You mentioned the deal w seeds in the plane au — what IS the deal w seeds in this au, if you don’t mind me asking?? 👀
bwah okay its not that much different from canon. they were still a deep space colonization fleet but in this au their mission was technically a success
seeds established an research outpost on no mans land to study the planet and test it for potential permanent habitation in the future. basically the fall doesnt happen. or at least not when and how it does in canon
vash and nai were born when seeds began constructing proper long term facilities on the surface
2 years later the research facilities have turned into small cities, terraforming projects kicked into gear and a decent human population was slowly being woken up from cold sleep. the colonization mission for this fleet was deemed a success
the twins were part of a project testing independent plant capabilities and the utility potential of reality bending (the ability to both power and control machines and expanding the storage capacity of small fast aircraft for transportation efficiency), later named project gemini in their honor. during that time the jets g-01 and g-02 and their prototype engines were constructed
at some point nai found detailed info on the project and noticed the discrepancy in their unit numbers, their engines being numbered 02 and 03 in the blueprints. more digging led to the discovery of tesla and her fate as an integrated part of the fleets onboard ai, knives went mad and began plotting the downfall of humanity. over a few weeks he secretly gained control over the local aircraft fleet and one of the production lines and launched an assault on the main ships in orbit
the one man war against seeds (and poor vash, who was caught in the crossfire, not wanting to fight either of them and trying to stop them from fighting each other) lasts a few decades and only ceases when nai shoots his brother out of the sky by accident
by then little was left of the original seeds project, losing the battle in the end. the sky and desert are a graveyard of ships and aircraft a century later. most of humanity doesnt remember the project or know what happened. a majority of the population abandoned seeds and fled the facilities to establish their own settlements during the war
and thats the deal with seeds! i think? did it explain anything? i got so caught up in writing this that i wrote down some of the early plot dhgfjhdfg
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Once again, the latest update from @somerandomdudelmao has left me fully in my feelings, and so I come to you with ~900 words of emotion.
(This one is a rough one: content warnings for death, sibling death, self-sacrifice, and just general despair. Y'all have read the update. You know what we're doing here.)
~~~~~~~
It's supposed to be over.
Master Michelangelo-
(No, no, he's never thought of himself that way. No matter how many times he's been called Master Michelangelo, in his own head he's still just Mikey.)
-Mikey has given everything. He'd opened the portal, watched his own mystic energy - grown larger and stronger with each battle even as it consumed his youth and his very life as its fuel - tear through his arms, cracks traveling up his body until the force of it shattered his form, consuming everything that kept him bound to the physical plane in order to form one last-ditch attempt at setting things right.
He'd managed a wink and a smile, and then he'd died.
And yet he's still here. Why-
The promise. The caveat to the plan. Leo.
Leo had refused to leave him alone at the end, and Mikey will be damned before he refuses to return the favor.
Not that there'll be anything left to damn. The family's Ninpo is what connected them to the Hamato afterlife, and Mikey's is shattered, expended to give Casey a better chance at life. At this point, he's held together with the metaphysical equivalent of duct tape and spite - Donnie's favorite building materials when supplies ran short.
(Donnie's gone. Mikey failed him - failed to catch the infection, failed to cure it, failed to find his spirit amongst the Hamato ancestors. The Krang had obliterated him, and Mikey had failed to help until it was too late.)
(He can't find Raph among the ancestors, either. One more big brother failed.)
(He knows there won't be much left of Leo - not after Leo spent so long being Mikey's living shield, letting the Krang tear into his Ninpo time and time again in order to keep Mikey's intact - but he won't fail Leo. He can't. He can't.)
He's still here, for now, and that has to be good enough. He levitates, surveying a battlefield gone cold in the wake of an overwhelming Krang victory, and goes in search of his last remaining brother.
Leo's corpse isn't far - Mikey spots it near where the portal had been, face down in rock that had been blasted smooth and clean. Krang laser. There's no surviving those.
His gaze flickers upwards across the horizon, and he sees something glow near the corpse, a white outline coming into being before the color follows after, taking a familiar shape. It's-
It's Casey-
It's Casey, but he looks different. Better. His clothes are intact and clean - brand new, from the looks of it. His hair is washed and fluffy. His face and arms have filled out and his shoulders broadened, like he'd been getting good food and enough of it. He doesn't look like the Casey Mikey had made a portal for minutes ago; he looks like how they'd all wanted Casey to look, like he's finally getting what they would have killed to have been able to provide for him. He looks like a dream.
And that's how Mikey knows it's a lie.
It's the Krang. The Krang have done something, made one final twist of the knife that's been stuck in Leo's heart since the night they lost the Key - for all Mikey knows, they're going to use it to desecrate his brother's body, and he is not letting that happen. He zooms closer to Leo's corpse-
"We did it, Mikey, we got him out-"
-and feels the world tilt.
That's not Leo's corpse, because Leo's not dead. He's clinging to life, muttering nonstop in a voice barely above a whisper - he's not long for this world, but he's still here-
The lie cries out in Casey's voice and makes for his brother-
And Mikey lashes out, magic coming to his hands as easily as it ever did. It's not enough to incinerate the lie - the thing is too smart, too quick, and pulls back with only an injury to its arm. That's enough of an opening for Mikey to land in front of Leo, snarling at the lie wearing his nephew's face. "Don't. Touch. Him!" That's his brother. That's his brother. That's the only brother he has left, and he won't have him for long, but that doesn't mean the Krang can take him! "Whatever Krang trick you are-"
Spite, while fun, is no substitute for engineering. Donnie had told him that once.
The spite - and whatever else is holding him together at this point - gives out, the collapse manifesting as pain, and Mikey folds in on himself with a groan. He can fight - he will fight - but if the lie forces combat, then fighting will be the last thing he'll ever do, and Leo will die alone.
He can't. He just…he can't.
He drops to his knees, laying a spectral hand on Leo's head. Leo doesn't react - his Ninpo is shattered to begin with, and Mikey wouldn't be surprised if death's door has robbed Leo of his senses as it is - and just keeps talking.
"We got Casey through the portal, he'll be okay, he'll get to grow up without all of this, we did it, we- we- we did it, Mikey-"
Mikey kneels there, one hand on his inert brother's head as Leo's life slowly sputters out. Eventually he'll die, and what fragments are left of his spirit will disintegrate, too shattered by years of warfare to persist after death, and Mikey will let himself fade along with them. Together until the rapidly approaching end, like they'd promised.
He kneels, and waits for oblivion to come.
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I had a thought in October about what if, in the TUE episode, Danny returning to his time was more complicated than just finding Vlad.
I made a gif out of a little sketch story thing I've made based on that thought (it's part one, out of... two? three? I haven't finished it yet so I'm not sure. But I thought this was a good place to stop for the gif.)
The story starts during the episode, right after the older Vlad removes the fused time medallion. The basic thought is that Danny doesn't make it to Vlad soon enough (plus I have some fun with an idea that the medallions have different models).
(The only way I know to start the gif over is to refresh the page. Oh, but first try clicking on the gif.)
Under the cut are the still pictures, as well as a written version. (...I 've spent too much time on this.)
Here's the still pictures.
And here's a written form. (...I'm not good at only giving the words with basic description. It was nearly unreadable that way. So I tried storyifying it. Just a little bit. It includes actions that are implied in the images but not specifically shown.)
---
Within Vlad's cave, in the future, Danny Phantom asks, "It didn’t work?"
Several feet away from him, the older Vlad stares down at the time medallion—still in the palm of the gauntlet he'd used to pull it out of Danny.
The medallion has a central piece with an entwined letter 'C' and 'W'. Above this, in fine print, are the words 'Back' and 'Forward', with corresponding arrows pointing counterclockwise and clockwise. And, below the C/W logo, are the words '10yr model'.
"…Perhaps something had happened…" Vlad says, "causing you to no longer be recognized by your time."
"But Sam and Tucker made it back just fine!" Danny says in confusion.
However, Danny doesn't give Vlad time to come up with any theories. "My future self is in the past, trying to force this future to happen. I need to get back to my time before it’s too late."
Vlad gives Danny a pitying look. "My boy, it may already be too late."
"No. I can’t accept that." Danny walks over to Vlad, raising one hand, palm up. "Here, let me see the medallion." Vlad drops the medallion into Danny's awaiting palm.
Danny looks at the back side of the medallion, saying, "If he was able to use one to go to my time, then I can, too."
The back of the medallion is undesigned smooth metal, but it's engraved with instructions. It reads, "Time anchor and travel device combination. Single use. Up to ten years forward or back. Simply remove to return to own time." And, beneath that, "Please recycle."
Danny puts the medallion around his neck and twists the front face counterclockwise, saying to himself, "I better turn it as far as it will go."
Before he even lets go of the medallion's face, a swirling bubble encompasses him, and then the bubble fades away.
Danny turns to look at the scenery. He's still in the cave—he sees the same cave formations—but, while there used to be a large, desk-like computer console and some lab equipment, now there's only a blank cave wall, and no sign of Vlad. "I guess it worked," he says. Then he flies through the cave.
A while later, after flying all the way to Amity Park, Danny hovers in the air, over the place the Nasty Burger used to be. Now there is only a large scorchmark, and a bewildered-looking version of Danny Fenton sitting in the middle of it.
"Oh no, I didn’t get here in time."
Danny has gone exactly ten years into the past, along the timeline he had started from. (In the corresponding sketch, this information is given by a narration rectangle that reads, "Exactly 10 yrs earlier in original timeline." ...Although that's not exactly true because it was exactly ten years when he first appeared in the cave, and it took time to get from Wisconsin to Amity Park. But the point is that Danny hadn't traveled far enough back in time to reach the intersection of the two timelines.)
Danny flies away, saying, "There must be a way to go farther back!"
The version of Danny Fenton left sitting on the scorched ground thinks, "Maybe I should move in with Vlad."
Some time later, Danny is flying through the Ghost Zone.
"I have no idea what the outside of Clockwork’s lair looks like. I’ll just need to trust I’ll know it when I see it."
Around him are floating doors and swirling patterns, as well as some kind of gear-themed castle that Danny has already passed (it's Clockwork's lair).
Danny turns his head. He doesn't notice the Fenton Boomerang approaching from the other side.
The Boomerang hits him in the back of the head.
"Ow!" Danny grabs the Boomerang and rubs his head. He scolds it like a disobedient pet, saying, "I look away for one second."
"Look," Danny orders, and uses his other hand to reach into his pocket, pulling out Jazz's note and unfolding it with a jerk of his wrist, "I already have one."
He throws the Boomerang. "Go find past me—or the me in the future? Whatever."
The note slips out of his hand.
"No!" He spins around, reaching for it.
"What are you doing way out here, Baby Pop?"
Danny pauses on hearing the voice.
He turns toward the voice and sees a maliciously grinning Ember McClain. "Ember? I don’t have time for this!"
"Well, you better make time. How about some killer volume?" Ember strums her guitar, and a spiral of energy shoots toward Danny.
"I seriously don’t have time! But you want volume? Fine! How’s thiiis?!" He transitions into his Ghostly Wail.
The Wail overpowers Ember's attack and blasts her through the air. She's pushed onto a chunk of floating ground.
The Wail ends, and Ember looks up in surprise and fear. There's a thin stream of ectoplasm leaking from the corner of her mouth. She puts a hand to her mouth and pulls it back to see ectoplasm on her palm.
Then she glares up at Danny. She coughs, and hoarsely says, "I won’t forget this."
Danny's just as horrified as she was. Wide-eyed, he subconsciously leans back, but also reaches a hand toward her in concern. "Wait, I didn’t mean to…"
But then he drops his hand and looks away, his expression hardening. "Never mind. Once I return to the right time, this will never have happened."
Assuming Jazz's note is a lost cause by now, he flies off, leaving Ember on the chunk of rock.
An unknown time later, Danny is in the Ghost Zone, hovering in place. He now has Jazz's headband tied to his belt, and he reaches a hand toward it, and rubs the material between his fingers. He says, "Jazz… Everyone… I’ll find my way back to you."
The camera moves upward until Danny's shoulder and half of his head is visible. His hair is a little longer now, and the shoulder part of his outfit is different. He continues, "No matter how long it takes."
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i think about the droid/automaton temple guardians a lot. like--
they aren't alive, but they aren't not alive, either. they have varying degrees of sentience. they remember the jedi, some of them outlive the purge, knowing the jedi are gone save for whatever knowledge they've squirreled away in their memory banks.
cator, the droid guarding the jedi temple archives with jocasta nu, had a personality. he was serious about protecting and sheltering the jedi's knowledge and their history, so dedicated that he stood up to darth vader in an attempt to keep the list of force-sensitive children safe. sure, it was in his protocol to guard the archives, but he didn't have to care, or love it, or want to do this; we see many droids across star wars who do not give a single shit about their programmed duties, while still executing them.
but cator works hard, diligently and carefully, because cator loved his work, and he loved the jedi.
T0-B1 loved his jedi master so much! and his master loved him so much that he powered T0-B1 with the kyber crystal from his lightsaber! of course jedi wants to be a jedi. of course he wants to fight and protect and preserve life, not because he was programmed for it, because he wasn't, but because he wants to honor the man who gave his life to save him -- him, a "meaningless droid"!
then there are the tomb guardians on zeffo.
thousands upon thousands of years they've stood guard over the secrets of their creators, a species so powerful and gifted with the force that they were their own undoing. do the guardians know they're guarding tombs, or do they believe their masters will return some day from the other side of the veil, and the guardians will be there, waiting, stalwart sentinels ready to welcome them home? if they do know, did they mourn? could they have walked away from their posts but instead chose to stay, to keep the zeffo graves from being desecrated, because they'd rather the world forget their masters than allow them to suffer indignity?
did the guardians love the zeffo? surely they must have, without question.
the real question is: did the zeffo who whispered metal ore from the stone and gave them shape, gave them sentience, gave them purpose, love them back? they must have, in the way we all love the work of our hands.
but perhaps the most pressing question is:
long after their circuitry should have degraded, their power cores cracked and dripped empty, their shiny metal carapaces rusted off like so much disease -- what could it be that keeps these machines moving but their love for those who no longer exist anywhere but their memory?
how could you not love and be loved by something that made you, purposefully, in its image?????????
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