#gary jordan photography

[eternal--returned]

Andrew Bernstein ֍ Kobe Bryant attempts a dunk during the All-Star Game (1998)

[kristopherbiernat]

The Evergreen Review:F/W 2020

[ulkaralakbarova]

The story of Richard and Mildred Loving, an interracial couple, whose challenge of their anti-miscegenation arrest for their marriage in Virginia led to a legal battle that would end at the US Supreme Court. Credits: TheMovieDb. Film Cast: Richard Loving: Joel Edgerton Mildred Loving: Ruth Negga Grey Villet: Michael Shannon Sheriff Brooks: Marton Csokas Bernie Cohen: Nick Kroll Frank Beazley: Bill Camp Lola Loving: Sharon Blackwood Raymond Green: Alano Miller Garnet Jetter: Terri Abney Judge Bazile: David Jensen Phil Hirschkop: Jon Bass Theoliver Jeter: Christopher Mann Musiel Byrd-Jeter: Winter-Lee Holland Deputy: Michael Abbott Jr. Percy Fortune: Chris Greene Virgil: Will Dalton Chet Antieau: Matt Malloy Laura: Andrene Ward-Hammond Alex: D.L. Hopkins Hope Ryden: Jennifer Joyner Cousin Davis: Lance Lemon Cousin Gerald: Marquis Adonis Hazelwood Older Sydney: Brenan Young Older Donald: Dalyn Cleckley Older Peggy: Quinn McPherson Middle Sidney: Jevin Crochrell Middle Donald: Jordan Williams Jr. Middle Peggy: Georgia Crawford Toddler Sydney: Micah Claiborne Baby Sydney: Devin Cleckley Infant Sydney: Pryor Ferguson Clara – Cashier: Karen Vicks Reporter #1: Scott Wichmann Construction Worker: Benjamin Loeh Court Secretary: Bridget Gethins Store Pedestrian: Mark Huber Drag Race Spectator: James Matthew Poole Secretary: Coley Campany Secretary: Sheri Lahris Construction Worker: Jordan Dickey Telephone Man: Coby Batty Drag Race Spectator / Bar Patron: Chris Condetti Richard’s Racing Crew: Logan J. Woolfolk County Clerk: Robert Haulbrook Bricklayer: Keith Tyree Spectator: James Nevins Prisoner: W. Keith Scott Photojournalist: Tom Lancaster Street Walker: Lonnie M. Henderson Court Audience Member: Brian Thomas Wise Drag Race Spectator: Ken Holliday Antieau’s Secretary: Terry Menefee Gau Driver: Marc Anthony Lowe Racetrack Spectator: Jay SanGiovanni D.C Teen: Tyrell Ford Baby Boy #1: James Atticus Abebayehu Phil’s Dad: Jim D. Johnston …: Derick Newson Boarding House Boy: Miles Hopkins Construction Worker: Kenneth William Clarke Reporter: Robert Furner Secretary: Victoria Chavatel Jimison Field Hand / Drag Strip Attendee / Shot Gun Shack Attendee (uncredited): Darrick Claiborne Courtroom Spectator (uncredited): Raymond H. Johnson Drag Race Driver: Dean Mumford Pregnant Girl: Rebecca Turner Magistrate: Mike Shiflett County Jailer: Greg Cooper Supreme Court Reporter: A. Smith Harrison Press Conference Reporter: Keith Flippen Soundman: Jason Alan Cook Courtroom Spectator (uncredited): Lucas N. Hall Film Crew: Director: Jeff Nichols Editor: Julie Monroe Producer: Peter Saraf Executive Producer: Jack Turner Executive Producer: Jared Ian Goldman Executive Producer: Brian Kavanaugh-Jones Unit Production Manager: Sarah Green Art Direction: Jonathan Guggenheim Casting: Francine Maisler Production Design: Chad Keith Storyboard: Nancy Buirski Associate Producer: Oge Egbuono Producer: Colin Firth Producer: Marc Turtletaub Set Decoration: Adam Willis Producer: Ged Doherty Unit Production Manager: Will Greenfield Costume Design: Erin Benach Music Supervisor: Lauren Mikus Original Music Composer: David Wingo Still Photographer: Ben Rothstein Director of Photography: Adam Stone Script Supervisor: Jean-Paul Chreky Special Effects Coordinator: Gary Pilkinton Special Effects Technician: Trevor Smithson Property Master: A. Patrick Storey First Assistant Director: Cas Donovan Second Assistant Director: Tommy Martin Stunt Driver: Dean Mumford Key Makeup Artist: Katie Middleton Second Second Assistant Director: Ben LeDoux Construction Buyer: Roslyn Blankenship Assistant Property Master: Hannah Ross Dialogue Editor: Brandon Proctor Genetator Operator: Maxwel Fisher Post Production Supervisor: Susan E. Novick Boom Operator: Proctor Trivette Leadman: Stephen G. Shifflette Second Assistant “A” Camera: Stephen McBride Sound Effects Editor: David Grimaldi Foley Mixer: Judy Kirschner Makeup Department Head: Julia Lallas Hairstylist: Brian Morton Sound Effects Editor: Joel Dougherty ADR Mixer: Chris Navarro Sound Effects Editor: P.K. Hooker ...

[izatrini]

Photos from Trinidad Carnival Diary's post

K2K Alliance & Partners ("K2K") virtual band launch takes places at 11pm EST, log on t0 https://www.k2k-studios.com/tv for the making of “Holy Trespasses”. --- - The Docufiction AI-powered film is meant to give a glimpse into the thought process for this year’s Collection. - At 11:15pm EST join host, Sharon Mottley, for Day 1 of Behind the Scenes. - At 11:45pm EST, K2K’s website (k2k-carnival.com) will switch over to the SS25 Collection. The full website opens the week of October 21st --- SS25 Collection: Holy Trespasses (Life’s sweet and savory sinful indulgences) Photographer: Gary Jordan Photography --- Cheers K2K Team (Feed generated with FetchRSS) http://dlvr.it/TFGTxs

[alifefullofvibes]

the 2022 nba champs on film 🫶🏾

[vodomi]

An expression of art from K2K Alliance & Partners ("K2K") 2018 We Stand United Carnival 2018 Section: Totem Cluster: Americas. #k2k #k2kalliance #westandunited #totem #americas #wherefashionmeetsmas #instabeauty #instafashion #instamas #carnival #trinidadandtobago #trinidadcarnival2018 #garyjordan #jordanstudios #trinidadphotographer #garyjordanphotography #love #local #ladyinred #art #fineart #americanindian #portrait #profotousa #canonusa #bella #highfashion #hautecouture Gary Jordan Photography

[calacuspr]

This England team has shown us all what the power of sport really means

There have been a few times in recent years where the entire nation has appeared united and optimistic – and almost all of them have been connected to sport.

The World Cup in Italy in 1990, the EURO 96 in England and the London 2012 Olympic Games all come to mind as moments that will endure as epochs that transcend everything else going on in the world.

England has been particularly divided in recent years as the Leave and Remain factions argue; the challenges facing the nation during the COVID-19 pandemic; and the economic struggles that so many have encountered pretty much since the financial collapse a decade ago.

At Calacus, we work with organisations who see the value of sport to positively transform society and the England team has shown that throughout the build-up to EURO 2020 and beyond, they have brought the nation together in a way little else can.

Granted, it helped that England did so well, reaching the final of the tournament. It is hardly a new phenomenon that the squad is so multi-cultural, with players with family heritage from around the world.

While the aftermath of the defeat to Italy has shown the unpalatable side of society, the way in which the England manager and players have conducted themselves has been a masterclass in authentic communications.

STAY TRUE TO YOUR VALUES

Taking the knee has been part of football tradition in England for more than a year now, highlighting inequality and promoting diversity.

The England team have been criticised by many, with the Conservative MP for Ashfield, Lee Anderson, announcing that he would not watch “his beloved England team” while the players took the knee; Home Secretary Priti Patel suggesting that it was nothing more than “gesture politics.” and Prime Minister Boris Johnson refusing to criticise those who booed the team.

Given the racism that the likes of Marcus Rashford, Bukayo Saka, Raheem Sterling and others have suffered, particularly from online trolls, it’s remarkable that politicians sought to condemn them and accuse the team of Marxist tendencies and BLM affiliation rather than a compassionate plea for solidarity and equality over division.

England defender Tyrone Mings said: “Everyone’s entitled to their opinions. The home secretary is one of many, many people who oppose us taking the knee or refuse to defend it . . . we [have tried] to educate and inform the minority who refuse to acknowledge why we take the knee and want to boo it.”

Notably, the boos faded as the EURO 2020 tournament progressed and the team got to the later stages and it speaks volumes that many of those politicians who criticised the team then tried to associate themselves with them through staged photography that fooled no one.

CELEBRATE INCLUSION

This England team are no strangers to speaking up for those who don’t have a voice.

Marcus Rashford has campaigned for an end to child hunger and has twice forced the government to make u-turns over free school meals.

Raheem Sterling, one of the stars of the tournament for England and who has been vilified himself by media and fans alike, has fought hard to call out bigotry in the fight against racism.

EURO 2020 started during Pride month and saw players wear rainbow laces and captains use rainbow armbands, despite some mixed messaging from UEFA.

When England played Germany in the round of 16, captain Harry Kane joined his counterpart Manuel Neuer in wearing a rainbow armband with England's official Twitter account saying: “@HKane will join @DFB_Team 's Manuel Neuer in wearing a rainbow captain’s armband for tomorrow’s game at @wembleystadium to mark the end of Pride month, as the #ThreeLions stand in allyship with LGBTQ+ communities around the world.”

Kane himself explained: “From our point of view, it is a show of solidarity with the German national team from all of us at the England national team to be united in trying to kick out all inequalities there are. We’re on a huge platform on a big stage so it is obviously a great opportunity to do so.”

Jordan Henderson has shown himself to be a captain on and off the field, supporting local charities during lockdown as well as leading his Liverpool team to success over recent years.

He is thought to be one of the main drivers behind the team planning to donate its EURO 2020 prize money to good causes.

Their donation – which could be in the millions – will be made to NHS charities now that the football tournament has concluded.

The team made a statement last May which said: “Following positive discussions with the FA, the England senior men's squad are pleased to confirm that a significant donation from their international match fees will be made to NHS Charities Together via the #PlayersTogether initiative.

“This contribution will be taken from a fund already set aside to support a variety of worthy causes using all match fees collated since September 2018.”

While England supporters still let themselves down by booing national anthems at times during the tournament, it shows the progress that this England team has prompted that Joe White, an England fan who co-chairs Gay Gooners, Arsenal’s LGBT+ supporters group, attended the England v Germany match at Wembley Stadium “in full makeup.”

They wore red lipstick, shimmery eyeshadow and mascara along with a rainbow flag and England flag painted on their face to complete the look.

They tweeted: “This is a really small and personal point but today was my first game at Wembley in full makeup and overtly queer (as opposed to just camp). Absolutely no issues from fans and some lovely chats.

“Despite being absolutely petrified pre game, really proud of our fans”

Henderson responded: “Hi Joe great to hear you enjoyed the game as you should. No one should be afraid to go and support their club or country because football is for everyone no matter what. Thanks for your support, enjoy the rest of the Euros.”

How refreshing that the LGBTQ+ community can now support the national team with no fear of abuse or intimidation and that the Three Lions Pride can display positive banners – understandably celebrating Henderson’s goal against Ukraine.

ENCOURAGE TEAMWORK

England manager Gareth Southgate arguably had one of the most talented England squads in recent memory.

The team’s headquarters at St George’s Park became a centre of fun with photocalls featuring the likes of Bukayo Saka jumping into a pool on a flying unicorn inflatable and Ed Sheeran playing a special concert for the team not to mention a preview showing of Top Gun Maverick and call with its star Tom Cruise.

While early on, there was uproar among fans over players who had been left out of the starting XI or even the squad, with flair giving way to pragmatism, Southgate showed how much the team ethic mattered to him.

After the 4-0 victory over Ukraine, Southgate paid tribute to the members of his squad who had not featured much during the tournament.

He said: “I am thinking about the players who I had to leave out of the 23 because they have been such a massive part of what we’re doing. It is so difficult to keep a group of this size feeling valued and yet those guys have been phenomenal about how they have sacrificed themselves for the group.

"I feel the responsibility keenly. But it is these challenges that make us."

Not once during the tournament did any stories leak of disgruntled players, while the players reflected the afore-mentioned values by resisting well-trodden paths of nationalism that previous encounters with the likes of Germany may have engendered.

In fact, this England team have shown dignity in the face of criticism and the very definition of what it means to be a team – there are no egos, no vested interests.

Where once supporting England meant violence and xenophobia, this England team has inspired a new identity with a commitment to diversity, inclusion and a more tolerant society, which is a credit to them all.

SHOW REAL LEADERSHIP

It was quite telling when, during the celebrations following England’s win over Denmark, former international Gary Neville said: “The standard of the leaders in the past couple of years in this country has been poor but look at that man there... he’s everything a leader should be: respectful, humble, tells the truth, genuine. He’s fantastic, Gareth Southgate.”

Southgate has been humble, engaging, honest and resolute that he knew what he wanted to do and would not waver, even when senior politicians criticised some of the decisions made by him and his management team.

Ahead of the tournament, in an essay on patriotism, titled Dear England, Southgate linked football and national identity and underlined why the game means so much more than just sporting excellence.

“I have a responsibility to the wider community to use my voice, and so do the players. It’s their duty to continue to interact with the public on matters such as equality, inclusivity and racial injustice, while using the power of their voices to help put debates on the table, raise awareness and educate.

“On this island, we have a desire to protect our values and traditions – as we should – but that shouldn’t come at the expense of introspection and progress.”

Southgate has been calm and assured throughout his tenure, ensuring that he and the team are consistent in their focus, messaging and conduct. There have been no scandals, no drama and every press conference or media opportunity has been assured and engaging.

FACE ADVERSITY HEAD-ON

Losing on penalties is part of football, but it’s also something that England have encountered at a number of major tournaments.

The backlash after England’s defeat was brutal, with the three players who missed penalties, Jadon Sancho, Marcus Rashford and Bukayo Saka all targets of racist abuse.

Some MPs also used the defeat as an opportunity to tell players to keep out of politics, such as Andrew Rosindell, who tweeted: “We are all proud of our England team, who have had the support of the whole country over recent weeks, but please focus of football, not politics. If you win for England, you win for everyone!”

Home Secretary Priti Patel expressed her outrage at the racism, prompting Mings to again address her double standards.

He said: “You don’t get to stoke the fire at the beginning of the tournament by labelling our anti-racism message as ‘Gesture Politics’ & then pretend to be disgusted when the very thing we’re campaigning against, happens.”

Soon after the game, the mural in tribute to Rashford was vandalised, prompting hundreds of positive messages and fans voicing their support for the Manchester United forward.

Rashford tweeted: ““I’ve grown into a sport where I expected to read things written about myself. Whether it be the colour of my skin, where I grew up, or, most recently, how I decide to spend my time off the pitch.

“I dreamt of days like this. The messages I’ve received today have been positively overwhelming and seeing the response in Withington had me on the verge of tears. The communities that always wrapped their arms around me continue to hold me up.

“I’m Marcus Rashford, 23-year-old black man from Withington and Wythenshawe, South Manchester. If I have nothing else I have that. For all the kind messages thank you. I’ll be back stronger. We’ll be back stronger.”

CONCLUSION

The England team have shown without doubt the power of sport to unify – and while EURO 2020 is now over, we have the Olympic Games coming up where athletes will come together in the spirit of competition and camaraderie.

As Southgate put it: “The reality is that the result is just a small part of it. When England play, there’s much more at stake than that.

“It’s about how we conduct ourselves on and off the pitch, how we bring people together, how we inspire and unite, how we create memories that last beyond the 90 minutes. That last beyond the summer. That last forever.”

While the positivity has proved to be a brief moment in time, the England squad showed society how to empathise, respect and engage in a way that has been in short supply for so long.

[themusicenthusiast]

Thursday, April 18th, 2019 - Snow Patrol Doesn’t Give In to Technical Difficulties, Overcoming to Satisfy Dallas Fans at the Kickoff Show of the North American Leg of the Wildness Tour

Photos by Jordan Buford Photography The lengthy drought was finally coming to end for the residents of North Texas who were Snow Patrol fans. The headline tour the UK-based indie-rock/alt-rock outfit is currently in the midst of was precipitated by the release of Wildness (out via Polydor Records) nearly a year ago – Snow Patrol’s first new album in nearly seven full years. There was also the tour they did supporting Ed Sheeran’s North American tour last fall, though that provided their fans with but a meager taste of what they craved after Snow Patrol’s years long absence from the Lone Star State. That was all set to change on this Thursday night, the band finally bringing the Wildness Tour to North America – about half of the twenty-one dates already sold-out – with Dallas serving as the launching point for the trek. South Side Ballroom was hosting what was poised to be a spectacular night, the band having already toured extensively around  various parts of the world -- most recently South America -- ensuring they were in prime touring shape, while the break they got afforded them what was surely some much needed rest, allowing them to be in peak form for this next round of shows. While not sold-out, fans packed into the venue in droves, those lucky enough to arrive early getting treated to a delightful set from Ryan McMullan, while the trio that was We are Scientists put on an intense show, being thorough in warming up the sizable audience for whatever the band of the hour had prepared. What was interesting about the audience was how relatively diverse the makeup of it was. There were those who had likely been fans since Snow Patrol’s work became so acclaimed, circa the early to mid-2000s, while others in attendance had probably just been born around that time or shortly before. The single constant among the throng was how elated they all were to finally see Snow Patrol (again), their adoration for the group spilling over.

Several false starts excited the spectators that much more, the lights dimming a handful of times as the stage hands got everything in place, resulting in ample cheers and applause before disappointment set in as the lights illuminated everything once more. Then, at 9:38, it was officially on; a snowflake filling the screen at the back of the stage as drummer Jonny Quinn, bassist Paul Wilson, multi-instrumentalist Johnny McDaid and guitarist Nathan Connolly made their way on stage. Gary Lightbody completed things, the most boisterous fanfare having been saved for the frontman and guitarist who portrayed himself as being rather effervescent, kindly smiling and waving at everyone as he greeted them. It would have made sense that Wildness would be put on full display, allowing fans to experience much of that record in the live environment. However, after so many years away, most fans probably could have cared less about that, instead preferring to hear many of the classics they had missed so. Well aware of that, Snow Patrol opted for the more familiar for their first string of songs, beginning with “Take Back the City”. It was a striking opener on many fronts. For starters, taking the lyrics out of context, it felt like an appropriate welcome for them and to everyone. “I love this city tonight. I love this city always…” One got the sense that they had every intention of leaving their mark on the city; and it also highlighted the superb harmonies the band is capable of. On acoustic guitar duty for the moment, McDaid chimed in along with Connolly and Wilson, the three of them not only providing the backing vocals but also bolstering what Lightbody was doing as he paced around the stage, belting out a few of the lines in an incredibly impassioned manner.

Immediately electrifying, it was evident that Snow Patrol meant business. With that opening number one could feel the magic and compelling nature this music has, the past ten plus years since the release of A Hundred Million Suns having done nothing to diminish it; the intimate rapport with the audience being felt right away. Snow Patrol was there to entertain and deliver a memorable experience for all that had turned out, and they certainly got off on the right foot. That said, the first half of their set was plagued by some technical difficulties. It became more noticeable as they moved along; Lightbody spending a few moments fiddling with some of his equipment in hopes that it just required a simple fix, but to no avail. They handled it like the seasoned veterans they are, though, not even calling attention to it for a while, while the frontman never missed a beat, basically just shrugging it off and going about things as normal.

Prominent as the keys were during “Crack the Shutters”, that spellbinding love song boasted a robust rhythm section, Wilson really grooving to it as he strode around stage right, his movements seemingly calculative, as if he were waiting for the most opportune moment to strike. Indeed, he did as the track approached each crescendo. Upon finishing it Lightbody extended an official greeting to everyone, and also offered some insight to his appearance. Those closest to the stage had probably noticed he was lacking some shoes, instead just going barefoot. “…I’ve been wearing the same shoes for a year…” he remarked, adding that he wound up trashing them after they wrapped their South American tour. The lack of footwear seemed extra enjoyable to him. “Empress” was the first of a decent handful of cuts to be performed from Wildness; and given that it came after some older material, it was nice to see how it stacked up against those past works. This newest release is comprised of some of the most solid songs that Snow Patrol has produced, and even if there was a year’s long gap between albums, their signature sound wasn’t affected. “Empress” alone possesses that stellar indie-rock vibe that has proven to be a hallmark of the bands’ work, while also offering up a healthy serving of rock ‘n’ roll through the steady, pummeling percussion and the roaring guitars, both of which feel bolder than ever. That was particularly true when hearing that one live, the majestic scope of it being enthralling, while it simultaneously provided everyone with some serious rock.

If there was one positive to the trouble they were experiencing on stage, it was that it allowed Lightbody to conduct himself in a more natural manner, his affable demeanor leading one to appreciate the musician even more. He was handed a new guitar after that aforementioned song, laughing after having a quick chat with the tech that brought it to him. “So, I asked our guitar tech if this guitar was working, and he said, ‘You’ll find out in a minute’.” Even if he was dissatisfied with what was happening, he never seemed irritated by it, the quintet just going with the flow and taking things as they were. “This is a very appropriate song for this moment,” Lightbody quipped. “Don't give in. Don't you dare quit so easy…” he crooned as “Don't Give In” got underway, that more restrained number definitely taking on new meaning with the then current circumstances.

It didn’t go off without a hitch either, and again Lightbody just laughed it off. “This is the first night of the tour. Can you sense it?!” he asked afterwards, grinning and chuckling. He said it perfectly though when he stated that everybody was in it together, and that was, indeed, the shared mentality. “Open Your Eyes” capitalized on that. That cinematic masterpiece earned the strongest reaction from the spectators up to that point, especially as it hit its striking final minutes. Motioning with his hands, soon raising his arms into the air, Lightbody silently implored everyone to just let the music course through them and give themselves wholly to the song. They did, most of the crowd echoing along to that final refrain. A few minutes later Lightbody provided some backstory to this leg of the tour, noting they had been scheduled to fly into Dallas from Los Angeles the previous day, though bad weather had delayed that. “Bullshit!” one fan bellowed to that remark, referring to the severe weather that had been forecasted though never came to fruition. “There were, like, four hundred and fifty flights cancelled from LA…” the singer responded. “I was trying desperately to get here…” he added, joking that he was even considering one of Leonardo da Vinci's Flying Machines as a mode of transportation to Dallas. That daylong delay had resulted in them missing soundcheck for this show, Lightbody admitting that was the cause of so many of the problems they were having, owning that reason rather than passing things off on it.

Again, it shed light on who he really is and made him all the more likable. Pointing out a guy closer to the front, he declared it his job for the night to make the stone-faced gentleman smile. “You were dragged here?” Lightbody said as he briefly conversed with the man, realizing his job had just become that much more challenging. So, he did the only thing he could do: he dedicated the next song to the man. “I’m a time traveler from the future, and I met you and this song is about you,” he joked, using that as a segue into “Life on Earth”. Another song orchestrated on a grand scale, it allowed the spectators to fully appreciate the intricacies of Snow Patrol’s music. That was noticeable at every turn this night and it allowed the music to be so much more breathtaking, the way that Connolly, Wilson, McDaid and Quinn so artfully alternated between the more serene moments and the absolute precision they required to cutting loose and demonstrating the full extent of their musical prowess and how dynamic they can be.

That marked the end of the first half of their set, and before carrying on Lightbody swapped out some of his equipment, seeming assured that would remedy the issues and promising the next bit was “going to be great.” The difference was noticeable and immediate. The next number sounded so much clearer; every note, beat and word more pronounced, leading to an all-around lusher sound. It was Snow Patrol in all their glory; and while nothing had sounded bad up to then, it was evident that they firing on all cylinders at that point, eager and ready to make up for everything that they thought they had been lacking thus far. Seizing upon that newfound momentum, they even bridged a couple of the songs into the following one, further empowering themselves. Quinn and Wilson unleashed their full might on “Shut Your Eyes”, the rhythm section sounding surprisingly dominant on that one. Subtle as it was, one could even feel those sonorous notes shaking them; while “Heal Me” stood out as the most pleasantly surprising song of the night. It was self-described as being Lightbody’s favorite new song to perform live, he and his bandmates putting an exceptional amount of gusto into it. The recording itself is great, serving as another perfect example of how well Snow Patrol produces cinematic sounding pieces of work, but live it transcended that. That was present, though all the instruments sounded fiercer, a little rawer than what was captured in the studio, transforming “Heal Me” into a roaring beast that left everyone awed.

The best had been saved for last, those mesmerizing chords that begin “Chasing Cars” eliciting some deafening fanfare that was only outdone when the final line came around and was abruptly ceded to the crowd who didn’t miss a beat in collectively singing, “…Would you lie with me and just forget the world?” That song alone reinforced the staying power that music has, “Chasing Cars” being a song that everyone has surely heard before, even if they weren’t entirely sure who was responsible for it. It has aged exceptionally well over the last dozen plus years, still being a definitive piece of indie-rock (and a timeless one at that), the lyrics epitomizing just what an intimate and honest song should be; Lightbody’s emotional investment in his delivery of those words being unquestionable. “Take care of yourselves; we’ll see you again,” the singer stated as they moved along to the closing track of their 79-minute long set, which concluded in an exuberant fashion; the spectators getting to participate one more time as they sang and clapped along.

A few patrons took their leave at that point, no doubt wanting to beat the masses in getting out of the parking lot, which can be hectic to say the least. However, most were steadfast, certain that an encore was coming and eager to get the most out of this experience. While Snow Patrol did adhere to the routine that the encore has become, Lightbody didn’t hesitate to poke fun at it. Upon returning he joked about how typical an encore was of the arts and entertainment industry, laughing that the performers just go backstage and are like, “…Please, please like us!” he said in an exaggerated and desperate tone. Elaborating further, he even seemed keen on the idea on just playing every song in one setting, though acknowledged people would still wonder why there was no encore, so it’s better to just keep up the charade. McDaid was the only other member accompanying him for the first song of the 9-minute encore; the words “What if this is all the love you ever get?” filling the screen behind them.

The most bare-bones song of the night, it enraptured the audience in a way they hadn’t been at any other point. “What If This Is All the Love You Ever Get?” was another brilliant example of one of their songs transcending itself in the live environment, those lyrics that challenge one to reevaluate any relationship they’re in, to not take it for granted and embrace every aspect of it being exceptionally potent. A truly special moment, it was a pleasure to hear what is one of the best offerings from Wildness live; Connolly, Wilson and Quinn rounding things out for one last enchanting love song that felt like the perfect ending to their relatively brief but incredibly memorable time in Dallas. It may not have been the cleanest show of Snow Patrol’s career, but it was an awesome one nonetheless. You can’t fault a band for any technical difficulties that may occur, so all that is just beside the point. What isn’t beside the point is how resilient the five of them remained in the face of the obstacles that were suddenly thrown their way. I know I touched on that earlier, but it was still insightful to see how they handled it and wonderful that they didn’t let it affect them by getting flustered or upset. You just had to love them even more after witnessing that; and nothing ever sounded terrible out in the crowd.

The well curated set -- one comprised of some of the most stellar material they’ve churned out over their career -- they had planned helped in guaranteeing that everyone was transfixed with what they were playing, the overall structure of it having an excellent ebb and flow that took the listener on an emotional journey. It hit most if not all of the highlights and spanned a respectable amount of time, and while Snow Patrol made the wait fans had to endure well worth it, concertgoers leaving happy and content, it still seemed to pass too quickly, everyone already hungry for more. Hopefully they won’t have to wait as long between the next tour of North America. A significant voice in the indie-rock world for the better part of a couple decades now, Snow Patrol has managed to retain the high-profile spot they managed to position themselves in, and this performance just reinforced why they are still all too worthy of it. Some of the new stuff they played came across as being instant classics of theirs, while the smash hits and old favorites they had lined up were as marvelous now as they were upon first hearing them. Maybe even more so. It’s rare to find music that is capable of continuously impressing like that and that just speaks to how skilled this collective of musicians is when it comes to penning genuine, emotive music that connects with everyone. Something that resonates with the listener at their very core, and because of that, Snow Patrol evoked the quintessential concert experience this night, one where every soul in the building was unified by that music, feeling like they were part of something much bigger, even if it was for but a moment. This leg of Snow Patrol’s tour will run through May 21st, when it concludes at The Wiltern in Los Angeles, CA. Other notable stops include a performance at The Anthem in Washington, D.C. on April 26th; New York, NY’s Terminal 5 on April 30th; The Riviera Theatre in Chicago, IL on May 7th; and The Joint at Hard Rock in Las Vegas, NV on May 18th. A complete list of their tour schedule and additional info for each show can be found HERE; and be sure to check out Wildness in iTUNES or GOOGLE PLAY. Set List: 1) “Take Back the City” 2) “Chocolate” 3) “Crack the Shutters” 4) “Empress” 5) “Don't Give In” 6) “Open Your Eyes” 7) “Run” 8) “Life on Earth” 9) “Make This Go On Forever” 10) “Shut Your Eyes” 11) “Called Out in the Dark” 12) “Heal Me” 13) “Chasing Cars” 14) “You're All I Have” Encore 15) “What If This Is All the Love You Ever Get?” 16) “Just Say Yes” Note: ”The Lightning Strike (What If This Storm Ends?)” appeared on the set list though was not performed.

[todonahas]

Watch the fifth element in hd online free

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Joshua Elijah Reese Character (SWAT Guy).Jason McCune Character (Construction Foreman).Larissa Emanuele Character (Sportsbar Waitress).Lissy Gulick Character (Diner Waitress).Annie Kitral Character (Pawn Shop Cashier).Jordan Trovillion Character (Goodwill Cashier).Tommy Lafitte Character (Man with Ballcap).Efka Kvaraciejus Character (Zec's Thug).Teri Clark Character (Night Manager (as Teri Clark Linden)).Tristan Elma Character (Marcos Coronado).Delilah Picart Character (Rita Coronado).Julia Yorks Character (Chrissie Farrior).James Martin Kelly Character (Rob Farrior).Michael Raymond-James Character (Linsky).Societies of production : Paramount Pictures.

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Weimerskirch Job as : Art Direction, Susan Matheson Job as : Costume Design, Yes, now you can Watch Jack Reacher video Streaming Online and get the link to Jack Reacher video Online Streaming In HD Ici Watch Jack Reacher video Streaming Online Duration 130 minutes and broadcast on MPAA rating is 1275. Mindy Marin Job as : Casting, Dana Goldberg Job as : Producer, David Ellison Job as : Producer, Don Granger Job as : Producer, Gary Levinsohn Job as : Producer, Paula Wagner Job as : Producer, Tom Cruise Job as : Producer, Lee Child Job as : Novel, Caleb Deschanel Job as : Cinematography, Joe Kraemer Job as : Original Music Composer, Kevin Stitt Job as : Editor, Christopher McQuarrie Job as : Director, Christopher McQuarrie Job as : Screenplay, George A. White House Down - It Will Start Like Any Other Day. Garcelle Beauvais Character (Alison Sawyer).Matt Craven Character (Agent Kellerman).Lance Reddick Character (General Caulfield).Michael Murphy Character (Vice President Hammond).Nicolas Wright Character (Donnie the Guide).Jamie Foxx Character (President James Sawyer).Tagline : It Will Start Like Any Other Day.Societies of production : Centropolis Entertainment.Petruccelli Job as : Production Design, Paul Hotte Job as : Set Decoration, David Laramy Job as : Set Decoration, Yes, now you can Watch White House Down video Streaming Online and get the link to White House Down video Online Streaming In HD Ici Watch White House Down video Streaming Online Duration 131 minutes and broadcast on MPAA rating is 424. Franco Job as : Producer, Laeta Kalogridis Job as : Producer, Harald Kloser Job as : Producer, James Vanderbilt Job as : Producer, Lisy Christl Job as : Costume Design, Devyn Dalton Job as : Stunts, James Vanderbilt Job as : Writer, Reid Carolin Job as : Executive Producer, Ute Emmerich Job as : Executive Producer, Channing Tatum Job as : Executive Producer, Harald Kloser Job as : Original Music Composer, Thomas Wanker Job as : Original Music Composer, Anna Foerster Job as : Director of Photography, Adam Wolfe Job as : Editor, John Papsidera Job as : Casting, Kirk M. Roland Emmerich Job as : Director, Roland Emmerich Job as : Producer, Brad Fischer Job as : Producer, Larry J.

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Bacon 'N' Laces | Theatrical Trailer from Stephen Michael Simon on Vimeo.

A single dad of three boys manages a diner. But, there's more to John than meets the eye.

Directed by Stephen Michael Simon Produced by Stephen Michael Simon & James Rodrigues Cinematography & Editing by Stephen Michael Simon Additional Photography by James Rodrigues Animations by Jordan Kuyper Sound Editing/Design/Re-Recording by Ben LeHoullier

”SWEET TONY’S” & “IVY LEAGUE” Original score written and performed by Chris Petrosino

”HERE IF YOU WANT” “BOUND TO HAPPEN” & “IDK” Written and performed by Mosss

”FARNEARZZZ” & “DARK DAYS DON’T COME” Written and performed by Gary Bardizbanian

"IRIS" Written and performed by Nicholas Shahinian (Semblance)

Additional music written and produced by Parris Pierce

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Jameela & Jiries © Gary Jordan Photography 2016-4478 (1) by Gary Jordan Via Flickr: Gary Jordan Photography ©2016

[ulkaralakbarova]

In the 23rd century, inhabitants of a domed city freely experience all of life’s pleasures — but no one is allowed to live past 30. Citizens can try for a chance at being “renewed” in a civic ceremony on their 30th birthday. Escape is the only other option. Credits: TheMovieDb. Film Cast: Logan: Michael York Francis: Richard Jordan Jessica: Jenny Agutter Box: Roscoe Lee Browne Holly: Farrah Fawcett Doc: Michael Anderson Jr. Old Man: Peter Ustinov 2nd Sanctuary Man: Randolph Roberts The Woman Runner: Lara Lindsay Billy: Gary Morgan Mary 2: Michelle Stacy Woman Customer: Laura Hippe Sandman: David Westberg Sanctuary Woman: Camilla Carr Cub: Greg Lewis Timid Girl: Ashley Cox Sandman: Bill Couch Runner: Glenn R. Wilder Last Day Character (uncredited): Joe L. Blevins Sandman Daniel (uncredited): Roger Borden Sand Man (uncredited): Greg Bransom City Dweller (uncredited): Paula Crist The City Computer (uncredited): Virginia Ann Ford Cub (uncredited): Chuck Gaylord Cub (uncredited): Mitch Gaylord (uncredited): Johnny Haymer Confused City Dweller (uncredited): Jessie Kirby 3rd Sanctuary Man / Ambush Man (uncredited): Greg Michaels 1st Sanctuary Man (uncredited): Bob Neill Love Shop Woman with Toy (uncredited): Renie Radich 1st Screamer in Logan’s Apartment (uncredited): Candice Rialson Screamer Party Woman (uncredited): Cheryl Smith Runner Great Hall (uncredited): Ron D. Thornton Film Crew: Director: Michael Anderson Novel: William F. Nolan Novel: George Clayton Johnson Screenplay: David Zelag Goodman Producer: Saul David Original Music Composer: Jerry Goldsmith Director of Photography: Ernest Laszlo Editor: Bob Wyman Production Design: Dale Hennesy Costume Design: Bill Thomas Associate Producer: Hugh Benson Makeup Artist: William Tuttle Hairstylist: Judith A. Cory Unit Production Manager: Byron Roberts Stunt Coordinator: Glenn R. Wilder Casting: Jack Baur Set Decoration: Robert De Vestel Property Master: Jack M. Marino Sound Editor: John Riordan Visual Effects Designer: L.B. Abbott Music Supervisor: Harry V. Lojewski Music Editor: William Saracino Dialect Coach: Leon Charles Script Supervisor: Ray Quiroz Choreographer: Stefan Wenta Second Assistant Director: Alan Brimfeld Second Assistant Director: Win Phelps Assistant Director: David Silver Stunt Coordinator: Bill Couch Key Grip: Martin Kashuk Electrician: Don Stott Associate Editor: Freeman A. Davies Assistant Editor: Chuck Ellison Unit Publicist: Don Morgan Stunts: Dick Ziker Stunts: Jeannie Epper Stunts: Loren Janes Stunts: Beth Nufer Stunts: Alex Plasschaert Stunts: Regina Parton Stunts: Lori Thomas Stunts: Mike Washlake Stunts: Russell Saunders Stunts: Barbara Graham Stunts: Tommy J. Huff Stunts: Sunny Woods Stunts: Paula Dell Stunts: Chuck Gaylord Stunts: Mitch Gaylord Stunts: Rosemary Johnston Stunts: Whitey Hughes Stunts: ‘Wild’ Bill Mock Stunts: Gary Morgan Stunts: Dar Robinson Stunts: Walter Robles Stunts: Angelo De Meo Stunts: Paula Crist Stunts: Dottie Catching Stunts: Bill Couch Jr. Stunts: Gregory J. Barnett Stunts: Craig R. Baxley Stunts: Phil Adams Stunts: Denny Arnold Stunts: May Boss Special Effects: Glen Robinson Movie Reviews: Richard: It’s a ‘Future Vision’ type of movie, plus a bit of an adventure into the unknown. At least for the two “Runners’ who have escaped out of their bubble world. It is fraught with twists and turns in a post Peak-Oil world, where society has finally found a solution to the resources of the planet. The ‘chosen’ few, however have one little catch, their lives have a unique way of ending, until these two discover a new way, and a Lie that was being told to all of the citizens. (Warning for younger viewers,there are scenes where (At the time,) it was considered risque to show people jumping into a freshwater pond and going skinny dipping).

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K2K Alliance & Partners ("K2K")

K2K Alliance & Partners ("K2K") SS25 Collection: Holy Trespasses (Life’s sweet and savory sinful indulgences) Section I Gown featured: Simple Pleasures – Blossoming Teas Dedicated to women who continue to inspire #pinkarmy #nicoled #maragretj #marilynp #marilyndw #pamb #andmanymore ---- Photography: Gary Jordan Photography ---- Sit in the front row on October 10, 2024 @ 11pm Streaming on: k2k-studios.com (Feed generated with FetchRSS) http://dlvr.it/TFBTQs

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Check out our latest issue. Now available on www.VanquishMagazine.com June 2018 – Tawny Jordan Vanquish Magazine – June 2018. Featuring Gorgeous International Kitten of the Month: Tawny Jordan Models: Christina Speck, Lexi Kai, Saffron Richardson, Tawny Jordan, Alexandra Karina, Leslie Kris Photographers: Peter Levins, Joe Damaso, Danny Shaw, Gio Rhivers, Gary Miller, Darryl Lafferty – Enjoy this Magazine? Share it Download or Print Available from http://www.vanquishmagazine.com/issue51/ Join Us on Instagram: @vanquishmagazine #instagood #instalike #igers #amazing #instagram #follow #alexandrakarina #beach #bikini #blonde #brunette #busty #christinaspeck #dannyshaw #darryllafferty #garymiller #giorhivers #glamour #joedamaso #june2018 #lesliekris #lexikai #lingerie #peterlevins #photography #saffronrichardson #sand #sea #sun https://www.instagram.com/p/BkMsgwQAvKP/

[easyfoodnetwork]

Here Is the Full List of 2020 James Beard Foundation Media Award Winners

A James Beard Award medal | Photo by Victor Spinelli/WireImage

Congratulations to all the winners

Today, the James Beard Foundation announced its Media Awards winners for 2020. An online announcement replaced the usual New York City ceremony, originally scheduled for earlier this month, and later today, the Foundation will hold a live virtual event to discuss the winners and the state of media amid the coronavirus pandemic.

Once known known as the Book, Broadcast, and Journalism Awards, the media awards honor work in those categories from 2019. A few of today’s big winners include Josh Niland’s The Whole Fish Cookbook, which wins in the “restaurant and professional” category and for Book of the Year; chef Roy Choi for outstanding personality; and Pati’s Mexican Table, which wins for television program (in studio or fixed location) for the second year in a row.

The rescheduled James Beard restaurant and chef awards are planned for September 25. As of now, the awards will still take place in Chicago, but the final format isn’t confirmed.

Below, the full list of media winners:

2020 James Beard Foundation Media Awards Winners

2020 James Beard Foundation Book Awards

For cookbooks and other non-fiction food- or beverage-related books that were published in the U.S. in 2019.

American

Jubilee: Recipes from Two Centuries of African American Cooking Toni Tipton-Martin (Clarkson Potter)

Baking and Desserts

Living Bread: Tradition and Innovation in Artisan Bread Making Daniel Leader and Lauren Chattman (Avery)

Beverage with Recipes

The NoMad Cocktail Book Leo Robitschek (Ten Speed Press)

Beverage without Recipes

World Atlas of Wine 8th Edition Hugh Johnson and Jancis Robinson (Mitchell Beazley)

General

Where Cooking Begins: Uncomplicated Recipes to Make You a Great Cook Carla Lalli Music (Clarkson Potter)

Health and Special Diets

Gluten-Free Baking at Home: 102 Foolproof Recipes for Delicious Breads, Cakes, Cookies, and More Jeffrey Larsen (Ten Speed Press)

International

Ethiopia: Recipes and Traditions from the Horn of Africa Yohanis Gebreyesus with Jeff Koehler (Interlink Publishing)

Photography

American Sfoglino: A Master Class in Handmade Pasta Eric Wolfinger (Chronicle Books)

Reference, History, and Scholarship

The Whole Okra: A Seed to Stem Celebration Chris Smith (Chelsea Green Publishing)

Restaurant and Professional

The Whole Fish Cookbook: New Ways to Cook, Eat and Think Josh Niland (Hardie Grant Books)

Single Subject

Pasta Grannies: The Official Cookbook: The Secrets of Italy’s Best Home Cooks Vicky Bennison (Hardie Grant Books)

Vegetable-Focused Cooking

Whole Food Cooking Every Day: Transform the Way You Eat with 250 Vegetarian Recipes Free of Gluten, Dairy, and Refined Sugar Amy Chaplin (Artisan Books)

Writing

Eat Like a Fish: My Adventures as a Fisherman Turned Restorative Ocean Farmer Bren Smith (Knopf)

Book of the Year

The Whole Fish Cookbook: New Ways to Cook, Eat and Think Josh Niland (Hardie Grant Books)

Cookbook Hall of Fame

Jancis Robinson

2020 James Beard Foundation Broadcast Media Awards

For radio, television broadcasts, podcasts, webcasts, and documentaries appearing in 2019.

Audio Program

It Burns: The Scandal-Plagued Race to Breed the World’s Hottest Chili Airs on: Audible

Audio Reporting

Gravy – Mahalia Jackson’s Glori-Fried Chicken Reporter: Betsy Shepherd Airs on: southernfoodways.org and iTunes

Documentary

That’s My Jazz Airs on: Vimeo

Online Video, Fixed Location and/or Instructional

Grace Young – Wok Therapist Airs on: GraceYoung.com and YouTube

Online Video, on Location

Handmade – How Knives Are Made for New York’s Best Restaurants; How a Ceramics Master Makes Plates for Michelin-Starred Restaurants Airs on: Eater and YouTube

Outstanding Personality/Host

Roy Choi Broken Bread with Roy Choi Airs on: Tastemade and KCET

Television Program, in Studio or Fixed Location

Pati’s Mexican Table – A Local’s Tour of Culiacán Airs on: WETA; distributed nationally by American Public Television

Television Program, on Location

Las Crónicas del Taco (Taco Chronicles) – Canasta Airs on: Netflix

Visual and Audio Technical Excellence

Chef’s Table Adam Bricker, Chloe Weaver, and Will Basanta Airs on: Netflix

Visual Reporting (on TV or Online)

Rotten – The Avocado War Reporters: Christine Haughney, Erin Cauchi, and Gretchen Goetz Airs on: Netflix

2020 James Beard Foundation Journalism Awards

For articles published in English in 2019.

Columns

Power Rankings: “The Official Fast Food French Fry Power Rankings”; “The Official Spicy Snack Power Rankings”; “The Official Domestic Beer Power Rankings” Lucas Kwan Peterson Los Angeles Times

Craig Claiborne Distinguished Restaurant Review Award

“Peter Luger Used to Sizzle. Now It Sputters.”; “The 20 Most Delicious Things at Mercado Little Spain”; “Benno, Proudly Out of Step With the Age” Pete Wells The New York Times

Dining and Travel

“In Pursuit of the Perfect Pizza,” Matt Goulding, Airbnb Magazine

Feature Reporting

“Value Meal,” Tad Friend, The New Yorker

Food Coverage in a General Interest Publication

The New Yorker

Foodways

“A Real Hot Mess: How Grits Got Weaponized Against Cheating Men” Cynthia R. Greenlee MUNCHIES / Food by VICE

Health and Wellness

“How Washington Keeps America Sick and Fat”; “Meet the Silicon Valley Investor Who Wants Washington to Figure Out What You Should Eat” Catherine Boudreau and Helena Bottemiller Evich Politico

Home Cooking

“Fry Time” Nancy Singleton Hachisu Saveur

Innovative Storytelling

“Food and Loathing on the Campaign Trail” Gary He, Matt Buchanan, and Meghan McCarron Eater

Investigative Reporting

“‘The Man Who Attacked Me Works in Your Kitchen’: Victim of Serial Groper Took Justice into Her Own Hands” Amy Brittain and Maura Judkis The Washington Post

Jonathan Gold Local Voice Award

“In Search of Hot Beef”; “Chef Jack Riebel Is in the Fight of His Life”; “Harry Singh on the Perfect Roti, Trinidad, and Life in the Kitchen” Dara Moskowitz Grumdahl Mpls.St.Paul Magazine

M.F.K. Fisher Distinguished Writing Award

“My Mother’s Catfish Stew” John T. Edge Oxford American

Personal Essay, Long Form

“The Dysfunction of Food” Kim Foster Kim-Foster.com

Personal Essay, Short Form

“For 20 Years, happy hour has seen us through work — and life” M. Carrie Allan The Washington Post

Profile

“The Provocations of Chef Tunde Wey” Brett Martin GQ Magazine

Wine, Spirits, and Other Beverages

“Seltzer Is Over. Mineral Water Is Forever.” Jordan Michelman PUNCH

Emerging Voice Award

L.A. Taco

Disclosure: Some Vox Media staff members are part of the voting body for the James Beard Foundation Awards.

• All James Beard Awards Coverage [E]

from Eater - All https://ift.tt/2ZJb5Mf https://ift.tt/2AaK89R

A James Beard Award medal | Photo by Victor Spinelli/WireImage

Congratulations to all the winners

Today, the James Beard Foundation announced its Media Awards winners for 2020. An online announcement replaced the usual New York City ceremony, originally scheduled for earlier this month, and later today, the Foundation will hold a live virtual event to discuss the winners and the state of media amid the coronavirus pandemic.

Once known known as the Book, Broadcast, and Journalism Awards, the media awards honor work in those categories from 2019. A few of today’s big winners include Josh Niland’s The Whole Fish Cookbook, which wins in the “restaurant and professional” category and for Book of the Year; chef Roy Choi for outstanding personality; and Pati’s Mexican Table, which wins for television program (in studio or fixed location) for the second year in a row.

The rescheduled James Beard restaurant and chef awards are planned for September 25. As of now, the awards will still take place in Chicago, but the final format isn’t confirmed.

Below, the full list of media winners:

2020 James Beard Foundation Media Awards Winners

2020 James Beard Foundation Book Awards

For cookbooks and other non-fiction food- or beverage-related books that were published in the U.S. in 2019.

American

Jubilee: Recipes from Two Centuries of African American Cooking Toni Tipton-Martin (Clarkson Potter)

Baking and Desserts

Living Bread: Tradition and Innovation in Artisan Bread Making Daniel Leader and Lauren Chattman (Avery)

Beverage with Recipes

The NoMad Cocktail Book Leo Robitschek (Ten Speed Press)

Beverage without Recipes

World Atlas of Wine 8th Edition Hugh Johnson and Jancis Robinson (Mitchell Beazley)

General

Where Cooking Begins: Uncomplicated Recipes to Make You a Great Cook Carla Lalli Music (Clarkson Potter)

Health and Special Diets

Gluten-Free Baking at Home: 102 Foolproof Recipes for Delicious Breads, Cakes, Cookies, and More Jeffrey Larsen (Ten Speed Press)

International

Ethiopia: Recipes and Traditions from the Horn of Africa Yohanis Gebreyesus with Jeff Koehler (Interlink Publishing)

Photography

American Sfoglino: A Master Class in Handmade Pasta Eric Wolfinger (Chronicle Books)

Reference, History, and Scholarship

The Whole Okra: A Seed to Stem Celebration Chris Smith (Chelsea Green Publishing)

Restaurant and Professional

The Whole Fish Cookbook: New Ways to Cook, Eat and Think Josh Niland (Hardie Grant Books)

Single Subject

Pasta Grannies: The Official Cookbook: The Secrets of Italy’s Best Home Cooks Vicky Bennison (Hardie Grant Books)

Vegetable-Focused Cooking

Whole Food Cooking Every Day: Transform the Way You Eat with 250 Vegetarian Recipes Free of Gluten, Dairy, and Refined Sugar Amy Chaplin (Artisan Books)

Writing

Eat Like a Fish: My Adventures as a Fisherman Turned Restorative Ocean Farmer Bren Smith (Knopf)

Book of the Year

The Whole Fish Cookbook: New Ways to Cook, Eat and Think Josh Niland (Hardie Grant Books)

Cookbook Hall of Fame

Jancis Robinson

2020 James Beard Foundation Broadcast Media Awards

For radio, television broadcasts, podcasts, webcasts, and documentaries appearing in 2019.

Audio Program

It Burns: The Scandal-Plagued Race to Breed the World’s Hottest Chili Airs on: Audible

Audio Reporting

Gravy – Mahalia Jackson’s Glori-Fried Chicken Reporter: Betsy Shepherd Airs on: southernfoodways.org and iTunes

Documentary

That’s My Jazz Airs on: Vimeo

Online Video, Fixed Location and/or Instructional

Grace Young – Wok Therapist Airs on: GraceYoung.com and YouTube

Online Video, on Location

Handmade – How Knives Are Made for New York’s Best Restaurants; How a Ceramics Master Makes Plates for Michelin-Starred Restaurants Airs on: Eater and YouTube

Outstanding Personality/Host

Roy Choi Broken Bread with Roy Choi Airs on: Tastemade and KCET

Television Program, in Studio or Fixed Location

Pati’s Mexican Table – A Local’s Tour of Culiacán Airs on: WETA; distributed nationally by American Public Television

Television Program, on Location

Las Crónicas del Taco (Taco Chronicles) – Canasta Airs on: Netflix

Visual and Audio Technical Excellence

Chef’s Table Adam Bricker, Chloe Weaver, and Will Basanta Airs on: Netflix

Visual Reporting (on TV or Online)

Rotten – The Avocado War Reporters: Christine Haughney, Erin Cauchi, and Gretchen Goetz Airs on: Netflix

2020 James Beard Foundation Journalism Awards

For articles published in English in 2019.

Columns

Power Rankings: “The Official Fast Food French Fry Power Rankings”; “The Official Spicy Snack Power Rankings”; “The Official Domestic Beer Power Rankings” Lucas Kwan Peterson Los Angeles Times

Craig Claiborne Distinguished Restaurant Review Award

“Peter Luger Used to Sizzle. Now It Sputters.”; “The 20 Most Delicious Things at Mercado Little Spain”; “Benno, Proudly Out of Step With the Age” Pete Wells The New York Times

Dining and Travel

“In Pursuit of the Perfect Pizza,” Matt Goulding, Airbnb Magazine

Feature Reporting

“Value Meal,” Tad Friend, The New Yorker

Food Coverage in a General Interest Publication

The New Yorker

Foodways

“A Real Hot Mess: How Grits Got Weaponized Against Cheating Men” Cynthia R. Greenlee MUNCHIES / Food by VICE

Health and Wellness

“How Washington Keeps America Sick and Fat”; “Meet the Silicon Valley Investor Who Wants Washington to Figure Out What You Should Eat” Catherine Boudreau and Helena Bottemiller Evich Politico

Home Cooking

“Fry Time” Nancy Singleton Hachisu Saveur

Innovative Storytelling

“Food and Loathing on the Campaign Trail” Gary He, Matt Buchanan, and Meghan McCarron Eater

Investigative Reporting

“‘The Man Who Attacked Me Works in Your Kitchen’: Victim of Serial Groper Took Justice into Her Own Hands” Amy Brittain and Maura Judkis The Washington Post

Jonathan Gold Local Voice Award

“In Search of Hot Beef”; “Chef Jack Riebel Is in the Fight of His Life”; “Harry Singh on the Perfect Roti, Trinidad, and Life in the Kitchen” Dara Moskowitz Grumdahl Mpls.St.Paul Magazine

M.F.K. Fisher Distinguished Writing Award

“My Mother’s Catfish Stew” John T. Edge Oxford American

Personal Essay, Long Form

“The Dysfunction of Food” Kim Foster Kim-Foster.com

Personal Essay, Short Form

“For 20 Years, happy hour has seen us through work — and life” M. Carrie Allan The Washington Post

Profile

“The Provocations of Chef Tunde Wey” Brett Martin GQ Magazine

Wine, Spirits, and Other Beverages

“Seltzer Is Over. Mineral Water Is Forever.” Jordan Michelman PUNCH

Emerging Voice Award

L.A. Taco

Disclosure: Some Vox Media staff members are part of the voting body for the James Beard Foundation Awards.

• All James Beard Awards Coverage [E]

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