#gay theater review

[thequeereview]

Theatre Review: David's Friend (SoHo Playhouse, Off-Broadway) ★★★★★

Currently playing Off-Broadway in repertory with The Village! A Disco Daydream, is another play written by Nora Burns, the celebratory and deeply poignant David’s Friend, which she also stars in. Originally conceived and performed as a one-night-only piece at Dixon Place in 2015, Burns went on to develop the show with director Adrienne Truscott, leading to an extended run at La MaMa in…

[anniflamma]

Rating the most gayest King David adaptions

For the past few weeks, I have been watching and reviewing ALOT different adaptations of the story of King David from the Bible to determine which ones are the gayest.

But first, let me provide you with a recap of David and Jonathan's story.

David and Jonathan were two central figures in the Hebrew Bible, with their story primarily found in the First Book of Samuel. David was a ruddy shepherd boy who became famous for slaying the giant Goliath with a stone and a sling. Jonathan, on the other hand, was the son of King Saul, the first king of Israel. Jonathan's heart was captured instantly upon seeing the striking young hero. As the Bible says, “The soul of Jonathan was knit to the soul of David.” Shortly after their first meeting, David and Jonathan expressed their commitment by making a covenant with each other. This significant moment is vividly portrayed in 1 Samuel 18:3-4: "Then Jonathan made a covenant with David because he loved him as his own soul. Jonathan removed the robe he was wearing and presented it to David, along with his armor, sword, bow, and girdle." David and Jonathan grew so close that it appeared they might one day rule Israel together throughout the following 15 years. However, they faced numerous challenges when King Saul grew jealous of David's popularity and success, fearing that David might take the throne from his family. Saul attempted to kill David multiple times, while Jonathan consistently came to his friend's rescue through various means. However, they were eventually forced to part ways. "And as soon as the lad was gone, David arose out of a place toward the South, fell on his face to the ground, and bowed himself three times. They kissed one another and wept, one with another, until David exceeded." Tragically, Jonathan lost his life in battle against the Philistines, leaving David in deep mourning. He composed a heartfelt lament known as the "Song of the Bow" (or what is famously called “How the Mighty Fallen”) to honor Jonathan and Saul's memory. "I grieve for you, Jonathan my brother; you were very dear to me. Your love for me was wonderful, more wonderful than that of women."

So, as you can see, I will rate each adaptation based on its portrayal of three specific moments:

Jonathan removes his clothes and makes a covenant with David.

When they have to separate from each other, as they embrace, kiss, cry, and David exceeds.

David's lament that he loved Jonathan more than women.

If these three moments are faithfully retained in the adaptation without altering the text, it will be considered queer in my evaluations. Naturally, there may be exceptions if the adaptation deviates significantly from the original material or if it primarily focuses on adapting specific aspects of the story while still hinting at or incorporating subtexts. In such cases, they may also receive points.

NOW, LET'S BEGIN!

Disclaimer: Some of these "reviews" will sound professional, while others I will act like a gremlin, because these movies actually broke my brain cells. So if you get whiplash from how my behavior suddenly changes all the time, consider yourself warned.

Another disclaimer: Don't be like me and do something similar to this... I don't think this was healthy for my brain.

Jonathan what now..? 1/5

So I'm going to be kind and bring up that the story of King David is long, especially if you make an adaption of his whole life. It's reasonable to expect modifications to accommodate the chosen medium. And frequently, this leads to Jonathan's character being sidelined, either because he's deemed less important or because there's too little time to delve into his role in the story.

Due to that, I won't delve deeply into those adaptions because of that.

Superbook Reimagined (2011) - CBN

Jonathan doesn't exist in Superbook... That all. I WONT TALK ABOUT THE SUPERBOOK.

David and Goliath - Animated Stories from the Bible (1985) - Rich Animation Studios

So this one is pretty interesting. Apparently the same studio that made The Swan Princess (1994) made the series called Animated Stories from the Bible. And I weren't aware of this while watching this episode, however I did noticed, that yes, this had a very low budget but you could tell that it was made by professionals. I have one thing I need to comment on this movie. Eliab and Jonathan looks pretty goooood...

I mean LOOK AT JONATHAN! FFF***KING HELL! HE LOOKS LIKE A HOT VILLIAN AND I LOVE IT! The character designs are sleek! Expect for David. David was trash. So why is this one so low down on my ratings? You see the episode only focus on the upcoming fight between David and Goliath. In a sense, the episode's emotional core are more about David and his brother Eliab, with the brother not believing that David could defeat the enemy. Jonathan has a really small role, and he doesn't really interact with David that much. However there is a scene, when Saul gives his armor to the shepherd and it doesn't fit him cuz he is a smol bean, Jonathan comments on that the boy is going to get killed while having this frustrating / angry tone. Indicating that Jonathan don't believe that David and of course get astonished once he triumph. But that is all we get. I wished I could rate this higher simply to I just love the character designs.

David - A Musical by Sound & Sight Theater

Alright, I'm going to say it. This is probably the most campiest and "we need to tell you about Jesus" - musical there is. The songs are freaking great, very modern, almost anime-ish and very EPIC! But then they suddenly they strike you with, "Hey do you know who Jesus is?" Anyway, my favorite songs of this musical is Never Back and Psalm 24.

I only listened to this musical on its recorded album. Overall, I found it very enjoyable! However, I was quite disappointed that they didn't have Jonathan none of their songs. There were no solos for him, and all I could do was imagine if there was a strip covenant scene or not between each number. They didn't even have a "We are best bros" song! They also removed a lot from the emotional core when David mourned the loss of Jonathan. David sings the song "How The Mighty Fall," which is very short, but for some reason, I really liked it. Even though it's short and David only repeats Jonathan's name over and over again, I could feel that sadness. Still, the musical also left out several scenes from the original story, possibly because it aimed to be more family-friendly and was very sanitized so no one would get upset. AND WHY IS THIS MUSICAL ENDING WITH JESUS?!!

David “the straightest man” and Michal his truest love that has ever existed before Bathsheba came into the picture and a lot of Shoulder Taps for Jonathan 2/5

Superbook (1981) - Tatsunoko Productions

I can't believe that I watched three episodes of Superbook... Can I explain this mess without dying inside? So, this is a Japanese anime from 1981. The series covers the events of the entire Bible in its 52-episode run. I watched the English dub, and yeah, what else can I say? It's probably the best dub I've ever heard, with genius acting, including their screams. You can tell they aren't really screaming because they know it will break the mics. To get straight to the point, their relationships are just good friendships, and they see each other as brothers. However, they do follow the story very faithfully, pun intended. But, of course, they add in more scenes with Michal so her relationship with David looks romantic, and Jonathan takes on a wingman role. There is no stripping scene, which is understandable since it's an animated series for kids. Instead, they merge the covenant scene with their separation. To sum it up, they shake hands and repeatedly tell the audience that they are only friends. Okay, we get it!

But then we have the Lament scene: "Oh Lord, may you have mercy on his soul. Your glory, O Israel, has been slain. How the mighty have fallen in battle. I grieve for you, Jonathan, my brother… My brother…" THEY WERE SO CLOSE! They looked at the rest, "You were very dear to me. Your love for me was wonderful, more wonderful than that of women," and then they were like CUT! But the best delivery line in this adaptation must go to Saul: "How stupid to believe he could murder a hundred philistines without being murdered HA HA HA HA!" I can't do this anymore…!

King David (1997) - Mondo TV

This Italian animated movie features child actors who can't seem to deliver a line without mumbling and speaking at the lowest decibel levels imaginable. Thank goodness that Kid David and Kid Jonathan grew up after… Let me check… The first 15 minutes of this movie… Well, they are childhood friends in this one, so I guess that's a win. Michal is from Sweden. Saul repeatedly tells his (also Swedish) wife to stfu in every scene he's in. Storywise, this movie shakes things up a bit. When David is chased into the wilderness, both Michal and Jonathan join him…? It's really confusing what's going on because the next moment Jonathan is back with Saul, hearing his plan to attack David in the mountains, so he runs back to David to deliver the news. All of this happens in about 3 minutes. But when they finally have their farewell scene, they, of course, do the Shoulder Tap! However, they hug with an animation that lasts for like 3 frames, and… you know what, I'll just let you witness this…

And then we have the Lament. It's pretty faithful, but as you guessed, they changed the last line from "You were very dear to me. Your love for me was wonderful, more wonderful than that of women." to "I loved Jonathan as a brother. We rode together, his hair flowing free in the wind." …I don't know if they made it worse or better…

King David - A musical by Alan Menken & Tim Rice

I acted like a fangirl when I realized that Alan Menken and Tim Rice had created a musical about King David! I was so hyped and really thought it was going to be really gay... I think I expected too much...

The musical premiered in 1997 and was a grand and ambitious show. While it may not be as well-known as some of Menken and Rice's other collaborations, such as "The Little Mermaid" or "Beauty and the Beast," I was blown away that this musical even existed in the first place. The music itself is really good. It reminds me of "The Hunchback of Notre Dame" but more campy. My favorite is the song "The Death Of Saul." Genius! And of course, "Never Again," sung by Judy Kuhn. There are so many Disney stars in this show! It's insane! However, this musical is not without its flaws. The story's scope, which covers many events, can at times feel rushed or disjointed. The mistake that the creators made was trying to cover it all. So the musical has 2 acts. The first is about David in his younger years until he becomes king, and the second act covers everything from Bathsheba to Absalom's revolt, ending with kid Solomon singing about Jerusalem. This results in Jonathan becoming like a background character, and this makes me really angry. So almost every scene that David and Jonathan have together, Jonathan is replaced with Michal. TIM?! ALAN?! What are you two doing??? You are basically telling us, without explicitly telling us, that the relationship of David and Jonathan is queer by having Michal instead. Like... what..? This is the same guy who made "Jesus Christ Superstar," and that show is definitely "not straight", so I have no idea what's going on in his head. Anyway, Jonathan has only 1 song/melody called "You Have It All." It's when Saul shows that he's going crazy when David becomes popular, and Jonathan takes David away from the palace to a safe place. Sigh... You can tell by the lyrics that Tim is trying to be cheeky but immediately backtracks by having both David and Jonathan overly articulate the word "friend" in the song. (I seriously recommend you to listen to the song, just so you understand what I mean.) DAVID "I love my friend!!! as I love life and both I cherish. Uncompromising and unfailing. I swear this covenant we make will never perish. In any circumstance prevailing" JONATHAN "It's very hard when things come easy. You start to fear a bitter end. I promise you, you have a friend!!!" However, Jonathan gets a reprise again in the separation scene, but then Michal suddenly pushed Jonathan aside and takes it over with her own song. Then we have the Lament. The song itself is really good and beautiful. It's like a sad Disney song. But the lyrics themselves have this uncertain tone on who David is singing about. But they do reveal it at the end. "Jonathan... Jonathan... Who loved me more bravely than you, whether harlots or wives!" We can clearly see that David mourns over him. But for me, it feels so awkward...

They are just friends..? 3/5

The King: Story of David (2004)

I felt like I was on shrooms watching this. There's this three-minute scene where David sings to Saul... I can't even explain it, it's just horrible. Poor Saul looks absolutely horrified when this abomination of character design from a different show enters the room and sings with the voice of an adult woman.

AND WHY IS MICHAL PURPLE?! They also switch her name’s pronunciations like 5 times in this movie... Well, about Jonathan. So they took the approach that David is a literary child and had Jonathan as an adult… What the hell am I supposed to say about this? Oh god... I hate this.

Then David grows up, gets the same artstyle as the other adults and instead of Saul nagging David to marry Michal, it's David himself that asks Saul to marry his daughter, just to make sure that we know that he loves her soooo much. This results in Saul wanting to kill him, which leads to the separation scene. So maybe you are now asking me, why is this movie up here on the list? Looks like they made sure that David was the straightest man that has ever straightening. Oooh, I’ll get there. So we get to see a jpg of David and Jonathan look at each other for like 10 seconds, then tap each other on their shoulders, look at each other eyes and David says with the most sultry voice ever “Jonathan…”. Surprisingly, hug each other and weep. huh… didn't expect that. That voice that David used was enough to make the whole freaking movie a gay so that's why it's up here. If I ever have to watch this again, I need to get paid.

The Bible (2013)

Ah, yes, I remember this one. I watched it when it aired on TV, and I was just a wee little teen falling in love with the guy who played Samson. But we'll be watching the fourth episode of "The Bible Series." This episode was a speed run through the whole story of David, with a lot of stuff cut. Yet, the subtext in this adaptation is gorgeous! We have David walking to Goliath and Jonathan looking on with worry in his eyes—MULTIPLE TIMES! And miraculously, the actor managed to hit Goliath despite having the freaking sun in his eyes at full blast. That poor actor with his nonstop squinted eyes couldn’t see shit on set. Once Goliath is defeated, Jonathan and Saul run to David and are proud of him. All we get from the Covenant Stripping scene is Jonathan taking David's hand and telling him to come with him and fight the enemies, like best bros! Then a montage arrives, and David and Jonathan are older. Saul is jealous and touches David a little too much for my comfort. Meanwhile, Jonathan is just sitting on the floor eating figs. Wat?

And then Saul proposes the idea that David should marry Michal, and Jonathan's face falls. Gasp! David gets sent to kill 100 Philistines, and we get this wonderful scene with Saul and Jonathan. Saul: "You love him like a brother, don't you?" Jonathan responds with a warm, soft smile, looking at David riding away. "I do..." Saul gives off big "My son is totally straight" vibes. Sadly, this episode neither has the separating scene nor anything that resembles a covenant. And yes, they also skipped the majority of the Lament. Maybe I am projecting... I am probably projecting.

They are friends! I PROMISE! 4/5

King David (1985) - Paramount Pictures

This movie provides a different angle on the biblical story of David and Jonathan. The film includes a line that suggests a strong emotional connection between the two characters, though it doesn't explicitly delve into romance. It doesn't say that David and Jonathan are in a romantic relationship, but it makes you think that they have deeper layers to their "bond." In other words, I really ship them in this adaptation! They didn't have the strip scene, but they did have a scene where both of them are at a lake, water sparkling in the sun, looking into each other's eyes. Jonathan softly cups David's cheek and says, "I love you as I love my own soul."

... Wait, he touched his shoulder softly, not his cheek... Forget it. But they are very tender toward each other. However, we can't have great things because the separation scene was very weak. All we get is that they are both on horses, and then they just say goodbye, and that's it. No hugs, no tears, no kissing, and no exceeding David. But I can add that Jonathan's death was very heartbreaking. After watching awful animated death scenes, it was a breath of fresh air. The Lament, for some reason, had a spooky tune, not really like a man grieving for his soulmate. Why is this adaptation so high up for me? Well, Jonathan said "I love you" while looking into David's eyes with a beautiful natural background. That is enough for me.

Ancient Lovers 5/5

Beloved King: A queer bible musical

(There mentions of SA)

You can already tell by the name of the musical... "Beloved King" follows the young shepherd David as he is thrust from rural fields into the royal court. After his sudden rise to prominence, David finds himself the object of affection of both the heir to the throne, Prince Jonathan, and his father, the domineering King Saul, forcing David to re-navigate his relationship to love and power as he tries to follow the path laid out for him by a mysterious entity called God. The first-ever staged readings of "Beloved King," complete with all songs and live accompaniment, were scheduled for March 12th and March 13th, 2020, at Oberon, the second stage of the American Repertory Theater, in Harvard Square. Both events sold out well in advance, but they were canceled the day before opening due to COVID-19. However, the team rallied and quickly pivoted to film a dress rehearsal in an empty theater just before lockdown. One of the most hilarious things about this musical is that the characters are dressed in simple linen garments that look like they belong in a children's nativity school play, only to have David and/or Jonathan strip and expose their flashy sparkling spandex briefs. Undeniably, it fits perfectly with the nightclub-inspired atmosphere that this show has.

This musical feels like it's straight from the Archive of Our Own. Jonathan and David are dating, and we have a jealous Saul who is not jealous of David's popularity, instead, he desires him sexually and tries to bang him. When David denies Saul, that's when Saul tries to kill him instead.

The musical has all three scenes checked. The covenant scene, with Jonathan stripping and "more." There was a scene of their farewell, however, they haven't released that one song, so I can't really say anything about it yet. Lastly, the lament song in its full glory. Sadly, the whole musical isn't out yet. They have only released six demo samples, and let me say that "ADONI" is THE MEET-CUTE SONG!

This musical was the very thing that made me nerd out on the Bible again. So maybe I am biased, but how can I be biased if they depict David and Jonathan's first meeting with them banging each other in Jonathan's tent?

David et Jonathas: An opera by Marc-Antoine Charpentier

This one was a hidden gem I didn't know existed. Thank you @alatabouleau for the recommendation! It's an opera from 1688. It's all in French, so I was worried that I would have missed all of the lyrics, but I found a translation pamphlet and found one of the concerts on the live-opera Versailles website. All I can say is it was beautiful and so, so, so queer.

The prologue starts with Saul, disguised as a visitor, consulting the Witch of Endor to learn his fate in an upcoming battle against the Philistines. The Witch summons the spirit of Samuel, who predicts Saul's downfall, including losing his family and crown.

In Act 1, David, banished by Saul, seeks refuge among the Philistines. He returns from a victory and is praised by warriors, shepherds, and freed captives. David only wishes that, whatever may come, Jonathan should be spared. The Philistine king tells David that a truce has been arranged between the Philistines and Saul to discuss whether there shall be peace or war.

In Act 2, during the truce, David and Jonathan reunite. And then they both sing the song “A vostre bras vainqueur,” and it's the most beautiful harmonic song I have ever heard. It sounds so romantic, even if they are only singing about them being best friends. However, jealousy brews as Joabel challenges David to combat, leading to a plot against him. Joabel convinces Saul that David is a threat, leading to David's exile again.

In Act 3, Saul accuses David of treason, and David is forced to leave. However, Jonathan follows David into the wilderness so they can sing their goodbye, “Vous me fuiez!” Don’t forget this is an opera, so everyone is really dramatic, and I'm loving it. JONATHAN “You flee from me!” DAVID “You always follow me!” JONATHAN “May I not share my grief with you?” DAVID “See into what danger my misfortune leads you. Let us forget one another.” JONATHAN “Cruel one!“ The song continues with them singing about not wanting to be apart and if they see each other in the battlefield, they won’t fight, but instead save the one they love. And then the song ends with David trying to leave again, and Jonathan begs once more, only to be told by David: “Would you now wish to add to my torment with your tears?”

This song… I want to make an animatic of it...

In Act 4, Saul prepares to battle the Philistines and David. Both armies are eager for war, fueled by Joabel's manipulations. David promises to save Jonathan and his father.

And lastly, in Act 5, the battle unfolds, with Saul's defeat. Then the song “Qu’on sauve Jonathas” starts. Jonathan is mortally wounded, and David finds him. He believes that Jonathan is dead and mourns for him, which wakes Jonathan up to be able to speak to David one last time, asking: “What sad voice is calling me?”. David begs Jonathan for him to live, but the prince tells him that he can’t. And with his final words, he kisses David and then dies in his arms.

“Despite the harshness of my fate, At least I can still tell you that I love you. ” David is to be declared the new king of Israel, but he still grieves for Jonathan, ending the opera with his final line: “I have lost what I love. My Lord, to me all is lost.”

Well, I cried in my bed.

I didn't know that I needed a story where David was by Jonathan's side in his last moments in life. And the kiss! THE KISS! Though the kiss depends on which adaptations you see. If it's 2022, then there is no kiss, but if it's the 2012 version, then there is one. However, with or without a kiss, it's still romantically tragic.

Here is PDF links to pamphlets with english translations:

English translation (2009 version)

English + German translation (1998 version)

The Prince's Psalm: A novel by Eric Swan Quinn

So here it is, Beloved King: A queer bible musical was the one that pushed me down into the rabbit hole but The Prince's Psalm was the one that got me stuck here. I highly recommend this book, and it leaves me speechless how it isn't more popular! So The Prince’s Psalm is a queer and romantic retelling of the story of David and Jonathan from the Bible. The book begins with David's childhood, providing perspectives on his early life and relationships, especially with Micah and David’s family. Micah and David had a deep friendship that grew into young love and they became each other's firsts. A core theme that comes up regularly in this novel is about being treated and viewed as equal in a healthy relationship. Micah held a weird place in my heart. I enjoyed “not liking” him. I could immediately see his immaturity in his relationship with David. Of course, I understand they were both young  and immature, yet this was important to emphasize the message, which I believe it’s about being equal in a relationship. Micah loved David, but he saw him somewhat beneath him due to David not fitting the stereotypical masculine man image. And every time they "play" with each other Micah calls David "My Slave" despite David's irritated and uncomfortable of it. So the moment when Jonathan is introduced, the first thing he calls David is "My Prince" and do everything that David wishes Micah would do for him but wouldn't. If we are going to compare Jonathan and Micah, it's pretty obvious which one are the right choice. But who cares about Micah, we are talking about Jonathan and David now! So the plot follows Jonathan summons David, hoping on his musical talents to aid King Saul's from being tormented by “evil spirits”. David's initial experiences within the palace only reinforce his sense of inadequacy in the eyes of those he admires and cares for. He plays tirelessly, day and night, in an effort to soothe the king's troubles, ultimately healing King Saul's fears of God’s abandonment. From that moment forward, Jonathan can no longer resist David's charms, leading the two to become inseparable. As they spend a winter together, their bond deepens, uniting their bodies and souls. The novel doesn't delve into explicit sexual scenes, instead, it focuses on the emotional connection between the two characters. Nevertheless, they do have quite a lot of intense passionate sessions, it just written with a flowery language. So their oath, the exchanged rings, the beautiful yet sad promises, is heart moving. Every moment felt perfect and captivating! Jonathan's death left me shattered. I cried a lot. And cried even more when the book included the whole Lament. After devouring all 480 pages, I found myself wanting the story to continue. Eric Shaw Quinn made a wonderful job in reimagining the familiar narrative yet adding new in depth layers to it. I wholeheartedly love this novel! So is it gay? Yes.

THE END!

Finally, I have finished everything. There was more, but there is no way in hell I will continue.

What did I learn from this experience?

Nothing really, except that the people whose arguments claim that David and Jonathan's relationship isn't romantic at all, yet in the same breath, they can replace Jonathan with Michal, and suddenly it is romantic. I learned that their arguments are worthless at the core.

But despite with the pain and cringing, I loved nerd out about my favorite David and Jonathan adaptations! And I think I did this just because of that.

[trentcrimminallybeautiful]

i think the diamond dogs should play improv games just bc it would amuse me, an ex theater kid, specifically

[macaronitrash]

finally watching love lies bleeding and im transcending. this is what the lesbian gaze looks like. i wanna crawl into kristen stewart’s eye bags.

[redwhitebuddie]

this is not something id usually post but why not!

ive been on a queer movie kick lately, and wanted to give a few reviews and recommendations of some lesser known ones so i can spread the word because some of these are complete hidden gems!

Beautiful Thing | 1996

⭐️⭐️⭐️⭐️

i rated this movie four stars. not because it is outrageously deep or new or profound. but of how it’s so particularly captured such a subculture of life, and can make even the worst things seem joyful. the relationships, even outside of the main romance, were also nuanced and detailed, and it felt like you knew all of the characters from people in your own life. ithink the best way that I can describe it is that it was endearing in a really normal way. and the last shot is perfect.

Shelter | 2007

⭐️⭐️⭐️⭐️⭐️

i have rewatch this movie twice since I originally have seen it. once again, this movie really captures a particular person’s life and it’s so much more about life than it is just the romance. It felt like a natural connection, the characters had chemistry, and i was just giggling a lot of the time. im a sucker for a found family movie and this really hit the spot. i did cry the first time. 

Latter Days | 2003

⭐️⭐️⭐️

this movie was interesting. I really enjoyed the main characters connection with his best friend and I found most of the scenes totally normal early 2000s stuff. the romance was good, the chemistry was there most of the time, and I was rooting for them after one of the big events later in the movie. I watched this after the first two and my expectations from those put me at too high a bar, and just this one fell in comparison. 

Birdcage | 1996

⭐️⭐️⭐️1/2

this movie was a pleasure. i absolutely love Robin Williams, and I think his performance in this was great. I love queer movies that involve drag, as that is such a big portion of queer culture. I thought the premise was interesting enough to keep me connected, I felt like it had a logical chain of events that culminates in an interesting watch. there were some points where I felt like it was dragging on too long, or the joke was repeating itself too much however, I think some parts of it absolutely captured queer culture in a way that makes me have to appreciate it. I definitely recommend.

Shiva Baby | 2020

⭐️⭐️⭐️1/2

this whole movie was centered in one house, 99% of it was just scenes in this home from a funeral which on paper, sounds like it could make it boring but I really enjoyed watching this movie. rachel is so talented and her performance in this movie was great and I think this role was perfect for her. I’m a big fan of slice of life and this was definitely that. but also extremely dramatic and messy and complicated in the best way. 

Theater Camp | 2023

⭐️⭐️⭐️⭐️1/2

as someone who did not grow up in theater, but had friends that did, this movie was absolutely incredible. the characters were great, and knew when and how to make fun of itself, while still taking itself seriously in someways. their performances throughout the whole thing are great. this movie is really stuck with me for one reason or another, i think it’s gonna be a new go to comfort movie.

The Four-Faced Liar | 2010

⭐️⭐️⭐️

if I’m being honest, this movie wasn’t great. but when you’re trying to find sapphic films that aren’t historical or depressing, it’s really hard to be picky. It’s a dramdy at its finest. interconnected and messy relationships, slightly insufferable characters then sprinkle in some cringe you get this movie. but sometimes the drama is what you need. and there’s also movies that you need to make fun of while also paying half attention to, if you’re looking for that this is your pick.

[cinemaocd]

the irony that it was the closeted gay ghost writer of that shitty Maureen Donaldson No Homo/Cash Grab memoir that finally confirms that Grant actually talked in detail and graphically about his relationship with randolph scott...

[power-chords]

PAULA VOGEL, the Pulitzer-prize winning dramatist of How I Learned to Drive, has again collaborated with director Rebecca Taichman in Indecent. Taichman, who just won the 2017 Tony for best direction of a play, is billed as “co-creator” of Indecent, having worked with Vogel to devise the play’s highly theatrical presentation. The play is at once a compressed history of a daring Yiddish play, God of Vengeance, written by the Polish novelist Sholem Asch in 1907, and a celebration of the stagecraft that makes theater distinct from film.

[...]

Scandalous in its time, God of Vengeance was nevertheless celebrated in St. Petersburg and Moscow and in other European capitals. On first hearing play, the founding father of Yiddish literature I. L Peretz advised Asch to “burn it.” Peretz and other naysayers were reacting as much to the implicit critique of Jewish life as to the idealistic yet carnal presentation of two young women in thrall to each other. Asch’s depiction of flawed, complex Jews and his willingness to approach lesbianism in his play may well have been the very ingredients that allowed sophisticated theater-goers before the Great War to find God of Vengeance worthy dramatic fare.

[...]

Sitting out World War I in New York, Asch visited Europe after the Great War and was deeply shaken by the depredations visited upon Jewish communities. Back in New York, his devoted wife was alarmed at his increasing depression and his quick temper. An English-language production in Greenwich Village in 1922 was another success, but the play’s move uptown to Broadway encouraged the producer to cut the crucial “rain scene” with its joyous lesbian kissing and embraces, and to shift the lesbian relation to one of female manipulation. The troupe protested this desecration of the text, but Asch yielded to the producer’s reading of the uptown audience. Even with the cuts, however, the entire cast and the producer were indicted for obscenity and found guilty at trial, although the verdict was overturned on appeal.

Living in America, Asch seemingly abandoned his play, refusing future performances of God of Vengeance in the wake of Nazi restrictions on Jewish life. However, Vogel shows a group of desperate Jews, confined to the Lodz ghetto, performing the Asch play under the leadership of the original stage manager, a character here called Lemml. Vogel uses Lemml as a distant echo of Thornton Wilder’s Stage Manager in Our Town, a “narrator” who breaks the fourth wall and introduces us to the world of the present drama and the past history of Asch’s play.

[...]

The world in which Asch came of age has almost disappeared by the time we see him in the early 1950s. This is toward the end of Vogel’s play; he is being interviewed by a young Jewish student from Yale. This prompts an embittered Asch to quip—I paraphrase—that it is easier for a rich man to enter the kingdom of heaven than for a Jew to enter the sanctum of Yale.

[cubeys]

just in time for gay pride month we saw the down with straights bus today

they beat my straight ass up

[theinfinitedivides]

i am not well today one of my favorite film reviewers just put out a spoilerless piece on Pathaan talking about how well done it was and halfway through i started f*cking sobbing

[hardrockshrimp]

I feel insane whenever I watch a view askew movie cause it just gets so fucking gay all of a sudden then it's played off as normal

[hotvintagepoll]

What are some screwball comedy pairings you wish had been a thing? Can definitely be gay ones :)

Okay finally!

One of the reasons I made this blog in the first place is that few things bring me as much blinding rage as imagining the movies we could have gotten, if old Hollywood had stopped being racist/homophobic/anti-everyone for ten fucking seconds. There were so many talented hotties working through our tournament era who only got cameo spots or no-budget movies! for no reason beyond white supremacy! there were so many stories that didn't get told because heaven forbid we acknowledge gay people! If this blog has a mission statement, a big chunk of it would be about highlighting all the amazing hotties who never got what they deserved in their heyday.

So! Let's tear Louis B. Mayer a new one and make some better movies.

Diamond Eyes (1946)

Harold Nicholas, the bored but fabulous son of a Manhattan millionaire, decides to take himself off on a transatlantic cruise to recover from the boredoms of socialites, constant martinis, and west side glamor. When working girl Rita Hayworth snags him into a fake dating scheme to throw off a jealous ex (Cesar Romero), he doesn't mean to fall in love with his false fiancé—or to set the ex up with his scheming accountant (Tyrone Power).

To the Tune of Millions (1945)

Ann Miller and Lena Horne are conwomen besties who use a fake dance act to get into casinos, which they then promptly rob. Unfortunately, an over-enthusiastic talent agent (Gene Kelly) sees the act and thinks they're legitimate, hiring them on the spot as the lead number in a newly opened but already failing musicale review. Who can they hustle at a theater that's barely bringing in a dime? The two ex-cons fall in love with show business, Kelly and Horne smooch at the grand finale, and Miller has an intense will-they-or-won't-they sparring relationship with the hot stage manager (Ethel Waters—and they will).

Untitled Three's-a-Crowd Film (1942)

Cary Grant, Jean Arthur, and Ronald Colman are running interference on a corrupt justice system while trying to keep up the act that they are all simply cohabitating in a shared AirBnB and definitely not falling in love with each other. Wait. This is actually The Talk of the Town. This movie actually exists and does veer this hard into polyamorous romance.

Tomatoes and Toast (1928)

Anna May Wong and Greta Garbo eat sandwiches for three hours. It's riveting.

One Soul, Two Bodies (1948)

Farley Granger and Vincent Price star as Alexander the Great and Hephaestion in this sword-and-sandals period piece. Though clearly made on a studio backlot with a budget of $3, the dashing romance grounds the chariot races and cardboard sword battle sequences.

Grand Central Station (1931)

Interconnected narratives of Josephine Baker, Joan Blondell, Dolores del Río, and Fredric March all vying for the last seat on the 5:45 train out to Poughkeepsie. When they realize they're jostling to sit next to the same sugar daddy who's been stringing all of them along, the four decide to unionize. Pre-code thrills; the four-in-a-bunk Pullman car scene remains notable for a reason.

I have more but I think I've gone a bit delirious.

[thequeereview]

Theatre Review: The Seagull/Woodstock, NY (Pershing Square Signature Center, Off-Broadway) ★★★★

Playwright Thomas Bradshaw retains the spirit of one of Chekhov’s most celebrated works while bringing it sharply into present day America with his adaptation, The Seagull/Woodstock, NY, currently receiving its world premiere Off-Broadway produced by The New Group at Pershing Square Signature Center. As the title suggests, the action has been transposed from rural Russia to Woodstock in the…

[iam93percentstardust]

one of the things that i loved about barbie (2023) that i think a lot of the posts making fun of male-written reviews miss is that, though the movie presents itself as a commentary on the patriarchy and sexism, the message at the core of the film isn't actually limited to being about (cis) women. it's about anyone who is Other.

i went to go see the movie on thursday afternoon before all the big midnight premieres, and the theater was still packed. there wasn't an empty seat in the entire theater. i had a seat at the end of the row, which i had picked out in a faint (futile) hope that no one would sit next to me. thirty seconds before the trailers started, a family of about 10 black people walked in and split up, presumably because they'd only just bought their tickets and there were no longer 10 seats together. the dad and the son, who was maybe a few years younger than me in his early-20s, a good foot and a half taller than me, and who i recognized as one of the football players at the local university, ended up taking the two empty seats next to me with the linebacker in the seat right next to me. and that was pretty much the last time i thought of them until the last twenty minutes of the movie.

see, in the last twenty minutes of the movie, america ferrera makes an impassioned speech about not just the limitations that male-dominated society puts on women but the limitations that women put on themselves in order to survive in said male-dominated society. it's about the contradictions that we're subjected to--you can't be too much, but you can't be too little either. you have to lift each other up but you're also in constant competition with other women for the shredded dregs of respect that men have left over for us. you can't say yes to a man because then you're a whore but you can't say no because then you're a prude. it was passionate and bitter and furious and it had every woman in the theater, myself included, in tears.

and in the silence of the theater following america ferrera's plea for barbie not to make herself less just so that society isn't threatened by her, the linebacker sitting next to me said fervently, "i feel that."

it brought everything to a screeching halt. now i'm a white woman, and though i'm fat and nowhere near as gorgeous as margot robbie, from the very first trailer, it was obvious that this was going to be a movie for me. and if done right, it was going to be a movie for all women (and i would argue that it was). but the thing that it also did right was that though the surface of the message was about women making themselves lesser, the core was that it was for anyone who makes themselves lesser to fit in. yeah, it's for women who are trying to fit into a male-dominated society, but it's also for bipoc who are trying to fit into a white-dominated society. it's for trans people trying to fit into a cis-dominated society. it's for gay people trying to fit into a heterosexual-dominated society. it's for anyone who's been Othered and has to shrink themselves in a desperate attempt to survive.

i love the posts making fun of male-written reviews that are butthurt that this movie isn't for them just as much as the next person. but i think it's important that we don't forget that those are representative of the people in power, the people that could never understand this message. barbie is for me, yeah, but it isn't just for me. it's for my trans friend who is six feet tall and has a beard and wears pink dresses every single day because they make her feel pretty. it's for my labmate who could practically be a barbie herself and irritates me every time she talks about thinphobia but also can't find someone who wants to be with her because she's brilliant and not because she's beautiful.

it's for the black linebacker who sat next to me in the theater and felt heard when a fictional character in a movie told him not to make himself smaller just to fit society's standards.

[fandom]

What a nice little gay list this is.

Happy Pride, y'all. The much-anticipated Spider-Man: Across the Spider-Verse is now in theaters and folks are embracing a whole new cohort of Spider-folks. The series finales of Succession and Ted Lasso aired and, well, they both left fans with a whole mess of emotions. Emotional support himbos and Roys, you'll be missed. Ranboo's Generation Loss is finally here after years of hype and the fan art and theories abound in the tags. The full trailer for Barbie dropped and is full of existential crises backed by an Indigo Girls soundtrack, which: again, happy Pride. Finally, The Little Mermaid film has folks visiting a whole new world. This is Tumblr's Week in Review.

Spider-Man: Across the Spider-Verse

Succession

Barbie

Pride Month

Ted Lasso

Artists on Tumblr

Asexual

Generation Loss: The Social Experiments

Miguel O'Hara | Spider-Man: Across the Spider-Verse

LGBTQ

The Legend of Zelda: Tears of the Kingdom

Hobie Brown | Spider-Man: Across the Spider-Verse

Lesbian

The Little Mermaid

The Good Place

Bisexual

Gay

Miles Morales | Spider-Man: Across the Spider-Verse

Stranger Things

Queer

[omgthatdress]

At the height of his fame, Julian Eltinge was one of the most celebrated entertainers in the world. He starred on Broadway, toured all over the world, and even performed for England's King Edward VII.

Born William Julian Dalton, he moved to Butte, Montana when he was very young and spent most of his childhood there. The stories of how exactly he got into female impersonation are varied. According to legend, his father caught his teenage son performing in women's clothing in a saloon, and then sent him back to Boston. There, he joined the Boston Cadets Review at the Tremont Theater, and form there he worked his way to Broadway.

First appearing simply under the name "Eltinge," he presented a version of female impersonation that was different from the bawdy caricature that was popular at the time. He was graceful, elegant and beautiful, and presented himself as an actual woman. To use modern drag parlance, he was the OG fish queen. At the end of his act, he would remove his wig and reveal his true gender.

In 1911, his musical comedy play The Fascinating Widow, in which he played both male and female roles, launched him into superstardom. In 1914, he made headlines for the tremendous amounts of luggage he carried with him across his European tour, each suitcase stuffed full of elegant and elaborate gowns.

In his personal life, he adopted a hyper-masculine, rugged persona. He frequently got in fist fights with anyone who accused him of being a homosexual. Although he made public displays of "long engagements" with women, he never married and was not known to have had any romantic relationships in his life. After his death, many people who had once worked with him, including comedian Milton Berle, identified him as gay.

Although he appeared in several films, his career faded as movies replaced Vaudeville and laws were put in place to ban drag shows. In spite of this, Eltinge continued performing as much as he could, even until his death, collapsing on stage at Billy Rose's Diamond Horseshoe in New York City.

[bestwenclairfics]

Remember Death (Memento Mori) - Chapter 1 - LaylaJeffany - Wednesday (TV 2022) [Archive of Our Own]

Welcome to this drama

---

Sneak peak:

“No, because I was totally reading into it by today’s standards,” Enid wiggled her eyebrows. “I totally think Miss Holloway was feelin’ a little something for Mary!”

“Actually, you might not be wrong on that,” Wednesday recalled from her father’s classic film collection review guide. “Paramount even had to put out a statement that they didn’t ‘intend to convey a message of lesbianism’ in The Uninvited when it was originally released.”

Enid bounced on her toes. “Eek! Okay, that is so funny because now that I’ve sworn off boys, I’ve totally been thinking – why haven’t I just been open to girls? Like, I already love girls so much more, and I have thought so many girls are so pretty – and now, maybe I even have a little bit of gay-dar? How fun is that!”

Wednesday found herself nearly in a state of shock by Enid, and not in the electrical way she enjoyed. “Did you just come out to me in the middle of the classic movie festival at the Jericho community theater?”