#gargoyles fox

[necroticboop]

GARGOYLES : 2 / ∞ ↳ David Xanatos & Fox's relationship

[anas-platyrhyncos-cubed]

Xanatos Trio Ducks - Gargoyles

[wrench-bench]

hey gargoyles gang remember how i said i think the pack deserve more love?? well i went a bit crazy and decided to rough sketch what i’d want for merchandise of the pack!! (again, rough idea, just wanted to get my thoughts out) felt like sharing my thoughts here!!

i’m in no way a designer, just someone begging for pack merch

[sydscripts]

😶😶😶

[spc-rambles]

I adore Gargoyles. I really do.

[do-you-ship-it-polls]

Do you ship it?

reason: Top tier villain couple who really do love each other more than anything

[timtamtictac]

More doodles

Monster falls mainly

Mainly these are sketches to get a handle on some designs, very rough and messed up

I shall make one finished stan gargoyle drawing though. If I did one for Robbie, I have to make on for Stan

[romancemedia]

Cartoon Romances + Brown and Red Hair

[peteneems]

[blackbackedjackal]

thinking about...her

[servicereward]

Model Sheets for Animators, Disney's Gargoyles (1994)

The Pack

[cinnabuntastic]

David and Fox Xanatos are big bi4bi energy except while they have the exact same taste in women, they have COMPLETELY opposite taste in men.

[burningexeter]

Gargoyles: The Curse Of Hunter's Moon

Demona's Introduction

The following is an entire sequence that I'm sharing to give you a definitive idea and a great taste to show what I'm going for with this:

ST. DAMIEN'S CATHEDRAL

MANHATTAN, NEW YORK

It's the middle of the night and a bright red car with a white top on it that looks to be almost 1950s-ish pulls up right in front of the derelict church. Coming out of the front seat, Elisa Maza looks down at the location map that Fox, the mysterious women who was now disfigured on her right eye in the hospital, had drawn and given to her in secret. This was indeed the place, something that looks like Dracula would live in. When entering through the front door, Elisa is surprised at how grand the inside of it is and cracks a dryly sarcastic joke at the Queen Of England having her royal wedding here.

She makes her way to the basement as instructed and uses the golden key that Fox slipped to her as well to open the entrance. Entering and making her way down the hard stone staircase, she finds that it isn't a basement but instead is a large crypt with a black sarcophagus right in the middle across a metal mini-bridge over water. Elisa remembers what Fox had told her and that what was inside in the middle would be the evidence to nail Dominique Destine on these recent events for good. Opening it, she finds the body of a woman encased in cement and clutched in her hands to Elisa's shock is exactly what she needs to prove that Destine was involved in this. Carefully removing it from this body's cold, dead hands, Elisa gets too cocky for her own good and boasts to herself how all of this was a piece of cake in a smug way.

Only for her to stop when she begins to look at the body more closely and notices that she looks strangely familiar as if she's seen her before. It's when Elisa squints and gets just a little too close that the body in cement.... moves.

A shocked Elisa ends tripping over and horrifyingly comes not just face-to-face but nose-to-nose with the woman. Screaming in terror as the cement cracks, Elisa gets herself up and said cement completely breaks apart entirely to reveal that not only is this woman and well and not happy but also that she had blue skin, spiky, red hair, wore a white loincloth with a matching single strap top, a golden tiara on her head, an armband on her upper left arm, a leg band on her lower left leg, had sharp knife-like claws on her hands and feet and finally glowing pitch red eyes full of hard rage staring directly at Elisa, the human intruder in her lair.

After an intense scuffle where Elisa's gun is crushed by Demona's bare foot, the piece of evidence falls right into the water and as Elisa realizes she has to go in after it, several of the coffins burst open, arms smash through the walls, clawed feet push through the ceiling and out of them comes all of these creature women just like Demona with glowing red eyes, sharp fangs and equally pissed.

Jumping in as fast as she can, she scrambles around to find the main evidence in this disgusting and murky water on a terrifying time limit when she finally finds it but when she immediately grabs hold of it, a rotting head pops out from underneath it. A horrified Elisa looks around to see all these underwater skeletons and decomposing bodies around her, she screams in terror with bubbles coming up. And that guttural scream is carried over when she instantly comes back up and sees Demona is right at her who lets out a bone-chilling and nightmarish roar at her as the camera goes full-on Sam Raimi and goes into Demona's large open mouth to reveal that her uvula is a grotesque deformity that instead of being round at the bottom, it's a crooked sharp point.

A truly horrified Elisa screams in absolute terror only for the camera to pull another Sam Raimi and go into her just as wide open mouth to reveal that she too has the exact same grotesque and deformed uvula with the same sharp crooked point bottom.

The sight of this shocks and takes back Demona as Elisa runs out of the water with the other women in hot pursuit only for Demona to signal them to stop and marches forward with a twisted smirk on her face and taking her sweet time with Elisa running back up the stairway, basically saying without a line of dialogue that "she's mine".

Reaching the "basement" door and about to be free of this horrific nightmare happening in real life, it slams shut in her face. Elisa desperately tries to open it as she sees Demona's shadow approaching her which leads her to remember in the moment, the key! She pulls it out and puts it in the lock, only for her hope and relief to be instantaneously dashed when it breaks off.

Having no other choice as Demona is now dangerously close to her, Elisa uses a hole at the bottom of the door as her escape. Throwing the evidence that got her into this in the first place out through first, she goes straight through next.... but gets stuck when her ass and hips aren't big enough and as Elisa struggles more than ever, it's way too late. Demona has already reached her, for the first time here speaks by taunting Elisa as she's still trying to get through and then comments that this human's bottom is a thing of beauty on par with hers.

Demona lunges forward and sinks her teeth straight into the right side of Elisa's ass cheek as the latter screams in pain on the outside.

The camera hard cuts to the outside of St. Damien's Cathedral to show that Elisa's screams are just simple mere faints amongst the noises in New York.

The End (it isn't, it's just a scene in the middle but you get the point or what I'm saying)

What's the "evidence"?

Who are the other creature women?

How does their deformed uvula tie into this?

You'll just have to see for yourself if this idea I have for a flat-out Gargoyles animated reboot film ever happens and sees the light of day cause where's the fun in just telling you or anyone else who reads it everything about it?

Top it all off even though this is her introduction, Demona isn't the main antagonist of the movie. She's the TRITAGONIST.

I can honestly picture Salli Richardson and Marina Sirtis loving what they're reading with this in the actual fucking script.

[wrench-bench]

i think the gargoyles fandom doesn't enjoy the pack enough which is wild. people should make more content of the pack, pre or post upgrade idc

[furiarossa]

"I don't need your fantasy women... I have... my people".

Because of this, but instead of fantasy women he got Owen and Fox. And yeah, he's rejecting other... fantasy women? He has what he needs XD

(Original image under the cut!)

[Oh, and a lot more of our Gargoyles fanarts: Here’s the Gargoyles tag!]

★ FurAffinity|Deviantart|Commission prices|Tapas|Pillowfort★

[scadaddletime]

Women :)