#gary gigax | Explore Tumblr posts and blogs

majingojira · 6 years ago

Text

Monsters of the 20th Century

I had this odd notion. A (brief) analysis of the origin of various supernatural creatures, as I wondered what ‘new’ monsters/supernatural beings had been created in the 20th century (roughly). I’ve completed some of the research, and I’d like to share it with you all. I’m also gonna tag @tyrantisterror because he is one of the more knowledgable people about monsters I know about on tumblr and I’m sure he can correct me a bunch in this!

1. Frankenstein - 1817 - The oldest literary monster and outgrowth of the concept of the Homunculus and Golem as an artificial being. So pervasive is its reach, western ideas of Tulpa are tainted by it (every time you read about a tulpa ‘going out of control’, that is the influence of Frankenstein).

2. Dinosaurs - The Dragons of the age of science entered pop culture in 1854 at the latest with the opening of the Crystal Palace Park. Other prehistoric animals had captured people’s imagination before, and they didn’t start to enter fiction until 1864 (”Journey to the Center of the Earth”) and a short story by C. J. Cutliffe Hyne had an ancient crocodilian in his story “The Lizard” (1898). Ann early Lost World style adventure, “A Strange Manuscript Found in a Copper Cylinder” by James De Mille in 1888 has the first true dinosaurs in them. There, Antarctica has a warm spot where prehistoric monsters and a death cult lurk. In 1901, Frank Mackenzie Savile’s “Beyond the Great South Wall” had a Carnivorous Brontosaurs worshiped by Mayan remnants. “Panic in Paris” by Jules Lermina had dinosaurs attack a city, but it was published first in France so few saw it. Finally, we have Conan Doyle in 1912 with “The Lost World” which solidified dinosaurs as a thing in fiction.

3. The Evolved Man/Mutants - After “The Origin of Species” is published, it wasn’t long until Evolved Men or Mutants started showing up in fiction. “The Coming Race” and (1871), “The Great Romance” (1881). They are generally big-headed and often have ESP of some sort. In “Media: A Tale of the Future” (1891), they can control electricity too. It wasn’t until 1928 (”The Metal Man” by Jack Williamson) that Radiation was thrown in as a cause for Mutation. Cosmic Rays would follow in “The Man Who Evolved” by Edmond Hamilton (1931). After that, we have “Gladiator” by Philip Gordon Wylie (1930) where we have an engineered “Evolved Man”, and “Odd John” by Olaf Stapeldon which grants us the term “Homo superior” followed by “Slan” by A.E. van Vogt which has Evolved Humans as a persecuted minority. And with that, everything that makes the X-Men what they are is collected.

3. Man-Eating Tree - First reported in 1874, the idea of man-eating plants grew since then to encompase many monsters, but started as Folklore about ‘Darkest Africa” (Madagascar) in the New York World. They’d print anything back then.

4. Hyde - While it is tempting to link him to Freudian Psychology, Freud did not publish his work regarding things like the Id until much later (he didn’t even coin “Psychoanalysis” until 1896). What is springs from, I currently cannot say without more research.

4. Robot - Though there were automata since the days of the Greeks (Talos), the first Robot in modern fiction is from “The Future Eve” by Auguste Villiers de I’lsle Adam (1886). THough the term Robot is not invented until 1920 with “Rossum’s Universal Robots.” They definitely offshoot from Frankenstein, but with a more mechanical bent.

5. The Grey Alien - The modern idea of an Alien has it’s first antecedents in the 1800s. Specifically with the essay “Man of the Year 1,000,000″ by H. G. Wells (1892-1893). He speculates what humans will evolve into, and basically invites the Gray by accident. It wouldn’t achieve it’s alien attachments until much later.

6. Morlocks - With the Evolved Man, there is also the ‘Devolved Man’. That is what the Morlocks are. They are, as the name implies, tied to Well’s “The Time Machine” (1895), and the word has become a catch-all for subterranean monster-men, be they Mole People, CHUDs, or straight up Demons (’GvsE’).

7. The Martians & Their War Machines - The First Alien Invader, and the first Mecha can be traced to “War of the Worlds” by H.G. Wells, 1897. Not much more to say as far as I’m aware.

8. The Mummy - The 1800s saw an Egyptian craze in England, leading to some really nasty habits (google “Mummy Powder” if you need ipecac). 1827 saw “The Mummy!: Or, a Tale of the Twenty-Second Century” which is more a bit of futurism with an ancient protagonist. Though “Lost in the Pyramid” (1868) by Louisa May Alcott predates it, it is overshadowed by Conan Doyle’s horror story “Lot No. 249″ (1892) which has the classically animated mummy going out and killing people under control of another. The former is a “Curse” story rather than a monster.

9. Cordyceps - Everyone these days knows the Cordyceps fungus as a great source for making zombies, and I’m lumping that fungus in with these other monsters because, well, fungus’ that take over humans is a monster of the 20th century. Best known for Toho’s film adaptation “Matango” (1963), it is inspired by a short story from 1907 by William Hope Hodgson called “The Voice in the Night”. There, the poor victim doesn’t realize they’ve completely become a fungus monster, acting as a warning for those near the island.

10. Aerofauna - Conan Doyle strikes again with “The Horror of the Heights” (1912). A pretty tight little horror story of a whole ecosystem high above our heads in the clouds. Many a sky tentacle owes its existence to this one.

11. Lich - Possibly derived from Kosechi the Deathless of Russian folklore, the idea of undead sorcerers became a staple of the works of Robert E. Howard, H.P. Lovecraft, and Clark Ashton Smyth, dating back to 1929. Though Gary Gigax coined the idea together for D&D and based it on Gardner Fox’s “The Sword of the Sorcerer (1969)

12. Bigfoot and The Loch Ness Monster - I lump these cryptids together, because (thanks to a ton of research by Daren Naish, Daniel Loxton, Donald R. Prothero, and others) we can trace them back to the same source: King Kong (1933). The idea of prehistoric animals being out in the world in hidden places goes back to Conan Doyle’s “Lost World” (1912), but Kong made it widely popular. And between the giant ape and the Brontosaurus attack (and the timing of sightings picking up), we can blame Kong for this.

13. The Great Old Ones - Lovecraft’s primary contribution to fiction first appear in “The Call of Cthulhu” (1926) and expand upon from here. As near as I can tell, he made a LOT of monsters. These include “Ancient Aliens” & Shoggoths (1936 - “At the Mountains of Madness”), Gillmen (1931 - ”The Shadow over Innsmouth”), & The Colour Out of Space (1927). 14. The Thing - The Ultimate Shapeshifter. It first appears in 1938′s “Who Goes There” by John W. Campbell, Jr. Though Campbell's square-jawed heroes literally tear the Thing to bits, it reached its zenith of horror in adaptation. I can think of no earlier shapeshifting humanoids of such variety at an earlier time, or of such fecundity.

15. The Amazons - The Amazons do indeed come from Ancient Greece, but it was a way for the Greeks to rag on Women. It wasn’t until later that women co-opted the image of the Amazons as a source of empowerment, and that was codified in 1942 with one character: Wonder Woman. She helped spark the Amazons further into the culture, or at least, Amazon women who have superpowers (as they did in those early stories). From there, we get a more recent direct descendant that was part of the reason I started this list: Slayers from “Buffy the Vampire Slayer.”

16. The Hobbit - Though ideas of ‘Wee Folk” are part of worldwide Folklore, Tolkien took them out of the realm of Faerie, and made them... idyllic middle-class Englishmen with his 1937 book of the same name. With the Lord of the Rings following in 1954-1955. His works also gave us other monsters and supernatural beings: Orcs, Ents, & Balrogs.

17. Gremlins - An Evolution of the wee folk once again, this time adapted for the mechanical era and of a more malicious bent. It became slang in the 1920s, with the earliest print source being from 1929. They were popularized by Roald Dahl in”The Gremlins” (1942). Later they were used to vex Bugs Bunny (1943′s “Falling Hare”), and then they got their own movies in the 1980s. The rest is history.

18. Triffids - There are a LOT of fictional plants out there, and a lot of carnivorous ones, but the Triffids were the first to be extremely active in their pursuit of prey. From 1952′s “Day of the Triffids” by John Wyndham, the story is a keen example of the ‘Cozy Apocalypse’ common in British Fiction, sort of like the whole ‘schoolboys on a desert island make well of it’ thing that “Lord of the Flies” railed against. This paved the way for everything from Audrey II to Biollante.

19. Kaiju - 1954. You know what this is. Between Primordial Gods and Modern Technology, the Kaiju are born. The difference between a Kaiju and a Giant Monster is a complex nuanced one, sort of like what makes film noir. But, in general, if the story has Anti-War, Anti-Nationalist, and/or Anti-Corporate Greed leanings, it’s probably a Kaiju movie. If not, then it probably isn’t.

20. The Body Snatchers - Another horror of 1954 from the novel “The Body Snatchers” (1955), which includes aspects that the movie “Invasion of the Body Snatchers” did not. Like that the Duplicates only last 5 years and basically exist to wipe out sentient beings with each planet they infest. Clearly drawing from the idea of the Doppelganger, these Pod People have evolved into a new form.

21. The Blob - That 1958 movie has one catchy theme song. The whole thing was inspired by an instance of “Star Jelly” in Pennsylvania, circa 1950. It was tempting to shift this under the Shoggoth, but I think they are distinct enough.

22. Gargoyles - Longtime architectural embellishments, they did not become their own “Being” until 1971 with “The Living Gargoyle” published in Nightmare #6. The TV Movie “Gargoyles” came soon after in 1972, firmly establishing the monster. Though it was likely perfected in the TV Series “Gargoyles” (1994).

23. D&D - From 1973 Through 1977, D&D was formulated and many of its key monsters were invented. Partly as mechanics ways to screw with players and keep things lively. This brought us Rust Monsters (1973), Mindflayer (1974), Beholder (1975), and the Gelatinous Cube (1977).

24. The Xenomorph - Parasitoid breeding is applied to humans to wonderfully horrible effect in the 1979 film “Alien”. It became iconic as soon as it appeared.

25. Slasher - The first slasher film is often considered to be ‘Psycho’ (though the Universal Mummy films beyond the first prototype the formula). The idea of an undead revenant coming back to kill rather randomly started in the film “The Fog” (1980), but was codified by Jason Voorhees in either 1984 or 1986. I am no expert on this one, though, so I am not fully certain.

26. The Dream Killer - Freddy Krueger first appeared as a killer in dreams in 1981, but there were other dream killers before him. They could only kill with extreme fear, though. Freddy got physical! I think. Again, more research is needed.

27. Chupacabras - This is another cryptid inspired by a movie. In this case, “Species” (1995). No, really. This is what it comes from. I know a lot of these are really short down the line, but the research for this one is thorough and concise!

28. Slender Man - The Boogieman for the Internet Age. An icon of Creepypastas and emblem of them.

Needs More Research: The Crow/Heroic Longer-Term Revenants, Immortals as a “Group” (might go to Gulliver's Travels, but I’m trying to track Highlander here) are also on the list, but they are proving extremely difficult to research, so I thought I’d post what I have at the moment. Shinigami might also be on the list since they are syncretic adoption of the Grim Reaper into something more.

7 notes · View notes