#fuji s3 pro

[wankelmuth]

Berlin, 2006/ 2024

Photo: Roland Helbig

[gryphon1911]

Fujifilm Finepix S3 Pro Review

Introduction Back in early days of my photography career (that was around 2005), there was always talk about the special nature of what Fuji was doing with the Super CCD sensor enabled cameras. I’d always wanted to experiment with one, but at the time, cost was prohibitive for me and there really were no rental options like there are now. I was not really looking to buy anything the other day,…

[mike-buick]

Red and White Stripes by Michael Buick Via Flickr: Lambretta colour poem

[lucaromanopix]

Kite a Los Roques, Francisky

Kite a Los Roques, Francisky

[vitaliyshendrik-blog]

Красивые фото со всего мира

Красивые фото со всего мира

There are two kinds of photographers in the world.

I have heard story like this. A photographer saw a spider web with beautiful dew drops on it and it was built in the place with perfect light. The photographer took many shots of it and at the end he destroyed the web. Because he did not want anybody else has a chance shooting it.

There is also another kind of photographer who want to share the…

[digital-cameras-singapore]

5 Frames with the Zorki 2C (S) & Retropan 320 Soft - By David Hoult

5 Frames with the Zorki 2C (S) & Retropan 320 Soft – By David Hoult

I have been using film cameras since the late 70’s but became serious when I started my wedding photography company in the late 80’s into the 90’s using 35mm and medium format cameras for weddings and portraits eventually moving onto digital as they became more accessible using the Fuji S2&S3 pro cameras.After a car accident ended my business I left photography for a number of years eventually…

[wankelmuth]

Berlin, 2006/ 2024

Photo: Roland Helbig

[bd5useddriversblog-blog]

DOWNLOAD FUJI A820 DRIVER

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[hotprogramsarchivekjd-blog]

DOWNLOAD FUJI XEROX DOCUWIDE 3030 64 BIT DRIVER

File Format: exe Uploader: Gita Operating Systems: Windows NT/2000/XP/2003/2003/7/8/10 MacOS 10/X Date Added: 10 November, 2019 File Name: fuji xerox docuwide 3030 64 bit driver File Size: 23 Mb Download Type: http File Version: 911131671 Downloads: 3711 Price: Free

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[cameratoyou]

*!@# Fuji s3 Pro Digital camera https://ebay.to/2YqpDxT

[michelcaumes]

Le cœur ❣ dans le passé et le regard 👀 vers le futur. Je suis persuadé que les anciennes techniques et les nouvelles technologies peuvent se marier pour le meilleur en photo comme dans d’autres domaines Est-ce que vous êtes d’accord ? Je vous prépare des surprises sur la chaîne YouTube Faire de la Photo Surimpression en raw à la prise de vue sur mon Fuji S3 pro https://www.instagram.com/p/B1_v16zI6rp/?igshid=1e0t4ahihmer4

[golshxd-blog]

No, not a bike, a trike…

Medium format cameras are irrelevant, aren’t they? Their numbers are dwarfed by those of full frame (35mm) cameras. And the progress of said full-frame cameras has made them even more irrelevant, until their inevitable extinction, right?

Well maybe, but maybe not. 4 recent entries into that very limited space indicate that “someone” believes this demise is not inevitable. Indeed, that it might be worth investing in what could become a growth space.

Eglise St Roch, Paris

To be fair, those 4 entries do not include the heavyweights that form Canikony, or even 4 all-new cameras. Those are the latest version of the Leica S, the S3, the reincarnated version of the Hasselblad X1D into XID II, of the Fuji GFX 50S into the GFX 50R, and the novel Fuji GFX 100.

4 cameras, and 4 different approaches. With the S3, Leica MF (small MF, as sensors sizes go) gets a new, upgraded sensor. With the R version, the GFX 50 gets a smaller body and a smaller price. With the “II” moniker, the Hasselblad X1D also gets a smaller price, and improves on most of its predecessor’s weaknesses. And the GFX 100 gets colossal resolution, with a first in the MF space: IBIS.

At this stage 2 other MF players deserve a mention: Pentax, and Phase One. That they did not conveniently come out with new gear in time for this post doesn’t exactly rule them out, does it?

What do these 4 cameras tell us? Basically 2 things, and they ���might” matter.

That in the MF space, the race for “more” is alive and well. Everyone seems to understand that pulling away from FF camera specs is necessary, even Leica, with its 64 Mp resolution. Which is saying something, because Leica are usually the Mp-count caboose. For that matter, the race for more pixels has leveled off in the FF space when 7 years saw a mere 30% improvement since the already-old-ish-by-now Nikon D800

That the reduced prices initiated by Pentax and now replicated by Fuji and Hasselblad show that some MF players are now “going after” high-end 35mm. Fuji actually dub their GFX 50R “super full frame”. Whereas until now, it was the opposite: 35mm camera and lens makers vying for the MF mantle, like Zeiss in their marketing blurb for the new Otus 100mm f:1.4.

Why is that happening? Because in photography gear history, larger meant more unpleasant to use. Barnack’s genius, as he invented the 35mm format, was not in performance, it was in ease-of-use. Now, it seems the MF crowd “get the message”, and make new and highly desirable gear easier to own (lower price) and to use (basically like a bigger mirrorless).

It also creates a new class of “prosumer MF”, around 5-6k$, very much cheaper than pro-MF, at 20k$+ (think Hassy H6, Phase One). Leica being alone in offering prosumer gear at pro prices, but that is what they do in other segments as well.

Will this be successful? No-one knows yet. But, for sure, such developments are good for us gear buyers, because it means we get to have even more options than before, some at lesser-but-still-high cost.

PS: I won’t get drawn into the controversies whether a 100Mp camera is even desirable, or of performance vs quality. I know that their are strong opinions on both sides of the fence. To each his/her own.

Posted on DearSusan by philberphoto.

[kindlecomparedinfo]

Big cameras and big rivalries take center stage at Photokina

Photokina is underway in London and the theme of the show is “large.” Unusually for an industry that is trending towards the compact, the cameras on stage at this show sport big sensors, big lenses, and big price tags. But though they may not be for the average shooter, these cameras are impressive pieces of hardware that hint at things to come for the industry as a whole.

The most exciting announcement is perhaps that from Panasonic, which surprised everyone with the S1 and S1R, a pair of not-quite-final full frame cameras that aim to steal a bit of the thunder from Canon and Nikon’s entries into the mirrorless full frame world.

Panasonic’s cameras have generally had impressive video performance, and these are no exception. They’ll shoot 4K at 60 FPS, which in a compact body like that shown is going to be extremely valuable to videographers. Meanwhile the S1R, with 47 megapixels to the S1’s 24, will be optimized for stills. Both will have dual card slots (which Canon and Nikon declined to add to their newest gear), weather sealing, and in-body image stabilization.

Nikon embraces a mirrorless future with Z series cameras and lenses

The timing and inclusion of so many desired features indicates either that Panasonic was clued in to what photographers wanted all along, or they waited for the other guys to move and then promised the things their competitors wouldn’t or couldn’t. Whatever the case, the S1 and S1R are sure to make a splash, whatever their prices.

Panasonic was also part of an announcement that may have larger long-term implications: a lens mount collaboration with Leica and Sigma aimed at maximum flexibility for the emerging mirrorless full-frame and medium format market. L-mount lenses will work on any of the group’s devices (including the S1 and S1R) and should help promote usage across the board.

Leica, for its part, announced the S3, a new version of its medium format S series that switches over to the L-mount system as well as bumping a few specs. No price yet but if you have to ask, you probably can’t afford it.

Sigma had no camera to show, but announced it would be taking its Foveon sensor tech to full frame and that upcoming bodies would be using the L mount as well.

This Fuji looks small here, but it’s no lightweight. It’s only small in comparison to previous medium format cameras.

Fujifilm made its own push on the medium format front with the new GFX 50R, which sticks a larger than full frame (but smaller than “traditional” medium format) sensor inside an impressively small body. That’s not to say it’s insubstantial: Fuji’s cameras are generally quite hefty, and the 50R is no exception, but it’s much smaller and lighter than its predecessor and, surprisingly, costs $2,000 less at $4,499 for the body.

The theme, as you can see, is big and expensive. But the subtext is that these cameras are not only capable of extraordinary imagery, but they don’t have to be enormous to do it. This combination of versatility with portability is one of the strengths of the latest generation of cameras, and clearly Fuji, Panasonic and Leica are eager to show that it extends to the pro-level, multi-thousand dollar bodies as well as the consumer and enthusiast lineup.

from RSSMix.com Mix ID 8176395 https://techcrunch.com/2018/09/25/big-cameras-and-big-rivalries-take-center-stage-at-photokina/ via http://www.kindlecompared.com/kindle-comparison/

[un-enfant-immature]

Big cameras and big rivalries take center stage at Photokina

Photokina is underway in London and the theme of the show is “large.” Unusually for an industry that is trending towards the compact, the cameras on stage at this show sport big sensors, big lenses, and big price tags. But though they may not be for the average shooter, these cameras are impressive pieces of hardware that hint at things to come for the industry as a whole.

The most exciting announcement is perhaps that from Panasonic, which surprised everyone with the S1 and S1R, a pair of not-quite-final full frame cameras that aim to steal a bit of the thunder from Canon and Nikon’s entries into the mirrorless full frame world.

Panasonic’s cameras have generally had impressive video performance, and these are no exception. They’ll shoot 4K at 60 FPS, which in a compact body like that shown is going to be extremely valuable to videographers. Meanwhile the S1R, with 47 megapixels to the S1’s 24, will be optimized for stills. Both will have dual card slots (which Canon and Nikon declined to add to their newest gear), weather sealing, and in-body image stabilization.

Nikon embraces a mirrorless future with Z series cameras and lenses

The timing and inclusion of so many desired features indicates either that Panasonic was clued in to what photographers wanted all along, or they waited for the other guys to move and then promised the things their competitors wouldn’t or couldn’t. Whatever the case, the S1 and S1R are sure to make a splash, whatever their prices.

Panasonic was also part of an announcement that may have larger long-term implications: a lens mount collaboration with Leica and Sigma aimed at maximum flexibility for the emerging mirrorless full-frame and medium format market. L-mount lenses will work on any of the group’s devices (including the S1 and S1R) and should help promote usage across the board.

Leica, for its part, announced the S3, a new version of its medium format S series that switches over to the L-mount system as well as bumping a few specs. No price yet but if you have to ask, you probably can’t afford it.

Sigma had no camera to show, but announced it would be taking its Foveon sensor tech to full frame and that upcoming bodies would be using the L mount as well.

This Fuji looks small here, but it’s no lightweight. It’s only small in comparison to previous medium format cameras.

Fujifilm made its own push on the medium format front with the new GFX 50R, which sticks a larger than full frame (but smaller than “traditional” medium format) sensor inside an impressively small body. That’s not to say it’s insubstantial: Fuji’s cameras are generally quite hefty, and the 50R is no exception, but it’s much smaller and lighter than its predecessor and, surprisingly, costs $2,000 less at $4,499 for the body.

The theme, as you can see, is big and expensive. But the subtext is that these cameras are not only capable of extraordinary imagery, but they don’t have to be enormous to do it. This combination of versatility with portability is one of the strengths of the latest generation of cameras, and clearly Fuji, Panasonic and Leica are eager to show that it extends to the pro-level, multi-thousand dollar bodies as well as the consumer and enthusiast lineup.

[lucaromanopix]

STREGATTO

[powerfulfilesarchive6ao-blog]

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