#game weapons

[void-bitten-ghost]

Dual wielding yes please

i’m enough of a nerd to see when a weapon would be impractical but not enough of a nerd to give a shit

[blumineck]

I may have gotten a little carried away towards the end there...

As usual, more archery nonesense over on Patreon!

[caffstrink]

Did i just smell someone who didn't get 8 hours of sleep last night?

[mintaii]

so all i've been doing is playing hades 2

[crumb-crumblet-s-crumbington]

strange animal attempts to show affection for the first time ever

[vnynv]

Something feels..... OFF 🤨

[poorly-drawn-mdzs]

All he knows is flirt with men and lie.

[First] Prev <–-> Next

[proxycrit]

(I point. Gently, in the voice of somebody who’s mind touched by the outer gods, i whisper truth in your ears:

Your honor the horses are now lesbians

(Anyways here’s the designs)

[jugeullae]

PARK SUNG HOON as Cho Hyun Joo #120

SQUID GAME 2 (2024, Hwang Dong Hyuk)

[knightedgem]

Happy Waddle Dee Wednesday!

I've had this blog forever but mostly lurked to view art. Now I'm starting this new series on Instagram, but I thought I'd try posting over here too since this is technically my first art site.

Hope you enjoy!

[chthonic-kids]

lovely little character design detail for moros - the spindle, the measuring rod, and the shears of the three fates

[blumineck]

Size isn’t everything- unless you’re a fantasy character!

Here is some of the logic behind it, and some of the reasons why real weapons tend to be smaller than fictional ones.

Please support my videos if you like them and are able to! You’ll also get tutorials, bts, and art references!

[mescalitoart]

Wyll for spooky month. Odd monster lair 🍭

Finally finished all the spooky-themed stuff😭

Other bg3 Halloween piece: Karlach || Gale

[galacticxangel]

I think I’m handling the TS wait well, why do you ask?

[tritoch]

the warrior of light as a game-breaking force of violence

there's a moment, relatively early in dawntrail, that establishes succinctly how out of place the warrior of light (as the savior of eorzea and main character of four successive final fantasy game plots) is in what is essentially the story of fresh new final fantasy protagonist wuk lamat. and it sets up quite nicely how the framework of fantasy video game conflict pulls the warrior of light forever towards violence as the expansion goes on.

spoilers through 7.0 follow

consider wuk lamat's kidnapping and rescue. bakool ja ja holds his blade to wuk lamat's throat, taunting you. his lackeys line up against your party in neat little ranks suspiciously reminiscent of a classic final fantasy encounter screen.

and it simply does not matter to the warrior of light. you stride right through their combat setup because you are beyond that by now. the warrior of light has absolutely no respect for the "we are about to do ATB combat" lineup. the camera even jumps the line for you in one continuous rotating shot, crossing the axis of action as though to emphasize through the disruption of visual convention how far outside the game's boundaries you are.

this is how far you are above the problems of dawntrail's first half. you cannot even be bound by the normal rules of cinematography and video game combat. everyone else here lined up for a good old-fashioned scrap and the warrior of light said haha nope actually. i'm going to stroll through here like a god of war astride this tiny battlefield. your henchmen cannot even raise a hand to me. i don't even have to engage in violence directly anymore. my mere presence is enough.

in fact, not only can bakool ja ja's henchmen not raise a hand to you, he's not even worthy of your direct intervention. he kidnaps wuk lamat and steals her keystones and frees valigarmanda and kidnaps hunmu rruk and none of it warrants the warrior of light so much as raising a finger. he's wuk lamat's recurring villain, that's not your problem. you're just here to take in the scenery.

zoraal ja spends his whole life aspiring to be thought of as his father's equal and a worthy successor to the dawnservant as the "resilient son." all it takes for gulool ja ja to acknowledge you as a warrior on his level is like a five minute sparring match. the acknowledgement from gulool ja ja that zoraal ja hungered for his whole life and would eventually go full cyborg supervillain to get via regicide is something the warrior of light receives casually in a throwaway line after their level 93 solo duty on the way to more important plot conversations.

it really seems for a second, in the first half of dawntrail, like you are strong enough and the problems simple enough for this to be a clean and easy adventure. bakool ja ja? power of friendship'd. mamook? successfully reintegrated, no worries about the crimes against humanity. rite of succession? handily won. nothing can stop you. even duty finder queue times have been conquered: you can do all your duties with trusts now.

all of which only makes it better when the second half has sphene ask you and wuk lamat directly: could your strength have been enough to save alexandria? could you have found a different way?

i know some people get very annoyed we don't intervene in the gulool ja ja fight. now personally i think if you see arthur and mordred squaring up it's rude to intervene, but beyond that, it simply wouldn't have mattered. by the time zoraal ja's forces arrived in tuliyollal, alexandria and tural were already on a collision course and doomed to conflict. your hands alone could never have averted this conflict. sphene was always bound to do what she did—and certainly a gulool ja ja without his reason would not be any more inclined to peace than wuk lamat and koana were.

there's a great little moment just before living memory where estinien, champion at reading the room, is like "okay so if thancred and i stay here that frees up you up, aibou, to do what you do best and save the world and have epic fights. woo!!!" and immediately afterwards you basically have to apologize to alisaie because part of the sort of unspoken premise of this whole trip in the first place was that you were, finally, not going to plunge into mortal peril to save the world. you were finally going to take it easy. you were finally done with that. and she has to sort of ruefully be like nah it's fine bro. i was trying to get you to take it easy and not do insane risky world-saving violence. but y'know these things (interdimensional invasions) happen.

by the time you reach the very last trial, all pretense that the warrior of light could have ever been beyond these problems has vanished. you were, very emphatically, not strong enough to hold onto all that was dear without sacrifice. gulool ja ja and otis and cahciua died. yyasulani was irreversibly changed, physically colonized and culturally decimated by another dimension. you systematically shut down each part of living memory, and all its friendly, charming, loving ghosts, with your own hands. with your own clicks.

not even the vaunted strength of the warrior of light is enough to overcome sphene's inexorable logic of conflict. and so, in the end, she plucks you out of the crowd and says, explicitly for reasons of your strength, that you are going to have to do a boss fight now. you are going to have to kill her and you are going to have to do it in a proper 8-on-1 trial, and she forces you to affirmatively state that you understand you're going to kill her.

did you think you were above it all? did you think you could get away from here with your weapon undrawn, with your hands clean? that for you and you alone the logic of conflict comes undone? wrong. wrong. wrong.

your strength cannot redeem you, says sphene. your friends cannot make these sacrifices for you. if you would play the hero then you must play the hero. no half-measures.

back to the duty finder with ye.

[sweetberry-roebuck]

There's something to be said about Mouthwashing's weaponization of the video game medium. The game is very easily comparable to a movie, between its runtime and cinematic framing and focus on narrative, but the fact that it is a video game, that we play as Jimmy for much of it and take on his actions ourselves, is I think really effective in its usage.

You are the one given the all caps RESPONSIBILITY, the disproportionate power of the captain, and you are the one failing miserably to use it well. You have to scan the codes, you have to give Curly his medicine, the first action you're presented with is to turn the ship in the wrong direction. No other option available. The experience it gives you of realizing again and again that you, that Jimmy, is not doing the most sensible thing, that he's being stupid and cruel and spiteful, is really effective in forcing you to contend with the excellently written character study on a personal level.

Waking up in the middle of the night and hearing Curly groaning in pain, and then going to bother Anya about giving Curly his meds only for Jimmy to INSIST on doing it himself, I thought to myself "c'mon man why wouldn't you just give him the meds to begin with," only to realize over the rest of the game exactly why he didn't do that. By putting the player in the role of this character, carrying out his actions step by step without choice in the matter, the irrationality of his decisions is made personally exasperating. You notice the patterns.