#gdi brain lmao

[theangrypomeranian]

dear brain, not everything needs to be turned into an au for our otp/favorite character

[airenyah]

A LOOK AT STYLE'S JOURNEY | Ep 8

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep9 | Ep10)

Oof. This took me way longer than planned. Partly, because I had some uni assignments to work on and partly, because I went home the weekend after episode 8 dropped and ended up binging the entirety of Star in My Mind with my mother. On her request, btw. Who am I to say no to my mother when she wants to watch a JoongDunk show for the 3rd time together. I actually meant to upload it a day or two ago, but then I kept realizing and noticing and remembering details that I really wanted to add, some of which were also language related, so I then needed to check with my Thai language correspondents which also took some time as I waited for their replies.

But here it finally is! I know in my last meta I said it was my longest one yet, but this one's even longer, actually. Watch my metas hit 20k words by the end of the series lmao. Anyway, enjoy. And apologies in advance if my ep9 meta is also late, since I had to finish this one first. I promise I'll try my best to get it done before ep10 <3

Pronoun situation: As usual, just assume Fadel and Style use the rude pronouns guu/mueng with each other unless I specify otherwise.

To recap: So Fadel and Bison found out. Fadel and Bison are mad. Fadel and Bison want to kill Kant and Style. Style was drugged, kidnapped, found himself tied up at a pool staring down the barrel of his own boyfriend's gun, survived, and then drove off into the sunset, uh, I mean went on a little road trip in search of his best friend and his boyfriend's brother/best friend's boyfriend. As bleak as things may seem with Style being back at square one with the added challenge that Fadel now actively wants to kill him, this, at the same time, may be one of the best things that has ever happened to Style, because finally everything is out in the open. Style no longer has any secrets to keep (except for the deal with the car) and he can finally be brutally honest in everything he says and everything he does.

No. 1: Midnight Mote– Oh Wait Wrong Show

We meet them as they're pulling into the parking lot of a motel. Since it seems to be pretty late at night, I think it's fairly safe to assume that they were driving all day, likely non-stop. The first thing out of Style's mouth is a horny line. "Why are we at a motel? Did you get turned on while we were on the way or what?" And just from that line alone we can actually see how far he's come since the beginning of the series and how far he's come in his feelings for Fadel too. Remember my first few metas about the first few episodes of the show and how I would go into whether Style really meant his flirty comment or not? I don't think in this moment Style was actually trying to seduce Fadel (we know how he acts when he does want to seduce him and we'll even get to see an example of it in a bit when they're in the room), but it's still very different from his flirty/horny comments in the first couple of episodes in the series where he also wasn't really genuinely trying to seduce Fadel. Back then, a lot of his comments were very loud in a performative kind of way, as if he was saying them for an audience, not because he actually meant what he said. This one here? There is absolutely none of that loud, performative energy to be found. No, Style makes this comment very casually, almost matter-of-factly even as if he's asking something like So, what do you want for dinner tonight?

It's no longer a performance to him. In fact, he's quite serious about it and while it was an offhanded rhetorical question, it still almost sounds like an honest question. The flirting is no longer a joke to Style the way it was in the first three episodes of the series. He genuinely wants to know. But Fadel shuts him down and orders him to get out of the car. Style is a bit annoyed at the dismissal, but by now he's also used to it. After all, he did spend four episodes doing nothing but hitting one wall after the other. And just like back then, he won't let Fadel shake him off that easily. So Style complains: "I’m just curious so I know what to expect. It’s not like I can just turn the switch on, you know?" Again, this is not a performance. In fact, this time around, he's even more serious than compared his comment before. He may not be planning on actively seducing Fadel right here right now in the car, but who is Style to say no if the opportunity to sleep with Fadel arises? For Style, sleeping with Fadel is absolutely on the table if Fadel makes the offer. And so Style lets him know. "I’m just curious so I know what to expect." Will you be sleeping with me? Are you planning on sleeping with me?

Fadel takes a moment to reply and there is an interesting expression on Style's face as he waits for an answer:

Style is watching him carefully, really observing Fadel's face. He's done this before when he's hit Fadel with a flirty or suggestive line, but where before his expression would always be one of excitement or amusement or curiosity or sometimes even smugness, this time it's completely serious. It's almost as if Style is searching for something. But searching for what?

As I mentioned above, I don't think Style is actively trying to seduce Fadel here. I think he's more testing the waters. Because while yes, Fadel has slept with him before and yes, Fadel is in love with him and Style knows it (he will later confirm it for himself at the end of the episode), the problem is that Fadel is also very pissed at him right now and is actively planning to kill him, has actively tried to kill him only hours ago, actually. If that doesn't send confusing signals, then I don't even know anymore. And so Style needs to figure out where exactly he stands with Fadel right now – that's what Style is searching for when he's staring at Fadel. He's trying to see how far Fadel has pushed him away now that the lies have come to light, is trying to find out how close Fadel will let him come now that Fadel has calmed down a bit from his tantrum at the pool. Will Fadel let Style get close enough again to maybe even be willing to sleep with him like before? Is their relationship maybe not in ruins yet? Has Fadel's anger faded enough? Does Style still have a chance with him? Is there a chance they can go back to the happiness they shared before all hell broke loose? This matters to Style and it matters a lot. And so he tries to look for the answers in Fadel's face as he waits for Fadel's reply. And after a moment, Fadel lifts his gun and hits him with:

I didn't take you here to sleep with you. กูไม่ได้พามึงมาเอาเนาะ [guu mâi dâai paa mueng maa ao nó] I - not - take - you - come - sleep with - [particle] Official subs: I’m not sleeping with you.

Sex is not the purpose for which Fadel made Style drive to a motel of all places. Fadel informs Style that this is where he's meeting Bison and repeats his order for Style to get out of the car. Style actually stares at Fadel for a second before he reacts:

This is the second right before Style turns his head and says he'll wait. And again I think this is him taking in Fadel's response and his brain working out where exactly Fadel has put him now. That's important info for Style to know. Style needs to understand where exactly he stands, because he needs to find out how much distance precisely it is that he has to overcome so that he can figure out a way to overcome that distance. Because Style doesn't want there to be any distance between the two of them at all. But Fadel clearly won't let Style get anywhere close right now. So Style turns his head and announces that he'll be waiting in the car. He's not in the mood to follow along, Fadel is a big boy and can go and get his brother by himself. Fadel, however, isn't in the mood to play either. He points his gun at Style's head again and tells him no. Style will not be waiting in the car. Style looks severely unimpressed.

Fadel orders Style to follow him, and in fact, not just to follow Fadel but walk in front of him, actually, thank you very much. And yes, Fadel does literally say "follow me", not "come along":

ตามกูมา [dtaam - guu - maa] follow - me - come Official subs: You come with me.

As a translation student I think it's a shame the translator didn't stick to a literal translation here, because I think it's pretty funny how Fadel is all "follow me" at first until he remembers that "following" implies walking behind someone and then changes his mind and tells Style to take the lead instead so that Fadel can actually keep an eye on him and threaten him with his gun if need may be. With Fadel ordering Style to walk behind him at first, I think it highlights his unspoken threat of "Walk in front of me (where I can see you)" even more and it's a shame the translator removed that. But despite the threat, Style just continues to be unimpressed. In fact, Fadel is really starting to get on Style's nerves now. And so he rolls his eyes and sighs the biggest sigh ever to make sure Fadel really can't miss how Style feels about this, how he feels about getting out of that car, how he feels about Fadel bossing him around and threatening him and waving a gun in his face.

Style is so fucking done with Fadel's stupid fucking act. And Style knows it's an act, he knows Fadel won't be killing him. At least not any time soon. And especially not right here in the parking lot of this motel. Fadel steps out of the car and Style watches him, then shakes his head, annoyed, before he follows Fadel's lead and gets out of the car as well.

They make their way towards the aunty and Fadel actually does fall behind Style as they walk. Once they reach the aunty, Fadel starts questioning her about Bison. She recognizes Bison on the photo, but hasn't seen him in a while. Aunty is worried and asks if he ran away from home. Style immediately jumps in and comes up with a reasonable story.

@secriden has an interesting thought about this:

[T]he story Style comes up with about why they're looking for a missing person on their own like this (instead of, y'know, going to the police like upright, non-hitman citizens would've) was really good to explain their urgency/frustration and preempt any suspicion so that the auntie is unlikely to report them to the cops. Style is actively, genuinely helping Fadel out and using his excellent skills at playing Asian aunties to full effect for him. Ugh, just look at how earnest and worried Style's expression is!? He totally disarms the auntie while I bet she would've been a lot more suspicious and distrustful if grumpy face on the left had come asking questions alone.

I think this is certainly an aspect of it, but I'm not sure how much of it is Style consciously doing this in order to help Fadel out and to keep the aunty from getting too suspicious and how much of it is Style acting on instinct. Not to mention, part of this is definitely also Style just being a chatty cat, ready to strike up a conversation with anyone who'll listen to him talk. Especially when it involves aunties that he can wrap around his finger with his charm. That is Style's personality after all.

I also love how Style drops the "boyfriend" without a second thought. Because obviously they are still boyfriends. Yes, Fadel drugged him and kidnapped him and pulled a gun on him and nearly killed him but never once did he utter the words "I'm breaking up with you" or "This relationship is over". So of course this relationship is very much still on. Why wouldn't it be?

Though let me just say, I don't think Style necessarily called Fadel his boyfriend deliberately in this moment in the sense of that he is actively trying to send some kind of underlying message to Fadel. I mean, in a way yes, but this boyfriend mention is very casual (as if it's the most self-evident thing in the world) and so I don't think his main goal here is to send some kind of deliberate pointed message along the lines of Do you hear that Fadel, I truly love you and I still consider you my boyfriend to Fadel, because if that were the case, he would have highlighted the word "boyfriend" more. Style will be calling Fadel his boyfriend very deliberately and pointedly later in the episode after a certain confrontation. But for now, this underlying message is more of a side thought.

Aunty asks if the two of them want a room. Style say yes. Fadel says no. Style insists. He's tired and there's no point in continuing their search for Bison right now. Fadel is stubborn. They have to keep going. Style starts getting overdramatic and flaunts his waist. Aunty supports Style. She refers to Style as Fadel's boyfriend. Style throws Fadel a pleased, warm look and raises his eyebrows at him. See? She's on my side. I'm winning this. Fadel says Style isn't his boyfriend. We don't even get to see Style's reaction to that claim, so I guess it couldn't have hit him too hard. Maybe he was even half expecting this sort of reaction with the way Fadel has been pulling back from him and has been rebuilding his walls.

Aunty tells them she'll be putting them in a special room and Fadel doesn't argue. Aunty presents them with lube and a condom. Style throws Fadel an amused and a little smug look.

No. 2: Of Mechanics and Race Car Beds

Fadel is having one of the worst nights of his life. That special room is very much not to his liking. Style, though, loves it. Obviously. Although, I think he also partly says it to be extra nice to the aunty to make up for Fadel being such a grumpy cat and partly as a way to get under Fadel's skin. The "Fast. Hard. Furious." part especially is a direct message to Fadel. Style is being a little shit again in order to get through to Fadel, but what's different now compared to the early episodes is that there is so now much more fondness that comes with it. When he smiles at Fadel afterwards, there is amusement in his expression, but moreover there is so much warmth and affection as well. There's even an air of playful innocence about it like Don't you agree, baby? 😇

The aunty leaves and Style comments on how he's never had sex in a car before (and to those who are calling bullshit on that statement, let me just point out: he said he never had sex in a car, he didn't say anything about never having sex with a car. I mean, we all saw how he touched Kant's car back in episode 1 🤭🤭🤭). Style takes off his shirt, throws it at Fadel, leans onto the windshield of the car and says some very flirty and suggestive things. Fadel finally gets up from his spot in the very last corner of the room, walks up to Style, grabs his hand and leads it down his own body. Then Fadel leans in for a kiss, only to handcuff Style to the bed.

This whole scene is very reminiscent of the kitchen scene at the start of episode 4. In both scenes Style says flirty and suggestive shit with the actual goal of getting into Fadel's pants, in both scenes Style makes a comment about how it's like a sex fantasy (Note: in episode 4 the subs say "wild", but since he is literally saying an English loanword I think you can hear it for yourself and don't need me to spell it out for you in Thai like I usually do), in both scenes Fadel is trying to push Style away, in both scenes Style is also trying to annoy Fadel in some way. And yet both of these scenes go very differently.

In my ep4 meta I discussed why Style genuinely meant all the flirting in the scene and how he was genuinely trying to get into Fadel's pants, but there is one aspect I actually didn't really mention, partly because I was focusing on other things and partly because back then I didn't yet have the comparison of how Style's flirting would be like once they were in an actual relationship and real romantic feelings were involved. I've mentioned before how when Style is saying suggestive things without actually meaning them in the earlier episodes his voice will be louder and his tone much more performative while when he is sincere in his sexual flirting his voice will go more quiet. When Style goes into his whole "I know a guy like you just needs a little nudge" spiel in episode 4 his voice is a lot more quiet than it usually is compared to the insincere flirting which is why (amongst other reasons I discuss in my ep4 meta) I think he definitely meant it, but (and this following part I didn't mention back then) there is something about his tone of voice and also the way he grabs Fadel's crotch in such a rough, unsexy way that makes me think he was also trying to piss Fadel off a bit. It's not just flirting, but it's a challenge too. Because Fadel keeps claiming he didn't miss Style when Style failed to show up at Fadel's usual spots, keeps claiming that Style is a only a bother to him. And so I think, as much as Style was genuinely up for sleeping with Fadel for a second time (the same way something else was, ahem, up that morning when Style awoke from his blissful dream), I think he was also using the chance to try and get under Fadel's skin again, trying to break down Fadel's walls even more, trying to make him admit that he was thinking about Style and that he had grown to like him.

Now in episode 8 Style doesn't need Fadel to admit his feelings anymore. Fadel is his boyfriend already, they've slept together on multiple occasions, and have also gotten to know each other on a deeper emotional level. Yes, Fadel has put his walls back up now that the truth is out, but now Style also knows what lies behind those walls. And so in this scene in the motel room he actively annoys Fadel on purpose, first of all by being flirty in the first place (Style knows exactly that Fadel isn't here to sleep with him since Fadel explicitly told him so when they arrived) and second of all by throwing his shirt at Fadel, which I think is an attempt at kind of connecting to/making contact with Fadel who retreated all the way into the last corner of the room and an attempt at getting some kind of reaction/engagement out of him. And what I've also seen someone note somewhere in the tags is how Style's shirt says "control". Style rids himself of "control" and throws it at Fadel. And we see that in the way he acts.

In the kitchen, even if he let Fadel take the lead once Fadel grabbed his waist and put him onto the table, in the beginning it was still Style who initiated everything, it was Style who moved closer to Fadel and who started touching him. Now in the motel, Style lets Fadel fully be in control from the start. Instead of getting closer to Fadel, Style now stays put exactly where he is. Instead of touching Fadel suggestively as Style did in the kitchen and is generally keen on doing whenever he genuinely wants to get into Fadel's pants he leans on onto the windshield of the car and puts himself on display completely, flaunts himself, offers himself to Fadel in a way that says here I am, take me any time. Style stays put, doesn't touch Fadel, and instead waits as he leaves the choice to engage entirely up to Fadel. Fadel can have him whenever he's ready. Style won't force Fadel before he is ready but he will make sure that Fadel knows loud and clear that Style's offer is here.

Style's tone is also fully grounded and serious now as well as very calm. It's the complete opposite of his loud, showy, performative behavior from the first three episodes when he was trying to "seduce" Fadel and was spewing insincere words. And when he smiles at Fadel, he's kinda amused but there is also so much warmth behind in his expression:

Fadel finally gets up and engages with Style and it's interesting, because back during episode 4 in the kitchen I already thought Style was serious about hooking up with Fadel and it's just so cool to see just how much more serious Style actually gets now that strong romantic feelings are involved. If you watch the kitchen scene from episode 4 and the motel scene from episode 8 back to back you can absolutely tell in which of these scenes Style is full on in love. And what else is interesting is that even though in the kitchen scene from episode 4 Style 10000% means every single thing he says and genuinely wants to hook up with Fadel right then and there, there is still some sort of performative air to his lines when he says "Oh, we’re doing it in the kitchen?" and "Wild. I like it". In episode 4, Style had just found out from the market aunty that his strategy of staying away did have an effect on Fadel, but when Style calls him out on it, Fadel keeps rejecting him and keeps telling him to piss off. And while Style's gut feeling tells him that Fadel does feel something for him, Style doesn't actually know. Because Fadel keeps saying otherwise and keeps pushing him away. But in the kitchen Style genuinely wants something from Fadel and I think when Style makes his comments while Fadel is putting him on the table his words aren't entirely grounded not because he's being insincere, but because he's trying to play it cool. I think he's trying to hide how desperate he is for Fadel to reciprocate his blossoming feelings.

Now in episode 8, though? Style is no longer desperate for it. Sure, Fadel is currently pushing him away again all the time, but it's okay. Because unlike in episode 4, Style now knows for a fact that they're in love. That Fadel is in love with him, too. Fadel is mad at him right now, but that will pass. So when Fadel comes over to (seemingly) go along with Style's seduction, Style doesn't say a word. He doesn't need to anymore. He doesn't have anything to prove anymore. He is confident about their mutual feelings and their relationship now.

Something that both the ep4 kitchen scene and the ep8 motel room scene, and actually also the ep3 storage room scene share is how Style lets Fadel take the lead. Style isn't forcing himself onto Fadel, he sits back and lets Fadel do whatever he wants to do to him.

Fadel grabs Style's hand and leads it down his chest. Style follows with curiosity, looking pleased, clearly happy that Fadel is actually engaging instead of pushing him away and definitely also excited about the prospect of getting some. Fadel leans in for a kiss and Style follows and—

Before Style knows it, Fadel has handcuffed him to the bed. Kissing is off the table, it seems. In episode 4, Style was extremely hurt by Fadel's rejection. Now in episode 8, he's still pretty miffed about it, but he is in no way as hurt as he was that time in the kitchen. Because by now Fadel has done this to him enough times that he's used to it. And also, as I mentioned before, their relationship is on a very different level now. Fadel handcuffs Style and Style is disappointed, but not surprised. Mostly he is just kinda annoyed that Fadel is still keeping up this stupid act. "What the hell? I ain’t running away, you know?"

In episode 4, Style ran off, hurt and humiliated and very enraged. In episode 8, Style stays put. Not that he could have gotten very far even if he had wanted to run off, but Style genuinely doesn't want to. In episode 4, Style spent quite a long time being angry at Fadel for dumping him like that. In episode 8, Style is annoyed for like a second upon realizing what Fadel's plan had been all along, but then he immediately gets over it and meets Fadel with love and warmth instead. Fadel says "I don’t trust you" and Style does talk back, but it's more of an affectionate teasing than an attempt at instigating an actual argument. Style almost smiles at Fadel after he says "And if I need to take a piss?" Fadel lets him know that he will be uncuffing him for that if need may be and Style lowers his gaze. He sees the complimentary gifts and playfully starts teasing Fadel about using them. And unlike earlier, I think this time with that kind, warm smile Style is throwing Fadel, Style's comments about chains and whips and using the complimentary gifts weren't actually meant as genuine seduction. No, I think that was Style's way of saying Hey, I'm not upset with you for chaining me to the bed, I'm not holding that against you. But would you please just drop the act and stop pushing me away all the time?

But Fadel grabs his chin and tells no, he will not be dropping the act: "Didn’t you say you’re tired? I bet it’s because you run your mouth too much. Shut up and go to sleep." Style smiles at Fadel again towards the end of Fadel's new rejection, but that smile falls as soon as Fadel walks away.

And I don't think it's because Style is frustrated that he won't be getting laid that evening after all. I think Style is genuinely disappointed that Fadel continues to push him away like that, that Fadel keeps on being stubborn and refusing to communicate and engage with Style no matter how clear Style makes it that he's not holding a grudge about anything that happened that day, from the drugging to the kidnapping to the attempted murder to the blue-balling. And in addition I think Style is also a little hurt that Fadel won't just trust him at least a little bit and hurt that Fadel keeps acting so distant and stand-offish. Style just wants his boyfriend back.

No. 3: Deliver A Message

Now this scene is interesting because it left some people confused from what I've seen. Is Style being serious with his crying or not? Is he playing Fadel? Especially with the upbeat music that was put in the background at the beginning of the scene. There's another reason why I think this particular scene is confusing (and which was the reason why it confused me in the beginning as well), but that's a topic for a whole separate post. (Side note: While I was still working on this meta, I actually ended up getting an anon about this crying scene and sooo this "separate post" might actually follow at some point, even if I hadn't been planning on actually writing it when I was typing the previous sentence. Stay tuned.) I think multiple readings of this scene can co-exist, but for now I just wanna share what I personally think is happening in this scene.

First and foremost let me just say that I don't think Style is necessarily playing Fadel. If anything, he may be playing the drama up a bit like he tends to do, because that's simply just his personality. He has a tendency to be a bit more dramatic then necessary. But even if he is playing it up, I think it absolutely comes from a genuine place. After all, Style is only human and he has had quite an eventful day. Let's recap...

The day started with Style showing up at the hospital, already antsy because he couldn't reach Kant which was worrisome especially in the context of Fadel's threatening warning of "the two of us have business to finish with the two of you" from the night before. So Style shows up at the hospital, only to find out that his best friend was kidnapped by an actual assassin who is very capable of murdering Kant (Style doesn't know Bison as well as he knows Fadel, so Style has no way to tell whether Bison loves Kant enough to spare Kant's life the way Style can tell with Fadel). And immediately after that he gets ambushed and drugged, which absolutely is a traumatizing thing to go through and certainly must have had some effect on Style, if just subconsciously. Then, he finds himself tied up naked at a pool, which again, would generally be a traumatizing situation to find yourself in, especially when someone you know is very capable of taking other people's lives comes and continuously waves a gun into your face. And yes, by now Style knows Fadel pretty well and so he didn't feel too threatened, but Fadel was also really angry and Fadel also did punch Style in the gut that one time when Style was overly confident that Fadel liked him enough not to harm him. And I think, even if on a surface level Style didn't feel too threatened by Fadel (because Style has learned to read him) on a subconscious level the knowledge that Fadel certainly could and would shoot at any moment if he got too angry is still there. And right at the end of that scene there was a point where Style was genuinely scared for his life. Again, that's pretty traumatizing. And then he spent all day in a tight space with someone who is angry at him and keeps pointing a gun on him. And then he got chained again. And got pushed away by his boyfriend over and over again. Style is only human. And it makes complete sense for all the emotions that he repressed while he was playing it cool in order to get through these traumatizing events to come bubbling up to a surface level now at night where he finally gets to rest.

Lying there, in bed, at night, about to fall asleep, his brain is finally not busy with keeping him alive anymore. His brain finally has the time and the opportunity to process everything that has happened in the last 24ish hours. And as he is lying there in bed his brain is probably playing back everything that has happened and is coming up with a lot of "what if" scenarios. What if Fadel had actually killed him at the pool? What if Fadel will actually kill him in the future just like he actually did punch him in the storage room when Style was confident that he wouldn't? Style's death would come with consequences. We've already heard and seen a lot about Style's loving relationship with his dad and it's no wonder Style thinks of him now. Because Style's death would hurt his dad a lot. Style's dad already lost the mother of his son, now he might lose his only son too? The only family member left in his immediate family? If Style does get murdered, he doesn't wanna die without saying goodbye to his dad. And the only person who would be able to deliver that goodbye message is his own murderer.

I don't think Style meant to cry in the beginning. I do think he was fairly serious in the beginning, but I don't think he was planning on crying about it. It's only when he remembers his mother that it triggers the need to cry, only when he suddenly arrives at his own grief and his own trauma about his mother's death that the tears start flowing. And in my opinion those are real, genuine tears. We've seen Style fake-cry before, we know what his performative crying looks like. Style is a terrible fake-crier and we saw this in episode 4 when he showed up at the Rise Up group meeting for the first time and "cried" about his dog. The crying in the motel bed? Is very far from that.

And it's not just us, the viewers, who know what Style's fake crying looks like. Fadel was at that support group meeting too. Fadel also knows how Style fake-cries. And so when Style starts to cry, Fadel can tell the difference. And it has an effect on him. Except he doesn't really know how to deal with this situation, because Style crying hadn't been part of his plans of kidnapping and killing Style, hadn't been part of his plans to push Style as far away again as possible. And so he awkwardly asks "Are you crying?" (I think a different way to phrase this question would also be "You're crying?") And Style replies in honesty: "Duh. I know I talk all big, but even I am afraid of death."

In the last 24ish hours Style got to feel genuine fear for his life and Style doesn't want to die. He is not suicidal. And yes, he is cocky and confident, sometimes overly so and yes, despite all the threats to his life Style simply went about his day as if it's nothing, but as I said, Style still went through a few traumatizing situations in a very short period of time. Of course, it all had an affect on him. Of course part of him would be afraid. Style is human after all. He is human and he is feeling emotions. And he would really need some comfort right now.

Except all he gets is a "stop being dramatic" and an "I don't wanna listen". So Style turns away from Fadel and cries alone in the little corner of privacy he can get in the shared bed that he is currently chained to and can't leave. Style can neither see nor hear nor feel the hand Fadel is reaching out to him, is unaware of just how much Fadel is longing to give him that comfort Style so desperately needs before Fadel's mind wins over his heart and makes him pull back again.

No. 4: Road Trip Time

It's the next day, Style has rested and from what we can see Fadel has also stopped waving a gun into Style's face almost 24/7. Style is clearly having a blast driving through the country. However, the car is tried now and refuses to continue on. Turns out the radiator is broken. Fadel mocks Style for being a bad mechanic and instead of taking offense, Style comes back with sass and a Harry Potter reference and mimics shooting Fadel. Remember the "Style + guns" counter from last episode's meta? I know, I know, here in this case it's supposed to be a wand and not a gun, but especially with the sound effect the whole thing is quite reminiscent of a gun shot, so I'm counting it. Our "Style + guns" counter is now at 4.

There is no phone signal, so they have no way of calling for help. Style tells Fadel off for insisting on taking a short cut and Fadel brings up the police. Style responds: "What are you worrying about? I told you I wouldn’t run. What do I have to do for you to trust me?" Fun fact, his literal wording when he says "What are you worrying about" is actually "What are you afraid of?" or "What are you scared of?":

มึงกลัวอะไรอ่ะ [mueng - gluua - àrai - àh] you - fear, be scared of - what - [particle]

What I love about this is that Style doesn't let Fadel's verbal stabs dampen his good mood too much. He doesn't respond in anger and he's not really annoyed. In fact, when he tells Fadel that he's not running away, he even sounds a bit amused. And when he asks "What do I have to do for you to trust me?", it's not a verbal stab back at Fadel but it's a genuine question. Style honestly wants to know. Fadel tells him "I can no longer trust a single word that comes out of your mouth."

Style smiles and shakes his head in a mix of amusement (because of course Fadel would say that) and exasperation (because Style is getting quite tired of being back at square one and having to go through all the steps again). Style doesn't fight Fadel, though, and instead asks him what he wants to do. However, there is a bit of a bite to his voice, especially in the last sentence when he asks Fadel what he plans to do if now, wait for a car to pass by or what? He patiently waits for Fadel's reply. When Fadel tells Style to push the car, Style is obviously not very into that idea but instead of resisting by starting a fight he starts getting over-dramatic about potentially passing out, about the hot weather, about being hungry and so on. Look how poor I am, have some mercy on me. Fadel is unimpressed. He tells Style to stop whining and reminds him that he currently has just one good hand. Style yields, but not without sassing Fadel first: "I’ll just die of exhaustion before I ever meet your bullet." Fadel brushes past him to get into the driver's seat (I'm assuming to control the wheels of the car while Style is pushing?) and Style walks behind the car and starts pushing while they continue to bicker.

We don't know how long Style was pushing the car for, but it must have been a while because when Style asks for a break, the road is no longer made of asphalt like it was when the car broke down. Fadel doesn't talk back when Style wants to take a break, instead he wordlessly steps out of the car and lets him have it. On the way to the back of the car, Fadel pulls a paper bag and a water bottle out of his backpack and goes to lean against the trunk of the car while taking a sip. Style eyes the water bottle and Fadel notices. After a moment of hesitation, Fadel somewhat begrudgingly holds the water out to Style. Style doesn't immediately take it, but instead throws Fadel a look, checking if Fadel really is letting him have some water. Style only grabs the bottle after Fadel explicitly tells him to take it. Style obeys and immediately starts teasing Fadel: "Thought you’d let me die of thirst. Either a hitman like you still have his humanity, or you’re in love with me." Despite talking big about killing Style and shoving a gun into his face on multiple occasions, Fadel still cares about Style and his well-being and Style knows it. After the teasing words are out of Style's mouth, he attentively observes Fadel's reaction because he also knows Fadel would never admit to this out loud:

While Style is talking, Fadel turns around to grab some food out of the paper bag. When he turns back he makes a face at Style's words, then wordlessly leans back against the trunk again and takes a bite, ignoring Style completely. Style eyes the snack in Fadel's hands. Then he says: "You’re well prepared, huh? To think you packed snacks and drinks."

I personally think that Style wasn't just thirsty, but also hungry. He did do some physical work under the heat of the sun, after all. I think his words were an implicit prompt for Fadel to not just share his water, but also his food. But Fadel doesn't share, he just responds with "I am always well prepared. I have plans for everything". It's kinda funny he's saying this because it's not like Style was even given the chance to prepare for a trip in the first place. It's not like Style showed up at the hospital with a bag full of travel essentials in anticipation of getting kidnapped and going on an impromptu road trip.

Fadel continues with a stab at Style: "If it wasn’t for you and your friend, my brother and I would have had our long-awaited break already." Style almost rolls his eyes. He's so over this. What happened, happened and there's no way to change the past. All you can do is go forward from there. "Let it go. Shouldn’t you be looking forward to the future? Focus on the future. Let go of your grudge. What good would a grudge do—" Style doesn't get further than that because suddenly there is a bun in his mouth. And just in case the message isn't clear enough, Fadel also explicitly tells him to shut up. Style complains about Fadel's methods. "Couldn’t you have been more gentle?" This is actually funnier to me in Thai:

If you want to feed me, you can feed me gently. No need to be so forceful. มึงอยากป้อนมึงป้อนเบาๆ ได้ไม่ต้องแรงเลย [mueng - yàak - bpôn - mueng - bpôn - bao bao - dâai - mâi - dtông - raeng - loiie] you - want - feed - you - feed - gently - can - not - need - harsh - [particle]

The bun did not manage to shut Style up, on the contrary. Style just keeps talking. "I’m getting paranoid, though. We broke down in the middle of the woods. This is just like the beginning of a horror film. A murderer is gonna come after us in a minute." Fadel gently reminds him of his request to shut up: "The first to get murdered would be a yapper like you." Again, I wanna share my own translations of this bickering (Fadel's line specifically), because it amuses me how Fadel is more or less continuing Style's sentence but turns it against him:

S: A murderer will come and kill us any second now. อีกแป๊บนึงก็จะมีฆาตกรมาฆ่าพวกเรา [ìik bpáep nueng - gôh - jà mii - kâat-dtà-gon - maa - kâa - pûuak rao] in a moment - [sentence link] - will be - murderer - come - kill - us F: And will kill a yapper like you first. แล้วก็จะฆ่าคนพูดมากอย่างมึงเป็นคนแรก [láew gôh - jà - kâa - kon pûut mâak - yàang - mueng - bpen kon râek] and - will - kill - person who talks a lot - like - you - as the first person

I think by now everyone's made fun of Style for being afraid of a murderer when there is an actual murderer right by his side, but the thing is, it is quite interesting how fear is becoming a theme for Style this episode, something that @secriden goes into in this post. Something else she also points out is how Style not only worries about getting murdered himself, but also about Fadel getting murdered too:

[I]t's interesting how Style talks about being afraid of dying generally and specifically how harm could come to them from an external source. How the way his fear is orientated puts Fadel on the inside ("a murderer is gonna come after us"), on Style's side and someone Style wants to keep safe. And when Fadel makes the kind of snide joke about letting the hypothetical cannibals kill and cook Style, Style's solution still involves staying by Fadel's side. At no point does he ever stop referring to Fadel and him as a single unit, even after Fadel very explicitly frames Style as the only victim.

In this moment though, Style isn't actually afraid of a hypothetical murderer suddenly jumping out of the woods to kill them both. So when Fadel responds with one of his usual comments that show how much he "dislikes" Style, Style lets it go and instead continues a different fight: he doesn't wanna keep pushing the car. He did it to humor Fadel, but there really is no point in continuing to push a broken car through the middle of nowhere. Fadel refuses to leave his car. Style starts talking him into leaving it there for now and coming back for it. Fadel threatens Style once again: "If my car was stolen, not only would I kill you, I’d take a car from your garage." Style is very unimpressed by this threat. "Take it. Take them all. You own my life."

Fun fact, this is the literal translation of when he says the "own my life" part:

You already have control over my life. มึงก็คุมชีวิตกูอยู่แล้วนี่ [mueng - gôh - kum - chii-wít guu - yùu - láew - nîi] you - [sentence link] - (have) control - my life - [aux] - already - [interjection]

It's interesting, because being in control of something doesn't necessarily mean you own it. Style's life is still very much his own, but he's willing to give it all to Fadel: "Take my cars, my body, my heart. Take everything." And yes, he is mostly sassing Fadel with these words, but there is also a certain seriousness to it. Fadel can have especially Style's body and Style's heart. Fadel can have 100% of Style. Style has made that decision long ago and he's still set on it, despite or maybe even especially because of everything that has happened since. Style's body and Style's heart are entirely free for Fadel to take. It's a sincere offer and it's on Fadel to take it up. Fadel stares at Style in an attempt to figure him out. Then he goes to get his backpack, walks back over to Style and grabs the water bottle out of his hands and then starts walking down the path. Style follows as soon as he realizes that Fadel is listening to Style's suggestion of leaving the car there for now.

No. 5: Murder House

Again we don't really know how much time has passed but at some point Fadel and Style find a house. Style makes a joke about a cannibal family living inside and while I doubt he actually believed in the cannibal family, I do think he's a lot more anxious now than he was about the hypothetical murderer by the car. Fadel replies with a joke of his own to really underline his alleged disdain for Style: "Good. I’ll ask them to cook you. I’m getting hungry." Style doesn't think it's funny and says "Don’t say that. It’s scary." Fun fact, in Thai Style doesn't just imply that he's scared by calling the situation/the thought of a cannibal family scary but he explicitly says that he's scared:

I'm scared for real. กูกลัวจริงนะเว้ย [guu - gluua - jing - ná wóiie] I - be scared - true, (for) real - [particle]

His anxiety gets even more apparent when he suggests returning to the road. Fadel doesn't believe in Style's creative imaginations but does tell him that if a murderer actually shows up he'll shoot them. Then Fadel pulls out his gun just in case (and potentially also to make Style feel more protected) and starts walking towards the house. Style follows, not very reassured. We can tell that his anxiety has grown from the way how at the beginning of the scene Style and Fadel were walking side by side and Style was walking even slightly in front of Fadel but when they walk up to the house Style is now walking behind Fadel instead:

They make their way towards the front door and Fadel knocks and calls out to someone inside. There's no answer. Style is getting more anxious by the minute and urges Fadel to leave: "Hey, it’s not too late to turn back." Fadel ignores him and starts knocking and calling again. There is still no answer. Style hates it. "This is getting scary," he says and I think that this is the point where his growing anxiety turns into genuine fear. Fadel pulls at the door which actually opens up. "What are you doing?" Style asks and his voice sounds really stressed now. Fadel walks inside the house without hesitation. Style immediately follows, but scolds Fadel for trespassing. Style would rather be anywhere else right now than here. Fadel turns his head to Style and says "I don't care." Or rather he says:

You think I'm scared? แล้วมึงคิดว่ากูกลัวป่ะ [láew - mueng - kít - wâa - guu - gluua - bpà] and - you - think - that - I - (be) scared - ?

Style swallows. Fadel continues to call out for someone. Style squints at him. He wants to leave. Suddenly a baseball comes down the stairs. Style jumps and yells. Fadel's hand goes to his gun, ready to pull it any moment. A second later the baseball is followed by a guy who is being chased by another guy brandishing the bat to that baseball. The first guy goes to hide behind Style and with that Fadel and Style find themselves in the middle of a domestic argument. The baseball guy, Popcorn, yells at his partner for a bit and then moves to attack him with the bat. Despite Style's initial fear walking up to the house, instead of shaking the guy off and getting out of the way he reacts by acting as a human shield, putting his arms out in a conciliatory gesture and suggesting to talk it out over using violence. Somewhere in this series there is a point to be made about Style having a tendency to act like a mediator (when he's not actively picking the fight himself) and if I wasn't so busy with uni assignments and my meta series, that would certainly be a meta post I'd be looking into making.

It's only when Style starts speaking that it fully registers for Popcorn that there are currently random people standing in his house. He starts asking who they are and how they got into his house and Style stutters, completely overwhelmed by the situation and certainly not any less afraid. Before Style has managed to form a proper thought Popcorn accuses them of being his partner's side bits. This immediately has Style stressed again and he yells "no" over and over again. Popcorn isn't convinced and goes for another attack with the baseball bat. It's a bit unclear whether Popcorn had planned to attack only one of them or maybe all three of them but either way, the way Style was standing he definitely would have been the first in line to get hit. Fadel pulls his gun even before Popcorn has managed to take a swing at Style. Style stops yelling and stares at the gun in shock. Popcorn drops his bat on the spot and retreats back to the stairs. His partner comes out from his hiding spot behind Style to follow Popcorn. Together they attempt to scramble up the stairs. Style stands still, completely frozen in place, staring at the gun for a few seconds until he finally turns his head to the stairs to watch the odd pair get away from the gun.

I think there are multiple factors to Style's shock here: his anxiety had already started even before they'd entered the house and it only grew from there. Then, Popcorn and Jimmy's appearance hit them both out of nowhere and Style really got roped into it even more than Fadel did with Jimmy grabbing Style first to use him as a human shield and then Popcorn also almost assaulting Style with a baseball bat. I think part of Style freezing is the left-over shock from Jimmy and Popcorn's initial attacks. It all happens very quickly, after all. In fact, Fadel's gun is out before Style has even had the time to properly process the fact that he was about to die by baseball bat. And so I think part of Style staring at the gun is him reacting to Fadel's movement in general and then Style's brain using the sudden break in action to catch up with everything that was happening in the last couple of seconds. Wait, I'm being attacked with a baseball bat. Wait, there is a movement next to me. Wait, the baseball bat attack stopped. Wait, there is a gun. Wait, the attackers are gone. Wait, the gun was protecting me. Wait, what are these two weirdos doing, where are these two weirdos going.

Style's eyes widen a bit as he turns his head to watch Popcorn and Jimmy scramble up the stairs and he doesn't look that shocked anymore or even terrified. He squints his eyes a little and it looks like he's he's in thought, like he's trying to figure something out.

And I think there are a number of things he's trying to figure out. Like, what the fuck to make of Jimmy and Popcorn. Who the fuck those weirdos are, where the fuck they came from, and where the fuck they are going again. Why the fuck they attacked Fadel and Style, but especially Style like this. In the above gif I think Style's brain has finally finished processing what has just happened, is finally all caught up and I think Style actually isn't all that afraid of the gun in this moment because he does realize that the gun did just save him (them) from dying by baseball bat a moment ago. And Fadel did say earlier that he would shoot anyone trying to murder Style (them).

And another thing that I think Style is trying to figure out is whether Jimmy and Popcorn's lives are in danger now with Fadel's gun on them. When Style's eyes widen it's almost as if he's thinking Wait, I just nearly died and Fadel protected me from them and when he squints his eyes it's like Who are these people? Is Fadel actually gonna shoot them now? Do I have to go from worrying about being killed by them to worrying about them being killed?

No. 6: Mirror Mirror on the Wall

Fadel doesn't shoot them. Instead, he has Style tie them to the piano. I do think it's kinda funny how Fadel tells Style "If you’re done, go look for what you need. Hurry up" and Style just nods and sits down on the sofa instead. So much for hurrying up.

Popcorn starts lamenting his pain dramatically. Neither Style nor Fadel are in the mood to listen to a domestic quarrel. Popcorn goes on and on about how Jimmy cheated on him and Jimmy says "They all meant nothing to me". In Thai he actually says:

They were just people I was chatting with. มันก็แค่คนคุย [man - gôh - kâe - kon kui] he/she/they - just - people one chats with

I asked my friend about คนคุย [kon kui] and he explained it to me as "someone you talk to/flirt with (but something serious is not (yet) happening)". So the original is much more vague about how deep Jimmy's betrayal really runs. There's a chance that Jimmy actually did cheat on Popcorn, but there's also a chance that Jimmy was just talking to them without the intent of having a thing with them and Popcorn just took it the wrong way and made a big deal out of it. Personally, my guess is Jimmy did do something for Popcorn to have a legit reason to be hurt, because later Jimmy does talk about trying his best and having been lost, but I also think he might not be as much of a (serial?) cheater as Popcorn is making him out to be in his anger.

Jimmy assures Popcorn that he is serious with Popcorn, but Popcorn doesn't believe him and cries "You were never serious with me! You made me fall for you and then betrayed me". Don't mind me putting the Thai wording here. It will be relevant later (and also don't worry about the orange bit for now, this will also be explained later).

You tricked me into loving you and being crazy about you and then you do this. มึงอ่ะมาหลอกให้กูรักกูหลง มึงก็ทำยังเงี้ย [mueng - àh - maa - lòhk - hâi - guu - rák - guu - lŏng • mueng - gôh - tam - yang-ngíia] you - [particle] - come - trick, deceive - that - I - love - I - be crazy about • you - [sentence link] - do - like this

And this is the moment when Fadel throws Style a look. Style turns his head to look at Fadel as well. Message received.

Jimmy begs for Popcorn's forgiveness but Popcorn is still too upset and in his anger cries out: "The likes of you don’t deserve second chances. The likes of you who lead people on deserve nothing but death!" I'm gonna share a more literal translation again:

There are no chances for bad people. โอกาส​มันไม่ได้​มีไว้สำหรับ​คนเลว [oh-gàat - man - mâi dâai - mii - wái - săm-ràp - kon leow] chance - it - not - have - keep - for - bad people People that trick others into loving them all deserve to die! คนที่หลอกให้คนอื่นรัก สมควรให้ตายไปให้หมด [kon - tîi - lòhk - hâi - kon èun - rák • sŏm-kuuan - hâi - dtaai bpai hâi mòt] people - that - trick - that - others - love • deserve - that - die - all

It's no wonder that this is the thing that makes Fadel, who knows a thing or two about being tricked into loving someone, get up and offer a free kill. Style immediately jumps to his feet and reaches out an arm to Fadel in order to pacify him and to stop him from killing Jimmy. Because Style knows full well that Fadel is perfectly capable of doing so without batting and eye. And again we see Style take on the role of a mediator. Popcorn backs down and admits he was just being dramatic and doesn't actually want his partner to die. But for Fadel it's personal: "But he lied to you." Or Thai he says:

But he deceived you. แต่มันหลอกคุณนะ [dtàe - man - lòhk - kun - ná] but - he - deceive, trick - you - [particle]

Fadel points out the tricking part specifically and again we as well as Style get a hint about what exactly Fadel has been upset about and it ain't the snitching to the police. We aren't shown Style's reaction here but I think it's safe to assume he heard Fadel's words loud and clear considering he is standing right next to Fadel. Popcorn tries to calm Fadel down again by explaining they argue all the time and repeating that he doesn't actually want his partner to die. Fadel looks at them, his expression serious, his gun still pointed. Style observes Fadel carefully, watching his every move:

I think Style is very much afraid in this moment. But I don't think he's afraid of Fadel, I think he's afraid for him. And afraid for the people in front of them. After all, Style doesn't want others to be harmed. We see this over and over again in the way he threw himself into the fight at the host club before he knew Fadel was perfectly capable of fighting for himself, we see this in the way Style grabbed the gun at the bowling alley and pointed it at the shooter to keep him from doing any more harm than he had already caused and we see it now in the way Style immediately jumps to his feet, arm stretched out towards Fadel to try his best to interfere at any second if need may be. Style is afraid for Jimmy and Popcorn, because he knows full well their lives are in actual danger. And Style is afraid for Fadel, because he also knows how much pain this assassin life has caused him and he wants Fadel to quit for his (Fadel's, that is) own well-being. And Fadel's well being is something that is deeply important to Style. Style implicitly told Fadel to quit killing in episode 5 already and later this episode he will explicitly tell Fadel to quit killing again. And every shot that Fadel takes is a step in the wrong direction.

And another aspect that comes to play here is that Style is afraid of dying. This episode has been dealing with Style's very real fear and this fear has taken form in different ways: We started with Style being afraid of his own death by Fadel's hand (last episode for a moment at the pool, this episode when he was crying in the motel bed), then we saw him being afraid of his own death by someone else's hand (the fictional murderer that his mind kept imaging) and now we see him afraid of someone else's death. And yes, the first two were about Style's own death, so why would he be afraid dying now when this situation is about someone else's death, not his own? The thing is, though... Is it really? Is this really about someone else's death? Because the person Fadel is about to kill is Style's mirror. Who is to say that after Fadel has taken care of Style's mirror his emotions won't get the better of him and he'll turn around and shoot the real Style in his hurt, too, while he's at it? So Style doesn't take his eyes off from Fadel, because his own life is still at stake too and how Fadel acts now will give Style a hint about how determined Fadel still is to kill him.

But then Jimmy suddenly changes course. He is willing to accept death if it means Popcorn will be safe. Style is still standing there with his arm halfway up, still tense, still ready to jump into action if Fadel pulls the trigger while Jimmy goes into a plea for Popcorn's life. Jimmy ends it by announcing that he loves Popcorn, which is yet another sore point for Fadel. "If you love him, why did you fool him?" Fun fact, Fadel is so pissed that he actually uses rude pronouns with Jimmy:

ถ้ามึงรักเขามึงจะหลอกเขาทำไม [tâa - mueng - rák - kăo - meung - jà - lòhk - kăo - tam-mai] if - you - love - him - you - will - trick, deceive - him - why

Also, this time we do get to see Style's reaction to Fadel's words:

I think Style partly throws Fadel that look because he is still afraid that Fadel is so angry that he might actually kill Jimmy and is ready to interfere at any time and part of that look is Style taking in and piecing together what exactly Fadel is and has been upset about. During this entire conversation it's always been the topic of loving and tricking and tricking into loving that Fadel's had the strongest emotional response to. That's what Fadel is upset about.

Jimmy doesn't reply to Fadel, doesn't explain himself. Instead he turns to Popcorn and goes into a heartfelt apology. The two of them bicker for a bit. Style's has lowered his arm even more now, but it's still in perfect position to make a grab at Fadel any second if need may be. He checks on Fadel again when Jimmy asks Popcorn to let Fadel shoot him if Popcorn doesn't believe that Jimmy's love is true. The husbands-to-be bicker some more and then Jimmy dramatically offers himself up as a sacrifice again, orders Fadel to shoot him. Fadel clenches his jaw. He knows he can't. He looks over at Style. Style is staring at Fadel intently, observing him, watching him carefully.

And again, I think this stare is about both, checking whether Fadel is still gonna go in for the kill and also Style trying to read Fadel, trying to figure out where Fadel is at emotionally when it comes to his own relationship with Style. Style is actively in the process of piecing together what exactly he's done to make Fadel hurt this much and to make Fadel want to kill him. And I think at this point here, Style is no longer as terrified of a potential murder happening right in front of his eyes the way he was when Fadel had initially pulled the gun on Jimmy.

Speaking of Style's fear, a couple of days ago I saw a post in the tags where someone was asking why Fadel pulling a gun on him was hot to Style but suddenly when Fadel is pulling the gun on other people it's an issue and since this meta series is THE Style manifesto I figure I should maybe write a paragraph about that too. When Style is at the other end of the gun it's hot, because Style is 99% sure Fadel won't actually kill him, won't kill him specifically. But when Fadel is pointing the gun at other people, Style can't be so sure. After all, this is Fadel's profession, this is what he specializes in. Fadel does this on the regular and Style is very well aware of it. The thing is, Style doesn't actually want others to be harmed. We see this over and over again when Style goes and helps people, when Style acts like a mediator in situations. Only last episode Style told Kant that love can turn a bad guy good and I think that's ultimately what he wants for Fadel. For Fadel to quit the job, to stop killing people, to turn "good" for Style and also for himself (putting "good" in quotation marks, because to Style, Fadel is a good person already as he reveals later in the bathtub). Style has already suggested Fadel quits the job even back in episode 5 when Fadel opened up about his parents' murder and about not wanting a relationship in order not to cause trouble to anyone. Style is cool with Fadel pulling a gun on him if no harm is done, but he is not cool with Fadel pulling a gun on others if harm could be done. And at the end of the day Style is also not cool with Fadel pulling a gun on him either, if Style's own life is in actual danger from that. We saw as much by the pool and we saw it again this episode when Fadel was about to kill Style's mirror.

Another thing I find truly fascinating about this scene is how Popcorn and Jimmy are clear parallels to Fadel and Style, but not in the way one might expect. We have Popcorn, the loud and overdramatic one and then we have Jimmy, the calm and collected one. We have Style, the loud and overdramatic one and then we have Fadel, the calm and collected one. You'd think Popcorn would be a parallel for Style and Jimmy would be a parallel for Fadel, but psyche! The calm and collected Fadel relates to the loud and overdramatic Popcorn's problem while the loud and overdramatic Style relates to the calm and collected Jimmy's problems. I think there are various interpretations possible as to why that is. One thing I'd like to think is that Popcorn's loud whirlwind emotions are a representation of how Fadel is quietly feeling inside but would never ever let out in any way, because his walls are that far up. And then we have Jimmy, who did something wrong, but is so serious and sincere in his love for Popcorn, in his longing for Popcorn's forgiveness and in his desire to be with Popcorn, to get married to Popcorn. And as loud and overdramatic Style can sometimes be, Style is completely serious about his love for Fadel and his decision to be with him no matter what. It's not a joke to Style. And Style, too, is longing for that forgiveness, is longing to go back to being happy and in love, is longing to get 100% of Fadel's trust. Fadel has told him before that Style had 80% of his trust, but with the betrayal those 80% have taken a significant dip down. But Style is still serious about wanting those 100% and so he will work his way back up again.

Side note: Another thing I was thinking about was how Jimmy was so willing to take the bullet if it meant keeping Popcorn safe and it just has me wonder if Style will be taking a bullet to keep Fadel safe.

No. 7: Do You Hear the Wedding Bells

Instead of going for a kill, Fadel lets Popcorn and Jimmy have their wedding. Style officiates while Fadel hides in a corner, watching everything from a distance. Style, believer in the power of love, is very happy for Jimmy and Popcorn. He watches with joy as they exchange rings and what I love about this is how Style's joy has such a calm, grounded energy to it. Style prompts the happy couple to kiss and I am absolutely convinced that his laughter when Popcorn jumps Jimmy and Jimmy carries him towards the wall is all Dunk, not Style. Then Style turns his head and looks at Fadel. He is presented with an image of Fadel quietly laughing at this couple's joy and passion and happiness. Fadel then turns his head towards Style as well, but immediately looks away when he meets Style's eyes and his laughter fades.

Remember how in last episode's meta I said:

And it's just veeeery interesting that Style asks Fadel to marry him for the second episode in a row. If it happens again next episode, I'm calling it. But for now, let's wait and see 👀

Well... We didn't get a FadelStyle marriage proposal, but Style's mirror saying "You and I are getting married" to Fadel's mirror? And then the Style and Fadel mirrors actually getting married? With Style officiating the wedding? That's three episodes in a row with a wedding reference in connection to Fadel and Style. Episode 6 with the untranslatable pun, episode 7 with Style's proposal prank, now episode 8 with an actual wedding. Three is a pattern, no? Style may not have uttered the words "Will you marry me" to Fadel this episode, but I'm calling it anyway. These two are so getting married by the end of the series, aren't they...

(Also, sorry for writing so few words about this scene. I don't have words, I only have Big Emotions.)

No. 8: Dinners and Dancing

It's night time now and the four of them are having a nice wedding dinner. Style makes friendly conversation as usual, while Fadel sits there and barely socializes. Jimmy brags about his husband's cooking skills, and Style immediately responds with a brag of his own because his own boyfriend is just as good as cooking. And this time around I think the boyfriend drop is a lot more deliberate than it was at the beginning of the episode, because this time around he actually emphasizes it a little. The word "faen" is the word he stresses the most in the sentence. Then he turns to Fadel and teasingly compliments him: "His burgers are to die for." In Thai, what he says word for word is "make very delicious burgers":

ทำเบอร์เกอร์อร่อยมาก [tam - ber-gêr - à-ròi - mâak] make - burger - delicious - very

Note how there is no pronoun in this sentence. That means, the sentence can be taken either as "He makes very delicious burgers" because Style was just talking to Jimmy and this sentence is still addressed to Jimmy or the sentence could be taken as "You make very delicious burgers" from the way Style is saying this sentence directly to Fadel's face. You hear that? That's you. You're my faen that makes delicious burgers. I love you. Fadel scrunches his eyebrows, skeptical and confused. Style smiles brightly, grabs a spoonful of food and offers to feed it to Fadel. Unlike Fadel earlier that day, Style actually does feed him gently. In fact, he doesn't force the food nor the caring gesture onto Fadel. He holds out the spoon and once again waits for Fadel to go along of his own free will which Fadel awkwardly does after a moment of hesitation. Then, Style goes back to making friendly conversation and we get a bit of backstory about how Popcorn and Jimmy used to live in the city as salarymen and then came to live on a farm because Jimmy loves nature. Style finds in romantic that Popcorn left his good life for a more difficult farm life. Fadel still holds a grudge and asks Jimmy why he cheated when Popcorn had done all of that for him. Jimmy says it's only human to get lost sometimes and that he's come back home in the end. This has Fadel even more pissed. He bangs his fist onto the table so forcefully that it jumpscares Style right next to him. "Only because you take him for granted," Fadel snarls. Popcorn awkwardly says he's already forgiven Jimmy and Style puts his hand on Fadel's hand to calm him down. Fadel looks at Style and Style gives him a little bit of a nod, as if to say Hey, it's okay. You can let it go. You don't need to settle this argument for them. Fadel leans back into his chair, resigned.

Jimmy changes the topic and asks where Fadel and Style are going and Style immediately has a believable answer ready. "We’re heading south. Kinda hoped it was going to be a romantic road trip date." And let me just share a more literal translation about the road trip, because he shamelessly and also very deliberately this time throws around the word boyfriend again:

I wanted to go on a road trip with my boyfriend. พอดีตั้งใจจะมาขับรถเล่นกับแฟนนะครับ [poh dii - dtâng-jai - jà - maa - kàp rót l��n - gàp - faen - ná - kráp] because - intend to - will - come - drive for fun - with - boyfriend - [particle] - [particle]

When Style says the word boyfriend, he turns his head and pointedly says "faen" directly into Fadel's face. Because he still considers Fadel his boyfriend, whether Fadel likes it or not. After all, they've never officially broken up. And no, multiple death threats that have involved an actual a gun do not count as a break-up as far as Style is concerned. Not if he still has any say in it. Because their relationship is that serious to him. Because from the moment they started dating, their relationship was never fake to him. Fadel squints his eyes. Popcorn then asks how they met and Style tells them: "I was kinda dared into taking him out, but then I actually fell for him." And again, just a little correction on the whole "I was dared to" part:

It started with me deceitfully flirting with him. มันเริ่มจากผมไปหลอกจีบเขาครับ [man - rêrm - jàak - pŏm - bpai - lòhk - jìip - kăo - kráp] it - start - from - I - go - deceive, trick - flirt - him - [particle]

Nowhere in the way Style phrased it does it say who thought of the idea of the fake flirting. Nowhere does it say whether someone else made him do it or whether it was Style's own idea. Style isn't putting the blame on someone else and in a way is actually even kinda making himself look bad here since it could be taken as Style having come up with the scheme by himself. Popcorn and Jimmy don't know that there are two other guys involved in this story. Popcorn says "Such is love, isn’t it?" and Style turns to look at Fadel for a moment who meets his eyes. Popcorn then continues with "It can start from deceit, but it zigzags its way into something beautiful at the end." Style turns to Fadel again, throwing him a very pointed look. Something beautiful, huh? Did you hear that? Fadel pointedly ignores Style and his pointed look. The newlywed husbands discuss the natural process of a relationship – bickering, fighting, boning. This greatly amuses Style and he looks at Fadel again. In fact, he stares at Fadel for several seconds until Fadel finally properly looks at him. And that's when Style raises an eyebrow at him. Well?

And it's fun, because the scene started out with Fadel doing a thing with his eyebrows and it ends with Style doing a thing with his eyebrows, almost like an answer.

Style's energy in this scene is very boyfriend-like. Fadel took a step back and withdrew at the presence of these two other people, and now that Style doesn't have to fend off Fadel constant stream of personal digs at him anymore, Style comfortably slips back into that boyfriend role. And it's not just that he's comfortable in this role, no, he is proud to be Fadel's boyfriend and proud to have Fadel as his boyfriend. Style brags about Fadel and his cooking skills and calls him his boyfriend to anyone who will listen. Style keeps Fadel in check when Fadel gets hotheaded and is absolutely up for going through the natural process of bickering-fighting-boning if Fadel is up for it as well. And most importantly, Style is simply just happy to be around him, happy to spend time with him. Style is proud of him and he is happy with him and he wants Fadel by his side. He means that choice from the bottom of his heart and so he will act accordingly. Especially now that he is finally starting to understand why exactly Fadel is hurting.

No. 9: Big Small Matters

The time for dinner is over and the time for dancing has started. Fadel and Style sit on the couch, they're watching the happy couple and especially Style is delighted at their happiness himself. After a while, Style turns to Fadel and says "Cute couple, aren’t they? Just like us". This is the third time this evening, a rather short time frame, that Style has made a reference to them being in a relationship (referring to Fadel as his "boyfriend" twice and now calling them a "couple"). And yes, he did blatantly refer to Fadel as his boyfriend when they were talking to the aunty at the motel too, but I think this time around Style is very deliberately and consciously doing so given his observations of Fadel earlier that day. They're a cute couple. Style means it. No joke. No trick.

Fadel is quiet for a moment, then says "We're not a couple". Definitely by sheer coincidence the song that Jimmy put on just happens to be about forgiveness and just happens to play the lyrics Just overlook what is trivial right before Fadel's reply. Style asks Fadel if he wasn't listening to the lyrics and quotes them back at him. Fadel is not amused: "You think what you did to me was 'trivial'?"

Now, the phrase that the song uses to say "trivial" is เล็กๆ น้อยๆ [lék lék nói nói] which word for word makes something like "small small little little". I asked my Thai language buddy if this word was like the word "Kleinigkeit" in German and he confirmed. There is no perfect English equivalent for the word "Kleinigkeit" but it basically means something like "small matter" or "little thing". Depending on the situation there could be other meanings that go along with it. For this context right here "no big deal" could even work in English. Now let me share what Fadel actually said:

You think that you deceiving me is no big deal? (lit. "is a small matter?" / "is small?") มึงคิดว่าเรื่องที่มึงมาหลอกกูเนี่ยมันเล็กๆ น้อยๆหรอ [mueng - kít wâa - rêuuang - tîi - mueng - maa - lòhk - guu - nîia - man - lék lék nói nói - rŏr] you - think that - thing, matter - that - you - come - deceive, trick - me - [particle] - it - small (matter), little (thing) - ?

Fadel uses the word หลอก [lòhk] here, which means "to trick" or "to deceive". That means, he doesn't just vaguely say "what you did to me" but he explicitly tells Style that the thing that has been bothering him is Style deceiving him, Style tricking him. By now you may have noticed a pattern to the orange color: The word หลอก [lòhk] comes up a lot this episode. I've bolded and marked this word orange all throughout this post so you can see just how many times and in which contexts this word is used. Style uses it during the dinner when he says "I was kinda dared into taking him out" (more literally: "It started with me deceitfully flirting with him"), Popcorn uses this word when he cries "The likes of you who lead people on deserve nothing but death!" (more literally: "People that trick others into loving them all deserve to die!") and Fadel uses the word when he says "But he lied to you. (more literally: "But he deceived you.") after Popcorn says he doesn't actually want Jimmy to be killed for real. And now Fadel uses it again to call Style out: "You think what you did to me was 'trivial'?" (more literally: "You think that you deceiving me is no big deal?").

Fadel is mad that Style tricked him, that Style deceived him. This much was already obvious from Fadel's emotional reactions to Popcorn and Jimmy's dispute, but now Style has explicit confirmation. This is where he needs to start working at if he wants to earn Fadel's forgiveness.

The newly-wed husbands walk over and invite them to dance, too. Style is up for it, but Fadel really doesn't want to. Style talks him into it and pulls him up. Reluctantly, Fadel gives in to Style just like he always does.

They dance a little, but at some point Style turns to Fadel, puts his hand on his shoulder, smiles, and tells him: "I know what I did wasn’t 'trivial.' But I’m ready to do anything to make you forgive me." Now for that first sentence you might think that in the Thai line Style repeats Fadel's words from earlier ("You think that you deceiving me is no big deal?") where Fadel used the word หลอก [lòhk] and you might think that Style would use it now, too. But actually, he does keep things more vague in the original itself as well:

I know that what I did was a big deal. (lit. "was no small matter" / "isn't a little thing") กูรู้นะเว้ยว่าเรื่องที่กูทำอ่ะ ไม่ใช่เรื่องเล็กๆ น้อยๆ [guu - rúu - ná wóiie - wâa - rêuuang - tîi - guu - tam - à • mâi châi - rêuuang - lék lék nói nói] I - know - [particle] - that - thing, matter - that - I - do - [particle] • not - thing, matter - small (matter), little (thing)

Maybe Style is referring not only to the fact that he tricked Fadel into loving him but also to how Fadel feels "cheated on" because he did end up falling for Style's (initially) insincere flirting, was head over heels in love with him only to find out Style wasn't his but was "the police's" and that the love wasn't real, was just a trick.

Or maybe there is something we don't yet know about? (Like, there is still the mysterious Boonterm mention from episode 3? Or, something that had COMPLETELY slipped my mind when I was writing my ep7 meta and so ended up writing something from a completely wrong perspective: Style has seen Keen before when he eavesdropped on Fadel and Keen's conversation and so in ep7 in the men's room it could also be taken as Style stopping Fadel from discovering Keen on purpose, which brings up the question... what's up with that????) Or maybe he just keeps it vague so that he can say it at a later point explicitly.

Anyway, so Style firmly tells Fadel that he knows he was in the wrong and that he's ready to do anything to earn Fadel's forgiveness and then pulls him into a hug while they continue to dance. This hug doesn't last very long, though, because next thing Fadel and Style know is that they're being attacked by Jimmy and Popcorn. Luckily, Style sees them in time and shouts Fadel's name in shock and to warn him. They both tumble down and Fadel has his gun out before they've even hit the couch. Fadel shoots into the air and while by now Style is very familiar with the image of Fadel pointing guns, this is the first time he's witnessed Fadel actually fire a shot (from a real gun, that is. Not a BB gun). A shot, that protected not only Fadel himself, but also Style. And while Style does still look at the gun for a moment again, he is nowhere near as frozen or worried as he was when Fadel pulled the gun on Popcorn and Jimmy the few instances earlier this episode.

For a second time that day, Fadel and Style tie up Popcorn and Jimmy. Style makes a comment about how he was off about the serial killer part but they were nearly killed by someone after all. Style's fear and anxiety from the day has proven to be justified. Fadel nags that Style trusts people to easily and that he's only interested in other people's love lives. Style doesn't see a problem with that: "I’m a hopeless romantic. Can’t help it that love stories touch me." Or in Thai:

I'm a romantic person. กูมันเป็นคนโรแมนติก [guu - man - bpen - kon roh-maen-dtìk] I - [marker] - be - romantic person I'm easily tricked by touching things. โดนหลอกด้วยอะไรซึ้งๆง่าย [dohn lòhk - dûuay - à-rai - séung séung - ngâai] be tricked, deceived - by, through - something - touching - easy

I just want to point out that Style uses the word หลอก [lòhk] here. Style gets tricked by romantic, touching things the same way as, you know, someone else in this room feels like he got tricked by romantic, touching things. It's like Style is saying What? Can you blame me? I, too, get tricked by love.

Fadel moves to remove the arm sling and Style goes to help him. Fadel lets him, doesn't block him. And I'm sure it was absolutely necessary for Style to put his arm around Fadel's shoulder like that for easier opening of the buckle. Duh. Style smiles a little as he slides off the arm sling. Fadel makes his way up the stairs. Style first looks at their tied up victims, then watches Fadel walk upstairs. There are certainly things on Style's mind. He'll be voicing them in the bathtub in a bit.

No. 10: Fadel in a Bath Fadel in a Bath Na Na Na Na Na Na Fadel in a Bath

Style finds Fadel in the bathtub and wants to join in. Fadel is reluctant at first, but is also not in the mood to argue with Style and so Style starts getting undressed. Now, usually I'd just skip past this part of Style getting naked and hopping into the tub because it's not a relevant process. However, during this process he does something very interesting: When he lays down his clothes he touches the gun, as if to make a grab for it before he goes and covers it with clothes.

I'm gonna be honest, I really have no idea what to make of this moment. As to why Style covers it, it could probably be because he wants it out of sight, out of the way, wants it gone. Style has made it very clear on multiple occasions that he doesn't want Fadel to be killing people and he will also be telling Fadel exactly that in just another minute as well. Away with the gun.

But if that really is the case, then I still don't understand why Style would touch the gun in the first place. If he wanted to hide it, he could have dropped his shirt down on it without bending down and touching it. But Style does go through the effort and the way he touches it almost looks like he is about to pick it up. The "Style + guns" counter goes up to 5.

Style is also very deliberate about it. He has his eyes glued to Fadel, watching him carefully through the entire process. That has me wonder if Style is maybe testing Fadel. Is he testing Fadel's trust, maybe? Because Fadel did say that the words out of Style's mouth are no longer trustworthy, but what about Style's actions? Are those still trustworthy? Technically Style is also still Fadel's kidnapping victim, so what would the kidnapper do if the victim goes for the weapon the kidnapper has been using to keep his victim in check? But Fadel's reaction is just a raised eyebrow and a bit of an eyebrow scrunch like What exactly is it that you're doing? It's a clear message, but at the same time Fadel doesn't even move a single muscle that indicates he is about to do something to get the weapon away from Style.

Fadel watches Style closely, but doesn't interfere. There is a certain amount of trust involved here, because Style could have easily made a quick grab for it and pulled the gun on Fadel for once.

I actually asked @secriden about her opinion on this because I didn't quite know what to make of it and she came back with an interesting perspective I also want to share:

Oh, I think the purpose of that was to show that Style is really choosing to be with Fadel. In that scenario Style literally has all the advantage— Fadel is naked in a bathtub and he's hampered by a broken arm and literally being in a slippery situation. Like if Style wanted to just take the gun and shoot Fadel there was little Fadel could've done at that point. But Style touches the gun and makes deliberate eye contact and then covers it with his clothes like he's saying "See? Even when you give me the chance to seize control what matters to me is another chance to fix our relationship." He's basically proving his own words when he said "I'll do anything to make it up to you." This includes letting a chance go literally take back his LIFE because the gun still symbolises a threat to Style's life (even if we know Fadel isn't going to go through with it).

After covering the gun with his clothes, Style gets into the tub and the first thing out of his mouth is: "I’m glad you didn’t kill them." And we know this to be true, because we saw how afraid and how tense Style was earlier when the gun was involved. Fadel reminds him that he only kills bad people and even if he disapproves of Jimmy's cheating, at the end of the day it's none of his business anyway. Style states "You’re pretty decent at your core, you know?" and I sigh in exasperation again, because it's not that Fadel is just "pretty decent", no, Fadel is a good person. And buckle up, because there are quite a few language notes to follow over the course of this scene.

Really, you're a good person at your core. จริงๆสันดานมึงเป็นคนดีนะเว้ย [jing jing - săn-daan - mueng - bpen - kon dii - ná wóiie] really, honestly - nature, core - you - be - good person - [particle]

Having made this assessment, Style wants to know how come Fadel is a hitman then and Fadel says he gets hired, there's nothing more to it. Style says it's not true that Fadel is doing it just for the money. Fadel comes back with a challenge: "Why not? You don’t know anything about me." In Thai he actually phrases it like a question which I like because it makes the challenge a bit more direct and Fadel's words sassier:

You know me well? มึงรู้จักกูดีเหรอ [mueng - rúu-jàk - guu - dii - rĕr] you - know - me - well - ?

(German speakers: the mood of this sentence is actually more like "Kennst du mich denn gut?", not just "Kennst du mich gut?")

So Fadel throws Style a sassy question, but Style has an answer, and what an answer it is:

I may not know your past but I know your present well. กูอาจจะไม่รู้จักอาดีตมึงแต่กูรู้จักปัจจุบันมึงดีนะเว้ย [guu - àat-jà - mâi - rúu-jàk - àdiit mueng - dtàe - guu - rùu-jàk - bpàt-jù-ban mueng - dii - ná wóiie] I - may, might - not - know - your past - but - I - know - your present - well - [Particle] Official subs: "I might not know who you were in the past, but I know who you are now."

It's not just that Style didn't know who Fadel was as a person in the past, but also Style was neither present in Fadel's past nor did Fadel share much about his past apart from the fact that his parents were shot. Style may not have been there for Fadel's past, but Style is very much there for Fadel's present, he's lived Fadel's present by his side for a while now and has gotten to know Fadel's life and Fadel himself really well. And Style is here for Fadel's present despite all things that should make him want to leave. Style is here for Fadel's present despite all the things he knows or maybe even because of all the things he knows. He knows Fadel is a killer, but he also knows Fadel is a good person. Being here for Fadel's present, Style's gotten to know many different side's of Fadel that make him want to stay in Fadel's present. Style smiles at him. Fadel can't run away from the mortifying ordeal of being known forever. It's too late. Style already knows him significantly, whether Fadel wants to acknowledge it or not.

Fadel looks away from him and when he looks back at Style, Style brings back the topic of Fadel only killing bad people and asks how Fadel decides. Fadel claims he decides based on his own experiences. Style tells him:

You're not a court passing sentences on other people's lives. มึงไม่ใช่ศาลมาพิพากษาชีวิตคนอื่น​นะเว้ย [mueng - mâi châi - săan - maa - pí-pâak-săa - chii-wít - kon èun - ná wóiie] you - not - court - come - judge - life - others - [particle] Official subs: It’s not your job to judge that kind of thing, you know? Just quit doing it. เลิกทำไปเหอะ [lêrk - tam - bpai - hùh] quit, stop - do - [particle] - [particle] Official subs: Why don’t you just quit? The more you keep doing this, the more your life will never be at peace. ยิ่งมึงทำแบบนี้ ชีวิดมึงยิ่งไม่จบไม่สิ้น [yîng - mueng - tam - bàep níi • chii-wít meung - yîng - mâi - jòp - mâi - sîn] the more - you - do - like this • your life - the more - not - end - not - end Official subs: If you keep going, it will never be over.

You may have noticed that in the interlinear translation of the last sentence it says "not end not end" which doesn't make a lot of sense, of course. Style actually uses two different words for "end" here. I asked my friend about it who explained that "not end" as in ไม่จบ [mâi jòb] refers to something external (the killings) while "not end" as in ไม่สิ้น [mâi sîn] refers to something internal (Fadel finding inner peace). The more Fadel keeps killing, the more he'll be stuck in this life and the more he won't be able to rest.

Fadel doesn't want to be lectured, but Style isn't actually saying all this to lecture Fadel. It's a well-meant warning because Style cares about Fadel and his well-being:

I just think there's probably no one who will warn you and mean well for you as much as I do. กูอ่ะแค่คิดว่าคงไม่มีใครเตือน​และหวังดีกับมึงเท่ากูละ [guu - àh - kâe - kít - wâa - kong- mâi mii krai - dteuuan - láe - wăng dii gàp - mueng - tâo - guu - lá] I - [particle] - just - think - that - maybe - there is no one - warn - and - mean well for - you - like - I - [particle] Official subs: I just think there’s no one out there who wants the best for you more than I do.

Fadel just stares at him and Style smiles back. He means it. After a moment, he puts his feet on Fadel and targets the nipple. First of all, it's time to be a little shit again and try to annoy his way back into Fadel's life and second of all, maybe I think he hasn't given up hope of getting some yet, even if Fadel is still back to being grumpy. Also, it's my personal headcanon that Style put his feet on Fadel for the same reason Dunk did: the tub is simply just too small for these two grown men.

Fadel reminds him that just because he lets Style mess with him it doesn't mean he won't kill Style. Style tilts his head. That's death threat number what? And yet, Style is still here and still able to mess with Fadel. "Go ahead. Blow my head off whenever you want." Style is here, ready to accept his fate. "I’m a bad person for making you fall for me, head over heels, and then betraying you. I deserve to die." And here is where the exact wording is important again. Literally he says: "I'm bad. I tricked you into loving me, I tricked you into being crazy about me, and then I betrayed you. I deserve to die."

Sorry in advance, but the following will be chaos. There is only so much formatting I can do in a tumblr post (I wish I could add a table!). The arrows indicate the literal translation. The colors will make sense a paragraph down.

→ I'm bad. กูอ่ะมันเลว [guu - àh - man - leow] I - [particle] - [marker] - bad Official subs: I’m a bad person → I tricked you into loving me, หลอกให้มึงรัก [lòhk - hâi - mueng - rák] trick, deceive - that - you - love Official subs: for making you fall for me → I tricked you into being crazy about me, หลอกให้มึงหลง [lòhk - hâi - mueng - lŏng] trick, deceive - that - you - be crazy about Official subs: head over heels → and then I betrayed you. แล้วหักหลังมึง [láew - hàk lăng - meung] and (then) - betray - you Official subs: and then betraying you. → I deserve to die. กูอ่ะสมควรตายเว้ย [guu - àh - sŏm-kuuan - dtaai - wóiie] I - [particle] - deserve - die - [particle] Official subs: I deserve to die.

The wording is significant, not just because our keyword หลอก [lòhk] makes another appearance, but because Style repeats Popcorn's (aka Fadel's mirror, the one voicing how Fadel feels inside) words back to Fadel. Let's compare with what Popcorn was saying: "You tricked me into loving you and being crazy about you and then you do this. [...] There are no chances for bad people. People that trick others into loving them all deserve to die!" (Style's words: "I'm bad. I tricked you into loving me, I tricked you into being crazy about me, and then I betrayed you. I deserve to die.")

→ You tricked me into loving you and being crazy about you and then you do this. มึงอ่ะมาหลอกให้กูรักกูหลง มึงก็ทำยังเงี้ย [mueng - à- maa - lòhk - hâi - guu - rák - guu - lŏng • mueng - gôh - tam - yang -ngíia] you - [particle] - come - trick, deceive - that - I - love - I - be crazy about • you - [sentence link] - do - like this Official subs: You made me fall for you and then betrayed me. [...] → There are no chances for bad people. โอกาส​มันไม่ได้​มีไว้สำหรับ​คนเลว [oh-gàat - man - mâi dâai - mii - wái - săm-ràp - kon leow] chance - it - not - have - keep - for - bad people Official subs: The likes of you don’t deserve second chances. → People that trick others into loving them all deserve to die! คนที่หลอกให้คนอื่นรัก สมควรให้ตายไปให้หมด [kon - tîi -lòhk - hâi - kon èun - rák • sŏm-kuuan - hâi - dtaai bpai hâi mòt] people - that - trick, deceive - that - others - love • deserve - that - die - all Official subs: The likes of you who lead people on deserve nothing but death!

As you can see, Style uses almost the exact same words that Popcorn used and they are all words that Fadel had an emotional reaction to earlier that day. Style's been paying attention. Style finishes with "I deserve to die" just like Popcorn claimed was the case and then closes his eyes and tilts his head back a little like Go on, shoot me. I am at your mercy and I am ready to die for my sins.

Two things are happening here with this little monologue: Style is being a little shit by shamelessly mocking Fadel's empty death threats. Style knows Fadel won't kill him over this, because if tricking people into falling in love had been enough of a reason to fall under Fadel's category of Bad Person™ then Fadel would have killed Jimmy earlier that day. But Jimmy is alive. And so is Style.

And the other thing is that Style is also letting Fadel know that he's figured out what Fadel is really angry about. Style is fully acknowledging now what he did that hurt Fadel so much. It's very different from earlier that day when the car broke down and Style was all "Hey, what happened happened. Let it go. Shouldn’t you be looking forward to the future? Focus on the future. Let go of your grudge." I think in the beginning Style assumed that while yes, Fadel would think Style's love was fake, the main thing he was angry about was Style being a snitch for the police. But then they ran into Jimmy and Popcorn. And then Fadel got unnecessarily offended at someone else's trickery in a relationship Fadel had nothing to do with. And Style paid attention. It's not that Style was working with the police that's the problem. The "working with the police part" is the thing that Fadel was already suspecting and expecting from the beginning. Fadel had been ready for that. That wasn't the problem. No, what hurts the most is that Style had the audacity to play with Fadel's heart first before "cheating" on him by being on the police's side. Fadel is upset because he thinks Style's love was insincere, that it was all just an elaborate trick while for Fadel himself the love was all real and Style now fully and actively realizes that. And acknowledges it. Except, Fadel denies his feelings: "Don’t be so full of yourself. I never fell for you."

Now, when Fadel tells Style not to be so full of himself, he actually tells Style not to คิดไปเอง [kít bpai eng]. Literally this phrase makes something like "think by oneself" and it's a phrase that my friend defined as "to come to a conclusion without there being any solid evidence for it". Fadel is basically telling Style something along the lines of "Don't make shit up, I never loved you." And yeah. He does indeed say "I never loved you" which to me sounds almost more hurtful than "I never fell for you":

กูไม่เคยรักมึง [guu - mâi koiie - rák - mueng] I - never - love - you

Fadel is a lying liar. And Style knows it. He stares at Fadel for a moment as if he can't believe Fadel really just dropped this with a straight face, then smiles a little. "You might be good at cooking and shooting, but you’re not very good at lying at all." And with that, Style immediately puts Fadel to the test. He starts slowly kissing his way up Fadel's arms, pausing to check in with Fadel and even more so to check his reaction. When Style gets close enough to Fadel's face, he slowly leans in for a kiss, his eyes fixed on Fadel's eyes. Style advances very slowly, giving Fadel plenty of time. Fadel actually tilts his head a little towards Style, almost welcoming a kiss, but when their noses are about to touch Fadel turns his head away. And you'd think Style would be annoyed about Fadel refusing him once again, but instead Style smiles. Because I don't think Style went into this with the goal of actually seducing Fadel, of actually trying to sleep with him again like he did in the race car bed in the beginning of the episode (though I'm sure he wouldn't have minded if Fadel had consented). No, this wasn't an attempt at getting into Fadel's pants. This was a test. Fadel refuses to kiss Style and Style smiles a little, looking almost amused. He was expecting this.

There it is. Proof that Fadel is a lying liar who lies. Proof that Fadel is mad about and hurt because of the exact things that Style has just listed only moments before. Proof that Fadel did love him. Does love him. Still loves him. Style keeps looking at Fadel, but Fadel keeps his head turned away, avoiding eye contact at all costs. Instead of calling Fadel out for being a liar again, Style raises his eyebrows and backs off.

He sits back down on his spot at the other end of the tub and makes a promise: "As long as I'm alive, I'll make you kiss me again." Fadel, who in the meantime has started looking at Style again, lifts his head and goes back to avoiding eye contact with Style once more. He looks around the room. Looks anywhere but at Style. Looks at the painting at the wall instead. And that's when Fadel realizes. He knows exactly where Bison is. And with this we are left to wait a week for the next episode (except the next episode will already be out by the time I manage to post this rip).

If you think I have already spent enough words on this scene, think again. Because the dialogue in this scene is really interesting when thinking back to the bed scene from episode 5. Back then Fadel told Style "The real me might be scarier than you think". Towards the end of episode 7 and all throughout episode 8 Style has been getting glimpses of that real Fadel that he was warned about. Back in episode 5 Style knew about "the real Fadel" mostly in theory and told him "I promise that no matter what you are like, I'll still like you". And Fadel told Style that Style can judge once he's ready. And what is Style's judgment now that he's gotten to witness some of the real scary Fadel? "You're a good person at your core." And Style's stance on liking Fadel no matter what kind of person he is? "I just think there's probably no one out there who will warn you and mean well with you as much as I do." Fadel warned Style that Style should be wary of him, but Fadel also only kills bad people and Style isn't bad people and Style knows it. Fadel refused to fully open up to Style and right now in his anger he is likely even less willing to open up to Style at all and yet Style knows him, knows his present so well. And Style was even close to witnessing Fadel murdering someone and even though Style would rather Fadel didn't (and doesn't and won't), Style still doesn't judge Fadel for it. And even if Fadel had killed Jimmy, it likely wouldn't have made Style love Fadel any less. Back in episode 5 Style made the decision to be by this man's side and now in episode 8 he still firmly stands by this decision. In fact, maybe even more so now. Both of these scenes end in a promise made by Style: As long as I'm alive, I'll make you kiss me again. One day, I'll be your 100%. Style is absolutely set on this. And it won't be long until he makes good on that promise. At least on the promise he made this episode.

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep9 | Ep10)

[gomzdrawfr]

Gomzzzzz hello!!! I’ve been lurking in your blog for like, over a year now and I just wanted to say, your art is so freaking amazing and cute....the big cheeks!! I’ve always struggled with confidence in my own work, to the point where sharing anything felt almost impossible (stare at my stuff for hours only to delete them) But seeing you do your thing? I decided to try posting too. Okay it took a while but when I did I was fully expecting it to get like… 2 likes, max. But then YOU reblogged it, and my phone basically exploded. I’m not even kidding—my notifications were wild, and for the first time, I actually felt proud of something I made. It might sound silly and you probably don't know which art of mine you reblog but it really hyped me up and frankly...i found back the feel to draw again. I can't thank you enough for doing what you do, for making cod space a better and nicer place (your reblogs on others are always soooo positive and top tier)

Anyway, I’m keeping myself anonymous because, uhhh, social anxiety vibes and don’t want to overwhelm you;w; but I hope you know how much you’ve impacted people like me just by being yourself. I’m wishing you the absolute best for 2025!! zapping you with my beams to give you braincells for your school stuff

you deserve all the good things fr

-🦈

🥹

CryING iN THE CLUB— (my room)

Shark anon, thank you for the sweetest words, I really needed this today…and I’m so proud of you for finding back the love to draw again. I hope 2025 will be a blast for you too man!! Remember to take rest and have a good year ahead

[mylittleblorbo]

Rewatching Severance and now I want a Severance x Avengers/Stony AU where they have no memories of their super hero identities while out in their civilian lives + no memories of their civilian lives while in super hero mode or something and drama and angst ensues

[aesadraws]

Finally taking the time to rewatch FFX's cutscenes and I'm filled with so much nostalgia and also so much affectionate cringing at all the 2000s energy

[unnamed-atlas]

I've come to the decision that I'm going back to my roots and becoming obsessed with everything Markiplier's ever made again sorry not sorry guys <3

[seeyouonsaturn]

can't remember if I sent any of these so. tell me about Prowl 💖

2. Favorite canon thing about this character?

4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?

7. What's something the fandom does when it comes to this character that you like?

8. What's something the fandom does when it comes to this character that you despise?

22. If you're a fic reader, what's something you like in fics when it comes to ths character? Something you don't like?

ask game

2. Favorite canon thing about this character?

That he exists. He's wonderful.

That aside, I've always loved his fascination with nature. I remember being 13 and suddenly seeing the world with new eyes because of him, appreciating things I've never spared a second glance before, because I realized Prowl would find them beautiful. And he's so right. The world is so beautiful. I was fundamentally changed back then and now I am the person I am because of him.

And that said - I also love that he's not always written as the "stoic and super-skilled cool ninja". He's goofy. He's clumsy. Not a lot, but just enough for him to feel like he's just some guy trying his best, still learning, you can tell sometimes that he has never actually finished his training. I love the way he progresses throughout the series, starting out as a loner who just recently wound up with the rest of the team by chance and isn't really one of them, to a member of the family who loves those guys and would do anything for them.

He's great. He's amazing. I need to stop myself before this turns into a full essay. Ily Prowl

4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?

I don't have anything specific in mind, my brain cell is too transformers focused to even acknowledge the existence of any other media lmao. Also all the non-tf media I consume is so dark, I wouldn't do that to him, he doesn't deserve it. I'd like to put him inside a nature documentary so he could experience it first hand though. I think he'd enjoy that.

7. What's something the fandom does when it comes to this character that you like?

I love that so many people draw him with animals, especially birds. And cats. That's awesome. Good for him but also good for me because Bird reference!

8. What's something the fandom does when it comes to this character that you despise?

All the shipping lmao I'm sorry. Especially with a certain little guy. I filtered the tag and half the Prowl tag just vanished gdi I just want to see my man 😭

Don't get me wrong, I'm not here to police what anyone can or can't ship, and I'm fully aware that being non-sharing is a me problem, but that doesn't make it any less bothersome. I just want to look at Prowl. There's by far not enough content out there of him, and believe you me, I've looked 😔

22. If you're a fic reader, what's something you like in fics when it comes to this character? Something you don't like?

I don't really read a lot of fic with him in it, mainly because I haven't found a lot of Prowl fics that focus on him. Aside from a whole lot of fics where he's shipped with other characters, but that's not for me. I'm an x reader truther but good food is rare. On one hand it's probably good he's not more popular since I don't like to share him, but on the other hand where is my content. I am starving.

[backjustforberena]

i am SO excited to see corlys’ reaction next week, i have to say.

their last private conversation was not an argument, but was fraught. no resolution. something that was to be dealt with later (or never, if corlys has anything to say about it.)

their last time together is him coming to stand by her side, to argue their (her) cause. did she know he would? was that his attempt at an apology? i think it might have been.

they have only been together 10 days in the last six years, and they have barely been TOGETHER, the war looming over them, and yet they have tried, both going back and forth between dragonstone and driftmark so that they could spend time together. but those few days couldn’t make up for six years.

i will assume that corlys will be feeling a lot of guilt. and i know her death motivates book!corlys to make certain moves, but how rhaenys goes to rook rest is different, so i wonder if he’s going to be as angry in the show, bc the argument could be made that rhaenyra COULD have sent more dragons, but that’s a moot point.

i do think rhaenys will be a steady presence even in her death. corlys will be motivated by it, rhaenyra will be motivated by it. the WAR will be shifted by it.

anyways. i’m rambling on your ask box again lmao sorry.

H finally gets around to clearing her inbox after HOTD 2x04

OMG, no, keep rambling in my inbox, I'm so sorry it took me so long to get to this! It was wonderful to receive! Thank you so much! I'm going to break your thoughts down a little bit to answer with my own just to help my brain and if you see this and want to respond again, please do! You've written a bit on what you think Rhaenys's death will be like as we move forward and what you thought Corlys's reaction might be but, obviously, we've had the episode now so I've left that unaddressed!

their last private conversation was not an argument, but was fraught. no resolution. something that was to be dealt with later (or never, if corlys has anything to say about it.)

Last private conversation that we saw, at least. GDI, I'm still 85% sure there will be something on the cutting room floor. But, as you say, it was fraught. It was emotional and a bit heartbreaking. For both of them, I think. It's the cracks starting to show. And it is so unresolved.

did she know he would [show up at Dragonstone]? was that his attempt at an apology? i think it might have been.

I definitely think it was. I think him coming up to the Painted Table was him showing up for her. I definitely think that was his attempt of rolling his socks up and engaging, and possibly apologising, and I say that for two reasons. One, is that she never asks him to. She doesn't even suggest it.

We have two instances where the council sort of vaguely gets mentioned between them. One is in 2x03, and the other in 2x04. In 2x03, Rhaenys says "I must hope she will rise to it, but I fear she’ll need you by her side sooner than late" - given her care for him in that scene (with feeding him and making sure he has broth and worrying over his state of health and his life), I'm of the idea that Rhaenys doesn't want to have to bring Corlys into it until she has to, and she's sorry that she might have to.

In 2x04, she mentions the council session that Corlys ultimately walks into: "I came to tell you that Baela has called me to Dragonstone. [...] That council is going to dine on her and Jace for supper. They grow restless in Rhaenyra’s absence." - she never asks him to come with her. It's not even hinted. She's just there to tell him she's off and that's it.

And the second reason is that he's still physically weakened and in emotional turmoil. This is not the place he'd like to be and he's only there for her. It's to defend her, and then that's it. He doesn't muscle in and take over. He just helps her. Corlys still has a bit of a limp when he walks in there and I think it's been so deliberate to keep him away from the Painted Table and the council, and so for him to then enter that space has to be a gear change. There has to be a reason and it has to be a moment and you can find that in his feelings for her.

So, you have to think that Corlys is watching her go, recognising her struggle and thinking: forget that I'm weak and vulnerable and not feeling myself... I have to show up for her. My wife is struggling, and here is how I can help. I need to get my arse in gear and grow up.

And he stays. At least a day passes: Rhaenys changes her outfits, more news comes in about Cole's movements and Rhaenyra returns. There's a period of time that happens and he is still right there by her side. He's locked in.

they have only been together 10 days in the last six years, and they have barely been TOGETHER, the war looming over them, and yet they have tried, both going back and forth between dragonstone and driftmark so that they could spend time together. but those few days couldn’t make up for six years.

I think it's been longer than ten days, thank goodness. It was ten days between the end of Series 01 and the start of Series 02, and I think they have weeks after that (if anyone has a timeline, I'd be more than grateful). So they do have some time together, but they are so separate, just by the way things are and who they have to be. It's not conscious on either side (other than a deliberate wish not to show their partner how fragile they are), and they do seek one another out and they do still take great comfort in one another and having one another nearby. The fundamentals of the relationship remain the same.

But it is a lot of buried hurt and a lot of emotional instability and they can't be in the right frame of mind to actually take the time to address the issues and do anything but surface maintenance because they don't have the time or they aren't in the same place. Corlys is physically recovering and is needed on Driftmark and Rhaenys is naturally being pulled away by things on Dragonstone and flying Meleys in the Gullet and attending these meetings. They both have a lot of individual baggage before they can even touch the stuff that's still unspoken between them. I think each of them don't want to be a liability to the other and they've both, slightly, gotten used to just keeping it all to themselves.

Rhaenys, especially, because she's coming off the back of those years without him and when he does come back to her he's near death, and then Corlys is also going through compound grief that, even if Rhaenys is still feeling, she has largely worked through (because she's a proper grown-up who doesn't run away) and keeping this rather large secret regarding his illegitimate sons.

I think Steve says in an interview that Corlys can't multi-task. If he just had to focus on Rhaenys and on his marriage, he'd be grand. But he's got a lot of stuff going on and he can't. I think that's very true. And, meanwhile, Eve has said things like Rhaenys's modus operandi is basically to lock away personal feelings in service of just forging on, even when she should be vulnerable and communicate and talk to Corlys. So they're both guilty of behaviours that really don't help!

Do let me know what you thought of Corlys's reaction this week! Do you think we'll get more next episode?

[bisonaari]

Rambling about the finnish language because I have thoughts. They probably won't make a lot of sense, but it's mostly for me hahaha

First of all if you haven't downloaded the app Drops, you should!! It's super fun to learn vocabulary so far, and the interface is soooo cute!! Idk how effective it is on the long term, but it can't hurt to practice more hahaha.

Then this should have actually been first but whatever lol. I'm having so much fun learning the language. I hadn't felt that since I started learning japanese in 2006, and I've tried maaaaany more languages since then lol. I'm genuinely looking forward to my duolingo everyday! Every time I understand a new word in a song or an interview or something it's like my brain has solved a new puzzle and the SEROTONIN I SWEAR

Finnish has started to sound familiar for me now? Like earlier today I was watching an estonian/finnish comparison video and when the guy started speaking estonian I was like "oh yeah I def recognise the intonation and a few words, but that's it". Then the other guy started speaking finnish and my brain had a moment of "OH!! I know this!!! This is our stuff!!" Like I don't even feel that with spanish, and my spanish is better than my finnish by a LONG shot lmao. (It's still shit though I'm like three years old toddler level lol)

Idk I wanted to say something else but I'm just so so so happy a a a a a

OH YEAH also I'm a dumb fuck and since my third language is japanese I've hard-wired myself into pronouncing stuff the japanese way every time a language is nor english nor french, and it PISSES ME OFF. Because I KNOW how to pronounce the sounds but my brain is like oh did you mean [japanese sound] lemme fix that for you NO I KNOW WHAT I MEANT LET ME SAY WORDS GDI

So here is a list of stuff that I need to deprogram

from japanese

U pronounciation. In japanese, u is like a y/u mix and it's so hard to undo once you start doing it URGH

Soft-rolled r. Rolling r hard is kinda bad manneers in Japan so I never really forced myself to do it

L/R confusion. Since it's the exact same sound for both in japanese sometimes I just L my R or roll my L it's so silly hahaha

From french

T/D stridulation. It's pronouncing t as ts and d as dz instead of a hard t or d. It's only found in quebec french and it took me A BILLION YEARS to learn when I moved here, and now I have to undo it???

Ä/A distinction. Already said it, but it's more of a matter of accent in french so I need to stop using them interchangeably

Learn to fucking read y/u and ö/o GDI BISON IT'S NOT HARD

Stress of the first syllable. Almost impossible for a french speaker BUT I SHALL PERSEVERE

From both:

THERE IS NO GENDERED PRONOUN IN FINNISH STOP THINKING ABOUT IT THEY DO NOT EXIST STOPPPPPP

Thank you for reading my scrambled mind lol. I'm training for another department at work and it's a lot of info so my brain is about to leak from my ears, and it shows in my writing lmao

[galactic-knightmare]

I can feel my brain trying to change to a different hyperfixation and I keep having to beat it with a stick cause I refuse to leave yet another unfinished fic and gdi I'm having fun writing this one don't try to force me into something else right now.

like I can try to balance two hyperfixations but the question is do I want to risk it cause I had them balanced before but then one of them fully took over lmao.

[chocochococoffee]

WIP Tag Game

Rules: Post the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them and then post a little snippet or tell them something about it! Tag as many people as you have WIPs!

was tagged by @falloutcoys even though i dont really see the @ anywhere but figures!

Pokemon

adult hapu and lillie fucking all day (should retake this one)

pokemon SV but without the mc (not that they dont exist they rent to bluberry academy earlier)

mystery dungeon au with my oc and friends

Red Valley

Incomplete magic AU that i had a big brain idea one day and couldn't complete (should retake this one)

Red Valley but with Warren being a ghost

TMA fusion where Gerry's body haunts Red Valley

Osomatsu-san

The follow up to the infamous gangbang tentacle eggpreg porn fanfic that I started but never continued

A whole storyline about Calming detective Osomatsu and the Phantom Thieves AU (unrelated to P5 btw it's a hesokuri lupin spoof mostly lmao)

Disco Elysium

That idea I had about the Sunday Friend comedy? Yes I also started it. Never continued it due to lack of braincells.

Digimon Cyber Sleuth Hackers Memory

Yuugo Kamishiro and Fei after the end of the game, Fei sent by the spy group she worked in the game start to get info outta Yuugo, Yuugo being paraplegic and having the knowledge of n^n universes and just wanting to be normal again.

Yu Nogi recovering obsessive memories over Keisuke and having to learn to manage himself again.

More Keisuke pinning over the ones who left him.

SVSSS

Digimon AU that never continued because I feel I might hafta rewrite it ww

SQH eating out SQQ

a long list of cumplane porn i guesssssssss (unfinished)

Touhou

More about letty Whiterock (this one is so old gdi wwww)

[sayakxmi]

[Magi rewatch] Episode 7: His Name Is Sinbad [Part 1]

Oh, yeah, it was definitely the right call. I already feel less exhausted having to watch this. Should've done this from the beginning, but, well, a Pole is smart after a mistake, not before it.

Me for, like, half of this goddamn year. Hot as balls. For how long, actually? October or November. Jesus. I think October, cuz November/December I was on-and-off sick. What a fucking time to be alive.

The characters tend to look kinda eh at times, but man, are the backgrounds cool.

A bunch of characters nobody cares about, but in the manga they thought they'd be able to get people to join them in Balbadd, but here they're just. Going there, I guess.

He does look good.

Also SQUIRREL. And a BIRD

She looks good in here.

"You don't have to thank either of us! Alibaba did it, because he's a kind person!" Like, you're completely right, but also gets me how much Aladdin trusts and believes in Alibaba. And, the thing is, he isn't wrong to do so - Magi can kind of read people's Rukh, so Aladdin gets the kind of person Alibaba is on instinct. Still, F.

Also, gfdi, why does it all look so pretty. The colors get me, too.

What a character introduction. What a legend.

It kind of reminds me. You guys know, Magi is like one of the series that's the dearest to my heart. One of the few. Which is why I get so critical of it. And it's hilarious when I think about the fact, that this AMV is the reason I watched it in the first place. I'm not kidding.

"Why are you freaking out? :("

Also, gdi. Magi rewired sth in my brain, and whenever I hear Daisuke Ono I immediately think about Sinbad, it'll never stop. Did you know Jing Yuan from Honkai: Star Rail has Daisuke Ono as VA? And Wriothesley from Genshin Impact. I'm still processing that, lol. Other one I'll always recognize bc of Magi is Kaji Yuki (Alibaba). Funnily enough, he voices one of my fav Pokemon character - Clemont. Imagine my surprise. Man, maybe I do have a type.

I love low quality Magi.

He looks normal in the anime. Kinda nostalgic, good. Also, the wording seems to be a bit different, but mostly the sentiment remains.

Agh, look how excited he is to meet another adventurer! You get it, mister, you get it!

What if Aladdin became Sinbad's Magi, hmm.

There's some yt channel that posts Kimetsu no Yaiba videos, what ifs, and then offers like three scenarios. Lastly it was what if Muzan was a Demon Slayer. Can't help but think abt it whenever I consider some what if.

She smelled Hakuryuu's cooking.

It really looks nice. From afar.

Huh, in the anime they don't mention how various races mingle here.

Paper money. Something that Sinbad notices. Good characterization moment + good hint at what the porblem might be. Neat.

Reminded me abt one of the fics that I'm writing. These goddamn towers. Two fics, actually. Though one of them is just recalling the events from the other.

Anyway, back to the ep, I do think it's cool. Lots of show don't tell.

Yeah. In the previous arc we've heard that Balbadd wasn't doing well, and now we get to see it.

Down with the monarchy.

This entire scene is still hilarious.

"We're going to have to help him out, Masrur." "Damn."

I love Ja'far. What a pro.

Since I had to delete it from the chapter post bc of the photo limit. Here. Morgiana & Masrur noticing each other.

The Sinbad experience.

Pffff

The sound he makes, lmao. "Ahhhhh". He's so not getting paid enough to deal with this bs.

Also, sad: we don't have Masrur helping him :/ That was such a nice moment : (

White eyes. You killed him, Sinbad. You killed your future husband.

"You're Sinbad, the King of Sindria!"

[worriedvision]

I think I've said this a few times but every time I play stardew valley and tell myself to go for a different love interest my brain always goes "But Sam 🥺"

GDI every time I try to go for someone else my brain always goes back to him lmao

[daechwitatamicrecs]

Okay FIRSTLY everything about this is so cool. The premise is so cool. The graphics are divine, down the dividers. I am all about this. I am so ready.

I would die for Han. The end. He can do nothing wrong, including make my car smell like vom. “Basking like a little lizard in the sunlight” no literally I love him. If you’re a lizard, I’m a lizard.

“your mother taught you better than to do the things you’re good at for free.” this is an amazing sentence and it does so much heavy lifting. You’re so good at this sometimes it makes me mad lmao

“And if they did — well, maybe they saw things for what they were: shitty, same as anywhere else.” This is like. Such an allegory to so much of real history that its uncomfortable and I mean that as SUCH a compliment.

“outlawing the provision and receipt of medical care outside of authorized Thanotech facilities.” Yo. YO.

Still would die for Han. Screamed at the Scooper sighting. Furious that we didn’t get to stop and talk to him.

 “Do you think he was running to something, or running away from something?” RRRRrrrrrrrrrrrrrrrrrrrrrrrrr the brain likes this.

Oh they’re idiots!!! I love this. I am on board.

‘Whispering, you repeat, “You’re dead.”’ – LITERALLY I AM SO EMOTIONAL RIGHT NOW OH I DON’T EVEN KNOW THE STORY YET AND MY CHEST HURTS OH THIS IS GOOD

“Just to emphasize his point, he looks over his shoulder at you and grins with all thirty-two of them.” GDI WHY ARE YOU SO GOOD AT THIS FIUAHFIUAHFIUAEGHIAUGHIUA

“It’s beyond the realm of possibility that a corporation like that has no turnover, so where do people go when their turn is over?” JADE EOIEOPDA. OH MY GOD.

“You look at him out of the corner of your eye and find him staring up at the ceiling, like his life depends on it.” !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

“So, you can either eat, or you can keep pretending you’re not trying to flirt with me.” BITCH OH MY GOD??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????//

OKAY OH MY GOD THIS IS LITERALLY EVERYTHING MY BRAIN HAS EVER WANTED. TAKE THIS OFF THE INTERNET AND SEND IT TO A PUBLISHING HOUSE IMMEDIATELY. WHEN WILL HBO DO THE SERIES. AISFJAOSIFJAISJFIF

I stg if you kill off felix in a later part I will LITERALLY weep and then I will be MAD at myself for crying over fanfiction AGAIN!!!!!!

FORCE QUIT // EPISODE I: SCRAPS

you didn't have "anti-capitalist revolution" on this year's bingo card, but you never turn down a good time.

pairing: lee felix x reader | series masterlist (1/4) | next episode series summary: it's 2077, and life's a fucking nightmare. corporate titans ate the state and shat it back out, leaving citizens of the new republic to fall in line, or fall to their knees. a reckoning is coming — where will you fall? au: series — dystopian, cyberpunk; episode — childhood friends to strangers to something ➢insp. by: cyberpunk 2077 + the true lives of the fabulous killjoys genre: smut + angst + some fluff word count: 15.4k rating: 18+— minors do not have my consent to interact. series warnings: violence (hand-to-hand, firearms, explosives), depictions of injuries (blood/bruising/burns), some characters have cybernetic modifications, class conflict + poverty, surprise - corporations are bad!, unethical medical/tech experimentation, self-indulgent references to non-skz idols, reader is afab and uses she/her pronouns. episode warnings: above + trainer!felix, edgerunner!reader, pov switches, time skips, reference to food insecurity + reader living check to check, reader has cybernetic retinal mods + one in her hand, reader experiences temporary vision loss after being knocked out, oral sex (f receiving), unprotected p in v penetration. a/n: each episode features a different member x reader pairing, but the plot is linear, so you'd need to read them (in order) to get the full picture! you can sign up for the taglist to be notified of the next uploads. thank you to my beloved @sailoryooons for beta'ing this and @jihopesjoint for being my emotional support internet wife even though she doesn't stan skz. ily both endlessly!

You don’t deal in absolutes, but you know two things for sure: vending-machine burritos are a crime against humanity; and Han Jisung is a dirty, rotten bastard.

The firm stance you’ve taken on the latter may or may not have something to do with the former, but you can’t draw that conclusion now — not with the abuse your taste buds are currently suffering, anyway.

“Who the fuck —” 

You cut yourself off to spit a mouthful at the ground. Notably, the remnants of that half-chewed abomination look just as awful on the way out as they did on the way in.

 “— Replaced this queso with battery acid?”

Chipmunk cheeks stuffed to bursting, Jisung blinks back at you. He says nothing — suddenly too polite to speak with his mouth full — and shrugs, unbothered. That’s when the realization hits you like a boot to the skull. Drenched in disbelief, your muttering comes out in slow-motion: 

“You spent the last of our cash on these.”

He swallows, though you don’t know how he could bring himself to do it. That act alone makes the rage you’re simmering in bubble over. 

You repeat yourself through gritted teeth, pausing emphatically between every word, “The — last — of — our — cash!”

“My bad?” He eventually offers. Tongue flicking out, he tries to gather the unidentified sauce that clings to the corner of his mouth. He fails. “Not sure what else I was supposed to find with that little money in this part of town, but go off, I guess.”

You bite your lips together to hold back the guttural yell you’re seconds from releasing. At your sides, your empty hands clench tightly. Instead of snapping — with your words or your fists — you close your eyes, inhaling slowly through your nose. Deep breaths won’t do you any fucking good in this smog, but your brain tends to work a little bit better without visual interference.

I can go another twenty-four hours, you think. Maybe.

It’s been a while since you’ve last eaten and even longer since your last job. This isn’t out of the ordinary; gaps are to be expected when you live on the fringe, jumping from thread to thread. Still, it isn’t like Changbin to leave you hanging the way he has been lately. It sure as shit isn’t like him to dodge your calls, either.

So, you figure, if you make an unsolicited visit to his office — the stock room of a bar you know better than to frequent — he won’t have a choice. He’ll have to look you in the eye and explain the dry spell, personally. He owes you at least that much.

With your plan finalized, you hold out your left hand to Jisung. In the few moments you’d taken your eyes off him, he’d apparently gone from sitting on the hood of your car to reclining fully with his own eyes closed. Basking like a little lizard in the sunlight, it’s a miracle the hot metal hasn’t burned a hole in his shirt.

“Come on.” You nudge his bent knee with your knuckles to no avail.

As Jisung is wont to do, he pouts. “But it’s so nice out — and your car still reeks, by the way.”

The absolute, rakish audacity.

If you didn’t love him, you’d probably kill him. 

Strike that. 

Love is irrelevant. You wouldn’t kill him unless and until there was a price on his head. After all, your mother taught you better than to do the things you’re good at for free.

“Do we want to talk about whose fault that is?” You ask with a roll of your eyes. The affection’s still there; you know he sees it. “If I recall correctly — and I think I do, having been the only sober person present — you were the one who got blasted and barfed on everything I love in this world.”

“I got blasted and barfed exclusively on the floor of your car.”

It’s your turn to shrug. “Exactly. End of list.”

Groaning, Jisung rolls his eyes as far back as they’ll go, but he still takes your hand. He always does, always has. With your help, he scoots his ass down the hood and lands with both boots — precisely where your ejected burrito bite did, not five minutes earlier. You can’t stop the satisfied grin from spreading when he whines again, this time louder and with twice as much despair.

After playfully shoving your passenger towards his door, you unlock your own. You don’t dump yourself into the seat, however; not yet. A wall of horrible heat is waiting for you the second the door opens, and you know better than to run into it, headlong.

Jisung is less patient. He’s also more regretful, face twisting in self-imposed anguish when he drops down onto the sun-scorched leather seat. And, to your delight, the hits keep coming. You watch with a smile when the consequences of last weekend’s actions hit his nostrils. The look he gives you falls somewhere between humbled, apologetic, and absolutely dead inside.

“Not one of my finer moments, I’ll admit it.” He acknowledges with a wave of his hand. Resigned, he sighs, “I’ll scrub the shit out of the floor mats the next time we can afford a wash.”

Satisfied, you finally climb behind the wheel. Pushing through the slightly-muted sting of the seat against the backs of your bare thighs, you put your foot on the brake and lift your right hand to press your thumb to the ignition port. The roar of the engine covers the way your breath hitches, but Jisung doesn’t have to hear it to notice the grimace that accompanies it.

“Still sore?” He asks. 

To his credit, he looks genuinely concerned as he reaches across the center console and takes your hand in his. It’s gentle, the way he tilts your palm up, but the movement burns in every single one of your tendons. This time, you know you have a captive audience, so you don’t flinch. 

Despite the trouble it’s giving you, you have to admit that the new enhancement looks beautiful in the sunlight. In the center of your palm, two rectangular, silver brackets refract iridescence. Their shine contrasts sharply with the matte, midnight black cybernetic plating that now covers the majority of your palm, spreading to the first knuckle of your fingers but coating the length of your thumb in its entirety. 

More than beautiful, it’s deadly — and it aches like a motherfucker.

“I read a study about these ballistic co-processors last night while you were knocked out,” he hums. 

Classic Jisung. 

He has no medical or academic background whatsoever but wastes his time reading crank doctors’ research for fun. And, of course, he makes sure to mention it — casually and apropos of mostly nothing — in order to impress.

Gingerly, he runs his finger along the edge of the cyberware, mumbling, “It usually takes five days from installation for the musculoskeletal inflammation to chill.”

Your fingers twitch of their own volition, which prompts him to look up at you curiously. 

“Yeah, well…” You grunt.

Less carefully than you should, you pull your hand from his, tap the gear shift, and throw the car into reverse. Peeling out of the lot, you scoff without even bothering to look his way:

“It’s been ten.”

When the War came and went, it took the old way of life with it on its way out. You might’ve been late to the party by fifty or so years, but you’ve got the gist now. It goes something like this:

Korea, as it was once known, crumpled like a beer can in the face of a corporate uprising and was quickly kicked curbside with the trash. In its place came the New Republic — in all its stolen, neon glory — promising technological revolution, profit in excess. Although the world’s eyes were trained on the peninsula then, not everyone stuck around to watch democracy die in real time. 

Not up close, anyway.

Some people had enough cash to run but not enough to make staying worthwhile. With their tails between their legs and their life savings in hand, they left before the capitalist rot could set in fully; chose willful blindness and headed for countries where corporations rule from the shadows rather than broad daylight.

Most people, however, didn’t leave. People like your grandparents, who hadn’t looked up long enough to notice things going to hell in a hurry. And if they did — well, maybe they saw things for what they were: shitty, same as anywhere else. 

Five decades later, that fact hasn’t changed much.

Regardless of why a person opts to stay in the New Republic, their options for survival are effectively limited to two. Simply put, a person can sell their soul to the very corporations that strangled the state, or they can starve.

Nobody ever chooses the latter.

You can safely assume everything you need to know about a person based on where their next steps take them.

For example, those who crave both chic, penthouse apartments and blood-soaked streets are most likely to fall in line with WraithCo.. The name suggests that it’s a criminal enterprise run by fucking ghouls because that’s essentially what it is. More than that, it’s the arms manufacturer monopoly that out-manned and out-gunned the national military without breaking a sweat. 

The high-powered, highly-paid WraithCo. executives find joy in three things and three things only: designer suits; missiles that explode into clouds of fiberglass upon impact; and testing said missiles out on non-violent nomad encampments outside city limits.

Fucking ghouls.

Despite being the most openly violent of the major players, you find WraithCo. to be the most boring. They lack nuance, don’t bother with a false front or a positive PR spin — it’s all a little too predictable. Thanotech, on the other hand, is subtle; the perfect  cover for those who like to convince themselves they’re doing more good than harm.

In furtherance of that delusion, Thanotech replaced all public hospitals with state-of-the-art, for-profit rejuvenation centers. Worse, their lobbyists ensured that medical licensure was limited to employees of those centers, outlawing the provision and receipt of medical care outside of authorized Thanotech facilities. 

In short, those who can’t afford Thanotech’s astronomical rates — specifically, poor fucks like you — are left to fend for themselves in back alley clinics; to pray that they don’t wind up worse-off than they started, that the police don’t sniff them out, and that their new modifications aren’t just garbage-tier knock-offs.

Of course, some people give more of a shit about these designer mods than the patients who may or may not wind up with them. In that case, the last of the three titans has them covered.

It’s no fucking surprise that the Ulsan Corporation is the crown-jewel of the New Republic — it’s primarily responsible for killing the old one. As the world’s premier technology and cybernetics conglomerate, Ulsan is also primarily responsible for the research, development, and distribution of cybernetic enhancements.

Like the one your body is currently acclimating to.

No such thing as ethical consumption under capitalism, right?

Ulsan may be less obvious with its bastardry than its counterparts, but as far as you can tell, it’s not good guy behavior to eat an established state and shit it back out. Even if you can’t tie any specific, ongoing atrocities back to them, you have no qualms about adding the desperate state of the union to their indictment.

You can blame them for the desperate measures they’ve necessitated, although you won’t give them an ounce of credit for the spark of resistance they so recklessly lit.

Despite it all, there are still people out there who refuse to accept things for what they are. They find an alternative to the comply or die ultimatum — run along the razor’s edge, taking what they can get, whenever they can get it.

Like Changbin, one of Seoul’s best-connected fixers.

Like you, a gun for hire. 

Like Jisung, sitting in your passenger seat as you drive across town, who’s just happy to be included.

Generally speaking, piss and vinegar don’t mix well with club security.

If you were anyone else, rolling up to The Crypt like you own the place would be ill-advised. More than that, it would be asking to get your teeth kicked in faster than you could say, “I’m on the list.”

Thankfully, as it often does, your reputation precedes you. Nobody in the block-long line bats an eye when you cut right to the front, a fact that has Jisung smirking in a way that might otherwise get him killed. Still, the bouncer shoots you a look that says you’re more trouble than you’re worth; and you agree.

Before your friend can change the muscle’s mind, you grab Jisung by the wrist and tug him through the front entrance. You don’t let go when the door shuts behind you, although it’s more for convenience than concern for his safety. He has a tendency to wander, and you don’t have the patience.

“Haven’t been here in a while,” he muses as you drag him towards the main bar, head turning to look in every direction except the one you’re moving in.

You don’t slow down.

Winding your way through the drunks at the counter, you inch closer to the large booths along the far wall. Inside, draped nonchalantly over the plush benches, sit the big guns — mercenaries with far more sway than you, far fatter wallets. They’re living the high life you’ve always dreamed of, and they don’t even notice you staring as you pass.

“Oh, shit!” Jisung waves overhead to one of them, reminding you without trying that he — unlike you — has other friends.“S.Coups, where have the fuck have you been, man?”

You still don’t slow down.

Not when you reach the stairwell at the far side of the main floor. Not when you shuffle down the steps to the employees only section. Not even when the security camera overhead silently demands that you do.

There’s only one locked door amongst the few; you fly to it like a homing pigeon and beat against the metal with your free hand. It isn’t until the burning ache sets in that you realize you chose your right.

“Goddamn it.” You growl down at it, as if your hand will apologize for hurting. Turning your vitriol towards the door, you kick it hard, steel-toed boot forcing out a thud. “Changbin, open this shit up!”

Jisung glares as he scolds you, “Manners, maybe?”

You roll your eyes, but his expectant expression doesn’t budge.

“Fucking — fine, okay? Fine.” Hands thrown up in defeat, you take a deep breath. Your next words come out saccharine, accompanied by fluttering lashes that can’t even be seen. “Changbin, darling, could you please open this shit up?”

The two of you wait in dead silence for several seconds before Jisung’s hands fly up to your hair, unprompted. Your surprised yelp doesn’t faze him. He grabs the bobby-pin from where you’ve stashed it under your ponytail, drops to his knees, and starts to work.

You snort, “Well, damn. Look at you!”

Truly, you’re impressed. Jisung normally leaves the dirty work to you, yet here he is — breaking and entering.

They grow up so fast.

He tries not to look proud of himself, but his cheeks blush a shade of sakura and rat him right out. Though you’re sure he’d love to, he can’t even lift a hand to wave you off before the lock clicks. With a quick twist of the knob, he pushes the door open.

Changbin’s office looks close to normal, with a few notable exceptions. For starters, he’s not in it. The man you’re dealing with never sees the light of day if he can help it.

Jisung pipes up first: “Okay, what the fuck?”

The office chair Changbin normally occupies is spun to the side, as if his ass left it in a hurry. Even odder than that is the small, green light which indicates that he didn’t shut off his computer before leaving it unattended. It’s not a decision someone like Changbin — neurotic and paranoid to a borderline clinical degree — makes on his own.

That, you know outright, is a problem.

Cautiously, you slip past Jisung and walk on eggshells towards Changbin’s desk. You know it’s stupid, that no one would bother rigging the floor tiles to blow under the weight of your boots, but you can’t ignore the way your gut twists with every step. That dread only gets worse, the closer you get.

To the right of his primary screen, there’s a half-eaten vending-machine burrito that’s so covered with ants, you almost mistake them for pepper flakes. That sight makes bile rise in your throat, in and of itself, but it’s the untouched cup of coffee that sends a tingle of panic down your spine. Around the base of the glass, hardly visible on the sheet of paper underneath, is a water ring. 

That coffee — at one point, however long ago — was iced.

Changbin would kill you for it if he were here, but he isn’t, so you drop down into his chair. You pause as soon as your ass settles onto the leather, still not convinced that one wrong move won’t set off some sort of trap. The breath you’ve been holding leaks out slowly when your actions go without consequences.

A quick glance up at Jisung confirms that he looks exactly as spooked as you feel. You watch his Adam’s apple bob when he swallows hard. 

He knows the answer before he asks, but that doesn’t stop him. It comes out scratchy, riddled with hesitation that says he doesn’t really want to hear the response. “He hasn’t been here in days, has he?”

You shake your head, just barely, then turn to the desk. Bottom lip pinched between worried teeth, you scan the surface for anything you missed on your first pass.

Give me a hint, you motherfucker. All I need is a breadcrumb.

It’s the absence of something that grabs your attention. Eyes narrowing, you lean forward in your seat to get as close as possible to his monitors.

“Does that…?” You start to ask but your voice trails off before you finish; thoughts moving too quickly to inventory before the next one arrives.

Though black, the screens in front of you aren’t lifeless. If anything, they’re still backlit, glitching subtly in a way they shouldn’t — not if the system had been locked, powered off, or otherwise put to sleep. You don’t have to be a netrunner to know that someone is running an opp, fucking up the computer’s processing and leaving it brain dead.

It’s so small that you almost miss the minimized window at the bottom left-hand corner of his secondary monitor, screen otherwise barren. Hesitantly, you reach out your hand and press a trembling finger to it.

Jisung is hovering so closely over your shoulder that you can practically taste that burrito on his breath. You elbow him once in the chest, hard.

He coughs, pointing to the screen as he sputters, “What the hell are those?”

“Numbers, Jisung.” You deadpan. “They’re called numbers.”

Ignoring the way he grumbles in response, you grab your mobile from your pocket. It springs to life at your sudden touch and broadcasts a holographic home screen in the air just centimeters above the glass. Just as fast, it tracks the movement of your eyes flicking through the list of applications. With the faintest shudder, the GPS navigation consumes the screen.

You repeat what you hope are coordinates:

35.2029, 128.6001.

As the map loads, you and Jisung exchange glances that are underscored by tense swallows. He knows it, and so do you: 

No matter where that pin ends up dropping, you have no choice but to go.

It takes three hours to drive from Seoul to Changwon. Although it’s not a route you’ve taken in years, or one you ever expected to take again, you still know it like the back of your hand. You can still navigate every turn — every crater and curve — with your eyes closed, even now. 

Despite that fact, your decision to race to the southeast this time has nothing to do with sentimentality for the hometown you left five years ago. 

This is just for Changbin, you repeat like a mantra, pressing harder on the accelerator. 

With every stoplight and thought you race through, the background grows blurrier but the big picture gets clearer. Changbin himself has nothing to do with it; and you’re not as selfless as your inner monologue keeps claiming. You correct yourself:

This is for me and my empty bank account.

Really — who could blame you?

You need steady contracts in order to eat. Without Changbin, those get fewer and farther between. It’s the transitive property, or whatever; basic math. You might starve without him, and that is the one thing in this life that you’re unwilling to do.

In the passenger seat, Jisung stirs. When he speaks, his voice isn’t weighted down with exhaustion in the way it usually is, halfway through a car trip. For some reason, it makes your stomach turn to consider that — for what is probably the first time ever — he isn’t sleeping through a drive.

“He left in a hurry,” he quietly notes.

Out of the corner of your eye, you glance at him and confirm the presence of that worried crease between his eyebrows. It’s not accompanied by the usual, furiously-bouncing knee. That makes your stomach turn, too. Clearly, he’s vaulted over mere anxiety and landed somewhere close to shutting down.

You nod. “He did.”

It spooks him when you take your right hand off the steering wheel and give his elbow a brief squeeze. You’re not the affectionate type; you both know this. It always makes your rare touches more ominous than comforting.

“Do you think he was running to something, or running away from something?”

Leave it to Jisung to say the quiet part out loud. 

Normally, you have an answer for his constant questions; and if you don’t, you resort to lying or guessing. This time, however, you don’t bother with either of those tactics because it doesn’t matter. Whatever the correct answer is, it’ll still feel wrong because Changbin doesn’t run.

Period.

Full stop.

So, the conclusion your brain keeps trying to come to is that he didn’t — he wouldn’t — if it came down to choice. The only reason Changbin would’ve disappeared like this, suddenly and wordlessly, is if he was taken.

Pulse hammering loudly in your ears, you don’t hear Jisung announce that your destination is only a few hundred meters down the road. Without his emphatic pointing out the windshield ahead, you simply would’ve continued racing forward, taking the speed limit as a suggestion to be ignored. Thankfully, your lead foot switches to the brake with enough time to make your turn. Tires hit dirt; your car fishtails as it transitions from the road to the worn-out path to your right.

“The fuck is this place?” You mutter, more to yourself than to Jisung.

It’s obsolete, you know that much. 

Something akin to an industrial park, but one that clearly hasn’t been used since before the War. There are electrical towers dotting a perimeter around the space, none of which are operational; the grid system was replaced by wind power, then by solar energy no fewer than fifty years ago. The driveway below is so cracked that patches of weeds have overtaken most of what remained of the pavement. All the rest is weathered, reduced to broken bits of cement and dirt.

Your car slows to a stop halfway down the parkway, surrounded on both sides by empty storage units with doors either broken or missing entirely. Hair raising on the back of your neck, you park but don’t kill the engine. Slowly, you rest your right hand over top of the holster strapped to your thigh and open your car door with your left.

The sun set a few hours into your drive. Its absence hasn’t done a damn thing to break the thick heat waiting for you outside. Humid air settles on your skin and leaves a sheen of sweat behind like a handprint, sticky.

“These were the coordinates,” Jisung affirms with a sigh. He stays seated inside the vehicle, leaving you to wonder why. He’s either too panicked to move, or correct in assuming you’d tell him to sit his unarmed ass back down before you made him.

You don’t respond. 

Instead, your eyes continue to scan the property for signs of — well, anything. Movement, a heat signature, whatever might register on your optical mods. There’s nothing, save for the stray tumbleweed somersaulting across the empty lot. You narrow your eyes to zoom in, heart pounding with anticipation.

You almost scream when you see it, but you swallow the urge. Fear won’t do you any good, but the semi-automatic strapped to your thigh might. It’s in your palm before you can blink, cocked and aimed at the figure ahead. At the bottom of your field of vision, your ammo count glows in translucent, block letters.

So, the ballistic co-processor is worth the pain.

Their posture is casual, legs dangling from the metal catwalk they sit on. Their elbows rest against the railing in front of them, as if they’re leaning on a counter in a bar and not spying on you from a scaffold four meters overhead. The way they’re watching in silence is unsettling enough; the wooden tal obscuring their face is fucking nightmare fuel, if you’ve ever seen it.

Head tilted curiously to the side, the stranger stares down at you through small eye holes, wooden mouth frozen in a hand-carved smile. Whoever they are, they’re immersed in the bit. They exaggerate every slow movement for their audience of two.

Good for them, you scoff to yourself.

Gloved hands come up to pantomime “don’t shoot” mere seconds before they grab hold of the railing in front of them. Just as quickly, they swing themselves underneath with a kick of their legs until they’re falling, falling, falling towards the ground below. They land easily on their feet without so much as a grunt. All the while, dust swirls in pirouettes around their ankles, spot-lit by your car’s headlamps.

“What — what the fuck?” Jisung squeaks. 

You don’t answer, but that doesn’t stop him from repeating his question, over and over.

Hands still raised, the stranger slowly closes the distance between you. Their fingers wiggle slightly in some demented version of a wave; they’re taunting you. The unhealed part of you wants to shoot those fingers off, one by one. 

You’ve never been fond of clowns.

“If you like having kneecaps without bullets in them, I suggest you stay still, chingu,” you scoff, now more annoyed than alarmed.

To your surprise, they listen. Their feet still, side by side; and their hands stay where you can see them. That is, until they curl all of their fingers into their palm, except for their right index finger. With it, they point silently over your shoulder.

As soon as you can whip your neck around, a gloved fist collides with your temple. The last thing you see before your vision goes black is a second, wooden smile looming over you.

A hushed tone manages to nudge you awake.

“You really can’t keep doing this. Seriously, your people skills are awful.”

The whole world’s blurry, and you can’t make out the source of the sound, but you’re coherent enough to know it when a second voice chimes in. It’s much less gentle than the first, higher in pitch and twice as exasperated. It snaps, “She was armed.”

“I had it under control,” the first voice huffs. 

The two seem to be too lost in their argument to notice your eyelids fluttering or your fingers twitching. Your wrists aren’t bound, you realize, but that fact doesn’t help you much in your current state. Back resting heavily against the thin nylon cloth of a cot, it’d take more energy than you have to spare in order to get to your feet. Worse, your eyes don’t seem interested in cooperating.

They should be by now. 

They’re open, you’re conscious, and —

Motherfucker.

The more awake you become, the more the ache in your temple reverberates down your jaw. You know without looking that the right side of your face is bruised to hell and back. Scraped up, too, if you had to guess; you hit the gravel like a bag of bricks.

They must’ve done it on purpose, hitting you exactly where they needed to in order to scramble your visual input. The most you get is shapes, black and white static. It wasn’t the hardest knock you’d ever taken to the head — not by a long shot — but it was perfectly targeted and timed. 

Clearly, they’re no amateurs.

One such shadow kneels down next to you. Gentle fingers tuck a strand of hair behind your ear while their other hand tilts your drooping head to the side. 

They tut, “Just look at what you did to her face.”

“From what I’ve heard, she’s been through worse,” the second voice scoffs. You watch the shadow’s shoulders as they shrug, wishing you could focus on their face well enough to bash it in.

The retort comes quickly, but it doesn’t come in Korean. 

“That doesn’t mean you can’t do better.”

The hands that gently cradle your face pull away, leaving you cold. The action itself isn’t as jarring as the sudden use of English, though — especially the accent it’s spoken with. You may not be fluent, but you can sense what’s missing: the consonant on the end of that last word.

You sense something else, too, but you’re still too disoriented to follow that thought from start to finish. It’s on the tip of your tongue, just out of reach.

Who — ?

The bastard that broke your brain must notice your face scrunching in confusion because their next words seem to be aimed at you. Clipped and unapologetic, they mutter, “Should be fine within the hour. Already been out for —” 

They suck in a breath through their teeth. You can’t tell if they’re stalling in order to toy with you, or if they’re genuinely doing the math. 

“— Seven hours or so, now.”

Fuck!

One of the two snorts out a laugh; it’s the only reason you piece it together that you spoke out loud. Emboldened by the confirmed functionality of your voice, you speak again without thinking it through first. 

You don’t care where you are or who you’re with. You only have one question:

“Is Changbin still alive? Because if he is, I’ll kill him myself.”

The man kneeling next to your cot chuckles, soft and low, but he doesn’t acknowledge your question beyond that. Instead, he addresses his hamfisted friend. “Can you please get her some water?”

“Am I a waiter now, Yongbok-ah?” The other snips, though his tone is devoid of any real heat. If his face wasn’t blurred out of existence, you’d likely find a sneer on it. “Should I roll some gimbap for her, too?”

“Actually, you should,” counters this Yongbok. His response is buried so deeply under his breath that his back talk may as well be a secret for your ears only. “Punched her clean into the next weekday — so, yeah. It’s the least you could do.”

It grows silent enough that you can hear every incredulous footstep as the waiter storms off.

The remainder says, “Sorry about him,” and for whatever little it’s worth, he sounds like he means it. You say nothing, simply marinating in your resentment. 

Meanwhile, he shifts from his knees in order to sit fully on the ground next to your cot. Elbows extended, he leans back onto his palms and sighs gently, “Minho’s not as bad as the first impressions he makes.”

You scoff so forcefully that you feel it in your sinuses. “This is the second. His first is the reason I can’t see who’s holding me hostage.”

“Whoa, whoa, whoa!” The shape beside you sits up suddenly. He sputters, “You’re not a hostage, and this isn’t a kidnapping —”

“Then what the fuck is it?” You snap, “Huh, Yongbok?”

Blindly, you throw out a half-balled fist in a half-baked attempt to even the score. It misses by a mile, nearly knocking you off balance in the process. Your wrist is encircled by the same warm fingers you felt before, doubling over but exerting no force.

“We were scouting you. You know, like, soccer?” He chuckles sheepishly. “Changbin mentioned that you were a free agent, so to speak, and we thought you might wanna join the team.”

What the fuck?

“And — it wasn’t supposed to wind up like this.” His shadow’s hands gesture vaguely at the room you can’t see. “I did try to warn you. You just didn’t turn around in time.”

There are too many questions swirling around in your skull to choose from. One of them must break free and nudge your retinal chip back into place because something turns the lights back on. Glitching wildly, your vision flickers from low contrast to high definition. It doesn’t hurt, but the surprised gasp you choke out could easily be interpreted that way.

The man next to you is back on his knees in a second, both hands finding your shoulders to either comfort you or immobilize you — and you aren’t sure which. Against your better judgment, you ignore the reflex that tells you to fight or flee. Instead, you reach out and touch his cheekbone to confirm that the faint spots you see are freckles and not lingering sensory damage on your part.

He doesn’t even blink, much less say a word. There’s no jerk to get away, and there’s not a single question asked about what the fuck you’re doing — just tolerance. Far more than you’d be extending if the roles were reversed.

Freckles.

You aren’t embarrassed, but you drop your hand quickly and scowl at him until he does the same. Once again, he raises them as he leans back. Notably, he doesn’t wiggle his fingers like the first time you crossed paths.

That reminds me —

Abruptly, you draw your arm back to deck him in earnest. 

Just like the last time, he catches you before you can strike him; however, instead of capturing your wrist, it’s the entirety of your fist. His palm absorbs the shock, fingers closing around your hand. It’s the gentlest trap you’ve ever been ensnared in, which you hate.

Smart of you to prevent another attempt.

“Can I finish explaining myself?” He asks, voice soft. 

Bright doe eyes scan over your face cautiously as he contemplates letting your hand go. It’s disarming, sure, but you’d rather die than admit it. 

You give him absolutely nothing to work with, so he adds, “You can hit me when I’m done, if you still want to.”

All you give him in return is a glare, which he somehow correctly interprets as permission to keep going. The grip on your fist loosens, although it wasn’t constricting to begin with. Like nothing happened, you pull it away and cross your arms.

As if nonchalance has ever been your strong suit.

He stares at you, deep in thought, for longer than you know what to do with. Eyes sweeping over your features like he’ll be quizzed later, taking in every detail. It’s unsettling — what about you is even worth gawking at?

When he frowns, that spark of light in his eyes stays put. “You don’t remember me.” 

It’s not a question because he isn’t asking; he’s telling. And you have no goddamn clue what he means, no matter how loudly the voice in your head screams that you should. The familiarity buzzing through your brain can’t place him — not the button of his nose, not even those fucking freckles.

“I don’t know anyone named Yongbok,” you counter, frustration evident.

You wouldn’t be this harsh if you know how not to be. Part of you feels guilty when you see the hurt flicker across his face, but both emotions — his and yours — are gone as quickly as they appear. Consequently, the walls stay up, refusing to give. Despite you, the corner of his mouth hitches up in a lopsided version of a smile. 

That’s familiar, too.

“Never really went by it,” he chuckles. As he does, he tilts his head quizzically. 

Another bell rings, yet you can’t name the note.

Shyly, he takes his half-smile with him and looks anywhere else. The anticipation is spinning cartwheels in your stomach, tingling down the back of your neck, and you’re seconds away from trying to smack the trapped words right out of him. 

Who are you to me?

After a deep breath in and out, he glances back at you from the corner of his eye. His hesitation does nothing to prepare you for his response, which isn’t his name at all. It’s yours — a nickname, more specifically. One no one has used in damn near a decade.

“Been a while, Scraps. Hasn’t it?”

Felix has never seen anyone freeze the way you do when the realization finally hits. For a minute, he worries that Minho did more damage to your poor brain than either of them initially diagnosed; it wouldn’t be the first time. Minho’s never been known to be careful or tactful.

Your silence — and your total lack of physical response — doesn’t last, though. He nudges your kneecap with his knuckles just to make sure you can feel it. You blink rapidly, as if you’re just now remembering how.

He starts to ask, “Are you ok—?”, but your fist flies out, pops him right in the jaw, and he chokes on the rest of that question. Hands flying up to cover his face, he collapses back onto the floor with a groan. When the initial shock wears off, it dissolves into laughter that shakes his shoulders.

Honestly, what did he expect?

In a flash, you shove yourself off your cot. You’re on top of him before he can blink, pinning him down. You grip his shirt in one fist and raise the other. He braces himself for impact but doesn’t flinch, too taken aback by the fury you’re capable of communicating without a single word.

“You’re fucking with me,” you spit, breaking the silence.

Your glare is borderline feral — burning — and that makes him laugh even harder. 

“You haven’t changed a bit, you know that?”

To both of your surprise, you don’t hit him again; you don’t even try. You freeze, but unlike the last time, your eyes are shaking. Your raised arm is, too, like it’s taking all you have to keep whatever you’re feeling to yourself.

Classic Scraps.

You mutter, “You’re dead,” and it’s not a threat. 

Not even close, really. It’s a declaration, one accompanied by an expression that’s as close to vulnerable as he’s ever seen from you. All at once, you lower your arm; the rest of you slumps, too. Whispering, you repeat, “You’re dead.”

Something about your tone hurts worse than the burgeoning bruise near his mouth. It aches, even more so when he frowns. You deserve an explanation — an apology, too — but Felix doesn’t know where the fuck to start.

Maybe he should cash that reality check first.

“Is that what people are saying?” He asks.

He’s not sure what about that trips him up. It makes perfect sense that this is the conclusion people wound up jumping to. After all, he left without a word and never came back — didn’t leave a trace, either. 

Felix wasn’t the first teenager to slip through the cracks, so he’d figured that his would be another run-of-the-mill disappearance. Sure, people tend to notice when kids go missing; but that doesn’t stop the world from turning. Sooner or later, people stop looking, either too busy or too hopeless to keep holding a torch.

Eventually, they forget.

At least, that was the reality Felix had subscribed to — that, after a while, he’d slipped through the cracks of collective consciousness. It was easier to tell himself that he wasn’t missed. His guilt couldn’t keep him up at night if nobody remembered that he existed in the first place; especially when a decade slipped past in his absence.

But you did remember. 

You missed him.

You lift your knee so that you’re no longer straddling him and drop onto your back at his side.

It’s funny, he thinks as he stares up at the ceiling. The two of you spent years just like this, albeit on the hood of some junkyard sedan. Two pairs of wide eyes were always fixed on constellations, dreaming of something bigger than both of you. Of some future where you weren’t still stuck in the gutter.

“There was no trace of you anywhere.” You speak so softly that Felix is left to wonder whether you’re talking to him or yourself. “No records that you fled, no word from you, no hits on CCTV — nothing. The cops said there’d be a trail if…”

Your voice fades out before you can finish that thought, so Felix picks up where you left off: “If I was alive to leave one.”

There’s a long pause before you speak again. 

“This is where you disappeared to?”

He feels a shift beside him. Out of the corner of his eye, he sees the way you’ve tilted your head to gaze at him. By the time he does the same, the moment is gone, and you’re taking in the room around you. 

It’s not much, but it’s all he has: A small room in a decommissioned factory, smelling faintly of sawdust despite not containing any. The cot you just sprang from is where he’s spent most nights since he was fifteen. 

The floor underneath it — underneath you — is more dirt than concrete now, no matter how many times he’s scrubbed it; and the few iron shelves that hang along each wall are just as gross. So are the knickknacks he’s set on them, but he doesn’t mind.

The site itself is long forgotten. It’d be an eyesore if anyone ever looked, but no one bothers.

Even satellites have stopped paying it any attention, leaving it to fade into dirt and obscurity, not even a shadow of what it used to be. Once plush and inviting, the surrounding forest was leveled in a firefight that ended with ninety-percent of the nearby buildings getting blown to shit. 

The New Republic could’ve easily organized a relief team to dig through the shattered city. At any point in the last fifty years, they could’ve rebuilt what burned in that failed uprising, but they didn’t; and Felix knows they never will because that rubble has a function. Apart from burying one of the country’s most impoverished districts, it serves as a cautionary tale. A threat left behind to the masses: this is what happens when people pose risk to profits.

Still, flowers can grow within cracks in concrete. After all, his life with you started just a few kilometers away.

“Are we still in Changwon, or did you and that asshole drag me out of the province?” 

That edge of yours is ever present, and Felix is glad. It’s one of the million things he’s missed about you; a feature on the long list of reasons he wishes he could’ve called — messaged, sent a smoke signal, anything — to keep you around in whatever capacity he could.

But he didn’t. 

He couldn’t.

Felix feels the weight of a lost decade sitting heavy on his chest, so he does what he always does: he chooses light. Smiling brightly, he asks, “D’you remember that junkyard we used to run away to after curfew?”

You roll your eyes. You don’t have to say it out loud; he knows you do. The two of you spent more time there than you did in your own homes, lining glass bottles along the wooden fence posts and firing stones at them with a homemade slingshot.

“We’re a few kilometers up the road, actually.”

At this, you sit up so that no part of your body stays pressed against his. Dead silence settles in the space between you like a brick wall. You bristle, then you snap, “All that time you were dead, you were still within spitting distance?”

Felix opens his mouth to respond, but your rigid posture makes it clear that you have no desire to listen. He closes it again without saying a word. It’s what he deserves, isn’t it?

“Traded in your family, your home, your — Me.” You clear your throat to hide the fact that your voice breaks. It’s too late. “And for what, Felix? To haunt some abandoned building like a ghost?”

You clench your fists, like a grip tight enough might keep you together. That part of you hasn’t changed either, it seems. Neither has the extremely unsettling way you get quieter, the more upset you are. Just like that, he’s reminded of what you used to say: the more it hurts, the less it shows.

“I couldn’t pick you out of a fucking lineup despite all of that history,” you whisper, deflated. “And you were here the whole time.”

Talking won’t do him much good, so Felix opts to show you. Palms pressed to the ground, he pushes himself to his feet, and he doesn’t bother dusting off the back of his pants once he stands. It won’t make a difference, anyway, when the whole damn city is covered in it.

Once he steadies himself, he extends his hand to you, half-expecting you to slap it away. You don’t budge. You never do, he recalls fondly.

“One chance?” His eyes are pleading, even though you don’t look up to meet them. “It’s hard to explain, but it’ll make more sense if you see it.”

Without looking, you lift your arm and slap your hand into his. A small concession, but it’s enough to make his smile reappear. He’s practically beaming when he hauls you to your feet, and you grip his forearms to keep steady.

“Fine,” you concede with a huff. 

Then, you round on him with one pointed finger, jabbing him in the center of his chest with force. It’ll bruise, but he supposes that’s the whole point. 

“This better be worth all the fucking theatrics, or I swear to god —”

“You’ll make me swallow my own teeth?” He rolls his eyes with a low chuckle and tugs you along after him on his way to the door. “Yeah, yeah, yeah — Heard that threat a thousand times, Scraps, and you’ve never once made good on it.”

Just to emphasize his point, he looks over his shoulder at you and grins with all thirty-two of them.

All things considered, you take everything in stride. You don’t react much at all when you discover that the abandoned building is anything but; refuse to bat an eye when the two people you woke up to are revealed to be a tiny fraction of the whole.

You even keep your hand in his as he ushers you from room to room — through the clinic, the makeshift and woefully under-equipped armory, the Hub — and introduces you to whoever you come across. He might even go so far as to call you friendly, which is a first. Receiving any kind of warmth from you typically requires high-level security clearance. 

Or, at least, it used to. Felix has to remind himself more than once that, small echoes aside, there are parts of you he doesn’t know anymore. This could very well be one of them.

Halfway through the tour, you finally offer up more than a lukewarm greeting and your name. It’s just the two of you now; you don’t have to make yourself palatable anymore. Blunt as ever, you throw out, “This is a cult, right? You ran away from home to join a cult?”

There she is, he thinks.

Felix pulls a face in disapproval, which you either don’t catch or don’t care about. Instead, you turn your head in the opposite direction and let your gaze sweep over the loading dock you currently stand upon.

It’s the closest thing they’ve got to a sitting room, filled with the only comfortable furniture they could get their hands on — half-busted arm chairs, ratty old couches, tables held together with duct tape and a prayer. You drop suddenly onto one such couch, jerking him back until his ass winds up next to yours on a tattered cushion. 

Felix can’t tell if you pulled him down on purpose, or if you simply forgot that you were holding onto him. Either way, he doesn’t mind, but part of him hopes it was the former.

“It’s a collective,” he corrects you, lips flattening into a firm, straight line.

“You don’t have to sugarcoat it. If it’s a sex cult, just say so.”

He tries not to laugh — really, he does — because the last thing you need is an enabler, but your deadpan delivery has always hit him where he’s weakest. He tries again while swallowing a chuckle: “It’s the Black Screen, home to the most talented and ungovernable motherfuckers on the peninsula.”

You don’t look impressed. Felix doesn’t take it to heart.

“We’ve got a reconnaissance team, netrunners —” 

As if he’s doing a roll call, he points to nearby stragglers with every position he names. 

“— corporate defectors, combat vets, medics, ex-fixers —”

He nudges you with his elbow, wiggles his eyebrows and murmurs, “— Edge runners —” 

If that look in your eye is any indication, you still hate it when he does that.

“And a couple of wayward drunks who — well…” Felix pauses for a moment to think. It doesn’t help, so he shrugs, snickering, “I dunno how they got here, and they don’t contribute much, but they’re fun to have around!”

The corner of your mouth twitches, ever so slightly. He grins down at you, as if to say gotcha. 

“So, it is a sex cult,” you repeat flatly after a beat.

Felix can’t beat your bit, so he may as well join you in it. Bested, he sighs, “Yeah, pretty much.”

You hum in acceptance of his defeat, clearly amused by how easily he still gives in to you. 

With pursed lips, you continue to take in your surroundings. Your brow furrows while you process the information you’ve been bombarded with so far, but you don’t offer up any further questions or snide comments. Thankfully, the silence that falls over you both feels a lot less like lead than the previous one.

Felix’s gaze stays fixed on you, though you’re too busy looking elsewhere to notice. Maybe you couldn’t recognize him, but shit — he’d know you anywhere, anytime. You’ve gotten older, of course, finally grew into those features of yours. Still, there are hints of the kid he used to know hidden all over your face.

Original traits aside, the new additions — the tattoos, for starters — all read like you. In fact, Felix is fairly confident that he’d know who they belonged to, even if the other context was removed. After all, the cyberware installed into your hand can’t undermine the familiarity of it resting against his palm. 

And it sure as shit still hits like it used to.

He considers it a blessing, really, that so much of you survived the years that flew by without him. That the scrawny girl next door — ready and willing to fight God over a single slight — still rolls her eyes the same way, still speaks in that satoori his non-native tongue could never mimic.

“Maybe I’m missing something,” you announce suddenly. The unexpected sound of your voice startles Felix so much that he jumps, knocking his shoulder into yours in the process. You ignore his reaction and continue, “This just looks like someone is collecting people as a hobby. What are you all doing here?”

Oh.

Yeah, that’s a fair question.

“We’re… starting a fire,” Felix muses. 

You arch an eyebrow expectantly, although the rest of your face remains impassive. It’s less of a demand for him to continue than it is permission for him not to stop.

“And we’re going to burn it all down.” He hits you with a devilish grin, drops his voice low in a way that makes you shiver involuntarily. “The corpo-rats, the lies they sell — all of it.”

“Sounds like anarchy,” you say, tilting your head to the side. There’s a beat, then you grin to match his. “Sign me up.”

Felix stands at the far side of the dining area with his arms crossed and his head leaning back against the cinder blocks behind him. His legs are crossed at the ankles, knees aching from the sheer amount of time he’s been holding the wall up. 

As much as his body wants to sit, the rest of him is out of options. The only table that isn’t full is the one you’re occupying with Changbin and Jisung. After the day you’ve had, you deserve time alone with something familiar. He recognizes that he isn’t that. 

Not anymore — and not yet, either. 

He finds it hard to stray too far, though. You’ve always been able to fend for yourself — that black-and-blue jaw of his is proof enough — but it’s a role he can’t help falling into, looking out for you. Muscle memory.

Although Felix can’t quite make out anything that the three of you are saying, it’s clear as a damn bell when you slam your palms down on the table. Just as obvious is the split second in which your anger gives way — when the pain in your right hand finally registers in your brain.

“That one going to be a problem?”

Hyunjin, as usual, seems to appear out of thin air. He sidles up to Felix and takes up the spot next to him along the wall. All it takes is one quick glance to confirm it — he’s exhausted. Dark half-moons sit in the wells beneath his eyes like ink, silently informing Felix of yet another all-nighter; still keeping secrets as to where he goes at night when everyone else is sleeping.

But Hyunjin isn’t a mystery Felix will ever be able to solve, so he looks back in your direction and asks, “Who, Scraps?” Then, with a shake of his head, he sighs, “No. She’s a cherry bomb, but she’s reliable. Far more than most, actually.”

It’s odd, Felix thinks, that Hyunjin didn’t already know the answer to that question. As the reconnaissance leader of the Black Screen, there isn’t much Hyunjin isn’t aware of. Felix doesn’t comment on that piece, however. Instead, he does his best to interpret your reaction.

“If I had to guess, Changbin just told her about the fake kidnapping.”

And Hyunjin doesn’t do a damn thing to conceal his smirk. That was his plan, after all. 

Two weeks ago, Seo Changbin stumbled upon a lead by accident. While Felix isn’t privy to the details of what Changbin dug up, he knows it must’ve been significant. That’s the only explanation Felix can come up with as to how Changbin wound up at the rendezvous point. Nobody — not the corporate ghouls, their war dogs, or any other sorry soul  — finds the Black Screen unless they want to be found. 

Felix is privy to what happened next because it’s the only reason he wound up involved in this at all:

Whatever intel Changbin had was groundbreaking enough to score an invitation to the revolution, but he had more to offer the higher-ups than that. He dropped the name of someone who could be an asset, under the right circumstances. Someone who wouldn’t follow a breadcrumb trail for free but would tear the peninsula apart to find whoever owed them.

For what it’s worth, Felix disagreed with that characterization the second he heard it. Despite the mask you like to wear, you’re incapable of being self-centered. You’ve never been profit-driven, heartless, or attachment-avoidant. Just hellbent on survival for you and the people you feel responsible for, even as a kid. 

The only reason Felix hasn’t asked you about your motive outright is because he knows you’d lie. The truth is simple: Unless it was for someone you care deeply about, you wouldn’t waste gasoline on speeding back to a place you hate.

Hyunjin clears his throat, pulling Felix out of the daze he’d fallen into. Given the pointed look on his face, Hyunjin must be repeating himself when he says, “She got you bad, huh?”

Confusion forces Felix’s brow to furrow. 

“This?” He takes a wild guess and gestures to the bruise on his jaw before waving dismissively. “Nah, her form is terrible. Truly garbage-tier follow-through. I can teach her, though.”

Hyunjin pushes himself off the wall and moves to exit the dining area. As he passes by, he gives Felix a patronizing pat on his shoulder. “Not what I meant, Yongbokie.”

Felix frowns, unsure how to take what he’s being given. 

The fuck?

“Not even close,” Hyunjin calls over his shoulder. 

He shoots Felix a wink, and then he’s gone, disappearing out the door the same way he entered it — like a goddamn apparition.

“Wow. Recruited? That’s — wow.”

Jisung is doing a terrible job of pretending he isn’t blushing. He clears his throat to keep his voice even, but it’s useless. He’s not fooling anyone. 

“I didn’t realize we were so sought after.”

“You’re not,” Changbin responds bluntly. He gestures across the table to you but maintains his eyes on Jisung. “She is. You just happened to be present, and they couldn’t leave a witness behind.”

Jisung doesn’t bother to hide the way his face falls. When he opens his mouth to whine, you raise your hand and silently demand that he spare you the earache. It seems to work; he slumps dejectedly and leans with his elbows against the tabletop. You proceed to ignore him.

Affect flat, you stare straight ahead at the source of all your fucking problems. The half of you that wants to hug Changbin for being alive and well is significantly quieter than the half of you that wants to grab him by the nape of his neck and shove his face into his yukgaejang.

Bastard.

“I no longer give a shit how I ended up here,” you state coolly. Liar. “That ship has sailed, and to keep it a buck with you, Binnie —” 

He cringes at the nickname, which is exactly the reaction you sought. 

“— I’m not interested in stroking your ego for getting one over on me. It won’t happen again. What I’m still waiting on —” 

The only reason you leave that clause hanging in mid-air is to see the anticipation stir in his eyes. From where you’re sitting, it’s what he deserves: a little bit of unnecessary suspense. Really, it’s a form of reparations for the giant fucking inconvenience he’s been lately. His balance is way past due. 

Jisung, perpetually along for the ride, shovels shrimp chips into his mouth while his eyes dart back and forth between your face and Changbin’s.

You shoot Changbin a sly smile and grab his beer, tilting the can his way in lieu of a bow. His eyes narrow, visibly annoyed with your stalling, but he doesn’t audibly complain when you down the rest of his drink. Resigned, he accepts the empty can that you hand it back to him

At long last, you clear your throat.

“— is an explanation for why you’re here,” you finally sigh.

Changbin rolls his eyes so hard that they go all-white for a moment. Then, to your surprise, he glares across the table at Jisung. 

“You know, my life was way more pleasant before you dragged this one,” he huffs, gesturing to you with his chopsticks, “Into my bar.”

Just for a moment, Changbin sits with his annoyance. He’s entitled to some of it, you’ll concede. You’re not easy to love — you never have been — and you’re occasionally even harder to like. Despite that, he’s been known to look out for you in his own, mostly useless way; even in moments like this, when you’re being a fucking gash simply because you can. 

But the fact remains that you dragged your ass across a peninsula for him. He knows damn well that you accept payment in the form of secrets when cash is too hard to come by, so…. 

“Spill,” you demand.

That tough exterior of his collapses like wet cardboard, just like you knew it would. He glances around the room quickly to confirm that no one is listening in, then he pushes his empty bowl out of the way. With the threat of staining his white t-shirt neutralized, Changbin leans in and asks, “Do either of you know Jung Wooyoung?” 

Simultaneously, you and Jisung respond:

“The boxer?”

“The biter.”

Just the same, your friends turn to you with identical looks of bewilderment. You shrug, declining to elaborate because Changbin asked if you knew him, not how or how intimately. Truth be told, you’re not sure that he’s prepared for that answer.

“Anyways,” Changbin segues after clearing his throat. “He’s not up to either of those tasks these days.”

Genuinely curious, Jisung asks with a frown, “Did someone finally kill him?”

Fair question, you think.

With the way Wooyoung runs his mouth, it’s a wonder he’s lived as long as he has — assuming, of course, that he’s still alive. Beyond picking fights with people three times’ his size, his specialties include fixing matches and swiping other fighters’ significant others. If he’s not dead yet, you figure, it’s only a matter of time until the consequences of his antics come calling.

Changbin shakes his head, and the look on his face seems weirdly solemn, like the answer is even worse than that. It’s sobering; it knocks the smirk right off your face.

“He was short on cash, so he signed up for some clinical trial promising a million won for participants.”

Jisung, the resident non-doctor, sits up at this development. “Thanotech?”

You’re in the middle of rolling your eyes when Changbin intercepts, grimacing: “No, that’s the fucked up part. Well, one of the fucked up parts.”

Two pairs of expectant eyes lock on him.

“It’s Ulsan running the trial.”

You don’t pretend to be well-versed in any of the biomedical, cybernetic shit going on around you, but you do know that this particular corporation never leaks details of its research and development — not ever. Doing so would run the risk of a lesser titan swooping in to try and to dupe it. 

But that’s not the only revelation that smacks you upside the head.

“Ulsan pays for lab rats now?” You scoff, surprised by your own interest. “Here I was, thinking they used ex-employees for that shit.”

It sounds callous when you say it out loud, but it’s a universal assumption. Part of the New Republic’s mythology, so to speak.

In your lifetime, you’ve never come across a single person who used to work for the Ulsan Corporation — not one. Just the same, you’ve never heard about anyone leaving; no one you’ve ever met has. It’s beyond the realm of possibility that a corporation like that has no turnover, so where do people go when their turn is over?

The dumpster out back, some say. According to others, they wind up in a secret mass grave in the oil fields.

“When he came back, I didn’t know where he’d been or why; I just saw him wandering around like a fucking zombie.” Changbin shivers. “He’s empty now, all sucked dry.”

Jisung looks pointedly at you, shit-eatin grin tugging at the corner of his mouth. “Is that what happened when you —?”

An elbow to the center of his chest stops his question before he can finish asking it. He yelps instead, scooting his chair further down the table to get away from you, your sharp edges, and your even sharper glare.

“It freaked me the fuck out, and I didn’t have any answers, so I started poking around for something — anything — that might make sense of it.”

“So, that’s how you got pulled into the web.”

The voice from nowhere makes all three of you jump. You whip around to find yet another stranger. 

How many fucking people do I have to meet today? 

This particular wild card sits on top of the table directly behind yours with arms gently crossed over her chest; not closed off but cold, judging by the goosebumps making themselves known across her bare arms. Her boots rest on the chair in front of her, one chrome leg shining next to flesh-and-blood.

Whoever she is, she’s beaming. That fact confuses the shit out of you because you’re not often met with friendliness, especially from unknowns. Or maybe, you think, it’s a well-concealed effort to disarm you. Whatever it is, it’s working; the urge to snap at her for intruding is dead on arrival. 

You open your mouth to ask what she means, but you can’t get the words out before someone else interjects. 

Minho, that bastard, shouts from across the room, “Spider! Got a minute?”

Her eyes light up in a way that says she has several, so long as he’s the one asking. Without another word, she hops to her feet and pushes the chair that held them back under the table. As she heads his way, she sends you an apologetic smile, like she somehow owes you anything.

“I don’t know what they unraveled by pulling that thread,” Changbin sighs, nodding towards the pair exiting the room. “But this place has been buzzing since I got here.”

You need something to chew on that isn’t this, so you reach over and grab the bag of shrimp chips from Jisung’s unsuspecting hands. The frown he gives you is cartoonish, but as usual, he doesn’t put up a fight. Your version of an apology is holding a spare chip out to him, which he happily accepts.

After shoveling a handful into your mouth, you mumble, “So now what?”

“I don’t know about you, but if these guys —” Changbin gestures vaguely around the room with his index finger pointed. “— Give me a target to point at, I’ll pull the trigger.”

You snort, “That’s a lot of trust.” 

It doesn’t mean much, coming from you. Your metric is beyond fucked, and you know it. That word is foreign, though; so far out of your grasp that you can’t wrap your brain around it.

“Maybe it is,” Changbin mutters while he looks down at the empty can in his grip. 

For a moment, that’s all he says. All he does is stare into the black hole of its opening, as if there’s some answer lurking in the emptiness below it. He must not find it, though, because he crumples the aluminum like a piece of scrap paper. 

When he glances back up at you, you see the uncertainty in his eyes. It reads like fear, which manages to unsettle you.

“I just — I can’t see what I saw and do nothing.”

Your second month in the compound starts with a bang — no, a thud. 

With your body being forcibly ejected from your cot, crashing onto the ground, and your jaw clenching shut quickly with a click of gritted teeth.

“How many fucking times are we doing this?” You growl, less than half-awake. 

Already past today’s quota for rage, you form a fist and swing your arm back violently against the capsized cot; it scrapes along the cement floor and skitters further away from you. The sudden burst of movement doesn’t do anything to make you feel better, but it was worth a shot, you suppose.

Felix, whose sunshine smile is too goddamn bright for this hour, crouches down in front of you. He at least has the decency to look apologetic when he lilts, “Until you learn to wake up to an alarm, I fear.”

He pauses, eyes scanning for any genuine distress beyond your shitty mood.

“Does that hurt?” He frowns.

Bleary eyes follow his pointed finger to your elbow, now prickling with blood where you skinned it against the floor. It doesn’t; and you’re not even remotely concerned about it, so you swat his hand away without answering his question and shove yourself to your feet. Once standing, you wander over to your steamer trunk to grab something clean enough to wear. 

The shadowy one, Hyunjin, brought your shit to you a week ago —  thank god. He provided no explanation whatsoever for how he knew where you lived or how he managed to get inside your building, but you’re a beggar, not a chooser. You’d rather enable his burglary than keep wearing the same, re-washed clothes you came here with or borrowing from people you still don’t know well.

As you peel yesterday’s tank-top up and over your head, your gravelly voice flies out to Felix, who stands and moves to lean against the wall. “You at least going to feed me breakfast before you bore me with more target practice?”

That’s most of what your time together has been so far, anyway. The chain of command is sorting out details above your pay grade; and you condition yourself to jump as high as they may eventually ask you to.

Felix doesn’t answer you, which isn’t like him. You look at him out of the corner of your eye and find him staring up at the ceiling, like his life depends on it.

“What are you —?” 

Oh.

You glance down, cutting your question off midway through. He’s giving you and your semi-exposed body privacy, that’s what. 

Sensing blood in the water, you swim in to scoff, “You have no problem flipping my bed when I’m in it, but bras are where you draw the line? What kind of gentleman are you?”

Still averting his eyes, he rolls them. You do him the favor of tugging on a different, slightly wrinkled tank-top; but you don’t give him the courtesy of letting up.

“Where do you stand on ass, Felix?”

“Are you always this annoying, first thing in the morning?” 

Amusement slips through the cracks despite his efforts to conceal it. You slip out of the cotton shorts you slept in, dip your toes under the fabric pooled around your ankles, and flick them at him. He concedes his staring contest to the panels overhead in order to catch them.

Impressive reflexes.

“I’m this annoying at all hours of the day.” You grin impishly for just a second, then shrug. “You’re just less able to handle it, first thing in the morning.”

Bending back over your trunk, you dig through for something denim. You land on black, high-waisted shorts with a triumphant, “Aha!”, and make a big show of raising your trophy overhead. Once again, you glance at Felix to see if your attempt to get a rise out of him was successful. In a way, yes, it was — just not in the way you expected.

Based on the way his gaze lingers on your thighs and the curve of your ass, you don’t think Felix even noticed your theatrics. You don’t think he means to stare, either. As far as you can see, it’s the perfect opportunity to fuck with him further.

“Admiring the tattoos?” You arch an eyebrow and wait for him to blush out of panic at being caught. “I can recommend the artist, if you want to hit them up.”

To your surprise, you don’t rattle him. Dark eyes flick up from your body to your face, and they don’t seem ashamed of where they’ve been. Your plan backfires. More than that, it blows up right in your face, which is starting to heat up.

“The cantine closes in five minutes. Training starts in ten,” he states matter-of-factly, holding your gaze. “So, you can either eat, or you can keep pretending you’re not trying to flirt with me.”

Your mouth drops open, but you can’t even snap back at him before he chirps, “The choice is yours, Scraps,” with a playful smile.

With nothing more to say, Felix leans away from the wall. On his way out the door, he gives you a lazy, two-finger salute. Dumbstruck, you stand there, watching him leave; wondering where the hell your bumbling, sweetly shy friend from back home managed to disappear to. 

“That’s exactly what I’m talking about.” Felix waggles his finger at you. A smug smile toys at his lips when you let out a frustrated grunt. “That’s the problem.”

He takes a step away from you, raises his fists to mimic your posture, and throws a right jab out into the air ahead of him. When he draws it back, he pauses with his shoulders even.

“D’you see the issue with this?” He asks, loosening one fist so that he can gesture from shoulder to shoulder.

You roll your eyes. “Is it that nobody’s currently hitting you?”

Felix, to his credit, is completely unbothered by the attitude you keep giving him. He’s far more patient than he should be with you. You, however, do not take criticism well.

“You square yourself off instead of retriggering an attack,” he gently corrects you. “By not turning and leading with your shoulder —” He twists slightly backwards, so that his body is angled similarly to the way it was when he struck in the first place. “— you leave all this surface area open.”

Okay, fine. 

You’ll concede that this makes sense, but you will not admit to poor blocking. In fact, deflecting is what you’re best at, so that’s precisely what you do. 

“And how exactly am I supposed to block hits that aren’t coming?”

Felix relaxes his stance with confusion scribbled all over his face. You don’t wait for him to ask what you mean, plunging right into your notes for him:

“This sparring shit doesn’t feel real because you refuse to hit me. It’s been weeks, and there still aren’t any stakes. If you’re going to insist that I learn this — which, by the way, feels pointless when I’m already armed —”

You gesture down to your thigh, where your pistol is normally strapped. 

“— then you have to make me care.”

He doesn’t say anything for a minute, opting instead to quietly chew on the challenge you’ve raised. For a split second, you think you’ve finally grasped the straw that’ll break his back. He turns towards the door and walks away, seemingly giving up on trying to teach a rabid dog new tricks.

But Felix defies your expectations yet again, grabs your gear off the counter at the far side of the room, and heads back to you. As he walks, he pulls back the slide to fish out the round that waits in its chamber. Bullet still in hand, his focus shifts to the magazine, which he easily removes from the base of your pistol’s grip. After tucking your ammunition into the back pocket of his jeans for safekeeping, he holds your now-empty firearm and thigh strap out to you. 

“Gear up.”

Now, it’s your turn to be confused. You accept the items he pushes into your hands with both eyebrows raised.

“Are we giving up on hand-to-hand, then?”

“Absolutely not,” Felix snorts with a shake of his head. “I’m just going to prove the necessity.” When you don’t budge, he waves his hand to hurry you along. “C’mon, Scraps. Strap in.”

Eyeing him suspiciously, you slip the vertical strap over your belt loop and fasten it before doing the same to the horizontal piece around your thigh. Once it’s nestled snugly against your skin, you slide your weapon into its resting place. 

Holding your hands up, you fire off a saccharine smile like the brat you are. “All done,” you chirp.

The smirk that appears on his face makes your stomach flip for two reasons, the least of which is the anticipation of his next move.

“You want it to feel real, right?” His voice drops so low that you feel it deep in your abdomen. “Fine by me.”

Like before, Felix steps slightly backwards. With a nod of his head towards your firearm, he challenges you, “Draw.”

It’s unfamiliar, seeing him counter you like this. Growing up, he was content to go in whichever direction you nudged him in. The version of Felix you knew back then was passive, agreeable to fault. You may not know what the fuck he’s planning now, but he radiates newfound authority that you almost want to respect, so you listen.

“Fine,” you demur while your fingertips trail over the cool, metal grip. “Make your point and move onto something useful.”

The next sequence of events flashes by so quickly that your brain can hardly keep up. 

Just as soon as you pull the gun from its holster, Felix turns in his spot, channeling the momentum into a strong push off the ground. He’s in the air before you can even level the barrel; and in the blink of an eye, the side of his boot collides with your hand, forcefully ejecting the gun from your grip. The power behind his kick sends the weapon flying several meters away, where it clatters to the floor with a smack amidst the quiet.

Gasping more so out of surprise than pain, you recoil your stinging fist and clutch it to your chest. He reads your expression incorrectly, if his widened eyes are any indication. Immediately, Felix breaks his stance to step across the distance in between you.

Worried hands come to rest on your biceps, squeezing gently. He urgently asks, “You alright?”

You blink back at him, throughly stunned by how fucking fast his reflexes are, and he misinterprets that, too. 

“Shit, I’m sorry,” he sputters. His next words come out so frantically that they bleed together over the course of one breath. “I really didn’t want to hurt you; I just needed you to understand that your gun can’t always save you. Sometimes, you have to —”

“That was insane,” you blurt out.

Felix’s eyes widen, caught completely off-guard by your interruption. It’s understandable, you think. After all, it’s the closest thing to a compliment you’ve given him over the past few weeks. 

He peeps, “Oh?”

You nod vigorously — and there’s that sweetly shy boy from down the block, blushing slightly under the weight of your attention. 

Somehow, seeing him this way feels like home; the one you knew before he disappeared, that you might actually admit to missing. Acting solely on instinct, you unfurl your right hand and seek out the warmth of his cheek, like it’ll flip a switch and turn the clock back.

It doesn’t. Of course, it doesn’t — but you can’t help feeling like this is fine, too.

Until you realize what the fuck you’re doing, and you see the starry-eyed look he’s giving you. Then, you do what you always do.

You dodge.

Patting his cheek patronizingly, you breeze, “I guess I’ll let you train me, then,” before turning to retrieve your gun.

“Oh, really now?” He laughs, like he’s already forgotten the way your mask just cracked. You can’t tell if you’re grateful for this, or disappointed. “Is violence all it takes to win you over?”

Disappointed. 

You wish he’d called your bluff again, like he did so long ago in that closet you’re currently calling a bedroom. Once wasn’t enough; you want to be caught out, to have someone refuse to let you get away with the bullshit you’re always trying to pull. For some proof that you’re not the bulldozer you pretend to be.

Felix raises an eyebrow as he tilts his head teasingly to the side. “Are you actually going to shut up and take instruction this time?”

Like that.

“Maybe.” You crouch down to grab your discarded pistol off the ground, lips pursed to keep the satisfied smile off your face. “Are you going to stop pulling punches?”

Three weeks of sparring tick by before you manage to clean his fucking clock.

It came as a surprise to both of you; not just that Felix slipped up in the first place, but that you were fast enough to capitalize on an opening he’s otherwise never created. You might’ve gasped even louder than he did when you managed to seize the opportunity — but that memory is fuzzy already. It doesn’t matter, anyway, not to him. Either way, the point stands: 

You actually learned from the shit he’s been trying to instill in you.

Having hobbled from the training room to his bedroom, Felix now sits on top of the old, metal counter that once served as a workbench. It’s not comfortable by any means, but he’d rather die than move from his current position. Between his knees, you stand close to him, holding a frozen sponge to his left eye with your right hand. 

Funnily enough, that particular hand is the reason he needs an ice pack in the first place.

For a while, the pair of you exist in comfortable quiet. It’s nice, he thinks, just being present. He would’ve been happy to carry on that way for as long as possible, but the shitty voice in the back of his brain keeps yelling that he’s letting more moments slip by than he has to spare. Wasting time that he should be making up.

He clears his throat to shake off the rust, prompting you to glance down from his forehead to his eyes. Your expression is hard to read, but there’s anxiety in there, somewhere. Felix worries that you’re worried; you’re searching for a sign that you’ve somehow injured him further.

“You’re a quick study — if and when you want to be.” His teasing sounds pathetic because his voice is barely more than a groan. Still, he smirks, “Those corporate mercenaries won’t stand a chance.”

With his good eye, Felix watches as your mask cracks a little further in the shape of a smile. 

For once, you simply nod in acknowledgement and let the compliment slip through your defenses without trying to deflect it. He wants to compliment you for that progress, too, but he’s hesitant to push his luck when he’s already flying half-blind by the seat of his pants. 

Then again, it might be worth the risk to push the envelope — even if you succeed in punching his goddamn lights out for good. He doubts that he’d complain, if that were the case. You’d be an incredible last sight to ever see, wouldn’t you?

His internal monologue pipes up again, demanding that he gamble.

Every single muscle he has aches after spending hours sparring with you, but that’s not at all what he’s talking about when he says, “You’re a knockout, Scraps.”

It’s a cop out, but it’s something. 

Just for a second, Felix wonders if you heard what he meant, and not just what he said. All his doubt disappears when that shy smile tugs even harder at the corners of your mouth.

“Shut up.” You roll your eyes, chuckling quietly. “If you want to get technical, you didn’t even lose consciousness —” 

Carefully, you bring your free hand up to his forehead and brush flyaway strands of hair out of the way of the makeshift ice pack. By contrast, your fingertips are warm enough to simmer on his skin.

“— so you’ll have to try that joke again when you actually do.”

Although you could, you don’t take your hand back after unsticking his hair from the condensation on his skin. You lower it gently, let it rest on his shoulder, and leave Felix to wonder if it’s a choice, a convenience, or a reflex. 

This eats at him.

A long time ago, this little gesture wouldn’t be something he’d have to guess at. He used to just understand, never once needed to be told. So far out of practice, he’s no longer fluent in your body language — and he hates it.

Unwilling to leave anything else up to interpretation, Felix looks up at you with one, unobstructed eye. “Wasn’t joking,” he murmurs.

You freeze without meeting his eyes. 

If he didn’t know better, he might think your retinal mods had been knocked loose again. You don’t seem to see him, and that’s all he wants. All he gets is quiet, so he tries again: “And I’m not bullshitting you, either.”

It’s his low voice speaking your real name that finally draws you out of hiding. Surprised for just a moment, your expression softens when you notice the way he’s studying your reactions. You don’t speak at first, but your bottom lip is pinched between your teeth; a telltale sign that you’re trying to.

“Since this is apparently honesty hour,” you start with an exhale.

Felix braces himself for whatever evasive maneuver you’re going to throw next. 

Shockingly, you don’t throw out a joke to change the subject. You take the ice pack off his eye so he can see you properly, set it down next to his thigh on the counter, and scrub your hands sheepishly over your face.

“You freak me the fuck out.”

You laugh despite yourself, and then you pause just like that; like you’re waiting on him to laugh at you, too. When he doesn’t, you take it as your cue to keep going: “Am I insane, or does this feel easy?

“I think both things can be true.” You shoot him a look that could — and might — kill him. He holds his hands up in surrender, but he keeps his eyes locked on you. “And I know you’re not used to easy.”

Felix doesn’t know what he expects you to do next, but your next move isn’t one he would’ve guessed. In the end, it’s your still-chilled palms reaching up to meet him, and your fingers filling the empty spaces between his. Brow furrowed, you study the way you fit together, like the words you’re searching for are hidden somewhere in the gaps of your chain-linked knuckles.

“I’m not used to it because I avoid it,” you correct him, frowning. “Easy scares the shit out of me. It just feels like a trap, you know? Like, the second you stop looking out for it, the other shoe will drop and knock your unsuspecting ass to the dirt.”

Keeping his fingers interlaced with yours, he lowers your joined hands until they rest against the tops of his thighs. You watch them go; he watches you, and he can’t help thinking that he’s the reason you armored up in the first place. That him leaving was the blow to the head that taught you to wear a helmet.

“I’ve got good reflexes,” Felix whispers, squeezing your hand.

At this, your eyes flick upwards. A microscopic crease forms between your eyebrows, and he knows exactly what’s coming next, so he says it first: “Excluding today, obviously.”

When you smile, it hits him even harder than your right hook did.

“What are you saying, exactly?” You ask, head tilting to the side as you narrow your eyes.

“Fuck the shoe.”

The look on your face suggests that he can’t possibly be serious, but he’s never been more so. Maybe he can’t promise you easy in a world like this one; and he can’t keep that fucking shoe from dropping, but he swears he’ll catch it when it does.

Felix has to let go of your hands to hold you properly. You lean into his touch when he snakes his arms around your waist; and you rest your forehead against his, careful not to press into the bruise that borders his eyebrow.

“I’ll make you a deal,” he whispers. You hum in reply, confirming your willingness to trade. “Kiss me now, and we’ll batten down the hatches later.”

Felix may have called you a quick learner, but you have to wonder what his basis for comparison is. From your vantage point, it’s him that catches on in a heartbeat, like nothing unexperienced is truly new to him. 

Coincidentally, it’s also him that’s kneeling between your thighs, bearing the weight of your hinged knees over his shoulders and making you shake with his tongue alone.

“Fuck, fuck — nngh — fuck!” 

It’s all you can say because it’s the best you can do. 

Over and over, too drunk on the sensation of his mouth, you let profanity spill out of yours. He has you dripping in more ways than one, pooling on that godforsaken counter, and you can’t spare a single thought about the mess you’re making.

Every neuron fixates on him, the cotton-candy blue strands gripped tight between your fingers, and the way he devours you, like he’s making up for skipped meals.

“F-Felix,” you beg, breathless.

Looking up at you from under his lashes, he feigns innocence. It’s bullshit — he knows you’re on the brink of death, knows your whole damn body is buzzing — and his sweet smile doesn’t match his actions. You jolt, wailing, when another kitten lick trails over your clit.

“Hmm?” That low timbre of his vibrates through you when he pulls back, panting.

God, you’re spent already, but you can’t collapse until you know what he feels like, buried to the hilt in you. Something about that need makes you shiver; has your bottom lip quivering when you manage to squeak, “Please.”

Absolutely boneless, you slump against the wall behind you. With far more grace than you, Felix maneuvers his way out from under the tangle of your legs. He ensures that they fall gently back into place on the countertop.

“Gotta work on that stamina if you’re gonna help wage a war,” he teases.

The half-powered glare you shoot at him doesn’t stop him from leaning in and pressing a kiss to your forehead. It doesn’t keep his fingertips from tracing languid lines down the lengths of your bare thighs, either.

Your voice is fucked out and weightless, far softer than you’ve ever heard yourself sound. “Is that what this is? Conditioning?”

The hand not caressing your thigh comes up to cradle your jaw, like it’s something fragile. It’s the first time anyone’s touched you as if you’re breakable, worth protecting — and motherfucker, you’re one soft smile away from crying.

“No.” 

He states it much more firmly than he kisses you. So gentle that you can’t believe it’s real until you taste yourself on him, so warm that you dissolve like a sugar cube on his tongue. 

Fuck any other person that’s ever pressed their lips to yours and called it a kiss. They’re liars, all of them. One by one, their names disappear with every passing second in which you know better.

“Need you,” you moan into his mouth. 

Fistfuls of his shirt can’t bring him close enough. Even when his head dips down and his lips are at your throat, the ache wins out. You crave him anywhere — everywhere — all over you. 

“Going crazy —” You gasp when his teeth nip at your collarbone. “— waiting on you.”

Greedy hands drop to the button of his jeans, fumbling to no avail. Apparently, your dexterity flew out the window two orgasms ago. A frustrated whine jumps out after it, pushing your head back as it goes.

Felix’s low chuckle soothes you, but it’s nothing compared to the relief you feel when his hands nudge yours out of the way. That, too, is a drop in the bucket; bliss crashes in waves when there’s no denim left to separate you. His hands land on your hips, fingertips pressing into your flesh as he guides you further down his length. 

Never — not fucking ever — have you made a sound quite as pathetic as the one you bury into the crook of his neck. You can’t classify it, not as a moan or a whimper. It’s desperate — loud. It’s an air raid siren; every fucking barricade you’ve built over the years being blown to smithereens.

This is it, you think.

Fuck your bank account. 

Fuck staring at the sky and waiting for the other shoe to drop. 

Fuck your contracts, your shithole apartment, and the million different ways you were set up to lose in this life.

This isn’t about you at all. It’s about you and him; all the space and time you’re dead set on reclaiming.

This is for us.

a/n: thank you so much for reading! i’ve been working on this since JUNE, and it’s a much bigger undertaking (creatively and….. mentally) than anything else i’ve done before, so i’m scared and also excited to start sharing it with y’all.

while likes are appreciated, comments/tags/reblogs with your thoughts are really what make my brain go brrrtt.

tagging: @saintriots, @mal-lunar-28, @dabiscrustyfeet

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[uptownhags]

New Amsterdam didn’t take my father away from me. This hospital gave me my father. Showed me who he was. Who I could be. And that’s the day I realized I wanted to be just like him, the day I knew I wanted to be a doctor. So, I wanted to start by asking all of you the same thing my father asked his staff every hour of every single day: how can I help?

[genshins1mpact]

The dash/tl/feed everywhere 2 seconds after Al-Haitham drip marketing dropped 🍃 🎧