#fuuma mono

[ayanna-tired]

Fuma Monô, the second "Kamui"

[therealmofamorus]

Blog Update: Muse List Update

The Muse List for the Hentai girls been updated to now have the list of hentai that i've seen or in interested in.

Kuroinu

Youkoso! Sukebe Elf no Mori e?

Princess Knight Catue

Taimanin Asagi

Kangoku Senkan

Kyonyuu Fantasy

The Pit Coxville Stories

Meet “n” Fuck Game

Ochi Mono RPG Seikishi Luvilias

Energy Kyo-ka

Buta no Gotoki Sanzoku ni Torawarete Shojo o Ubawareru Kyonyuu Himekishi

The Beauty and The Beast

Sennen Reijou ~My Lady, My Master~

Aijou no Injoku Elf

Elf Oyako to Pakopako Ibunka Kouryuu!

Tasogare no Shou Elf

Kaika - Ochita Elf Tsuma

[Fan no Hitori] Remnant of the Demon King

[Fan No Hitori] Hypno App Fantasia (Hypno App x Time Stop Fantasia)

Ou-sama Appli - King App

Seiso Kanojo, Ochiru

Hajimete no Hitozuma

Hitozuma A-san to Musuko no Yuujin N-kun

Himawari wa Yoru ni Saku

Saimin Seishidou

Akane wa Tsumare Somerareru

Natsu, Tsuma no Sentaku

Houjou no Reizoku Elf | Fertile Slave Elves

ONE ROOM BLOOM & ONE ROOM PERFUME

Echiechi Haishinsha wa Ani no Yome!? ~Hoshigari Manko no Daibouken~ | My Sister-in-Law is a Porn Streamer!? ~The Great Adventure of a Famous Pussy~

VictimGirlsR Watashi wa, Makemasen! | I will not lose!

Succubus Queen vs Goblin Grunts

VictimGirlsR "JK de Refre -Flesh & Refresh-"

VictimGirls R Chikan Bokumetsu Campaign | VictimGirls R Molestation Eradication Campaign

Joshi Luck!

Imaizumin-chi wa Douyara Gal no Tamariba ni Natteru Rashii

Inma no Mikata! | Succubi's Supporter!

Oideyo! Kunoichi no Sato Kiwami ~Fuuma Kunoichi Soutoujou no Maki~ | Come to the Kunoichi Village! Climax ~Fuuma Kunoichi's Full Appearance Volume~

Fella Hame Lips

Fella Pure

Ajisai no Chiru Koro ni | Bigleaf Hydrangea Leaf Falling Time

Kaos Comic

Illustrated Interracial

Yair Comics

Isekai Yarisaa

Shikijou Kyoudan

My Mom And Sister Are Size Queen Sluts

Otome Dori

Saimin Seishidou

Kyonyuu Elf Oyako Saimin

Kyonyuu Princess Saimin

Seika Jogakuin Kounin Sao Ojisan

Ane wa Yanmama Junyuu-chu

Muttsuri Do Sukebe

Tsuma ga Kirei ni Natta Wake

Ki no Tsuyoi Onna Joushi (31-sai) Hitozuma no Yowami o Nigitta node, Mainichi Nakadashi Shitetara Sukkari Kawaiku Natte Shimatta Ken

Okusama wa Moto Yariman

Genkaku Cool na Sensei ga Aheboteochi!

JK Bitch ni Shiboraretai

Tachibana-san-chi no Dansei Jijou Matome Ban | Tachibana-san's Circumstances With a Man

Let me know in the comments if there's a hentai that you think i could be interested in

[otakuoasis]

X

Opening - "exDream" by Myuji

[gifs made by Hikari]

[rz-jocelyn]

[NEWS UPDATE] Musical Touken Ranbu: The Release of the Album for the "Musical Touken Ranbu ~Bakumatsu Tenrouden~ 2020" has been Announced

CAST

Sato Ryuji as Kashuu Kiyomitsu

Torigoe Yuki as Yamatonokami Yasusada

Arisawa Shoutarou as Izuminokami Kanesada

Sakamoto Shougo as Horikawa Kunihiro

Takahashi Kensuke as Hachisuka Kotetsu

Imari Yu as Nagasone Kotetsu

Koyanagi Shin as Kondou Isami

Takagi Tomoyuki as Hijikata Toshizou

Sadamoto Fuuma as Okita Souji

ALBUM CONTENTS INFORMATION

Release Date: June 30, 2021

Album Contents and Prices

First Press Limited Edition A:

26 songs (2 CDs) + Soundtrack for the musical portion (1 CD)

4,180 yen (tax included)

First Press Limited Edition B:

26 songs (2 CDs) + Soundtrack for the live portion (1 CD)

4,180 yen (tax included)

Regular Edition:

26 songs (2 CDs)

3,300 yen (tax included)

ALBUM TRACK LIST

Disc 1:

Touken Ranbu ~Bakumatsu Tenrouden~

Akaki Hana Chirimagau

Tsume to Kiba

Noraneko Nihiki

Roushi-tachi no Otakebi

Boku no Makase

Kappore ~Tenrou no Shita / Naga no Senaka~

Sora wa Shiranai ~ Erabarenu Mono

Shizumu Hoshi

Roushi (Ookami)-tachi no Houkou (Koe)

Samurai no Kokoro Kumo Yori Takaku

Asagiiro no Sakura

Shizunda Hoshi

Awase Kagami

Yoru no Umi Hoshi Sayuru

Roushi (Ookami)-tachi no Houkou (Koe) Reprise

Hitohira no Kaze

Disc 2:

Scarlet Lips

Dreamless Dreamer

Kimi wo Sagashiteta

Drive

Blue Light

KEY MAN

Osu!

Tenrou

Yume Hitotsu

Soundtrack (Musical Portion):

Touken Ranbu ~Bakumatsu Tenrouden~

Akaki Hana Chirimagau

Tsume to Kiba

Noraneko Nihiki

Roushi-tachi no Otakebi

Boku no Makase

Kappore ~Tenrou no Shita / Naga no Senaka~

Sora wa Shiranai ~ Erabarenu Mono

Shizumu Hoshi

Roushi (Ookami)-tachi no Houkou (Koe)

Samurai no Kokoro Kumo Yori Takaku

Asagiiro no Sakura

Shizunda Hoshi

Awase Kagami

Yoru no Umi Hoshi Sayuru

Roushi (Ookami)-tachi no Houkou (Koe) Reprise

Hitohira no Kaze

Soundtrack (Live Portion):

Scarlet Lips

Dreamless Dreamer

Kimi wo Sagashiteta

Drive

Blue Light

KEY MAN

Osu!

Tenrou

Yume Hitotsu

NOTE: The soundtrack version of the songs is a live recording of the performance.

PRE-ORDER INFORMATION

Pre-order Bonuses

First Press Limited Edition A: Clear File A

First Press Limited Edition B: Clear File B

Regular Edition: Clear File C

Pre-order Period: Now to 23.59 (Japan time) on April 19, 2021

To pre-order the album, please refer to the links below.

Musical Touken Ranbu Official Online Store

First Press Limited Edition A: HERE

First Press Limited Edition B: HERE

Regular Edition: HERE

DMM.com Official Online Store

First Press Limited Edition A: HERE

First Press Limited Edition B: HERE

Regular Edition: HERE

Silkroad Store

First Press Limited Edition A: HERE

First Press Limited Edition B: HERE

Regular Edition: HERE

NOTE: For more information about the proxy services available in Japan, please refer to this link: HERE

Source: ( x )

[completeoveranalysis]

TRC Translation notes Volume 18 (Chapters 133 - 140)

Even more incredible translation notes from the wonderful @giniroangou? I got you covered!

Highlights include: acid punk chapter cover mysteries finally solved, soul/body separation foreshadowing, oaths!, Lantis and co. actually becoming competent, character motivations making sense, intentional ambiguities, fun chess vibes, and Sakura’s heart breaking in slow motion.

Chapter 133

Cover page - Per the art book commentary, the panels in this picture were intended to be things the characters either threw away or decided they no longer want.

p.8 - The word “kokoro” comes back here, this time translated as “mind.” The description of Sakura’s body as a “vessel” is from the original text. There’s definitely been a theme of the mind/heart/soul being a separate (though not necessarily unconnected) entity from the body running through both the plotline and the language the characters use.

p.10 - As in previous scenes, the original text preserves the distinction between the two Syaorans by only placing Lava Lamp’s name in quotation marks.

p.14-15 - There were no exclamation points in these lines originally, which I feel implies more of a defeated tone.

p.19 - Yuuko’s line here isn’t necessarily about creation, though it could be interpreted that way. In the original text it’s, “For the sake of two futures.”

p.20 - Yuuko says that it is both the price Lava Lamp and the others paid, as well as their hearts (“kokoro” again) that will ensure Watanuki doesn’t vanish.

p.24 - The wording in the translation was a little confusing, but I think the concept got across. Just in case, Yuuko explains here that worlds are able to endure precisely because everything maintains a balance. If a world loses that balance, it will fall apart.

Chapter 134

p.35 - Sakura’s lines have been mistranslated here. She’s asking if Fai is hiding what he really wants to do because she said she was going to go. Essentially she’s worried that Fai is prioritizing her desires over his own, that he would have made a different choice without her influence.

p.36 - The original nuance is a little different in a couple of Fai’s lines. He says to Sakura, “I’m a wizard who can’t even heal your wounds, but will you allow me to stay with you?” As a side note: the English “wizard” is the actual word Fai uses to refer to himself - it’s written in katakana as the reading above the kanji for “majutsushi”/“mage.” (I feel like this has come up before, but… it’s been a while.)

p.37 - Just to clarify how this line appears in Japanese, “My only Princess” is written in kanji in a much more formal manner than Fai would normally use (我が唯一の姫君) with the reading above in katakana as “Vi la princia” (ヴイ・ラ・プリンシア). Additionally, the entire phrase is in quotation marks, enhancing the impression that it is an established oath of some sort.

p.38 - Kurogane could be referring to one thing or to multiple things that have changed - the word in Japanese is non-specific.

p.39 - I’m not sure why there’s a “But” in front of Kurogane’s line in this translation, since this follows directly off of his line from the previous page. It should be more along the lines of, “I guess it’s okay to make more than one promise.”

Chapter 135

p.51 - Sakura’s thank you feels super extreme in the official translation, but originally all she said here was, “Thank you.”

p.53 - The promise Fuuma mentions is presented in contrast/in addition to the jobs he does for Yuuko - after describing his payment process to her he says, “Well, I made another promise too, though.”

I interpreted Fuuma’s last line here not as a reference to the needs of the group, but to the fact that they’re probably going to have a hard time getting Sakura’s feather back from Seishirou.

p.62 - Yuuko says she’s going to purify the egg before she passes it on.

p.65 - Yuuko isn’t talking about a single unchanging feeling here, but saying that people’s true feelings cannot be changed.

Chapter 136

p.74-76 - Fun fact: The “READY…. GO!!” on these pages was originally written in English.

p.79 - Eagle remarks that BOTH Sakura and her pieces are incredible. The word for piece is written with the kanji used for shougi and chess pieces and the like (駒) but the reading is given in katakana as the English word “piece” (ピース).

p.81 - The point Geo’s making here should be that all three “pieces” DON’T seem to be amateurs.

p.82 - After pointing out Fai’s defensive technique, I’m fairly certain Lantis is saying that it seems unlikely Fai has always fought in that style.

P.84 - Lantis doesn’t describe them as “useful,” but as “masters” (of fighting).

Chapter 137

p.97 - The translation covers this up a bit, but Fai’s first line here is expositional - he’s just saying that they know there’s a feather in this world, not really asking about it. He is also still referring to Syaoran as “Syaoran-kun,” they just missed the honorific in the English version.

p.110 - I just want to drop another quick reminder here about Lava Lamp’s speech style, because the translation doesn’t do it justice at all. What’s been translated as “You too. Please get some sleep yourself,” was not actually a polite request. Lava Lamp refers to Kurogane directly as “you” (“anata”) and ends his sentence in a casual imperative (“yasundekure”). Despite the father/son vibe in the preceding scene, he speaks to Kurogane as an equal.

p.111 - Once again, there are quotation marks around Kurogane’s name when Fai says it, so it’s even more in-your-face in the Japanese version than the italics of the official translation.

Chapter 138

p.115 - Fai’s line is a bit less clear-cut in the original text. This is another case where there are no pronouns used, so from the line itself you can’t tell whether he’s speaking for himself alone or not and you also can’t tell whether he’s vowing to keep the whole group from getting hurt vs, say, just Sakura. However you choose to take this line is up to the context of the scene and how you view Fai as a character in this moment.

p.116 - Clow doesn’t ask if Sakura is looking at the ruins - she offers that information herself.

p.117 - Sakura’s description of the ruins is a little different in her original line - she says that there may be precious items from the country’s past buried there. (The word she uses for what might be buried is “mono,” which could be either singular or plural, but plural seems the most logical in this situation.)

p.118 - The word that’s been translated as “that special someone” is “daisuki na hito” in Japanese, which can mean, “The person you love,” but also alternatively, “Someone you love.” It doesn’t necessarily imply a romantic partner.

p.121 - A couple little tweaks here: The word “eye” has quotation marks around it in the original text. It could potentially be plural or singular, but given the context and the quotes singular seems more appropriate. Clow doesn’t specifically say anything about a message, just an inability to reach (so this could refer to a message, but also to feelings, to someone reaching out for something, etc.) He speaks only of a desire to protect, rather than a need or the actual act occurring: “But even so, you want to protect (insert missing pronoun here).” Basically, Japanese is the ideal language for a scene like this, because its ambiguity gives many of these lines a versatility they don’t have in English and allows them to apply to multiple situations at once, as you discussed in your liveblog.

p.123 - Again, the implication that protection is an obligation wasn’t in the original text. Lava Lamp is stating what it is he’d decided: To protect no matter what.

p.124 - Another punctuation tonal shift here: instead of “Sakura!” this was originally “.... Sakura.”

p.127 - Fai’s original line is a bit less flippant than the translated version, just, “Those look like they’d be painful if you hit them.”

Chapter 139

p.141 - “Becoming lost” is one way to translate this line, but it might be more natural to say that Sakura is hesitating or wavering.

Chapter 140

p.161 - Just for fun: the original text on this page is kind of wild aesthetically. “Checkmate” is written in katakana, what’s been translated as “black team” is just the word “black” written in kanji with katakana above it giving the reading as “black” in English, and then “WIN!” entirely in English.

p.162 - Fai’s lines on this page are spoken with more certainty - he’s not supposing, just stating facts. He describes Lava Lamp’s experiences as, “He’s lived through the same days as Syaoran-kun.”

p.169 - Significantly (maybe?) there shouldn’t be any quotation marks when Mokona says “Syaoran” here. It feels less alienating this way.

p.170 - Kurogane actually asks if Mokona is planning to drink the whole thing, bottle and all. I-is she trying to send it to Yuuko?

p.171 - Sakura’s line here isn’t, “I know!” but “.... I know.” (Once again, I’m not mentioning nearly all of these punctuation differences, but when they seem to drastically change the tone I can’t help pointing them out.)

p.172 - A couple of Sakura’s lines were changed in the translation. She originally says that even if Lava Lamp served as Syaoran’s basis, she knows that “just like those we’ve met in various worlds up until now, his appearance is the same but he’s a different person.”

p.173-174 - Since this was apparently confusing (and partially mistranslated) Sakura says here that each time she sees similarities between Lava Lamp and Syaoran (and there are many) she can’t handle it. Each time she notices these things she can’t help lamenting that the person in front of her isn’t her Syaoran.

[gotojobin]

#SOULCALIBURVI #SOULCALIBUR6 #SOULCALIBUR #ソウルカリビルVI #ソウルキャリバー6 #ソウルキャリバー #Taki #Bandai #BandaiNamco #バンダイナムコ #バンダイ#gotojobin I cannot ignore your evil deeds.Taki Taki (タキ, also written as 多喜) is a character in the Soul series of fighting games, making her debut in the first game of the series, Soul Edge. She appeared in all the following games with the exception of Soulcalibur V, in which she was replaced by her student Natsu. What lies in her soul is Honor. She is known as the Hunter of Darkness (闇の狩人 Yami no Garibito) in Soul Blade. The Partial Shadow of Demon Sealing (封魔の朧影 Fuuma no Oborokage) in Soulcalibur. The Sealed Sword of Godspeed (神速の封刃 Shinsoku no Fuujin) in Soulcalibur III, Soulcalibur IV, and Soulcalibur: Broken Destiny. In Soulcalibur: Lost Swords, she is referred to as She Who Seals Off Evil (魔を封ずる者 Ma o Fuuzuru Mono).

[prevalentementeanime-blog]

30 giorno di Anime e Manga - Giorno 19 - Una serie che all’inizio non ti piaceva, ma che poi hai apprezzato

[rz-jocelyn]

[NEWS UPDATE] Musical Touken Ranbu: The Designs of the Bonus Clear Files for the "Musical Touken Ranbu ~Bakumatsu Tenrouden~ 2020" Albums have been Revealed

CAST

Sato Ryuji as Kashuu Kiyomitsu

Torigoe Yuki as Yamatonokami Yasusada

Arisawa Shoutarou as Izuminokami Kanesada

Sakamoto Shougo as Horikawa Kunihiro

Takahashi Kensuke as Hachisuka Kotetsu

Imari Yu as Nagasone Kotetsu

Koyanagi Shin as Kondou Isami

Takagi Tomoyuki as Hijikata Toshizou

Sadamoto Fuuma as Okita Souji

ALBUM CONTENTS AND BONUS CLEAR FILE DESIGNS

NOTE: The bonus clear files are only available as pre-order bonuses. 

Release Date: June 30, 2021

First Press Limited Edition A

26 songs (2 CDs) + Soundtrack for the musical portion (1 CD)

4,180 yen (tax included)

First Press Limited Edition B

26 songs (2 CDs) + Soundtrack for the live portion (1 CD)

4,180 yen (tax included)

Regular Edition

26 songs (2 CDs)

3,300 yen (tax included)

ALBUM TRACK LIST

Disc 1:

Touken Ranbu ~Bakumatsu Tenrouden~

Akaki Hana Chirimagau

Tsume to Kiba

Noraneko Nihiki

Roushi-tachi no Otakebi

Boku no Makase

Kappore ~Tenrou no Shita / Naga no Senaka~

Sora wa Shiranai ~ Erabarenu Mono

Shizumu Hoshi

Roushi (Ookami)-tachi no Houkou (Koe)

Samurai no Kokoro Kumo Yori Takaku

Asagiiro no Sakura

Shizunda Hoshi

Awase Kagami

Yoru no Umi Hoshi Sayuru

Roushi (Ookami)-tachi no Houkou (Koe) Reprise

Hitohira no Kaze

Disc 2:

Scarlet Lips

Dreamless Dreamer

Kimi wo Sagashiteta

Drive

Blue Light

KEY MAN

Osu!

Tenrou

Yume Hitotsu

Soundtrack (Musical Portion):

Touken Ranbu ~Bakumatsu Tenrouden~

Akaki Hana Chirimagau

Tsume to Kiba

Noraneko Nihiki

Roushi-tachi no Otakebi

Boku no Makase

Kappore ~Tenrou no Shita / Naga no Senaka~

Sora wa Shiranai ~ Erabarenu Mono

Shizumu Hoshi

Roushi (Ookami)-tachi no Houkou (Koe)

Samurai no Kokoro Kumo Yori Takaku

Asagiiro no Sakura

Shizunda Hoshi

Awase Kagami

Yoru no Umi Hoshi Sayuru

Roushi (Ookami)-tachi no Houkou (Koe) Reprise

Hitohira no Kaze

Soundtrack (Live Portion):

Scarlet Lips

Dreamless Dreamer

Kimi wo Sagashiteta

Drive

Blue Light

KEY MAN

Osu!

Tenrou

Yume Hitotsu

NOTE: The soundtrack version of the songs is a live recording of the performance.

PRE-ORDER INFORMATION

Pre-order Deadline: 23.59 (Japan time) on April 19, 2021 (today)

To pre-order the album, please refer to the links below.

Musical Touken Ranbu Official Online Store

First Press Limited Edition A: HERE

First Press Limited Edition B: HERE

Regular Edition: HERE

DMM.com Official Online Store

First Press Limited Edition A: HERE

First Press Limited Edition B: HERE

Regular Edition: HERE

Silkroad Store

First Press Limited Edition A: HERE

First Press Limited Edition B: HERE

Regular Edition: HERE

NOTE: For more information about the proxy services available in Japan, please refer to this link: HERE

Source: ( x )

[prevalentementeanime-blog]

X 1999 delle CLAMP