#galician art

[una-victima-casi-perfecta]

Vera Cruz Temple in Carballiño, by Galician architect Antonio Palacios (1874-1945).

[malartsorte]

Tried my hand at drawing a Galician miku. Look at her dresssed like a paisana

[illustratus]

Leonor Telles before the corpse of Count Andeiro by Alfredo Roque Gameiro

[languages-i-guess-comic]

Romanic languages family + zoom-ins below! Ignore the horrible background xd

From the Languages I guess project

[morriganduska]

Unha procesión da Santa Compaña [galician mythology]

[deermissy]

I lost my previous account, so let's start again 😭, Hi im Missy a small Galician artist who likes to draw Oc, masked men and transformers content, i also do little silly videos and im studying animation. This Oc is called Oswald, a Italian Capricorn guy who is part of the Zodiac's, a mafia group in my Oc world, they rule Trinity city.

[robotic-poet]

oc stuff. what if your college situationship revives you after you die and she is sure you came back wrong but you're just Some Guy

[triste-guillotine]

SARTEGOS "Portais" Demos Compilation 2023

"Portais" (Portals in English) compiles for the first time on CD all the SARTEGOS' seminal Demo recordings - "A Serpe Do Escarnio" (2010) and "Mortualha" (2011) - and the tracks from the Vinyl Splits with YSENGRIN and BALMOG, as well as lyrics and a collection of old photos that trace the history of the band. A retrospective that celebrates SARTEGOS' 15 years of activity, awaiting a new chapter in their Black/Death Metal discography.

"Three times five. Fifteen years passed since the very first spark of what SARTEGOS is today appeared, fifteen years of this journey through dark paths and ways where all these portals are. Because every recording compiled here is a portal to a particular moment is this project's life where - from the primitive spontaneity of "A Serpe Do Escarnio" to the anticipatory "Lume do Visitante - Morrer do Nascente" - all has its purpose, place and meaning. This retrospective is therefore a key. A key to four Portals."

Portais | Sartegos (bandcamp.com)

[aleskael]

Reasons for you to follow my proyect Herexía DAY 2

In the menu for day 2 the main course is: WE DESERVE MORE STRONG-MIDDLE-AGE-BADASS WOMEN IN FICTION FIGTHING SO THERE U GOOOOOO

And she'll also give you emotional support. KICKING BUTTS BY DAY // COOKING YOU FILLOAS TO ASK HOW YOU'VE BEEN FEELING THIS WEEK BY NIGHT.

[una-victima-casi-perfecta]

Plaza del Campo, by Manuel Castro Gil (Lugo, 1891-1861).

[malartsorte]

Another regional mikunthis time in morevtraditional galician clothing

[illustratus]

The Coronation of Inês de Castro (details) by Gillot Saint-Evre

[random-for-starting]

Hello! I’d like to share how a poorly defined task can end up taking six evenings.

I decided that from time to time, I could post some videos on YouTube. And as a "true" YouTuber, I chose to start with creating a logo and a short video with it. I didn’t spend much time on the logo idea: since my nickname is "Random Forstart," the logo should reflect randomness and be quick to execute. And since I'm “incredibly creative,” the only thing that comes to mind with randomness is a flipping coin. So, I decided to make a coin with a Roman numeral "I" on the obverse, and on the reverse, I wanted to add a touch of Ukrainian style by placing an ornament in a Hutsul, Bukovinian, or Galician style around the edge, and adding the inscription "Random Forstart" along the edge and rim of the coin.

Decision made! Time to search for references, which, as it turned out, wasn't so quick. The coin in my mind had unusual edges, and such coins are rare—maybe because that edge shape complicates the production process.

Next, I started the blocking. Some elements didn’t look good with standard edges, so I applied subdivision. Then, I created the text: converted it to mesh, extruded it, applied remesh with the appropriate modifier, and added a subdivision surface to smooth things out. At this point, I realized there were too many polygons, and I’d likely need to bake everything onto a low-poly model. Otherwise, even Eevee would take forever to render it on my laptop.

Looking at the obverse, I realized that the Roman numeral "I" wasn’t the best choice, so I added some decor and replaced it with the abbreviation "RFS." It looked better, so I proceeded to combine everything using Boolean. My laptop took a long time merging high-poly elements, and even after that, the shading wasn’t impressive. I passed the mesh through remesh, and ended up with 65 million polygons. Plus, remesh had made the coin look more like a polygonal shape than a circle. I smoothed out some edges with sculpting, deciding to fix the rest on the normal map after baking.

I created a low-poly model with 4000 triangles. That's a lot, but since the model is for animation and not a game, I wanted it to be properly rounded.

During baking, I found that some surfaces were protruding too much, causing artifacts. I decided not to touch the high-poly but to adjust the normal map in GIMP. Overall, it turned out alright.

Then came texturing. At first, I thought I’d just apply textures in Blender, but I didn’t like the result, so I made the texture in Quixel Mixer. It looked great there, but once I imported it into Blender, it somehow changed. I had to adjust it several more times until it looked okay.

Once finished, I moved on to the animation. Initially, I tried using physics simulations and even spent a few hours on it, but it turned out that realistic wasn’t always what I wanted. In the end, I did the animation manually with keyframes. All that was left was to add sound and effects. I tried to do this in Blender, but I didn’t feel like figuring out Blender's video editor, so I did it all in Kdenlive.

[absenceisaformofwinter]

"Caldeirada de pescado de roca," one of the dishes created by Pepe Vieira (Vigo), translates to "Rockfish Stew" in English.

[manuhigueras]

Director de fotografía: Pepe Gay de Liébana

Himno del Centenario del R.C. Celta de Vigo (1923-2023)

[fromchaostocosmos]

Why Are Goyim Obsessed With Bad People Being The Fault of The Jews?

How many times have we seen the speculation that certain truly horrific historical people must Jewish based the stringing of threads. Or the that said horrific people are horrific because of the Jews.

How many times have seen Hitler was actually a Jew conspiracy or that Hitler only became the way he did because he denied entry to art school by Jews conspiracy?

Not just with historical figures we all have seen how often it gets mentioned that Roy Cohen, Jew, and they sure do make a point to highlight that Jew part was behind Donald Trump being who he is.

Think about Henry Kissinger and how much him Jewish gets highlighted when talking his influence on Presidents Ford and Nixon, even though he hated being Jewish.

And of course we can not forget the all time go to Christopher Columbus as the secret Jew.

And now that is being reported to be in fact true. Just look at how everyone is reporting it.

Only that is not the case.

The documentary Columbus DNA. His True Origin, broadcast on Spain’s National Holiday suggests that the explorer was not Genoese and Christian but Spanish and Jewish. The absolute protagonist of the documentary, forensic scientist José Antonio Lorente, has not yet published any scientific study to back his claims. The documentary is presented in the style of a reality show in which Lorente systematically discounts other theories, including that Columbus was Castilian, Portuguese, Galician, Mallorcan or a Cagot. It culminates with a scene in which only one possibility remains, the one put forward by architect Francesc Albardaner, author of the book La catalanitat de Colom (or, The Catalonian Origins of Columbus).

But geneticist Antonio Alonso, former chief of the National Institute of Toxicology and Forensic Sciences, is not convinced: “Unfortunately, from the scientific point of view, no assessment can be made after watching the documentary, since it does not provide any data on what has been analyzed. My conclusion is that the documentary Columbus DNA does not show the DNA of Columbus at any given moment and scientists do not know what analysis has been undertaken.”

Forensic anthropologist Miguel Botella, also from the University of Granada, remembers that day in 2003 when he waited for the box containing the supposed bones of Christopher Columbus to be opened. “Everyone expected to be greeted by an intact Columbus, but there were only 150 grams of bone fragments,” he says with a smile. The largest would have been about four centimeters in length.

Lorente then said that he was going to analyze the DNA of the three alleged members of the Columbus family with the help of prestigious geneticists, such as Ángel Carracedo from the University of Santiago de Compostela; and Mark Stoneking, from the Max Planck Institute for Evolutionary Anthropology, in Leipzig, Germany, one of the world’s most prestigious centers for the analysis of ancient DNA. Carracedo recalls that the DNA that reached him was tremendously degraded, and he too distanced himself from the project. Moreover, he refuses to comment on Lorente’s new results until there is a serious scientific study published in a specialized journal. The response of the Max Planck Institute geneticist to questions from EL PAÍS were similar: “I am sorry, my group stopped working on this in 2005 and I have not heard anything about the most recent results,” said Stoneking.

According to geneticist Antonio Alonso, “It is not the done thing for data that the scientific community has not yet endorsed to be presented to society, as it puts the data itself at risk as well as the proposed theory.” Alonso is also surprised by the absence of experts from the U.S. and Australia in the film whose contribution Lorente describes as essential. “Here there is too much protagonism from only one scientist. Neither the Granada team nor the collaborating ancient DNA laboratories in California and Adelaide, which are said to be of great importance in the success of the analyses, appear in the film,” he points out. Recently retired, Alonso is one of Spain’s leading experts in forensic genetics. He worked on the identification of the victims of Madrid’s 11-M terror attacks; on the investigation of dozens of reports of alleged baby thefts; on the recognition of Spanish Civil War victims and even on the attempts to find the remains of the writer Miguel de Cervantes. He claims that the documentary Columbus DNA does not speak to him as a scientist. “We do not know which DNA regions were analyzed, nor the technology used in the analysis, nor the results obtained, which makes it impossible to make a correct assessment of the findings,” he says.

Alonso explains that there are clusters of genetic variants called haplotypes or haplogroups that tend to be inherited together and may be characteristic of certain family lineages, but he adds that they often coincide with those of other groups in historically Jewish or non-Jewish populations. “In any case, having a genealogy, a haplogroup or a haplotype of Jewish or Sephardic ancestry does not call into question Columbus’ birthplace in Genoa as stated by historical sources, nor does it tell us anything about the religious beliefs professed by the generations of relatives close to Columbus,” he says.

Rodrigo Barquera is a Mexican expert in archeogenetics at the Max Planck Institute for Evolutionary Anthropology. Barquera has conducted DNA studies of human remains prior to the arrival of Europeans in America, such as those of children sacrificed by the Maya at Chichén-Itzá in Mexico. The researcher is very critical of the fact the data have been presented via a documentary, and without the backing of a serious scientific article reviewed by independent experts, especially given the enormous interest in the figure of Christopher Columbus and his origins. “Normally, the article is sent to a scientific journal,” he says. “The journal assigns an editor and at least three independent reviewers who rate the paper and decide if it is scientifically valid. If it is, it is published, and then the rest of the scientific community can say whether they agree or not. Putting it on a screen, removed from this process and with all the media focus on it, makes it difficult for the scientific community to say anything about it.”

Antonio Salas heads the Population Genetics in Biomedicine team at Santiago de Compostela’s Health Investigation Institute. “The documentary promised to focus on DNA analysis, as suggested by its title Columbus DNA: His True Origins,” he says. “However, the genetic information it offers is very limited. Only at the end is it mentioned that the only thing that was recovered from the presumed remains of Christopher Columbus was a partial profile of the Y chromosome. The problem is that the Y chromosome represents only a tiny fraction of our DNA and our ancestry.” “The documentary rushes to a conclusion that Christopher Columbus was a Sephardic Jew originally from the Spanish Levant. This hypothesis is, to say the least, surprising: there is no Y chromosome that can be uniquely defined as Sephardic-Jewish,” argues Salas. “Even if all of an individual’s DNA were recovered, it would still be impossible to reach definitive conclusions about his or her exact geographic origin.

So when science seems to much more aligned with Columbus not being why then is everyone reporting him as Jewish. And why do goyim keep blaming every evil deed, every action, every evil choice and every evil person on Jews?