#fun to come up with a backstory to it. and also some fun unintentional design parallels with pre-canon asperia

[outeremissary]

🍉🍪🍕 for Ismene?

Thanks for the asks, Ash! This took longer than expected because after drafting the answers I went to fact check some lore and um. Spent over an hour reading about libraries. Whoops!!

[prompt list]

🍉: Does your OC have a particular piece of jewellery that they always wear or refuse to part with?

Ismene has a black velvet choker she wears almost constantly (an item which is fortunately easy to keep secure on the road and in fights). The choker was a gift from Imoen from not long after Imoen was first brought to Candlekeep, and one with some backstory to it. Around that time Candlekeep had hosted a noblewoman for several weeks who was a dedicated lover of scholarly pursuits bursting with admiration for the monks of Candlekeep. It had been her dream to visit the great library and learn from it, and she treated the hallowed library and its keepers with nothing but the utmost reverence. For the other residents of Candlekeep, however, she seemed to have nothing but contempt- even for the little elf girl who helped to mind the reading rooms and who carefully shelved the books for the librarians between visits. Ismene became a frequent target of the woman's ire. The woman complained frequently of her presence, berated her for her presumed background, treated her as a servant, and harshly criticized the work she did. After a day where Ismene attempted several times to correct the woman for violating the rules of a reading room, the woman went to one of the Great Readers and went on at length about the girl's insolent behavior, accusing her of singling the woman out for harassment and attempting to steal from the woman's bag.

Imoen saw Ismene crying after being scolded over the accusations, and the morning after the woman suddenly found herself with real problems on her hands. Somehow a bottle of ink had cracked in her bag, leaking all over her fine clothes and ruining pages of her careful notes. For the rest of her visit she seemed tormented by an endless string of accidents. Things broke or went missing, her food burned, the floors outside her room were always just slick enough with half done mopping for her to slip... Although she went to Winthrop more than once over these incidents, her complaints fell on deaf ears after weeks of tormenting the inn's staff with false claims. On the last day of her stay, the woman reported frantically that a favorite choker, one which she had worn frequently during her time at Candlekeep, had gone missing. Although she turned half of Candlekeep upside down searching for it, she never managed to find it, and she left the library fortress disconsolate over its loss. That night Imoen presented it to Ismene as a gift. The girls have been fast friends ever since (though they did both get in trouble over the clearly stolen item).

🍪: What is something that's sentimental to your OC?

Any of the many things that remind her of Candlekeep- she misses her home dearly, and has not been happy to leave. The smell of books, the gentle warmth of the afternoon sun in a comfortable seat by a window, the droning sound of chant... Any of it can take her back for just the briefest moment. Maybe the most potent, but thankfully the least bittersweet, moments of sentiment come from time spent with Imoen talking and braiding hair as if they were girls again. Ismene isn't one to voice gratitude, but she's incredibly thankful for Imoen's companionship.

🍕: How does an OC spend a lazy day?

Ismene spends huge portions of unoccupied days sleeping. She can easily sleep for more than twelve hours when not interrupted, and she doesn't mind the time lost. She loathes having to wake before dawn to maximize daylight while traveling; even though elves have no real need for sleep she always sleeps on rest days in towns like she's catching up from weeks of deprivation. Of course, in her eyes her sleep is far more valuable than the sleep normal people experience because of the visions she receives in her dreams.

Aside from sleeping, she enjoys reading and will spend her waking hours squirreled away in a library given the chance- in the small towns of the Sword Coast these are often collections belonging to temples or wealthy private individuals, and identifying who locally has a worthwhile collection to attempt to access is one of her priorities when arriving somewhere new. Often there's little truly new and worthwhile in these collections relative to Candlekeep, but occasionally she's pleasantly surprised. Although on other occasions she is prematurely escorted out of the library after revealing to unhappy owners expensive forgeries or offering unsolicited critique of the gaps in their collections...

I wish I could say she had other things she spent time on as a hobby, but unfortunately Ismene is the number one nerd who never goes outside unless dragged and it really is mostly that.

[crusherthedoctor]

Can you list anything you unironically like in the games (and cartoons and comics) that you don't like?

I won't bother mentioning music, since that goes without saying and is to be expected for a Sonic game... unless you're Chronicles.

Sonic Adventure 2 (mixed gameplay-wise, annoying story-wise) - While I prefer Sonic's SA1 levels for a number of reasons, I still think his and Shadow's gameplay in SA2 is fun on its own merit. I also don't mind the treasure hunting gameplay returning or how big the levels are this time around, since Knuckles and Rouge are still fast and not '06 levels of slow. It's mainly the gimped radar that creates the unfortunate domino effect of making them a problem.

- Introduced Rouge, one of my favourite characters for how playful she is and how she's a lot more nuanced and intelligent than you'd expect.

- Some genuinely good scenes, like Eggman's trap on the A.R.K and Sonic escaping from the G.U.N. helicopter.

- Had some good ideas going for it, like the Pyramid Base and the Biolizard as a scientific monster instead of an ancient one.

- Despite my thoughts on the backstory itself (or rather, its execution), Shadow has enough depth and subtle qualities and occasional unintended hilarity to stand out from the typical dark rival characters you see in media.

- The Last Scene's music in particular is one of my favourite cutscene tracks in the series.

Sonic Heroes (mixed gameplay-wise, loathed story-wise) - The gameplay is fun when you're not being screwed over by repetitive combat, overly long levels and/or ice physics.

- Boasts some of the most consistently Genesis-worthy environments in the 3D games, up there with SA1's and Colours'.

- The in-game dialogue that isn't the same tutorial drivel repeated ad nauseam can be interesting, funny, etc.

- Reintroduced the Chaotix, which provided me with another character I quite like in the form of Vector.

- Bringing Metal Sonic back in full force and front and center in the plot after a long absence (not counting cameos and the like) is a perfectly fine idea. Just... not like this.

Sonic Battle (decent yet repetitive gameplay, mixed story-wise) - Emerl's arc is compelling, and it earns the emotional weight of having to put him down at the end.

- While some characters are iffy (read: Amy), other characters are extremely well-handled. Shadow is probably the prime example.

- Gamma's belly dance healing animation is fucking hilarious.

- When I was young, and the game was first announced, I was really excited about being able to play as Chaos. This proved to be my downfall when it turned out he was arguably one of the worst characters in the game due to being slower than me during the writing process, but I still recall that excitement fondly.

Shadow the Hedgehog (comedy classic) - The sheer amount of legendary stupidity this game has going for it makes it practically impossible to actually hate. It helps that it's not quite as white-knighted on the same level as '06... usually. You know you're in for a unique experience when you hear a gunshot every time you click something in the menu.

- By extension, Black Doom never gained an unironic fanbase like Mephiles/Scourge/Eggman Nega did, which means I'm a lot more willing to take Doom's dumbass brand of villainy in stride. He even has a unique design... a terrible one that rips off Wizeman granted, but alas, even that is a step-up from Fridge Shadow and Bumblebee Eggman.

- Despite being... well, Shadow the Hedgehog, some of the environments would fit right in with any other Sonic game, like with Circus Park, Lava Shelter, and Digital Circuit. Even the Black Comet levels look pretty cool.

- This game understands amnesia better than IDW does.

Sonic '06 (what do you think?) - The obvious one: Shadow's character was handled pretty well, even if it came at the cost of everyone else being a dummy and being forced to interact with Mephiles.

- Like SA2, there are some good moments, like the Last Story ending sequence with Sonic and Elise.

- In the greatest form of irony ever, I like Solaris as a concept and design(s), and its backstory has potential to serve as a parallel with Chaos without being a complete ripoff. Iblis sucks, Mephiles sucks, but I'm fine with Solaris.

- Introduced legendary characters like Sonic Man, Pele the Beloved Dog, Hatsun the Pigeon, and Pacha from The Emperor's New Groove.

The Rivals duology (apathetic outside of Nega-related grumbling) - There were some cool zone ideas in both games that were sadly let down by the restrictive and limiting gameplay. I particularly like Colosseum Highway for thus far being the only full-on Roman level in the series instead of merely having a couple minor hints of Roman, and Meteor Base for the unique scenario of the space station being built into an asteroid. These level concepts and others deserve a second chance IMO. (At least Frontier Canyon got a second chance in the form of Mirage Saloon, amirite?)

- Ifrit has a better design than Iblis. Not saying it's amazing, but the Firebird motif it has going on is a lot more interesting for a fire monster than the Not-Chaos schtick they had with Iblis.

Sonic and the Secret Rings (a very frustrating gaming experience) - Erazor Djinn, A.K.A. Qui-Gon Djinn, A.K.A. Dr. N. Djinn, A.K.A. I'll Take It On The Djinn, A.K.A. Not From The Hairs On My Djinny Djinn Djinn, is one of the best villains not associated with Eggman in the series. He's a Mephiles-type character done right, and there's actual weight and reason to his actions, however sinister or petty.

- I don't have strong opinions either way on Shahra as a character, but the Sonic/Shahra friendship is sweet and well-handled.

- The ending is one of Sonic's greatest moments. The sheer contrast between how ruthlessly he deals with Erazor and how comforting he is towards Shahra speaks volumes... Still gonna make fun of the mountain of handkerchiefs though. (Before anyone lectures me, I understand the significance of it and can even appreciate it from that angle... doesn't mean I'm not allowed to poke fun at it. :P)

- Another game with some redeeming environments. I love the aesthetic of Night Palace, and Sand Oasis looks gorgeous too.

Sonic Chronicles (my personal least favourite game in the series) - Uh...

- Um...

- Er...

- I like Shade's design?

Sonic Unleashed (overrated game and story IMO) - The obvious two: the opening sequence and the Egg Dragoon fight deserve all the praise they get.

- Seeing Eggmanland come to life was an impressive moment to be sure. While part of me does feel it didn't quite measure up to what I had in mind (ironically, the Interstellar Amusement Park ended up being closer to what I had in mind), it still looks badass and works well for what it is. I also don't mind the idea of it being a one-level gauntlet... key word being idea.

- Obviously, the game looks great. Not a fan of the real world focus (real world inspiration is fine, but copy-pasting the real world and shoving loops in it is just unimaginative), but it can't be denied that the environments look good.

- This game pulled off dialogue options a lot better than Chronicles did, since they didn't rely on making Sonic OoC.

Sonic and the Black Knight (just kind of boring all around) - Despite my gripes with the story (Merlina wasn't nearly as fleshed out as her unique anti-villain status deserved, which ends up severely undermining the ambition of the plot in more ways than one, and the other characters go from being useless yes men for King Arthur to being useless yes men for Sonic), I will admit it provides interesting insight into Sonic's character.

- Like '06 and Secret Rings, the ending is very nice... well, aside from Amy being an unreasonable bitch ala Sonic X at the very end.

Sonic the Hedgehog 4 (apathetic) - The admittedly few new concepts sprinkled within had promise. They may not have been as fleshed out as they could have been, but level concepts like Sylvania Castle and White Park, bosses like Egg Serpentleaf and the Egg Heart, and story beats like the Death Egg mk.II being powered by Little Planet, all could have been brilliant had they been better executed.

SatAM (apathetic outside of SatAM Robotnik-related grumbling) - I'm not a fan of the environments on the whole due to them looking too bland or samey, but there are some exceptions that look pleasant or interesting, like the Void.

Sonic Underground (apathetic) - The character designs make me feel better about myself.

- Does "large quantities of unintentional meme material" count as a positive?

Sonic X (mostly apathetic outside of Eggman's handling) - Helen was a better human character and audience surrogate in her one focus episode than Chris was throughout his entire runtime.

- Actually, most of the human characters not named Chris were legitimately likable. Including everyone in Chris' own family not named Chris. Hilarious.

- Despite arguably having the most Chris in it, I actually don't mind the first season that much, partly due to slight nostalgia from seeing it on TV when it was new, but mostly because Eggman actually acted like a villain for the most part, and certain other characters weren't quite as flanderized yet. It's season 2 and onwards where things started going off the rails IMO. (Incidentally, Helen's episode was part of season 1...)

The Boom franchise (apathetic) - Along with Chronicles, the games provide yet more proof that just because someone isn't SEGA/Sonic Team, that doesn't mean they're automatically more qualified to handle the series.

- The show had some good episodes here and there, and Tails' characterization was probably the most consistently on-point out of the cast.

- Despite not exactly being favourite portrayals for either character, even I'll admit that many of Knuckles and Eggman's lines in the show on their own were genuinely funny.

Archie Sonic (pre-reboot is mostly terrible, post-reboot is mostly... bland) - Whenever I doubt myself as a writer, I think back to Ken Penders, and suddenly I'm filled with a lot more confidence.

Sonic the Comic (apathetic) - Fleetway isn't a comic I tend to recall much of aside from how much of a loathesome cunt Sonic is, but IIRC, Robotnik's portrayal is pretty good. Different, but good.

IDW Sonic (stop pissing me off, comic) - Putting their handling aside (and being too obviously "inspired" by MGS in the latter's case), Tangle and Whisper are good characters IMO.

- Same goes for Starline, before he was killed off-screen and replaced with Toothpaste Snively.

- Execution aside (noticing a pattern?), the zombot virus was a fine concept on its own and an interesting new scheme for Eggman.

- I get to remind myself that I've never drawn scat edits and posted them publicly on Twitter.

[thatgamefromthatad]

Mobile Game Review - Helix Waltz (Recommended by @raimi)

🎻 What is this app? Helix Waltz is a dress up game with an elaborate storyline that heavily involves character interactions. On the App Store it’s described as a “thrilling ballroom drama set in Baroque style dress,” which I think accurately reflects the sort of vintage European court-style setting the game takes place in. The setting also has fantasy elements, including characters of different “races” such as elves and people with animal ears and tails called Orens.

The game follows a main storyline as well as various side storylines and has a large cast of characters with their own personalities and preferences, all of whom you can build up your relationship with, which will affect their interactions with you depending on the level of favor you have with them. Rather than playing out in a linear set of stages or chapters, the story progresses as you accept and complete missions and attend balls where you have the chance to encounter other characters attending the same ball. There’s a bit of freedom in that sense where you can attend any of the available balls you want and encounter any of the characters that are there without necessarily following the main storyline, building up favor and getting to know anyone you want.

The dress up part is structured somewhat similarly to other dress up games I’ve played - there are various items in different categories (hairstyles, headwear, dresses, shoes, different types of accessories, etc.) with different attributes and rarities that will affect your “chic” level at any ball or other outing you attend, as well as how other characters perceive you depending on their preferences. You can have “beauty contests” with other characters you encounter at balls that compares your outfit’s chic level to theirs and there are other parts of the game where your outfits can compete with others players’. You can gain new dress up items through completing quests and through a gacha-type mechanic where you draw from different sets of potential items.

📝 Review Summary: The sheer number of different characters you can interact with in this game is very impressive, and it’s definitely entertaining getting to know them all and try to build relationships with them. I definitely found myself getting invested in certain characters and wanting to progress through the storyline so I could learn more. The art in this game is also very beautiful, which includes both the character designs and clothing items.

The follower who recommended this game noted that there is queer representation, including a trans character, which is a positive aspect, but I noticed there was not a lot of BIPOC representation, specifically a lack of characters with dark skin and limited options to have dark for your own character. The default character you play is white with very pale skin, and from my understanding from doing a little research, skin color changes are included as makeup items which definitely seems wrong, not only because you have to get your hands on the right item to have darker skin but because skin color as makeup seems to imply blackface, even if that’s completely unintentional (the makeup items in this game aren’t technically just makeup - they also change the shape of facial features). I definitely think this game should add different base skin tones, as well as characters who aren’t all super pale.

Full review below:

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👍What’s good about this app? The enormous cast of characters in this game and the multi-faceted system involved in gaining favor with them and getting to know them are definitely this game’s biggest assets, in my opinion. Each character has their own unique personality, backstory, style, relationships and role within the in-game society, but what’s really enticing is the fact that the story tends to build up a bit of mystery and intrigue about different characters and families/factions, which motivates you even more to get close with certain NPCs and learn the different secrets they hold. The game is pretty immersive that way in the sense that your goal of building up enough trust and prestige to gain access to the most interesting intel/gossip aligns with the main character’s goal of integrating and positioning herself strategically amidst higher society.

That sense of immersion also comes through in the way the game is structured to allow you to interact pretty freely with the characters rather than following a linear path from one encounter to another. You encounter other characters similarly to how you would if you really were a young noble in this sort of society - by wandering around ballrooms or other settings and seeing who you run into or seeking out those that you already have some level of relationship with. You can even get letters from them! You can choose to follow closely to the main plot, or pick your favorite characters and go out of your way to interact with them, or a mixture of both. This game really focuses around character interactions in a way I’ve never personally seen before, and it’s very impressive - and fun!

Another great aspect of this game is the art, which of course is an important aspect for any dress up game. I’m not very well-versed in fashion in general, but I can say from an average Joe perspective that the clothing items and outfit sets are overall just very pleasing to look at and give me that sort of mouthwatery fashion-p*rn feeling whenever I see some extravagant “look” whether it be from real life, a game or any other sort of media. You could say I’m easily pleased though since I can say that about just about any other dress up game I’ve played or been widely exposed to (Love Nikki, Time Princess etc.). One thing I think is especially cool in this game is the perfume category which I can best describe as creating a kind of animated aura around your character that differs in appearance depending on the perfume. This works well with the fantasy-type setting of the game and gives a little extra magical oomph to the outfits. Other outfit pieces can also be animated, like jewelry that sparkles for example, which is also a nice touch.

The last positive thing I’d like to mention is the theme song of this game that plays in the main menu (and pretty much everywhere else except outings), it’s so beautiful and I love it so much I added it to my Spotify playlist I listen to every day lol. The song is Sans Toi by Sarah Natasha Warne if you’re curious.

In the video below you can see a perfume item in action creating a galaxy-like aura around the character, and hear a short clip of the song as well.

[Video Description: A screen recording showing a fully dressed-up character wearing a luxurious red white and gold robe over an ornate black and white collared top with a red vest and loose-fitting brown pants that have two golden stripes at the end of each pant leg. They are holding a sword, have long blond hair tied in a high-set ponytail that drapes over their left shoulder and have a large, circular golden ornament position behind their head resembling a sun or halo. They are wearing dark stockings and black high heels, and there is a sparkling, swirling aura around them with streams of light changing color from blue to purple flowing toward them. The rest of the character and clothing is still except for jewelry and accessories that sparkle and glow and some golden parts of the clothing that shimmer.]

👎 What’s wrong with this app? There are a few minor flaws with this app such as a glitch(?) I experienced a few times where I was talking with one character and another character suddenly appeared and then disappeared, which I’m pretty sure was a glitch because after it happened for some reason I wasn’t able to complete any of my goals at the ball. Also if you don’t have a great internet connection it can be very frustrating because the game will freeze often, although I can’t criticize this that much since my internet connection just sucks and I’ve experienced this with other games before that are just highly reliant on having a constant internet connection.

Probably my main problem with this game is the lack of diversity in skin tones, both in the cast of characters and in your options for your own character. Like I said there are dozens of characters in this game but from what I’ve seen so far they almost all have pale/light skin. I don’t really think the setting of this game is an excuse considering it’s a fantasy setting and there are definitely characters from different regions or backgrounds but they all just happen to have very light skin. Another reason I think there should definitely be more diversity is that there are definitely themes of racial discrimination in the story - some characters will spout stereotypes and hateful comments about other races, in reference to fantasy races or other social groups in the game, and I’m definitely not saying the targets of those comments should be dark-skinned, I just feel like if you’re going to touch on those subjects but have little to no representation of the people who experience that kind of discrimination in real-life, it seems a bit hypocritical. As a disclaimer I am mixed-race (East Asian and white) and semi-white passing with pale skin so I’m not an authority on the skin tone issue specifically but my opinion as someone reviewing this game is that there’s no reason to not have more diversity in the game, even regardless of whether it involves the themes that I mentioned.

Below is just a handful of the NPCs but as I scrolled through the list pretty much everyone had pale/light skin, Gedanh is the NPC with the darkest skin tone as far as I know:

As far as a lack of diversity in selecting a skin tone for your own character, that didn’t specifically stand out to me at first considering the main character is a pre-established character and not as much of a self-insert as in other games like Time Princess, but the fact that you can change your facial features using “makeup items” and skin tone is also locked to certain makeup items doesn’t seem fair, since it makes whiteness the default and limits darker skin tones to these specific items and corresponding makeup looks. I’m not sure what adding diverse base skin tones would look like from a programming perspective for this game but with everything else this game has going on that is so complex and impressive I feel like there’s not an excuse in this day and age to exclude something as basic as different skin colors.

While the lack of diversity is definitely my biggest criticism of the game, I’ll just add that another flaw is that many aspects of the game can be confusing and despite a pretty lengthy series of tutorial quests that teach you about different parts of the game, I still have some confusion after playing for a while. For example I’m still not even completely sure if winning a beauty contest against a character strengthens your relationship with them, and I had to look at the Helix Waltz wiki to learn how to investigate NPCs’ preferences and exactly how remaking clothes works etc. The wiki and other players are a great resource, but having more guidance in-game, even if it’s in the Help/FAQ section (which I checked and still didn’t have all the info I needed), would be an improvement.

🪞Full list of features (there are a lot but I’ll try to cover them to the best of my ability):

Storyline (main plot, side plots that unlock when you strengthen your relationships with characters and event plots)

Quests (there are quests that go along with the plot or events as well as daily quests. The daily quests are more simple such as “talk to X amount of NPCs” or “attend X amount of balls” while the other quests involve having interactions with specific characters, wearing specific dress up items to certain events, etc.)

Dress up (you dress up for every ball or other outing you attend. Each ball will have a different clothing attribute, such as a certain color or style, that increases your chic points if you wear items with the corresponding tag. Different characters also have style preferences but you need to investigate to find out each character’s preference. In addition to dress up before events, the mirror section of the main interface allows you to make whatever outfit you want with the items you have, which will be the outfit your character wears during scenes outside of outings. There are different categories of items corresponding to different parts of the outfit and for some categories you can wear more than one item from the same category, such as wearing a different bracelet on each wrist)

Balls (this is one of the two main ways you will interact with characters and complete quests. There are a few balls you can choose to attend at any given time, hosted by a specific family or faction, with specific characters attending that you can check before you enter the ball. Once you enter the ball and dress up, you can choose to approach a certain character if that option is available - I think you can only approach characters directly if you’ve already talked to them at the ball or if you are wearing an outfit they like but I’m not sure about that part - or you can choose “wander around” and have the chance to encounter different characters who are attending)

Other outings (in addition to balls there are other places in the game where you can encounter other characters, such as the slum and the tavern, and these outings work similarly to balls in terms of character interactions)

Conversation (for basic conversation you pick from a selection of topics and you can gain favor with a certain character by correctly picking the topic they prefer. There is dialog to read for every conversation although these are stock conversations that repeat so you’ll usually want to just speed through them. When you increase your relationship with a character you can unlock special conversations with them that are more unique and tied to the plot)

Q&A (sometimes a character will ask you a question and depending on if they like your answer it can boost your favor with them)

Beauty contests (while conversing with a character sometimes you can have a beauty contest against them comparing your outfit to theirs, and if you win you get points that I believe go toward earning in-game currency - another thing I’m not 100% sure about. I think you can only have a beauty contest with female characters but there is at least one male character I’ve been able to have a beauty contest with. Sometimes a character will immediately force you into a beauty contest when you encounter them)

Dancing (sometimes when interacting with a character at a ball you’ll have the option to dance with them which opens up a short memory-based minigame. I think completing the minigame correctly yields similar rewards to winning a beauty contest. I think you can only dance with male characters as I’ve never had the option come up with female characters so far)

Gathering intel (intel is a resource in the game that is used to learn more about characters and that can be exchanged with characters for rewards. While wandering around a ball you may have the chance to eavesdrop on characters and gain intel)

Gift Box/gacha mechanic (The Gift Box section of the game is where you can draw from different gacha-type pools for items and resources. Different pools take different currencies and have different sets of items)

Remaking, dyeing and enchanting clothes (you can change the style or color of some clothing items if you collect the right resources, which changes both the item’s outward appearance and attributes that go toward chic points/gaining favor with different characters. You can also enchant clothing items, which changes their appearance and increases their chic points)

Events (there are limited-time events such as events that offer limited-time items/gacha pools and limited-time quests)

Illusion Contests (one way you can compete with other players in the game rather than NPCs. You are given preset clothes items to choose from in order to put together an outfit, and can give the outfit a name. Your outfit is scored based on a voting system where two outfits are shown and players can vote for one or the other. You get rewards based on how many votes you get and you also get rewarded for voting on other outfits)

Championship (another way to compete with others players using your owned items rather than preset items. I have not participated in the championship myself yet but from my understanding you make one outfit to defend against other players challenging you and then make outfits to challenge other players’ defending outfits. The players you have the option to challenge will be the same rank as you so the competition is balanced and I believe this competition is based on the attributes of your items and a theme set for the current championship cycle, a bit more like a NPC beauty contest than the voting-based Illusion Contests.)

⭐️ Overall Rating: 4/5 (this would definitely be a 5/5 game if they fixed the racial diversity issue but it’s unfortunate that a game that’s otherwise so complex and engaging - and has LGBTQ+ representation - drops the ball in this area. I definitely hope they at least add the ability to have different base skin tones in the future.)

I really enjoyed this game so thank you to @raimi for suggesting it! If anyone else has any game review suggestions feel free to send them ����

[lindwyrmrelinquished]

So....what are some of your headcanons for Ranbutler?

OHHHHHHHHHH BUDDY, YOU ARE OPENING YOURSELF TO A WHOLE NEW CAN'O'BEANS HERE

OKAY SO FIRST OF ALL-

(everything else under the cut because there is a L O T )

Butler's human form is predominant(which unfortunately means he does not have a tail :(), but he can make Ender noises/speak Galactic. He's got a bunch of stims and tics, and making the Ender noises is one of them! He often makes them to fill the silence, or in times of high emotion(positive or negative. just imagine a Butler bouncing on his toes while excited Ender chirps keep coming out of his mouth, or he's rambling about something and half of it is layered with Galactic). Following from that, Butler has something that Billiam calls the "monochrome form". If he's under high levels of stress, whatever dark tint of color is in his right side will start spiking into the left side, making his skin darker(and, if he has enough color in his skin from NOT FUCKING OVERWORKING HIMSELF, it can get dark enough to blend into shadows) and spreading from the little black scales on his neck and cheeks and hands(which are already claws, that's why he wears gloves), and if he's really stressed/pissed, little horns are gonna start poking out of his skull and he's gonna be completely gray/black, his teeth are already deadly but they're gonna get sharper and if you look him in the eyes he will s c r e a m and very likely tear you apart if Billiam isn't there to hold him back/calm him down.

Speaking of! Butler very much dislikes eye contact. It makes them extremely uncomfortable and the Ender part is gonna start screaming to attack attack attack and the pupil-slit thing is gonna happen. Unfortunately, he's frozen by the eye contact and cannot move of his own free will, it's all going to be instinct to either get away or attack, if he moves at all. And the moment the eye contact is broken, he starts to calm down and all the screaming in his head starts to dissipate, so he doesn't really get the chance to consciously act on the Ender side's instinct.

NEXT OF ALL, throwing canon out the window and saying BILLIAM AND BUTLER ARE FOUND-FAMILY. The way they acted in the episode is just that, an act. In reality, they actually Care each other Very Very Much and have adopted each other into their respective hybrid groups(i.e Endermen have their hauntings, Piglins have their sounders{that part's not canon to mc but i yoinked it from a fic}). Hubert jokes about how Billiam accidentally adopted Bu as his son, but both Bu and Bi deny this. Hubert also got Liaria and James in on the joke and now these two are being constantly triple-teamed.

ON THAT NOTE Liaria and James know about the Egg. It happened at the tail end of Bu's first masquerade when they started accusing Billiam of committing all the murders, and Bu kind of panicked and outed himself as the killer, he pulled out the knife and everything. Billiam admitted that he knew about this, and showed them the Egg as explanation. Now Liaria and James willingly give up their bought lives to the Egg on the regular(we might get into the lives thing later{it was also something i yoinked from a fic, and then I gave it more explanation}) to keep Billiam and his family alive, but they're not all that affected by it due to not even being near it half the time.

AND ON THAT NOTE, let's talk about Butler's relationship with the Egg! Bad. It's bad. Absolutely terrible, the two despise each other immensely. I like to say they're the closest thing to caliginous that a teenaged hybrid that lived off spite and an ancient crimson demon can be. The Egg's hurt Bu a lot, and honestly that's part of the reason his contempt and fear for it is so high. But that's also part of the reason why Billiam was pulled out of its influence despite living right above it. Because he cares for Bu, a literal child that's suffered severe mental and physical trauma at the hands(well, vines) of the Egg. Honestly? Billiam wouldn't be the way he is now if he didn't have to take trips to the Nether. Short explanation, too much time away from their home realm gets hybrids really really sick. So, about a few months or so after Bu arrived, he had to yeet back there for a week and just told Butler and Hubert to take care of the mansion. And you know what Hubert did, that bitch? He took advantage of both Billiam's absence and Butler's skill and pampered himself while throwing the entire load onto the child. And then like halfway through the week, he got the idea to introduce said child to the Egg, who before then has had no idea it ever existed aside from the crimson red aura around the mansion(it's a whole thing about Endermen and magic but again, another thing I might get into later). He hadn't even attended a party before then. So, yeah, Hubert just left him down in one of the old cells for three days. Didn't even check on him, that bitch. And then when Billiam game back, suffice to say he was PISSED. He may be a rich bastard who causes murders biweekly, but even he has standards, and hurting a damn 7-8 year old child that bad was not one of them. he can't be held responsible for child labor, bu followed him home by his own choice. again, another whole backstory thing

Bu's genderfluid! He usually switches between he/him and they/them, and the direction he nods is a little indicator of which one(up for gender, down for no), but sometimes he uses she/her. Adding on that, due to Weird Enderman Genetics, he can manipulate his hair to grow real fast and likes to experiment with it in the mornings for Maximum Gender Euphoria This means that one day his hair could be barely touching his neck, and the next it's all the way down to his waist. It's a fun little anomaly and sometimes Billiam likes to play with it when it gets longer :3 travelling on the lgbt train, Bu is also ace/aro! This doesn't have much impact story-wise(usually), but it's just a fun little tidbit :3 On other, more Ender notes, he has pretty much all the traits an Enderman does, even if he looks fully human aside from being 6 inches taller than Sir Billiam himself. With the eye-contact thing, I've got a headcanon that Endermen can kind of read minds to an extent if they look into another entity's eyes, but it gets loud and borderline painful if anything but another Enderman does the same. Meanwhile, Bu's about the perfect mix of an Enderman and a Human(later called Players and Villagers depending on their capabilities) to be able to take at least a few seconds of eye contact. He can also teleport! To about the same extent as Endermen, if not a little less. Unfortunately, spending too much time in the void between teleportations(i.e a few hours for him, though an hour in the void is a minute in reality. It's why teleporting happens in the blink of an eye to anyone but the user) has some adverse effects. Bu's either glitched, gotten some sort of void-sickness like a flu but worse, and/or lost large chunks of memory each of the separate times he stuck himself in there for too long. Pure-blooded Endermen have a longer tolerance, but even they can succumb to the void with enough time.

Bu's also hurt by water, and the first time Billiam really figured this out is when he dragged him to the roof because it was raining and for some reason, Bi really likes the rain. Bu, on the other hand, was hospitalized for a day once Billiam actually realized, "oh, he's burning" Unfortunately, Bu can still produce tears, so he's got some scars on his cheeks and hands from those, Luckily, though! Billiam got him some gloves and a facemask reminiscent of cc!Ranboo to hide those scars because bu's. really self-conscious about them :,D

But also he's got TOE BEANS,

[ahem] So Endermen are basically giant block-holding teleporting cats and no one can convince me very much otherwise. So on the one hand, they have giant hands shaped for holding blocks. On the other hand, T O E B E A N S

So Bu's got beans on the pads of his fingers and feet(which also end in claws with a black gradient because Peak Character Design <3). Billiam likes to hold his hands on the rare occasion he doesn't wear his gloves because mans likes to stim with those toe beans. Meanwhile Billiam himself has nicely-textured hands because of his Piglin hooves and Bu also likes to stim with them, so just. them holding each others hands for mutual stimmage

[ahem] anyway

Bu stims!! He flaps his hands and does thing really rapidly and harshly when he's really high-strung, which doesn't happen often, at least in front of people. Boy's got anxiety so he's had his fair share of panic attacks :,D he just knows how to disguise them so people don't see, but Billiam knows the signs at this point. But he also has a lot of vocal stims/tics, mainly lots of Enderman noises, some popping and a little screechy thing here and there. Sometimes he picks up a sound and then repeats it a whole bunch because it feels nice on the tongue :] there's also these poofs of particles that happen when he's happy, they look like mini purple fireworks and they're like an expulsion of magic, he can feel when they happen and it feels nice :]

(cw for self-harm in this paragraph and the followed copy-pasted convo)

[ahemhemhem] So y'know how Butler's an Ender-hybrid? His hands and feet reflect that(along with the ears, the eyes, the height, the abilities, but we're talking about about the hands here). Part of why he keeps those gloves on almost 24/7 is to dull his claws, which are not so much an intentional danger to others rather than an unintentional danger to himself. He's got tics and stims and is very neurodivergent and has anxiety(me projecting? noooo /hj), so he gets very nervous very easily. And one of his nervous habits rather than wringing his hands, fidgeting, and (if really bad)a heightened amount of tics, he tends to scratch at his arms. His claws can tear through the fabric easily, and more than one or two suits have been sent back to the tailors for repairs to the sleeves. However, having both padded sleeves and padded gloves nullifies that, so he always wears them special-made. If he didn't have that habit, he likely wouldn't have the gloves on as often as he does.

Friend Hey good headcanons 👀👀👀👀👀👀👀 Also ohhhh my god Billiam fussing over him and his gloves until he gets them to be the right amount of padded where Bu can still do things but also not hurt himself

Me gbfhdgbhgsfhbgsfdhdf He keeps examining them every time the tailors try but it doesn't feel right until That Specific Try so he just plops the gloves back on the counter and says "Do it again"

Friend They spend an entire day doing nothing but making gloves while Billiam & Hubert take turns watching Butler to make sure he stays safe

Me Absolutely Problem is Butler can feel eyes on him. And eyes make him nervous :,) so when he gets nervous. he starts to scratch at his arms again and anxiety is too much for him to ask them to stop watching him

Friend It ends up with them just having to hold his hands, looking at random things (they can go sit on the balcony or something so they have something pretty to look at)

Me That hold on actually that's adorable-

Friend Fhhdjdjdjsjsj they're friends your honor

Me Absolutely Even Hubert contributes to keeping him safe. And Hubert's afraid of even being near Butler

Friend And then we get bonding via the oh no Billiam is busy and Hubert has to take care of Bu for the next 3 hours

Me GHDSFGSHFGS THAT IS A GREAT IDEA Butler insists he can do everything himself, nothing's different about the routine, and then he has a mental breakdown when he tries to make food without anyone else in the kitchen- Cause usually Hubert's there, even if he's making something else. There's at least another presence, and that's the sort of thing that's calming for Bu. But Hubert's off setting up the table for lunch/dinner or something and Butler makes One minor slip-up and spirals from there until he's struggling even handling spice mixing The same thing happened with cookies one time, and both times Hubert found him borderline unable to function because he panicked too much and helped him out of it.

Friend Butler is just curled up in the kitchen, trying to have a quiet panic attack because he can't cause the others any more trouble than he already is, and Hubert is very quietly upset about helping him because he was doing so good at avoiding Bu but here he is again being the only thing that's letting this kid breathe

Me Absolutely

Friend Do you think Bu passes out on him? Like Hubert (probably reluctantly) gives Butler a hug cause those help, and Bu was just supposed to stay there until he felt better, but panic attacks are exhausting and he fell asleep at some point-

Me Oh my gods he would though, especially with the amount of sleep he gets He'd have to try so hard to even stay conscious, much less do things in the manner he usually does, and Hubert just quietly tells him that it's okay to sleep; he'll take care of everything. Hu never forgets that of course Bu's always in danger around him - he has fleeting thoughts and quite often knows how to act on them - but he stands up holding an exhausted child and takes him to his room so he can rest. Butler may want him to stay; Endermen usually want someone around when sleeping. It's the security of having someone watch for nightmares, but Hubert doesn't stay. He has to go back to the kitchen and finish that meal Bu was making. But if he's still asleep by the time Hu's done with everything, he might linger outside his door, listening in for anything bad.

(Okay the cw is over now, you may now go back to your regularly scheduled content :,D)

Also, one last thing: Billiam gives Butler a bunch of gold things(including the masquerade mask) because that's what Piglins do with their sounders, they cover them in gold to show they care. And after Bu finding out the reason why Billiam's been handing off a bunch of gold things to him he does not cry, because that would hurt his face, but he does feel quite a lot of things that make him want to because holy shit Billiam feels the same

Butler is Billiam's sounder and Billiam is Butler's haunting, they are family your honor

[eviclair]

I don’t know if I’ve ever heard of your actual thoughts(tm) on khr, so what’s your constructive review on the series as a whole? Like some positives and negatives w/ the writing, characters, etc. If u don’t feel like answering, feel free to ignore this LOL.

 tl;dr because this is 800 words of nonsense. i think you should know i would not know a constructive review if it bit me in the ass.

my guy i have not done a full read of khr in maybe two years and i know that does not sound like a long time but i have the long-term memory of a fruit fly. please bear with me. luckily for both of us i liveblogged the last time i read so i at least have my own sparknotes jdflaksjddaf

first off! khr is a satire manga!!! i cannot stress this enough, i can and will fight you to the death about this!!! “oh but it gets serious later” it grows a PLOT, thats not the same thing. khr is stupid as hell and that is both on purpose and my favorite thing about it.

i fucking love shonen man!!! its all about FIGHTING and LOVING YOUR FRIENDS and HAVING EMOTIONS and. bro im a water sign. my mars is in gemini, there is nothing i can do about this, god made me and said “get that bitch some found family and also some incredible violence” and we all just have to live with that. 

khr is so much all of those things that i did not realize they were being made fun of until very long after the fact so my current opinions are very much not the ones i started with jaldkhjdfhd but man. once i clued in i both loved it so much more and became 100% incapable of interacting with fandom in any meaningful way L M A O

i just. the main conceit is that theyve weaponized the deus ex machina eleventh-hour shonen power up. the “my dead family came back to life to kill me” trope is used three separate times. the big bad student body president is a delinquent. theres an entire subset of above magic god powers thatre just

the tyl bazooka was just ripping on the Timeskip Arc until the Timeskip Arc actually happened?? like fuuta’s special thing is that he can communicate with the Meta Planet to divine Character Rankings, i dont know what to tell you!!! the truth is out there!!! 

like DO YOU EVEN REMEMBER that time tsuna experienced a villain’s flashback sequence FOR HIM because i fucking do, i think about it every day,

so in the sense of “please critique the writing”, i cant do that because im pretty sure 98% of all the tropey bullshit is by design. do i wish people like the kokuyo gang got more characterization outside of being ride-or-die villain sidekicks?? of course i do but thats my own damn fault for seeing cool side characters and losing all higher brain function. on the other hand, hibari being the person he is and having absolutely no backstory or motivation beyond “get out of my school” is really fucking funny and keeps me warm at night, so. win some, lose some.

(the 2% of the writing that isnt tropey bullshit that i CAN critique is whatever is happening with kyoko. Bad Female Cast is definitely a shonen trope but its a shitty one and i want it to die. within maybe four minutes of kyoko being introduced she tries to body a man and then thats just never spoken about again?? wheres that energy queen?!!! let kyoko say fuck!!!!)

((this applies to haru too in the sense that all she really does is make moon eyes at tsuna but the way in which she does so is honestly so fucking funny and unhinged that it comes back around to being great. like yeah yep yes ma’am thats 100% bonafide Girl Who Throws Skittles In A Puddle And Calls It Potion right there please may i have another))

If khr took itself even 4% more seriously it could be really deep and compelling and i think that frustrates a lot of people, but i think i like it better this way?? half the fun for me is reading in between the lines!! the subtext, however unintentional it may be!!

examples: yamamoto is one of my favorites just because theres SO FUCKING MUCH to unpack about him!! canon gives us a lot of information about him just by virtue of the fact that he’s a Main Character, but paradoxically he himself is never really the focus. he just Does Shit and you have to figure out why on your own and i LOVE DOING THAT.

i dont love mukuro because he’s a fleshed out and nuanced villain, i love him because he says shit like “i went to hell six times” and never expounds upon that or “i can definitely trust the information i got from this magic monocle called Demon Spade’s Super Evil Murder Eye or whatever the fuck” and then expresses surprise when daemon spade is an asshole. he goes and willfully fucks up the only job anyones ever given him (impersonate 80 year old leonardo lippi) because he Just Has to shapeshift into a young hot dude and hand deliver byakuran, the boss of the Flower Family, the Family that names all its members after Flowers, a bouquet that means “i am in disguise ;) cant catch me bitch ;)”

like WHAT THE FUCK!!

i dont know man. i just like puzzles and khr is a gift that keeps giving.

(sidenote that should’ve maybe just been the subject of the post but re:i cant shut the fuck up about anything ever, i love tsuna so much. so much. his personality!! his relationships!!! his growth!!! his growth!!!!! his growth!!!!!!! khr has its claws in me because i see tsuna do something cool or brave or even deeply stupid actually and my whole heart goes AAAAAAAAA bc thats him!!! thats my son!!!!! my baby boy whom ive raised since birth!!!!!! suit me up and call me a reborn kinnie, fuck!!!!!!!!!)

[motivatedtale-blog]

About Motivatedtale

.:Contents:.

.:Author’s Note:.

.:Summary/Idea:.

.:Characters:.

Motive

Unmotivated

.:Stray Facts and Resources:.

FAQ

Rules

.:Inspiration:.

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.:Author’s Note:.

   Hey, so I've noticed this a long time ago but I’m just now confronting it since I got my computer fixed- it seems pretty impossible to reach the “About Motivatedtale” on mobile, even with the literal LINK to the page (I could only sort of access it through some loopholes in a browser- and the link just took me to my Tumblr instead), so I wanted to compile the information that’s in there into a post for any mobile users who may follow this blog. I’ve got more followers here than my art blog-- so even if there’s not much interaction each post, I think there’s at least a few people who might not have access to an about page here. Changes are very likely to be made and things will be added occasionally :)

.:Summary/Idea:.

 “Have you ever wondered what happens to creations when a creator gives up?”

 Motivatedtale is essentially an abandoned AU with no finished story or a plot. Which, ironically, not having a story is the story itself. It’s a tale about how the lack of motivation (along with other things like self doubt and lack of interest) in a Creator leaves a story unfinished, and with no reason to exist, no story, the AU is crumbling into nothingness, as it is being forgotten by the only one who knows about its existence- the Creator. However, there’s two characters in it that have to deal with that burden of having no ending or reasons to exist. And they’re completely aware of what’s going on.

 At least, the first one that was created is aware, because they were made to be that way. They inform the only other character (Frisk/Motive) about all of this when they meet. They’re a Sans of course (which is sort of a self aware joke because a lot of people either start with the Sans of an AU when creating characters, subtly revolve around a Sans of an AU in a story, or the entire story literally and shamelessly revolves around a Sans. This is not an attack on anyone). This Sans goes by Unmotivated, and is quite bitter about existing.  These characters have no finished story, no destiny, and no purpose. Being self aware of this can be a great burden on hope and happiness; ignorance is bliss, after all.

 What the AU would’ve been if it was “completed” is unsure.

 How the story ends is not fully decided or meant to be disclosed (for now), but even if this AU is finished or not, it is already technically complete. It symbolizes a project that is given up on; a project that is abandoned, and what would happen if the characters in these types of projects were conscious about this- if our ideas existed somewhere out there, somewhere where our decisions, intentional and unintentional, have a serious affect.

 So, if this AU is abandoned, it’ll be quite ironic.

~~~~~~~~~~~~~~~~~~~~

.:Characters:.

Motive

    Motive is the Frisk of this AU, and one of only two characters that are in this AU. Motive was created after Unmotivated, but the coloring of their design was given up on towards the very end. Their sweater is unfinished because the creator gave up on them due to being overwhelmed with empty and destructive thoughts, but the outline/shape is still there. The sleeve usually is never shaded/effected by light.

  Motive is an optimist, and believes that their AU will one day be finished. They have the soul of motivation, which is outwardly visible and tied to the loose hanging strap of their overalls. They don’t have preferences in pronouns (though they/them is usually the default), and calling them by any pronoun is fine (she/he/they/it..it really doesn’t matter, honestly).  

  Motive acts impulsively a lot of times and does not think of the consequences of their actions…or, they do, but they choose to move forward with their actions anyways. Since optimism is one of their key traits and it’s exaggerated and simplified in their character and logic, it can result in some bad outcomes. The same goes for their impulsitivity. They’re not that serious natured, and act more like a child than a young adult (despite being 18). However, they do make a lot of (sometimes unnerving) jokes that could be considered uncomfortable, but they mean no harm. While Motive is quite intelligent and empathetic, they’re distracted quite easily and might say or do inappropriate things during certain situations.

  Since Motive is technically a new character and was not fully developed by their Creator (backstory, powers, etc), their underdevelopment as a character is actually a big part of their development as a character. 

(More is to be added later)

Unmotivated

 The Sans of the AU, and the first ever character created (which again is poking fun of the idea that people usually start with the Sans of the AU for characters). Unmotivated is bitter and cynical towards his existence and his Creator, and is completely aware of the multiverse and AU Creators. A big fourth wall breaker. He’s apathetic, bored and often paints himself as emotionless and uncaring to hide any hurt/feelings of helplessness. He bottled them away a long time ago.  At first, Unmotivated was hopeful about his AU, but he was alone for an unspecified but long amount of time in his AU, and was driven to toxicity and bitterness during that time. He’s seen his universe grow, halt, and then slowly deteriorate- he has seen new ideas come and go, and is helpless to stop the rampant decay of his universe- his home- his story. He’s overall a pretty lonely character. 

When or why he got the nickname “Unmotivated” is unclear- but it’s definitely supposed to be a pun. He hates the name but finds it funny and ironic at the same time. 

  Unmotivated’s soul is held by a string that is woven into his rain coat. He considers this to be poor design choice but doesn’t really do anything to fix it. He often keeps his soul in his pocket for safe keeping.  (More is to be added later)

~~~~~~~~~~~~~~~~~~~~

.:Stray Facts:.

• The AU resets (sort of like an update) each time a new idea is added. This is how Unmotivated is generally aware of Motive when they’re created. • The “Creator” resembles anyone who has abandoned or given up on their projects or ideas. This isn’t meant to put people that do this in a negative light.

•The white of Motive’s sleeve isn’t meant to be shaded since it’s “incomplete.”

FAQ (most are from amino since not many people ask here)

- What was the AU supposed to originally be before it was abandoned?

 This is undecided and left up for interpretation. However, based off of the design of the current characters, it can be safely assumed that the AU was supposed to be more lighthearted and cutesy. There are random bits and ideas spread throughout the AU that give glimpses to what it could’ve been.

- Can I draw fanart of these characters?

 Of course! I’d be honored to receive fanart and would love to see it! Just please keep things appropriate if you do.

- Is Ink Sans or Core Frisk going to be in the comic?

No.

 I’ve gotten asked this several times, and the answer is no. Doing this would completely ruin the theme and point I’m trying to get across with this comic. This story revolves around a Creator and their Creations, and there will be no other characters made by other people.

- Are Motive and Unmotivated shipped together?

NO.

 It’s fine as a joke but please realize they aren’t. This isn’t an AU centered around romance and would distract from the goal of the comic if I had that. While I’m not anti-frans in any sense, I still don’t want it in my comic.

- How often do you plan on updating the comic?

  Each page is published whenever I finish it nowadays due to stress of a schedule. I post them in bulks of 2-3 on amino and twitter, and whenever I finish the page on deviantart, instagram and here.

- Is the Creator a character?

 Yes, and no. The Creator represents not only myself, but any artist that has struggles putting their creations out there due to insecurities or other causes. They’re more symbolic and fluent rather than a structured and identified character. Of course though, if there is any introduction of the Creator, I would have to give them some sort of design- and I do have general ideas of what they’d look like. However, they’re still supposed to represent a broader group of people than just myself.

- What does Unmotivated think about other AUs/Sanses?

 Unmotivated has an apathetic mindset when it comes to AUs and other characters like him. He’s incredibly self aware and sees a much bigger picture. He knows characters are just pawns to their creator, and won’t get fazed by any story. Sort of like watching actors in a movie while constantly reminding yourself that they’re just actors. However, he is quite envious of anyone with a complete and happy storyline, since that’s something he lacks but yearns the most. That’s something he wish he had.

 Keep in mind Unmotivated and Motive cannot interact or travel outside of their AU, and no one can interact with their AU except the editor/creator.

Rules

• Please do not publicly RP with these characters unless given permission. This might be changed after more of the comic is complete, but I do not want these character’s personalities to be strewn.

•  Please do not draw or write NSFW with my characters– I am a minor, and a large part of my audience are also minors.

~~~~~~~~~~~~~~~~~~~~

.:Inspiration:.

  Alright, this part is going to be a lot less formal and more personal. The idea for this AU came from my own self doubt and self destructive attitude as a creator. Doubting my own works and ideas has seriously held me back for a long time, and it STILL holds me back as I’m sure it has for many, MANY other creators like me. Musicians, artists, writers.. Almost all of us have that fear of trying out a new idea or making something you usually wouldn’t. Almost all of us have felt that crushing self doubt when you see someone better than you, and you tell yourself you’ll never be like them, your art will never be that great, you’ll never get that far…so on, so on.

  So, while I was trying to come up with an idea for an AU (which I had actually been considering for well over a year), the thoughts crept in.

“no one will like this”

“there’s enough AU’s”

“you’re unoriginal”

“this is a waste of time”

“the fandom is dying”

“you have horrible character designs”

“AU’s are overrated”

“this doesn’t fit your audience”

“people will judge you”

“you never finish anything”

“this is stupid”

“your art isn’t good enough”

“you’re not good enough”

“someone probably already came up with this idea”

“no one cares about your idea”

“no one would bother with your art”

  And ironically, all these thoughts gave me this idea.

  Even so, these thoughts have still been nagging me every time I even try to work on this, and it’s been taking a lot of courage to take on the heap of anxiety I have over something so harmless. I didn’t join the Undertale fandom for over a year simply because I was afraid of being judged for my interests,, fun fact. Never thought I’d be able to make an AU. I’m still quite nervous posting art of anything that isn’t Mario related for some reason.

  Putting all this to side though, I find the concept of what happens to unfinished and/or abandoned stories and projects interesting, especially if there’s an alternate reality that’s actually effected by your decisions. Kinda like you’re a god. I mean, imagine what it would be like if you had a creator and they just gave up on you, and you’re left with no purpose. Seems like it would suck, haha.

  So that’s basically my AU, Motivatedtale. If you have any thoughts or questions, I’d love to hear them. Thanks for reading if you did!

[amandajoyce118]

Agents Of SHIELD Easter Eggs For My Missed Episodes

Okay, so I fell very far behind the last few weeks. Work has been busy and exhausting, freelance work has been busy as well, and the state of the world in general here in Florida is pretty much the apocalypse. So, this Sunday, I binged the episodes I’ve missed. The Easter eggs are under the cut (or whatever tumblr calls it, I am livejournal old.) just because this is going to get long.

We’re starting with S7E07. Yes, that’s how far behind I am.

Obviously, there are spoilers, but since I feel like everyone else is ahead of me at this point, that’s probably a given. If you just want to escape the world for a while, have some Easter eggs.

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S7E07 “The Totally Excellent Adventures Of Mack And The D”

The title

It’s a reference to the time traveling adventures of Bill and Ted, of course.

River’s End

This is the town just near the Lighthouse. It’s the town where Deke first materialized on Earth back in season five. 

Run SOP7.07

When Russell gets the computer from his old classmate to check out, this is what’s on the screen when he boots it up. I think we all know that’s a reference to this being the seventh episode of the seventh season if you catch it on screen. The writing on the first print out kind of looks like Kree writing, but I think that’s just because all of the alien writing in the show looks Kree. (This whole sequence has nods to War Games, Weird Science, etc.)

Mack’s Model Car

The ‘67 corvette is the first model car Mack intends to take to his younger self and his brother. He puts it together instead. That’s the same model he tells Coulson he and his dad put together when he was a kid when he tries to convince Coulson to let him work on Lola in season two if I remember right.

Swayze’s Bar

Anybody else get a Roadhouse vibe, or just me?

“Don’t You Forget About Me”

I get that this song is probably chosen for the recognition factor, but I feel like it’s also Deke’s not so subtle way of asking the team and Mack to not forget him in 1982/3.

Deke Squad

The way Deke introduces them to Mack is an homage to the A-Team, right down to the music. Honestly, the pop culture references are many in this episode, and I probably won’t list them all because there are just so many 80s references.

The Chopping Mall Homage

Okay, this one I will mention because the director for Chopping Mall clearly didn’t understand that the show wasn’t ripping him off. Though there’s a lot of robotic references (like the Doctor Who Dalek “exterminate” from the Sybil-bots), the episode borrows a lot from Chopping Mall when it comes to the design of the robots.

Deke Speaks Russian

It’s clearly a FitzSimmons family trait to pick up on languages. Every time there’s a hiatus or significant time jump, it seems like Fitz, Simmons, and now, Deke learn a new language. Also - Russian is the language Bobbi is surprised no one knows in season three, though Daisy knows a few curse words.

Nathaniel Malick’s Look

Just me, or does he seem to be borrowing from Grant Ward’s season three closet?

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S7E08 “After, Before”

The Establishing Shots For Afterlife

They look to be reused from season two, which probably saved the show a little money.

Jiaying In Blue

This is probably just a coincidence, but I like that they put her in blue for the episode. Why? Because when Raina is so determined to find out her destiny, she talks about stories her grandmother told her about “blue angels from the sky.” We know that’s the Kree now, but still, it’s a nice, likely unintentional, callback.

Elena’s Memories

The shrike is from last season. Ruby’s death is from season five. Tess’s death is also from season five. What they all have in common is guilt, May’s not wrong about that, but also Elena’s impulse control.

Abuela’s Necklace

That necklace is the same cross from season three that gets passed around the team in the finale, ending up in the quinjet bound for space that Hive and Lincoln die in. Elena’s remark about her father getting mixed up with bad people? That’s possibly a nod to her father being a supervillain in the comics.

“Time, Space, it’s never stopped us before…”

Nice nod to all the things Fitz and Simmons have been through over the years, and their remarks about the worst things they’ve been through in the past as well.

Kora And Nathaniel

Okay, so the dynamic between these two with Nathaniel convincing Kora to join him reminds me a whole lot of Ward convincing Kara Palamas to join him. It’s also what brought Daisy to Afterlife in the first place - the idea that her found family was afraid of her - but she realized the error she made eventually.

“You’ll bounce back.”

They’ve been saying this about Elena all season in regards to her mental state and her powers, so I’m glad this paid off with her figuring out real super speed instead of her dying. She’s now evolved beyond her comic book counterpart.

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S7E09 “As I Have Always Been”

The title

It’s obviously a nod to Enoch’s line, but it’s also been said in the series before. Sybil has used the phrase “as I have always been” before, so it’s clearly a Chronocom thing.

The title card

I like that every time it’s a weird space/time story instead of defined by the decade, they’re using this particular title card that’s reminiscent of the one from Jemma being trapped on an alien planet.

“People like you.”

We can all agree Daisy reminds him of Peggy, right?

Removing the Implant

The images on screen when Daisy removes Jemma’s implant looks eerily similar to when Jemma removed files from a guy’s nasal passage way back in season one. I guess the special effects used for the computer screen is similar. 

Enoch’s “heart”

Him simply pulling it out of his chest is not unlike Tony Stark pulling out the core keeping himself alive in the Iron Man movies. I also like that they equate this with Enoch’s heart in the same manner that Pepper Potts equated Tony’s with his.

Enoch’s Loneliness

Not really an Easter egg or a reference, but what Enoch describes, I think, is how everyone feels about found family storylines in shows like this. You find something you need in them and don’t want to let them go.

The Water Glasses

Interesting choice to train Kora with glassware. Daisy did that too. (Side note: how old is Kora supposed to be? She said she’s felt dangerous “for years.”)

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S7E10 “Stolen”

The Title Card

I feel like they just get more and more 80s with every episode.

John Garrett’s Backstory

It’s almost word for word what Garrett explained when he was revealed as Hydra in the first season, right down to him holding his guts in his hands.

Durant

So, Malick calls the guy getting Lee’s powers Durant, but I kind of wonder if he’s meant to be the father of Durand. Gerald Durand is a mercenary in Captain America: The Winter Soldier. He works with Batroc on the Lemurian Star, hired by Hydra.

“Long haired creepo stabbed you with a pointy stick.”

That was Loki. John Garrett got to watch Avengers a few decades before it was released.

Sousa’s Stolen Moment Comment

I feel like that’s kind of a nod to Endgame and Steve becoming Peggy’s husband. Because all Steve wanted was a chance with Peggy and he didn’t care if that messed up the timeline. Sousa would give anything for just a moment, never mind a whole lifetime.

“If The Job Was Easy, It Wouldn’t Be Any Fun.”

The quote is a variation of one Garrett says when he’s originally in the show and both Ward and Trip are familiar with it. (He says “everyone would do it” instead of “it wouldn’t be any fun.”) I guess it’s something of a catch phrase for him.

The Room Holding Coulson and Gordon

That’s the same room that Cal destroys with his super strength when he’s not allowed to see Skye (Daisy) in season two.

“Best Day Ever!”

It’s kind of odd to what Garrett using this phrase since it was Cal’s, but I guess in a Jiaying heavy episode, it makes sense.

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And that is it. I am caught up. It is unlikely that I will rewatch any of these to add more just because I’ve been so busy, so if you saw something I missed, feel free to let me know.

[thirteenthspirit]

Not a Very ‘Organized’ Organization (XIII)

I thought hard about this week’s topic of choice. Brexit was on my mind - I pondered about doing a comparison between parliament’s never-ending struggle with delays and failed agreements, vs Harvest Moon’s unending gameplay, farming and shipping and eventually marrying and digging in the mines and COLLECTING ALL THE DAMN SPRITES in that DS one. But that’s as far as it goes… I didn’t think I’d be able to milk it like those cows (hey!).

Speaking of Hey, I still want to get Space Channel 5 in there somewhere, those Chu’s and Hey’s have been on my mind like crazy…

So I settled on writing about one of my favorite topics – Organization XIII!

Organization XIII was always one of my favorite parts of the Kingdom Hearts series. They are cool and mysterious and (debatably) heartless, ranging everywhere from the mute heavyweight champions (*cough* Lexaeus *cough*) to the twink rockstar wannabes.

So, Organization XII is, like the name implies, a group of 13 nobodies – wait, scratch that – a group of 14 nobodies (eyeroll) who have banded together to… um… depends on who you ask. And in which game. Their primary goal was to be whole, to be granted a heart/soul, even if practically EVERY ONE OF THEM had a different agenda and there was a whole underlying separate reason for the creation of the Organization. NO WORRIES, let’s stick with that, because it’s more fun.

Ok so, breaking down the members, should we go by number? Order of appearance? Relevance? Element of choice? Maybe click (you know, high school clichés)?

Well – first you have the Mains. Roxas (no. XIII), is the counterpart of Sora, the main character in the whole series. So you know he’s gotta be pretty high on the list. The most interesting thing about Roxas is surprisingly NOT that he’s voice by Jesse McCartney, but the duality of elements he controls. Light and Darkness are everywhere with this guy – his outfit has chess squares on it and he wields both Oathkeeper and Oblivion, not to mention having an incredibly sad and traumatic origin story! He’s like, a slightly smarter and moodier Sora. I like Roxas, I’m sad they didn’t give him anything to do in KH3. Dual-wielding keyblades is pretty awesome and his light attacks can hit pretty hard. One of my favorite moments of the series will always be his fight with Riku in the secret ending of KH1, over 10 years ago! Seeing Roxas clash with Riku in mid-air in front of that clock tower (not to be confused with the one from Neverland – I mean England) really made my heart race as a kid. He can also boast to having shared quite a couple of awesome struggles (go Vivi), with Sora in that “Station of Awakening” place where Destati usually plays, and then with both his best friends - while trying not to be kidnapped by his “Flurry of Dancing Flames”, best friend Axel, and when dispatching Xion.

Xion (no. XIV) is a “puppet”, made to take over Roxas’s place and role in the Organization, should anything happen. She is an interesting character, tragedy befalls her and her journey with coming to the realization that she must sacrifice herself for Sora’s behalf (in order for him to become whole again) is a beautiful one to see. Vector to the Heavens plays when you’re fighting Xion for the last time, ending with Roxas effectively killing her and is a beautifully crafted piece. Xion suffers a bit from that ‘unintentional retcon’ where she didn’t really have a place, story-wise, and was created solely for 358/2 Days. So she was effectively written-out of the main storyline until the later games, with every character practically forgetting about her (literally losing their memories of her).

Rounding out the trio is one of everyone’s favorites – bad-guy good-guy Axel (no. VIII). Axel’s portrayal changed throughout the series. In CoM, he is responsible for unmasking a conspiracy and dispatching rogue members of the organization. He is the de-facto assassin. With not a hint of remorse. As his friendship with Xion and Roxas builds, he regains access to some degree of emotion – perhaps it’s caused by the (stick with me on this one) Lea-Ventus-Sora-Roxas-Axel connection, or perhaps he grows a heart, sitting on that clock tower overlooking the (ALWAYS SETTING) sun of Twilight Town and eating sea-salt ice cream. Eventually he turns on the organization, proving his loyalty is to his friends and even joins the main cast as a Keyblade wielder, turning the tides on some occasions (he really makes the end of DDD worth it). It helps that he has a wicked-cool design. His element is Fire and he wields twin Chakrams, boasting two tear tattoos and incredibly spiky hair. His relationship with Kairi is a cute element to the story, I wish (aside from some more combat or like ANY AT ALL) they had more scenes together and overall relevance to the main storyline. My favorite moment, aside from him rescuing Sora from his peers in DDD, has to be when he executes Vexen in Castle Oblivion.

From Axel, the most closely linked member, aside from Roxas and Xion, is SaÏx (no. VII). SaÏx is a warewolf. The moon sends him into a trance and he is often plagued with anger management issues. Berserk is his Nirvana. Him and Axel go way back and there is still a storyline to be uncovered there, judging from the secret reports found in KH3. In the end, his motivations aren’t really clear and fully explored, so his presence is not much more than Axel’s right arm, who happens to have a big “X” scar on his face. Sorry SaÏx – maybe see a therapist. At least you got a happy ending! SaÏx was one of the last Organization members to fall, in KH2. One of the last defenders of the Castle in (one my my all-time favorite KH worlds), The World That Never Was.

Another of the final defenders and members of the Organization to be vanquished at Sora’s had is – *drumroll* arguably MY FAVORITE OF THEM ALL, the incredibly hot and suave Luxord (no. X). Now – this guy is blonde. Has facial hair. Earrings. A British accent (maybe that’s just in my mind) and makes me look up his voice actor just to drool over that sweet sweet voice. He is the “Gambler of Fate” and shows up in the POTC world to basically taunt you and play a few games. Everything’s a game to this guy, even fighting. Which I can’t say he is great at… For someone able to control the element of Time, he’s kind of a pushover. But he’s still got a place in my heart – and maybe we’ll get to see him again, since he was the one who gave Sora that “wild card”… “Parlay!” more like “Let’s play strip poker pls”.

Who next… well let’s round out the oddballs with this guy. Ladies and gents, fans of the underground metal, garage bands and mohawks – I give you… Demyx (no. IX)! The Melodious Nocturne! …although there is nothing ‘nocturnal’ about him. This guy irradiates happiness and excitement and joy. I suppose he is just pretending, since Nobodies can’t really feel, rather they remember what it was like. Dem-dem too is a fan favorite. He is very young and has a different disposition than the rest of the members, he’s just your lazy, average Joe that just wants to spend his days jamming out on his Sitar. He is the first Organization member to fall in KH2, and is considered “not much of a fighter”. I would obviously disagree with this BECAUSE DANCE WATER DANCE MOTHERF***** is hell. Hell! Still, Dem-dem brings some lightheartedness to the game and the entire group, so he is a welcome addition. He is shunned even in KH3 but that’s just a side note of his… personality traits, I suppose. Never forget when he ‘drops the act’ just before turning on Sora, before what would be his final battle. Demyx controls the element of Water.

And since when it rains, it pours; and when it pours, usually it thunders (at least here in Portugal), that seems like a decently-crafted segway to the next member – Larxene (no. XII). Larxene is… a bitch. I don’t say that lightheartedly, I consider myself a feminist and I never forget that quote “when a man is assertive, he’s called a Boss. When a woman is assertive, she’s called a bitch.” But Larxene is just MEAN. She’s the mean girl of the bunch – together with her GBF Marluxia. Larxene poses some of the hardest fights in CoM but sadly, and like most female characters in this series, she’s shunned in favor of other members. This is a critic I have with the entire KH series – Aqua is virtually my favorite character but she’s really the only female character that is given storyline, relevance and overall strength. And like most fans I was DYING to see Kairi kick ass in KH3, but… we all know how that went. Not much to say about Larxene, her lightning-fast attacks and knives give her a pretty sharp demeanor and she’s not afraid to play every trick to her advantage. Standout moment is, unfortunately, her demise in CoM, fading into darkness. Oh and that laugh.

Larxene’s ‘somebody’ appears in KH: Unchained, together with Marluxia’s somebody. Marluxia (no. XI) controls the attribute of Flowers.

Yes.

Flowers.

He also boasts pink hair and – the best part – a huge pink scythe. His nickname is “The Graceful Assassin” but aside from plotting to overthrow the Organization and posing as the main antagonist in CoM, he doesn’t really do a lot of killing. The fights against him in KH2: Final Mix are among my favorites, especially with that countdown as he swings about the field. It seems he has quite a role in the Mobile game, so maybe we’ll get to see more of his backstory in the future. His final parting words were somewhat mysterious. Together with Larxene and a sneaky Axel, Marluxia betrays the Organization and his fellow members in Castle Oblivion, for his own agenda.

The assignment to Castle Oblivion introduces us to 3 other members of the organization – Vexen (no. IV), Lexaeus (no. V) and Zexion (no. VI). And 3 character tropes. The mad scientist, the jock, and the emo kid.

Vexen, aka “The Chilly Academic”, controls my favorite element, Ice. He is, ironically, killed by Axel in a flurry of flames, in a very dramatic moment in CoM. Vexen merely wants to conduct his experiments in peace – he doesn’t care who rules, what happens to the worlds, even who might or not be possessing him. He only cares about his “Replica” program. The Replica program consists on the creation of “puppets”, bodies able to function who are only missing a heart. He plays quite the role in KH3, effectively redeeming himself. Vexen is one of the creepiest characters around – he has long blond hair and green eyes, but really that ‘mad scientist’ vibe is all that transpires. Shout-out to his English voice actor, Derek Stephen Prince, for giving him a creepy vibe. He’s not much of a fighter, with his weapon of choice being an icy shield called “Frozen Pride”.

Zexion is one of the younger members of the Organization – perhaps even younger than Demyx. He is also arguably one of the smartest. Like Vexen, he cares mostly about his research and specific topics of interest *cough* Riku *cough*. However, his young demeanor reflects some innocence – he is the only member you don’t fight against in CoM, ending up murdered at the hands of Axel (with a little help from a Replica…). I really like Zexion, to battle he wields a book (the Lexicon) and would rather dazzle the opponents with some crafted illusions than hit them hard. He is one of the most prominent figures in KH3 and his reunion with his Master, Ansem the Wise, is very touching and reveals once again his innocence. He is often accompanied by Lexaeus, who is essentially a shadow of Zexion, a silent guardian to the smaller member. It is suggested he has been protecting Zexion since the latter was a small child.

Lexaeus fights Riku at one point, effectively forcing Riku to unleash the darkness in his heart just to defeat him. The Organization member is a towering figure and barely ever talks – he is just muscle, but emanates a safe and caring feel outwards, especially in his interactions with Zexion. To battle he wields a huge hammer-like weapon (which totally reminds me of Rikku’s weapons from FFX) called the Skysplitter and commands the element of Earth.

These 3 members are one half of the initial 6 apprentices, who formed the Organization. These founding members all worked together under the tutelage of Ansem the Wise and range from the scientists like Vexen and Zexion to the guardians like Lexaeus and Xaldin.

Xaldin (no. III) is very much… wasted. His virtually only appearance is in KH2, in his vain attempts to turn The Beast into a heartless. His most evident feature is his sideburns. Xaldin’s sideburns are thick, dark and intimidating. He also wields a lot of lances – like, more than 3, which he uses his wind powers to attack you with. He has a really cool attack where he forms a dragon out of wind and blows you to pieces with. Other than another “werewolf” look, that’s pretty much it. Mickey to the rescue!

Then we get to Xigbar (no. II). Xigbar, or Braig, or Luxu, OR ONE-EYED PIRATE, I’m not sure there is much of a difference, became a usual presence throughout the series. Apparently he’s been around for a loooooong time, ever since the forgotten time of the mobile game. He is a cool dude. His “As If” will go down as a pretty cool quote. Xigbar’s nickname is The Sharpshooter and he immediately stands out from the bunch. We are still unaware of his agenda and interests, not knowing to what extent he is controlled or, rather, he is controlling the narrative. He is overall an awesome character, essentially sniping you from afar with his stylish gun-like weapons. He even fakes his own death in KH3! In what is one of the best moments from the final act. His interactions with the rest of the Organization are always funny to watch, especially with his on-and-off younger lover, Demyx. The standout moment against him is undoubtedly that moment during his fight where he corners you and forces you to run around trying to avoid the millions of blue bullets being aimed at you. One of the best members overall.

And then there was I. Mr. Xemnas (no. I) aka “The Superior of the In-Between” (seriously bro, that’s the nickname you’re gonna pick?) aka “MANSEX” among the fans, aka “Xehanort’s nobody”. He is the man behind the Organization, the one really pulling all the strings. I’m gonna skip the part behind his motivations, they’re murky and the writers decide to change them between games, and I’ll get right down to the cool bits – THE SWORDS. Yes, Xemnas wields two red lightsabers. No, he is not Darth Maul, just a fan. He is calm and has a raspy voice, never really getting too flattered (that one’s yours, Axel). The coolest interaction with Xemnas is the final battle against him. Besides his black and white coat, he eventually summons a plethora of red projectiles which surround Sora and Riku, as they (in a very realistic, grounded and believable moment), deflectem with their respective keyblades. Xemnas ends up falling a bit short when compared with Ansem, Seeker of Darkness… He was just never that menacing of a villain, especially with his always calm behavior.

And that’s it. That’s the full list of the organization members. This turned out to be more of an exposé on each of the members, than anything else. I thought about trying to find real-life personalities to match each of the members, but eventually came up short on that. Organization XIII’s struggle to “be whole” and regain the part of their humanity they had lost – their soul, the ability to feel, always struck me as a really interesting motivation. For quite some time, the idea that you could shed the part of you that is able to “feel” struck me as something good, something to be envious of. I was, of course, wrong – even the dark feelings within us are what gives us the ability to connect and empathize with others.

So be sure to deflect those projectiles, and someone PLEASE give my number to Luxord,

                                                                                               -João A. (Pachiren)  

[matt-eldritch]

Mortal Kombat Akademy

In between my work on the 31 Days of Original Characters challenge, I've begun to revisit my plans for the big Mortal Kombat story I'd wanted to do for awhile; Mortal Kombat Akademy. I've done a lot of character busts with backstory info and I did a sort of "season one" plots but this is something I'm not really satisfied with anymore. I'm gonna spend the new year trying to readjust and rework the overall story and characters to something more workable. Here's a few odds and ends of what I've planned so far;

Story Outline

Shaolin Monks, Lui Kang and Kung Lao, are recruited into the Mortal Kombat Akademy, the secret fighting school located on the island paradise of international crimelord, Shang Tsung. But those who step foot on the island are subjected to terrors beyond comprehension once they learn the true purpose of the school; a training ground for the soldiers of an interdimensional tyrant who conquers by use of a fighting tournaments ordained by the gods themselves. But one of the gods, Raiden, is willing to give Earth a fighting chance by training as many chosen Earthlings as he can so they may finally defeat the forces of evil in the Mortal Kombat tournament.

Kinda bare bones but for plot synopsis go, it helps me sort of make a launching pad for the ideas. Like my original idea, the story is still primarily about Lui Kang and Kung Lao going to the school and meeting/befriending the typical heroes of the Mortal Kombat world, Raiden being their mentor and Shang Tsung being the big bad to overcome.

But the story ideas I had just don’t really cut it for me now. I feel as though I was sort of putting the cart before the horse by putting so much time making elaborate details instead of snowballing one idea to make a big bright idea. I’ve made some titles for them;

Start the Semester!

Tour the Akademy!

Prepare for the First Exams!

Bond Like Your Lives Depend On It!

Learn the Fatalities!

Wills and Testaments!

Survive the Detetionrealm!

Survive the First Round of Exams!

Survive the Second Round of Exams!

Survive the Last Round of Exams!

Party Your Asses Off!

Mortal Kombat Akademy V. The DC Universe: Dawn of Pain!

To give some context to them, I had a storyarc planned; Early on, Raiden would want the Earthrealm class (the class would have Kang, Lao, Johnny, Sonya, Jax, Stryker and Nightwolf) to be friends and allies in order to survive the matches and save the world. Easier said than done when so many personalities were clashing together. And once they learn about fatalities, the class goes through some mental anguish over having to kill or be killed, Kang being the only one vowing to never kill anyone, to the disbelief of everyone else. Things start looking up once the class starts to trust and respect one another and become stronger fighters.

But Kano, on the behalf of Goro’s Class (Mileena, Kitana, Jade, Baraka, Sheeva, Skarlet, Reptile, Tanya and Kano himself) frames Sonya and Johnny for a crime, leading to Professor Quan Chi to exile them to the “Detention Realm” where his goons, Drahmin and Moloch, deal out the punishments. My idea for them that they’d be bumbling and dim so Johnny and Sonya could escape them, bonding while trying to make it to the final exams. Everyone but Kang and Lao have been defeated and since Sonya and Johnny were late, it’d all be up to them to beat Goro. Once Goro beast Lao half to death, Kang faces his fears and manages to defeat Goro without killing him, but not without making him suffer for all the pain he’s caused.

The class’ reward for passing the exams is an-all expense paid vacation to Edenia, which is basically a hellhole built to Shao Kahn’s pleasure. Here, Kang and Kitana get some alone time to romantically connect to one another during the celebratory feast hosted by Kitana and Mileena’s parents, Shao Kahn and Sindel. But really, the feast is for the Kahns to asses the threat that Raiden’s students hold to their long term plans. And finally, the DCU story is just a fun breather where I have the mid-1990s versions of their heroes (Superman with a mullet, Batman Forever styled Batman and the two Wonder Women, Artemis and Diana, for example).

And after rereading what I had for plots, I noticed how little the Lin Keui featured into the stories since I designed a lot of them for the series. Should try to fix that somehow.

Overall Art Style

As I stated in previous MKA concept art, I based the art style on the look of Steven Universe. I still intend for the project to be written fanfiction, but I do wish to have some elements of it to be drawn by myself. Not a full adaptation but maybe a full page illustration of each chapter, along with the general character/environment sketches, or like the ending credits of The Mandalorian series.

But back to the art style, I wish to change it. I can’t really go further on the style of Steven Universe if this story is going to be about such heavy violence and gore. It wouldn’t really look right, might cross over into unintentional hilarity or into the uncanny valley. I’m looking at something like the artist One, the man behind One Punch Man and Mob Psycho 100 whose style is really unique, fast, sketchy and frenetic, all attributes I think will work well. I also love the anime aesthetic of the 1990s so that’s definitely a goal to achieve since I’m setting the story in 1995.

Story Ideas To Keep

* Koins: My idea for an in-canon reason for the koins you win in matches (at least in Mks 9-11, IDK how far back they go) to unlock Krypt stuff will be used as a way for the students to buy things like food, clothing and resurrections due to being killed by another student’s fatalities since its primarily a learning facility instead of a battlefield. Though if you’re broke, you’re not gonna be saved. Koins, like in the games, will be given for performing a fatality and a moral choice comes up when you think “do I do good and be paid less, or do something terrible but get more chances of being resurrected if I die?”

*Profiles: I’ve got to do some rewrites for the characters. Nothing too too major since I do like a lot of what I wrote, but its more to streamline it to fit in the new direction I’m doing. Like, having Sonya, Jax and Stryker being Hall Monitors, I don’t think something like that is gonna be part of my story since I’m trying to take it a tad more seriously. The idea of Detention Realm and having Dharmin and Moloch as lovable henchmen is still canon, as far as I’m concerned. Think the two mice henchmen from the film “Flushed Away”. And on a final note, the newly retconned origin for Sindel...that shit isn’t gonna be part of my story.

Overall, whatever backstories that’ll be changed will likely be on a case by case basis. No telling who or what will be changed right now, but I’ve now thought of some parts to start with.

Diversity and Inclusion

This one is probably gonna be one of the hardest to accomplish since I really want to make the series really diverse with body types, genders and sexuality, race, neurodiversity, that type of subject matter. Inclusion is really important to me, and I’m scared how I might screw it up like how Disney, JK Rowling, SNL, Simpsons, Big Mouth, Voltron so many more screw it all up since they all serve the needs of the capitalist, neoliberal status quo over the voices of the marginalised.

And with that, brings up some more challenges. Will I make so many diverse original characters that they take time away from the canon characters? Should I make more canon MK characters differently diverse?

I'm also planning on having the characters display prejudices and bigotries but I'm scared I'll go in too much of "Bright" territory, if you know what I mean.

Tackling Mature Content

I mean, it goes without saying that the series is going to be full of violence and gore since that’s basically in the DNA of Mortal Kombat in the first place. But there’s much more serious topics I want to try to write. Like the effects of abuse, queer rights, the above themes about diversity and inclusion, the seemingly never ending war and the ideas of the long defeat. Of course, my chapters will be marked with as clear as possible content warnings, those are important.

A Shared Universe

A month ago, I watched a video about Midway trying to recreate the success of Mortal Kombat into other fighting games. The video, “Remember when Midway tried to copy Mortal Kombat?” talked about three would-be franchises of Midway fighting games; Mace: The Dark Age, War Gods and Bio FREAKS. After watching the video and reading about the games, I think it’d be good for lore if they were integrated into my story. Mace and War Gods could be used as part of the backstory of the series. Like the idea of the Earthrealm Kombatants being the descendants of the characters of Mace and War Gods, maybe Raiden was involved with the later, I’m not sure. Bio FREAKS could be latter used if I go into a time travel story. Maybe a mix of the game and the story/characters of Mortal Kombat X. As for Midway’s other successful but overlooked franchise, Killer Instinct, that is probably going to be the most recurring element in the shared universe. UltraTech, the main villains of the series would be the people behind such things as Kano’s cyborg eye, the Lin Keui’s Cyber Initiative and being the rulers of Neo-Amerika in the Bio FREAKS timeline. I also wrote in the profiles of Nightwolf and Sub-Zero that the Killer Instinct universe is linked to my story (one of his divorced parents is dating one of the parents of KI’s Black Eagle and Thunder while Glacius was an alien that helped give Cryomancers their powers).

And on a side note, there is another Midway MK clone called Primal Rage, which I swear I had one of the toys based on it and saw a parody of it on an episode of Dexter’s Laboratory. Its pretty gruesome, its a bunch of savage Kaiju in a post-apocalyptic earth that resembles the stone age. Probably an alternate timeline/dimension if I use it in my series. Who knows, maybe elements of the worlds of Street Fighter and or God of War could make an appearance...

Writing the Damned Thing

Probably the absolute hardest part of this entire thing. I struggle with actually keeping attention to writing since I’m primarily a visual artist and it feels terrible to not even follow through on any idea I have and it just kinda sits and collects dust in my brain. If its sketching and rendering, I can do it. If its writing shit down, I just have executive dysfunction when it comes to it. I never know where to start writing it, how to continue writing it, how to finish it or how to put it all together cohesively.

I can’t do this without at least writing the complete first season, if I do it on a semi-regular basis, nothing is going to be done. Even like, less than a week of non-recurring writing is like a poison to me. I don’t know how, but if I make room for an hour or two of writing a day every day might help me get more prepared for longer writing.

In Conclusion

When will the first chapter be done? I don’t know. When will I start writing? Hopefully as soon as I can. I can try to post updates or work in progresses, but that’s still a pipe dream, in my honest opinion. But I want to make progress in 2020, I need to make a difference and to actually make this coming year worthwhile.

[snowy-charm]

A Treatise on Charm, Snowy

(TL;DR warning: This post is kinda long. The quick version is that I’m gonna make music now! Next post will be one of said musics. The rest of this post goes over the story of why I’m doing it. Also I use a meme twice and link some rad music three times.)

The year: 2017. October. I was given the name “Snowy Charm” as a fun pony name to facilitate a secret santa exchange online. Even though I’d been a fan of these little horses since ~2012 I’d never delved into the world of having one to call my own. I was more than satisfied bearing witness to the growing cast of canon characters - and of course my hot and heavy courting with the cast of Fallout: Equestria. (Side note to anyone who may be reading this: FoE is pretty dope, but it is also the essence of grimdark. Read at your own risk!)

Suddenly at odds with this new OC acquisition, I quickly came up with a fast and loose backstory! He was a crystal pony from the wintery crystal kingdom (”Snowy”) and was probably an artificer or craftsman of some kind (”Charm”). I joked that the reason behind my name is that I live in a snowy climate (read: the tropics) and I was quite charming (the jury is still out on that one). 

The following year was my first ever convention: BronyCon 2018! An artist friend of mine graciously designed my OC with little to no input on my part and came up with a design that I instantly fell in love with.

(Pictured here subtly in front of a rack-mounted EQ I have never used, but is appropriate for an upcoming revelation.)

Isn’t he ADORABLE?! I will forever wear that badge because it is awesome. The cutie mark has been redone a little since then, and no other artist has remembered his beard yet, but I digress; this story isn’t actually about him.

Of course, BronyCon was a blast! This became my impetus to be more than simply an observer in the fandom, but to be present and belonging with others through our communal enjoyment of My Little Pony. My friends, in general, had a disinterest of the show - which, you know what? That’s fair. I don’t particularly care for Game of Thrones, Desperate Housewives, or the DCU, and it would be hard for me to feign a genuine interest in the developments thereof - but as of BronyCon I was able to play on an even field with others who shared my same passion for these candy colored equines!

Now, another thing to note of me, which will be important in a moment: I’m slightly musical. Not amazingly talented or anything, just.. slightly musical. I was REALLY into marching band (and won the John Philip Sousa award my senior year!!), but stopped refining my craft during college and onwards. Turns out playing a $5000 instrument puts a damper on your ability to own one. (Here’s a second video, and a third; I freakin love marimba.) I picked up the Ukulele for the the occasional “BUT YOU LIKE TO MAKE MUSIC” urges, but more or less ignored actually honing my abilities.

But now that I found myself surrounded by the magic of friendship combined with the magic of ponies, I wanted to CREATE. I suddenly realized that Snowy Charm was to be a MUSIC PONE. I would make FANDOM HITS that nopony had ever HEARD BEFORE (or after - I didn’t/don’t expect to be horse famous [or really even horse known (triple parenthetical asides are super cool, by the way)]).

Aaaaand promptly realized I had the better part of a decade’s worth of rust hanging onto my high-school-level skills. Not to mention that I still didn’t own the only thing I was good at playing.

F

“Okay, okay, it’s fine. Don’t hyperventilate, self. We’ll just make this into a project about growth in music instead.” 

- Me to myself circa the realization I can only really play a single instrument, and not even well.

I decided to make the project about my journey in the music field instead of pumping out dope jams. The goal was to lay out where I was musically and pick a song each week. I’d then practice that song all week and post a recording of my warbly self performing it by week’s end. Pick up a new instrument here, learn a new software there. Maybe I’d do originals now and again, but likely I’d just scream into the void and wait for it to call me back.

Of course, the dope jams would (hopefully) come, but as Jake says:

Long story short on that one: I didn’t.

Be it procrastination or a busy schedule, I can’t really defend my past self’s choice at this point. I made all the social media accounts and sturdied myself to make the first bellow into the abyss --- but then silence rung out. (Of note, I got my twitter anniversary notice today, so it has been exactly a year from my first tentative steps.)

Flash forward a couple months - October once more. My little festive community starts up again! More fun names are given out and lore starts being woven together about these new OCs! The stories start coming quick: There’s a stallion who HATES CRANBERRIES and one who makes bomb smoothies! A diamond dog who wants to celebrate Hearth’s Warming but is the target of seemingly the entire diamond dog population’s scorn! There’s a whole school filled with students, teachers, and a will-they-won’t-they janitor/counselor combo! Snowy now owns a potion shop specializing in musical applications, not to mention somehow he’s now the ambassador to those diamond dogs! But then, unexpectedly, on the day she was supposed to return from the hospital, my mother passed away.

I had recently lost my job and moved into my folk’s home out of town. Unemployed, isolated from friends, and yeeted into the throes of grief; I did all I really could: I picked up my dumb noise stick and sang about life, love, death, and colorful talking horses.

I made my first honest-to-goodness song - Drink In - during that period. It’s about that on-again-off-again pair I introduced earlier, but it was also about my grief and healing. I’ll share some of the lyrics here that, after I wrote them, spoke to me as if I didn’t pen them my damn self:

Take a deep breath Exhale regret Drink in sunsets The best is what’s left

It may not hit you the same way as it did me, music is often subjective, but it was an imperative reminder to let go of the stress I was compounding inside of me. I needed to hear that message badly - and put a pin in that, I’ll loop back to it in a moment.

I started working to better my craft again. I helped mix/master the album that my little festive family put together. I borrowed a bass guitar from a friend and started learning a little. I even got employed to do live mixing at the church I attend! Little by little I was getting better. 

But let’s fast forward again, shall we? This time to August of this year, BronyCon 2019! One of the best times I’ve ever had, but that’s not the point (maybe I’ll go into it in a later post?). I came home invigorated and ready to face the world again after being exhausted for almost five months straight. I felt free from burdens and there was something on my mind that hadn’t been there for a long time: I was ready to CREATE. 

If you were at the con, or if you’ve been on twitter recently, this next refrain may strike you as familiar:

(Patch done by @sew-adorkable)

I knew I had to make a song about it, but I had to make it good enough to be heard by folk. It had to be perfect before I could release it and have guitars and electronic music stuff and all the bells and/or whistles. I have a launchpad, unused, from last year - so I plugged it in with Ableton Live so I could make them funky horse beatz (with a z of course, because that’s 20% cooler).

Aaaaand promptly realized I was way out of my depth. 

I’ve recorded live performances (and myself) with Reaper and Audition before, and I feel like I know at least some of the basics with them. I can put a vocal into compression, mix the instruments okay together, do some EQing, etc. But I was now adrift trying to get the computer to make sounds that I wasn’t able to do myself.

I couldn’t figure out how to put anything other than the default synth into reaper and I opened Ableton because that’s better for electronic music I hear and I want to learn how to do that and they don’t even have a timeline and use clips and what are clips and how do you make them and what are samples and how do you get them and how do I even record a voice in this thing and there’s not a TIMELINE and when you stop the noise the session isn’t stopped and the launchpad won’t work and I went back to reaper and they have a drum sampler and how do you get a sample and how do you install things and is this my personal hell and I understand this is a run on sentence - I was frustrated and I quit.

Remember the pin I told you to put in earlier? Refresh that into memory, here’s where it’s relevant.

About two weeks after this whole debacle I was listening to shuffle all on my phone and Drink In happened to come on. I remembered how the completely unintentional message of my own song really struck me a year prior. This stupid song about a pair of pony OCs with terribly played ukulele and shitty bargain bin percussion recorded with a mic not suited to record anything except vocals... and despite all that, despite all of the technical barriers that were in the way, despite clipping during recording ukulele and hearing the distortion every time I listen to the track, it helped me restore tranquility when my inner world was naught but a maelstrom of grief and tumult. 

...I guess it didn’t have to be perfect to reach folks. Who knew?

And that right there is the moral I’m learning today. I struggle with it a lot, but there’s a problem with perfection: allow yourself only to produce perfection and you’ll produce nothing. I mean it’s a well known quote, right? Nobody’s perfect. 

So, I apologize in advance to all people with ears, but it is now my intention to bring (hopefully) pleasant noises to the grandiose cacophony that is the internet. They won’t be perfect, but I’ll work on it.

Anyway, come to TrotCon.

(Art by Witchtaunter, Flitterfel, and Mentita Kirby)

P.S. Holy bananas you actually read this monster of a post? Give yourself a pat on the back! Future posts likely won’t be as herculean of a read, but no promises. Next time I’ll actually upload “Drink In” so you can hear this song I’ve referenced so much - and then I’ll talk about where I’m at mechanically and the goals I have by doing this whole thing. Oh, and don’t expect all the neat art to happen every post! I went a little YCH/commission crazy after I got back from BronyCon, but I’m also not made out money so it won’t last forever. I don’t expect really anybody to read a huge post ostensibly about someone’s OC, and even the lifetime of this project I expect less or equal to about 10 people, but I hope you find a sense of belonging and participation here! Hello to all 10 of you!

See y’all next time!

[ag-silver]

Character Creation Tag!

@ragethewriter tagged me in a little game thing and I wanted to do it to one of my main characters Yvette!

Here she is here!: (the last one is actually by @ragethegemini who actually tagged me in this)

1. What was the first element of your OC that you remember considering (name, appearance, backstory, etc)?

Appearance was the first. The first thing I wanted was that I wanted her to be big and to be a honey golden colour. I had a general idea of what I wanted design wise and then next was her personality. Name was definitely last, it took me about 2 months to decide that I wanted to call her Yvette and I kept switching between last names.

2. Did you create them with any other characters/OCs from their universe in mind?

Mmmm nah not really. Yvette is just a gorgeous alien tailored to my specific taste in women, so I guess I had Ameliya in mind 😂

3. How did you choose their name?

Hooo boy. Yvette's name sounds very elegant and almost alien enough it's believable, although I know it is a French name. Her last name, Ahmadezia (ah-mad-eh-zai-yah) actually comes from a webcomic that I once read long ago and I can't remember the name of. I distinctly remember the character had a last name that I kept mispronouncing and so it became Yvette's last name. My friend pointed out to me that ‘Yvette Ahmadezia’ sounds like “Yvette is my desire” which was unintentional but very accurate. Ladrazian's with long last names are generally upper class.

4. In developing their backstory, what elements of their world they live in played the most influential parts?

Classism and poverty and what it can drive someone to do definitely played a huge part in Yvette's childhood and who she is today as a person as well as the issue of emotional abuse and corporal punishment which were prevalent throughout wartimes as the whole point of the war was to force the Ladrazian monarchy to fix these problems.

5. Is there any significance behind their hair colour?

Kiiinda. Yvette's design is very warm and soft looking, she looks approachable (but also gorgeous). The only significance that I say with no shred of shame is that she is my type of woman. Literally.

6. Is there any significance behind their eye colour?

Again her eyes are this gorgeous warm honey colour, like liquid gold and they're meant to make her look approachable and kind.

7. Is there any significance behind their height?

Shes 10 feet tall, she's so massive omg. However, in her society she is 2 feet below the average height of 12 feet tall! Meaning she’s actually quite small and nimble for someone of her species.

8. What, if anything, do you relate to within their character/story?

I relate mostly to that feeling of being trapped and having no where to go. That feeling of you've tried everything to escape a horrible situation and now everything is crumbling. That feeling of sheer panic and brutal dread that comes with thinking that you'd have to go back to an awful place you escaped from and Yvette's determination to be happy and to just… Make things work. Ameliya is similar to this but she's far more likely to give up and is someone who is extremely dependent on the kindness of others whereas Yvette is that kindness, or is trying to be. Yvette is a nice person who wants to help other people but fails a lot of the time because she has neglected to help herself.

9. Are they based off of you, in some way?

Kinda, really just what I explained above with her being in a shitty situation and all. Mainly Yvette is someone who I wish I had in my life which is one of the reasons why I wrote her in the first place.

10. Did you know what the OC’s sexuality would be at the time of their creation?

Oh yeah. 100%. She's a gay, and she likes humans.

11. What have you found to be most difficult about creating art for your OC (any form of art, writing, drawing, edits, etc)?

Her mother fucking antlers and the size difference between her and her tiny wife. Yvette is 10ft 4” and Ameliya is 4ft 9”, the size difference between them is just staggering and is extremely difficult to get just right.

12. How far past the canon events that take place in their world have you extended their story, if at all?

Her entire story of her life, even when she was born. She is a main character after all!

13. If you had to narrow it down to 2 things that you MUST keep in mind while working with your OC, what would those things be?

Yvette is a generous and empathetic person who really loves cuddles and hates overbearing authority.

Yvette is an impulsive idiot who sometimes needs a good ol’ slap.

14. What is something about your OC that can make you laugh?

Yvette is a romantic, daydreaming idiot who made secret plans to whisk Ameliya away on a romantic trip to the seaside town in Kiki’s Delivery Service until Ameliya had to tell her that Miyazaki movies weren't based on real life. Of course Yvette had never seen a movie before then, let alone an animated one.

15. What is something about your OC that can make you cry?

Yvette was whipped as a five year old because she couldn't balance em pointé properly with her tail and her ‘teacher’ had to ‘re-educate’ her. Yvette then comes face to face with this again accept in the future she has to heal Ameliya's torn up back and all of the memories of her big sister putting damp towels on her burning back come back to her and she has a breakdown in her hotel room while cuddling a very frightening and confused human. The sound of her sobs is something I can actively imagine and I know that at one point everyone has cried like her before.

16. Is there some element you regret adding to your OC or their story?

Mmm although its very necessary to the plot probably Yvette's sudden vast amount of wealth in book 2. It makes her seem just idk disconnected from who she is supposed to be and puts a lot of responsibility on her that I'd rather she just didn't have. She found a niche and got lucky but Yvette's dream was actually to become a starship captain and explore uncharted worlds (like a pirate) and to become an author and publish an autobiography. She never wanted to be involved with politics or business and she honestly hates it, Ameliya is her only reason for doing so because she feels as if she is obligated to change how humans are treated by her species, even though it isn't her responsibility and wasn't her fault, she still feels guilt by association and so abstains from chasing her dream even though no matter how much she fights it's not going to change anything.

17. What is the most recent thing you’ve discovered about your OC?

Probably why Yvette wanted to leave her homeworld so badly and her relationship with a particular character.

18. What is your favourite fact about your OC?

Yvette is a huge fucking dork who sees something interesting in everything and always wants to have fun and I love it! Although she's supposed to fit a particular role she strays away from it anyways for just the sake of having fun! Its a sort of metaphor(?) for how adults cant watch cartoons or collect figures or plush toys or hell play or do anything fun lest they be called ‘childish’ and ‘lazy’. The simple act of relaxing and enjoying a day as an adult is seen in modern society of something that is wrong and Yvette embodies my own desire to never end up like that as I go into adulthood.

I don't really know of anyone who I could tag but this was still fun ^^

[clovexei]

An Honest Review of the Emoji Movie

Longer than intended! Tbh I’m just leaving this here as physical evidence of the fact that I watched the whole thing. What was The Emoji Movie? Honestly we just don’t know.

The world-building was cool in concept but underdeveloped. It feels like a knock-off of Inside Out, but I spent most of the movie plagued by the same sort of stressful confusion that accompanies the Cars universe. A sampling:

Where do emojis come from? Are they born? Are they initially created in heterosexual sets of two so that they are able to procreate? If they're not born, why do some of them have children? How does the Princess family work, where there are apparently no male princesses? Is the Poop emoji an only father? What about the emojis who don't apparently have children/a heterosexual counterpart? Are those emojis going to grow old and die? What happens then? Do emojis die natural deaths? Do emojis age?

Why do the face emojis have to express the same emotion all the time and not just when they're on screen? It's like they're actors, but they have to be in their roles forever. Why? Why not just take pictures of the emojis and put those in the cubicles? Why do emojis have to physically stand in the cubes and wait to be picked, if they're only going to be face-scanned anyway? If there are multiple emojis, do they all take turns in the cubicles? Do they have to eat or sleep? If they do, then why? Aren't they made of code? Do they have to be in the cubicles whenever the phone is on? What if that's all day, every day?

Most of the questions I have about this movie carry over from world-building into the plot. Most of the events driving the plot feel like thinly-veiled plot holes. For example, the reason Alex is going to wipe his phone is to keep it from acting up – but it's acting up because Gene and company are moving from app to app. Buy why do the emojis hopping from app to app activate each app? If they're bopping around behind the scenes, why does that activate the user interface?

Another: A big scene happens in a Just Dance app, but Just Dance isn't an app? It's a motion-based dancing game, and you can get accessory-style apps for it, but the game itself is only on consoles/systems with a sophisticated motion-following camera. So it's not something that Gene an Jailbreak would be able to activate as a game on a phone.

(As an aside, I am human proof that you can suck at dancing and still pass levels in Just Dance so cut Jailbreak some slack, she was doing fine.)

Hi-5 is presented with a character goal (be a part of the Elite Favorite Emoji Club), but he doesn't actually do anything to achieve this goal. He wants to be a part of the club, joins Gene on his adventure, learns nothing, and gets to have his goal as a result, despite having no character growth and no indication that he's done anything to actually earn his goal. It's given to him as a way to wrap up the movie in a neat little bow.

As much as I didn't like that Jailbreak rejecting Gene's romantic advances was what finally turned Gene into the “Meh” emoji of his dreams, I do appreciate that him getting his Good Feelings back wasn't dependent on her reciprocating his feelings. That's a very good post-rejection message, and as much as this movie was weird and bad-romantic (“I've known you for twenty minutes but I LOVE YOU so let's  BE TOGETHER FOREVER like in the FAIRY TALES”), at least it dodged that particular bullet.

The characters in general were likeable but ultimately uninteresting. It's the same standard fare that I think is the easy trap to fall into: bland but relatable main guy, tomboy girl, and comedic side character.

Jailbreak was my favorite, but even so, I'm not sure what to think about what her arc was. The intended direction felt like “girl feels oppressed by rigid gender roles and leaves home, forms agreement with fellow outcast to further both her goals and his goals, realizes that she can be different and returns home to create her own rules about how she represents herself.” And this largely feels like what does happen in the movie, but I'm not sure how I feel about the execution of it?

She makes some interesting comments about feminism that seem like Character Flavor, and have elements that fit into the story overall, but her backstory and thought process isn't explored beyond “I had to do princess stuff and I HATE princess stuff so I left.” It falls into a style that I think is in vogue right now: to present girls as being Princesses and Not-Princesses. (This is especially popular in movies that are deliberately lampshading Disney's princess movies, but Brave did this, too.) And while I like that, at the end, Jailbreak realized (apparently) that she didn't need to not be girly in order to be happy and express herself, I don't know if that message carried over really well in general. We last see her in her original princess design as she runs the tech board for the emoji cubicles, so I guess she's comfortable with herself? And she's not picking Princess or Not-Princess but occupying a gray area in the middle? So that's good? But everyone else is still in one box or the other? So that's maybe not good? But with Gene paving the way to “be different,” there's a place for her and for others to be more socially flexible? But it felt like a sudden and easy resolution to something that was something that was so ingrained in their society that Gene was going to be executed for diverging from it.

Anyway. That was a tangent. TL;DR: Jailbreak is very queer and I like her but if feminism was going to be a part of her character arc, then I want it to be done with a lot more focus and nuance than there was? Yeah.

I liked Gene in the beginning of the film, when he was set up to be this energetic force for ENTHUSIASM, but Hi-5 muscled him out of that. Hi-5 is excitable, energetic, causes more trouble than good, and honestly, why do they even need Hi-5 as a character? He has the role that should have been absorbed by Gene. Within the first five minutes of Gene's introduction, we know that Gene is goofy, cheerful, and doesn't fit in. Hi-5 coming in as the goofy and cheerful side character demonstrably pushes aside those traits in Gene so that Gene can, nearly every time, play the straight man to Hi-5's hi-jinks.

If Hi-5 wasn't in the movie, then Gene would be both comic relief and the protagonist, which suits the energetic, playful way in which he was introduced. He would also have a much more interesting dynamic with Jailbreak: Jailbreak is jaded and bitter; Gene is (or should have been allowed to be) peppy and enthusiastic. With that push-pull dynamic, the interactions between the two would have been much more exaggerated and engaging, and it would have been believable that Gene encourages Jailbreak to be less standoffish and isolated.

Recommendation: Instead of relying on one-time gags and overdone food-related jokes, drop Hi-5 as a character and let the interactions between Gene and Jailbreak carry the comedic weight of the film.

Also, what is the target audience for this movie? Kids? Kids younger than 12? High schoolers? What do you gain by portraying students who have smart phones as mindless phone-obsessed zombies? Aren't you alienating your target audience? You're making fun of the people you're making this movie for?

There's a lot of that: of the creators being out of touch with their target audience. The gag of the text-based emoticons being old and out-of-date struck me as odd, when people are still using emoticons like that all the time. And, on top of that, we've developed new ones.

I also can't tell if Jailbreak's asides about feminism and female stereotypes are supposed to reflect her Cool, Modern persona or if they're meant to be funny? I think they're supposed to be the former, but they come across as the latter, especially since she gets so angry about the “Birds come when princesses whistle” stereotype... and then that stereotype turns out to be true and also plot relevant.

It did have some good jokes overall. The constant mismatch between Gene's parents having no visual expressions or tonal inflections paired with lines like, “I'm on the edge of my seat,” was right up my alley of humor. I also liked the Devil emoji's poop joke followed by the Poop emoji's tired sigh and “Aim higher, Steven,” but overall there were rather too many toilet jokes. “Aim higher” is kind of a good overall takeaway: this movie had jokes, but most of them felt like the same basic fare that one can usually find in kid's movies. It felt a lot like the humor in The Smurfs: The Hidden Village in that they cracked a lot of jokes, but most of them were overused or borderline mean, and so I didn't spend much time laughing, despite the fact that I was watching a comedy.

As for overall theme/message, I am biased on this front because, with little effort, this movie is a really odd, definitely unintentional allegory for, like, gay conversion therapy? And why it's not good? And why it's okay to be queer? This movie is about a cheerful, enthusiastic young man who disrupts serious social norms in his home community, who sets out to find a way to artificially alter his genetic make-up and encounters a young woman who likewise does not fit in and has rejected the social role/gender role she was expected to embrace, and the two of them realize together that what makes them different isn't bad and their differences should be embraced both by themselves and the wider community. Gay.

That metaphor is PROBABLY DEFINITELY very unintentional, but the romance between Gene and Jailbreak feels ham-fisted even without the queer undertones.

So, for a takeaway message, we have “It's okay to be unique,” which is the same message 50% of the rest of the kids' movies have these days, so cool, I guess. It's good to have that message reinforced, but there are also, as a result, more cohesive movies with the same message but better plotting and more interesting characters.

Overall Verdict:

Not great, could have been worse. I left The Bee Movie brimming with a confused and impotent rage, but this movie left me with vague good feelings and no deep impressions. I couldn't remember anyone's name either during the viewing or after. The animation was stretchy and bright and expressive, which I really liked. And the soundtrack was bright and bouncy. But the message was muddled, and I think the world-building/plot could have been (and should have been) a lot stronger than it was.

[pinkipie100]

‘The Voltron Show!’ and Satire- Deploying a New Technique in Voltron’s Social Commentary

Back with more meta? You bet your ass, baby.

This time around, I’m going to be closely analyzing what is probably one of the most underrated and/or hated episodes of season 4. Yes, that’s right- I’m talking about ‘The Voltron Show!’

A lot of backlash for the season stems from this episode because of its filler-like nature, and I’m not really denying that it is filler. Seems like an odd choice considering Voltron itself is very serialized, not to mention plot-driven, so what could possibly be the reason for incorporating a filler episode? Well, perhaps the writers felt the need to dedicate an episode to levity and comic relief, considering the heaviness this season [Keith leaving, Pidge’s trauma, Narti dying, and of course Keith’s near-suicide bombing that was yet to come], especially when one takes into account that seasons 3 & 4 were likely a single season, at least initially. Zarkon & Honerva’s backstory, anyone?

Aside from this, however, some topics come up in the episode that may make this particular fandom... mildly uncomfortable. I refer to the treatment of the characters, of course, specifically how Coran chooses to portray them in the Voltron performances. Shiro is prohibited from speaking, Allura isn’t even herself, Pidge must spout out scientifically inaccurate jargon, Lance is just a pretty face, and Hunk... Ah, my dear Hunk... reduced to slapstick. One can imagine why the fandom may instigate a sh*tstorm over this episode. More on this later, though.

This is not the only reason the fandom does not appreciate the episode as it should be; the fandom feels called out by this episode. Many fans have pointed out that this episode is a jibe towards the fandom and the way they stereotype the characters down to a single character trait. Because of this, the fandom feels like the creators don’t even respect their fanbase. But allow me to shed some light on the real premise of this episode- and trust me, Voltron Fandom, you’re not the real target of the satire of this episode. The message of ‘The Voltron Show!’ serves as a stingingly satirical social criticism of the overbearing pressure show writers and creators feel from the network executives who control their work.

First, let’s unpack the episode itself.

Coran serves as the episode’s focus, and at the same time, represents a show creator:

Coran directs a performance done by Team Voltron [albeit a poor one], and just as Hunk said, it bombs. The audience leaves, and Lance calls Coran out on the low quality of the production. Coran’s justification for the show is that he wanted to ‘expand [their] horizons.’ Such a situation can be the direct parallel to a show creator attempting to get their idea greenlit by testing with a focus group. If you’re unaware, a focus group is defined as ‘a demographically diverse group of people assembled to participate in a guided discussion about a particular product before it is launched, or to provide ongoing feedback on a political campaign, television series, etc.’ This is commonly employed by television networks to test how successful a TV series will be, and they can often make or break said series.

However, there are a multitude of flaws in the focus testing technique when gauging the success of a series. I refer the reader to this post here. The linked comic strip, by Giancarlo Volpe [producer of Green Lantern: The Animated Series], is one I constantly return to, wondering how many show creators were denied their chance to tell their story because theirs died in focus testing. Bryan Konietzko himself, creator of Avatar: The Last Airbender and The Legend of Korra, reblogged that very comic as well. Both creators have something in common: both shows were characterized by higher-level, complex writing and premature cancellation and/or pulling from the air, respectively.

Coran is in the position of a show creator whose vision has been rejected after focus testing. However, Coran’s hypothetical ‘vision’ does not end after focus testing, because he still has an option to get his show ‘greenlit...’

...

...I mean, basically.

The Swap-Shop Unilu offers Coran an alternative method to create his show, or rather, an alternate show altogether. Recall that focus groups often use the data that they collect to advise the show creators on how to write their show. Even if it means drastically straying from the writers’ original vision. Coran accepts the unilu’s deal, and this results in a literal worm in Coran’s ear to corrupt his thoughts:

Coran gives in to what the unilu recommended would give him fantastic ideas that would sell his show to the masses. The unilu epitomizes network executives telling writers how to run their shows, in order to make them more profitable by appealing to a broad audience:

Coran embraces this. Pidge notices something off about Coran, obviously, but Coran just deflects this as him being an improved man. Improved by the unilu, or in a symbolic viewpoint, by the network executives. From this point on, Coran is figuratively and literally under the control of the network executives. His goal is to now make his show palatable to a wide audience; as he puts it:

Coran’s goal is obviously to convince people and planets to join the Voltron Coalition. The focus of a network executive is to profit. Therefore, the Voltron Coalition is Coran’s profit; and to profit, Coran needs to have the largest audience possible.

Coran achieves this with a few small adjustments in Team Voltron’s routine, adding exciting entrances, projected lines, and heroic poses. This succeeds in getting the audience’s attention:

Thus, Coran profits.

Observing that his current technique is successful, he escalates the show to a new level with the stadium performance. The next performance is still nothing remarkable to the paladins involved, just business as usual. That is, unusual business for defenders of the universe, but business that is necessary and tolerable. However, Coran makes some interesting observations during this performance:

Here, the devious nature of capitalistic executives is working its magic. The paladins acknowledge how dumb this all is, even if the audience is eating it up. Take special note that it is Hunk who vociferates this concern. Coran, again, taking on the persona of network heads searching for what an audience feeds off of in the show, notices that the audience laughed when Hunk slipped, and also cheered when Shiro told the team to form Voltron.

Of course, the audience’s reactions to this are knee-jerk reactions. Of course the audience will laugh at the unintentional slapstick, and of course they will be excited when a giant robot composed of five lions takes the stage. Surface-level storytelling dictates that duh, people like humor and action.

Coran takes all of this to heart, and this is where Voltron: Legendary Defender kicks in its most obvious satire. At this point, Coran assigns each performer a designated archetype:

This moment exemplifies the kind of stereotyping and one-dimensional character treatment that grinds the fandom’s gears so much. Coran reduces each one of the paladins down to one character trait, Lance being the Loverboy; Pidge as the Science-Whiz; Allura... Allura doesn’t even get a role but as Keith’s understudy, only indirectly playing the Lone Wolf; Humorous Hunk as comedic relief; and Shiro as the Hero of the story. Seem stupid? Well, that’s exactly the point.

The paladins feel this artificial depiction of Team Voltron is demeaning, but Shiro points out:

Shiro is not wrong. Take a multi-faceted adventure show and strip it down to its bare basics of character archetypes and Voltron action sequences, and one would still probably have a profitable and palatable show to its fundamental target audience: children to whom one can sell merchandise.

Show networks do this all the time. For example, Disney XD, largely regarded as the trash bin for Disney’s tween to teenage audience, has sported some amazing shows as well as Disney’s pandering sewage. Suffice it to say, however, that this is where Disney sends its shows to die. What airs on Disney XD, you ask, and why does that matter? Well, I’ll get to that later.

In the meantime, I’d rather address Coran’s mistreatment of his cast in the rest of the episode.

Shall we begin with the elephant in the room?

[No, Voltron Fandom, that was not a dig at Hunk’s size. Sheesh, you’re ready to bite off anyone’s head, aren’t you?]

Hunk is blatantly not excited about his role as the comic relief. It’s not that Hunk is averse to humor or cracking jokes, quite the contrary. Hunk is a funny guy unafraid to poke fun at other characters and even himself, always in decent enough taste. But even he understands that Coran is reducing him to only humor. Hunk has never really wanted to go along with the humiliating theatricals of this show in the first place, as mentioned above when the team ‘forms Voltron.’ This all comes to a head during Hunk’s next performance:

...and this is what turned a vast amount of fans off from season 4. I invite those fans protective of Hunk’s treatment and dignity, as I am, to reconsider this scene, though. What many fans miss about this moment, and for the entire episode, for that matter, is that this is satire. The show writers do not actually think that this is Hunk. For some reason, the endlessly entitled Voltron Fandom speak down from their high horse to the creators of these characters, preaching like cultists defending their idols that the creators are not ‘treating the characters with respect.’ What they mean, however, is that the creators are not ‘writing the characters how I want.’ I could go on for days about how this fandom gets excessively butthurt about Hunk’s treatment as the ‘fat character,’ and how this backlash against things like the comics is unnecessary, but I digress.

The point I’m trying to make here is that the writers know Hunk is more than slapstick and toilet humor, and they are satirizing those that would reduce him to that, including, but not limited to, network heads. Hunk is embarrassed and uncomfortable with this kind of characterization, and though the audience laughs, the audience cannot glean any more depth from him. The tragedy here is that not only is a three-dimensional character being reduced to comic relief, but nothing else can be offered from this depiction.

Tell me Voltron: Legendary Defender doesn’t spank the ‘Big, Funny Guy’ trope out of its household. [But again, I digress.]

Hunk is the most noticeable and obvious of this episode’s on point satire, but it continues with the other characters, as well. Shiro, labeled the Hero, is relayed to the audience as just that, heroic muscle, but the man himself wants to use his other skills, in this instance, an eloquent speech, to assist in rallying the Coalition:

Shiro, too, is uncomfortable with his archetype being all actions and no words. This kind of ‘actions speak louder than words’ mentality that Coran advocates is a tool that network executives use to draw in little boys into their audience, using regressive perceptions of what a man should act like: physical power over diplomatic solutions.

Allura’s brooding is obviously not the result of her being extremely in-character:

Allura is frustrated at the entire galaxy viewing her as Keith’s replacement, and rightfully so. This depiction of her doesn’t even acknowledge that she has her own name, only referring to her as Keith. Princess Allura has become her own paladin and earned her spot on the team, but the way she is being portrayed completely erases that.

Network heads are notorious for losing voice actors or contracts expiring and adding a generic replacement character with little to no explanation or justification. Allura’s place as a paladin has been fully developed and makes sense. Her playing Keith in Coran’s show serves as precise satire for any who may deem Allura as a ‘convenient’ replacement.

Pidge, too, brings up complaints of the accuracy of Coran’s science in the script:

Pidge’s point here is that even if the audience may not understand factual science as it is presented in its accurate terminology, using science properly can ground the show more in reality and actually make the show more appealing to those who can understand Pidge’s jargon. Not to mention using made-up words will expose the group as a roundup of unintelligent frauds to those who are educated in science.

Network heads don’t care about this, though, as long as the braniac character sounds smart; forget kids watching the show and then coming back to it years later after going through high school alone and praising a sci-fi show for its scientific plausibility.

Admittedly, Lance doesn’t have nearly as many qualms with his assigned role as the others, but one comment that can be made about Lance is that although he is labeled as the Loverboy, the suave flirt, the object of romantic prowess...

...he is so much more than a barrage of pickup lines. He has talent and strength and flexibility and a natural stage presence, but the only aspect of him that is highlighted is his desirability. The red backdrop to his performance here sets the tone enough for that.

Here, network heads are satirized for pushing the archetype of the ‘Flirt/Eye Candy and Nothing Else.’ But Lance clearly is something else.

Next, network heads are satirized for their shameless marketing and capitalistic motivations and their disinterest in knowing when enough is enough. Coran suggests further improvements be made to the show, even though the team has only one show left. The paladins are not enthusiastic about them, especially Hunk, who continues to grow more discontented with his inclusion in the role overall:

Coran knows that their shows are profiting. He will continue to profit if the show keeps touring. His profits will expand if he puts out more exciting stage outfits, which, in the eyes of network heads, could be used to sell more merchandise. However, Shiro serves as the voice of reason for Coran, and even Lance feels that Coran may be taking the show too far. Shiro knows the limits of the show. The show’s sole purpose is to rally the Coalition, and once the intergalactic broadcast airs, they will have gotten their message out as far as it needs to go. Shiro’s focus is on the show’s message, whereas Coran’s is on the profit.

This is exactly the conflict between network executives and show creators & writers. Show creators want to tell a story with a specific message or morale, and they want it to be complete. They want free reign with creativity, to go as broad or focused with their message as they like. Network heads, however, want the show to produce a profit. They see what has succeeded in the past, generic male-targeted action-adventure shows with a bland cast save for the hypermasculine main hero, and only promote those pitched shows that follow with this formula, complex writing or commentary be damned. If a show succeeds, the heads will do anything to keep it alive and making them money to feed into their capitalistic needs, even if it means taking over production and warping the entire show in the absence of the original creators:

Coran ends up bringing in a new and very unwelcome cast member, but in a very lucky coincidence, Coran inadvertently brought about the most real Voltron performance so far:

Pictured above: a real-ass Voltron controlled by real-ass paladins defending the real-ass universe from a real-ass monster exposed by real-ass Coran, all while the real-ass Pink Paladin Allura takes center stage.

Coran, as one may recall, was originally just a humble show writer looking for his chance, but gave into network executive’s poison of his original vision. The result was an artificial, watered-down version of the true Voltron, starring a silent, muscly protagonist and his goofy sidekicks, plus a replacemnet, fighting against evil caricatures. However, Coran finally heard his friends’ advice to remember the real purpose of the show: to solidify the Voltron Coalition. Thus, Coran gets rid of the worm in his ear and warns the paladins of the reality of the situation, with Voltron symbolically defeating the fakeness of the show the network heads corrupted and restoring authenticity as Allura proves to the universe her firm position in the Blue Lion’s pilot seat. That version of Voltron is what succeeds in showing the universe who Team Voltron is, and that wins them the Coalition.

When one views this discourse and hate-inducing episode through such a lens, it starts to make a lot more sense, does it not? The episode employs satire so strongly, a tool not commonly seen in Voltron previously, which is probably where the Voltron Fandom’s confusion springs from. Fans are simply confusing satire for seriousness [a painfully common mistake amongst this group of fans] and missing the episode’s point.

Remember the mention of Disney XD? Said channel is infamous for its good shows being short-lived and its crap shows being allowed to exist at all. One show that it dropped like a hot potato was Tron: Uprising. The show was dark, intriguing, well-paced, and it sported a diverse, three-dimensional cast of characters, with the main character voiced by Elijah Wood himself. It was critically well-received, praised for its dystopian tone and interesting conflicts. The first season was a masterpiece, and the second season never happened. Yes, you read that correctly, the show was cancelled after its first season, even despite its creative genius. After Disney XD discovered its viewership was low, it did its best to make sure it did not recover. In fact, it actively tried to sink the show, changing its showing time to midnight, when no child is willing to stay up to watch it, and didn’t properly advertise the time change. Disney XD intentionally got its own intricate critical anti-establishment show taken off the air after just one season, and now viewers are stuck with sh*t like Pickle & Peanut to pacify their kids. *shudder* To think that empty entertainment like that lasted longer than a show with actual writing...

‘The Voltron Show!’ is satirizing the corrupt nature of capitalistic network endeavors whilst simultaneously praising their show medium, that being DreamWorks and particularly Netflix, for permitting writers to tell an intellectually elevated story over an even longer span of time across seasons than usual episode-based networks allow. Even the title of the episode itself, ‘The Voltron Show!’ emphasizes the themes it addresses. The performances seen in this episode represent what Voltron could have been under any other circumstances, to help viewers realize the benefits of telling the story under Netflix’s serialized format.

This episode is the most direct social commentary Voltron: Legendary Defender has offered, achieving said commentary through blatant satire. Though much of the Voltron Fandom may detest this episode for various reasons or just consider it passable filler, I, myself, stand by this argument to support that it is, in fact, one of the show’s most important episodes.

*LONGASS SIGH* WOWZA, that got long-winded. I didn’t initially intend for this to become so long, but hey, am I ever concise? Once I start writing, I can’t g*ddamn stop. Sorry, guys, but I hope you gained a new perspective from this.

For further reading [that is, if your brain can handle it after what I’ve put it through], I’ve commented on this topic briefly before, in this post here, and someone else also analyzed each of the Paladins’ depictions within the episode here. EDIT: This person also closely analyzed this episode, so I wanted to share their post! Bless up and give them a read!

My eternal gratitude unto you, dear reader, for trudging through this tough-ass read! Until next time!

Bonus:

Lance, why are you smiling when Coran said that Allura would play Keith??

[stormbine]

Now that Chapter 2 has, three months later been released, let’s talk about it.

I had a number of ideas going in about how I would introduce the main conflict of Mercury Nine into the story proper, but what I dawned on me early on was that I wanted to make it sooner, not later. Just because you’re channeling a certain role model doesn't mean you have to drag things out or pace them in the same way, and while this novel is clearly based heavily on Neuromancer (and to a smaller extent, Shadowrun), I don’t have the same knack for, or motivation to, overly stylize the hell out of everything. 

Part of this is a notable weakness in my writing- historically, I’ve always struggled with describing characters physically/visually, often leaving them with character designs that, if not outright horrendous, then are at least really bland (at least to me). To make up for this, I do my best to thoroughly build up their characters as people, and hopefully let the audience sort out how they think the players look in their own mind. This hasn’t always worked out in the past- it’s especially difficult if the audience isn’t familiar with the genre you’re writing in, or worse, just isn’t all that good at visualizing people and things.

I try to compromise, then, by creating minor but important details that are important in some way to a character, or to the perception of that character to the audience. I’m mostly fond of hats in this regard, but physical discrepancies- a tattoo here, scars there, are also my favorites. I can’t describe things like high foreheads or square jaws outside of the stereotypical phrases I just used a few words before this one, but I can describe hair style and hair color, as it suits the character’s need. Compared to say illustration, this could lead into the oft commented upon but hardly rectified error of same face syndrome, but the fun part about writing is that you’re probably going to remember a character more based on how they act or who they are, rather than how they were described in text. A rare advantage words have over pictures, maybe?

Alas, same face syndrome has a brother in this world, too. We’ll call it same mook syndrome. Leaving aside that a mook usually refers to a hapless redshirt whose only purpose on screen is to die horribly, you can run into same mook syndrome if you write characters too generically, to the point where they’re indistinguishable from any other villain of the chapter. Previous readers of my last novel are probably going to notice odd similarities between Barron and Mason from Fadeout, annnnnd... I don’t have an excuse for this, I’m sorry. 

Sometimes every chaotic asshole needs a similarly chaotic mook with the stereotypical features you’d expect every overpowered mook to have. Tilt too far into making said mook a super special snowflake on their own, and you suddenly have a damning example of scope creep, which can be an annoying thing, or a good thing... 

...I’m looking at you, Boba Fett.

But I digress. A few things I learned from finally finishing this chapter, and from posting longer works previously...

1) In this modern age, people are less likely to browse and read text walls on Tumblr if they’re longer than, say, 1000-2000 words. Is this just me, or do some people just forget to push the cute heart at the bottom of the work? (pls no bully for unintentional plug).

2) If I’m going to sally forth with this webserial idea, it’d probably be best to chop down the postings to 2000 something words anyway, because it’d keep me from going insane. It’s not November- I shouldn’t feel like I’m racing against time to produce something each week in addition to my actual full time job and running a fanblog for a certain indie game at the same time.

3) Did I mention I’m now running a fanfic blog for a certain indie game? Fun stuff. It’s good to take a break from writing serious, depressing dystopic fiction from time to time, otherwise you go on the lam for three months.

With this Chapter cleared, I feel like I can comfortably put Mercury Nine into storage for little while, during which I’ll finish editing the next draft of Fadeout and work on producing a larger quantity of short fiction for everyone to read, to keep myself sharp. I want to get into the habit of posting regularly again, other hobbies not-distracting, so that when it comes time to spend evenings crying as I rush to meet deadlines for the web serial writing a story regularly, I can do so with minimal difficulty. You know, aside from designing several new characters, creating little backstories for them, filling them with hopes and feelings and then dropping them into hell dungeons which may or may not come back to bite me in the ass later. 

Heck, I managed to pull it off with the newly formed DnD 5.0 C’thulhu-based homebrew I’m running, so this should be a cinch. Right? Right?

We’ll see what happens I guess. And if you read this far into this particularly cringe-inducing journal entry, thank you again for being a reader. ^^

-Stormy

[marthawelsh]

Spago at Bellagio is Reliably Unremarkable

Spago has opened at Bellagio and we can confidently report the longtime Strip fixture is still sort of just okay.

Spago has a new home at Bellagio. Water Grill will move into its former space at Forum Shops in 2019. Please keep up, there will be a quiz.

It was big news when Wolfgang Puck’s Spago announced it would relocate from the Forum Shops at Caesars Palace to Bellagio after a quarter century in Las Vegas.

Las Vegas media outlets reported the news with little interest in, or perhaps knowledge of, the backstory.

Specifically, business had flagged for several years at the Forum Shops location, and when the Forum Shops threatened to raise the restaurant’s rent, it was time to go.

During Spago’s heyday at Forum Shops, it was raking in an eye-popping $18 million a year, despite the fact only a handful of restaurants in Las Vegas make $10 million or more.

Spago set its sights on the Olives space in Bellagio. The space was freed up by another turn of events largely unreported, the decision by MGM Resorts to cut ties with the chef behind Olives, Todd English, following sexual harassment allegations. That’s also why the Todd English P.U.B. at Aria is now just The Pub. Props to MGM Resorts for taking a stand.

The glorious drama!

Spago opened at Bellagio on June 7, 2018, and we had to check it out, of course.

Of course, we stopped by the bar first. Do you know this blog at all?

A news release about the restaurant opening said, “Spago is inspired by California living with its casual elegance and farm-to-table ethos. Wolfgang hand selects seasonal ingredients to create the restaurant’s market-driven menu, featuring the chef’s signature fare paired with modern technique and creative elements.”

Ah, news releases.

While the Spago menu offers many of the dishes created by Wolfgang Puck, what the release and news reports haven’t shared is Wolfgang Puck isn’t really involved in Spago restaurant at Bellagio anymore.

As has become the norm in Las Vegas with celebrity chefs like Gordon Ramsay and Giada de Laurentiis and Guy Fieri, the restaurants boasting their names are operated by the host resort, with licensing fees being the only real connection to the chefs. Ditto Spago.

That means employees of Spago at Bellagio are on the payroll of MGM Resorts. Does it matter? Maybe not, but it’s something to keep in mind when deciding whether to dine there or not.

As was the case at the Forum Shops location, Spago serves up reasonably good, but far from great, fare.

One of the restaurant’s claims to fame is the smoked salmon and caviar pizza. The basic version is $36, the kaluga sturgeon caviar version is (wait for it) $75.

We’re all for indulging in Las Vegas, and this pizza might make a fine photo op, but if you think it’s worth $75, you’re Pucking nuts.

Other dishes are equally forgettable, including the $21 micro portion of spaghettini.

Mama mia, that’s adequate!

There’s also the grilled chicken sandwich ($22). You know you’re in “meh” territory when the best thing about a dish is the fries.

Well, it’s certainly food! Feel free to use that in your advertising, Spago.

Here’s the menu for Spago at Bellagio. While we found a menu for the restaurant online, it didn’t have prices. Which we’re sure is just an unintentional oversight.

Fun fact: Sometimes Las Vegas restaurants share menus without prices so they can increase prices when business is heaviest. Like rideshare’s surge pricing, but with pasta.

Here’s a larger version of the Spago menu to reward you for reading this far.

We were convinced the signature cocktails would be a highlight of the otherwise humdrum offerings at Spago, and if you can get past the sticker shock, the drinks are plenty tasty.

It seems $22 cocktails are the new $18 cocktails. To be honest, we were just starting to adjust to $12 cocktails.

Remember, you’re not paying for a cocktail, you’re paying for an experience. The experience of paying for an expensive cocktail.

Here’s the signature Out on the Tiles cocktail, with Chamucos Silver tequila, Aperol Aperitivo liqueur (made with gentian, cinchona and other words we don’t recognize), hibiscus, grapefruit juice and lime juice. A worthy addition to our collection of panty-dropper cocktails.

The $22 price tag wouldn’t have been nearly as painful were it not for the fact Out on the Tiles is served in what amounts to a glass thimble.

An undeniably spectacular aspect of Spago is its view of the Bellagio fountains.

An outdoor patio makes it feel as though you’re part of the iconic show.

This is about as Vegas as it gets.

A big plus for Spago is its excellent service and friendly, knowledgeable waitstaff.

It was refreshing when our waiter rolled his eyes at the fact straws are no longer provided at Spago, except upon request. When they were requested, this was the presentation. Note: We are not making this up.

“Straws by request only” is easily our “Most Annoying Thing About Las Vegas” for 2018.

Also classy is the option for guests to choose either black or white napkins.

As is the law, the place is a tad loud, but that’s a good sign as it means the Spago name still pulls in a decent crowd. Spago, by the way, translates as “string” in Italian.

Designer Gelila Puck (Wolfgang’s wife) collaborated with architects Massimiliano Locatelli and Annamaria Scevola of CLS Architetti to create a bland space you and your kids probably could’ve decorated better.

Then again, who are we to say this is boring? We are not an interior designer, we are a blog. And barely that, come to think of it.

If you decide to try Spago (we’d strongly suggest the nearby Lago restaurant instead, but you know how strong-headed you can be), expect to work up an appetite first.

Spago is in Bellagio’s shopping promenade, nearly a quarter mile (about 1,100 feet) from the main hotel entrance. No joke. It’s across from Tiffany & Co. and near Bottega Veneta, whatever that might be.

While Spago didn’t knock our socks off, it’s certainly not bad, and may just be what you’re looking for when you’re visiting the Bellagio Conservatory or the world’s largest chocolate fountain at Bellagio Patisserie, formerly Jean Philippe Patisserie.

Let us know what you think of Spago at Bellagio, and “Bon apetite!” or some other cliche people use in the last sentence of articles.

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Spago at Bellagio

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Spago at Bellagio is Reliably Unremarkable published first on http://marthawelsh.tumblr.com/

[oxfordeliterp]

CONGRATULATIONS, BETH!

You have been accepted to play the role of LUCAS LOCKWOOD with the faceclaim of SEAN TEALE. Please create your account and send it to the main in the next 24 hours. I didn’t have to finish the application to be sold, but I finished it three times and, at every reading, I found something new to love. It’s a complex one, underlining not the surface of Lucas, but what’s inside his heart and after reading everything you have chosen to fill this application with, I can honestly say that I trust you wholly with this character, for you have already made him yours. You understand Lucas on so many different layers that I couldn’t imagine anybody else even trying to play him. Are you sure you haven’t written the biography yourself? I have seen your magic in this application tonight, but what I am truly enthusiastic about is the actual roleplaying with you.

OUT OF CHARACTER INFORMATION

Name and pronouns: Beth and She/Her

Age: 25

Time-zone: EST

Activity level: I work full time on a shifting schedule, I’m the main admin and currently only admin in another RP where I have eight characters, and I try to maintain at least a weak social life so I don’t want to promise anything I can’t live up to, so I cannot promise rapid fire replies all day every day I have free time, but I intend to do replies at some point every day, and truly believe I can manage and if anything it will be easier to slip in replies for a roleplay where I only have one character and where doing replies doesn’t trigger questions and hurt feelings over why I have not done more replies. I could end up not as available as I think, every other day or so instead of every day, but I am dedicated and I have no intention of just appearing only to stay off activity check or anything of that nature. Furthermore, I vow to reply with thought and substance, fully present when I am present—but now I’ll stop before I go on and make those promises I can’t keep. Alternatively, I could just write in this section: Bitch, you know how I roll

Triggers: I can’t think of anything I react strongly enough to for it to be considered truly triggering. We all have stuff that we are less comfortable with or don’t like, but for me there’s nothing that would cause any reaction stronger than to possibly skip reading the rest of the post if I’m not involved that I can think of right now, and nothing I believe I couldn’t handle being involved in especially as most traumatic plots would have to be cleared in advance and I’d have a chance to access my comfortability (ie rape or my character discovering the body of a friend who committed suicide), but I will let you know if something arises and tag anything in the triggers tag.

IN CHARACTER INFORMATION

Desired character: Lucas Lockwood. Several areas of his background struck with me. It’s always a balance of finding a character that you can put a piece of your soul into as a way to bring them to life but not making them your physical skin to a point where it is both boring to play albeit easy to know how they will react or dangerous that you may take things said/done to or about the character too personally. Lucas, truly, is very far from me—though those are the aspects I am drawn to too and can’t wait to explore, the Casanova spirit, the tough callouses grown on the path to “cool” and enviable paragon, the fake relationship with strong frames supporting rotting guts and the mindset of what would possess one of the ten men who could have anything to persist in that arrangement when the Casanova is limiting who he can charm into his arms and bed and how openly  and the boy who for  loves love deep at heart is settling for a lack, the sexual tension with the stepsister, and the evolution to careless rich boy—but his history spoke to me until I saw him as a kindred spirit talking to me about shared experiences. I was older than Lucas was when he lost his mother, but I know that pain and the further hell of seeing a parent shattered for years and being what feels like their caregiver when they still should have been caring for you, and to have that be what feels like the expectation, damaging words of “take care of your [for me it was my mother left]”  or “you can’t be a child from now on” feeling like orders not just sentiments with some of them regretful. I’ve seen my remaining parent leave a job and collapse in—though I will defend that my mother didn’t do so to the extents I may hypothesize Mr. Lockwood did– and heard them talk about love so strong they now know why in some traditions wives throw themselves on their husband’s funeral pyres, making me wonder why love for a child wasn’t enough to live but then having the weight fall that parental love and obligation was the only thing keeping them on the earth. I’ve worn clothes until they literally fall apart and learned to cook from free food pantry items, and I’ve also experienced the recovery as life does go on and get better eventually, though there was no marrying rich or even new love besides finding new love for living and new jobs in my family’s story. My mother calls even the idea of finding someone new to love an abomination in the face of true love thirteen years after my father died and talks about him all the time,  selling the idea of consuming love and soulmates until it becomes as terrifying as it is enchanting to hear of how life shapingly wonderful being in love is and you don’t know whether to run to or run away which are conversations I am sure Lucas and his father had. I know how deliriously, desperately happy and hopeful I would be if my mother did fall in love again, the way my knees would bruise with the speed and fervency I would drop to my knees to pray it lasts, and the lengths I would go to making sure nothing interferes while trying not to show how much it means and scare the budding love away, so it is all too easy to see Lucas’s mind on the new marriage. Those are the heavy aspects and those of what first ties me to the character over the other riot Club members, but, at the core I desire Luca because I do love the easy-breezy and charming aspects and I plan on having a lot of fun with our rioting rich boys and the inter-club war. Also, come on, I saw apps for Lauren and Cordelia and there’s a good starting place.

Gender and pronouns of the character: Male, he/him

Changes: As discussed, I would like to change the faceclaim to Sean Teale.  I can think of no other changes at this time as it was already established we had the same ideas about areas of his backstory that were left more open (ie what age he was when his mother died), not that I believe I would have changed those anyway instead of adapting. Anything else that diverts from the bio would be unintentional, personal interpretation, or character growth over time and if something strikes you as off and wasn’t cleared beforehand you can approach and reproach me as it really would be misunderstanding more than likely.

Traits:

For someone with humble beginnings, Lucas lacks the social consciousness or sense of social responsibility one might expect –to a degree at least. He may furrow his brow occasionally and discuss heavy world issues with intelligence, but only until the next opportunity to change the subject comes up. Problems bore and choke him and he’s gagged enough on dust. He will fold his biggest bill and put it in a busker’s container or the homeless man’s cup with compassion but these are the same close to empty gestures of anyone with periodic guilt for having when there are have-nots and he’ll join the jeering too if anyone says they are where they are only through fault of their own, without correcting that it’s often more complicated. He not only doesn’t read evil intent into casual comments such as assumptions he’s good at football, but would defend there would be nothing wrong in it if these were in fact based in the shade of his skin rather than the facts that he has a footballers’ build and stance and is known to be athletic and competitive, or that he made a comment about playing in lower school one time. Not everything is racist, or everything is and it’s too exhausting to pay attention to all of it and not worth it if it’s not harmful. Nobody’s calling him any slurs, or the one time they did it seemed affectionate (And it was the wrong one, which made it funnier instead of more offensive, assuming his mother had been Sicilian not Spanish with family  roots in…he isn’t even sure where. Someplace tropical, but God forsaken and constantly destroyed by hurricanes instead of fashionable, he’d say, getting the vibe part right and part very wrong and terribly offensive to any kin he could have tracked down on that side). He fired back just as quickly with a term of his own that could have gotten him in serious trouble in school, beaten up, or professionally blacklisted if said in the wrong setting to the wrong person, because he was lacking filter and sensitivity that day, but it was just jokes, just how the boys talk—and he loves his boys more than his own life that he’d dispose for any of them not realizing that claiming and feeling so he’s fallen into the love trap just like any romantic even if it’s a different genus of love.

It’s just like they can call each other every slang or synonym for homosexual in the book as insult with only the oversensitive in his estimation calling it hate speak, though they hardly do call each other that way anymore when it’s an outdated fashion. It’s more designer edgy—again, his estimation and his personality that all is aesthetic–to embrace yourself and your peers as any identity but straight and to wave your hands vaguely, spreading the smoke from your lit cigarette you openly mock as phallic as if anyone thinks Freud is more than a joke anymore as you slouch and sit with legs spread because careless is a fashion too, and talk about how you don’t see gender really and sexuality is a spectrum (as you, and only you out of millions who have said the exact same thing) understand truly. You say you don’t like to label or limit yourself and make eye contact with either the prettiest thing in the room or the one you want to exert dominance over because, gay, straight, pan, bi, demi, or any other either of you might be, if they look away first you’ve gained power. It’s a game. Lucas takes everything that makes up behavior lightly as a game that he’s childishly pleased to have learned all the rules of young—not that he shows how pleased, cool cucumber he must play.

Lucas is close to truly soulless, not mourning the morals he doesn’t adhere to like Nicholas secretly does, and not aware that he is miserable, self-hating, or even much miserable at all like Miles seems to be. He is content with what he’s sold, even content in not feeling the warmth of falling in love except in tastes that last for hours or nights or linger in generalities of finding everyone has something lovable. He’s a light spirit and adaptable in the extreme to the point he would seem weak willed and desperate to fit any mold to be liked if he were less shining and a touch more pathetic. He doesn’t see it as selling out or hiding a “real him” but that he’s gone and found his days in the sun and is enjoying them just as his father went and found new life.

I have hardly gone into the traits that make him up, though I’ve touched on some that weren’t borrowed explicitly from the bio to give you a better idea that I am immersing in and creating a character that is truly mine instead of just parroting. This was supposed to just be a beginning but I have talked too long (as I could truly talk about Lucas all day) and I will spare you further reading unless you want me to return to this section.

Extras:

First off, Lucas’s major course.  I would have him go for a MEng in Engineering Science, which may seem weight-y and cerebral for Lucas, but I feel like it is befitting for:

Someone who grew up in thin times where handymen and other technicians like plumbers and electricians couldn’t be afforded and would be trying to fix things as they broke, far beyond his usual expected level sometimes as a child, and tinker until they worked—even if his father when he could be stirred did most of it and Lucas was just observing. You spend enough time trying to look at everything and figure out how it goes together and comes apart and how to keep it working, and you either get frustrated and resentful or develop talents and fascinations

Engineers are both respected and always in demand, and Lucas wants to be secure in life even if he one day never sees a dime of the McQueen money that is now the merged family bankroll. He doesn’t have the obsession with a certain style of life that Nicholas does. He could give up the designers that he only memorizes to fit in and because they mean something to others (and, on the other hand, only feigns ignorance of sometimes to bait Cordelia or make her eyes widen). He could leave opulent houses and once in a lifetime vacations that happen multiple times a year. He doesn’t need fine food and drink, but he does need to know there will always be a full table, a roof, and clothes on back no matter what fate throws, and he’ll develop talents that aren’t easy to learn and study advanced maths few want to approach to make himself indispensable even if he’s gone from top to middle of the class as to truly excel at his chosen course it requires dedication he has in spirit but not always in practice as there are so many things to commit time to instead of living in a mechanics or robotics lab or scribbling in a notebook or entering equations in a laptop every waking moment.

For a more fun and light extra, I made a text post meme post—on a blog not related to this RP because , though I know mock blogs are a thing, my own superstition is it’s tempting fate to make a character blog in advance unless instructed to. I could defend every quote I chose if asked, including why “having no fucks left to give” and “I cannot stop caring” are not as contradictory as they would seem at first brush, but, as you wrote the character, I am sure you can see where I drew influences from and if I am taking away the right bits.

http://the-dark-marks.tumblr.com/private/160156220833/tumblr_op8d47IkaB1ttdq0w

Headcanons and other extras will come through the days that come if I am to be accepted. Everything from here on out is an “extra” technically as we get chances to prove we can take the characters beyond the bios and add layers.

PARA SAMPLE

Lucas had taught himself to tie a tie from a youtube video in his room at eleven when some friend’s concerned parents compelled him into going to church services with them, pulling the trick by making it into a gateway to a whole day of plan, the family in question always having some adventure planned that they left for via a Sunday drive tradition straight  from church. He knew it was all part trick, no reason they couldn’t double back and pick him up after services as he stood waiting in street clothes and they too had a chance to go home and change instead of awkwardly packing extra outfits if warranted and changing in the church bathroom.  He didn’t even mind. They weren’t even trying to “save” him. They just thought he needed “proper influences” in his life like they could see through the windows of his house, though Mr. Lockwood could put on a face of the best of them and act the dear and doting, constantly cheerful jokester matured into cool dad that still had boundaries even though it took more to get to them that Lucas remembered from his early childhood. He slayed at parent and teacher nights.

So Lucas learned to tie a tie, the same tie that went with the same dusty and too short in the arms and legs by then suit he’d worn to his mother’s funeral a few years before, because he didn’t know how fancy this church was and he didn’t own a button down that wasn’t short sleeves anyway at the time and it was winter, so suit with suit jacket it was. He couldn’t ask his father that day, not only because he didn’t know how to explain that he had nothing else to wear and not make his father feel guilty if he laughed at the suit and asked the question the one who bought the clothes they both dressed in should already know the answer to. It wasn’t because he didn’t want to answer why he was going to church in monkey clothes (Ah, how funny to think how many times a year the Lockwood patriarch would be wearing true monkey suits to lofty events, parading tuxedos with pride and beaming over cufflinks in not too many years, though the beaming was for who had bought him the cufflinks and helped him pick the suit) just for the sake of a day on the pier and the beach after, why the other family wanted to drag him about so, when it was because they thought Lucas would be better imitating any of the upstanding kind of men you met in such a building or absorbing some good advice from scripture rather than listening to his father. It was because it was almost the anniversary of when his mother died again and Dad was locked in his room the past two days listening to their song.

He’d done a not bad job on the tie, but his father had caught him on his way out and, after a confused look  that read startled to even see him in the house and not remembering that it wasn’t yesterday Lucas’ friend’s family was picking him up and today they were returning him much less that there was something planned that needed a suit, and following this with an obvious reassembling of expression that said he was going to pretend to be all knowing so he didn’t look like a bad father,  adjusted it for him, giving him advice on how to make a straighter, surer not and have the tie lay better next time.

Practice and fatherly advice and Lucas got quite good at ties over the years. He added more and more styles of knotting  to his repertoire over the years as he added more ties of finer materials and had more occasion to wear them,  though he faltered on purpose at the first few events with the McQueens to feel that motherly touch of his father’s new wife that fulfilled a craving he’d shut himself off from having almost ten years before meeting her or to smirk at Cordelia and gaze into her eyes trying to decide whether it was amusement or disdain in them as she rebuked his uselessness and he felt her fingers dancing around his collar. Oxford and his mates taught him yet more and what styles suited what, well, suits and days until he could have written his own books on customs and etiquette just related to the silly bits of silk, and the only time now he felt at loss was when the question became what tie to wear in what style to Elizabeth Pemberly’s funeral and how to not make it feel like his own noose when he gazed on another coffin.