#furries are my people community and main audience

[canisalbus]

I saw your posts from the dogs tag. I'm not a furry but I started following you cause there's something special about your art and your characters, they drew me right in. Don't feel bad about accurate tags, people are responsible for curating their own dashboards :)

That's very kind of you to say, thank you!

[godbirdart]

You don’t have to answer this question as it’s probably dumb to ask…but do you know what platform(s) would be a good starting point? Particularly for original content rather then fanart? I heard deviantart is a good place where alot of ppl got there start on but there’s lots of art thrives and such.

don't even worry, it's not dumb at all! it's hard to gauge where to Begin in the vast hellscape that is the online world. i do get this question [and some adjacent questions] often so please allow me to use your ask as an excuse to post a few of my site rankings for various art things!!

for reference, these are the sites I'll be addressing because i have used them at some point within the last year. please note: my information on Cohost and Itaku specifically may be out of date as I haven't used them in a long while. naturally, this is all solely my perspective. i run both a furry/original content account and an anime/fanart account on most of these sites and run them reasonably independently from one another. these rankings are based on how well each account fares on each site.

I will be talking about Patreon and Ko-Fi as if people will only be posting paywalled content there. you Can publicly post on both sites, but for the sake of this post i'm only going to treat them as paywalled sites since well, that's kind of their purpose.

POSTING ART IN GENERAL

the A-tier list sites here are the ones that are most practical, with a decent member presence and little to no algorithms impairing your reach. the only sites here with any sort of algorithm are tumblr and deviantart, but i feel they don't ruin your reach that much.

B-tier list is mostly centered around popularity. there are massive audiences on both masto and twitter. twitter can be really good if you're posting certain content. mastodon has countless instances [read: servers / subdomains, however you want to call them] that can help narrow down an audience and like-minded people. for example, i use mastodon.art whereas many furries may use meow.social. you Can be discovered by people on other servers than yours.

C-tier has been sorted in accordance to audience. this is solely in my experience, but not a lot of new people are flocking to cohost and itaku. we also just hate facebook in this house and i will never give a facebook products a high rating.

F-tier: if you are a new or growing artist, putting your art behind a paywall or making it a chat platform exclusive thing can really hinder your growth. you can still do this of course, but you won't get as many eyes on your work as you would on a public gallery. threads is there solely due to privacy issues that Cannot be overlooked. i will not recommend it.

POSTING ORIGINAL CONTENT / CHARACTERS / NON-FANWORKS

here's how i'd grade these sites for posting Original content, characters, stories, etc. your best sites will likely be furaffinity, deviantart, and tumblr. i've put these three here for their tag use, discoverability, and audience presence. tumblr can be a little glitchy with its tags, but they DO function.

A-tier is entirely centered around audience presence. these sites are great for showing off your work, but they don't have the same population as the S-tier. mastodon can be good as the quieter instances give you more discoverability. bluesky has been THRIVING when it comes to the furry community as of late [i'm personally on there daily] - the only reason i don't put it as S-tier is because it's invite-only AND you need to rely on your work being found through the Feeds feature if you aren't an already established artist.

B-tier: useful, but population may hinder your growth. toyhouse is GREAT for posting your original characters and stories, but it is invite-only and not necessarily gallery-focused [it can be USED for a gallery, but it's not the main purpose]. you can also post stories and lore to toyhouse. discord and telegram are Good, but again it can be hard to gain an audience through sites that require invites.

C-tier: it is DIFFICULT to grow on paywalled sites with original content. cohost [to my knowledge] has been stagnating with the release of bluesky.

F-tier: threads sucks, the end.

POSTING FANWORK, FANFIC, FANDOM CONTENT IN GENERAL

S-tier here is sorted because of audience presence. while twitter does suck, i'm finding a LOT of success there with fanart. tumblr is The fandom site of course. furaffinity is great for a surprising range of fanart that isn't exclusive to furry, and deviantart's Groups feature is still going strong which can give you that extra exposure.

A-tier is: fans Go here, but the population or algorithm can make things tricky. instagram is good for fanwork but the algorithm and the speed that things are posted there can make discoverability an uphill battle. patreon; if you make comics or art with fan characters [especially 18+ content lmao] you can grow pretty rapidly there. patreon, like any other paywalled site, should be a secondary site and not your Primary posting location. artfol and pillowfort are still growing. pillowfort has a Communities feature - sort of like deviantart groups - that you can submit your art to which gives you that extra exposure. artfol is just a nice gallery site and the tagging system is,, decent enough. a little confusing because the tag system looks up keywords in posts and titles First, you have to tab over to hashtag searching specifically.

B-tier: invite only and audience reach. again, bluesky relies on your art to be picked up in Feeds, as there's currently no tag search. inkblot is growing but has a decent audience. ko-fi isn't as known as patreon for exclusive content but it's still a good site. mastodon has tagging that makes discoverability easier, but mastodon and its many servers can make things confusing for some people. itaku's not as commonly used so it may be harder to gain new eyes there once you establish yourself.

C-tier: posting fanart to these sites Can Work. toyhouse focuses on posting and sorting original characters, so treating it as a gallery site won't get your far fast. it isn't impossible to grow as an artist there, but the site isn't intended for fanart posting. i cannot say much on cohost here. telegram and discord, again, it's harder for people to discover you out of the blue unless you mention your server / channel on another site.

F-tier: fuck threads.

lastly, to address thieves,

thieves are gonna be everywhere. i'm sorry to say, but there will always be shitty people. i recommend the following:

watermark your art. not in the corner, don't just sign in one spot, place a Huge translucent watermark over the WHOLE art. i recommend making it a colour gradient too instead of one solid colour or greyscale.

also: sign your goddamned art! put your username on there!

post a low resolution when sharing online. less than 1200px wide or tall. 72dpi. JPEG format. keep the high res privately for yourself.

add a subtle noise filter over your art. it doesn't have to be high opacity, and it'll make your art a little grainy, but it's good for fucking with AI bots and ruining any print quality potential.

i hope this offers some insight! if you have a different experience on these sites, please feel free to add your testimonial in the replies or reblogs! not every artist is going to have the same experience and growth rate.

[ask-the-troublemaking-duo]

Welcome to a blog full of TOMFOOLERY!

Step right up and come watch these two oafs fuck around for your entertainment!

You can ask them anything and mess around with them and be part of the show!

This blog is dedicated to Liana and Darrius. My main blog is @shadowwolfmemes if you want to check it out.

We just ask you to follow these simple rules from down below.

Hell to the nah:

-NEVER ask for NSFW! Does this look like Rule 34 to you?! Suggestiveness is fine, though, but please be mindful of my audience (they're full of teenagers aka minors).

-If you're a zoophile, pedophile, radqueer, proshipper, anti-furry, against the LGBTQ community, a necrophile, or a trans-autistic (pretending to have autism), I'm going to ask you to exit stage left. I won't ask twice. If you're either of these and you interact, you're getting booted to the curb (blocked). People like these will never ever EVER be welcomed in this show!

-If you're a hater of Skibidi Toilet and you're reading this, then why the hell are you here? You know it's unnecessary to interact if you hate this fandom so much, right? Go on. Shoo! Or I'll swat you away with the broom.

-If I catch you reposting my art and not crediting me, you're instantly blocked. I'd apologize, but I HATE art thieves. If you're going to post my artwork on a different platform, at least credit me. It's not that hard to do!

Hell yeah:

-Ask for fluff/angst. There's nothing wrong with that.

-Submit fanart. We LOVE fanart! (Remember, I still have the right to throw it away if it's not appropriate for this blog.)

-Gore is only fine to a certain extent, just try to keep the ask mild. Extreme gore will shown off-screen.

Other than that, welcome to The Amazing Adventures of Liana and Darrius!

[wilhelt]

Lamenting how homogenous the average group at a commander night is. Tends to be a lot of very sexist/homophobic white guys in their 20s-50s and it makes for a really uncomfortable atmosphere for people like myself who are neurodivergent and queer. Luckily, at the one local shop, I have friends who accept me for me and are very nice, but I also have to contend with guys who say shit like "stop begging you look homeless no one wants to trade with you, just admit you're too poor to buy cards" in regards to one of my friends bringing his trade binder and asking if I had mine along. Last time I checked bud, the acronym "tcg" stood for trading card game, but what do I know. 🙄

I guess I just wish there was a local place where a larger and more diverse group of people could play together irl without dealing with assholes that storm out after screaming at a teenager that beat their $2000 deck with a precon. And I definitely think a lot of that falls back on the shop owners for not making bad apples leave and giving them consequences, but I think there's also a bad stigma around the game which acts as a disincentive for more groups to join in. When there's a common assumption that mostly only nerds and neckbeards play the game, whether it is a fair assumption or not, it tends to be dismissed as worth playing for anyone falling on the outside of that group.

I know it can also be a financial barrier, so I'd also like if more people embraced just helping others build decks instead of having mentalities along the lines of "Well yeah I have 4 of those, and they're worth $25 if you buy them from TCG Player, so I'll give you a discount at just $24.50 a card if you need one." Obviously it's okay to want to make your money back, but I think there comes a point of pure greed where there's no point in hoarding cards you probably have no intentions on selling at a local shop or online in favor of trying to capitalize on scamming other people. And it sucks when people gatekeep the game with this financial obstacle. I wouldn't have gotten into it originally had my dad not been kind enough to take the time to show me the mechanics, let me test his decks, and then sit down and build one together with me. And it's a pricey one, I know, but it's cool because he got me some staples I can use across multiple decks by just proxying cards if need be. His main play group have even given me cards (like Scarab God or Farewell or Elesh Norn, Grand Cenobite) for free just to help my decks be on par with theirs! Which is awesome! His main MTG buddy even built me a deck for my birthday last year with a dinosaur tribal theme, and it's AWESOME! In turn, I got him the Warhammer Necron deck later in the year when he couldn't find it at any of the card shops he frequented. This is the sort of community we need, I feel.

Back to proxies for a second; don't even get me started on proxies in the game. You have 2 main groups of bad actors with them. Group A is the group that feels even if it's just a casual match, you can't have any proxies and you're a piece of shit for doing so and therefore not worthy of playing with them. And Group B LOVES proxying all their cards with really weird furry and/or anime porn which like. Okay that's your choice, but it definitely doesn't belong in a public all-ages commander night when it just makes the already tense atmosphere more uncomfortable. I'm bisexual, I use custom tokens with some really hot women on them because yeah I love how they look, but they're horny at best and nowhere near pornographic or misogynistic, and if someone asked I not use them, I'd oblige. (And because I'm fair I also use tokens with hot men 😌)

Sorry for all of this ranting. I love MTG, but it's definitely a game with a specific audience and I wish there was more of an effort from Wizards to appeal to more people rather than shove new sets at us every 60 seconds. (Yes I know there are queer characters in canon, but MTG is a game where you don't even need to know canonical events to play it, so that feels more like an effort to placate than an effort to incorporate more diverse identities into the game. And no racial stereotypes don't count as being culturally diverse, but that is a whole other can of worms.)

If you read all this thank you! Be nice in the comments section or be blocked. Reblogs are okay :3

[saritawolff]

Hi I guess I should make a pinned post explaining my whole deal

I have like 5 different instagram accounts to separate the different flavors of my art but I refuse to do that here cause I don’t really have a Tumblr audience as is.

First off! Furry art! I am a furry, in that I have cartoon animal characters and I draw them, write about them, and rotate them in my head. They are my blorbos and I have been drawing some of them since the mid-2000s and I’m not about to stop yet. I’d like to make a webcomic about them someday.

On the left is Ozzy, he is my favorite son and he is a bearded vulture griffin. The skinny guy with the big ears is Snitley. This is basically the poster child of what my furry art is like. It’s mostly clean, good fun.

The only nsfw stuff tends to be violence centered around my vampire fly character, The Master:

(blood warning below the cut)

That’s as nasty as it gets around here. (and it will always be tagged accordingly)

My main art account on Instagram, SaritaWolff, has a lot more and I usually post there long before I post on Tumblr. Tumblr’s just kinda my dumping ground.

The other type of art you’ll see around here is paleoart! I started hosting “Archovember” (my take on “Draw Dinovember”) a few years ago so every November tends to be dedicated to drawing dinosaurs (and other archosaurs).

I’ll draw paleoart periodically throughout the year too, but November is when it kinda explodes. I also sell my paleo designs as stickers and other products on Redbubble!

https://www.redbubble.com/people/SaritaWolff/shop

If you like my paleoart but don’t want the furry nonsense, I recommend following SaritaPaleo on Instagram, as that’s all I post there.

Lastly, I’ve recently forayed into drawing educational zoology art for my new Instagram account SaritaZoo. These tend to be what explode on Tumblr. I really love how open and willing to be educated about animals the Tumblr community is!

So if you just want to learn about real animals and don’t want fantasy animal people on your feed, I recommend following SaritaZoo on Instagram.

(As for my credentials, I have a degree in Wildlife Conservation and over 14 years of experience working with animals, and put a lot of research into my educational art. The educational stuff is sincerely meant to be educational.)

(Also on IG I have a photography account and a personal account but I gave up on posting photos to Tumblr long ago as no one interacts with them. So they’re just on Instagram for now.)

So yeah! TLDR: Those are the three major criteria of art I post here (along with various psas and other things I reblog) and they are a bit different so I don’t want people following my account for one thing and then being shocked when they see the other.

I am a person, I have multiple interests. I love throwing all those interests in one place. If you want to see them seperated, that’s what I use Instagram for! If you want to see them in better resolution, that’s what I use Tumblr for!

Thanks for stopping by!

[izzywhisker]

"Even My Tears Are Crying" Awards 2023

;_;

Yes, I'm jumping on the bandwagon and doing a huge contest/competition/tournament to find out what The People think are the best tears.

Huge thanks to @lutzlig @nonbiney-swag-competition @autismswagsummit @weirdgirlshowdown @worstcharacterpoll @homestuck-best-girl-tournament @dissociationswagcompetition @novafire-is-thinking @ultimatefnaf-favoritecompetition @nicejewishcharactershowdown @ultimaterobotblorbo and anyone else who paved the way.

Rules

CRYING The emotional impact on YOU doesn't matter. At least one character or person must be shown crying.

FALLING At least one tear must have fallen from the eye and rolled down the cheek (or left the eye and entered the air anime-style). Blobs of fluid sitting in the tear duct does not count: If the character held it together long enough to wipe away tears, then a tear didn't fall.

MEDIA Shows / Cartoons / Anime / Movies / Comics / Manga / Music videos / Album covers / Illustrations from books / School textbooks / Memes … etc.

VISUAL DEPICTIONS ONLY. In the song Kindness Of Strangers by Nick Cave & The Bad Seeds, the track contains a depiction of someone sobbing. But there is no official music video release, so this doesn't count. In the video for Ich Tuh Dir Weh by Rammstein, the singer is shown sheedding tears because of the physical stress of having punctured his cheek for the video. This counts.

Books are not allowed. …unless they have a movie/show/comic book adaption. I don't care if "the book did it better", the only text walls I want to see is everyone's love for their entries.

Tears can be for any reason. As mentioned above, if someone is odd enough to puncture a hole in his cheek for a music video, it counts. Sadness, happiness, relief, anger, jealousy, rage… Even if the character got hit and is reeling in tears from the shock.

Non-humans are included. If a character has a TV head and displays an image of crying, within the context, that is allowed. Anthro/Furry characters shedding tears is allowed. Normal animals whimpering is NOT allowed. Sorry, but there will be no entry from Koko the gorilla signing "sad, cry" when she was told her cat died. Sign language and AAC is of course allowed, but remember there must be tears. This is a tears contest, not a sadness contest.

No Runny Noses Tears of blood are allowed. Any fluid coming from the person's eye(s), whether a natural part of the bodily makeup or not.

Please only nominate each scene once. Five entries gets the scene into the contest. If you want it in, ask your friends or fandom community for help.

In the event of multiple entries per show or character "Usagi Tsukino / Izuku Midoriya / etc is a crybaby!!" "There is so, so much crying in Steven Universe!!" If there are many scenes from one show or character, I will hold preliminary polls to find out which scene will be included in the main poll.

Series of movies or huge franchises? Things like Ghibli movies can have an entry each, but huge continuities like Transformers or Pokemon will be narrowed down to one entry in preliminaries.

"Official release" only. Basically anything called "official", so behind the scenes releases from DVDs, deleted scenes, A person sobbing and thanking their fans is only valid if it's released officially. Those Markiplier videos count.

Official DVD release of the live music show where the singer cries on stage, is not the same as someone's viral video recorded from the audience. I hope that clears up the difference.

Submission Entries will be submitted to izzywhisker ask box. Write as much or as little as you wish. Pictures or videos are welcome, especially if the media is obscure. Anon is on, but I will not publish the asks unless I have permission from you (anonymous asks cannot include pictures/video as part of the post.)

Deadline is Monday 20th Feb.

Updates every few days or so until the actual voting begins. I'm totally winging it and expect to be overwhelmed with responses, but of course I can handle it. *sheds a single manly tear*

[beach-illustrations]

Hi, I'm here to ask about ArtFol again, since it's been a few months and, well, you know how tumblr is doing right now

Have you been using the site since? What's your opinion of it now? Would you recommend it as a place to jump ship to from having an art blog on here?

I have been! Artfol is nice all things considered, they have a strict anti-AI policy which is a breath of fresh air right now. That being said I'm not entirely sure what precautions they have set up to deter AI scraping in the first place.

Ultimately, yes I would consider Artfol a good art blog alternative as long as you don't mind having a smaller audience than what you'd normally get on Tumblr. This especially goes both for posting original content, or fan art (which usually gets a lot more eyes on your stuff on Tumblr fast but for Artfol, it doesn't really do much to draw attention.)

There's still some discrepancies between the web version and phone app version- specifically features like the featured gallery tab and commissions sheet for your profile are still app exclusive. A little bit ago they finally integrated the groups feature to the app and opened up group creation to all users, not just premium subscribers. Best user experience you can get if you want access to all the free features is to have the app downloaded on a phone if you can and switch between using that and the web version on a laptop. It's deeply annoying to have features split like that but Artfol hasn't been around for too long, so I'm willing to give it a free pass for now.

I will admit, Artfol hasn't really been keeping my attention recently. Part of that is due to my new job, the other part of that is that I don't have any of my old mutuals on it. A huge reason why I've stayed on Tumblr for so long is because of the other people and especially the other artists I follow and everyone is more or less scattering to the four winds, rather than all jumping to the same exact platform.

With that being said, Artfol still has a relatively active and thriving art focused community! I haven't interacted with other users too much but the few times I have, everyone has been friendly and polite. If you're worried about missing the community aspect Tumblr provides (which I personally very much was!), Artfol is pretty great in picking up that slack. Community groups have been a personal favorite! Just pick a group you feel like you fit into, join it and now you're able to shoot the shit with others in that group, as well as make posts exclusive to that group! I'm in a furry group and a clip studio paint group right now.

And, of course, Artfol's main feature of serving as a gallery for folks to post and show off their art is pretty damn good. I really like the gallery set up, the featured artwork section is fun (you can put up to three pieces you've posted in a separate section above your main gallery! so everyone sees those pieces first, regardless of when you posted them!) and the collections feature in general is a HUGE favorite of mine. Beyond using tags, you can organize your art in separate folders for both yourself and for people visiting your page to peruse!

Artfol is still relatively small, especially in comparison to Tumblr and hasn't really gotten the same level of immediate traction such as BlueSky. It seems to be doing well right now, so if you're looking for a stable platform as well to host your art, Artfol could be a good choice.

[fencesandfrogs]

@cmorgana replied to your post “Do y’all know I’m super controversial in the war...”:

@fencesandfrogs ok... And they come from what? I'm seriously scared to Google warrior cats

​okay making a new post because literally warrior cats is my big special interest. before all else i am a warrior cats fan. they call me "guy who processes all of his emotions thru war cats fic" for a reason. etc.

warriors (often called warrior cats, to prevent confusion) is a book series (well, series of series) by erin hunter. (erin hunter is a pseudonym for a writing team, often referred to as "the erins".)

the first book came out in...i want to say 2003? sometime around then, and there's like. 100 books now or something. i haven't read all of them (see: i'm mentally ill), but i've read quite a few and have pretty strong opinions.

the books features a feral cat colony (or colonies, depending on how you want to analyze it), and the first six books are a fairly classic "mundane person enters a magical world" fantasy story, if you replace "mundane person" with "normal kitten" and "magical world" with "feral cat society."

because of the series' longevity, the age range of fans is very wide. it sweeps from people who grew up with the books and are now adults, living adult lives and having adult thoughts, and people who just found the books and probably are too young to be on tumblr anyway.

i think the target audience of the books is probably like, 10 years old or so? but they're extremely gritty children's novels. a lot fans report liking them because of the grit: they feel like books that "take you seriously."

(also, a lot of furries.)

the books also have a wide roleplaying community, and community that's very open to original works set in the world of the books, or even just loosely inspired by it.

i've been reading them since i was six years old and they represent a huge amount of passion for me. they're my main special interest, i write a lot of fic about it, and many characters hold a lot of personal significance to me.

so yeah, that's warriors (in a nutshell)

[thechekhov]

Hi Chekhov! Really enjoying your white diamond au! I had a quick art question: How do you start comissions? I've been improving my drawing skills and thinking about drawing for others after having fun in artfight, but I don't know where to start? How much to charge, how to get paid, etc. Do you have any tips? Hope you're doing well! :)

Alright, since a few people have asked, I’ve decided to put together a few things about how to get started on commissions - what you need, what you should make, and how to keep things organized. 

This will get a little long, so I’ll divide it into 4 main sections:

1) Draw Art - Getting started

2) Get Commissioned - Making a commission sheet, Advertising

3) ??? - Communicating, Setting Limits, Running the Business

4) Profit - Pricing Yourself and Getting Paid

* Disclaimer: I’m an artist, so this How-To will be illustration-focused. I’m sure many of these tips can apply to ANY types of commissions, but I will be focusing on the type I know best. If you are proficient in other types of commissions for other types of art - music commissions, photography, etc - feel free to chime in and leave a comment or make your own tutorial!

1) Draw Art

I think this is probably the most obvious part, but it needs to be said:

Before you start making art for other people, you must first be comfortable making art in general.

I’m not saying your art has to be Disney-quality, or industry-level! Not at all. 

BUT! You must be comfortable creating what you sell. If you try to sell something you have little confidence in, you will stress yourself out and possibly end up losing time AND money.

Don’t shoot for the moon if you haven’t landed on it even once. Sell what you know you’re good at. Your commissions don’t HAVE to include full-body illustrations if you don’t know how to draw feet/solid stances. Limit yourself to what you can do.

Things you need to should probably have before starting commissions:

1. Access to art materials or a fully downloaded art program

DO NOT - Use a free tutorial version that will expire in a month and leave you without a way to draw! If you are having trouble finding a program, try free ones like MediBang Paint Pro. 

2. Free time to complete the amount of commissions you want to take.

DO NOT - Take on or offer commissions if you KNOW you’re going to be overwhelmed with school or personal life for the next 2+ months. Pace yourself, otherwise you’ll burn out, get stressed, and get discouraged.

3. A reliable way to communicate with your customers like a commissions-only email 

DO NOT - Use your friend/family/college email. It’s hard to keep track of things as it is, and creating new emails is easy and free. And keep it professional if you can! Not many people will reach out to dong-wiggles20434 to ask for a design. Ideally, your email should be close to your brand - however you want to brand yourself. Usernames are fine!)

DO NOT - Use Instagram/Twitter/Tumblr to collect commission info unless you are ready to do the organizing yourself. Some people make it work, but in my experience, if you use these SNS sites to communicate with friends and network... you’re going to be losing commission inquiries right and left and accidentally ignoring people. Email is much easier to organize and sort into folders.

4. A portfolio or at least 2-3 pieces of each type of art you’re planning to sell. 

DO NOT - Advertise commissions without having any examples of the art you plan to sell. People will find it difficult to trust you if you can’t even give them a vague idea of what sort of drawing they’ll be getting. 

Disclaimer: These are not hard ‘do not’s. If you have had a different experience, I respect that. I’m simplifying for the sake of streamlining this advice. 

.

2) Get Commissioned

So - you have your art, you have your art program, and you’ve got all the time in the world. That means.... that’s right! It’s time to let the world know you’re taking commissions.

One of the most common ways artists signal to their audience that they can do commissions is by creating a commissions sheet. There are MANY ways to make this - and they range from simple and doodly ones to VERY complex designs. For example, here’s mine! 

There are many ways to organize a commission sheet. At its core, a commission sheet should display the types of art you WANT to be commissioned to make. Let’s go over a few ways they can be done!

#1.... Body Portion Dividers!

This sheet is most common with those who want to capitalize on drawing people and characters. If you want to draw lots of characters, this is a great way to offer several tiers of pricing based on how much of their character your customers want to see. 

#2... Complexity Scale

If you’re open to drawing many things but want to base your pricing off of how complex something is, you can split your tiers into done-ness. This type of commission is popular with those that draw characters AND animals, furries, etc.

#3....  Style and Type

If you’re more on the design side of things, or if you have various niche art styles that you can’t quite lump together, display a variety of your skills alongside each other! It helps if all the ones you have can be organized under a common customer - like those looking to advance their own business and get logos, websites, or mascots made for them!

.

3) ???

You got your first commission... what happens now???

Well, ideally you have the time, tools and motivation to make things happen! Now all you have to do is... sit down and... draw.......

I’m going to say something that may be a little controversial: 

Commissions aren’t fun. 

No, no, hear me out: I have fun doing commissions! I genuinely enjoy drawing characters and coming up with designs. But even with all that said, commissions are, first and foremost: WORK

I’m not saying this to discourage you, I’m saying this to keep things realistic. When I first began commissions, I thought it would be just like any other type of drawing. I would sit down, imagine a thing, draw it... it would be fun! 

But then I realized that I couldn’t just draw what I wanted - another person had an idea in mind and had asked me to do it. I stressed over getting the design correct from descriptions. I stressed over not having the right reference for the pose the commissioner wanted. I stressed over not being able to draw the leg right in the way I had promised I would do. I stressed about billing. I stressed about digital money transfers. It was difficult, and time-consuming, and I did not enjoy it. At all. 

And a part of that is definitely on the commissioner - we, as artists, NEED to demand proper references or descriptions. We, as artists, NEED to limit the amount of changes we’re going to make at the flick of a finger. We NEED to demand clear instructions and set boundaries. That’s also super important. 

But also - don’t be discouraged if you find yourself exhausted drawing your first commission. MANY artists go through this. Adjust your rules, fix up your limits, practice putting your foot down on finicky commissioners who expect you to read their mind! It does get easier, but you have to communicate and put in the effort and act as your own manager AND your own customer service AND your own accountant. That’s what you’re looking at. 

Good limits and boundaries to set: 

Limit the amount of changes a person can ask to make. “I want blue hair.” Next email: “No wait, yeah, make it red.” Next email: “Actually I changed my mind, can I get the blue but like, lighter?” Next email: “No, not that light.” ... At some point, we have to stop. I personally allow 2-3 changes on the final stages of a commission before I start refusing or start asking for extra money.

Demand clear instructions and/or references. If something isn’t described, you have to take artistic liberty and design it, but that’s difficult! And if the customer is not happy with it but can’t tell you more? That’s not your problem - the burden of reference is on THEM. You cannot read their mind, and that’s not your fault.

Get at least half the payment up front! This is a good balance between the ‘pay before art’ and the ‘pay after art’ conundrum that will limit the amount of woes between artist and customer. (I’ll touch upon this a little more in the Profit section.)

Organization:

Where possible, create good habits! Tag your emails and organize your folders. I have a tag on my emails for active and finished commissions. I also keep my emails on Unread until I have time to sit down and properly look at/reply to them.

My Commissions in the folder are also organized chronologically and I mark down which ones are paid and which ones are not.

(I understand not everyone can do this, but if you want to give it a try, it does make things easier in the long run. Again, this advice is just what I have found personally helps.)

One last thing - I do not want to shame ANYONE for taking their time with commissions! Commissions are complex, and they take time and work. You can draw in 8 hours, but some things take research, materials, etc. Some illustrations realistically take up to half a year, or, depending on what’s involved, several years!!

THAT BEING SAID - it’s good manners to be upfront with your customers about how long you expect the commission to take. If you think you’re busy, just say that! Explain that you have a lot going on, and you will probably take (insert time period here).

And if your commissioners are worried, work out a system to keep them updated! I send my commissioners updates when I finish the lineart/flat colors/etc and I try to be clear about how long everything will take. I try to estimate with a +3-5 days buffer to give myself extra time... and recently I’ve been using it. Always say a bigger number than you think you’ll need. 

If someone wants a rushed commission... make them pay more. If ANYONE wants a commission done ‘by the end of the week’ - that’s an automatic rush-job for me because I’m juggling an irl job and several commissions at once. I WILL charge a rush fee and I won’t feel bad about it. 

If someone wants a commission within 24 hours...... Well, they better be paying you 3x your normal amount, or more. And remember - you CAN refuse! It’s perfectly reasonable to say ‘No, sorry, that sort of turnaround time is not realistic for me.’

Food For Thought - Invoicing

Many artists I’ve commissioned in the past have not used Invoicing, but I’ve recently begun to fill out invoices and file them in my Commissions folder just to keep track of things. It’s not necessary until you start getting into the Small Business side of Freelancing, but it’s not a bad idea to get into the habit early in case you might need to do it later for tax purposes. 

Here’s what my Invoice looks like, for example. 

I’ve optimized it to help me remember who, what, and how much is involved! It also contains important info for my customers like where to send the money.

Which brings us to...

.

4) Profit

One of the hardest things for artists is pricing themselves. I’m not going to tell you which way is BEST - there is no BEST way, only the best way for YOU. 

One of the options available to you is pricing by the hour. It includes averaging out how long it takes you to draw a specific type of art (whatever you’re offering as a commission) and multiplying that by an hourly wage you’ve decided on.

When you do this, I stress - do NOT price yourself below minimum wage if you can help it. When you first start out, aim for the $15/hour mark and adjust accordingly. 

Other ways to price your art:

- Per complexity: Portraits vs full body should be scaled based on how difficult you find one vs. the other. You can also easily decide on a price for a sketch and double it for lineart, triple it for full color, etc.

- Per type: Look up for industry prices for website design and logo design. They may surprise you! You don’t have to charge that much, but it helps to keep things in perspective. 

It’s okay to change your prices! Keep your commission sheet image handy so you can update the amounts as you grow. :)

Payment up front or after completion?

Some artist take full payment up front. Some only demand payment after they’ve finished and sent out the piece. I personally think these are both risky for everyone involved. 

I recommend doing at least HALF of the payment BEFORE you start the commission. Calculate your full price and ask for half before you start working on it in earnest, to make sure the person can actually pay you. Then, when they receive the full piece and are satisfied, they can complete the payment. 

I personally work in this structure:

> Someone emails me with their idea/reference

> I send back a rough draft sketch that shows the idea/pose (only takes me 10-20 minutes so not a huge loss if they ghost) and quote them a price

> They can pay the full thing upfront OR pay half

> I finish the commission and send updates when I do the lineart/colors to double check anything so they have multiple chances to spot any errors

> If the person paid only half on completion, I send them a low-res version of the finished thing, they finish up their payment and THEN I send them the full-res version plus any other filetypes/CYMK proofs, etc. 

Many of the people who commission me pay me up front even though I offer they pay half - and I’m really flattered that they trust me that much! Because of that, I feel encouraged to update them frequently and ask for their input as I work, so they have the peace of mind knowing I’m actually doing their commission. 

Great, but how do I get PAID????

There are NUMEROUS ways - these days money is relatively easy to transfer over digital means, and you have a few options. 

Paypal is perhaps one of the oldest digital wallets and is geared towards businesses. By setting up a PayPal and connecting it to your debit card of bank account, you can tunnel a pathway from your online business directly into your hands in a matter of days. 

Paypal also offers Invoicing - you make an invoice, price it and send it to the person’s email and they can pay whatever way they need! (It also allows partial payments.)

Pros: transfers from PayPal to bank account are free, and take a couple of business days. It also has no upper limit to the amount of money you can move in/out each month. It can force refunds due to the nature of its business-oriented payment system.

Cons: Because it’s used by businesses for larger transactions, PayPal may demand a more rigorous proof of your identity. It may also take longer to set up and be harder to get used to. I’ve also heard that they can be a hassle when it comes to closing your account. 

Venmo is another type of digital wallet that acts much like paypal, except for a few key differences - it is NOT made for businesses (so depending on whether you’re officially registered as a freelancer, you may not be able to use it). I personally don’t use venmo, so I cannot speak to its usefulness, but I know a few people that use it for casual transactions. It’s easy and quick! :) 

Keep in mind that you cannot force a refund over venmo! The transactions are final.

There’s also CashApp, GooglePay (which could load gift cards but also allows peer-to-peer transactions) and I’ve heard good things about Due, though I’ve never personally used it.

Other ways to pay: I’ve had people pay me over Patreon by upping their pledge, and I’ve had people pay me over Ko-Fi by donating a specific amount. 

Many people even use Etsy - the website specialized for independent small businesses selling art - by listing their commission sheet and offering up several ‘slots’ of commissions, which allows you to track taxes AND allows your clients to pay using whatever they feel comfortable with.

If you’re in Canada, you can even pay by emailing money directly from bank account to bank account - check whether your country offers this type of service! There’s no shortage of ways to move money in the digital world.

Just like everything else, there’s no singular ‘Best’ way. It just depends on what works for you.

I think that just about wraps it up! I can’t quite think of what else to put here - but I’m sure other artists will chime in with their own advice. :) I’m very sorry this became so long but I hope it was helpful! 

Obligatory Disclaimer: I’m not qualified to give legal or accounting counsel. Please double-check the laws in your own country/state in regards to taxation of freelancing work and do your own research. If you are underage, DEFINITELY get an adult’s permission before you start doing commissions, and have the adult help you through the process.   

. . . . . . . . . . . . 

OTHER POSTS YOU MAY FIND USEFUL:

An Extended Post on Pricing Yourself for Commissions

Dealing with Imposter Syndrome/Feeling ‘Not Good Enough’

Growing Your Audience

Advice for Starting Digital Art

[staticblitz]

Hey there!

I’m Blitz, I’m a 28 year old transmasc (xe/xem/xyrs, he/him/his or she/her) artist from Australia & Aotearoa NewZealand.

I’m 2 years into my Bachelors of Screen Arts where I plan to major in game dev & animation. My other qualification is a level 4 certificate in Digital Media & design.

I have a strong love for stylized cartoons, animation & games with science fiction, fantasy & horror themes. I also love animals & nature, looking after the environment & thinking about how to contribute to the communities I’m part of. I’ve drawn for as long as I can remember as a way to express myself & feel strongly that the creative industries is where I belong.

I aspire to be a concept artist or artistic director, character designer, 3D artist & animator with a focus on video games in particular. My main inspirations are artists & designers like Jhonen Vazquez, Charles Zimbillas, Nicholas Kole & John Romero, as well as theirs & other people’s works; Invader Zim, Crash Bandicoot, Spyro the Dragon, Fallout, The Elder Scrolls & Doom. These various sources have helped inform me of where my creative passion lies & what kind of stories I would like to create or contribute to.

My personal mission is to use my creative insight along with my own personal experiences to create media that touches on the unique & diverse stories of marginalised communities, particularly that of Queer & trans communities.

On this blog you will find my artwork consisting of art I’ve made for others, original works & fan art of series I enjoy. Lots of Furries, Crash Bandicoot & other nerdy stuff in a range of mediums from traditional drawings using paper & alcohol markers, to digital art, to 3D models & even painted Dungeons and Dragons mini figurines.

This page is intended to be safe for most audiences over 13 years, however my work may get into some sensitive subjects. There may be some violence, references to drug use & alcohol, swearing & themes surrounding mental health & social issues. These will be appropriately tagged but discretion is advised.

I will also be writing image descriptions for those who are visually impaired or rely on screen readers.

[godbirdart]

first off, i just want to say that i love your art, you are a huge inspiration to me and i love how expressive your characters are! would you have any tips for someone trying to grow a following from their art? specifically within the furry community ideally. im just not sure where to start

i hope youre having a great day!

thank you so much!!

okay i gotta preface this with: i have been doing commissions for over a decade. everything i say here i've been doing since roughly 2014, but my career as an artist didn't really Take Off and become reliable until 2019. success isn't immediate. some artists will grow faster or slower than others, not every tactic is going to apply / work for every artist; and that's okay. just keep pushing yourself and adapting and figuring out what works for You!

i’m putting this under a readmore as it got a bit long. every time someone asks me for advice on professional Anything i always write up a five page essay despite trying to bulletpoint it oof

post on multiple platforms and keep them all updated. i’m putting this one in bold because it is possibly the Most Important thing. we’re all watching twitter sinking over there, and many of my mutuals there were floundering because they hadn’t established themselves on any other social media site. i strongly recommend three or four socials minimum. my main four sites are tumblr, deviantart, twitter and toyhouse. furaffinity is also good. inkblot and artfol are new and i use them frequently as well. if you don’t like posting manually to every site each and every time you post art, Postybirb exists and is what i use to crosspost all my art to most of my socials at once.

avoid venting a lot on main. we all have frustrating days where our art isn’t getting the recognition we hoped, or we’re feeling petty about a controversial topic or the latest drama. it happens! it’s okay! however, many people just don’t like seeing dozens of negative posts on their feed. most people will sympathize, but if your negative vents are constantly clogging their dashboard they’re not gonna stick around.

shamelessly self promote yourself. reblog your own art. retweet it again. repost it. mention your other socials. we live in a world of timezones! when you post art, only a fraction of your audience is going to see it. i recommend reblogging / retweeting one to four individual pieces periodically over the course of a day and change it up each day. you can also repost your own work into photosets and title it “recent commissions” or the something like that.

don’t hide your linktrees and carrds. seriously! the amount of times on twitter i went to try and follow someone on another platform only to find they had no carrd or linktree link,, it is infuriating. put your socials link in your bio or pinned or SOMEWHERE readily at the top of your profile that’s easy to spot.

if you’re offering commissions, make a telegram channel or discord server for your announcements / openings.

post regularly. this one is a lot harder for artists that don’t make a lot of content, but posting even a status update once or twice a day can go a long way - especially if you’re on twitter with that platform’s hideous algorithm. alternatively as i said earlier, just retweet/reblog your work a few times a day and you should be good.

art trends are cool and fun and an easy way to get your work seen by others. see a “draw your sona in this outfit” meme? go, have fun with it. this one’s a bit tricky as timing is everything when it comes to ~trending~ content, so try and draw quick. that said, it’s never outdated to drawover reaction memes with your fursona.

try not to clog your socials with memes and shitposty images. this one is directed at twitter specifically. with twitter moments now gone, your media tab is the last way for people to hope to find your work organically on your profile without having to use the twitter search. they can’t get invested in your work if they can’t find it!

it’s okay to change course if you’re not vibing with where you’re headed. if you want to move onto a new aesthetic - that’s fine! you may lose some followers if they don’t click with your new vibe, but you’ll inevitably gain some new ones.

avoid frequent name changes. so many of the artists i follow have changed their brands / urls over the years that i don’t recognize them anymore.

tag your work properly. on tumblr, the first five tags on the original post are the tags your work will pop up in in the search feature. make those first five tags the Most important ones; example: #furry, #anthro, #art #fursona etc. twitter’s algo seems flip-flop if it likes tags or hates them. if you see a tag trending, repost your art in a photoset with the hashtag in the post [example: if #pokemon is trending, repost some of your pokemon fanart with the hashtag in the post body]. if the tag isn’t trending,,, i’ll be honest it’s a gamble if twitter likes your post or not at that point. i have no advice for that hell algorithm.

hosting raffles or doing a mini art request event [example: “leave a ref and i might draw your oc”] is good for traction while simultaneously giving back to the community + your audience a little!

try and reply to / like comments on your work. it’s not required per se, but it’s good to express gratitude.

engage with other members of the community. comment on other peoples work. like it. retweet it. follow other people. obviously don’t be disingenuous about it, but this is what the professionals call ~networking~

don’t compare yourself to others. this one is one you have got to keep in mind constantly. you’re going to find 17 year olds with huge followings and 30 year olds that are doing professional industry work whose level feels alien and almost out of reach. if you’re not doing as well, don’t let yourself get discouraged. we all gotta start somewhere!

related to the above point: be nice to your followers. venting on main about not having the same audience volume as others can come off as a huge middle finger to the audience you already have.

gaining a following takes time. unless you get a really lucky break, it’s going to take a lot of work and self promotion to build up your brand.

slap your name on everything. i mean it. any art you do - sign it. watermark it. people can and will share art in telegram channels and discord servers, and if the art interests someone they can easily source it back to you if your name is on it.

you can buy adspace. if you’re catering to a furry audience specifically, you can buy adspace on furaffinity pretty easily. inkblot i believe also offers adspace for artists though i haven’t looked too deep into it. this is really a “if you’re okay burning money” situation, as the huge chunkk of internet users have adblockers now and it’s a gamble if people will see or even click on your ad.

just have fun and do your own thing. you can hop on trends and draw art that caters to your audience’s tastes, but don’t forget to draw what YOU want and what YOU’RE about. Draw what makes YOU happy.

hope these help!! ;w;

[foxymoxynoona]

Never read a hybrid fic before.. im curious what is it about? Is it about animals? Half animals?? like something in "furry" community fetish?? doesnt people found it uncomfortable reading something like that?? just curious bec i don't think i can read a hybrid fic but i want to know what is it about?? 😅

Hello! I'm going to assume good intentions with your ask and answer a few questions in here. This is long so I'll put it behind the cut.

I'm not sure if you're using a very focused definition of furry community (as in, people who have personas and dress and roleplay in those personas, although your understanding of that community as being just a fetish is incorrect) or more broad (people who like art that includes human-animal chimeras, etc.) but I do want to point out that 1. these interests and communities are not always sexual (but can be!) and 2. the spectrum of things that could be considered hybrid media are ancient through modern, and very broad. Netflix has a literal hybrid show. Many cultures have hybrid figures in their religions and mythos. Werewolves are hybrids. Mermaids are hybrids. Lots of animated movies, cartoons, and even non-animated movies have hybrid chracters. You could even argue that anthropomorphism is a type of hybrid (animals who move, think, speak, sing, etc. like humans.)

So this as a whole is a very broad spectrum of media where I guess the baseline thread is just "human + animal/alien components" (as oppoosed to cyborg, which would be "human + machine/robot components.) Clearly the people who read hybrid stories don't find the concept uncomfortable because it's a type of media they choose to consume --and it's a very, very large audience consuming things along that spectrum. I'm sure others have done much better analysis and writing on this and the psychology and history behind it, but basically, this is not really a niche thing. People have been combining humans and animals since forever. I'm not saying everyone likes catboys, but that most people have probably seen the Little Mermaid. What an individual likes along that is just an individual preference. You could like the Little Mermaid or have a crush on the fox in Zootopia but not find it interesting/appealing to think of a human with bear ears or behaviors.

I'll narrow the focus to "BTS Hybrid stories" of which I have written some and read some. I don't think there are rules, or at least I don't follow them and am not an expert in them, though some common themes come up, which can lead to general reader expectations of the genre. The two main groupings you tend to see are either "have some physical animal traits on an otherwise mainly human form" or "shifters/people who can turn into an animal", but there's a whole range of what that means in practice. I've written stories where people have some phyisical characteristics of their animal, stories where they look just like normal humans but have some behavioral tendancies from their animals, and stories where people look like people but can transform into animals. I personally also tend to really enjoy writing about how society has shaped itself around the existence of hybrids or species, as a way to deconstruct and analyze our real world systems and relationships.

People's individual tastes range as with anything else. Some of my stories lean more into the animal portion of hybrids than others, so some readers might only be interested in certair iterations. I think tastes change over time too. When I wrote Sea of Indigo, I couldn't figure out how I felt about a romantic lead with dog ears, so I actually left the story vague about whether JK has dog ears or human ears or both. Now after writing these stories for two years, doesn't phase me at all to write about how comforting it is to stroke JK's soft bunny ear when you're stresed out from a bad day. 😎

Anyway, hope that lends some insight!

[igerz]

Swamp Con Spring 2022!

This was my first ever anime convention, and also my first time cosplaying. I dressed up as Nezuko (from the anime, Demon Slayer). I planned it out about a month beforehand, and bought everything. I almost backed out; but I didn’t. It took a lot of self confidence to do, and also I think I went through with it because I already spent the money for it.

I went with three of my peers; Shannon, Ginnie, and Kevin; and we all had a very fun time. The first part of the convention we went to was the artists and vendor rooms - because at that time, that’s all that was open. There were a lot of very cool “spin-off” art pieces from a variety of different anime, video games, and manga. It was very fascinating. Additionally, there was a stand for furries, where they sold tails and ears; and another stand sold horns.

I had a lot of people approach me because of my cosplay. I ended up taking pictures with other cosplayers; I also had people talk to me as if they were Zenitsu (the person in love with Nezuko) - they spoke like him; for instance, someone called out “Nezuko-chan” in the same tone Zenitsu used. It was entertaining.

We also went to the larger vendor room, where we found a variety of anime clothing, figures, handmade earrings, and a lot of items I wouldn’t normally see in stores - or items that I would see very rarely at least. I did end up splurging on some very cute tanjiro earrings, and a Ju Jutsu Kaizen hoodie, which was embroidered - I’m not mad about the price because the stores I bought from were small businesses, so the associated fees, in my opinion, were worth it.

We then proceeded to the maid cafe, where there were coloring books and brightly themed tables; they served us sweet drinks and dessert. Everyone was in character; with a certain demeanor of maid characters seen in anime. The dance performance was amazing. We were still a bit hungry for more substantial food, so we took a break and got starbucks and papa john’s.

We checked out some of the vendors, and saw more cosplayers - some from video games, and other from anime. After that, we all split up.

I ended up attending a “MetaPanel” Paneling session. I learned so much about paneling that gave me a newfound respect for panelists; it also gave me the knowledge to create my own panel if I ever wanted to. I’ll share a couple of the key points I learned!

Paneling can be broken up into four main parts: creation, submission, prep work, and presenting/performing. In creating a panel, one must consider their passions, who their audience is when running the panel, how they want the panel to be run, and make sure the reason for paneling is genuine (and not for fame or free convention passes/perks). Next, the person has to submit the panel idea - with an appropriate title, detailed & helpful description and their resume! I was surprised about this part - panelists submit panel-focused resumes to conventions & the convention managers may even contact the panelists’ past places they paneled beforehand.

Following submission comes prep work; which can be quite a lot, depending on the type of paneling the person is doing. Examples of what is needed during prep work are visual aids, specified materials, communication within the group and convention managers, and rehearsals.

The final part of it all is to present: one has to be prepared (for strange questions, needed computer chargers or equipment, and showing up early), try to become acclimated to the surroundings (comfortability), and most importantly, have fun!

At the panel, I met Nezuko’s brother in cosplay and I took a picture with him; it was nice to see someone else from the show i was cosplaying from. After, I was invited by my bestie Meir with his friends to go to the Vocaloid concert.

I did find the Vocaloid concert a very unique experience; I’ve never done anything like it before. I listened to Vocaloid music in middle school, but today was the first time I revisited the music in a while. To elaborate, Vocaloids characters are fictional idols with synthesized voices - there is a software you can use with different character voices to create music. At the concert, we saw virtual characters - like Ren, Lin, and Hatsune Miku (Vocaloid idols) perform, projected onto a mesh screen. One of Meir’s friends let us borrow his concert light wands to wave during the performance.

Afterward, I left the building & saw a Pokemon car - which was sort of a final touch for me. I had so much fun, and I think I may even want to panel next year!

SwampCon has definitely shown me a different perspective, or rather, another side of the anime/manga world I haven’t seen before; and it’s amazing how so many people are so invested in making this really cool convention happen - and I do realize how this took an extremely large amount of dedication to do.

[fishoutofcamelot]

I'd like to preface this by saying that I love your blog and all the analysis that you've done on various characters, scenes and ships. You are one of my online heroes. I'm not sure if you're still doing the ship asks, but if you are, what are your thoughts on frelin?

Dude tysm! I’m not sure ‘online hero’ is a great way to describe someone who once made a post comparing dragonlords to furries, but I’ll take the compliment nonetheless!! Your kind words have given me enough dopamine to last until my next paycheck <3

Freylin is a decent ship - conceptually. They're two kindred spirits who found solace and intimacy with each other, drawn together by their mutual sense of otherness (possessing magic). However, I think Freylin does fall into some obvious trappings of Insta-Love, Heteronormativity, and Not Giving Female Love Interests Any Discernible Personality Traits.

For some people, that's not a problem. They like watching Merlin and Freya be cute and sappy with each other, and I'll agree that it was a treat to see such a fun side of Merlin. If that's the kinda ship you like, then great! Ship away. But personally, Freylin makes me feel bad for Freya. 

Not because of the death thing - lord knows I've done far worse to beloved characters without even a hint of remorse. But I feel bad for her because of her role in the ship. As mentioned above, her main purpose in the narrative and in Merlin's life is to give him some angst, then come back later in season 3 to give him some helpful advice as a sort of Freya Ex Machina. Her personality has no depth beyond what was necessary for the story. And even in fanon interpretations of her, she's essentially just a more shy/introverted carbon-copy of Gwen. 

And, okay, as a writer I can admit that there are some characters who don't need a lot of depth. Some characters are plot devices, and that's okay. Freya only appears in like two episodes, so under normal circumstances I'd begrudge that level of shallow characterization. But the rules are different for characters who have a close emotional connection with the MC, especially love interests - even episodic dalliances like Freya! 

Take Balinor, Will, and Daegal, for example. They were all important to Merlin, and all had distinct personalities. Balinor is cantankerous and reclusive. Will is pragmatic and confrontational. Daegal is earnest and youthfully naive. And we as the audience liked them too, because they felt like actual people, even though their main purpose in the story is mainly to serve Merlin's arc. They are, fundamentally, plot devices, but they don’t feel like plot devices because of how organically they’ve been written. 

Freya is a harder sell, because she doesn't have as much of a personality with which to endear us. I'm not saying we need to know Freya's favourite colour and her fondest childhood memory, nor do we need to witness her go through a seasons-long character arc. Not every background character needs their personality painstakingly detailed, least of all background characters. If well-written main characters are chicago deep-dish pizzas, then well-written background characters are hot pockets - easy to make, easy to love, easy to remember. Characters like Gilli and Elena and the love of my life Sophia are good hot pockets. But Freya as she currently is, she's not even that. She's like if we were told there was a hot pocket in the microwave, only to open it up and find it's just a lump of half-melted cheese. 

And it's sad, because Freya had the potential to be interesting. She could've had a distinct personality that made us fall in love with her right alongside Merlin - which would have made her death even more painful for both the characters and the audience alike. But even if you don't give her a personality, at the very least let her fulfill her purpose of furthering Merlin's character arc instead of just making him sad for a few minutes. 

While I'm by no means an expert writer, here's how I would've taken a crack at having Freya’s impact on Merlin's arc. 

So Merlin sees Freya again, but she's not some helpful water spirit. She's emotional and volatile and vengeful and deeply, profoundly traumatized by the nature of her death. And maybe it's his job to finally lay her soul to rest once and for all.

She gets upset at Merlin. She cries and shouts and weeps about her death, about the pain and injustice of it. How could he continue protecting her killer? How could he befriend the man who literally murdered her? Freya didn't want to die, she didn't want to be a monster, she didn't want to be alone (cue implications that she has been trapped inside the lake all this time, maddened by isolation). She just wanted to be left in peace. To be loved. Merlin naturally defends Arthur, saying that he is destined to be a good king, destined to free magic and bring about the golden age of Albion. But she insists that destiny must be wrong, because what has Arthur done for the magic community besides perpetuate his father's company line? He killed her, killed several others like her, and even to this day he condones the oppression of their people - what makes him think a man like that could ever change, could ever set them free? And even if he does, why should any of them be expected to forgive him for his war crimes? 

She tells him that deep down, Merlin knows this. Deep down, Merlin fears Arthur just as much as the rest of them. If he truly believed in Arthur's inherent goodness, in his destiny, then Merlin would not have kept his magic hidden for so long. 

Thus sparks a seed of doubt in Merlin's mind, and scenes like Morgana's speech in Tears Of Uther Pendragon Part 2, Arthur's drive to destroy the dragon egg in Aithusa, Kara's execution in Drawing in the Dark, and the confession in Herald of a New Age would only cause that seed to grow. 

Not only is this a natural and logical progression of his character, but it would also be compelling to see Merlin's unwavering loyalty to Arthur do exactly that - waver. It grants depth to his character, empathizes us to his cause and the cause of his people, and lets us see Merlin in a unique perspective. It also puts a new light on Arthur's actions, foreshadowing an eventual moment of reckoning where Arthur will have to face the consequences of his harmful rhetoric - thereby creating a subtle layer of tension as we wait for that moment to finally arrive. And there's yet another layer of tension that arises from Merlin's repressed yet growing doubts: will he finally admit that Arthur isn't the shining saviour Kilgharrah had promised he'd be? Will he snap like Freya did? Will he and Arthur drift apart? And if they do, what will bring them back together, if such a thing is even possible? How will they make amends? How will Arthur learn from his mistakes and earn back Merlin’s trust?

I could go on and on about how this would impact the story as a whole, but I'm not here to talk about my rewrite ideas. I'm here to talk about Freylin.

At the end of the day, while it's a good ship, Freya doesn't have much personality, which affects their overall chemistry, and I don't think they have enough going on between them to be an endgame pairing. My personal opinion is that Freya has less narrative potential as a romantic partner, and more narrative potential as a supplementary background character whose closeness to Merlin combined with her own trauma forces him to develop and grow in certain ways. She's less of a Gwen (long-standing love interest), and more of a Balinor (one-off character with emotional importance), and that's perfectly fine. But because of her lack of personality and overall narrative relevance, I have a hard time believing or shipping Freylin beyond the scope of her debut episode.

Thanks for the ask! <3

[innuendostudios]

Here’s How to Radicalize a Normie, a video essay on how the Alt-Right and their fellow travelers recruit. Clocking in at 41 minutes, 6756 words, 633 individual drawings, and 27 sources (including three full books), it is by far the longest and most heavily-researched video in The Alt-Right Playbook. I am very tired.

It took so long to put this behemoth together that my Patreon started to dip. So, maybe a little more than usual, if you want to keep seeing videos like these, please consider backing me on Patreon.

Transcript below the cut.

Say, for the sake of argument, your friend Gabe is starting to worry you.

Gabe’s always been just, you know, a regular guy. Not very political. He likes video games, sci-fi, comics, Star Wars, and anime. White guy shit. The only offbeat thing about him is you suspect there’s like a 20% chance he’s a furry. For all intents and purposes, Gabe is a normie.

But recently Gabe’s been spending a lot of time on some radically conservative forums, and listening to radically conservative podcasts, and picking some radically conservative arguments with you and your friends. You never would have expected this, not from Gabe, and, given the speed it’s happened, it’s worrying to think where it might be headed.

How have the Alt-Right gotten their hooks into your friend?

If you’ve ever known a Gabe, this video is for you. Here’s How to Radicalize a Normie.

Step 1: Identify the Audience

What you need to know before we begin is: around 2013, the Nazis went online.

Hate groups in the US, as tracked by the Southern Poverty Law Center, had been growing in number since the noughts, but, between 2012 and 2014, they dropped by almost a quarter. Patriot groups dropped by over a third. However, hate crimes stayed about the same. Radical conservatism was not shrinking, but decentralizing. Still radical, still often violent, but now full of white nationalist nomads unlikely to join a formal organization.

This didn’t make them harmless. What it did was protect their asses from the typical hate group cycle: getting the public’s attention, making allies in conservative media, swelling their numbers, and then eventually disgracing themselves with failures, infighting, and, often enough, members committing horrific acts of violence, which come with social and sometimes legal consequences for all the other members.

So the Alt-Right and their fellow travelers these days don’t so much have members. They have hashtags, followers, viewers, and subscribers. This insulates them from their own audience. If Gabe, as a member of that audience, were to go out and commit a crime on their behalf, there’d be little doubt they had a hand in radicalizing him, but it’d be very hard to claim they told him to do it. On some of these sites, where Gabe spends hours and hours of his day, he’s never created an account or left a comment; the people radicalizing him don’t even know he’s there.

This distributed nature is what makes the Alt-Right, and the movements connected to it, unique. (You may remember a notable proof-of-concept for this strategy.) Doing almost everything online has, as compared with traditional hate movements, dramatically increased their reach and inoculated them from consequence. The trade-off, as we will see, is a lack of control.

And so we come to Gabe.

Gabe exists at the intersection of the kinds of people the Alt-Right is looking for - straight white cis men who feel emasculated by modern society, primarily, though they do make exceptions - and the kinds of people who are vulnerable to recruitment. Gabe fits the first profile in that he got bullied in high school, and often feels he has to hide his nerdy side for fear of getting ridiculed. The Alt-Right also has success with men who can’t get laid or recently got divorced or feel anxious about an influx of non-white people in their community. These things can make one feel like less than the confident white man they’re “supposed” to be. And it’s the closest they will ever come to being minoritized.

Regarding the second profile, it’s important to know that Gabe is not categorically different from you or me. He’s a cishet white dude - his problems are not unique. There isn’t a ton of research into the demography of the Alt-Right, but there may be a higher-than-average chance Gabe has a history of being abused or comes from a broken home. You don’t know if it’s true of Gabe, he’s never said. But most abuse survivors don’t become Nazis. The things that make people like Gabe recruitable tend to be situational: it happens often during periods of transition, as dramatic as the death of a loved or as benign as moving to a new city. Things that make people ask big life questions. Gabe has concerns like economic precarity, not knowing his place in a changing world, stressful working conditions. In other words, Gabe is suffering under late capitalism, same as everyone, and it’s entirely plausible he could have gone down the path to becoming a Leftist.

This is not to make an “economic anxiety” argument: the animating force of the Far Right is and always has been bigotry. But the Alt-Right targets Gabe by treating his “economic anxiety” as one of many things bigotry can be sold as a solution to. It is their aim that, when dissatisfied white men go looking for answers, they find the Alt-Right before they find us.

Step Two: Establish a Community

Were Gabe pledging an old-school hate movement, there would probably be a recruiter to usher him into an existing community. But that’s the kind of formalized interaction modern extremists try to avoid. Online extremism has many points of entry, and everybody’s journey is unique, so rather than be comprehensive we will focus on what are, in my estimation, the two most common pathways: the Far Right creates a community Gabe is likely to stumble into, or infiltrates a community Gabe is already in.

The stumble-upon method has two main branches, one of which is just “Gabe ends up on a chan board,” which we’ve already done a video about. The other is kind of the polar opposite of 4chan’s cult of anonymity: Gabe ends up in the fandom of a Far Right thought leader.

These folks are charismatic media personalities (that’s charismatic according to Gabe’s tastes, not ours; I don’t understand it, either). These personalities may gain traction on any number of platforms, from podcasts to reportage to blogging, though the most effective platform for redpilling is, and yes I am biting the hand that feeds me, YouTube. They may get Gabe’s attention through fairly standard means, like talking about or even generating controversy to get themselves trending, while some of the more committed will employ dubious SEO tactics like clickbait, google bombing, and data voids (just pause for definitions, we don’t have time).

What they tend to have in common, especially the most accessible ones, is that they don’t present themselves as entry points to the radical Right. In fact, many did not set out to be Far Right thought leaders, and may not think of themselves as such (though they are often selling products, of which the Alt-Right are among their biggest purchasers, and it’s not like they’re turning the money away). How they present is the same way anyone presents who wants to be successful on social media: accessible, approachable, authentic. The face-to-face relationship a budding extremist forms with their recruiter or the leader of their hate group’s local chapter are here folded into one parasocial relationship with a complete stranger.

Why this person appeals to Gabe is they’re not selling politics as politics, but conservatism as a kind of lifestyle brand. They rely heavily on criticizing or ridiculing the Left: feminists are oversensitive, Black people unintelligent, queer folks doomed to loneliness, and trans people insane; I dunno if it’s a coincidence that these are all things Gabe thinks about himself in his low moments. By contrast, they don’t sell conservatism as having sounder policies or a more coherent moral framework, but that abandoning progressive principles and embracing conservative ones will make Gabe happier. Remember, Gabe isn’t looking for white nationalism or misogyny, what he wants is the cure to soul-sickness, and these friendly micro-celebs are here to offer a shot of life advice with politics as the chaser. It is extremely important that politics be presented as a set of affects, not a set of beliefs.

The second pathway is infiltration, which is its own beast. Media personalities sometimes become gateways to the Right almost by accident: they do something edgy, a part of their audience reacts positively, and, facing no real consequence, they do it more; this leads to further positive reinforcement from conservative fans, the rest of the audience acclimates, and the cycle repeats, the personality pushing the envelope further and further based on what flies with their increasingly conservative audience. In this way, they become a right-wing figure by both radicalizing and being radicalized by their audience.

Infiltration is deliberate.

The Far Right will reliably target any community that has 1) a large, white, male population, 2) whose niche interests allow them to feel vaguely marginalized, and 3) who are not used to progressive critique of said interests. This isn’t to say progressive critique doesn’t exist, or hasn’t been baked into the property from the beginning, but that it has been, so far, easy for white guys to ignore. As such, progressives within that community probably don’t talk politics much, and women and minorities are perfectly welcome to post, same as anyone, but just, you know, don’t, don’t make identity politics, you know, like, a thing.

Given Gabe’s proclivities, he’s probably already in a number of fan communities where he can geek out and not get teased. And this is where the Far Right will go looking for him

Communities are at their most vulnerable to infiltration at times of political discord. This can happen naturally - say, a new property in the fandom has a Black protagonist - or it can be provoked - say, a bunch of channers join the forum and say provocative things about race to get people arguing - or both. Left to its own devices, the community might sort out its differences and maybe even come out more progressive than they started. But, with the right pressure applied in the right moment, these communities can devolve into arguments about the need to remove a nebulously-defined “politics” from the conversation.

The adage about bros on the internet is “‘political’ means anything I disagree with,” but it’d be more accurate to say, here, “‘political’ means anything on which the community disagrees.” For instance, “Nazis are bad” is an apolitical statement because everyone in the community agrees. It’s common sense, and therefore neutral. But, paradoxically, “Nazis are good” is also apolitical; because “Nazis are bad” is the consensus, “Nazis are good” must be just an edgy joke, and, even if not, the community already believes the opposite, so the statement is harmless. Tolerable. However, “feminism is good” is a political statement, because the community hasn’t reached consensus. It is debatable, and therefore political, and you should stop talking about it. And making political arguments, no matter how rational, is having an agenda, and having an agenda is ruining the community.

(Now, it is curious how the things that provoke the most disagreement tend to be whichever ones make white dudes uncomfortable. One of life’s great, unanswerable mysteries.)

You can gather where this is going: a community that doesn’t tolerate progressivism but does tolerate Nazism is going to start collecting Nazis, Nazis whose goal is to drive a wedge between the community and the Left. Once the Left acknowledges, “Hey, your community’s developing a Nazi problem,” the Nazis - who are, remember, trusted, apolitical members of the community who might just be kidding about all the Nazi shit - say, “Did you hear that, guys?! Those cultural Marxists just called all of us Nazis!” Wedge. Similarly, any community members who say, “but Nazis though” are framed as infiltrators pushing an agenda, even if they’ve been there longer than the Nazis have. They get the wedge, too.

This is how fandoms radicalize. They are built as - yeah, I’ll say it - safe spaces for nerds, weebs, and furries, and are told that the Left is a threat to their safety. Given a choice between leaving a community that has mattered to him for years and simply adjusting to the community’s shifting politics, the assumption is that Gabe will stay. This assumption is right often enough that a lot of fandoms have been colonized.

What is true of both of these methods - Gabe finding the Right or the Right finding him - is that Gabe does not come nor stay for the ideology. He’s here for the community, the sense of belonging, of being with his people, of having his fears validated and his enjoyment shared. The ideology is simply the price of admission.

Step Three: Isolate

There is a vast, interconnected network of Far Right communities out there, and Gabe is, at this point, only on the periphery. In order to keep him in, they need to disrupt his relationships to other communities, and become, more and more, his primary online social space. Having made this space hostile to the Left, they now seek to break his connections to progressives elsewhere in his life.

This is hard to do online. The whole appeal of moving radicalism to the internet is that your away-from-keyboard life doesn’t have to change. You are crypto the moment you log off. Some thought leaders will encourage their audience to cut ties with Family of Origin, or “deFOO,” but, even then, they can’t monitor whether the audience has actually done it the way an in-person movement could. And so alienating Gabe from the Left is less controlled, and, consequently, may be less total. How much Gabe isolates is up to him.

But the vast majority of Far Right media presumes an alienation from the Left. Part of conservative bloggers and YouTubers making the Left look pathetic is doing a lot take-downs and responses. This is a constant repetition of the Left’s arguments for the purpose of mockery, and, for Gabe, it starts to replace any engagement with progressive media directly. He soon knows the Left only through caricature. It also trains him, if he does directly engage, to approach the Left with the same combative stance as his role models. (For reference, see my comment section.) And this is only if he doesn’t partake in one of the many active boycotts of “SJW media.”

In addition to mocking the Left’s arguments, they also, curiously, appropriate them. This is one part sanitization: liberal centrism is more socially acceptable; indeed, many figures on the outer layers think of themselves as moderates, even as they serve as gateways to radicalism. But, also, many of Gabe’s problems could be addressed by progressive leftism, so they sell him racist, sexist versions of it. Yes, there is a problem with workers being underpaid and overextended, but the solution isn’t unions, it’s deporting immigrants; yes, there is a chronic loneliness and anger to being a man in the modern age, but it’s not because of the toxic masculine expectations placed on you by the patriarchy, it’s women being slutty; yes, wealth disparity does mean a tiny percentage of elites have more influence over culture and politics than the rest of us combined, but the problem isn’t capitalism, it’s the Jews. And it’s hard for Gabe to reject these ideas without, in the process, rejecting the progressive ideas they’re copied from; the Right’s “take the red pill” is, to the untrained eye, similar to the Left’s “get woke.” (Or, at least, the bowdlerized version of “get woke” that is no longer specifically about race which came to fashion when white people started saying it, grumble grumble.)

Take the red pill or reject them both; either is a step to the right.

As this rhetoric slips into his day-to-day conversation, even as seemingly harmless “irreverence,” it may strain relationships with people who are not entertained by this shit. Off-color comments about race and gender can certainly be wearying for female and non-white friends, which can lead to a passive distance or an eventual confrontation [“why is everyone but me so sensitive?!”], which only seem to confirm what his reactionary community says about liberal snowflakes. If he says these things on social media, he may get his account suspended, and, if he comes back under an alt, you can bet his new reactionary friends will be the first to reconnect, applaud the behavior that got him banned, and repeat should he get banned again. A few cycles of this and he’s lost touch with everyone else.

Also, his adoption of the insular, meme-laden terminology of this community makes him less and less comprehensible to outsiders.

Over time, sources of information get replaced with community-approved ones: conservative news, conservative YouTube, conservative Wikipedia if he’s really committed. The Algorithm soon takes note and stops recommending media from the Left. He stops watching shows with a “liberal agenda,” which usually means shows starring women and people of color. Now, there is evidence that the human mind responds to fictional characters similarly to real people, and that consuming diverse media can decrease bigotry in ways roughly analogous to having a diverse group of friends, which is one of many reasons we say representation matters. By consuming a homogenous media diet, Gabe stymies his ability to have even parasocial relationships with anyone who isn’t a cishet conservative white dude or one of their approved exceptions.

To the extent that any of this happens, it happens at Gabe’s discretion and at his own chosen pace. It has not been forced on him, only encouraged and rewarded. But the fact that it hasn’t been forced can make him all the more willing to accept it, because it seems safe to consider; even though his life and social circle are changing to accommodate, he does not feel committed. But many Gabes have walked these halls, and, if they close the door behind them, there’s nowhere left to go but down.

Step Four: Raise their Power Level

(...and they say we ruined anime.)

Consider the ecosystem of the Alt-Right as layers of an onion, with Gabe sitting at the edge and ready to traverse towards the center. (No, I’m not just going to reiterate the PewDiePipeline, though, if you haven’t seen it, go do that.)

The outer layer of the onion is extremism at its most plausibly deniable. Without careful scrutiny, the public-facing figureheads could pass as dispassionate, and the websites as merely problematic rather than softly fascist. It is valuable if Gabe believes this as well; that, at this stage, he believe the bigotry is simply trolling, the extremists an insignificant minority, and any report of harassment faked. That he believe where he is is as deep as the rabbit hole goes. And that he continue to believe this at each successive layer.

People in the deepest crevices of the Alt-Right self-report getting redpilled on multiple issues at different times in their journey to the center of the onion. If Gabe’s first red pill is about the SJWs coming for his free speech, he’ll think that’s all anyone in his community believes; there’s no racism here, people are just making a point about their right to use slurs. Then, when he gets redpilled on the white genocide, he’ll laugh at those Alt-Lite cucks who tried to sweep the race realists under the rug, and at himself for having once been one, but acknowledge that those channels and websites are still useful for onboarding people, so he won’t denounce them. At the same time, nobody takes those manosphere betas seriously.

And this process is reiterated with every pill swallowed: gender essentialism, autogynephilia, birtherism, Sandy Hook truth, pizzagate, QAnon if he’s really out there. The heart of the onion is typically the Jewish Question, but these can happen in any order, and in any number. But each layer sells itself as being, finally, the ultimate truth. Each denies the validity of the others; the layers ahead don’t exist, they’re made up my liberals, while the people behind are asleep where you are now awake. That’s why they chose “the red pill” as their metaphor: take it, and everything will be revealed. That’s why it cozies up with conspiracism. But what’s supposed to follow is that this knowledge help Gabe in some way, and it doesn’t. Blaming immigrants doesn’t actually fix the economy, and hating women doesn’t make men less lonely. But, having been alienated from everything outside the onion, once that sinks in, the only recourse on offer is to seek out the next pill.

And pills are easy to find. Those within the network have laissez-faire relationships, even as they, on paper, disavow one another. When they need a source or a guest host, they aren’t going to go to the Left; they’re going to feature each other. The Left is the enemy; their ideas are beneath consideration, and the only reason to engage them is for public humiliation. [Shapiro’s book.] But you can interview “western chauvinists” and that doesn’t mean you’re endorsing them, just, you know, it’s fine to hear ‘em out, nothing should be off-limits in the marketplace of ideas. Besides, Nazis are apolitical.

And because these folks keep showing up in each others’ metadata, regardless of what they say, Google thinks there is definitely a relationship between the guy “just asking questions” and the guy denying the Holocaust. Gabe is softly exposed to many flavors of conservatism just slightly more radical than he is now, and is expected, at the very least, to not question their presence. This is an environment where deradicalizing - listening to the Left - would be sleeping with the enemy, but radicalizing further? You do you, buddy.

Gabe’s emotional journey, however, is somewhat more complex. If you’ve spent any time reading or watching reactionary media you’ve probably noticed it’s really. fucking. repetitive. It’s a few thousand phrasings of the same handful of arguments. Like, there’s only so many jokes about attack helicopters! But these people just crank out content, and most of it’s derivative; the reason to pick one personality over another isn’t because they say something different, but because they say it differently. Gabe just picks the affect it’s delivered in.

Repetition dulls the shock of the most egregious statements, making them appear normal and prepping him for more extreme ideas. Meanwhile, the arguments themselves? They’re not good. (BreadTube will never run out of shit to debunk.) They are repetitive because they’re not good. They’re mantric. A good argument you only need to hear one time; if you can follow it, internalize it, and explain it to someone else, you know you’ve understood it. But a bad argument can’t convince you on its own merits, so it will often rely on affect. This can be the snappy, thought-terminating cliche, or the long, winding diatribe that sounds really sensible while you’re hearing it but when someone asks you for the gist you can only say “go watch these 17 videos and it’ll all make sense.” Both these approaches are largely devoid of content, but, gosh, if they don’t sound sure of themselves.

And that mode can be very persuasive, but it doesn’t stick the way a coherent argument does. It needs to be repeated, the affect replenished, because the words matter less than the delivery. There needs to be a steady stream of confident voices saying “we’ve got this figured out and everyone else is stupid” or Gabe’s gonna notice the flaws. They are not well-hidden.

And the catch-22 of returning to that stream over and over is that these communities are stressful even as they are calming. People afraid they will die virgins go to forums with people who share and validate that fear, and also say, “Yes, you will die a virgin.” People afraid Syrians are coming to kill us all watch videos by people who share and validate that fear, and also say, “Yes, Syrians are coming to kill us all.” Others have already pointed out that rubbing your face in your worst anxieties is a form of digital self-harm, but I need to you understand the toxic recursion of it: Gabe is going to these communities to get upset. Every emotion is converted into anger, because sadness, fear, and despair are paralyzing but anger is motivating; Gabe feels less helpless when he’s pissed off. And so, while he’s topping up on reassuring nonsense, he’s also topping up on stress. And, being cut off from everything outside the network, the only place he knows to go to release that stress is back to the place that gives it to him. It’s a feedback loop, pulling him deeper and deeper on the promise that, at some point, relief will come.

It is a similar dynamic that keeps people in abusive relationships.

When someone in Gabe’s community makes a racist joke, they are presenting Gabe with a choice between the human interaction of laughing with his friends and his societal responsibility not to be a fuckin’ racist. And not laughing seems ridiculous; everybody’s friends here; no one’s getting hurt; this is harmless. And so the irreverent race joke draws a line between the personal and the political, and suggests that one can be safely prioritized over the other. One way to look at radicalization is being asked to stick with that seemingly innocuous decision as the stakes are raised incrementally: first with edgier humor, and then comments that are funny because they’re shocking but you couldn’t really call them jokes, and then “funny” comments that are also sincerely angry, but, in each instance, since he laughed with his bros last time, it stands to reason he should keep favoring the personal over some abstracted notion of “politics.”

This is why the progressive adage “the personal is political” is among the most threatening things you can say in these spaces.

I’m not trying to make a slippery slope argument. Most of us who laughed at edgy jokes when we were teenagers didn’t grow up to be Nazis. It is a slippery slope in the specific context of being in community with people trying to radicalize you. Gabe is a lonely white boy in need of friends, and laughing at a racist joke is personal, while not laughing is political. Staying in a community that has Nazis in it is personal, and leaving is political. The personal is what brings people together and the political drives them apart. (The “only if some of them are bigots” part of that sentence is usually lopped off). There’s this joke on the internet that nerds perceive only two races: white and political. Following that logic, what could be more apolitical than an ethnostate?

They are banking on his willingness to adapt his beliefs to suit an environment that meets a need. That same need can be satisfied by white nationalism. There are few things more seductive to people who doubt their own worth than being told you are valuable simply for being white. And you can sub in male, cis, straight, allosexual, or able-bodied. It just takes priming: by the time Gabe officially embraces bigotry, he’s already been acting like a bigot for months. The red pill is simply the moment he says it out loud.

Change Gabe’s surroundings, and you change Gabe.

Step Five: ???

The final step in a traditional extremist group would be getting a mission. But that is one thing the Alt-Right can’t do. Once you start giving clear directives, you can’t play yourselves off as a bunch of unaffiliated hashtags and think tanks; you are now a formalized movement accountable to its followers, and can be judged and policed as such.

To my mind, Charlottesville was an attempt to become such a movement, taking things offline and getting all the different groups working collectively. And, as so often happens when these people get in the same space - especially with no official leaders or means of control over their members - it backfired. Their true colors came out before they were ready and a counter-protester lost her life.

This would be the point where, historically, an extremist group starts to disintegrate. Their veneer of respectability gone, they’re now hated by the public, the media wants nothing more to do with them, and everyone not in jail turns on each other or goes underground. This is also the point where the liberal establishment says, “My job here is done,” and utterly fails to retake control of the narrative, allowing the next batch of radicals to pick up more or less where the last one left off.

But to an already-decentralized group like the Alt-Right, Charlottesville was bad but eminently survivable. People retreated back to the internet, with its code words and anonymous forums, but that’s where much of the work was already done anyway. The platforms where they organized kept tolerating them, the authorities still didn’t classify them as terrorists, and any disgraced figureheads were replaced with up-and-comers.

The major change in strategy is that it doesn’t seem anyone has tried to formalize the Alt-Right since.

So where does that leave Gabe? He’s gone through this whole process of largely hands-off indoctrination - and I should stress his journey may look like what we’ve outlined or it may look different in places, this video is not comprehensive - but now he’s swallowed every pill he cares to, he blames half a dozen minorities for everything he sees as wrong with the world, and no one will give him anything to do. You’ve got this ad hoc movement frothing young men into a militant fervor and then just leaving them to stew in their own hate. Should we really be surprised at how many commit mass shootings?

This is a machine for producing lone wolves.

Leaving men to take up arms of their own volition is a way of enacting terror while being just outside the popular conception of a terror cell. There are also, of course, more classic militias that will offer Gabe clear directives - they’re recruiting from the same pool. And Gabe may stop short of this step, settling in a middle layer that suits him or finding the inner layers too extreme. But violence is the logical conclusion of an ideology of hate, and, should Gabe take this step, he can approach violence in the same incremental fashion he approached conservatism.

He can start with yelling at people on Twitter, and then maybe collective brigading, DDoS attacks, sharing dox, leaking nudes, calling their phone numbers, texting them pictures of their houses from the sidewalk. These acts of cruelty become games of oneupmanship within his community. All this can start as far back as Step 2, and get more intense the deeper he goes. Some people join explicitly partake in harassment and violence the way Gabe joined to talk about anime.

But this behavior can serve as a kind of buy-in. The Left and the feminists and the LGBTQs and the Muslims and the immigrants are all, within his community, subhuman. You’ve maybe heard the conservative catchphrase “feminism is cancer”; well don’t treat cancer by having a respectful exchange of ideas with it, but by eradicating it down to the last cell. Cruelty against the Left is framed as righteous.

From any other perspective, posting someone’s bank information is something you might feel ashamed of. Which creates a psychological imperative not to consider other perspectives. A thing that keeps people in is staving off the guilt they will reckon with the moment they step out. Gabe is also aware that anything he’s done to the Left could be done to him if he leaves; some communities even keep dox on their members as insurance. And the things he’s been encouraged to do to the Left will likely make him feel that the Left would never take him now; the radical Right is the only home he’s got. Harassment becomes another tool of isolation.

Steadily, options for Gabe are whittled down to being a vigilante or a nihilist. There are periods of elation: moments the Alt-Right feels it’s winning - or, more accurately, the people they hate are losing - are like cocaine. They are authoritarians, after all. But the times in between are mean and angry. They are antisocial, starved of emotional connection, consuming incompatible conspiracies that may at any point run them afoul of one another, devoted to figureheads who cater to but cannot risk leading them, and living under constant threat of being outed to the Left or turned on by the Right for stepping out of line. Gabe took this journey for the sense of community and purpose, and, but for the rare moments everything goes their way, the Alt-Right can’t maintain either. They can only keep promising his day will come, a story he could get from a $5 palm reading.

The feeling there’s nothing left but to kill yourself or someone else is so common it’s a meme.

But there is always a third option: Gabe can leave.

Pre-Conclusion: For Fuck’s Sake Do Not Make Gabe Your Whole-Ass Praxis

Before we continue, I want to state plainly that Gabe went off the deep end because he found a community willing to tell him that, because he is a cishet white man, the world revolves around him. Do not treat him like this is true.

If a fraction of the energy spent having debates with America’s Gabes were spent instead on voter re-enfranchisement, prisoner’s rights, protections for immigrants, statehood for DC and Puerto Rico, and redistricting, Gabe’s opinions, in the societal sense, wouldn’t matter. Reactionary conservatism is a small and largely unpopular ideology that is only so represented in our culture and politics because they’ve learned how to game the system.

And I get it. Those are huge problems that are going to take years to address, where, if you know a Gabe, that’s a conversation you could have today. And, if you think you can get through to him, it is worthwhile to try. This is a fight on many fronts and deradicalization is one of them. But it is only one, so please keep it in perspective. It sends an awful message when we spend more time trying to get bigots back on our side than we do the people they are bigoted against.

Your value as a lefty does not hinge on whether you can change Gabe’s mind.

Conclusion: How Gabe Gets Out

He may just grow out of it. These communities skew young, and some folks hit a point where hanging with edgy teens doesn’t feel cool anymore.

He may become disillusioned after the movement fails to deliver on its promises.

He may become disillusioned if something goes wrong in his life and his community isn’t there for him, if he feels they like his race and his gender but don’t actually care about him.

He may be shocked if he sees the Alt-Right at its worst before being appropriately conditioned. Charlottesville was a step too far for a lot of people.

His community may turn on him for any perceived unorthodoxy, and he may leave out of necessity.

He may be separated by circumstance from the community - a trip with no internet, hospitalization, arrest - and not be able to top up on the rhetoric. This may lead him to question his beliefs.

His community may disappear, either tearing itself apart or getting shut down by authorities.

He may have incidental contact with populations he’s supposed to hate, and have trouble reconciling who they are in person with what he’s been told about them. In his community, people bond over shared intolerance, but, suddenly, being tolerant helps him make friends. (This is one reason the Alt-Right has made a battleground of the college campus.)

He may form or revisit relationships outside the network, people who can offer him the connection he’s been looking for. This may reintroduce outside perspectives. More importantly, it rekindles his ability to have healthy relationships at all, something the Alt-Right has estranged him from.

As with recruiters, it seems these “escape hatch” relationships can sometimes be parasocial; coming to respect a public figure who is on the Left, or is critical of the Alt-Right.

Someone he is close to may compel him to choose, “me or the movement.” A lot of young men leave to save a romantic relationship.

Hearing stories from people who’ve already jumped may help; there aren’t a lot of public formers, and some raise suspicions as to their sincerity, but it is getting more common, and may be the closest we get to exit counseling for the Alt-Right.

He may become aware of the ways he’s being manipulated, or have them revealed to him, maybe because he stumbled into BreadTube, I dunno. Knowledge that you are being indoctrinated is no guarantee it won’t work - you are not immune to propaganda - but it can help one resist.

And he may revisit a core belief system that used to guide him, be it religion or social justice or a really wholesome fandom, and be reminded of the identity he used to have.

Moments like these, in isolation or in aggregate, can inspire Gabe to jump. They are also good times for friends to intervene. The reach and the impunity that comes with the internet means it has never been easier to fall into reactionary extremism. It has also never been easier to get out. People who exit skinhead gangs often fear for their lives; for Gabe, there’s a chance getting out is as simple as going to a different website. Much of his community does not know his name or his face and he may not important enough to dox.

What doesn’t get Gabe out - not reliably, not that I have seen - is an argument with a stranger who proves all his facts wrong and his ideology bunk. Facts don’t always work because facts don’t care about his feelings. This was about staying in a community, and holding onto an identity, that mattered to him. It was about belonging, and that is something a rando from the other side of the culture war can’t give him and probably shouldn’t be responsible for.

The theme here is human connection. Before he can do the work of disentangling himself, and facing the guilt of what he’s believed and maybe done, he has to know there’s somewhere for him on the other end of it. That the Right hasn’t ruined him. They’ve told him all of history is groups fighting each other over status, and, without his clan, he’ll be an exile. He needs a better story.

I don’t know that lefty spaces are ideal for this, in no small part because bringing someone who’s a bit of a Nazi but working on it into diverse communities is… questionable. And it probably wouldn’t be good for him, either; having just gotten out of a toxic belief system, he’s going to be deeply skeptical of all ideologies. In a perfect world, people who care about Gabe could build for him - to use a therapy term - a holding space. Someplace private - physical or digital - where Gabe can work out his feelings, where he is both encouraged and expected to be better but is not, in the moment, judged. That comes later. It is delicate and time-consuming work that should not be done in public, but we find these beliefs, built up over the course of months or years, tend to fall away very quickly with a shift of environment. Change Gabe’s surroundings and you change Gabe.

But, instead, a lot of people who jump are functionally deprogramming themselves, which is working for a lot of them, but it’s haphazard, and there are recidivists.

If you don’t personally know a Gabe, or have training as a counselor, you may not be in a position to help him. Possibly there are things you can do to disrupt the recruitment process or prevent infiltration of spaces you’re in - I’m looking into it, but talk to your mods - but, elephant in the room: meaningful change will require reform on the part of platform holders. Tools to disrupt this process already exist and are being used on groups like ISIS, but they’re not being used on the Alt-Right because they try oh so very hard not to get classified as terrorists (and also any functioning anti-radicalization policy would require banning a lot of conservative politicians, so there’s that...).

But what makes our story better than theirs is that the fight for social and economic justice, though it is long, and difficult, and frustrating, when it works, it fulfills the promise the Right can’t keep: it materially make people’s lives better. I am not prone to sentimentality, or to giving these videos happy endings. But one thing we have that the Alt-Right doesn’t is hope.

[thotfuss]

It’s been one week since I saw Cats and I feel like I’ve absorbed it enough to make a post about it:

The first shot of the movie-scratch that, it wasn’t even the first shot-the opening credits shot was a very badly edited cat face in the moon. The entire theatre laughed nervously, there were at least 3 audible “what the fuck”s

It’s important for you to know that we went at 10:15 on a Thursday night, I wrongly assumed that my group of 5 would be the only ones in the theatre, but there was another group of asshole teenagers who sat in the back row with us. the sense of solidarity that was present by the end of the movie was tangible.

30 seconds into the movie, a cat scampered down a completely vertical wall. My friend audibly gagged. I still feel bad for making him see this movie.He told us afterwards that he hadn’t seen a single preview for it, and that he simply imagined what human cats would look like in his head and therefore was in no way prepared for the reality of the horny cgi nightmare we had subjected him to.

4/5 of us had seen the “rebel wilson unzips her skin after eating a human cockroach” scene but it was somehow more horrifying than the first time we had watched it unprepared. By this point all of us, including the group next to us, had cried at least once. I know this because the guy next to me said “we’ve all cried at least once, haven’t we.” 

I spent most of the movie thinking that the judy dench cat was the james corden cat. This has no follow up point, I just thought it was important to note that the cgi was THAT bad.

at one point, the james corden cat is showered in...champagne? i think it was champagne. The editing was so horrific that it looked as if it was being poured directly down his throat. he later ate a lobster claw in a very offputting manner, prompting my sister to say, very loudly, “did he have to deepthroat it though?” 

The proportions were deeply unsettling. Why was the milk bar human sized? WHY WAS THE MILK BAR HUMAN SIZED? why could the main cat wear a ring as a bracelet, but also hold human utensils?

at one point, a dog could be heard outside the door. there was a palpable fear in the theatre that we would be forced to see what a dog looks like in this awful, fucked up universe. We did not.

Ian Mckellen cat was introduced as he was lapping milk out of a bowl. It was at this point i slid out of my seat onto the floor. The girl a few seats down had her head in between her legs. My friend had his sweatshirt hood cinched entirely around his face. At the point that Ian Mckellen said, in a fucking AWFUL rendition of a cat, “meow meow,” none of us could stop laughing for several minutes.

We were all bonded by this experience at this point, so the pretense of whispering to our separate groups was abandoned. My friend at one point said something to the effect of “if pennywise was real, he would appear as Jennifer Hudson’s snot lip.” Someone had to leave the theatre at this point. she was not back for 10 minutes.

At the point that sexy taylor swift cat shook her cat boobs at the screen, my friend got up and took a lap around the theatre. it was at this point that we realized there was a family of four in the front row, who were not reacting WHATSOEVER to this movie. None of us know if they were genuinely there as fans, if they had been transported there against their will, if they were planted by the theatre to increase audience capacity. We will never know.

Idris Elba took his coat off, as we all knew would happen, but we were NOT prepared. His ass crack was unbelievably pronounced. It didn’t need to be. Sexy taylor swift cat showed up to drug everyone, sing about Idris Elba being a cool ginger cat (he wasn’t!!) and disappeared forever. she did all the work! he didn’t even sing his own song. We knew that we weren’t going to have to see his dick, but none of us could shake the feeling that we would be forced to see his dick.

There was a recurring theme of a wide shot of the cats singing, followed by a close-up, followed by a pan-out to show that they were in an entirely different location with no explanation. At one point, the cats showed up on a railroad track. The proportions, again, indicated that the cats were roughly the size of the human cockroaches present earlier in the movie. 

There was a cat wearing pants, which brings up the point of the wardrobe. some cats wore pants, some wore a full outfit, some wore shoes, some wore a shirt, some wore a coat, some wore jewelry, some wore nothing at all. the implications of this artistic choice are something i simply cannot consider. The cat wearing pants did a tap dance number, and then spun up into the air like a spinning top. why can these cats do magic? if all the cats can do magic, why was it a part of the story that one cat had to try REALLY HARD to do magic at the end of the movie to save judy dench cat? horrible. 

Rebel Wilson unzipped her cat skin again. this time, it was a major plot point. I think all of us were openly weeping at this point, which sounds like a joke, but i cannot express the raw emotion that this movie invoked in all of us. 

Jennifer Hudson won the contest, after spending the movie moping around and legitimately crawling away like a baby at one point. Every time she showed up there was a general muttering of “girl, move on.” She was too snotty to even be sympathetic, it was just bad. 

At this point, Jennifer Hudson was transported into the sky via air balloon, literally to DIE. That is not an exaggeration, she won the contest so she got to go be reborn as a new cat with a new life. this whole movie was about a suicide cult. A furry, horny, suicide cult. 

Judy Dench finished up the movie by monologuing at the audience. we were all so viscerally uncomfortable that we just exchanged tearful, emotionally exhausted looks. The main cat and the other cat who looked like special agent dale cooper from twin peaks were standing behind judy dench cat at this time, and genuinely looked as if they were about to devour her. They licked their lips, they inched closer, they were SECONDS away from cannibalism. Part of me wished they would pull the trigger, if only because it would cut this monologue short. 

This movie was the worst thing I have ever seen. I once watched all three human centipedes back to back on 0 hours of sleep and it did not inspire the visceral disgust that Cats did. It was indescribable. If the people next to us had asked us to run away with them and form a community in the woods, i would have. Wherever they are now, none of us can pretend that we didn’t spend an hour and a half in a dark theatre watching cats be HORRIBLY horny for each other at all times. Do we all regret it? probably. But we all just have to live with this now. forever.