politics, warfare, and other various subjects. He can also be spotted goofing off with his half-brothers similar to him in age. He is 14 years old at the start of the story.
Name Pronunciation: nahn k-uhn loo
Height: 5'6 (168 cm)
Appearance: Pale skin, Dark Brown Eyes, Straight Light Brown hair
Sixth or Seventh Princess Nan Zhuanying (南转英)
(南, nán, "south") (转英, zhuǎn yīng, "to turn blossom/flowers changing")
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Sixth or Seventh Princess Nan Zhuanying is the sixth or seventh daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Worthy Consort Xing Fangguo. She is thirteenth of twenty-two children. She spends most of her time with her nannies or tutors. She is annoyed that her other siblings are allowed to play with their half-siblings, but Consort Xing keeps her inside. She is 10 years old at the start of the story.
Name Pronunciation: nahn jzhu-wahn ying
Appearance: Tan skin, Brown eyes, Wavy Blonde hair
Seventh or Eighth Princess Nan Liangxu (南亮旭)
(南, nán, "south") (亮旭, liàng xù, "bright rising sun")
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Seventh or Eighth Princess Nan Liangxu is the seventh or eighth daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Pure Consort Huo Qinwen, and she is MC's younger sister. She is fourteenth of twenty-two children. She spends most of her time with her nannies, playing with friends, or studying with tutors or her older sister, Third Princess Luexia. She is 8 years old at the start of the story.
Name Pronunciation: nahn le-ahng shu
Appearance: Fair-Tan skin, Player Determined Eye Color, Straight Black hair
Eighth or Ninth Princess Nan Tuojiu (南托玖)
(南, nán, "south") (托玖, tuō jiǔ, "to entrust with black jade")
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Eighth or Ninth Princess Nan Tuojiu is the eighth or ninth daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Noble Consort Dou Rizhe. She is fifteenth of twenty-two children. She is similar to her mother, enjoying the comfort of her own palace and company than venturing out. She spends most of her time with her nannies, playing or reading/being read to, or studying with tutors, or, on the rare off-chance, her older sister, Third Princess Luexia. She is 7 years old at the start of the story.
Name Pronunciation: nahn t-wa je-oh
Appearance: Fair skin, Black eyes, Straight Brown hair
Seventh or Eighth Prince Nan Genbi (南跟辟)
(南, nán, "south") (跟辟, gēn bì, "to follow the king")
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Seventh or Eighth Prince Nan Genbi is the seventh or eighth son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Virtuous Consort Re Hanshang. He is the older twin brother to Eighth/Ninth Prince Nan Zhuibi. He is sixteenth of twenty-two children. He, like his other siblings around his age, spend most of his time with his nannies, tutors or older sister, Third Princess Luexia, or playing. He likes to think of himself as a "serious grown-up" and enjoy imitating his older brothers. He is 6 years old at the start of the story.
Name Pronunciation: nahn ghen bee
Appearance: Fair skin, Black eyes, Straight Black hair
Eighth or Ninth Prince Nan Zhuibi (南追辟)
(南, nán, "south") (追辟, zhuī bì, "to chase/pursue the king")
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Eighth or Ninth Prince Nan Zhuibi is the eighth or ninth son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Virtuous Consort Re Hanshang. He is the younger twin brother to Seventh/Eighth Prince Nan Genbi. He is seventeenth of twenty-two children. He, like his other siblings around his age, spend most of his time with his nannies, tutors or older sister, Third Princess Luexia, or playing. Unlike his twin, he is a troublemaker, often getting into trouble or pulling pranks on his siblings. He is 6 years old at the start of the story.
Name Pronunciation: nahn jz-way bee
Appearance: Light skin, Dark Brown eyes, Straight Black hair
Ninth or Tenth Princess Nan Quanying (南全荧)
(南, nán, "south") (全荧, quán yíng, "all shimmering")
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Ninth or Tenth Princess Nan Quanying is the ninth or tenth daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Queen He Taiyin. She is eighteenth of twenty-two children. She spends most of her time with her nannies, playing. She's not quite old enough to start official lessons, but her nannies and older sister, Third Princess Luexia, provide her with some basic ones. She is 5 years old at the start of the story.
Name Pronunciation: nahn chu-when ying
Appearance: Fair skin, Black eyes, Wavy Brown hair
Ninth or Tenth Prince Nan Zuoya (南佐涯)
(南, nán, "south") (佐涯, zuǒ yá, "to accompany the horizon")
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Ninth or Tenth Prince Nan Zuoya is the ninth or tenth son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Worthy Consort Xing Fanggu. He is nineteenth of twenty-two children. He spends most of her time with her nannies, playing. He's not old enough to start official lessons yet, but his nannies provide him with some basic ones. He is 4 years old at the start of the story.
Name Pronunciation: nahn zou-woah yah
Appearance: Fair skin, Dark Brown eyes, Straight Light Brown hair
Tenth or Eleventh Prince Nan Qiongkuai (南琼块)
(南, nán, "south") (琼块, qióng kuài, "fine jade piece")
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Tenth or Eleventh Prince Nan Qiongkuai is the tenth or eleventh son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Pure Consort Huo Qinwen, and he is MC's younger brother. He is twentieth of twenty-two children. He spends most of his time with his nannies or around his mother. He is 2 years old at the start of the story.
Name Pronunciation: nahn chee-ong qu-eye
Appearance: Fair-Tan skin, Dark Brown eyes, Straight Black hair
Tenth or Eleventh Princess Nan Tangye (南塘夜)
(南, nán, "south") (塘夜, táng yè, "pool of night")
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Tenth or Eleventh Princess Nan Tangye is the tenth or eleventh daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Worthy Consort Xing Fangguo. Shee is twenty-first of twenty-two children. Being essentially a baby still, most of her time is spent with nannies, her mother, or her wet nurse. She is 1 year old at the start of the story.
Name Pronunciation: nahn tahng ye-eh
Appearance: Tan skin, Hazel eyes, Straight Black hair
Eleventh Prince/Princess Nan Guangtian (南光天)
(南, nán, "south") (光天, guāng tiān, "light of the heavens")
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Eleventh Prince or Princess Nan Guangtian is the eleventh son or daughter of King Nan Shaimian of the Xiatian Kingdom. Their gender is dependent on if MC is a prince or princess; they will be the opposite. Their mother is Queen He Taiyin. They are twenty-second of twenty-two children. They aren't born yet, as of the start of the story, but they'll be born soon enough.
Name Pronunciation: nahn g-wahng te-enn
Appearance: Fair skin, Brown eyes, Black hair
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igo-en · 1 year ago
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#Antti Törmänen related newsBirgit Ellmerer on LinkedIn: #icicestbienne #votenow - LinkedIn and 6 others
Birgit Ellmerer on LinkedIn: #icicestbienne #votenow - LinkedIn
Gokyo Shumyo: Collection of Classic Tesuji Problems : Hayashi, Genbi, Törmänen, Antti - Amazon.com.au
Ice hockey: Petri Matikainen is the new coach of HC Bienne - News Day FR
The Pelicans pilot will be taken to Switzerland to replace Antti Törmänen - Jaunnews
Petri Matikainen moves to Switzerland as head coach of EHC Biel – Sports - newsbreez.com
Ice hockey | Coaching coach from Switzerland - Antti Törmänen getting a Finnish successor - Nettitrendi
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gurukewirausahaansmkbogor · 2 years ago
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Divisi Kewirausahaan, WA 0899-4583-655 !!
divisi kewirausahaan dalam organisasi, divisi kewirausahaan osis, divisi kewirausahaan bahasa inggris, divisi kewirausahaan bem, divisi kewirausahaan genbi
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kapol-id · 2 years ago
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Genbi Transplantasi Terumbu Karang di Cagar Alam Pangandaran
Genbi Transplantasi Terumbu Karang di Cagar Alam Pangandaran
KAPOL.ID – Generasi Baru Indonesia (Genbi) melakukan aksi peduli lingkungan di Pantai Pangandaran, Rabu (6/7/2022). “Dua hari ini ada aksi clean up bersih sampah pesisir pantai. Lalu transplantasi terumbu karang agar melambatkan laju degradasi.” “Banyak faktor yang menyebabkan degradasi mulai dari bencana alam hingga ulah tangan manusia,” ucap Ketua Genbi, Ivan Budiman. Perwakilan penerima…
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gosulsel · 3 years ago
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GenBI UNM Gelar Rapat Kerja Secara Virtual - Gosulsel
MAKASSAR, GOSULSEL.COM - Generasi Baru Indonesia (GenBI) Komisariat Universitas Negeri Makassar (UNM) menggelar Rapat Kerja secara virtual pada Minggu (25/07/2021). Rapat ini dihadiri langsung oleh beberapa Demisioner GenBI UNM, Ketua Wilayah GenBI Sulsel, serta jajaran pengurus GenBI Komisariat...
http://gosulsel.com/2021/07/26/genbi-unm-gelar-rapat-kerja-secara-virtual/
#Genbi #UNM
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genby-enby · 3 years ago
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I don't think I've ever heard anybody talk about the quiet agony of being in desperate need of help while understanding that the people around you are wholly incapable of helping you.
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