#gasper noe

[389]

[digitised-celluloid]

I Stand Alone. Dir. Gasper Noe. 1998.

[dramaqueen-x]

Zihnimde bir film yankılandı

[godrinati]

gasper noe film

[noguitarsnosejobs]

It’s been just over 6 years since my bestfriend died as it was her birthday today; I no longer feel sadness when thinking about her absence nor comfort when recollecting memories. What once felt like a huge event in my life seems void of any impact when looking at where I am today. I romanticised grief as something that positively redirected your outlook on life from being confronted with the fleetingness of living; and now i’m like stagnation nation, eat sleep work repeat conditioning. At the time it happened, and the first 2/3 years after she died, age 19 - 22, it all felt like a teen film (Perks of Being a Wallflower/Never Let Me Go but if they were directed by Gasper Noe). The journey of formalising your identity from a teenager to adult whilst being ill from despair, moving on without her through hedonism, leaving your comfort zone by changing your environments and surrounding yourself with new people; it’s like being carried by an open back truck, your in the back with her, your both drinking and listening to your favourite music and indulging in the adrenaline of being driven at 200mph through a never ending tunnel dimly lit yellow, but the truck has to stop and drop her off at some point very soon but you have to keep going in the van. You don’t want this moment to never end type _.

Life is literally so krazy and all I’m doing is laying in bed vaping watching what’s in my bags

[thevelvetvampyre]

‎‧₊˚✧question time✧˚₊‧

Thanks for the tag @paradiseprincesss 💋🍒

Color: ppuurrrple🪩

🎶Last song🎶 could be wrong - lostboyjay

Currently reading: thorn birds - Colleen McCullough (I HIGHLY recommend especially to the age gap / taboo relationship lovers. It’s between a priest and someone who’s like 1/3 of his age)

Currently watching: climax - gasper noe 🔝🔝🔝🔝🔝🔝🔝🔝

Currently craving: my ex boyfriend😭

Coffee or tea: coffee I am addicted

I DONT KNOW WHO TO TAG do it if you feel it is your soul calling🫶🏻

[entertainment1983]

hot  sceen of love

[lazyimbecile]

KILL was like The Raid, Train to Busan, John Wick, and Gasper Noe's fire hydrant rolled into one fat J. A fun ride, reminiscent of prime 2000's asian action flicks. This that They Not Like Us energy. If you thought K Dot was doing too much to Drake, sit this one out. Title card drops over halfway through the movie, when you know you fucked around and about to find out. Read online it was his first time in this type of role, but Lakshya killed it. "You're a monster! I killed like, four of your friends, you killed 40 of my family!" Not sure if this is considered Bollywood but fuckin great job! If you're critical, yes it could have corny scenes to try and justify all the relentless beatdowns, but try and put yourself in my mans shoe and enjoy the ride. No musical though, go check it out! Kill (2024) Official Trailer - Lakshya, Raghav Juyal, Tanya Maniktala (youtube.com)

[isntitromantic3]

Just came to the conclusion that Electra is dead. Or might be. I think she killed herself and the last scene of them in the shower really emphasized it. 💯I swear to god I could write a essay on the masterpiece that Love by Gasper Noe isssssss

[389]

how it feels to watch a Gasper Noe film

[visualpoett]

Enter the Void (2009)

Director: Gasper Noe

[digitised-celluloid]

I Stand Alone. Dir. Gasper Noe. 1998.

[highonfilms]

10 Most Unsettling Movies You’ll Ever See

[transmascreplica]

gasper noes movies like as concepts make me angry and the way he does stuff does too but i love how they like look and how he does credits but he’s just so unbearably heterosexual about the whole ordeal

[theunionofus]

Alter intro #1

𝙶𝚎𝚗𝚎𝚛𝚊𝚕 𝚜𝚝𝚞𝚏𝚏

Name: Jared Goldstein

Age: 20

Birthday: 19th of July

Astrology big 3: Cancer sun, Virgo rising, Scorpio moon

Pronouns: he/him

System role: sexual protector, ANP co-host

Sexuality: bi

What I look like:

Source: I started off as an OC turned fictive but don’t relate to my source at all.

Likes: dancing, horror art, interior design, 2000s pop culture moments ✨the simple life with Paris and Nicki will forever be iconic ✨, true crime

Dislikes: obnoxious people, loud chewing, the taste of raw tomato 🍅

𝙵𝚊𝚟𝚘𝚞𝚛𝚒𝚝𝚎𝚜

Food: spaghetti Alfredo

Colour: maroon red

Drink: Chocolate milk for non-alcoholic, Malibu rum with orange juice at a party 🎉

3 songs I’m into currently

TV Show: Just finished The White Lotus and I loved it

Book: I know it’s a manhwa but Killing Stalking will forever hold its place as a great psychological thriller in my opinion

Movie: The first two stories in The French Dispatch

Enter the Void by Gasper Noe

Aesthetic: retrofuturism done right goes hard

Animal: cats 🐈‍⬛

Socials: @moonmoonrocks02 on twitter

𝙱𝚘𝚞𝚗𝚍𝚊𝚛𝚒𝚎𝚜

Interactions? Yes please, I love new friends 💅

Flirting? Sure

Banter? Love it, absolutely

Nicknames? Go for it

Source talk? I haven’t read my source

18+ talk? Yeah

Tone tags? No need

Note: Im the one who made this account, we don’t have that many online places to be ourselves so I figured this might be good for us 😌

[charlotte-e-carpenter]

WEEK 5: Reflection

Even though it should come with a strobe warning, I really enjoy Gasper Noe’s title sequence from Into the Void. He might be one of the only directors I can think of who utilizes a signature opening credits style across his films. Climax has a very similar sequence the uses bold, colorful, stylized lettering that flashes on the screen to music: https://youtu.be/0woQ9AZyeZI

It’s also worth noting that in Climax, this sequence doesn’t come until 47 minutes into the film! At that point, they’re so unexpected it’s almost jarring. Taking into consideration all the aesthetic choices Noe made in that film, I’m sure that was his intent. Where you decide to place the credits in your film can have a big effect on the overall viewing experience.