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bongianimuseum · 2 years ago

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BIOGRAFIA DI SHOZO SHIMAMOTO

BIOGRAFIA DI SHOZO SHIMAMOTO

Nato nel 1928 a Osaka, in Giappone.

1947 / Frequenta l'atelier del maestro Jiro Yoshihara, dove produce la sua prima opera "Høie".

1948 / Prende parte alla mostra "Sette artisti d'avanguardia" presso il department store Kintet-su a Osaka.

1950 / I laureati del Gakuin University Kansai in Hyugo.

1953 / Partecipa alla prima mostra del gruppo Genbi, con Jiro Yoshihara,. Diver si giovani artisti che espongono si uniranno al gruppo Gutai .

1954 / Fonda Gutai con Jiro Yoshihara. Partecipa alle più importanti mostre Gutai.

1955/ Alla prima mostra Gutai presenta un lavoro rivoluzionario per essere vissuto e goduto dal corpo: "Prego, camminate qui". Il lavoro è stato ricostruito nel 1993. 1956 / In occasione della mostra a cielo aperto Gutai mostra la sua opera realizzata attraverso l'utilizzo di un cannone a mano che verrà presentata alla Biennale di Venezia del 1993, in cui bottiglie di vetro contenenti pigmenti sono gettati ed esplodere il colore direttamente sulla tela 1957 / Mostra il suo video pionieristico arte alla mostra Gutai prestazioni. Un altro dei suoi lavori, un lavoro sonoro, che può essere considerato come musica concreta, è inserito nella Raccolta Centro Pompidou...

1970 / Produttore artistico per 1000 spose al Festival EXPO

1976 / Partecipa a un progetto di Mail Art che coinvolge 60 paesi e con una rete di 8000 scambi. Crea una strada con 10.000 giornali lungo il lato del fiume Mukogawa 1992 / Mentre continua a produrre nuove opere, diventa Presidente della Japan Society Arte e Cultura di disabili-persona (ora Arte Giappone) e organizza la prima mostra su larga scala di persone disabili in Osaka. Nello stesso anno viene intervistato di Jane Kennedy Smith per il quotidiano più famoso giapponese, Mainichi Shinbun 1993 / Invitato a partecipare alla Biennale di Venezia come membro del Gutai 1994 / Invitato ad esporre al Guggenheim (New York) 1996 / Shimamoto viene proposto come candidato per il Premio Nobel per la Pace in riconoscimento delle sue attività pacifiste da numerose riunioni Bern Porter, il medico che ha fatto la bomba atomica sganciata su Hiroshima.

1997 / Unico artista giapponese dopo la Restaurazione Meiji ad avere la sua foto in Storia dell'Arte, pubblicato da l'America Album

1998 / Invitato come uno dei primi quattro migliori artisti del mondo dal dopoguerra, insieme a Jackson Pollock, John Cage e Lucio Fontana, a partecipare a una mostra al MOMA (USA) 1999 / Invitato ancora una volta a partecipare alla Biennale di Venezia, con David Bowie e Yoko Ono 2000 / Tiene una mostra a Parigi (Unesco) e propone una collaborazione artistica in Francia, co-sponsorizzata dall'Unesco del Giappone e dalla Felissimo Museo. Inizia la creazione di un lavoro enorme che sarà conservata da 100 anni a Shin Nishinomiya (Prefettura di Hyogo.

2001/ Invitato alla manifestazione Giappone Anno a Londra. Alcune opere sono assegnati alla Tate Modern da inserire nella collezione.

2003 / Invitato a partecipare alla Biennale di Venezia (Extra 50)

2004 / Performance con un elicottero vicino a Venezia. Performance Nyotaku a Ca 'Pesaro Galleria Internazionale d'Arte Moderna (Venezia). Tre opere ora appartengono alla collezione della galleria.

2005 / Performance con Elicottero a Trevi e mostra al Trevi Flash Art Museum. Mostra personale a Reggio Emilia (Pari & Dispari Agency, Italia). Realizzazione dell'opera piccola d'arte nel mondo, utilizzando nanotecnologie, per realizzare immagini sulle estremità delle setole di uno spazzolino da denti (in collaborazione con Ritsumeikan Università di Kyoto)

2006 / Invitato ad esporre alla ZONE ZERO a Duesseldorf. Invitato ad esporre alla Hsinchu City International Glass Art Festival. Exhibition e Performance della gru a Napoli. Invitato ad esporre alla Tokyo International Art Fair

2007 / Espone quaranta opere prodotte dal periodo Gutai ai giorni attuali nella mostra "Shozo Shimamoto: Action Colors 1950-2006" presso la Galleria Pier Giuseppe Carini di San Giovanni Valdarno. Presso il Fashion Museum di Kobe tiene la performance Felissimo WHITE PROJECT; le opere realizzate vengono esposte allo Hyogo Prefectural Diplomatic Estabilishment e al Kobe Fashion Museum. Presenzia al P3 Project per la Biennale di Venezia; qui si cimenta in una performance, Bottle Crash, nel Chiostro di San Nicolò, organizzata in collaborazione con l’Architetto Luigi de Marchi presidente del “ABCOnlus”. Viene coinvolto nell'organizzazione di un evento a Pechino, "Art Challenged Project", cui partecipano molti artisti disabili arrivati dal Giappone. Alcuni dei suoi lavori più rappresentativi vengono esposti nella collettiva "Artempo" organizzata da Mattijs Visser e Axel Vervoordt nel Palazzo Fortuny di Venezia. 2008 / Il 7 maggio realizza una performance a Punta Campanella, Napoli, coinvolgendo un gruppo di danzatrici vestite da spose con la testa ricoperta da bicchieri saturi di colore. Il 9 maggio fa una performance nel chiostro della Certosa di San Giacomo di Capri lanciando il colore su otto tele disposte a terra e su due contrabbassi disposti a lato delle tele, ricoperti da spartiti musicali e sorretti da due giovani donne. Sempre alla Certosa di San Giacomo di Capri espone alcuni suoi lavori nella mostra "Vento d'Oriente". Presso il Museo Magi ‘900 di Pieve Di Cento (BO) si tiene la mostra Shozo Shimamoto / Yasuo Sumi - I colori della pace, con una performance nella sala Modigliani del Museo. Il 13 novembre 2008 presso il Museo d' Arte Contemporanea di Villa Croce di Genova “Shozo Shimamoto. Samurai, acrobata dello sguardo”, curata da Achille Bonito Oliva.

2009 / In occasione di Roma. Road to Contemporary Art , sono esposte sue opere in diverse mostre: Hofficina d’Arte, a cura di Achille Bonito Oliva; Palazzo Barberini, “Cose mai viste II” a cura di Achille Bonito Oliva, dedicata alle opere delle collezioni private degli artisti. Palazzo delle Esposizioni, in collaborazione con la Fondazione Morra, l’Archivio Pari & Dispari e l’Associazione Shozo Shimamoto. Partecipa alla mostra collettiva “Madre Coraggio: l’arte” a cura di Achille Bonito Oliva che si tiene all’interno del Festival di Ravello. Tiene una mostra personale presso la galleria “VV8 artecontemporanea” di Reggio Emilia, in collaborazione con l’Associazione Shozo Shimamoto, dal titolo “La danza del colore”, in occasione della quale ha luogo una performance del coreografo Mauro Bigonzetti e quattro ballerini della Fondazione nazionale di danza Aterballetto che animano gli abiti da sposa realizzati da Shimamoto nell’azione di Punta Campanella.

2011 / Sculture e grandi tele provenienti dalle performance di Venezia, Punta Campanella, Capri e Genova sono esposte nella basilica di Santo Stefano di Bologna in occasione di Arte Fiera OFF in una mostra a cura di Achille Bonito Oliva. Mostra personale presso la galleria “Nicola Pedana” di Caserta. Mostra personale presso la Fondazione Morra di Napoli. Assieme a opere di grandi dimensioni sono proiettati due video di Mario Franco che documentano le performance di Piazza Dante a Napoli (2006) e Punta Campanella. Viene invitato a condurre due performance presso il Moderna Museet di Stoccolma in Svezia in occasione dell’evento “AN EXPERIMENTAL CONFERENCE ON ART AND SCIENCE TO CHALLENGE THE MID-SUMMER SUN” dove reinterpreta la performance con il cannone del 1956 e quella su palcoscenico del 1957.

2012 / Dal 14 marzo al 5 maggio 2012 la mostra personale “SHOZO SHIMAMOTO” c/o la Axel Vervoordt Gallery di Anversa (Belgio). Mostra personale "Shozo Shimamoto, Opere 1950-2011" a Palazzo Magnani a Reggio Emilia. Partecipa alla mostra "Explosion: Pittura in Azione" al Moderna Museet di Stoccolma. Mostra "Dipingere il Vuoto" al MOCA di Los Angeles con una sala dedicata a Shimamoto.

2013 / Partecipa a Milano al progetto internazionale di Mail Art "INviso" curato da Ruggero Maggi. Prima del 25 gennaio 2013, l'anno della morte, partecipa a Salerno al Progetto Internazionale "Wunderkammer Artistamps " a cura di Giovanni Bonanno, con una delle ultime partecipazioni alla mostra Collettiva Internazionale in omaggio ai 70 anni di Marcello Diotallevi svoltasi a giugno. Prima retrospettiva dopo la morte alla Galerie Hofburg a Bressanone con una ventina di dipinti a cura di Vittoria Coen. Prima antologica milanese di Shozo Shimamoto allo Studio Giangaleazzo Visconti di Milano con 30 opere presentate in grado di ripercorrere la ricerca dell’artista giapponese.

2015 / Collettiva internazionale “Add & Return” con la partecipazione di 97 artisti dal titolo: “VIRTUAL FLUXUS POETRY” che lo Spazio Ophen Virtual Art Gallery di Salerno dedica all’artista giapponese Shozo Shimamoto come evento contemporaneo ed indipendente progettato in concomitanza con la 56th Biennale Internazionale d’Arte di Venezia 2015, a cura di Sandro Bongiani.

2016 / CRUCIFIXION - Shozo Shimamoto, ArtVerona I Art Project Fair 2016 - i7 Spazi Indipendenti Italiani, a cura di Sandro Bongiani, Spazio Ophen Virtual Art Gallery di Salerno.

2019 / SHIMAMOTO - CAVELLINI – COHEN, IDENTITY OF ARTIST / Marginal Active Resistances, a cura di Sandro Bongiani, Spazio Ophen Virtual Art Gallery di Salerno

2023 / MEMORIAL SHOZO SHIMAMOTO 2013-2023 . ”Relazioni marginali sostenibili “avere un’idea per capello”. Mostra Collettiva Internazionale, per il decennale della scomparsa dell’artista giapponese a cura di Sandro Bongiani e Ruggero Maggi. - Galleria Sandro Bongiani VRspace e Spazio Ophen Virtual Art Gallery di Salerno.

COLLEZIONI:

In Giappone

Museo d’Arte Contemporanea di Tokyo, Museo d’Arte di Fukuoka, Museo di Kitakyushu, Museo d’Arte di Hyogo, Museo d’Arte Moderna di Osaka, Museo di Nara, Museo d’Arte di Takamatsu, Museo d’Arte di Ashiya, Museo d’Arte di Miyagi, Museo d’Arte di Shizuoka, Museo di Gifu, Museo d’Arte Contemporanea di Osaka, etc.

All’estero

Tate Modern (Londra), Museo Nazionale di Arte Moderna di Roma, Art Center di Milano, Paris Gallery, Mail Art Museum (Berna, Svizzera), Galleria Internazionale di Arte Moderna Ca’ Pesaro, Collezione Bongiani Ophen Art Museum di Salerno, etc.

Il sito ufficiale di www.shozo.net

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bossymarmalade · 2 years ago

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see you real soon | disney, teen & up, gen

by bossymarmalade (636 words) minnie & mickey, daisy & donald, goofy cw for gore, madness, cannibalism

Donald leaves smudges of white and orange wherever he goes. Pluto melted long ago, and Mickey only has half an ear. They try to redraw themselves with what they can, but is it worth it anymore?

#says miss maggie #disney fanfic #i stumbled across this gif #and figured i might as well post a link to this old horror fic

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jcmarchi · 6 months ago

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Omri Kohl, CEO & Co-Founder of Pyramid Analytics – Interview Series

New Post has been published on https://thedigitalinsider.com/omri-kohl-ceo-co-founder-of-pyramid-analytics-interview-series/

Omri Kohl, CEO & Co-Founder of Pyramid Analytics – Interview Series

Omri Kohl is the CEO and co-founder of Pyramid Analytics. The Pyramid Decision Intelligence Platform delivers data-driven insights for anyone to make faster, more intelligent decisions. He leads the company’s strategy and operations through a fast-growing data and analytics market. Kohl brings a deep understanding of analytics and AI technologies, valuable management experience, and a natural ability to challenge conventional thinking. Kohl is a highly experienced entrepreneur with a proven track record in developing and managing fast-growth companies. He studied economics, finance, and business management at Bar-Ilan University and has an MBA in International Business Management from New York University, Leonard N. Stern School of Business.

Could you start by explaining what GenBI is, and how it integrates Generative AI with business intelligence to enhance decision-making processes?

GenBI is the framework and mechanics to bring the power of GenAI, LLMs and general AI into analytics, business intelligence and decision making.

Right now, it’s not practical to use GenAI alone to access insights to datasets. It could take over a week to upload enough data to your GenAI tool to get meaningful results. That’s simply not workable, as business data is too dynamic and too sensitive to use in this way. With GenBI, anyone can extract valuable insights from their data, just by asking a question in natural language and seeing the results in the form of a BI dashboard. It takes as little as 30 seconds to receive a relevant, useful answer.

What are the key technological innovations behind GenBI that allow it to understand and execute complex business intelligence tasks through natural language?

Well, without giving away all our secrets, there are essentially three components. First, GenBI prompts LLMs with all the elements they need to produce the correct analytical steps that will produce the requested insight. This is what allows the user to form queries using natural language and even in vague terms, without knowing exactly what type of chart, investigation, or format to request.

Next, the Pyramid Analytics GenBI solution applies these steps to your company’s data, regardless of the specifics of your situation. We’re talking the most basic datasets and simple queries, all the way up to the most sophisticated use cases and complex databases.

Third, Pyramid can carry out these queries on the underlying data and manipulate the results on the fly. An LLM alone can’t produce deep analysis on a database. You need a robot element to find all the necessary information, interpret the user request to produce insights, and pass it on to the BI platform to articulate the results either in plain language or as a dynamic visualization that can later be refined through follow-up queries.

How does GenBI democratize data analytics, particularly for non-technical users?

Quite simply, GenBI allows anyone to tap into the insights they need, regardless of their level of expertise. Traditional BI tools require the user to know which is the best data manipulation technique to receive the necessary results. But most people don’t think in pie charts, scatter charts or tables. They don’t want to have to work out which visualization is the most effective for their situation – they just want answers to their questions.

GenBI delivers these answers to anyone, regardless of their expertise. The user doesn’t need to know all the professional terms or work out if a scattergraph or a pie chart is the best option, and they don’t need to know how to code database queries. They can explore data by using their own words in a natural conversation.

We think of it as the difference between using a paper map to plan your route, and using Google Maps or other navigational app. With a traditional map, you have to work out the best roads to take, think about potential traffic jams, and compare different route possibilities. Today, people just put their destination into the app and hit the road – there’s so much trust in the algorithms that no one questions the suggested route. We’d like to think that GenBI is bringing the same kind of automated magic to corporate datasets.

What has been the feedback from early adopters about the ease of use and learning curve?

We’ve been receiving overwhelmingly positive feedback. The best way we can sum it up is, “Wow!” Users and testers highly appreciate Pyramid’s ease of use, powerful features, and meaningful insights.

Pyramid Analytics has virtually zero learning curve, so there’s nothing holding people back from adopting it on the spot. Approximately three-quarters of all the business teams who’ve tested our solution have adopted it and use it today, because it’s so easy and effective.

Can you share how GenBI has transformed decision-making processes within organizations that have implemented it? Any specific case studies or examples?

Although we’ve been developing it for a long time, we only rolled out GenBI a few weeks ago, so I’m sure you’ll understand that we don’t yet have fully-fledged case studies that we can share, or customer examples that we can name. However, I can tell you that organizations that have thousands of users are suddenly becoming truly data-driven, because everyone can access insights. Users can now unlock the true value of all their data.

GenBI is having a transformative effect on industries like insurance, banking, and finance, as well as retail, manufacturing, and many other verticals. Suddenly, it’s possible for financial advisors, for example, to tap into instant suggestions about the best way to optimize a customer’s portfolio.

What are some of the biggest challenges you faced in developing GenBI, and how did you overcome them?

Pyramid Analytics was already leveraging AI for analytics for many years before we launched the new solution, so most challenges have been ironed out long ago.

The main new element is the addition of a sophisticated query generation technology that works with any LLM to produce accurate results, while keeping data private. We’ve accomplished this by decoupling the data from the query (more on this in a moment).

Another big challenge we had to deal with was that of speed. We’re talking about the Google era, where people expect answers now, not in an hour or even half an hour. We made sure to speed up processing and optimize all workflows to reduce friction.

Then there’s the need to prevent hallucination. Chatbots are prone to hallucinations which skew results and undermine reliability. We’ve worked hard to avoid those while still maintaining dynamic results.

How do you handle issues related to data security and privacy?

That’s a great question, because data privacy and security is the biggest obstacle to successful GenAI analytics. Everyone is – quite rightly – concerned about the idea of exposing highly sensitive corporate data to third-party AI engines, but they also want the language interpretation capabilities and data insights that these engines can deliver.

That’s why we never share actual data with the LLMs we work with. Pyramid flips the entire premise on its head by serving as an intermediary between your company’s information and the LLM. We allow you to submit the request, and then we hand it to the LLM along with descriptions of what we call the “ingredients,” basically just the metadata.

The LLM then returns a “recipe,” which explains how to turn the user’s question into a data analytics prompt. Then Pyramid runs that recipe on the data that you’ve already connected securely on your self-hosted install, so that no data ever reaches the LLM. We mash up the results to serve them back to you in an easily understandable, visual format. Essentially, nothing that could compromise your security and privacy gets exposed or leaves the safety of your organization’s firewall.

For organizations looking to integrate GenBI into their existing data infrastructures, what does the implementation process look like? Are there any prerequisites or preparations needed?

The implementation process for Pyramid Analytics couldn’t be easier or faster. Users need very few prerequisites and preparations, and you can get the whole thing up and running in under an hour. You don’t need to move data into a new framework or change anything about your data strategy, because Pyramid queries your data directly where it resides.

There’s also no need to explain your data to the solution, or to define columns. It’s as simple as uploading a CSV dataset or connecting your SQL database. The same goes for any relational database of any sort. It takes only a few minutes to connect your data, and then you can ask your first question seconds later.

That said, you can tweak the structure if you want, like changing the joining model or redefining columns. It does take some time and effort, but we’re talking minutes, not a months-long dev project. Our customers are often shocked that Pyramid is up and running on their classic data warehouse or data lake within five minutes or so.

You also don’t need to come up with very specific, accurate, or even intelligent questions to get powerful results. You can make spelling mistakes and use incorrect phrasing, and Pyramid will unravel them and produce a meaningful and valuable answer. What you do need is some knowledge about the data you’re asking about.

Looking ahead, what’s your strategic vision for Pyramid Analytics over the next five years? How do you see your solutions evolving to meet changing market demands?

The next big frontier is supporting scalable, highly specific queries. Users are eager to be able to ask very precise questions, such as questions about personalized entities, and LLMs can’t yet produce intelligent answers in these cases, because they don’t have that kind of detailed insight into the specifics of your database.

We’re facing the challenge of how to use language models to ask about the specifics of your data without instantly connecting your entire, gigantic data lake to the LLM. How do you finetune your LLM about data that gets rehydrated every two seconds? We can manage this for fixed points like countries, locations, and even dates, but not for something idiosyncratic like names, even though we are very close to it today.

Another challenge is for users to be able to ask their own mathematical interpretations of the data, applying their own formulae. It’s difficult not because the formula is hard to enact, but because understanding what the user wants and getting the correct syntax is challenging. We’re working on solving both these challenges, and when we do, we’ll have passed the next eureka point.

Thank you for the great interview, readers who wish to learn more should visit Pyramid Analytics.

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gmtindiasposts · 7 months ago

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vermillioncourt-if · 10 months ago

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(AI Generated Images)

Siblings Height Charts

Name Color Key: Black = Queen He's children, Red = Consort Dou's children, Green = Consort Hou's children, Purple = Consort Re's children, and Pink = Consort Xing's children

The Princes and Princesses of the Xiatian Kingdom

Crown Prince Nan Lunsu (南囵速)

(南, nán, "south") (囵速, lún sù, "complete (make whole) quickly")

Crown Prince Nan Lunsu is the oldest son and child of King Nan Shaimian of the Xiatian Kingdom. His mother is Queen He Taiyin. He is the current heir to the throne. He is mostly busy in court, shadowing his father. He is supposed to be engaged, but he keeps dodging the question. He is 27 years old at the start of the story.

Name Pronunciation: nahn loo-un sue

Height: 6'2 (188 cm)

Appearance: Fair skin, Dark Brown eyes, Wavy Black hair

First Princess Nan Kutuo (南酷媠)

(南, nán, "south") (酷媠, kù tuó, "ruthless beauty")

First Princess Nan Kutuo is the oldest daughter of King Nan Shaimian of the Xiatian Kingdom. Her mother is Worthy Consort Xing Fangguo, who tends to ignore her in favor of her younger brother, Third Prince Pihen. She is second of twenty-two. She shadows under Queen He Taiyin, learning about city infrastructure and social policies, interested in city improvements. She is not yet engaged, much to her mother's dismay. She is 26 years old at the start of the story.

Name Pronunciation: nahn koo t-wa

Height: 5'9 (175 cm)

Appearance: Fair skin, Dark Brown eyes, Straight Light Brown hair

Second Princess Nan Dapang (南大滂)

(南, nán, "south") (大滂, dà pāng, "great rushing water")

Second Princess Nan Dapang is the second daughter of King Nan Shaimian of the Xiatian Kingdom. Her mother is Virtuous Consort Re Hanshang. She is third of twenty-two children. She spends most of her time among military tutors, determined to be one of the first women to hold a military officer's title. She is not yet engaged, although she does have a potential candidate, unlike her older siblings who are completely unattached at the moment. She is 25 years old at the start of the story.

Name Pronunciation: nahn dah pahng

Height: 5'11 (180 cm)

Appearance: Pale skin, Black eyes, Straight Black hair

Second Prince Nan Shuailu (南率律)

(南, nán, "south") (率律, shuài lǜ, "to command law")

Second Prince Nan Shuailu is the second son of King Nan Shaimian of the Xiatian Kingdom. His mother is Pure Consort Huo Qinwen. He is fourth of twenty-two children and is MC's older brother. He is currently 2nd in line for the throne, after his older brother, Crown Prince Lunsu. He spends most of his time in court or with tutors, learning politics and law. He is not yet engaged, although he seems to be interested in his own personal guard. He is 25 years old at the start of the story.

Name Pronunciation: nahn sh-why loo

Height: 6'0 (183 cm)

Appearance: Fair-Tan skin, Dark Brown eyes, Straight hair, Player Determined Hair Color

Third Prince Nan Pihen (南丕狠)

(南, nán, "south") (丕狠, pī hěn, "grand fierceness")

Second Prince Nan Pihen is the third son of King Nan Shaimian of the Xiatian Kingdom. His mother is Worthy Consort Xing Fangguo. He is fifth of twenty-two children. He tend to be shier than his siblings around his age, much to his mother's dismay. He spends most of his time in court or with tutors, learning politics and law. He does actually have a fiancée, unlike his siblings. He is 23 years old at the start of the story.

Name Pronunciation: nahn pii hon

Height: 5'7 (170 cm)

Appearance: Tan skin, Black eyes, Wavy Brown hair

Third Princess Nan Luexia (南掠霞)

(南, nán, "south") (掠霞, lüè xiá, "to sweep red clouds")

Third Princess Nan Luexia is the third daughter of King Nan Shaimian of the Xiatian Kingdom. Her mother is Noble Consort Dou Rizhe. She is sixth of twenty-two children. She spends most of her time with tutors, learning how to teach. She excels at teaching her younger siblings. She is not yet engaged, but has a potential partner. She is 22 years old at the start of the story.

Name Pronunciation: nahn loo-eh shaa

Height: 5'4 (163 cm)

Appearance: Pale skin, Dark Brown eyes, Straight Brown hair

Fourth or Fifth Princess Nan Zhouwa (南宙娃)

(南, nán, "south") (宙娃, zhòu wá, "forever (a) doll")

Fourth or Fifth Princess Nan Zhouwa is the fourth or fifth daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Virtuous Consort Re Hanshang. She is eighth of twenty-two children. She spends her time among the nobility, a social butterfly, similar to her mother. She is charismatic and charming, much to Consort Xing's ire. She is not engaged nor does she have a potential partner. She is 20 years old at the start of the story.

Name Pronunciation: nahn jho wah

Height: 5'5 (165 cm)

Appearance: Fair skin, Black eyes, Straight Dark Brown hair

Fifth or Sixth Princess Nan Gaotang (南杲棠)

(南, nán, "south") (杲棠, gǎo táng, "sun shines on cherry-apples")

Fifth or Sixth Princess Nan Gaotang is the fifth or sixth daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Noble Consort Dou Rizhe. She is ninth of twenty-two children. She, similar to her older sister, spends her most of time around nobility. She also spends time with her tutors, learning more about court politics. She is not engaged nor does she have a potential partner. She is 18 years old at the start of the story.

Name Pronunciation: nahn gow tahng

Height: 5'4 (163 cm)

Appearance: Light skin, Black eyes, Wavy Black hair

Fourth or Fifth Prince Nan Duanzu (南锻崒)

(南, nán, "south") (锻崒, duàn zú, "to forge rocky peaks")

Fourth or Fifth Prince Nan Duanzu is the fourth or fifth son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Worthy Consort Xing Fangguo. He is tenth of twenty-two children. He spends most of his time with his tutors, completing his education, although can be spotted goofing off with his half-brothers. He is 16 years old at the start of the story.

Name Pronunciation: nahn du-wahn zoo

Height: 5'7 (170 cm)

Appearance: Fair skin, Dark Brown eyes, Wavy Black hair

Fifth or Sixth Prince Nan Casao (南擦臊)

(南, nán, "south") (擦臊, cā sào, "to erase shame/shameless")

Fifth or Sixth Prince Nan Casao is the fifth or sixth son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Queen He Taiyin. He is eleventh of twenty-two children. He spends most of his time with his tutors, getting his education. He can also be spotted goofing off with his half-brothers similar in age. He is 15 years old at the start of the story.

Name Pronunciation: nahn cah sow

Height: 5'8 (173 cm)

Appearance: Fair skin, Brown eyes, Straight Black hair

Sixth or Seventh Prince Nan Kenlu (南垦蓼)

(南, nán, "south") (垦蓼, kěn lù, "to cultivate luxuriant growth")

Sixth or Seventh Prince Nan Kenlu is the sixth or seventh son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Virtuous Consort Re Hanshang. He is twelfth of twenty-two children. He spends most of his time with his tutors, learning about politics, warfare, and other various subjects. He can also be spotted goofing off with his half-brothers similar to him in age. He is 14 years old at the start of the story.

Name Pronunciation: nahn k-uhn loo

Height: 5'6 (168 cm)

Appearance: Pale skin, Dark Brown Eyes, Straight Light Brown hair

Sixth or Seventh Princess Nan Zhuanying (南转英)

(南, nán, "south") (转英, zhuǎn yīng, "to turn blossom/flowers changing")

Sixth or Seventh Princess Nan Zhuanying is the sixth or seventh daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Worthy Consort Xing Fangguo. She is thirteenth of twenty-two children. She spends most of her time with her nannies or tutors. She is annoyed that her other siblings are allowed to play with their half-siblings, but Consort Xing keeps her inside. She is 10 years old at the start of the story.

Name Pronunciation: nahn jzhu-wahn ying

Appearance: Tan skin, Brown eyes, Wavy Blonde hair

Seventh or Eighth Princess Nan Liangxu (南亮旭)

(南, nán, "south") (亮旭, liàng xù, "bright rising sun")

Seventh or Eighth Princess Nan Liangxu is the seventh or eighth daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Pure Consort Huo Qinwen, and she is MC's younger sister. She is fourteenth of twenty-two children. She spends most of her time with her nannies, playing with friends, or studying with tutors or her older sister, Third Princess Luexia. She is 8 years old at the start of the story.

Name Pronunciation: nahn le-ahng shu

Appearance: Fair-Tan skin, Player Determined Eye Color, Straight Black hair

Eighth or Ninth Princess Nan Tuojiu (南托玖)

(南, nán, "south") (托玖, tuō jiǔ, "to entrust with black jade")

Eighth or Ninth Princess Nan Tuojiu is the eighth or ninth daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Noble Consort Dou Rizhe. She is fifteenth of twenty-two children. She is similar to her mother, enjoying the comfort of her own palace and company than venturing out. She spends most of her time with her nannies, playing or reading/being read to, or studying with tutors, or, on the rare off-chance, her older sister, Third Princess Luexia. She is 7 years old at the start of the story.

Name Pronunciation: nahn t-wa je-oh

Appearance: Fair skin, Black eyes, Straight Brown hair

Seventh or Eighth Prince Nan Genbi (南跟辟)

(南, nán, "south") (跟辟, gēn bì, "to follow the king")

Seventh or Eighth Prince Nan Genbi is the seventh or eighth son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Virtuous Consort Re Hanshang. He is the older twin brother to Eighth/Ninth Prince Nan Zhuibi. He is sixteenth of twenty-two children. He, like his other siblings around his age, spend most of his time with his nannies, tutors or older sister, Third Princess Luexia, or playing. He likes to think of himself as a "serious grown-up" and enjoy imitating his older brothers. He is 6 years old at the start of the story.

Name Pronunciation: nahn ghen bee

Appearance: Fair skin, Black eyes, Straight Black hair

Eighth or Ninth Prince Nan Zhuibi (南追辟)

(南, nán, "south") (追辟, zhuī bì, "to chase/pursue the king")

Eighth or Ninth Prince Nan Zhuibi is the eighth or ninth son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Virtuous Consort Re Hanshang. He is the younger twin brother to Seventh/Eighth Prince Nan Genbi. He is seventeenth of twenty-two children. He, like his other siblings around his age, spend most of his time with his nannies, tutors or older sister, Third Princess Luexia, or playing. Unlike his twin, he is a troublemaker, often getting into trouble or pulling pranks on his siblings. He is 6 years old at the start of the story.

Name Pronunciation: nahn jz-way bee

Appearance: Light skin, Dark Brown eyes, Straight Black hair

Ninth or Tenth Princess Nan Quanying (南全荧)

(南, nán, "south") (全荧, quán yíng, "all shimmering")

Ninth or Tenth Princess Nan Quanying is the ninth or tenth daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Queen He Taiyin. She is eighteenth of twenty-two children. She spends most of her time with her nannies, playing. She's not quite old enough to start official lessons, but her nannies and older sister, Third Princess Luexia, provide her with some basic ones. She is 5 years old at the start of the story.

Name Pronunciation: nahn chu-when ying

Appearance: Fair skin, Black eyes, Wavy Brown hair

Ninth or Tenth Prince Nan Zuoya (南佐涯)

(南, nán, "south") (佐涯, zuǒ yá, "to accompany the horizon")

Ninth or Tenth Prince Nan Zuoya is the ninth or tenth son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Worthy Consort Xing Fanggu. He is nineteenth of twenty-two children. He spends most of her time with her nannies, playing. He's not old enough to start official lessons yet, but his nannies provide him with some basic ones. He is 4 years old at the start of the story.

Name Pronunciation: nahn zou-woah yah

Appearance: Fair skin, Dark Brown eyes, Straight Light Brown hair

Tenth or Eleventh Prince Nan Qiongkuai (南琼块)

(南, nán, "south") (琼块, qióng kuài, "fine jade piece")

Tenth or Eleventh Prince Nan Qiongkuai is the tenth or eleventh son of King Nan Shaimian of the Xiatian Kingdom. His rank depends on if MC is a prince or not. His mother is Pure Consort Huo Qinwen, and he is MC's younger brother. He is twentieth of twenty-two children. He spends most of his time with his nannies or around his mother. He is 2 years old at the start of the story.

Name Pronunciation: nahn chee-ong qu-eye

Appearance: Fair-Tan skin, Dark Brown eyes, Straight Black hair

Tenth or Eleventh Princess Nan Tangye (南塘夜)

(南, nán, "south") (塘夜, táng yè, "pool of night")

Tenth or Eleventh Princess Nan Tangye is the tenth or eleventh daughter of King Nan Shaimian of the Xiatian Kingdom. Her rank depends on if MC is a princess or not. Her mother is Worthy Consort Xing Fangguo. Shee is twenty-first of twenty-two children. Being essentially a baby still, most of her time is spent with nannies, her mother, or her wet nurse. She is 1 year old at the start of the story.

Name Pronunciation: nahn tahng ye-eh

Appearance: Tan skin, Hazel eyes, Straight Black hair

Eleventh Prince/Princess Nan Guangtian (南光天)

(南, nán, "south") (光天, guāng tiān, "light of the heavens")

Eleventh Prince or Princess Nan Guangtian is the eleventh son or daughter of King Nan Shaimian of the Xiatian Kingdom. Their gender is dependent on if MC is a prince or princess; they will be the opposite. Their mother is Queen He Taiyin. They are twenty-second of twenty-two children. They aren't born yet, as of the start of the story, but they'll be born soon enough.

Name Pronunciation: nahn g-wahng te-enn

Appearance: Fair skin, Brown eyes, Black hair

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