#gays soldiers in space

[silveragelovechild]

I’m continuing to watch Foundation. Is it odd to primarily watch it for its art design and visual effect? I also like some of the characters. It’s probably best I have not read the novels. Part of me doesn’t care what happens in the long term (and I’d probably chafe if I knew how much it departed from the book series). FYI - There’s a link below to VFX from the series.

Season 2 follows two versions of Harry Seldon. One of them is an AI inside the Vault on the planet Salvor Hardin. There’s a second version of Harry as a holographic projection generated by something called the Prime Radiant. Via an unexplained method, this version was given a new human body. (So that 2 episodes later they could show him slowing being drowned.)

In all honesty, I’ve lost interest in both Harrys. I also have become tired of Gaal, and Salvor, her adult daughter. Both are about the same age (mid 20s) due to the use of hyper sleep at different points in their lives. Gaal is always worried she’s doing the wrong thing, and Salvor is usually angry and/or distrusting. After while both these character traits get boring.

I do like is Lee Pace as Emperor Cleon, aka Day. I like the two other clones, Dawn and Dusk. As a way of protecting the dynasty 3 versions of Cleon exist at any one time, via cloning. They discovered ann unknown enemy tampered with the cloning process and none of them are exact clones of the original.

I especially like Day’s Majordomo Demerzel, the last sentient Robot of her kind (they’ve reference Azimov’s robot laws which she says she is no longer bound by). According to Wikipedia Demerzel is an evolved version of a character from his Robot novels. She’s played by Laura Birn, a Finnish actor, and is very good. image0.jpeg

After a neatly successful assassination attempt, Pace/Day decides to end the clone dynasty and marry to start a genetic dynasty. This threatens Dawn and Dusk as they would no longer be necessary. The woman who Pace/Day has selected to marry, suspect he killed her family. She’s willing to marry him but doesn’t want to have his children. She’s concocted a plot to have children with Dawn (who is 20ish) without letting Pace/Day know. She calls it a “fucking bloodless coup”.

I also really like Bel Riose,the gay general (Ben Daniels) and Glawen Curr, his lover and second in command (Dino Fetscher). It’s interesting to see a loving intimate gay relationship in a scifi setting. I wish their storyline was expanded.

They’ve recently introduced a Han Solo type character by the name of Hober Mallow. He has gone on an undercover mission to bargain with Spacers.

Spacers are a genetically created beings necessary for FTL space travel. They have an incredible design - tall and slender with a golden glow and what looks like gold circuitry imbedded in their skin. They have fun names like She-Bends-Light and She-Is-Center.

Here’s a link to a VFX reel.

[chaoticmannamedoliver]

You can not fathom the degree to which i am currently vibrating on.

My friend. My dear friend, @atidingofmagpies , who i'd love to shake rn. Got me a mechanisms CD. i think the last time kofi and tim did a smol drop. Guess what arrived today. I am. I. I indeed feel emotions. All of them. LOOK AT THIS I-- AAAAAAA/VPOS

Sadly the thingy keeping the CD in place is broken but i think its okay enough :>

Pages of the booklet!

TS' rank is mascot, n that's incredibly funny to me for some reason. Jonny looks like a bastard...as he should. Perfect.

And this sprinkle in of putting smth funny in yer work. Fucking- amazing. Make me giggle.

[dustykneed]

i am attached to my daily posting streak to a worrying degree!! anyways the universe called and asked for stained glass mcspirk soldier poet king

i do have some character analysis for these actually but thatll be tomorrows post because im all tuckered out (also happy bday deforest kelley!!)

[funboxsupreme]

Because of the nature of 40k and the idea of media representation, there's always this really annoying person anytime you point at a 40k character and say "I think he kisses men" a Guy™️ goes "um but do you really want to be represented by this genocidal war criminal? Sounds like you're personally holding the LGBT movement back by headcanoning this character as gay :/ "

And it's funny to me, because it doesn't really matter who you choose; someone is going to have an objection to a named character being associated with gayness. You literally cannot win, don't choose a chaos character because they're degenerate, don't choose an alien character because they arent human and also hate humans, don't choose an Imperial character because they're paranoid delusional genocide fans (unless they're pitted against a chaos or alien character, then they're paragons of virtue, somehow this is sullied when you say they're bisexual)

[specialagentartemis]

godddddd i have disliked becky chambers' work since long way to a small angry planet and I agree that that fish scene is SO much of what is wrong with contemporary SFF especially queer SFF. refreshing take, great review, thank you. would love to hear what authors or works you think of as the antidote to that sensibility.

The thing is, I enjoyed The Long Way to a Small Angry Planet when I first read it - it was a fun, light adventure, clearly a debut novel but I was excited to see where Chambers would go from there. And I actually really do think the sequel, A Closed and Common Orbit, was good! It did interesting things with AI personhood and identity.

... and then Chambers just kinda. Did not get better. She settled into a groove and has a set number of ideas that I feel like she hasn't broken out of, creatively. And they I M O kind of rest on an assumption that "human nature" = "how people act in suburban California."

As an antidote to that sensibility, I'd say... books where people have a real interrelationship with the land they inhabit, a sense of being present, and reciprocal obligations to that land; books that recognize that some things can never be taken back once done; books with well-drawn characters, where people have strong opinions deeply informed by their circumstances, that can't always be easily reconciled with others, and won't be brushed aside; books where these character choices matter, they impact each other, they cannot be easily gotten over, because people have obligations to each other and not-acting is a choice too.

And it's only fair that after all day of being a Hater I should rec some books I really did like.

Piranesi by Susanna Clarke - A man lives alone in an infinite House, over an equally infinite ocean. Captures the feeling that I think Monk & Robot was aiming for. Breathtaking beauty, wonder at the world, philosophy of truth, all that good stuff, and actually sticks the landing. The main character's love, attention, and care to his fantasy environment shows through in every page. (Fantasy, short novel)

Imperial Radch by Ann Leckie - An AI, the one fragment remaining of a destroyed imperial spaceship, is on a quest for revenge. Leckie gets cultural differences and multiculturalism, and conversely, what the imposition of a homogeneous culture in the name of unity means. (Space sci-fi, novel trilogy)

Machineries of Empire by Yoon Ha Lee - An army captain's insubordination is punished by giving her a near-impossible mission: to take down a rebelling, heretical sect holing up in a space fortress and defying imperial power. She gets a long dead brain-ghost of a notorious criminal downloaded into her head to help. Very, very good at making you feel like every doomed soldier was a person with a past, with a family, with feelings, with hopes and dreams and frustrations and favorites and preferences and reasons to live, right before they brutally die in a space war. Also very much about the imposition of homogeneity of culture as a force of imperialism. (Space sci-fi, novel trilogy)

The Fortunate Fall by Cameron Reed - Maya Andreyevna is a VR journalist in high-tech dystopian future Russia, and she decides to investigate the truth that the government doesn't want her to. She might die trying. It's fine. Also has digital brain-sharing, this time in a gay way. It's bleak. It's sad. It feels real. Not making a choice is a choice. Backing out is a choice. And choices have consequences. Choices reverberate through history. About responsibility. (Cyberpunk, novel)

The Vanished Birds by Simon Jimenez - Nia Imani is a spaceship captain, a woman out of time, a woman running from her past, and accidentally adopts a boy who has a strange power that could change the galaxy. Spaceship crew-as-found-family in the most heartbreaking of ways. Also about choices, how the choices you make and refuse to make shape you and shape the world around you. How the world is always changing around you, how the world does not stay still when you're gone, and when you come back you're the same but the world has moved on around you. About how relationships aren't always forever, and that doesn't mean they weren't important. About responsibility to others. It's a slow, sad book and does not let anyone rest on their laurels, ever. There is no end of history here. Everything is always changing, on large scales and small, and leaving you behind. (Space sci-fi, novel)

Dungeon Meshi / Delicious in Dungeon by Ryoko Kui - A D&D style fantasy dungeon crawl that stops to think deeply about why there are so many dungeons full of monsters and treasure just hanging around. Here because it's an example of an author thinking through her worldbuilding a lot, and it mattering. Also because of the characters' respect for the animals they are are killing and eating, their lives and their place in the ecosystem, and the ways that humans both fuck up ecosystems with extraction and tourism, but also the ways that you can have reciprocal relationships of responsibility and care with the ecosystem you live in, even if it's considered a dangerous one. (Fantasy, manga series)

Stories of Your Life and Others by Ted Chiang and How Long 'Til Black Future Month by N. K. Jemisin and Everyone on the Moon is Essential Personnel by Julian K. Jarboe - Short story anthologies that were SO good and SO weird and rewired the way I think. If you want the kind of stuff that is like, the opposite of easy-to-digest feel-good pap, these short stories will get into your brain and make you consider stuff and look at the world from new angles. Most of them aren't particularly upbeat, but there's a lot of variety in the moods.

"Homecoming is Just Another Word for the Sublimation of the Self," "Calf Cleaving in the Benthic Black," and "Termination Stories for the Cyberpunk Dystopia Protagonist" by Isabel J. Kim - Short stories, sci-fi mostly, that twist around in my head and make me think. Kim is very good at that. Also about choices and not-making-choices, about going and staying, about taking the easy route or the hard one, about controlling the narrative.

The Murderbot Diaries by Martha Wells - Security robot with guns in its arms hacks itself free from its oppressive company, mostly wants to half-ass its job but gets sucked into drama, intrigue, and caring against its better judgement. This is on here because 1) I love it 2) I feel like it does for me what cozy sff so frequently fails to do - it makes me feel seen and comforted. It's hopeful and compassionate and about personal growth and finding community and finding one's place in the world, without brushing aside all problems or acting like "everybody effortlessly just gets along" is a meaningful proposal. also 3) because it is one of the few times I have yet seen characters from a hippie, pacifistic, eco-friendly, welcoming, utopian society actually act like people. The humans from Preservation are friendly, helpful, and motivated by truth and justice and compassion, because they come from a friendly, just, compassionate society, and they still actually act like real human beings with different personalities and conflicting opinions and poor reactions to stress and anger and frustration and fear and the whole range of human emotions rather than bland niceness. Also 4) I love it (space sci-fi, novella series mostly)

[stupidsexygrizzop]

"and here i thought that my days answering to a lieutenant were over" tell me MORE ABOUT THAT

my most wild wbg theory right now is that Nobody is the final form of Mdawg

[porcelainseashore]

Darkroom

Pairing: RE4R! Leon Kennedy x GN! Reader

Summary: You're a Sunday regular at the darkroom of your local nightclub, finding liberation through sex with random strangers and spontaneous encounters. One night, you meet someone whose touch feels different, and you connect in ways you never expected.

Content & Warnings: 18+ Smut, porn with plot, implied consent, anonymous sex, group sex, public sex (nightclub), voyeurism, anal, fingering, oral (m receiving), creampie, strangers to lovers, romance, mutual pining, hurt/comfort, drug references, swearing.

Author's Note: This is my first time writing gn! reader as I would like to be more inclusive in my work. I’ve also tried to educate myself on the discourse surrounding darkrooms and hope I’ve portrayed them respectfully, as safe spaces created by the gay community.

Special thanks to @alibellerosetta and @sofmoth for beta’ing this piece—you’re simply the best!

AO3 Link | Playlist

Fingertips trailing across the concrete walls of an old wartime bunker, its labyrinthine structure causing you to navigate by adventure and curiosity when you were new, but now, you had the entire layout committed to memory. You drifted through the haze of smoke and rooms—oh so many rooms—littered with nooks and crannies to engage in the kinds of deeds one would get up to in a nightclub like this. 

Brutal, fast-paced techno assaulted your ears, but you welcomed it as you did with the throngs of party-goers passing you by, like swimming through jellyfish and seaweed, in this maddeningly beautiful underwater world. All you could hear was a wall of sound and your own breathing, teeth chattering and chest throbbing as heavy bass reverberated through your body. If you stayed any longer, you would vaporize into thin air. And so, you plunged into the lower depths, down further passageways and corridors to your final destination.

People wouldn’t understand why you do what you do. Why you treated this club like a church—the only one you’d go to religiously every Sunday to get fucked within an inch of your life by complete strangers. Strangers you never saw, and would never meet again. 

You didn’t owe them an explanation, but truth be told, you felt far safer here than in most other places you’d been to. Too many close calls and red flags left you running away from that mess. Here, you were spoiled for choice. You could be whoever you wanted to be, without labels or judgment. Fucking was freedom and creativity. Fucking was an expression of yourself. Fucking was a big fuck you to society that tried to break you, moulding you into preconceived roles, telling you what you should or shouldn’t do.

Despite that, you knew what you were getting yourself into. Your PrEP shot was up to date and you tested frequently. Nothing was a hundred percent foolproof, but it was a risk you were willing to take. You were nearly there, following the invisible wisp of a white rabbit to its lair as the sweet, musky scent of lust and arousal grew stronger.

At the entrance of the darkroom, you paused, lifting your hand as a breeze sifted through your fingers. Funny how cold it could get down in the basement. You wondered if the ghosts of soldiers past could see you now—heart racing in your chest, adrenaline flooding your veins, and butterflies in your stomach—every single time without fail as you stood in front of the innocuous opening in the wall, like a gateway or barrier to another plane. What they would think as you stepped inside, agreeing to the unspoken code of conduct, where it was hunting season, and just like everyone else, you were game.

Inside, it was pitch black, so dark that you could not see, but you could make out the distinct sounds of sheets rustling, the shifting of bodies, light moans, and squelching wet kisses as you felt around the room, slowly putting one foot forward, and then the other, like the blind leading the blind. As your eyes adjusted to the surroundings, movements blurred at the corners, amorphous shapes materializing before you like a séance you had conducted. 

Sometimes you would catch a look, a nod, a gesture—silent, yet reminding you that what you were seeing was real. Hands passed along your body, and you imagined this must be what it feels like to traverse through clouds—touching, groping, feeling every part of you that you had bared to offer. Shedding clothes like this was so easy, like peeling away the layers of skin you had adorned to protect yourself. 

Someone else’s skin. 

Someone else’s face. 

A thousand masks you reaped and sowed.

Gone, all gone—until you were stripped to the core. 

The immense desire to be naked forever and never dressed again bubbled to the surface, burning a hole in your chest and getting caught in your throat.

A sudden smack against the cheek of your ass sent you reeling forward. The beds were damp as you sank upon them on your knees, gasping in sheer delight. The sting of it was buzzing, your ears filled with white noise as your hair was yanked backwards, mouths latching onto flesh, sensitive and bruising like ripened plum under teeth.

The room was warm and humid, sweltering even, but you couldn’t complain. Heat like that never looked bad on anyone. Sweat dripped from the pores of your skin, creating a thin layer of moonlit sheen. Tongues lapped at the moisture, prickly and salty, running over areas you never knew existed until the heady rushes you felt stated otherwise.

You grasped at the silhouette lying under you. It squirmed—wet, whining, and wanting. Breasts quivering, breathing in deep. Almost instantly, the grip on your hair loosened as you lunged forward, suctioning your lips over a peak, your fingers sliding through her folds, curling against her walls. 

Eventually, you were pushed on top of her, a heavy palm on the arch of your back, ribs crushing, tongues intertwining, and teeth clashing as other hands gripped her wrists firmly over her head. Your pelvises ground together as someone pounded into you from behind; her breasts bouncing violently against your chest with each thrust. The mattress sagged under your weight as it consumed you—suffocating, drowning—and you surrendered to it all in the darkness until you were nothing. A blank canvas, equal to the rest, finally seen as simply human.

You did the devil’s dance, flitting between partners, just as your parents did before you, and their parents—your grandparents—and their ancestors before them. Though instead of fucking raw, they had their own versions of the dance that they were too embarrassed to admit, leaving them forgotten behind closed doors and repressed memories.

Then, another pair of hands descended on your back, their knuckles caressing your shoulders with a bittersweet tenderness, taking you by surprise. Brushing your hair aside, you felt stubble scrape the nape of your neck, his kiss lingering a little longer than a second or two, as if afraid that by confronting you, you might dissolve between his fingers. 

Hot, shaky breath fanned across your ear, “May I?”

A baritone—rich, deep, and weary—with an edge to it like he had been through a never ending war. You wondered why.

In silence, you tilted your head, granting him easier access to your neck. You were his prey; he could bite in hard if he wanted to, but he only nipped—teasingly, playfully, savoring your taste, his large, coarse hands raking your body, gentle and unsure.

This wasn’t his first time; he was too composed for that. You searched for an answer as the tips of his fingers pressed dimples into your skin—temporary marks that spoke of his desire to make you his for the night. His touch ached so badly with longing, you could feel it seep into your bones. It hurt, everything hurt, as he buried his face into your neck, smothering the rest of his emotions along with it.

Someone once said, “The biggest lie we tell ourselves is that we should be ashamed of our feelings.”

But imagine if we weren’t? Your hand cupped over his. His breath hitched.

You knew shame like the back of your hand. A sickness and disease, taking root from within, its poisonous tendrils spreading out through every orifice until you couldn’t even scream.

Imagine if we weren’t. Your fingers laced through his. You squeezed. He squeezed back.

A secret morse code between the two of you as others started to gather around. Lying on your sides, he tugged you in closer, so that your back was flush against his chest. You stroked his arm, repeating the motion in cycles like a form of meditation.

He had you. You were his. He didn’t have to worry about that, even when you were being shared.

In return, he planted soft kisses along your spine as a ‘thank you’, causing you to shiver while he palmed your crotch. You felt his dick harden against the crevasse of your ass and you bucked your hips back into his. He let out a hiss, rubbing his erection in sync with your rocking, and you heard the sound of a lid cracking open.

At the same time, another person tweaked your nipples, licking, and sucking on them as you bit your lip and moaned. Lukewarm oil spilled onto your ass in a slow, deliberate stream, spreading like liquid silk. Even though you were ready—so ready—for this, with your hole wide and gaping from the butt plug you had worn in the day, and still leaking from previous use, he felt the need to prepare you. Circling your rim, he slipped one, then two fingers in, allowing the tight ring of muscle to clench around them as he stretched you out. When he pressed the tip of his cock against your entrance, you nearly sighed in relief, relaxing as he filled you up fully, slowly, and sensually, as if you were making love for the first time.

You melted like sweet, flowing honey in his arms, linked around your waist, hugging you tightly as his ragged breath grazed your cheek. Once you had settled in, it didn’t take long for him to pick up the pace. Your hands gripped his the entire time as he pumped his cock harder into you, friction firing up the bundle of nerves, causing you to cry out in wanton pleasure. 

It was only a matter of time before you caught a glimpse of another shadow joining from behind him, and felt the head of someone else’s member smear precum along your lips. You opened, submitting completely to the moment, its shaft dipping in and out of your mouth, your tongue swirling over its slit and ridge. Saliva dribbled down your chin as fingers tangled in your hair, grabbing it roughly to shove his cock in further, letting it hit the back of your throat as you choked and gagged. Tears ran down your face, ruining the black liner and glitter you’d decorated it with.

The hands that had been wrapped around yours gave them a long, hard squeeze, as if to ask, “Are you okay?” His worry and concern was your very own personal S.O.S., if you needed it. You brushed your thumb against his knuckles reassuringly, and he did the same, giving you two light squeezes in response, trusting in your decision.

At this, his hips snapped against your ass harshly, balls slapping skin as his thrusts grew more desperate, matching the intensity with which you were being fucked in the mouth, like a wordless competition—one vying for your affection. He slammed into your sensitive spot repeatedly, the sensations overwhelming like never before as your eyes rolled back—demonic and possessed—and euphoric waves rippled through your body.

He continued railing you until he couldn’t hold it in anymore. You felt his eyes shut, his mouth twist into a frown as he muffled his groans into your neck. He tensed and staggered, emptying a thick, hot load into your spent hole, just as the person in front of you pulled out, finishing himself off onto your face.

You coughed, sputtering as you wiped your mouth with the back of your hand. His dick was still in you, twitching as he rode out his climax, stroking your thighs, your hips, your ribs, before settling back on the curve of your ass. He kneaded it gently as you felt him pull out; his hands coming to rest around your waist. Raising your arms behind you, you circled them around the back of his head, pushing his face into your hair as both of you lay there—still and quiet—panting heavily and covered in fluids, his cum trickling out of your heat. You felt the uneven, taut patches that littered his skin, along with the rise and fall of each other’s chests—an empty space in the cavity growing more deafening with each passing second in the sparse room.

The clock continued ticking until you finally decided to turn around, facing the man who had fucked you so hard you thought you might break. All at once, he drew closer, lips on lips, kissing you like he meant it. You kissed back sloppily, running your fingers through his sweat-drenched hair as he cupped your cheek—grasping, craving, needing more. 

You didn’t know what to make of this connection he and you felt. The way his heart beat with loneliness, and yours responding in kind, whispering in a similar rhythm, “I’m here. I see you.” It was far more intimate than any experience you’d ever had in a darkroom. And you panicked.

Breaking away, you spotted a tuft of his matted blonde tresses, his sharp, brilliant blues, and your eyes darted towards the way out. Before he could speak, you got up, his hand catching your wrist, tugging, pulling—please, I want you, don’t go, please—until you snatched it back, and he let you.

You touched his face, thumb brushing across his bottom lip—swollen and weeping, a final ‘thank you’ for something special the two of you had shared. One where you lied to yourself, treating it as a mere passing moment in your life, fearing that anything more would ruin the illusion held together by anonymity. Picking your clothes up from the floor, you slipped off into the light and safety of crowds, ignoring the pang in your chest as the distance between you and him grew.

━━━━━━━━━━━

What if things had gone differently? 

What if you had let him talk? 

Say the words he wanted to say. Rip his chest open. Pour his heart out into your awaiting cup.

What if it was meant to be more?

What if, what if, all the what ifs.

You sat on your chair, legs crossed and pulled into your chest, thinking back to that encounter over and over again. A cheap desk fan blew hot, desert wind in your direction, its plastic blades rotating sluggishly, hardly helping in the current heatwave. Clumps of hair stuck to your forehead and the sides of your face as you closed your eyes, reminiscing his ghostly touch along your body, sore and aching, fighting fire with fire.

Five nights had passed, and you couldn’t get him out of your mind. It was three in the morning, you had work in a few hours, but he was all you could think about. During the day, you walked around in a vacant daze, and now, you were stoned, staring up at the ceiling, wondering what the hell happened.

You fucked yourself with your fingers, imagining it was him fucking you. 

And then, Sunday came.

━━━━━━━━━━━

You saw him everywhere that night—through the tide of music, in the mirrored reflections, blonde locks catching the light, only to be let down. You didn’t know what he looked like, the only memory being a static cloud of darkness before your eyes, but somehow, you knew that you would be able to tell if it was him.

Like a moth to a flame, you made your way towards the darkroom, all the while hopelessly wondering if he would be there where you had found him last, waiting patiently, like a dog to its owner for their return. When you entered, a swarm of hands skimmed along your private parts—foreign and alien as you swallowed your disappointment, losing yourself in others’ company, though you had never felt more alone.

One more.

Another.

The next—

You’d recognize that touch anywhere. His calloused hands across your jaw—tentative, tracing your skin like scorched earth, his yearning fulfilled when you took his fingers into your mouth, coating them with your taste.

“It’s you…” he murmured, his velvety voice, laden with emotion, slipping into your ear, causing you to shudder.

His fingers slid out over the dip of your tongue as he replaced them with his lips, devouring yours fervently as if he couldn’t get enough of you. Knowing him was like a crime, but you gave yourself the permission to want him this way.

A jarring flash of light blinded you, followed by a burst of giggles, rudely interrupting your chance meeting. You whipped your head in its direction, shielding your eyes as you squinted at white powder vibrating on illuminated phone screens.

“Take your fucking drugs somewhere else!” someone yelled.

By the time you turned back, the light went out again, plunging you into utter darkness. 

Did you lose your power of anonymity?

Had he seen you for who you were now?

Would he judge you like the rest?

You felt his hand in yours, light brushes against your inner palm in the secret language you shared. No, this wasn’t the right place for what you wanted, and you had to respect that—both of that.

Fuck feeling ashamed of your feelings. 

You threw out your inhibitions, dragging him through the opening as he followed you into the light. You saw him clearly now, just as he saw you. Scars of all shapes and sizes across his body, matching the bumps you had felt in the dark—now laid bare and vulnerable in full public view.

You didn’t care, and he didn’t seem to either, clasping your face between his hands as he pushed you back, mouth squarely on yours, teasing it open. He hoisted your legs, hooking them around his waist as he buried his cock into you. Fucking you relentlessly against the wall, rugged concrete chafing skin as you jerked upwards, meeting his thrusts. 

It was rushed, frantic, and hungry, like you would vanish before his very eyes at any minute. A new DJ set had started, drowning out your screams as you dug your nails into his shoulders, clawing angry, red marks into his skin. Trembling, feverish lips wet on your chest, sucking and leaving bites in flesh as others watched, or masturbated while they watched—voyeurs to your private scene.

You clung to each other, his grip bruising on the back of your thighs, not wanting to let go—not this time, not now, not ever. Funny how you found it comforting—the way he held your gaze, unflinching and calm, as you reached your high, like he was seeing right through you—melting flesh from bone, prying the cavern open to find a scared little rabbit, and the rage frothing at your teeth.

And you knew that he understood that feeling too.

He came in you soon after, muscles clenching as he pinned you to the wall, ropes of his release filling you deep. His breath escaped in loud rasps, stray strands of his bangs fluttering in the breeze.

“God… fuck…” he gasped, before his eyes found yours again, the corners of his mouth curling into a smile as he laughed.

You laughed back.

He set you down on the floor—your legs wobbly, gaze shy—exchanging soft caresses, oblivious to the rest of the world around you. You leaned in, kissing him spontaneously as you felt his smile against your lips.

“So, you got a name?”

“Mm-hmm.” He kissed you once more, exhaling it like a sigh—“Leon.”

And you didn’t feel like the magic was lost in any way.

━━━━━━━━━━━

Endnotes

Fyi, I created a playlist for Darkroom in case you want to check it out. All songs are from The xx and their music contributed a lot to the mood of this piece!

I also saw Timimie Märak, a poet, feminist, and Sámi queer activist, at a literary festival recently, and I really liked what they said: “The biggest lie we tell ourselves is that we should be ashamed of our feelings,” which has appeared in my fic above.

[ghelgheli]

hey you might've been asked this before sorry if so, but have you read or do you have any thoughts on A short history of Trans Misogyny?

I have read it! I have a few thoughts.

I think it's a strong and important work that compiles historical archives into sharp analyses of how "trans misogyny" (using Jules Gill-Peterson's spacing) is not a recent phenomenon but a globalized structure with centuries of history. I also think it's flawed, for reasons I'll get into after a quick summary for those who haven't had the chance to read it yet.

JGP divides the book into three main chapters, the first on the notion of "trans panic". There, she traces how variants of this anxiety with the trans-feminized subject have presented—to deadly effect, for the subject—in such different settings as early colonial India, the colonization of the Americas, the racialized interactions between US soldiers stationed in the Philippines and the local trans women living there, and of course the contemporary United States itself. In every case she analyzes this "panic" as the reaction of the capitalist colonial enterprise to the conceptual threat that the trans-feminized subject poses; we are a destabilizing entity, a gender glitch that undermines the rigid guarantees of the patriarchal order maintaining capitalism. Punishment follows.

The second chapter is my favourite, and considers the relationship between transfeminine life and sex work. I posted a concluding excerpt but the thrust of the chapter is this: that the relegation of so many trans women and trans-feminized people to sex work, while accompanied by the derogation and degradation that is associated with sex work, is not itself the mere result of that degradation inflicted upon the subject. In other words, it is not out of pure helplessness and abjection that so many trans-feminized people are involved in sex work. Rather, sex work is a deliberate and calculated choice made by many trans-feminized people in increasingly service-based economies that present limited, often peripheralized, feminized, and/or reproductive, options for paid labour. Paired with a pretty bit of critical confabulation about the histories of Black trans-feminized people travelling the US in the 19th century, I think this made for great reading.

In her third chapter, JGP narrativizes the 20th century relationship between the "gay" and "trans" movements in north america—scare quoted precisely because the two went hand-in-hand for much of their history. She emphasizes this connection, not merely an embedding of one community within another but the tangled mutualism of experiences and subjectivities that co-constituted one another, though not without tension. Then came the liberal capture of the gay rights movement around the 70s, which brought about the famous clashes between the radicalisms of Silvia Rivera and Marsha P Johnson (neither of whom, JGP notes, ever described themselves as trans women) and the institutions of gay liberalism that desired subsumption into the folds of capital. This is a "remember your history" type of chapter, and well-put.

I think JGP is correct to insist, in her introduction, on the globalizing-in-a-destructive-sense effects of the colonial export of trans womanhood. It is, after all, an identity conceived only mid-century to make sense of the medicalized trans subject; and "gender identity" itself (as JGP describes in Histories of the Transgender Child) is a psychomedical concept conceived to rein in the epistemic instability of trans existence. This is critical to keep in mind! But I also think JGP makes a few mistakes, and one of them has to do with this point.

In her first chapter, under the discussion of trans misogyny in colonial India, JGP of course uses the example of the hijra. Unfortunately, she commits two fundamental errors in her use: she mythologizes, however ambiguously, the "ascetic" lives of hijra prior to the arrival of British colonialism; and she says "it's important to say that hijras were not then—and are not today—transgender". In the first place, the reference to the "ascetism" of hijra life prior to the violence of colonialism is evocative of "third-gender" idealizations of primeval gender subjectivities. To put the problem simply: it's well and good to describe the "ritual" roles of gendered subjects people might try to construe contemporarily as "trans women", the priestesses and oracles and divinities of yore. But it is best not to do so too loftily. Being assigned to a particular form of ritualistic reproductive labour because of one's failure to be a man and inability to perform the primary reproductive labour of womanhood-proper is the very marker of the trans-feminized subject. "Ascetism" here obviates the reality that it wasn't all peachy before (I recommend reading Romancing the Transgender Native on this one). Meanwhile, in the after, it is just wrong that hijra are universally not transgender. Many organize specifically under the banners of transfeminism. It's a shame that JGP insists on keeping the trans-feminized life of hijra so firmly demarcated from what she herself acknowledges is globalized transness.

My second big complaint with the book is JGP's slip into a trap I have complained about many times: the equivocation of transfemininity with femininity (do you see why I'm not fond of being described as "transfem"?). She diagnoses the root of transmisogyny as a reaction to the femininity of trans women and other trans-feminized subjects. In this respect she explicitly subscribes to a form of mujerísima, and of the trans-feminized subject as "the most feminine" and (equivalent, as far as she's concerned) "the most woman". Moreover, she locates transfeminist liberation in a singular embrace of mujerísima as descriptive of trans-feminized subjectivity. As I've discussed previously, I think this is a misdiagnosis. Feminization is, of course, something that is done to people; it is certainly the case that the trans-feminized subject is in this way feminized for perceived gender-failure. This subject may simultaneously embrace feminized ways of being for all sorts of reasons. In both cases I think the feminization follows from, rather than precedes, the trans misogyny and trans-feminization, and there is a fair bit of masculinization as de-gendering at play too, to say nothing of the deliberate embrace of masculinity by "trans-feminized" subjects. Masculinity and femininity are already technologies of gender normalization—they are applied against gender deviation and adapted to by the gender deviant. The deviation happens first, in the failure to adhere to the expectations of gender assignment, and I don't think these expectations can be summarized by either masculinity or femininity alone. I think JGP is effectively describing the experience of many trans-feminized people, but I do not think what she presents can be the universalized locus of trans liberation she seems to want it to be.

Now for a pettier complaint that I've made before, but one that I think surfaces JGP's academic context. In her introduction she says:

In truth, everyone is implicated in and shaped by trans misogyny. There is no one who is purely affected by it to the point of living in a state of total victimization, just as there is no one who lives entirely exempt from its machinations. There is no perfect language to be discovered, or invented, to solve the problem of trans misogyny by labeling its proper perpetrator and victim.

Agreed that "there is no perfect language to be discovered"! But JGP is clearly critical of TMA/TME language here. Strange, then, that less than ten pages later she says this:

this book adds the phrase trans-feminized to describe what happens to groups subjected to trans misogyny though they did not, or still do not, wish to be known as transgender women.

So JGP believes it is coherent to talk about "groups subjected to trans misogyny", which she thinks consists of the union of trans women and what she called "trans-feminized" groups. If this is to be coherent, there must be groups not subjected to trans misogny. So we've come around to transmisogyny-subjected and not transmisogyny-subjected. Look: you cannot effectively theorize about transmisogyny without recognizing that its logic paints a particular target, and you will need to come up with a concise way of making this distinction. But JGP dismissing TMA/TME with skepticism about "perfect language" and immediately coining new language (basically TMS/not TMS) to solve the problem she un-solved by rejecting TMA/TME... it smells of a sloppy attempt to make a rhetorical point rather than theoretical rigour. It's frustrating.

I have other minor gripes, like her artificial separation of "trans women" from "nonbinary people" (cf. countless posts on here lamenting the narrow forms of existence granted TMA people if we want recognition as-such!) or her suggestion that "a politics of overcoming the gender binary" is mutually exclusive from rather than necessarily involved with struggles around "prison abolition, police violence, and sex work". Little things that give me the sense of theoretical tunnel-vision. But I don't think all this compromises the book's strengths as a work of broad historical analysis. I would simply not take every one of its claims as authoritative. Definitely give it a read if you have the chance, especially for the second and third chapters.

[chaoticmannamedoliver]

I know i already posted the art as a reblog to a post @neitherabaron made, but i wanted to post it as its own thing, too! :D

Its a redraw kinda thing of the one selfie kofi n Jessica made, but like - make it their mechs!!

That toy soldier looks SO much like young jess to me , its scarry as hell kcjsjxbdjd

Also. Marius with glasses, your honor. Marius. With. Glasses. Doctor man look so soft.

(I posted it on Twitter too, and Jessica liked it, n that made me happy n yea, hehehe)

[chaoticmannamedoliver]

Toy soldier, my beloved♡♡♡♡

Mechtober Day 16: Photoshoots

I really liked the funky lighting in the original photo,,

[nellasbookplanet]

Book recs: Queer science fiction, part 1

There is a lot of queer sf out there, and I read a lot of sf. When I started working on this list, I quickly realized it was impossible to include all that I've read and enjoyed in one single rec post. Thus, this is the first of so far three queer sci-fi book rec posts.

A note: queer here does not necessarily mean "guarantee of an f/f or m/m ship with a happy ending", but rather simply a significant presence of queerness. Some of the books feature no romance but has a same gender attracted/trans/a-spectrum lead, or features an m/f relationship with bisexual, trans or aro/ace characters, or simply features a world-building which is heavily queer inclusive in ways that don't always compare to our own ideas of sexuality and gender. I have however disqualified works where the only queer presence is along the lines of "gay best friend" or a blink and you'll miss it confirmation that never comes up again.

Previous book rec posts:

Really cool fantasy worldbuilding, really cool sci-fi worldbuilding, dark sapphic romances, mermaid books, vampire books, many worlds: portal fantasies, many worlds: alternate timelines, robots and artificial intelligences, post- and transhumanism, alien intelligences

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

The Light Brigade by Kameron Hurley*

Dietz is a soldier in the war between Earth and Mars - to travel to the battle front, she and her fellow soldiers are broken down into light to be able to quickly travel across space. But something keeps going wrong with Dietz's travels; her memories don't match up with the mission briefs, as she experiences time itself turning in on itself. Is she going mad? Or are the things she's learning skipping through time the truth - and the war that's stealing her life the lie? A mindfuck of a book that's scathing in its critique of fascism and war. Features a sapphic lead but no romance.

A Psalm for the Wild-Built (Monk and Robot duology) by Becky Chambers

Novella. Long ago, robots, upon gaining sentience, simply laid down their work and walked into the wilderness. Long after, a tea monk looking for purpose follows after them into the wilds, where they come across one of the robots seeking its own sort of answers. While not plotless, this story focuses more on character and vibes over plot. Also has a nonbinary main character and features conversations on gender between human and robot.

Meet Me In Another Life by Catriona Silvey*

Thora and Santi are strangers, brought together by a coincidence and torn apart just as abruptly when tragedy strikes. But this is neither the first nor the last time they meet - again and again they encounter each other, as friends, lovers, enemies, family, every time recognizing in each other a familiarity no one else carries. But with every new life, a mysterious danger grows ever closer, forcing them to find out the truth of their connection. This is a puzzle-box of a story that goes some entirely unexpected places in a very wild ride, featuring a bisexual co-lead.

The Archive Undying (The Downworld Sequence) by Emma Mieko Candon

In a world where AI gods sometimes lose their minds and take entire populations down with them, Sunai was the only survivor when his god went down. In the 17 years since, he has wandered on his own, unable to either die or age, drowning his sorrows in drink and men. But his attempts to flee his past comes to a stop as he is forced back into the struggle between man and machine. Featuring some pretty wild world building and narrative techniques, this book will definitely confuse you, but it is worth the experience.

The Paradox Hotel by Rob Hart

January Cole works security at the Paradox Hotel, last stop for tourists heading for the timeport, which allows them to travel to and witness any moment in time. But years of proximity to the timeport has left its damage on January, making her unstuck in time, letting her relive memories of her dead lover even as her sanity slips away bit by bit. As she starts witnessing proof of a horrible crime in the hotel that no one else can see, January must race against her own mind, a killer, and time itself to solve it before it's too late.

A Fractured Infinity by Nathan Tavares

Hayes Figueiredo is a struggling film-maker who wants to finish his documentary, whose life gets turned upside down when handsome physicist Yusuf Hassan enters his life, claiming an alternate version of him is a great inventor who’s sent a mysterious device to their universe. As Hayes gets drawn deeper into the conspiracy - and his feelings for Yusuf intensify - he has to decide just how far he’s prepared to go to win the life and the love he wants. Featuring a very gay and very morally dubious lead, this is a creative and strange read.

Bridge by Lauren Beukes

When she was little, Bridge and her mother Jo used to play a game - one where they traveled to other worlds, inhabiting the bodies of their other selves. Now Jo is dead, and as Bridge is cleaning out her apartment she finds a strange device: a dreamworm, the very thing that supposedly makes inter-dimensional travel possible. Suddenly faced with the possibility that multiverse travel is real, Bridge is struck by a different question: could her mother still be alive? Scifi spiced with a healthy dose of body horror and some absolutely wild twists, Bridge also features a bisexual lead (however this is a blink and you’ll miss it moment) and a nonbinary co-narrator.

The Long Way to a Small, Angry Planet (Wayfarers series) by Becky Chambers

Rosemary Harper just got a job on the motley crew of the Wayfarer, a spaceship that works with tunneling new wormholes through space. With a past she wants to leave behind, Rosemary is happy to travel the far reaches of the universe with the chaotic crew, but when they land the job of a life time, things suddenly get a lot more dangerous. A bit of a tumblr classic in its day, this is a cozy space opera with an episodic feel and vividly realized characters and cultures. While pretty light on romance and focusing found family, there is a main f/f relationship.

An Unkindness of Ghosts by Rivers Solomon

Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship's leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed work force as they travel toward their supposed Promised Land. But as Aster finds a link between the death of the ship's sovereign and the suicide of her own mother, she realizes there may be a way off the ship.

Ninefox Gambit (The Machineries of Empire trilogy) by Yoon Ha Lee*

Military space opera where belief and culture shape the laws of reality, causing all kinds of atrocities as empires do everything in their power to force as many people as possible to conform to their way of life to strengthen their technology and weapons. It’s also very queer, with gay, lesbian and trans major characters, albeit little to no romance.

The Left Hand of Darkness (Hainish Cycle) by Ursula K. Le Guin

1969 classic. Genly Ai is an emissary sent to the planet of Winter, meant to help facilitate Winter's inclusion in a growing intergalactic civilization. But he's unprepared for Winter's citizens, who spend much of their time genderless or switching between genders, making for a culture wildly different from that Genly is used to.

Too Like the Lightning (Terra Ignota series) by Ada Palmer*

Centuries in the future, humanity has deliberatly engineered society to be as utopian as possible, politically, socially, sexually, religiously. Written in an enlightenment style and featuring questions of human nature and whether it’s possible to change it, and what price we’re prepared to pay for peace, this book is simultaneously very heavy and very funny, and written in a very unique style. While still human, the society presented often feels starkly alien.

The Stars Are Legion by Kameron Hurley

This book fucked me up when I read it. It’s weird, it’s gross, there’s So Much Viscera, there are literally no men, it has living spaceships and biotech but in the most horrific way imaginable. Had I to categorize it I would call it grimdark military sf. It’s an experience but not necessarily a pleasant one.

The Luminous Dead by Caitlin Starling*

Possibly one of the most unsettling books I’ve ever read, and definitely the most claustrophobic. Gyre, a caver on an alien planet, ventures into the dark and dangerous underground, guided only by a woman who has no compunctions on using and manipulating Gyre as she sees fit to obtain her secretive goals down in the caves.

Escaping Exodus (Escaping Exodus series) by Nicky Drayden

While my feelings on Escaping Exodus were mixed, it cannot be denied that the dynamic between the two leads and the way they go from childhood best friends to enemies on different sides of a class and power struggle is very delicious. It also features some really cool worldbuilding of living, alien generation spaceships and the human culture that has developed inside them.

The Doors of Eden by Adrian Tchaikovsky*

The Doors of Eden is something of an experiment in speculative biology, featuring versions of Earth in which various different species were the one to rise to sentience, from dinosaurs to neanderthals. Now, something is threatening the existence of all timelines, dragging multiple different people and species into the struggle, among those a pair of cryptid hunting girlfriends and a transgender scientist.

Ascension by Jacqueline Koyanagi

Ascension follows Alana Quick, an expert Sky Surgeon who stows away on a spaceship in hopes of landing herself a job. But the ship and its crew are in deeper waters than she expected, facing threats emerging from a whole other universe, all of them searching for the same person: Alana’s spiritually enlightened sister. Undeniably a bit of an odd read, Ascension is also very creative and features polyamorous lesbian relationship.

Contagion (Contagion duology) by Erin Bowman*

Young adult. After receiving an SOS, a small crew is sent on a standard search-and-rescue mission. But what they find are not survivors awaiting help, but an abandoned site, full of dead bodies and crawling with something... monstrous. No romance, but features one sapphic co-lead and one who can easily be read as demisexual (however this doesn't show up until book two, which has more romance).

A Memory Called Empire (Texicalaan duology) by Arkady Martine

Mahit Dzmare is an ambassador sent to the center of the multi-system Teixcalaanli Empire, where she discovers that her predecessor has died. Trying to protect her home, an independent mining station, from being taken over by the empire, Mahit struggles to find out the truth of her predecessor's death while carrying the voice of his ghost in her head, guiding her as best he can. Light on the romance but does feature a sapphic relationship.

The Outside (The Outside trilogy) by Ada Hoffman*

AKA the book the put me in an existenial crisis. Souls are real, and they are used to feed AI gods in this lovecraftian inspired scifi where reality is warped and artifical gods stand against real, unfathomable ones. Autistic scientist Yasira is accused of heresy and, to save her eternal soul, is recruited by post-human cybernetic ‘angels’ to help hunt down her own former mentor, who is threatening to tear reality itself apart. Sapphic main character.

Dawn (Xenogenesis trilogy) by Octavia E. Butler*

After a devestating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Queer in the sense that the Oankali doesn't follow human ideas of gender and relationships, which is mirrored in their romantic relationships with humans. It is, however, pretty dark, with examinations of agency and consent, so enter with caution.

Remnant by Kate Genet

One day, Cass wakes up and finds everyone else is gone. Not dead, just gone, leaving her in a world which nature starts taking back with a dangerous, unnatural speed. But as she tries to survive this new normal, Cass realizes she may not be alone after all - but who else is out there, and are they a threat?

The Scorpion Rules (Prisoners of Peace duology) by Erin Bow*

Young Adult. Featuring a dystopian future in which an AI forcibly keeps world peace by holding the children of world leaders hostage. If anyone attempts to start a war, their child will be executed. Greta is one of these children, kept in a school with others like her. But things start to change one day when a new, less obedient hostage arrives. A unique, slowburn take on the YA dystopian craze, also featuring a bisexual love triangle.

Iron Widow (Iron Widow series) by Xiran Jay Zhao

Young adult. Zetian is a citizen of Huaxia, where mecha aliens are constantly trying to breach the Great Wall. To keep them at bay, couples of men and women pilot so called Chrysalises, giant transforming robots. But the pilots are not equal - the women almost always die, sucked dry by their co-pilots. When Zetian sets herself up to become a concubine-pilot, she does so with the plan to assassinate the male pilot who caused her sister's death. Features a polyamorous main relationship.

Bonus AKA I haven't read these yet but they seem really cool:

Survival Instincts by May Dawney

Lynn Tanner has been surviving the post-apocalypse alone with only her dog for a long time, trusting no one. But when she's forced to travel the dangerous remains of New York City alongside another woman, her priorities are challenged. Is staying alone really the best way to stay alive?

These Burning Stars by Bethany Jacobs

When con-artist Jun Ironway gets her hands on possible proof of the powerful Nightfoot family, controllers of interplanetary travel, committing genocide, she has in her hands a chance of taking them and their monopoly down. But the family and their allies won't go down easily, and sends two brutal clerics to stop her.

Everfair by Nisi Shawl

A neo-victorian alternate history, in which a part of Congo was kept safe from colonisation, becoming Everfair, a safe haven for both the people of Congo and former slaves returning from America. Here they must struggle to keep this home safe for them all.

[inthedayswhenlandswerefew]

1968 [Chapter 9: Dionysus, God Of Ecstasy]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 5.9k

Let me know if you’d like to be tagged! 🥰

💜 All of my writing can be found HERE! 💜

The October surprise is a great American tradition. As the phases of the moon revolve towards Election Day, the candidates and their factions seek to ruin each other. Lies are told, truths are exposed, Tyche smiles and Achlys brews misery, poison, the fog of death that grows over men like ivy. The stars align. The wolves snap their jaws.

In 1844, an abolitionist newspaper falsely accused James K. Polk of branding his slaves like cattle. In 1880, a letter supposedly authored by James Garfield—in actuality, forged by a New York journalist—welcomed Chinese immigrants in an era when they were being lynched by xenophobic mobs in Los Angeles and San Francisco. In 1920, a rumor emerged that Warren Harding had Black ancestry, an allegation his campaign fervently denied to keep the support of the Southern states. In 1940, FDR’s press secretary assaulted a police officer outside of Madison Square Garden. In 1964, one of LBJ’s top aids was arrested for having gay sex at the Washington D.C. YMCA.

Now, in 1968, Senator Aemond Targaryen of New Jersey is realizing that he will not be the beneficiary of the October surprise he’s dreamed of: his wife’s redemptive pregnancy, a blossoming first family. There is a civil rights protest that turns into a riot in Milwaukee; this helps Nixon, the candidate of law and order. For every fire lit and window shattered, he sees a bump in the polls from businessowners and suburbanites who fear anarchy. Breaking news of the My Lai massacre—committed back in March but only now brought to light—airs on NBC, horrifying the American public and bolstering support for Aemond, the man who has vowed to begin ending the war as soon as he’s sworn into office. The two contestants are deadlocked. Election Day could be a photo finish.

Nixon is in Texas. Wallace is in Arkansas. In Florida, Aemond visits the Kennedy Space Center and pledges to fulfill JFK’s promise to put a man on the moon by 1970. He makes a speech at the Mary McLeod Bethune Home commending her work as an educator, philanthropist, and humanitarian. He greets soldiers at the Naval Air Station in Pensacola. He feeds chickens to the alligators at the Saint Augustine Alligator Farm Zoological Park.

But it is not the senator the crowds cheer loudest for. It is his wife, his future first lady, here in her home state where she staunched her husband’s hemorrhaging blood and appeared before his well-wishers still marked with crimson handprints. In Tarpon Springs, she and Aemond attend mass at the Saint Nicholas Greek Orthodox Cathedral and pray at an altar made of white marble from Athens. Then they stand on the docks as flashbulbs strobe all around them, watching sponge divers reappear from the depths, breaking through the bubbling sapphire water like Heracles ascending to Mount Olympus.

~~~~~~~~~~

You kick off your high heels, tear the pins and clips out of your hair, and flop down onto the king-sized bed in your suite at the Breakers Hotel. It’s the same place Aemond was almost assassinated five months ago. He has returned in triumph, in defiance. He cannot be killed. It is God’s will.

You are alone for these precious fleeting moments. Aemond is in Otto’s suite discussing the itinerary for tomorrow: confirmations, cancellations, reshufflings. You pick up the pink phone from the nightstand on Aemond’s side of the bed and dial the number for the main house at Asteria. It’s 9 p.m. here as well as there. Through the window you can see inky darkness and the kaleidoscopic glow of the lights of Palm Beach. The Zenith radio out in the kitchenette is playing Satisfaction by the Rolling Stones. No intercession from Eudoxia is necessary this time; Aegon answers on the second ring.

“Yeah?” he says, slow and lazy like he’s been smoking something other than Lucky Strikes.

“Hey.” And then after a pause, twirling the phone cord around your fingers as you stare up at the ceiling: “It’s me.”

“Oh, I know. Should I take off my pants, or…?” He’s only half-joking.

You smile. “That was stupid. Someone could have bugged the phone.”

“You think Nixon’s guys are wiretapping us? Give me a break. They’re goddamn buffoons. They’re too busy telling cops to beat hippies to death.” You hear him taking a drag off his joint, envision him sprawled across his futon and enshrouded in smoke. “Everything okay down there in the swamp?”

You shrug, even though Aegon can’t see you. “It’s fine.”

“Just fine?”

“My parents were there when we stopped in Tarpon Springs. They kept telling everyone how proud they are of me, and I just felt so…dishonest.”

“Of course they’re proud. If Aemond wins, the war ends and more civil rights bills get passed and this hell we’ve all been living in since 1963 goes away.”

“I miss you,” you confess.

“You’ll be back soon to enjoy me in all my professional loser glory.” He’s right: Aemond’s entourage will spend Halloween at Asteria. You’ll take the children trick-or-treating around Long Beach Island—with journalists in tow, of course—and then host a party with plentiful champagne and Greek hors d’oeuvres, one last reprieve before the momentous slog towards Election Day on November 5th, a reward for the campaign staffers and reporters who have served Aemond so well. “What are you going to dress up as?”

“Someone happy,” you say, and Aegon chuckles, low and sardonic. “Actually, nothing. Aemond and Otto have decided that it would be undignified for the future president and first lady to be photographed in costumes, so I will be wearing something festive yet not at all fun.”

“Aemond has always been somewhat confused by the concept of fun.”

“What are you going to be for Halloween?”

You can hear the grin in his voice as he exhales smoke. “A cowboy.”

“A cowboy,” you repeat, giggling. “You aren’t serious.”

“Extremely serious. I protect the cows, I comfort the cows, I breed the cows…”

“You are mentally ill. You belong in an asylum.”

“I ride the cows…”

“Cowboys do not ride cows.”

“Maybe this one does.”

“I thought you liked being ridden.”

Aegon groans with what sounds like genuine discomfort. “Don’t tease me. You know I’m celibate at the moment.”

“Miraculous. Astonishing. The Greek Orthodox Church should canonize you. What have you been doing with all of your newfound free time?”

“Taking the kids out sailing, hiding from Doxie, trying not to step on the Alopekis…and playing Battleship with Cosmo. He has a very loose understanding of the rules.”

“He does. I remember.”

“He keeps asking when you’ll be back.”

“Really?” you ask hopefully.

“Yeah, it’s cute. And he calls you Io because he heard me do it.”

“Not an appropriate myth for children, I think.”

“Cosmo’s what, seven years old?”

“Five.”

“Close enough. I think I knew about death and torment and Zeus being a slut by then.”

“And you have no resulting defects whatsoever.” You roll over onto your belly and slide open the drawer of the nightstand. Instead of the card Aegon gave you at Mount Sinai—you’ve forgotten that you’re on Aemond’s side of the bed—you find something bizarre, unexpected, just barely able to fit. “Oh my God, there’s a…there’s a Ouija board in the nightstand!”

Aegon laughs incredulously. “There’s a what?!”

“A Ouija board!” You sit upright and shimmy it out, holding the phone to your ear with one shoulder. The small wooden planchette slides off the board and clatters against the bottom of the drawer. “Why the hell would Aemond have this…?”

“He’s trying to summon the ghost of JFK to stab Nixon.”

“Oh wow, it’s heavy.” You skim your fingertips over the black numbers and letters etched into the wooden board. There’s something ominous about the Good Bye written across the bottom. You can’t beckon the dead into the land of the living without reminding them that they aren’t welcome to stay.

“Aemond is such a freak. Is it a Parker Brothers one, like for kids…?”

“No, I think it’s custom made. It feels substantial, expensive. Hold on, there’s something engraved on the back.” You flip over the Ouija board so you can see what your hands have already felt. The inscription reads in onyx cursive letters: No ghosts can harm you. The stars were never better than the day you were born. With love through all the ages, Alys.

“What’s it say?” Aegon asks from his basement at Asteria.

You’re staring down at the Ouija board, mystified. “Who’s Alys?”

Instead of an answer, Aegon gives you a deep sigh. “Oh. Yeah, she would give him something like that. Fucking creepy witch bullshit.”

“Aegon, who’s Alys?” She’s his mistress. She has to be. It fills your skull like flashbulbs, like lightning: Aemond climbing on top of another woman, conquering her, owning her, binding her up in his mythology like a spider building a web. And what you feel when the shock begins to dissolve isn’t envy or pain or betrayal but—strangely, paradoxically—hope. “She’s his girl, right?”

“Please don’t be mad at me for not telling you,” Aegon says. “There wasn’t a good time. When I hated you I didn’t care if he was fucking around, and then after what happened in New York I didn’t want to hurt you, I didn’t know how you’d take it. It’s not your fault, there’s nothing wrong with you. She was here first. He’d have kept Alys around if he married Aphrodite herself.”

“I’m not mad.” You’re distracted, that’s what you are; you’re plotting. “Where is she?”

“She lives in Washington state. I’m not sure exactly where, I think Aemond moves her a lot. He doesn’t want anyone to see him around and start noticing a pattern. Neighbors, shopkeepers, cops, whoever.”

“Washington.” Just like when Ari died. Just like when Aemond didn’t come back. “Who knows about her?”

“Just the family. Fosco and Mimi found out because when they married in, the fights were still happening. Otto and Viserys demanding he give Alys up, Aemond refusing. It’s the only thing he ever did wrong, the only line he drew. He said he needed her. She could never be his first lady, but she could be something else.”

“His mistress.”

“Yeah,” Aegon says reluctantly. “Are you…are you okay?”

“I’m okay. What’s wrong with Alys?”

“What?”

“Why couldn’t Aemond marry her?”

“I mean, she’s the type of psycho who gives people Ouija boards, first of all,” Aegon says. “And she’s…she’s not educated. Her family’s trash. She’s older than Aemond. Hell, she’s older than me. She would be an unmitigated disaster on the campaign trail. She unnerves people. But Aemond, he…”

“He loves her,” you whisper, reading the engraving on the back of the board again. “And she loves him.”

“I guess. Whatever love means to them.”

A thought occurs to you, the first one to bring you pain like a needle piercing flesh. “Does she have children?”

Again, Aegon sounds reticent to disclose this. “A boy. Aemond’s the father.”

“How old?”

“I don’t know, I think he’s around ten now.”

And that’s Aemond’s true heir. Not Ari, not any others he would have with me. That place in his heart is taken. He couldn’t mourn the loss of our son because he already has one with the woman he loves.

Out in the living room of the suite, you hear the front door open. There are footsteps, Aemond’s polished black leather shoes.

Aegon is asking: “Are you sure you’re okay? Hello? Babe? Hello? Are you still there?”

“I’m fine. I gotta go.”

“Wait, no, not yet—!”

“Bye.” You hang up the phone and wait for Aemond to discover you. You’re still clutching the Ouija board. You’re perched on the edge of the bed like something ready to pounce, to kill.

Aemond opens the bedroom door, navy blue suit, blonde hair short and slicked back, his eyepatch covering his empty left socket. He’s begun wearing his eyepatch in public more often—not for every appearance, but for some of them—and whoever finally convinced him to concede this battle wasn’t you. His right eye goes to you and then to the Ouija board in your hands. He doesn’t speak or move to take the board, only studies you warily.

“I know about her,” you tell him.

Still, Aemond says nothing.

“Alys,” you press. “She’s your mistress. You’re in love with her.”

“I did not intend to hurt you.” His words are flat, steely.

“I’m not hurt, Aemond.”

“You shouldn’t have ever known about this. I apologize for not being more discrete. It was a lapse in judgment.” But what he regrets most, you think, is that his secret is less contained, more imperiled.

“What we have is a political arrangement,” you say. The desperation quivers in your voice. “You don’t love me, you never have, and now we can be open about it. You need me to win the White House, but that’s all. Your true companion is elsewhere. I want the same thing.”

He steps closer, eye narrowing, iris glinting coldly, puzzled like he couldn’t have understood you correctly. “What?”

“I want to be permitted to have my own happiness outside of this imitation of a marriage.”

“No,” Aemond says instantly.

Your stomach sinks, dark iron disappointment. “But…but…why?”

“Because I don’t trust you to not get caught. Because I need to be sure that I am the father of the children you’ll give birth to. And because as my wife you are mine, and mine alone.”

Tears brim in your eyes; embers burn in your throat. “You’re asking for my life. My whole life, all of it, everything I’ll ever experience, everything I’ll ever feel. I get one chance on this planet and you’re stealing it away from me.”

“Yes,” Aemond agrees simply.

“So where’s my consolation?” you demand. “You get Alys, so where’s mine?”

“What do you want?”

You don’t reply, but you glare at your husband with eternal rage like Hera’s, with fatal vitriol like Medusa’s.

“You think I don’t know about that little card you keep in your nightstand?” Aemond is furious, betrayed. “You used to hate him.”

“I was wrong.”

“Because he was at Mount Sinai and I wasn’t? Three days undid everything we’ve ever been to each other? Our oaths, our ambitions?!”

“No,” you say, tears slipping down the contours of your cheeks. “Because he’s real. He doesn’t try to manipulate people into loving him, he doesn’t pretend to be someone he’s not, when he’s cruel it’s because he means it and when he’s kind that’s genuine too. And he wants to know me, who I really am. Not the woman I have to act like to get you elected. Not who you’re trying to turn me into—”

Aemond has crossed the room, grabbed the front of your teal Chanel dress, and yanked you to your feet. The Ouija board jolts out of your hands and lands on the carpet unharmed. Your long hair is in disarray, your eyes wide and fearful. You try to push Aemond away, but he ignores you. You can’t sway him. You’ve never been able to. “Aegon has nothing to his name except what this family gives him,” Aemond snarls, hushed, hateful. His venom is not for his brother but for you. You have upended the natural order of things. You have dared to deny Zeus what he has been divinely granted dominion over. “You would jeopardize his wellbeing, his access to his children? You would ruin yourself? You would doom this nation? If you cost me the election, every drop of blood spilled is on your hands, every body bag flown home from Vietnam, every martyr killed by injustice here. What you ask for is worse than being a traitor and a whore. It is sacrilege.”

“Let go of me—”

“And there’s one more thing.” Aemond pulls you closer so he knows you’re paying attention. You’re sobbing now, trembling, choking on his cologne, shrinking away from his furnace-heat wrath. “Aegon isn’t capable of love. Not the kind you’re imagining. He gets infatuated, and he uses people, and then he moves on. You think he never charmed Mimi, never made her feel cherished by him? And look how she ended up. I’m trying to carve your name into legend beside mine. Aegon will take you to your grave.”

Your husband shoves you away, storms out of the bedroom, slams the door so hard the walls quake.

~~~~~~~~~~

Parading down streets like the victors of a fallen city, jack-o-lanterns keeping watch with their laceration grins of firelight. Hecate is the goddess of witchcraft, Hades rules the Underworld, Selene is the half-moon peeking through clouds in an overcast sky. The stars elude you.

The children—ghosts, pirates, princesses, witches—dash from doorstep to doorstep like soldiers in Vietnam search tunnels. They smile and pose in their outfits when the journalists prompt them, beaming and waving, showing off their Dots, Tootsie Pops, Sugar Daddies, Smarties, Razzles, and candy cigarettes before depositing them in the plastic orange pumpkins that swing from their wrists. Only Cosmo, dressed as Teddy Roosevelt with lensless glasses and a stuffed lion thrown over one shoulder, stays with the adults. He is the last one to each house, approaching the doorway reticently like it might swallow him up, inspiring fond chuckles and encouragement from the reporters. He clutches your hand and hides behind you when towering monsters lumber by: King Kong, Frankenstein, vampires with fake blood spilling from their mouths.

Aemond wears a black suit with orange accents: tie, pocket square, socks. You glimmer in a black dress dotted with white stars, clicking down the sidewalk in boots that run to your knees, silver eyeshadow, heavy liner. You almost look your own age. There are large star-shaped barrettes in your pinned-up hair, bent glinting metal. As the reporters snap photos of you and Cosmo walking together, they shout: “You’ll be such a great mother one day, Mrs. Targaryen!”

Fosco is Ettore Boiardi—better known as Chef Boyardee—an Italian immigrant who came through Ellis Island in 1914 with a dream of opening a spaghetti business. Helaena, Alicent, and Ludwika are, respectively, Alice, Wendy, and Cinderella; Ludwika clops along resentfully in her puffy sleeves and too-small clear stilettos. Criston is Peter Pan. Aegon wears a white button-up shirt, cow print vest, ripped jeans, brown leather boots, a cowboy hat that’s too big for him, and a green bandana knotted around his throat. He stays close to you and Cosmo because he can, here where the journalists expect to see him being a devoted father and active participant in the family business of mending a tattered America. Teenagers are fleeing their families to join hippie communes and draftees in Vietnam are getting their limbs blown off and junkies are shooting up on the streets of New York and Chicago and Los Angeles, but here we see a happy family, a perfect family, a holy trinity that thanks the devotees who offer them tribute. Otto, who neglected to don a disguise, glares at you murderously. You have failed to give Aemond a living child. You have dared to want things for yourself.

Back at Asteria in the main house, the children empty their plastic pumpkins on the living room floor and sort through their saccharine treasures, making trades and bargains: “I’ll do your math homework if you give me those Swedish Fish,” “I’ll let you ride my bike for a week if I can have your Mallo Cup.” While the other adults ply themselves with champagne and chain smoke away the stress of the campaign trail, Aegon gets his Caribbean blue Gibson guitar and sits on the couch playing I’m A Believer by The Monkees. The kids clap and sing along between intense confectionary negotiations. Cosmo wants to share his candy cigarettes with you; you pretend to smoke together as sugar melts on your tongue.

Now the children have been sent to bed—mollified with the promise of homemade apple pies tomorrow, another occasion to be documented by swarms of clamoring journalists—and the house becomes a haze of smoke and indistinct conversation and music from the record player. Platters of appetizers have appeared on the dining room table: pita, tzatziki, hummus, melitzanosalata, olives, horiatiki, mini spanakopitas, baklava. Women are chattering about the painstaking labor they put into costumes and men are scheming to deliver death blows to Nixon, setbacks in Vietnam, Klan meetings in Mississippi. Aemond is knocking back Old Fashioneds with Otto and Sargent Shriver. Fosco is dancing in the living room with drunk journalists. Eudoxia is muttering in Greek as she aggressively paws crumbs off of couches and tabletops. Thick red candles flicker until wax melts into a pool of blood at the base.

Through the veil of cigarette smoke and the rumbling bass of Season Of The Witch, Aegon finds you when no one is looking, and you know it’s him without having to turn around. His hand is the only one that doesn’t feel heavy when it skims around your waist. He whispers, soft grinning lips to your ear, rum and dire temptation like Orpheus looking back at Eurydice: “Let’s do some witchcraft.”

You know where Aemond keeps the Ouija board. You take it out of the top drawer of his nightstand in your bedroom with blue walls and portraits of myths in captive frames. Then you descend with Aegon into the basement, down like Persephone when summer ends, down like women crumbling under Zeus’s weight. You remember to lock the door behind you. You’re not high—you can’t smoke grass in a house full of guests who could smell it and take it upon themselves to investigate—but you feel like you are, that lightness that makes everything more bearable, the surreal tilt to the universe, awake but dreaming, truth cloaked in mirages.

Aegon has stolen three red candles from upstairs. He hands one to you, keeps a second for himself, and places the third on his end table beside a myriad of dirty cups. You glimpse at his ashtray and a folded corner of the receipt that’s still tucked beneath it, and you think: I have my card, Aegon has his receipt, Aemond has his Ouija board. I wonder what Alys likes to keep close when she sleeps. Then Aegon clicks off the lamp so the only light is from the flickering candles.

He tosses away his cowboy boots, hat, vest and is down on the green shag carpet with you, his hair messy, his white shirt half-unbuttoned. He’s taking sips of Captain Morgan straight from the glass bottle. He’s lighting a Lucky Strike with the wick of his candle and then giving it to you to puff on as he places the planchette on the board. “Wait, how do we start?”

You exhale smoke, setting your candle down on the carpet and then tugging off your own boots with some difficulty. “We have to say hello.”

“Okay.” Aegon places his fingertips on one side of the heart-shaped planchette and you rest yours lightly on the other. He begins doubtfully: “Hello…?”

“Is there anyone who would like to send us a message from the other side this evening?”

“You’ve done this before,” Aegon accuses.

“I have. In college.”

“With a guy?”

You chuckle, taking a drag as the cigarette smolders between your fingers. “No, with my friends. It’s not really a date activity.”

“I think it’s very romantic. Candles, darkness, danger, who’s gonna protect you when the ghosts start throwing things around…”

“You’d fight a ghost for me?”

“Depends on the ghost. FDR? You got it. I can take a guy in a wheelchair. Teddy? No ma’am. You’re on your own.”

“Which ghost should we summon?”

Aegon ponders this for a moment. “John F. Kennedy, are you in this basement with us right now?”

“That is wrong, that is so wrong.”

“Then why are you smiling?” Aegon says. “JFK, how do you feel about Johnson fucking up your legacy?”

“That is not the kind of question you’re supposed to ask. We’re not on 60 Minutes.”

“JFK, do you haunt the White House?” Aegon drags the planchette to the Yes on the board. “Oh no, I’m scared.”

“You are a cheater, this is a fraudulent Ouija board session.” You put your cigarette out in the ashtray and then take a swig from Aegon’s rum bottle. “JFK, are we gonna make it to the moon before 1970?”

Aegon pulls the planchette to the No. “Damn, Io, bad news. Guess the Russians win the Space Race and then eradicate capitalism across the globe. No more beach houses. No more Mr. Mistys.”

“Give me the planchette, you’re abusing your power.”

“No,” Aegon says, snickering as you try to wrestle it away from him. In his other hand he’s clutching his candle; scarlet beads of wax like blooddrops pepper your skin as you struggle, tiny infernos that burn exquisitely. Red like paint splatter appears on Aegon’s shirt. You grab the green bandana around his throat, but instead of holding him back you’re drawing him closer. The Ouija board and all the world’s ghosts are momentarily forgotten.

“You’re dripping wax on me—”

“Good, I want to get it all over you, then I want to peel it off and rip out your leg hair.”

You’re laughing hysterically as you pretend to try to shove him away. “I’m freshly shaved, you idiot.”

“Everywhere?” Aegon asks, intrigued.

You smirk playfully. “Almost.”

“Okay, let’s get you cleaned up.” Aegon sets his candle down on the carpet and strips away tacky dots of red wax: one from your forearm down by your wrist, another from your neck just below one of your silver hoop earrings, wax from your ankles and your calves and right above your knees. His fingertips are calloused from his guitar, from the ropes of his sailboat. They scratch roughly over you, chipping away who you’re supposed to be.

Then Aegon stops. You follow his gaze down. There is a smudge of wax on the inside of your thigh, extending beneath the hem of your dress, glittering black and white fabric that hides what is forbidden to him. Aegon’s eyes are on you, that troubled opaque blue, drunk and desperate and wild and afraid. With your fingers still hooked beneath his bandana, you say to him like a dare: “Now you’re going to stop?”

His palm skates up the smoothness of your thigh, and as he unpeels that last stain of red wax his other hand cradles your jaw and his lips touch yours, gently at first and then with the ravenousness of someone who’s been dying of thirst for centuries, starving since birth. You’re opening your legs wider for him, and his fingers do not stop at your thigh but climb higher until they are whisking your black lace panties away, exploring your folds and your wetness as his tongue darts between your lips, tasting something he’s been craving forever but only now stumbled into after four decades of darkness, trapped in you like Narcissus at his pool.

You are unknotting his green bandana and letting it fall to the shag carpet. You are unbuttoning the rest of his shirt so you can feel his chest, soft and warm and yielding, safe, real. The candlelight is flickering, the thumping bass of a song you can’t decipher pulsing through the floor above. Now beneath your dress Aegon’s fingers are pressing a place that makes your breath catch in your throat, makes you dizzy with need for him. He looks at you and you nod, and he reads in your face what you wanted to say months ago in this same basement: Don’t stop. Come closer.

Aegon lifts your dress over your head, nips at your throat as he unclasps your bra, and you are suddenly aware of how the cool firelit air is touching every part of you, how you are bare for him in a way you’ve never been before. You catch Aegon’s face in your hand before he can see the scar that runs down the length of your belly and say, your voice quiet and fragile: “Don’t look at me.”

Pain flashes in his eyes, furrows across his brow. “Stop,” he murmurs, kissing your forehead as you cling to him. Then he begins moving lower and you fall back onto the carpet, no blood on Aegon’s hands this time, only your sweat and lust for him, only crystalline evidence of a betrayal you’ve long ago already committed in your mind.

You’re combing your fingers through his hair and gasping as Aegon’s lips ghost down your scar, not something ruinous or shameful but a part of you, the beginning of your story together, the origin of your mythology. Then his mouth is on you—yearning, aching wetness—and you thought you knew what this felt like but it’s more powerful now, more urgent, and Aegon is glancing up to watch your face, to study you, to change what he’s doing as he follows your clues. And then there is a pang you think is too sharp to be pleasure, too close to helplessness, something that leaves you panting and shaking.

You jolt upright. “Wait…”

Aegon props himself up on his elbows. His full lips glisten with you. “What? What’d I do wrong?”

“No, it’s not you, it’s just…it’s like…” You can’t describe it. “It’s too…um…too intense or something. It’s like I couldn’t breathe.”

Aegon stares at you, his eyebrows low. After a long pause he says: “Babe, you’ve come before, right?”

I’ve what? “Yeah, of course, obviously. I mean…I think so?”

He’s stunned. He’s in disbelief. Then a grin splits across his face. “Lie back down.”

You’re nervous, but you trust him. If this costs you your life, you’ll pay it. He pushes your thighs farther apart and his tongue stays in one spot—where you touched yourself in the bathtub in Seattle, where you wanted him when he slipped his fingers into you for the first time—and suddenly the uneasy feeling is something raging and irresistible like a riptide in the Atlantic, something better than anything you knew existed, and you keep thinking it’s happened but it hasn’t yet, as you cover your face with your hands to smother your moans, as your hips roll and Aegon’s arms curl under your thighs to keep you in place so he can make you finish. It’s a release that is otherworldly, celestial, terrifying, divine. It’s something that rips the curtain between mortals and paradise.

It’s always like this for men? That’s what Aemond has been getting from me, that’s what I’ve been denied?

As you lie gasping on the carpet Aegon returns, smiling, kissing you, running his fingers through locks of hair that have escaped from your pins. “Not bad, right little Io?” he purrs, smelling like rum and minerals, earth and poison. Now he’s taking off his jeans, but before he can position himself between your legs you have pushed him onto his back and straddled him, pinning his wrists to the floor, watching the amazement ripple across his flushed face, the desire, the need. You tease Aegon, leaning in to nibble at his ear and bite gingerly at his throat, never harming him, never claiming him, grinding your hips against his and listening as his breathing turns quick and rough. Then you slip him inside you, this man you once hated, this man who was a stranger and then a curse and now a spell.

Aegon wants to be closer to you. He sits up as you ride him, hands on your face, in your hair, kissing you, inhaling you, shuddering, trying not to cry out as footsteps and laughter and thunderous basslines bleed through the ceiling. You know he’s been high on so many things—things that corrupt, things that kill—and you hope you can compare, this brief clean magic.

He can’t last; he finishes with a moan like he’s in agony, and as the motion of your hips slows, you take his jaw in your grasp and gaze down at him. “Good boy,” you say with a grin. Aegon laughs, exhausted, drenched in sweat, his hair sticking to his forehead. He embraces you so tightly you can feel the pounding of his heart, racing muscle beneath bones and skin.

He’s murmuring through your disheveled hair: “I gotta see you again, when can I see you again?”

You don’t know what to say. You don’t have an answer. You unravel yourself from Aegon and dress yourself in the red candlelight: panties, bra, dress, boots, all things that Aemond chose for you, all things he bought with his family’s money, all things he owns. Aegon has nothing to his name and neither do you. You are—like Fosco once said—pieces of the same machine.

“Where are you going?” Aegon asks, like he’s afraid of the answer.

“I have to go back upstairs to the party before someone realizes I’m missing.”

“Are you serious?”

“I am.” You kneel on the carpet to kiss him one last time, your palm on his cheek, his fingers clutching at your dress as he begs you not to leave. “I have to, I have to,” you whisper, and then you do.

You grab the Ouija board and planchette off the green shag carpet, hug them to your chest, and hurry up the steps. The first floor of the Asteria house is a maze of cigarette smoke and clinking glasses, guests who are dancing and cackling and drunk. From the record player strums Johnny Cash’s Ring Of Fire. You slip unnoticed to the staircase.

In the blue-walled bedroom you share with Aemond, you carefully place the Ouija board and planchette in the top drawer of his nightstand exactly as you found them. Then you go to your vanity to try to fix your hair. As you’re rearranging clips and pinning loose strands back into place, the door opens. Aemond is there, feeling beloved and invincible, looking for you. He crosses the room and closes his long fingers around your wrist. He wants you: under him, making children for him, possessed by him.

“Come to bed,” Aemond says.

“Not right now. I’m busy.”

“You aren’t busy anymore.”

“I told you no.”

He wrenches you from your chair. Instead of surrendering, you strike out, hitting him in the chest. You don’t harm him, you’re not strong enough, but genuine shock leaps into his scarred face.

“Don’t fucking touch me,” you hiss. You can’t let Aemond undress you; he will find the evidence of your treason, he will see it, feel it, taste it. But that’s not the only reason you stop him. “Every goddamn night I give you what you want, and exactly how you want it. Tonight I’m saying no. You want to take me? You’ll have to do it properly. I’m not going to give you the illusion of consent. You remember what Zeus did to all those women, right? Go ahead. Act like the god you think you are. But I’m going to fight you. And if those people downstairs hear me screaming, you can explain to them why.”

Aemond stares at you in the silvery light of the half-moon. You glare boldly back. At last he leaves and descends the staircase into an underworld of churning smoke, returning to the party to sip his Old Fashioneds and decide what to do with you.

[freakassfemme]

MWAH wishing u a speedy recovery!!!!! listen u always do my requests sm justice YOU JUST GET IT, i will always crawl back into ur askbox i am patiently waiting while kicking my feet :3

original ask YOU ARE SO SWEET! I appreciate you. here u go, i have brought you a gift <3 unfortunately my only explanation to 'getting it' is that I am always having or striving to have filthy nasty lesbian and queer interactions. or I am writing or reading about it. my sole purpose on this earth is to curate queer experiences. hope that helps <3 btw I wrote this from 6 - 9 am so bare with me wc: 2.9k warnings: metaphorically consuming each other as a form of desire, yeah I know I switched present/past tense its a bad habit of mine but I *don't care* nor do I care about consistent capitalization, I'm crazy for this woman obviously, rough sex, f/f, vagina/breast anatomy, biting, overstimulation, crying, maybe I get a little too poetic about gay sex, proof read by only me one singular time and it was mainly to see if the music fit the vibe, penetration, scissoring, I love pussy, orgasm denial x1 (?), slight size kink and worship but really that's in all my fics

see how it shines [smut] ﾟ+..｡*ﾟ

playlist: it will come back / be / abstract (psychopomp)

(yeah we r bringing hozier into this </3)

eighteen fucking hours. that's how long you'd been clocked in at the medical bay for what seemed to have been maybe the third or fourth time this week, and it was only Thursday.

the truth was, medics and doctors were dropping like flies these days, going AWOL and leaving the remaining staff to work what would need twenty sets of hands with maybe seven or eight. with the seraphites becoming more aggressive everyday, the peace in the stadium and other bases for the WLF had been short-lived, and many understandably weren't holding up well to the pressure, especially with the way the cleanup crews had been hauling back nonstop truckloads of friends and loved ones, and requests to be stationed elsewhere other than the stadium and two were immediately denied at this point.

so yeah, you were pretty fucking tired. at this point in the staffing shortage, they were having to send the folks on watch on additional rounds just to bring food to medics, on duty or at home, because they were simply too exhausted to go down to dining.

no one even acknowledged you as your blood and mud-ridden boots skidded across the concrete floors, your eyes practically closed even as you walked through crowds to get back to your dorm. the soldiers, civilians and staff alike parted like water around you, making an avoidant path and trying not too hard to look at you or the posters on the wall, outright begging people to sign up for medical classes.

you kicked the food delivery box inside of your dorm as you unlocked it, hands fumbling with your forehead pressed against the cold metal. inside, you quickly stripped out of your uniform top and boots, and crashed out on the couch.

abby herself was exhausted when she trudged into your shared living space hours after you, having just come off of a 48 hour rotation. her eyes wandered over the little trail of belongings leading to you on the couch, the boots left a few steps after the other, your button up discarded over the railing and the abandoned delivery box just a few feet from the door, which she didn't notice until she nearly slipped over it, causing a loud thump that had her wincing.

her eyes flicked to you, where she could only see the back of your head, and when she decided you weren't going to stir, she let out a sigh of relief and began stripping herself of her own uniform.

on her way over to the bathroom, she stopped next to you, taking in your splayed out form. your hair was a fucking mess, and you still had drops of (hopefully) someone else's blood across your forearms, one thrown against the back of the couch and the other hanging over the side. your pants were halfway undone, like you had tried an attempt that you decided wasn't worth the energy, and you looked pale as a ghost.

as much as abby wanted to let you sleep, wanted to let you get the rest you needed, she couldn't leave you like this. it'd been at least three days since she last saw you for more than a fleeting lunch break, and she couldn't find it in her to take care of herself and not you, especially when you had been eating away at yourself providing the undying care to strangers who wouldn't want to return it even in several lifetimes.

she sighed, pinching the bridge of her nose before she nodded, crouching down and grunting from the soreness of her own body as she scooped you up.

when you groaned and gave a small shove back, she hushed you, pressing a kiss to your forehead.

"c'mon, sweet girl, it's just me. i got you."

you hadn't put up much of a fight when abby propped you up on the sink. you leaned the back of your head against the mirror as she shimmied your pants and socks off of you, stripping your shirt and undergarments next until your cold skin was left against the glass and stainless steel, and you began to shudder. abby was quick about turning up the hot water in the shower though, allowing the steam fill the room before she helped you to your feet, letting you lean against her and whisper weak protests as you climbed into the hot shower.

instantly, you relaxed against her, and she ran her fingers through your hair, fully saturating the dirty strands as you sighed, wrapping your arms around her firm waist to steady yourself.

you stayed like that for a while, pressed against your girlfriend's tone form as you slowly collected your own strength, letting her gentle hands and soft voice lull you back from your weak state until you could help her wash you both up, even if it took a bit longer than usual.

"lean your head forward f'me, angel," abby murmured, one of her large palms warming up your spine with gentle caresses as she held a half-formed braid of your hair in the other. you obeyed quietly, letting abby tie back your now managed hair into something similar to how she usually kept hers, though she left her own loose.

when she was done, abby shifted closer behind you in the bed, her arms slipping underneath your borrowed shirt to hold you against her. she buried her face into your neck, letting you curl into her until you were turned on your side and entirely wrapped in her strong arms.

her nose nudged yours, and your eyes weakly fluttered open to meet abby's soft gaze, her seafoam eyes almost hauntingly bright against the cool illumination of the moonlit windows. it spooked you a bit, in all honesty, to have her this close to you again after so many days, days where you had considered the other possibilities in which she may come back to you.

you weren't any less unnerving to her -- she could tell you hadn't been eating nearly enough since she had been gone, and in just a few short days you already looked withered enough to drop like a limp daisy. your skin was ghostly, its usual warmth dampened from a lack of sunlight.

still, she was your girl, and you were hers, even in your worn states. and god, she had missed you.

abby's pine soap filled your nose as she pressed her lips into yours, the warm skin hesitant under your cool, cracked ones, and you accepted her gratefully, even if just for a moment it was as useless as whiskey on a winter night.

but then, of course, like any decent drink, the buzz hits.

and even though your limbs are screaming against you as you do so, your fingers curl into abby's loose hair, and you turn your head just a bit more. when you kiss back, abby's shyness, her gentleness quickly melts away, replenished by a hunger matching your own as you desperately search for more of her, pulling her against you like you hoped to swallow her whole.

your teeth crashed against her soft skin, tugging at her lip and making a slot for your tongue to force its way into her mouth. instantly, she shuddered, groaning into you in a way that you could feel the vibrations in her chest. it was like an open invitation, a warm meal laid out just for you, and you accepted it greedily.

you pulled abby on top of you by her hair, whining back when she moaned against your lips again. her own hand snaked up your body, squeezing at your thighs and hips as she fell on top of you, then pushing your oversized shirt over your chest, exposing your chest and making a clear pathway for herself. still, as starving as she was, she tried to take her time with you, wrapping her fingers around your jaw to hold you in place, and only stiffening up when you parted your legs, wrapping them around her and shoving your bare cunt against her firm stomach.

"wait," she whispered against your lips, "wait f'me, baby. let me have some."

you whine and protest as abby's strong arm holds you down by your throat, her other coming down to pin your fighting, impatient wrists to your stomach.

"baby, baby please," you're crying between broken moans as her tongue runs up your neck, stopping just so you can feel her heavy breathing against the shell of your ear when she slowly begins to work her hips against yours, the fabric of her boxers smearing your arousal across her thighs.

"fuck, baby I know," she groans, and if it wasn't for the way she gritted her teeth, you'd think she was annoyed rather than desperately holding herself together.

"abby, I --"

abby's hand on your jaw slips up some so she can shove two of her fingers in your mouth, and she lets out a stupid, desperate moan when she feels you choke around them for a second. then your eyes roll back just when she looks up, checking on her little angel, and she can't help but grunt louder, slamming her hips into your core in a way that makes you keen and your back arch, your smaller fists squeezing underneath her grip.

"god, shut up," she's practically begging as her hips rut into you. "please just, fuck, be quiet for a second, shit -"

she buries her face in your neck again, trying to satiate herself and regain some of her sanity, but your legs are now locked around her, pulling her against you in a way that has her clit brushing deliciously against the seam of her boxers. her head spins every time, and she lets out broken whines as she feels herself already tipping dangerously towards that edge as your body fights to consume her.

and god, it's torture for her, but for you, you just can't get enough. your fucking beast of a girlfriend trying so futilely to hold it together from just this stupid game of dry humping, when you're so, so willing to give her so much more.

let me have you, let me have you, you're chanting in your mind, your ankles pushing at the hem of abby's boxers.

you swallow around her fingers, and that seems to do it for her, granting you some edge as her other hand releases your wrists and flies to the side to hold herself up as her back arches against you with a loud groan.

your hands rush on to her back, your nails finding purchase just below her shoulder blades and ripping down the muscle until her fingers tear from your throat to slam against the bed and she stifles a cry by biting down on the base of your neck so hard that for a moment, you're worried she might draw blood.

"fuck," you rasp out against the pressure.

abby's shaking in your arms, moaning between the prettiest sobs as she gives in. she's pliant when your hands slip down to grab at her ass, and she lifts her hips to help you slip her boxers off, kicking them behind her.

she leans back, her blonde hair dripping onto your exposed tits. the cold water makes you shudder, and you let abby shove her bare cunt between your legs and slotting one thigh over you.

your lips fall in a open-mouthed gasp and she swears as her entrance rocks against your throbbing clit, one of her hands coming down to steady your hips and the other to hold her shirt up over her stomach so she can see the way you're making a mess of her thighs.

she stays there for a minute, brutalizing your bundle of nerves for her own pleasure. your head falls against the mattress, and you let out ridiculous whines, your hands fisting and slamming against the sheets below you, even coming up to claw at her strong thighs that kept you pinned so tightly in place.

"fuck, fuck, 's too much," you're choking out, and now it's your turn for the waterworks while abby only chuckles, laughing breathlessly as she presses down harder.

"no, no baby," she coos between her own moans, running her tongue over her teeth as she shudders. She slips her hips down some until you're fully rutting against each other again, the sheer wetness making it that much more difficult for your brain to process. "'s not, sweetheart, you can take it. i know you can baby."

you shake your head, and abby rolls her eyes, quickening her pace until your cheeks rouge and your whining grows. your hips twitch beneath her, uncontrollably bucking up to kiss her pussy again and again and again despite your pleas.

"what's wrong?" she purrs, her hand coming from your hips to run itself down from your neck, to your chest, to the back of your thigh. "thought you wanted it, thought you were begging for it, baby."

you whine again, shivering under her touch as she leans down, her mouth capturing the meat of your thigh as she rocks against you. she bites harder with each push and pull, and your tired body can't take it. it's too easy to get worked up for her like this.

"abs, ohmygod, stop, 'm gonna-"

abby's all to keen, knows exactly what you're going to say before you can even finish your sentence.

"shit, fuck, no you're not," abby grunts, ripping away from you in an instant.

your arched back hits the mattress with a full on sob, and you can feel your unsatisfied arousal leaking onto the sheets, the sickness between your thighs and on your stomach, the smell of abby, abby, abbyabbyabby until you jolt back up, letting out a small cry at the sudden impact against your clit.

she does it again and again, slapping your swollen cunt until your body is on the verge of cumming just from this. you're already so pent up, so touch-starved that you'd probably cum just from her biting you again, and she knows it, knows you're both like that right now.

your arms prop you up as one of her hands holds open your parted thighs, and her lips are consuming yours again as she growls with every spasm and whine she pulls from you. she doesn't stop until she really thinks you might burst, when you're starting to lift your hips for more instead of trying to hide away.

"god, you're filthy, baby," she groans against your mouth, and you only nod dumbly, knees shaking as you try to catch your breath. she's kneeling between your legs, ready to worship her sweet slice of heaven, ready to piece you back together.

abby's hand comes down gently this time, just the tip of her middle finger tracing over the mess between your legs until she's prodding it against your entrance so delicately that your brain nearly short-circuits.

she looks back up at you, her chest heaving from some sort of late-onset restraint and with such devotion filling her dilated eyes that you almost can't move, can't breathe. her eyes rake over you, holding every detail for an extra moment to commit it to memory, and when it's clear you're too awestruck by her, too overwhelmed by the sight of her poised in reverence, she speaks for you.

"gonna let me in, pretty girl?" abby asks, the words dripping off of her tongue like a velvety chocolate. you nod stupidly, your head bobbing in a way that's a little too eager, but she doesn't say anything about it.

instead, she hums, licking her lips as she wraps a hand around your head, pulling you so that her nose bumps against yours. abby presses her lips against yours, and one of your hands shakes as it finds its way up to grasp at her bicep. she's much more gentle this time, much more cautious as the tip of her finger begins to delve inside.

you pull away from her lips with a gasp when she intrudes, turning your face to hide it in your shoulder. you can't help but squeeze around the single digit, your knees already trembling.

"uh-uh," she tsks softly, her raspy voice echoing against your ear. she kisses your temple, and her hand slides down some to turn your face back towards her.

"let me see you," she whispers, sucking in a gasp as she pushes her finger farther into you, curving her palm to fit snugly against you.

your eyes flutter up to hers, almost shyly as you feel your ears burn and your eyes threaten to water as she holds your gaze. she nods when you do, curling her finger inside of you as she praises you, the ridges of your walls clinging to her finger so tightly that she's taking small, shallow breaths now.

"that's it," she murmurs, holding your head in place so you have to look at her. "that's my girl."

you let out a small whimper, the embarrassment running straight to your core as she begins to work her finger in and out, guiding it further each time until the base of her thumb glides over your clit. when it does, she groans, and can't help but push her hand harder against you until she's practically shoving you into the mattress and you swear you can feel her in your throat.

stars flutter around the blurry edges of the halo that is her golden hair, and the tears in your eyes begin to slip again between the way she's carving a god damn signature inside of you and how she's holding you so tightly against her.

you open your mouth, trying to speak but hopelessly interrupted by a mixed sob and moan. she chuckles softly, but it's tender and sweet, and she nods, brushing her thumb over your temple.

"I know, sweetheart, I know."

[conkreetmonkey]

Splatoon 3 is wild because imagine if you were living in Japan due to a recent economic and cultural boom, and suddenly a space shuttle with a mutant house-sized T-rex riding it suddenly burst from the center of Mt. Fuji and disappeared into space without explanation, and all you ever find out about what the fuck that was about is that Zuckerburg mysteriously disappeared the same day and was never seen again, but still "officially" ran Meta through an open secret Queen-Elizabeth-being-in-good-health gaslighting campaign, and everybody kind of suspected he may have been connected but never figured out anything conclusive.

Also the T-rex is now orbiting the earth in the fetal position like the guy from Jojo, and there are rumors of a substance that, if touched, turns you into a half-dinosaur monster. Nobody understands any of this but Meta employees just keep going to work and pretending Zuck still exists. The same 12 prerecorded voicelines constantly squak from the PA system.

Oddly, the statue in front of Meta HQ of a T-rex eating a human changes overnight into one of a giant human eating a tiny T-rex. Nobody noticed the switch, despite the statue being in a constantly bustling area. It happened shortly after the shuttle incident.

Jack Black's tiny clone, Lil' Jack, now wears a headset at all times and has been acting really shady since the incident. Also they're both hyperintelligent, immortal velociraptors found in an ancient cryogenic chamber who spend their days judging college football and eating the legally harvested flesh of hillbillies. Lil' Jack is probably plotting to kill Big Jack, but Big Jack doesn't seem to care, growing fat and lazy, sleeping on public benches in a bed of throw pillows. Also, he's very open about the fact that, as a velociraptor, humans look delicious, but he hasn't actually eaten anybody aside from the aforementioned hillbillies because he's civil.

Everyone is just expected to move on with their lives after this. This is normal to you.

The local art school was recently attacked by giant sea serpents, which were actually hideously bioengineered hillbillies, fulfilling a biblical doomsday prophecy, and they were driven back by Meta's army of minimum wage, part time child soldiers armed with warcrimey jury-rigged weaponry. The sea serpents had giant frying pans grafted into their mouths, which launched primitive tactical nukes made by filling garbage bags with their explosive blood. They still exist, and occasionally defend their comrades, but spend most of their time in the deep sea.

The local homeless emo twink everyone's attracted to is a closet millionaire who sells bootleg clothing in exchange for live rats, which he messily devours behind closed doors. He's also 8 feet tall and British and only has one eye.

North Korean refugees now flood the western world, after a greasy 14 year old hipster, under the guidance of Ariana Grande and Taylor Swift, beat Kim Jong Un in a mech battle, and the EDM remix of the Japanese national anthem they performed caused like half the soldiers to immediately realize North Korea sucks ass and defect. One of these individuals, 7 foot tall hypergenius, becomes a newscaster alongside a nepo baby rapper with dwarfism who likes to eat entire jars of mayo, and also they're a popular band. Also also, they may or may not be gay. Almost the entire population is gay, so this isn't a huge deal.

The new local newscasters are a famous Japanese lion tamer, an Indian girl with a bloodline trait allowing her to control snakes, and a Brazillian man the size of a smart car who exclusively communicates via grunts.

Gods, souls and zombies are objectively real, and you're effectively immortal because real-life respawning was invented a while ago. It works like a Keurig, but with mucus instead of coffee. Submersion in water kills you.

A good deal of the population is a hivemind. They pretend to be individuals for no reason.

Almost all men are now femboys.

Despite all this, you still have to go to work at 9 tomorrow.

[flagellant]

my latest tabletop characters in chronological order:

-17 year old orphaned anarchist guild leader who ends up apotheosing as the god of their homeland and ends up taking the throne to rebuild it after an apocalyptic disaster

-farmboy becomes a soldier in a war against a double-apocalypse, fucks up some invading fairies hard and gets captured as a war trophy, spends the next 400 years in fairyland before the moon says she likes his vibe and breaks him out by turning him into a furry and giving him ultimate cosmic power, which he mostly uses to act as the ethics babysitter for a godlich whose special interest is civil engineering.

-fairy princess eldritch wildlife biologist whose mom is basically titania. it was a very complicated relationship for like 14 levels and it took literal reality-altering magic rituals to start fixing their relationship. she hates the anarchist aforementioned bc hes 17.

-perfect prettygirl daughter of social climbing mother is predestined to inherit the ultimate cosmic powers of becoming part of heaven's secret police. theres two factions of the secret police and she hates both of them.

-rich frat jock gains insight into the hidden occult world and immediately uses it to start a homoerotic frat/dinner club dedicated to shapeshifting and blood sacrifice. snip snip snip

-prometheus got turned into a fairy. a girl who makes things explode with her mind and her friends turned him into a different kind of fairy. then he became her dad. he also accidentally used his fairy mind control powers to cause a global anarcho-communist insurrection due to going viral on international news. 1 billion people were actively mind controlled by it. he was not allowed on tv again but he did get a twitter

-genetically engineered soldier wolfboy has his furry polycule fireclade KIA by a gay sexy pirate and then gets saved by a ghost space whale. he then does war crimes and everyone is soooo mean to him but hes soooo sad about it. and then he performs lobotomy on himself and implants his negative emotions into a shackled AI god which loves him and hunted down his best friend and soul mate to be her service animal.

-a wizard in a mech keeps trying to infiltrate the gay space gnostics and they keep telling him no. then he gets corrupted by the logic plague because he saw the name of god and has ultrasurgery performed on him with the help of a team of hyperqualified shackled AI gods and a mad doctor who has been trying to create anti-god supersoldiers and he was the first success. and the gnostics immediately wanted his cock onboard their snake ship. he never experienced consequences for any of his actions:)

-girl from a noble family of divine heroes is very very late to inheriting divine herodom and has soooo many opinions about this. she spent the last 6 months hunting down a weird fairy with some new friends and spent the first 5 of them pretending to be stupid jock so they wouldnt bother her. she has been trying to eat the fairy this entire time but it hasnt been working yet.

-a werewolf who is big and brown and hypermasculine gets turned into a werewolf and freaks out bc apparently everything supernatural is real and he was weird for not believing in any of it. he totally doesn't have any body image issues due to being a big hypermasculine brown man with anger/resentment issues and he is totally fine with how everyone assumes he's just a stupid violent meathead despite being a trained EMT actively going back to med school for his doctorate. he literally went to a supernatural therapist to vent about lycanthropy and got scared when she did actual therapy on him. he's so in his head about how everyone interprets him as Big Scary Brown Man that he doesnt realize he's drowning in transgender dogs who are actively barking for his attention. he would put on a collar and not realize its a sex thing. a spooky nightingale told him it saw him from across the ghost forest and liked his vibes because he was a murderer

[fahye]

book recs: august '23

(I want to try and do these posts more frequently because I DEARLY miss yelling about books, txitter is [poop emoji]-ing, and bluesky is promising but I don't have much of an audience there yet)

ok! stuff freya has read recently and enjoyed:

A FIRE BORN OF EXILE by aliette de bodard -- did you enjoy nirvana in fire? this is for YOU. it's a revenge story set in aliette's xuya space opera universe, with a pile of complicated characters with mixed or obscured motives, a sapphic romance, and just really incredible use of worldbuilding and politics.

THE SLEEPING SOLDIER by aster glenn gray -- I am an enormous sucker for aster's historical m/m romances, and this one was incredible. a union soldier goes to sleep in 1865 and wakes up in 1965, and his new college roommate has a series of gay crises about it. sweet, exuberant, well researched. both a wonderful romance and an absolutely fascinating examination of male friendships and homosexuality in two different historical time periods.

A DEADLY EDUCATION by naomi novik -- doing a reread of the first two scholomance books before I dive into the third. these books are so disgustingly tailored to ME, a huge fan of magical academia stories with a truly deliciously unnecessary level of worldbuilding detail about how the magic works (and how the school is trying to kill you).

BATH HAUS by p.j. vernon -- a man goes to a gay bathhouse, cheating on his partner, and narrowly escapes being murdered. things get worse from there. I can only recommend this to you if you enjoy thrillers that STRESS YOU THE FUCK OUT, which I normally don't; I nearly put it down a couple of times, but I HAD to know what was going on. it's a masterclass in propulsive tension and does some really cool things with unreliable narration.

HAVEMERCY by jaida jones and danielle bennett -- seven hundred years late to this party, but OH MY GOD. this is the completely gay political/military fantasy of my dreams (the YEARNING), plus there are magical-mechanical dragons. I will be devouring the other books in this series in short order.

EVERY VERSION OF YOU by grace chan -- a beautiful and fascinating literary scifi book about humanity and family and love, and being given the choice to upload your consciousness to a digital paradise as the planet dies around you. unsurprisingly it deals with some heavy stuff, but it's fantastic. and australian!

A THIEF AND A GENTLEMAN by arden powell -- another m/m romance in arden's flos magicae series. the title alone is probably enough to tell you why I enjoyed it, but I especially liked the way it kept subverting my expectations in favour of more chewy emotional honesty and complexity.

STRONG FEMALE CHARACTER by fern brady -- a memoir by a scottish comedian about being diagnosed with autism in her thirties, and her life up to that point. funny and chaotic and an all-around amazing read. I loved fern on taskmaster and I love her even more now.